|
|
10.0 |
2002 |
D![Color; AUDIO: Dolby Digital Color](icons/q-rgb.png) |
Prevrashchenie |
Valeri Fokin, W, W, ++, P, M |
|
10.0 |
1987 |
D![Color; Color](icons/q-rgb.png) |
Peremena uchasti |
Kira Muratova, W, W, P |
|
10.0 |
1981 |
![Color; 35 mm; AUDIO: Mono Color](icons/rgb.png) |
Motsurave |
Irakli Kvirikadze, W, P, M |
|
10.0 |
1980 |
D![Black and White, Color (Eastmancolor); Aspect: 1.66:1; 35 mm; Arriflex Cameras; AUDIO: Mono Black and White, Color (Eastmancolor)](icons/rgb-bw.png) |
Csontváry |
Zoltán Huszárik, W, W, ++, P, M |
|
10.0 |
1980 |
CDHMlR![Color; Aspect: 1.37:1; 35 mm; Arriflex Cameras and Lenses Color](icons/rgb.png) |
Say a Word for the Poor Hussar |
Eldar Ryazanov, W, W, P, M «O bednom gusare zamolvite slovo» TV |
|
10.0 |
1976 |
DW![Color (Eastmancolor); Aspect: 1.37:1; 35 mm; Arriflex Cameras; AUDIO: Mono Color (Eastmancolor)](icons/rgb.png) |
The Fifth Seal |
Zoltán Fábri, W, W, P, M «Az ötödik pecsét» |
|
10.0 |
1971 |
D![Black and White; Black and White](icons/bw.png) |
Dolgie provody |
Kira Muratova, W, P, M |
|
10.0 |
1971 |
D![Color (Eastmancolor); Aspect: 1.66:1; 35 mm; Arriflex Cameras; AUDIO: Mono Color (Eastmancolor)](icons/rgb.png) |
Sinbad |
Zoltán Huszárik, W, W, ++, P, M «Szindbád» |
|
10.0 |
1959 |
RC![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono Black and White](icons/bw.png) |
A Man Goes Through the Wall |
Ladislao Vajda, W, W, ++, P, M «Ein Mann geht durch die Wand» |
|
10.0 |
1947 |
CFFanMlR![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono Black and White](icons/bw.png) |
Zolushka |
Nadezhda Kosheverova, Mikhail Shapiro, W, P, M |
|
10.0 |
1937 |
CCrR![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Tobis-Klangfilm) Black and White](icons/bw.png) |
Two Merry Adventurers |
Karl Hartl, W, W, P, M «Der Mann, der Sherlock Holmes war» |
|
9.8 |
1969 |
D![Color (Eastmancolor); Aspect: 2.35:1; 35 mm; Agascope; AUDIO: Mono Color (Eastmancolor)](icons/rgb.png) |
The Boys of Paul Street |
Zoltán Fábri, W, W, ++, P, M «A Pál utcai fiúk» |
|
9.7 |
1969 |
D![Color (Sovcolor); AUDIO: Mono Color (Sovcolor)](icons/q-rgb.png) |
Ne goryuy |
Georgiy Daneliya, W, W, P, M |
|
9.6 |
1998 |
McDo![Black and White, Color; Black and White, Color](icons/rgb-bw.png) |
Richter: The Enigma |
Bruno Monsaingeon TV |
|
9.6 |
1983 |
HMl![Color (Fujicolor); 35 mm; AUDIO: Mono Color (Fujicolor)](icons/rgb.png) |
Le Bal |
Ettore Scola, W, W, ++, P, M «Le bal» |
|
9.6 |
1979 |
CFan![Color; AUDIO: Mono Color](icons/q-rgb.png) |
Tot samyy Myunkhgauzen |
Mark Zakharov, W, P, M TV |
|
9.5 |
2004 |
![TV](icons/tv_icon.png) ![TV](icons/tv_icon.png) DRW![Color; Aspect: 1.78:1; AUDIO: Mono Color](icons/q-rgb.png) |
"Deti Arbata" |
Andrey Eshpay, W, W, ++, P, M TV series 2004- |
|
9.5 |
2000 |
AnSCFSf![Color; Aspect: 1.66:1; AUDIO: Dolby SR Color](icons/q-rgb.png) |
Au bout du monde |
Konstantin Bronzit, W, P |
|
9.5 |
1995 |
![TV](icons/tv_icon.png) RD![Color; Aspect: 1.66:1; 16 mm; Super 16; AUDIO: Dolby Color](icons/rgb.png) |
"Pride and Prejudice" |
[ Simon Langton ], [ W, W ], P, M TV mini-series 1995- |
|
9.5 |
1976 |
AnSFMl![Color; Color](icons/q-rgb.png) |
Goluboy shchenok |
Efim Gamburg, W, W, P, M |
|
9.5 |
1975 |
C![Color; AUDIO: Mono Color](icons/q-rgb.png) |
Hello, I'm Your Aunt! |
Viktor Titov, W, W, P, M «Zdravstvuyte, ya vasha tyotya!» TV |
|
9.5 |
1966 |
C![Black and White; Aspect: 1.75:1; 35 mm; AUDIO: Mono Black and White](icons/bw.png) |
The Birds, the Bees and the Italians |
Pietro Germi, W, W, ++, P, M «Signore & signori» |
|
9.4 |
1970 |
CDR![Black and White; Aspect: 2.35:1; 35 mm; Sovscope; AUDIO: Mono Black and White](icons/bw.png) |
Nachalo |
Gleb Panfilov, W, W, P, M |
|
9.4 |
1969 |
![TV](icons/tv_icon.png) ![TV](icons/tv_icon.png) CMc![Color; Aspect: 1.33:1; 16 mm (exteriors and locations) Video (studio shots); Arriflex 16 mm Cameras; AUDIO: Mono, Stereo Color](icons/rgb.png) |
"Monty Python's Flying Circus" |
[ Ian MacNaughton, John Howard Davies ], [ W, W, W++ ], P, P, P++, M TV series 1969-1974 |
|
9.3 |
1971 |
C![Color (Eastmancolor); Aspect: 1.33:1; 35 mm; AUDIO: Mono Color (Eastmancolor)](icons/rgb.png) |
The Gazebo |
Jean Girault, W, W, ++, P, M «Jo» |
|
9.1 |
1996 |
CD![Color; Aspect: 1.85:1; 35 mm; AUDIO: Dolby Color](icons/rgb.png) |
The Dress |
Alex van Warmerdam, W, P, M «De jurk» |
|
9.1 |
1979 |
DR![Black and White, Color (Sovcolor); Aspect: 1.37:1; 35 mm; AUDIO: Mono Black and White, Color (Sovcolor)](icons/rgb-bw.png) |
Five Evenings |
Nikita Mikhalkov, W, W, ++, P, M «Pyat vecherov» |
|
9.1 |
1975 |
CR![Color; Aspect: 1.37:1; 35 mm; Arriflex Cameras and Lenses Color](icons/rgb.png) |
Ironiya sudby, ili S legkim parom! |
Eldar Ryazanov, W, W, P, M TV |
|
9.1 |
1966 |
CW![Color (Eastmancolor); Aspect: 2.35:1; 35 mm (Eastman); Panavision (anamorphic); Panavision Lenses; AUDIO: Mono (Westrex Recording System) Color (Eastmancolor)](icons/rgb.png) |
La Grande Vadrouille |
Gérard Oury, W, W, ++, P, P, M «La grande vadrouille» |
|
9.0 |
2002 |
DFanR![Color; Aspect: 1.85:1; AUDIO: Dolby Digital Color](icons/q-rgb.png) |
The Virgin of Lust |
Arturo Ripstein, W, W, P, M, M «La virgen de la lujuria» |
|
9.0 |
2000 |
CD![Color; Color](icons/q-rgb.png) |
Life Is Beautiful |
Fazil, W, M |
|
9.0 |
1981 |
DR![Color (Technicolor); 35 mm; AUDIO: Mono Color (Technicolor)](icons/rgb.png) |
Lady of the Camelias |
Mauro Bolognini, W, W, ++, P, M «La storia vera della signora dalle camelie» |
|
9.0 |
1976 |
D![Color; 35 mm; AUDIO: Mono Color](icons/rgb.png) |
The Wishing Tree |
Tengiz Abuladze, W, W, ++, P, M, M «Natvris khe» |
|
9.0 |
1971 |
CCr![Color (Eastmancolor); 35 mm; AUDIO: Mono Color (Eastmancolor)](icons/rgb.png) |
There Was Once a Cop |
Georges Lautner, W, W, ++, P, M «Il était une fois un flic..» |
|
9.0 |
1967 |
D![Black and White; Black and White](icons/bw.png) |
Vedreba |
Tengiz Abuladze, W, W, ++, P, M |
|
9.0 |
1965 |
C![Black and White; Aspect: 2.35:1; 35 mm; Sovscope Black and White](icons/bw.png) |
Pokhozhdeniya zubnogo vracha |
Elem Klimov, W, P, M |
|
8.9 |
1998 |
D![Color; Aspect: 1.33:1; 35 mm (Kodak Vision 500T 5279, Eastman EXR 200T 5293); Panavision Cameras and Lenses Color](icons/rgb.png) |
Always Outnumbered |
Michael Apted, W, P, M TV |
|
8.9 |
1982 |
CMlRSf![Color; Color](icons/q-rgb.png) |
Charodei |
Konstantin Bromberg, W, ++, P, M TV |
|
8.9 |
1969 |
AnAdCFFanR![Color (Eastmancolor); Aspect: 2.35:1; 35 mm; Toeiscope; AUDIO: Mono Color (Eastmancolor)](icons/rgb.png) |
Puss in Boots |
Kimio Yabuki, W, W, ++, M «Nagagutsu o haita neko» |
|
8.9 |
1967 |
![TV](icons/tv_icon.png) ![TV](icons/tv_icon.png) ADMSf![Color; Aspect: 1.33:1; 35 mm; AUDIO: Mono, Dolby Digital (DVD Release) Color](icons/rgb.png) |
"The Prisoner" |
[ Patrick McGoohan, Pat Jackson, D++ ], [ W, W, W++ ], P, M, M TV series 1967-1968 |
|
8.8 |
2003 |
![TV](icons/tv_icon.png) D![Color; Color](icons/q-rgb.png) |
"Idiot" |
Vladimir Bortko, W, W, P, M TV mini-series 2003- |
|
8.8 |
1976 |
CD![Color (Technicolor); 35 mm; AUDIO: Mono Color (Technicolor)](icons/rgb.png) |
Ugly, Dirty and Bad |
Ettore Scola, W, W, ++, P, M «Brutti, sporchi e cattivi» |
|
8.7 |
2009 |
DFFanM![Color; Aspect: 1.78:1; Video (HDTV); Digital Intermediate (master format) HDV (source format); Arriflex D-21; AUDIO: Dolby Digital Color](icons/h-rgb.png) |
Skellig: The Owl Man |
Annabel Jankel, W, W, P, M «Skellig» TV |
|
8.7 |
1989 |
![TV](icons/tv_icon.png) AdDWe![Color; Aspect: 1.33:1; AUDIO: Mono Color](icons/q-rgb.png) |
"Lonesome Dove" |
[ Simon Wincer ], [ W, W ], P, M TV mini-series 1989- |
|
8.7 |
1976 |
C![Color (Eastmancolor); Panavision; AUDIO: Mono Color (Eastmancolor)](icons/q-rgb.png) |
The Toy |
Francis Veber, W, P, M «Le jouet» |
|
8.6 |
1993 |
AnSCCrF![Color; Aspect: 1.37:1; 16 mm; AUDIO: Dolby (as Dolby Stereo) Color](icons/rgb.png) |
The Wrong Trousers |
Nick Park, W, W, ++, M |
|
8.6 |
1974 |
CDo![Color; Aspect: 2.35:1; 35 mm; Panavision (anamorphic); AUDIO: Mono Color](icons/rgb.png) |
Beautiful People |
Jamie Uys, W, P «Animals Are Beautiful People» |
|
8.6 |
1970 |
CD![Black and White; 35 mm; AUDIO: Mono Black and White](icons/bw.png) |
Once Upon a Time There Was a Singing Blackbird |
Otar Iosseliani, W, W, ++, P, M «Iko shashvi mgalobeli» |
|
8.5 |
2008 |
D![Color; AUDIO: Dolby Digital Color](icons/q-rgb.png) |
The Gift to Stalin |
Rustem Abdrashitov, W, P, M «Podarok Stalinu» |
|
8.5 |
1998 |
CCrD![Color; Color](icons/q-rgb.png) |
Strana glukhikh |
Valeriy Todorovskiy, W, W, ++, P, M |
|
8.5 |
1975 |
C![Color (Eastmancolor); Aspect: 2.35:1; 35 mm; Panavision (anamorphic); AUDIO: Mono Color (Eastmancolor)](icons/rgb.png) |
La course à l'échalote |
Claude Zidi, W, W, ++, P, M |
|
8.5 |
1975 |
C![Color (Eastmancolor); 35 mm; AUDIO: Mono Color (Eastmancolor)](icons/rgb.png) |
Pas de problème! |
Georges Lautner, W, W, ++, P, M |
|
8.5 |
1972 |
D![Color (Eastmancolor); 35 mm; AUDIO: Mono Color (Eastmancolor)](icons/rgb.png) |
Indian Summer |
Valerio Zurlini, W, W, ++, P, M «La prima notte di quiete» |
|
8.5 |
1951 |
CD![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono Black and White](icons/bw.png) |
Guardie e ladri |
Mario Monicelli, Steno, W, W, ++, P, M |
|
8.4 |
2007 |
CDFan![Color; Aspect: 1.85:1; 35 mm (Kodak); Super 35 (anamorphic); Arriflex Cameras (35 mm); AUDIO: Dolby Digital Color](icons/rgb.png) |
Mermaid |
Anna Melikyan, W, P, M «Rusalka» |
|
8.4 |
2006 |
![TV](icons/tv_icon.png) ![TV](icons/tv_icon.png) Do![Color; Aspect: 1.78:1 Color](icons/q-rgb.png) |
"Planet Earth" |
[ Alastair Fothergill ], [ W, W ], P, P, P++, M, M TV series 2006- |
|
8.4 |
2005 |
![TV](icons/tv_icon.png) D![Color; Aspect: 1.78:1; Video (HDTV); HDCAM; Sony HDW-750; AUDIO: Stereo Color](icons/h-rgb.png) |
"Bleak House" |
[ Justin Chadwick, Susanna White ], [ W, W ], P, M TV mini-series 2005- |
|
8.4 |
1990 |
![TV](icons/tv_icon.png) ![TV](icons/tv_icon.png) C![Color; AUDIO: Stereo, Mono (season 1-2) Color](icons/q-rgb.png) |
"Jeeves and Wooster" |
[ Ferdinand Fairfax, Simon Langton, Robert Young ], [ W, W ], P, P, M TV series 1990-1993 |
|
8.4 |
1973 |
C![Color (Eastmancolor); Aspect: 1.66:1; 35 mm Spherical; AUDIO: Mono Color (Eastmancolor)](icons/rgb.png) |
The Mad Adventures of 'Rabbi' Jacob |
Gérard Oury, W, W, ++, P, M «Les aventures de Rabbi Jacob» |
|
8.4 |
1965 |
C![Color (Eastmancolor); 35 mm; AUDIO: Mono Color (Eastmancolor)](icons/rgb.png) |
Slå først, Frede! |
Erik Balling, W, W, ++, P, P, M |
|
8.3 |
1992 |
![TV](icons/tv_icon.png) ![TV](icons/tv_icon.png) CrDM![Color; AUDIO: Dolby Color](icons/q-rgb.png) |
"A Touch of Frost" |
[ Roger Bamford, Paul Harrison, D++ ], [ W, W, W++ ], P, P, M, M, M TV series 1992- |
|
8.3 |
1980 |
CDR![Black and White (archive footage), Color (Eastmancolor); Aspect: 1.66:1; AUDIO: Mono Black and White (archive footage), Color (Eastmancolor)](icons/rgb-bw.png) |
Mon oncle d'Amérique |
Alain Resnais, W, W, P, M |
|
8.2 |
2001 |
D![Color; Aspect: 1.85:1; 35 mm (Kodak); Panavision Cameras and Lenses; AUDIO: Dolby Digital Color](icons/rgb.png) |
Wit |
Mike Nichols, W, W, ++, P, M TV |
|
8.2 |
1982 |
AnSCF![Color; Color](icons/q-rgb.png) |
Zhil-byl pyos |
Eduard Nazarov, W, P |
|
8.2 |
1971 |
CCr![Color (Eastmancolor); 35 mm; AUDIO: Mono Color (Eastmancolor)](icons/rgb.png) |
The Olsen Gang in Jutland |
Erik Balling, W, W, P, M «Olsen-banden i Jylland» |
|
8.2 |
1969 |
AnSF![Color; Aspect: 1.33:1; AUDIO: Mono Color](icons/q-rgb.png) |
Winnie Pooh |
Fyodor Khitruk, W, W, ++, P, M «Vinni-Pukh» |
|
8.1 |
1989 |
DW![Color; Aspect: 2.35:1; 35 mm; Panavision (anamorphic); AUDIO: Dolby Color](icons/rgb.png) |
Life and Nothing But |
Bertrand Tavernier, W, W, ++, P, M «La vie et rien d'autre» |
|
8.1 |
1985 |
C![Color; Aspect: 1.37:1; 35 mm; Panavision Cameras and Lenses; AUDIO: Dolby Color](icons/rgb.png) |
Tampopo |
Jûzô Itami, W, P, M |
|
8.1 |
1971 |
AAdCR![Color (Eastmancolor); 35 mm; AUDIO: Mono Color (Eastmancolor)](icons/rgb.png) |
Les mariés de l'an deux |
Jean-Paul Rappeneau, W, ++, P, M |
|
8.1 |
1967 |
C![Color (Eastmancolor); Aspect: 2.35:1; 35 mm; Franscope; AUDIO: Mono Color (Eastmancolor)](icons/rgb.png) |
Oscar |
Edouard Molinaro, W, W, ++, P, M, M |
|
8.1 |
1952 |
CD![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Sound) Black and White](icons/bw.png) |
Le Plaisir |
Max Ophüls, W, W, ++, P, P, M «Le plaisir» |
|
8.0 |
2008 |
![TV](icons/tv_icon.png) ![TV](icons/tv_icon.png) D![Color; Color](icons/q-rgb.png) |
"Ottsy i deti" |
Dunya Smirnova, W, W, ++, P, M, M TV series 2008- |
|
8.0 |
2008 |
CD![Color; Aspect: 1.85:1; 16 mm Digital; Digital Intermediate (master format) HD 1080i (source format) Super 16 (source format); Arriflex 416 Arriflex D-20; AUDIO: Dolby Digital Color](icons/d-rgb.png) |
Dean Spanley |
Toa Fraser, W, W, P, M |
|
8.0 |
2004 |
CAnS![Color; Aspect: 1.85:1; Digital; Digital; AUDIO: Dolby Digital Color](icons/d-rgb.png) |
Fallen Art |
Tomasz Baginski, W, M «Sztuka spadania» |
|
8.0 |
2000 |
DMc![Color; AUDIO: Dolby Digital Color](icons/q-rgb.png) |
Tonic Dominant |
Lina Chamie, W, P «Tônica Dominante» |
|
8.0 |
1995 |
AnSCCrF![Color; Aspect: 1.66:1; 16 mm; AUDIO: Stereo (as Dolby Stereo) Color](icons/rgb.png) |
A Close Shave |
Nick Park, W, W, P, M |
|
8.0 |
1991 |
D![Color; Aspect: 1.85:1; 35 mm; AUDIO: Dolby Color](icons/rgb.png) |
Close to Eden |
Nikita Mikhalkov, W, ++, P, M «Urga» |
|
8.0 |
1989 |
CR![Color; 35 mm Color](icons/rgb.png) |
Chyornaya roza - emblema pechali, krasnaya roza - emblema lyubvi |
Sergey Solovyov, W, P, M |
|
8.0 |
1975 |
DTW![Color (Eastmancolor); Aspect: 1.85:1; 35 mm; AUDIO: Mono Color (Eastmancolor)](icons/rgb.png) |
The Old Gun |
Robert Enrico, W, W, ++, P, M «Le vieux fusil» |
|
8.0 |
1952 |
CD![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (RCA Sound System) Black and White](icons/bw.png) |
Bellissima |
Luchino Visconti, W, W, ++, P, P |
|
8.0 |
1933 |
Do![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Tobis-Klangfilm) Black and White](icons/bw.png) |
Victory of the Faith |
Leni Riefenstahl, P, P, P++, M «Der Sieg des Glaubens» |
|
7.9 |
2007 |
DFanSf![Black and White; 16 mm; Super 16; AUDIO: Dolby Digital Black and White](icons/bw.png) |
La antena |
Esteban Sapir, W, P, M |
|
7.9 |
1999 |
DF![Color; Aspect: 1.85:1; 35 mm Color](icons/rgb.png) |
The Color of Paradise |
Majid Majidi, W, P, M «Rang-e khoda» |
|
7.9 |
1995 |
CrD![Color; Aspect: 1.85:1; 35 mm (Eastman EXR 50D 5245, EXR 500T 5298); Arriflex 35-III, Panavision Primo Lenses Panavision Panaflex Platinum, Panavision Primo Lenses; AUDIO: Dolby Color](icons/rgb.png) |
Cyclo |
Tran Anh Hung, W, P, P, M «Xich lo» |
|
7.9 |
1989 |
CD![Color (Eastmancolor); Aspect: 2.35:1; 35 mm; Panavision (anamorphic); AUDIO: Dolby Color (Eastmancolor)](icons/rgb.png) |
Too Beautiful for You |
Bertrand Blier, W, P «Trop belle pour toi» |
|
7.9 |
1988 |
AnDW![Color (Technicolor); Aspect: 1.85:1; 35 mm; AUDIO: Mono, Dolby (as Dolby Stereo) (theatrical print) Color (Technicolor)](icons/rgb.png) |
Grave of the Fireflies |
Isao Takahata, W, W, P, M «Hotaru no haka» |
|
7.9 |
1986 |
AdD![Color (Technicolor); Aspect: 1.85:1; 35 mm; Panaflex Cameras and Lenses by Panavision; AUDIO: Mono Color (Technicolor)](icons/rgb.png) |
Stand by Me |
Rob Reiner, W, W, ++, P, M |
|
7.9 |
1983 |
CCr![Color (Eastmancolor); Aspect: 1.66:1; AUDIO: Mono Color (Eastmancolor)](icons/q-rgb.png) |
Les compères |
Francis Veber, W, P, M |
|
7.9 |
1980 |
DHW![Color (Eastmancolor); Aspect: 1.85:1; 35 mm; Panaflex Camera and Lenses by Panavision; AUDIO: Mono Color (Eastmancolor)](icons/rgb.png) |
Breaker Morant |
Bruce Beresford, W, W, ++, P «'Breaker' Morant» |
|
7.9 |
1976 |
C![Color (Eastmancolor); Aspect: 2.35:1; 35 mm; Panavision (anamorphic); AUDIO: Mono Color (Eastmancolor)](icons/rgb.png) |
The Wing and the Thigh |
Claude Zidi, W, W, P, P, M «L'aile ou la cuisse» |
|
7.9 |
1972 |
CR![Color (Technicolor); Aspect: 1.85:1; 35 mm; Panavision Cameras and Lenses; AUDIO: Mono Color (Technicolor)](icons/rgb.png) |
What's Up, Doc? |
Peter Bogdanovich, W, W, ++, P, M |
|
7.9 |
1970 |
C![Color (Eastmancolor); AUDIO: Mono Color (Eastmancolor)](icons/q-rgb.png) |
Happy He Who Like Ulysses |
Henri Colpi, W, W, ++, P, M «Heureux qui comme Ulysse..» |
|
7.9 |
1970 |
CMl![Color (Eastmancolor); Aspect: 2.35:1; 35 mm; Franscope; AUDIO: Mono Color (Eastmancolor)](icons/rgb.png) |
L'homme orchestre |
Serge Korber, W, W, ++, P, M |
|
7.9 |
1965 |
CCr![Color (Eastmancolor); Aspect: 2.35:1; 35 mm; Franscope (anamorphic); AUDIO: Mono (Westrex Recording System) Color (Eastmancolor)](icons/rgb.png) |
The Sucker |
Gérard Oury, W, W, ++, P, M «Le corniaud» |
|
7.9 |
1964 |
CD![Black and White; 35 mm; AUDIO: Mono Black and White](icons/bw.png) |
Seduced and Abandoned |
Pietro Germi, W, W, ++, P, M «Sedotta e abbandonata» |
|
7.8 |
2009 |
B![Color; Aspect: 1.85:1; 35 mm; AUDIO: Dolby Digital Color](icons/rgb.png) |
Room and a Half |
Andrey Khrzhanovskiy, W, W, P «Poltory komnaty ili sentimentalnoe puteshestvie na rodinu» |
|
7.8 |
2003 |
DR![Color; Aspect: 1.75:1; AUDIO: DTS, Dolby Digital Color](icons/q-rgb.png) |
The Stroll |
Aleksey Uchitel, W, P, P «Progulka» |
|
7.8 |
1988 |
![TV](icons/tv_icon.png) D![Color; Aspect: 1.33:1; 35 mm; AUDIO: Mono Color](icons/rgb.png) |
"The Decalogue" |
[ Krzysztof Kieslowski ], [ W, W ], P, P, M «"Dekalog"» TV mini-series 1988- |
|
7.8 |
1986 |
CCr![Color (Eastmancolor); 35 mm; AUDIO: Stereo Color (Eastmancolor)](icons/rgb.png) |
Fugitives |
Francis Veber, W, P, M «Les fugitifs» |
|
7.8 |
1984 |
CCr![Color (Eastmancolor); Aspect: 1.66:1; 35 mm; AUDIO: Mono Color (Eastmancolor)](icons/rgb.png) |
My New Partner |
Claude Zidi, W, W, ++, P, M «Les ripoux» |
|
7.8 |
1973 |
C![Color (Eastmancolor); Aspect: 1.66:1; AUDIO: Mono Color (Eastmancolor)](icons/q-rgb.png) |
L'emmerdeur |
Edouard Molinaro, W, P, M, M |
|
7.7 |
2007 |
AnS![Color; Color](icons/q-rgb.png) |
Lavatory Lovestory |
Konstantin Bronzit, W, M «Ubornaya istoriya - lyubovnaya istoriya» |
|
7.7 |
1989 |
D![Color; Aspect: 1.85:1; 35 mm; AUDIO: Dolby Color](icons/rgb.png) |
Jesus of Montreal |
Denys Arcand, W, P, M, M, M «Jésus de Montréal» |
|
7.7 |
1982 |
RDA![Color; Aspect: 1.33:1; AUDIO: Mono Color](icons/q-rgb.png) |
The Scarlet Pimpernel |
Clive Donner, W, W, P, M TV |
|
7.7 |
1981 |
D![Color (Eastmancolor); Aspect: 1.66:1; 35 mm; AUDIO: Mono Color (Eastmancolor)](icons/rgb.png) |
Mephisto |
István Szabó, W, W, ++, P, M |
|
7.7 |
1980 |
BD![Black and White; Aspect: 2.35:1; 35 mm (Eastman Plus-X 5231); Panavision (anamorphic); Panavision Cameras and Lenses; AUDIO: Dolby Black and White](icons/bw.png) |
The Elephant Man |
David Lynch, W, W, ++, P, M |
|
7.7 |
1976 |
D![Color (Eastmancolor); Aspect: 1.66:1; 35 mm; AUDIO: Mono Color (Eastmancolor)](icons/rgb.png) |
Cria Cuervos |
Carlos Saura, W, P, M, M «Cría cuervos» |
|
7.7 |
1973 |
ACFanR![Color (Eastmancolor); Aspect: 1.66:1; 35 mm; Panavision Cameras and Lenses; AUDIO: Mono Color (Eastmancolor)](icons/rgb.png) |
Le magnifique |
Philippe de Broca, W, W, ++, P, M |
|
7.7 |
1969 |
D![Color; Aspect: 1.66:1; 35 mm; AUDIO: Mono Color](icons/rgb.png) |
Kes |
Ken Loach, W, ++, P, M |
|
7.6 |
2006 |
C![Color; Aspect: 1.85:1; 35 mm (Kodak Vision2 200T 5217, Vision2 500T 5218); Panavision Panaflex Platinum, Panavision Primo Lenses; AUDIO: Mono Color](icons/rgb.png) |
Jardins en automne |
Otar Iosseliani, W, P, M |
|
7.6 |
2002 |
CrD![Color; Aspect: 1.85:1; 16 mm (Eastman EXR 50D 7245, Kodak Vision 250D 7246, Vision 200T 7274, Vision 500T 7279) 35 mm (Eastman EXR 50D 5245, Kodak Vision 250D 5246, Vision 200T 5274, Vision 500T 5279); Digital Intermediate (2K) (master format) Super 16 (source format) Super 35 (source format); Aaton 35-III, Zeiss Super Speed Lenses Aaton A-Minima, Zeiss Super Speed and Angenieux HR Lenses Aaton XTR Prod, Zeiss Super Speed and Angenieux HR Lenses; AUDIO: Dolby Digital, SDDS Color](icons/rgb.png) |
City of God |
Fernando Meirelles, Kátia Lund, W, W, P, M, M «Cidade de Deus» |
|
7.6 |
1993 |
CDFanR![Color (Technicolor); Aspect: 1.85:1; 35 mm; Panavision Cameras and Lenses; AUDIO: Dolby SR (as Dolby Stereo) Color (Technicolor)](icons/rgb.png) |
Groundhog Day |
Harold Ramis, W, W, ++, P, M |
|
7.6 |
1965 |
D![Black and White; Aspect: 2.35:1; 35 mm; Tohoscope (anamorphic); AUDIO: 4-Track Stereo Black and White](icons/bw.png) |
Red Beard |
Akira Kurosawa, W, W, ++, P, P, M «Akahige» |
|
7.6 |
1947 |
CDFFan![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Recording) Black and White](icons/bw.png) |
Miracle on 34th Street |
George Seaton, W, W, P, P, M |
|
7.5 |
2008 |
D![Color; Aspect: 1.85:1; 35 mm; Arricam LT, Zeiss Master Prime Lenses; AUDIO: Dolby Digital Color](icons/rgb.png) |
Lorna's Silence |
Jean-Pierre Dardenne, Luc Dardenne, W, W, P «Le silence de Lorna» |
|
7.5 |
2008 |
DR![Color; Aspect: 2.35:1; 35 mm; Arricam LT, Cooke S4 Lenses; AUDIO: Dolby Digital Color](icons/rgb.png) |
Love Me No More |
Jean Becker, W, W, ++, P, M, M «Deux jours à tuer» |
|
7.5 |
2004 |
FanMRT![Black and White, Color; Aspect: 1.85:1 Black and White, Color](icons/rgb-bw.png) |
Survive Style 5+ |
Gen Sekiguchi, W, P, M |
|
7.5 |
2002 |
DWC![Color; Aspect: 1.85:1; 35 mm; AUDIO: Dolby Digital Color](icons/rgb.png) |
The Cuckoo |
Aleksandr Rogozhkin, W, P, M «Kukushka» |
|
7.5 |
1999 |
D![Color; AUDIO: Dolby Color](icons/q-rgb.png) |
Karnaval |
Thomas Vincent, W, W, P, P, P, M |
|
7.5 |
1994 |
CrT![Color; Aspect: 2.35:1; 35 mm; Panavision (anamorphic); AUDIO: Stereo, Dolby SR Color](icons/rgb.png) |
A Pure Formality |
Giuseppe Tornatore, W, ++, P, M «Una pura formalità» |
|
7.5 |
1994 |
CrD![Color (Eastmancolor); Aspect: 1.85:1; 35 mm (Eastman); AUDIO: Dolby, Dolby SR Color (Eastmancolor)](icons/rgb.png) |
Once Were Warriors |
Lee Tamahori, W, W, P, M, M |
|
7.5 |
1990 |
DFanR![Color; Aspect: 1.85:1; 35 mm (Eastman EXR 50D 5245); Panavision Cameras and Lenses; AUDIO: 70 mm 6-Track (analog 70 mm prints), CDS (digital 70 mm prints), Dolby SR (35 mm prints), CDS (digital 35 mm prints) Color](icons/rgb.png) |
Edward Scissorhands |
Tim Burton, W, W, ++, P, M |
|
7.5 |
1982 |
BCrDHMR![Color (Fujicolor); Aspect: 1.66:1; 35 mm; AUDIO: Mono Color (Fujicolor)](icons/rgb.png) |
The Return of Martin Guerre |
Daniel Vigne, W, W, ++, P, M «Le retour de Martin Guerre» |
|
7.5 |
1976 |
CCr![Color (Technicolor); Aspect: 1.85:1; 35 mm; AUDIO: Mono Color (Technicolor)](icons/rgb.png) |
High Rollers |
Sergio Corbucci, W, W, ++, P, M «Bluff storia di truffe e di imbroglioni» |
|
7.5 |
1975 |
AnSDFFanM![Color; Aspect: 1.33:1; AUDIO: Mono Color](icons/q-rgb.png) |
Hedgehog in the Fog |
Yuriy Norshteyn, W, P, M «Yozhik v tumane» |
|
7.5 |
1973 |
CDFanMc![Color (Eastmancolor); Aspect: 1.85:1; 35 mm; AUDIO: Mono Color (Eastmancolor)](icons/rgb.png) |
O Lucky Man! |
Lindsay Anderson, W, P, M |
|
7.5 |
1964 |
AAdCR![Color (Eastmancolor); Aspect: 1.66:1; 35 mm; AUDIO: Mono Color (Eastmancolor)](icons/rgb.png) |
That Man from Rio |
Philippe de Broca, W, W, ++, P, M «L'homme de Rio» |
|
7.5 |
1951 |
DN![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Recording) Black and White](icons/bw.png) |
Ace in the Hole |
Billy Wilder, W, W, ++, P, M |
|
7.5 |
1950 |
DN![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Recording) Black and White](icons/bw.png) |
Sunset Blvd. |
Billy Wilder, W, W, ++, P, M |
|
7.5 |
1946 |
D![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (RCA Photophone System) Black and White](icons/bw.png) |
Shoeshine |
Vittorio De Sica, W, W, ++, P, M «Sciuscià (Ragazzi)» |
|
7.5 |
1944 |
CrDNT![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Mirrophonic Recording) Black and White](icons/bw.png) |
Double Indemnity |
Billy Wilder, W, W, ++, P, M |
|
7.4 |
2000 |
CDR![Color; Aspect: 2.35:1; 35 mm (Fuji Super F-500T 8572); Super 35; Arriflex 535B, Cooke S4 Lenses; AUDIO: Dolby Digital, DTS Color](icons/rgb.png) |
The Taste of Others |
Agnès Jaoui, W, W, P, M «Le goût des autres» |
|
7.4 |
1994 |
CrDT![Color (Technicolor); Aspect: 2.35:1; 35 mm (Eastman EXR 200T 5293, EXR 500T 5296); Technovision (anamorphic); Arriflex 35 BL4, Technovision/Zeiss Super Speed and Angenieux HR Lenses Arriflex 35-III, Technovision/Zeiss Super Speed and Angenieux HR Lenses; AUDIO: Dolby Digital, SDDS (8 channels) Color (Technicolor)](icons/rgb.png) |
Léon: The Professional |
Luc Besson, W, P, M «Léon» |
|
7.4 |
1977 |
DR![Color (Eastmancolor); Aspect: 1.66:1; 35 mm; AUDIO: Mono Color (Eastmancolor)](icons/rgb.png) |
The Lacemaker |
Claude Goretta, W, W, ++, P, M «La dentellière» |
|
7.4 |
1973 |
![TV](icons/tv_icon.png) D![Color (Eastmancolor); 16 mm; AUDIO: Mono Color (Eastmancolor)](icons/rgb.png) |
"Scenes from a Marriage" |
[ Ingmar Bergman ], [ W ], P «"Scener ur ett äktenskap"» TV mini-series 1973- |
|
7.4 |
1971 |
CD![Color (Technicolor); Aspect: 1.85:1; 35 mm; AUDIO: Mono Color (Technicolor)](icons/rgb.png) |
Bless the Beasts & Children |
Stanley Kramer, W, W, P, M, M |
|
7.4 |
1960 |
CDR![Black and White; Aspect: 2.35:1; 35 mm; Panavision (anamorphic); AUDIO: Mono (Westrex Recording System) Black and White](icons/bw.png) |
The Apartment |
Billy Wilder, W, W, P, M |
|
7.4 |
1957 |
DM![Black and White; Aspect: 1.66:1; 35 mm; AUDIO: Mono (Westrex Recording System) Black and White](icons/bw.png) |
Witness for the Prosecution |
Billy Wilder, W, W, ++, P, M |
|
7.3 |
1989 |
AnSAdCF![Color; Aspect: 1.33:1; AUDIO: Mono Color](icons/q-rgb.png) |
A Grand Day Out |
Nick Park, W, P, M |
|
7.3 |
1979 |
CCr![Color (Eastmancolor); Panavision; AUDIO: Mono Color (Eastmancolor)](icons/q-rgb.png) |
Buffet Froid |
Bertrand Blier, W, P, M «Buffet froid» |
|
7.3 |
1975 |
AAd![Color (Technicolor); Aspect: 2.35:1; 35 mm; Panavision (anamorphic) (as Panavision®); AUDIO: 4-Track Stereo Color (Technicolor)](icons/rgb.png) |
The Man Who Would Be King |
John Huston, W, W, ++, P, M |
|
7.3 |
1961 |
C![Black and White; Aspect: 1.85:1; 35 mm; AUDIO: Mono (Westrex Co. System) Black and White](icons/bw.png) |
Divorce Italian Style |
Pietro Germi, W, W, ++, P, P, M «Divorzio all'italiana» |
|
7.3 |
1961 |
DSp![Black and White; Aspect: 2.35:1; 35 mm; CinemaScope; AUDIO: Mono (Westrex Recording System) Black and White](icons/bw.png) |
The Hustler |
Robert Rossen, W, W, ++, P, M |
|
7.3 |
1953 |
CDR![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Recording) Black and White](icons/bw.png) |
Roman Holiday |
William Wyler, W, W, ++, P, P, M |
|
7.3 |
1950 |
D![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Recording) Black and White](icons/bw.png) |
All About Eve |
Joseph L. Mankiewicz, W, ++, P, M |
|
7.3 |
1916 |
Ad![Black and White; Silent](icons/bw.png) |
Judex |
Louis Feuillade, W, W, P, P, M |
|
7.2 |
2008 |
DMlR![Color; Aspect: 2.35:1; 35 mm; AUDIO: Dolby Digital EX Color](icons/rgb.png) |
Hipsters |
Valeriy Todorovskiy, W, W, P, M «Stilyagi» |
|
7.2 |
2000 |
CDW![Color; Aspect: 1.85:1; AUDIO: Dolby Digital Color](icons/q-rgb.png) |
Divided We Fall |
Jan Hrebejk, W, W, ++, P, M «Musíme si pomáhat» |
|
7.2 |
1996 |
AdDF![Color; Aspect: 1.85:1; 35 mm (Eastman EXR 50D 5245, EXR 100T 5248, EXR 200T 5293, EXR 500T 5298); Panavision Cameras and Lenses; AUDIO: SDDS (8 channels), Dolby Digital Color](icons/rgb.png) |
Fly Away Home |
Carroll Ballard, W, W, ++, P, M |
|
7.2 |
1990 |
CDR![Color; Aspect: 2.35:1; 35 mm; Panavision (anamorphic); AUDIO: Mono Color](icons/rgb.png) |
The Hairdresser's Husband |
Patrice Leconte, W, W, P, M «Le mari de la coiffeuse» |
|
7.2 |
1987 |
AdCFFanR![Color; Aspect: 1.85:1; 35 mm; J-D-C Cameras and Lenses; AUDIO: Dolby Color](icons/rgb.png) |
The Princess Bride |
Rob Reiner, W, P, M |
|
7.2 |
1984 |
DR![Color; Aspect: 1.66:1; 35 mm; AUDIO: Mono Color](icons/rgb.png) |
Swann in Love |
Volker Schlöndorff, W, W, ++, P, M, M, M++ «Un amour de Swann» |
|
7.2 |
1980 |
C![Color (Metrocolor); Aspect: 1.85:1; 35 mm; Lenses and Panaflex Camera by Panavision; AUDIO: 4-Track Stereo Color (Metrocolor)](icons/rgb.png) |
Airplane! |
Jim Abrahams, David Zucker, ++, W, W, ++, P, M |
|
7.2 |
1979 |
CDR![Color; 35 mm; AUDIO: Mono Color](icons/rgb.png) |
Osenniy marafon |
Georgiy Daneliya, W, P, M |
|
7.2 |
1977 |
CDR![Color (Eastmancolor); Aspect: 1.66:1; 35 mm; Panavision Cameras and Lenses; AUDIO: Mono Color (Eastmancolor)](icons/rgb.png) |
That Obscure Object of Desire |
Luis Buñuel, W, W, ++, P «Cet obscur objet du désir» |
|
7.2 |
1975 |
D![Color; Aspect: 1.85:1; 35 mm (Eastman 100T 5254); AUDIO: Mono Color](icons/rgb.png) |
One Flew Over the Cuckoo's Nest |
Milos Forman, W, W, ++, P, M |
|
7.2 |
1972 |
CM![Color (Eastmancolor); Aspect: 1.66:1; 35 mm; AUDIO: Mono Color (Eastmancolor)](icons/rgb.png) |
The Tall Blond Man with One Black Shoe |
Yves Robert, W, W, P, M «Le grand blond avec une chaussure noire» |
|
7.2 |
1955 |
HoMT![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (A.R.T.E.C.) Black and White](icons/bw.png) |
Diabolique |
Henri-Georges Clouzot, W, W, ++, P, M «Les diaboliques» |
|
7.2 |
1950 |
CD![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Recording) Black and White](icons/bw.png) |
Harvey |
Henry Koster, W, ++, P, M |
|
7.1 |
2003 |
DR![Color; Aspect: 1.85:1; Super 16; Arriflex SR 3 Advanced; AUDIO: Dolby Digital Color](icons/q-rgb.png) |
The Best of Youth |
Marco Tullio Giordana, W, W, P «La meglio gioventù» |
|
7.1 |
2001 |
DW![Color; Aspect: 2.35:1; 35 mm (Fuji Super F-250T 8552, Super F-500T 8572); Super 35; Aaton 35-III, Cooke S4 and Canon Lenses Arriflex 35 BL4S, Cooke S4 and Canon Lenses; AUDIO: Dolby SR Color](icons/rgb.png) |
No Man's Land |
Danis Tanovic, W, P, M |
|
7.1 |
1996 |
CrD![Color; Aspect: 1.85:1; 35 mm (Eastman EXR 200T 5293); Aaton 35-III, Zeiss Standard Speed Lenses Arriflex 35 BL4, Zeiss Standard Speed Lenses; AUDIO: Dolby Digital Color](icons/rgb.png) |
Trainspotting |
Danny Boyle, W, W, P |
|
7.1 |
1989 |
C![Color; Aspect: 1.66:1; AUDIO: Mono Color](icons/q-rgb.png) |
The Gods Must Be Crazy II |
Jamie Uys, W, P, M |
|
7.1 |
1984 |
BDMc![Color (Technicolor); Aspect: 2.20:1; 35 mm (Eastman 250T 5293); Panavision (anamorphic); Panavision Cameras and Lenses; AUDIO: 70 mm 6-Track (70 mm prints), Dolby Digital (director's cut), Dolby (35 mm prints) Color (Technicolor)](icons/rgb.png) |
Amadeus |
Milos Forman, W, P |
|
7.1 |
1974 |
C![Color; Aspect: 1.85:1; 35 mm; AUDIO: Mono Color](icons/rgb.png) |
The Return of the Tall Blond Man with One Black Shoe |
Yves Robert, W, W, P, M «Le retour du grand blond» |
|
7.1 |
1969 |
D![Black and White, Color; Aspect: 2.35:1; 35 mm; Panavision (anamorphic); AUDIO: 4-Track Stereo Black and White, Color](icons/rgb-bw.png) |
They Shoot Horses, Don't They? |
Sydney Pollack, W, W, ++, P, M |
|
7.1 |
1963 |
CS![Black and White; Aspect: 1.33:1; AUDIO: Mono Black and White](icons/bw.png) |
Der 90. Geburtstag oder Dinner for One |
Heinz Dunkhase, ++ TV |
|
7.1 |
1962 |
ACAdD![Color (Eastmancolor); Aspect: 2.35:1; 35 mm; Dyaliscope; AUDIO: Mono Color (Eastmancolor)](icons/rgb.png) |
Cartouche |
Philippe de Broca, W, W, ++, P, M |
|
7.1 |
1959 |
AAdCrMT![Color (Technicolor); Aspect: 1.66:1; 35 mm (horizontal); VistaVision; Mitchell VistaVision Cameras; AUDIO: Mono (Westrex Recording System), Dolby SR, Dolby Digital Color (Technicolor)](icons/rgb.png) |
North by Northwest |
Alfred Hitchcock, W, P, M |
|
7.1 |
1959 |
C![Black and White; Aspect: 1.66:1; 35 mm; AUDIO: Mono (Westrex Recording System) Black and White](icons/bw.png) |
Some Like It Hot |
Billy Wilder, W, W, ++, P, M |
|
7.1 |
1952 |
|
Fan-Fan the Tulip |
«Fanfan la Tulipe» |
|
7.1 |
1949 |
CCr![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (RCA Sound System) Black and White](icons/bw.png) |
Kind Hearts and Coronets |
Robert Hamer, W, W, ++, P, M |
|
7.1 |
1940 |
AnAdDFFanMc![Color (Technicolor); Aspect: 1.33:1; 35 mm; AUDIO: Mono (RCA Victor High Fidelity Sound System) Color (Technicolor)](icons/rgb.png) |
Pinocchio |
Norman Ferguson, T. Hee, ++, W, W, ++, M, M |
|
7.0 |
2010 |
AnFMl![Color; Color](icons/q-rgb.png) |
The Ugly Duckling |
Garri Bardin, W, W, P, M «Gadkiy utyonok» |
|
7.0 |
2004 |
AnS![Black and White; Black and White](icons/bw.png) |
Wind Along the Coast |
Ivan Maksimov, W «Veter vdol berega» |
|
7.0 |
2003 |
CCr![Color; Aspect: 2.35:1; 35 mm; Technovision; Technovision Cameras; AUDIO: Dolby Digital Color](icons/rgb.png) |
Ruby & Quentin |
Francis Veber, W, W, P, M «Tais-toi!» |
|
7.0 |
1998 |
CDH![Color; Aspect: 1.66:1; 35 mm Color](icons/rgb.png) |
Pro urodov i lyudey |
Aleksey Balabanov, W, P |
|
7.0 |
1995 |
DR![Color (Technicolor); Aspect: 1.85:1; 35 mm; AUDIO: Dolby SR, SDDS (8 channels), Dolby Digital Color (Technicolor)](icons/rgb.png) |
Sense and Sensibility |
Ang Lee, W, W, P, M |
|
7.0 |
1992 |
CCr![Color; Aspect: 1.85:1; 35 mm; Panavision Cameras and Lenses; AUDIO: Dolby SR Color](icons/rgb.png) |
My Cousin Vinny |
Jonathan Lynn, W, P, M |
|
7.0 |
1988 |
DW![Black and White; Aspect: 2.35:1; 35 mm; Sovscope; AUDIO: Mono Black and White](icons/bw.png) |
The Commissar |
Aleksandr Askoldov, W, W, P, M «Komissar» |
|
7.0 |
1984 |
DR![Color; Aspect: 1.85:1; 35 mm; AUDIO: Mono Color](icons/rgb.png) |
Maria's Lovers |
Andrey Konchalovskiy, W, W, ++, P, M |
|
7.0 |
1978 |
CMcR![Color (Technicolor); Aspect: 1.85:1; 35 mm; AUDIO: Mono Color (Technicolor)](icons/rgb.png) |
I Wanna Hold Your Hand |
Robert Zemeckis, W, W, P |
|
7.0 |
1978 |
DoS![Black and White; Silent](icons/bw.png) |
Ten Minutes Older |
Herz Frank, W, P «Par desmit minutem vecaks» |
|
7.0 |
1974 |
FanHoT![Color (Eastmancolor); 35 mm; AUDIO: Mono Color (Eastmancolor)](icons/rgb.png) |
Successive Slidings of Pleasure |
Alain Robbe-Grillet, W, P, M «Glissements progressifs du plaisir» |
|
7.0 |
1973 |
DR![Color; Aspect: 1.85:1; 35 mm; AUDIO: Mono Color](icons/rgb.png) |
Turkish Delight |
Paul Verhoeven, W, W, P, M «Turks fruit» |
|
7.0 |
1967 |
CrD![Color (Technicolor); Aspect: 2.35:1; 35 mm; Panavision (anamorphic); Panavision Lenses; AUDIO: Mono Color (Technicolor)](icons/rgb.png) |
Cool Hand Luke |
Stuart Rosenberg, W, W, ++, P, M |
|
7.0 |
1959 |
AAd![Color; Aspect: 2.35:1; 35 mm; Dyaliscope; AUDIO: Mono Color](icons/rgb.png) |
Le Bossu |
André Hunebelle, W, W, ++, P, M «Le bossu» |
|
6.9 |
1993 |
AAdCrMT![Color; Aspect: 1.85:1; 35 mm (also horizontal); Spherical VistaVision (effects shots); Panavision Cameras and Lenses; AUDIO: Dolby (as Dolby Stereo) Color](icons/rgb.png) |
The Fugitive |
Andrew Davis, W, W, ++, P, M |
|
6.9 |
1993 |
AnFFanMl![Color (Technicolor); Aspect: 1.85:1; 35 mm (Eastman EXR 100T 5248); Disney Digital 3-D (re-release version) Spherical; AUDIO: Dolby Digital Color (Technicolor)](icons/rgb.png) |
The Nightmare Before Christmas |
Henry Selick, W, W, ++, P, M |
|
6.9 |
1990 |
DFanMcR![Color; Aspect: 1.33:1; 35 mm; AUDIO: Dolby Color](icons/rgb.png) |
Truly Madly Deeply |
Anthony Minghella, W, P, M |
|
6.9 |
1981 |
ACrDT![Color; Aspect: 1.66:1; 35 mm (Kodak); Panavision Cameras and Lenses; AUDIO: Mono Color](icons/rgb.png) |
The Professional |
Georges Lautner, W, W, ++, P, M «Le professionnel» |
|
6.9 |
1980 |
AC![Color; Aspect: 2.35:1; 35 mm (2-perf); Techniscope; AUDIO: Mono Color](icons/rgb.png) |
The Gods Must Be Crazy |
Jamie Uys, W, P, P, P, M |
|
6.9 |
1966 |
CCrR![Color; Aspect: 2.35:1; 35 mm; Panavision (anamorphic) (as Panavision ®); AUDIO: Mono (Westrex Recording System) Color](icons/rgb.png) |
How to Steal a Million |
William Wyler, W, W, P, M |
|
6.9 |
1951 |
DT![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Recording) Black and White](icons/bw.png) |
No Highway in the Sky |
Henry Koster, W, W, ++, P, M «No Highway» |
|
6.9 |
1938 |
CMT![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono Black and White](icons/bw.png) |
The Lady Vanishes |
Alfred Hitchcock, W, W, ++, P, M, M |
|
6.8 |
2009 |
AnCD![Black and White, Color; Aspect: 1.85:1; AUDIO: Dolby Digital Black and White, Color](icons/rgb-bw.png) |
Mary and Max |
Adam Elliot, W, P, M |
|
6.8 |
2008 |
CrDT![Color; Aspect: 2.35:1; 35 mm (Fuji Eterna 500T 8573); Digital Intermediate (2K) (master format) Hawk Scope (anamorphic) (source format); Hawk Anamorphic Lenses; AUDIO: DTS, Dolby SR (Digital) Color](icons/rgb.png) |
Anything for Her |
Fred Cavayé, W, W, ++, P, M «Pour elle» |
|
6.8 |
2007 |
ACrDT![Color; Aspect: 1.85:1; 35 mm (Kodak); Digital Intermediate (master format) Spherical (source format); Panavision Cameras and Lenses; AUDIO: Dolby Digital Color](icons/rgb.png) |
Elite Squad |
José Padilha, W, W, ++, P, M «Tropa de Elite» |
|
6.8 |
2001 |
AnAdCFFan![Color; Aspect: 1.85:1; Digital; Digital Intermediate (2K) (master format) Digital (source format); AUDIO: SDDS, Dolby Digital, DTS Color](icons/d-rgb.png) |
Monsters, Inc. |
Pete Docter, David Silverman, ++, W, W, ++, M |
|
6.8 |
1998 |
ASfT![Black and White, Color; Aspect: 1.85:1; 35 mm (Eastman EXR 100T 5248, EXR 200T 5293) Video (selected scenes); Arriflex 535; AUDIO: Dolby Digital Black and White, Color](icons/rgb-bw.png) |
Run Lola Run |
Tom Tykwer, W, P, M, M, M «Lola rennt» |
|
6.8 |
1996 |
Do![Color; Aspect: 1.66:1; AUDIO: Dolby Digital Color](icons/q-rgb.png) |
Microcosmos |
Claude Nuridsany, Marie Pérennou, W, W, P, M «Microcosmos: Le peuple de l'herbe» |
|
6.8 |
1991 |
CFanSf![Color; Aspect: 1.66:1; 35 mm (Kodak); Technovision Cameras; AUDIO: Dolby Color](icons/rgb.png) |
Delicatessen |
Marc Caro, Jean-Pierre Jeunet, W, W, ++, P, M |
|
6.8 |
1991 |
CD![Color; Aspect: 1.85:1; 35 mm (Eastman EXR 500T 5296); Arriflex 35 BL3, Zeiss Super Speed Lenses; AUDIO: Dolby Color](icons/rgb.png) |
Night on Earth |
Jim Jarmusch, W, P, M |
|
6.8 |
1986 |
AdFFanMl![Color; Aspect: 2.20:1; 35 mm; J-D-C Scope (anamorphic); AUDIO: Dolby Color](icons/rgb.png) |
Labyrinth |
Jim Henson, W, W, ++, P, M |
|
6.8 |
1975 |
CW![Color; Aspect: 1.33:1; 35 mm; Panavision Cameras and Lenses; AUDIO: Mono Color](icons/rgb.png) |
Love and Death |
Woody Allen, W, P |
|
6.8 |
1970 |
CrT![Color (Eastmancolor); Aspect: 1.66:1; 35 mm (Eastman 100T 5254); AUDIO: Mono Color (Eastmancolor)](icons/rgb.png) |
Le Cercle Rouge |
Jean-Pierre Melville, W, P, M «Le cercle rouge» |
|
6.8 |
1969 |
D![Black and White, Color; Aspect: 1.85:1; 35 mm; AUDIO: Mono, Dolby Digital (DVD Release) Black and White, Color](icons/rgb-bw.png) |
Midnight Cowboy |
John Schlesinger, W, W, P, M |
|
6.8 |
1965 |
CRD![Black and White; Aspect: 1.37:1; AUDIO: Mono Black and White](icons/bw.png) |
Loves of a Blonde |
Milos Forman, W, ++, P, M «Lásky jedné plavovlásky» |
|
6.8 |
1955 |
CCr![Color (Technicolor); Aspect: 1.37:1; 35 mm; AUDIO: Mono (RCA Sound Recording) Color (Technicolor)](icons/rgb.png) |
The Ladykillers |
Alexander Mackendrick, W, ++, P, M |
|
6.8 |
1945 |
RD![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Recording) Black and White](icons/bw.png) |
Brief Encounter |
David Lean, ++, P |
|
6.8 |
1944 |
CrDNMT![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Sound System) Black and White](icons/bw.png) |
Gaslight |
George Cukor, W, W, ++, P, M |
|
6.7 |
2003 |
CDR![Black and White (archive footage), Color; Aspect: 1.85:1; 35 mm (Kodak) 8 mm (some scenes); Moviecam Cameras; AUDIO: Dolby Digital Black and White (archive footage), Color](icons/rgb-bw.png) |
Good Bye Lenin! |
Wolfgang Becker, W, W, ++, P, M |
|
6.7 |
2002 |
![TV](icons/tv_icon.png) ![TV](icons/tv_icon.png) CDMCr![Color; Aspect: 1.78:1; 35 mm; HDCAM SR (master format) Super 35 (3-perf) (source format); Panavision Panaflex Platinum, Panavision Primo Lenses; AUDIO: Stereo Color](icons/rgb.png) |
"Monk" |
[ Randall Zisk, Jerry Levine, D++ ], [ W, W, W++ ], P, P, P++, M, M TV series 2002-2009 |
|
6.7 |
2001 |
Do![Color; Aspect: 1.85:1; 35 mm (Eastman EXR 50D 5245, Kodak Vision 250D 5246); Aaton 35 III Eclair Cameras Panavision Cameras and Lenses Technovision Cameras; AUDIO: DTS-ES, Dolby Digital EX Color](icons/rgb.png) |
Winged Migration |
Jacques Perrin, Jacques Cluzaud, ++, W, W, ++, P, P, P++, M «Le peuple migrateur» |
|
6.7 |
1992 |
D![Color (Technicolor); Aspect: 1.85:1; 35 mm; AUDIO: Dolby SR Color (Technicolor)](icons/rgb.png) |
Lorenzo's Oil |
George Miller, W, W, P |
|
6.7 |
1979 |
AnS![Color; Aspect: 1.37:1; AUDIO: Mono Color](icons/q-rgb.png) |
Tale of Tales |
Yuriy Norshteyn, W, W, P, M «Skazka skazok» |
|
6.7 |
1977 |
ACR![Color (Eastmancolor); Aspect: 2.35:1; 35 mm; Panavision (anamorphic); AUDIO: Mono Color (Eastmancolor)](icons/rgb.png) |
L'animal |
Claude Zidi, W, ++, P, M |
|
6.7 |
1965 |
AAdCFMlRSp![Color (Technicolor); Aspect: 2.20:1; 35 mm; Panavision (anamorphic) (wrongly advertised as Super Panavision 70); AUDIO: Stereo (RCA Sound System), 70 mm 6-Track (70 mm prints) Color (Technicolor)](icons/rgb.png) |
The Great Race |
Blake Edwards, W, W, ++, P, M |
|
6.7 |
1955 |
D![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono Black and White](icons/bw.png) |
Ordet |
Carl Theodor Dreyer, W, ++, P, M |
|
6.6 |
1999 |
CD![Color; Aspect: 1.66:1; 35 mm; AUDIO: Dolby Digital Color](icons/rgb.png) |
Luna Papa |
Bakhtyar Khudojnazarov, W, W, P, P, P++, M |
|
6.6 |
1996 |
CCrDT![Color; Aspect: 1.85:1; 35 mm (Eastman); Panavision Cameras and Lenses; AUDIO: Dolby Color](icons/rgb.png) |
Freeway |
Matthew Bright, W, P, M |
|
6.6 |
1993 |
FanDMR![Black and White, Color; Aspect: 1.85:1; 35 mm; AUDIO: Dolby Black and White, Color](icons/rgb-bw.png) |
Faraway, So Close! |
Wim Wenders, W, W, ++, P, M, M «In weiter Ferne, so nah!» |
|
6.6 |
1993 |
CrT![Color; Aspect: 2.35:1; 35 mm (Eastman); Panavision (anamorphic); Panavision Cameras and Lenses; AUDIO: Dolby SR, Dolby Color](icons/rgb.png) |
True Romance |
Tony Scott, W, ++, P, M |
|
6.6 |
1986 |
DR![Color (Fujicolor); Aspect: 1.66:1; 35 mm; AUDIO: Mono Color (Fujicolor)](icons/rgb.png) |
Betty Blue |
Jean-Jacques Beineix, W, W, P, M «37°2 le matin» |
|
6.6 |
1982 |
BDH![Black and White, Color (Technicolor); Aspect: 2.20:1; 35 mm; Panavision (anamorphic); Panavision Cameras and Lenses; AUDIO: Dolby (35 mm prints) (as Dolby Stereo), 70 mm 6-Track (70 mm prints) Black and White, Color (Technicolor)](icons/rgb-bw.png) |
Gandhi |
Richard Attenborough, W, P, P, M |
|
6.6 |
1982 |
DR![Color; Aspect: 1.85:1; 35 mm; AUDIO: Stereo Color](icons/rgb.png) |
Identification of a Woman |
Michelangelo Antonioni, W, ++, P, M «Identificazione di una donna» |
|
6.6 |
1982 |
FAnFan![Color; Aspect: 1.85:1; 35 mm; AUDIO: Dolby Color](icons/rgb.png) |
The Last Unicorn |
Jules Bass, Arthur Rankin Jr., W, M |
|
6.6 |
1982 |
CDR![Color (Technicolor); Aspect: 2.35:1; 35 mm (Eastman 250T 5293); Panavision (anamorphic); Panaflex Lenses and Cameras by Panavision; AUDIO: Mono Color (Technicolor)](icons/rgb.png) |
Tootsie |
Sydney Pollack, W, W, ++, P, M |
|
6.6 |
1978 |
DR![Color (Metrocolor); Aspect: 1.85:1; 35 mm; Panaflex Camera and Lenses by Panavision; AUDIO: Dolby (35 mm prints), 70 mm 6-Track (70 mm prints) Color (Metrocolor)](icons/rgb.png) |
Days of Heaven |
Terrence Malick, W, P, M |
|
6.6 |
1978 |
DMc![Color (Technicolor); Aspect: 1.37:1; 35 mm; AUDIO: Mono Color (Technicolor)](icons/rgb.png) |
Orchestra Rehearsal |
Federico Fellini, W, ++, P, M «Prova d'orchestra» |
|
6.6 |
1971 |
DR![Color (Technicolor); Aspect: 1.85:1; 35 mm; AUDIO: Mono Color (Technicolor)](icons/rgb.png) |
The Go-Between |
Joseph Losey, W, W, ++, P, M |
|
6.6 |
1967 |
CrDHoT![Color (Technicolor); Aspect: 1.85:1; 35 mm; AUDIO: Mono Color (Technicolor)](icons/rgb.png) |
Wait Until Dark |
Terence Young, W, W, ++, P, M |
|
6.6 |
1961 |
AAdDW![Black and White (archive footage), Color (Eastmancolor); Aspect: 2.20:1; 35 mm (Eastman 50T 5250); CinemaScope (anamorphic); AUDIO: 4-Track Stereo (35 mm magnetic prints), 70 mm 6-Track (70 mm prints) (Japan theatrical release), Mono (35 mm optical prints), Dolby (Restored version) Black and White (archive footage), Color (Eastmancolor)](icons/rgb-bw.png) |
The Guns of Navarone |
J. Lee Thompson, ++, W, W, P, M |
|
6.6 |
1944 |
CCrRT![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (RCA Sound System) Black and White](icons/bw.png) |
Arsenic and Old Lace |
Frank Capra, W, W, ++, P, M |
|
6.6 |
1935 |
DoW![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Tobis-Klangfilm) Black and White](icons/bw.png) |
Triumph of the Will |
Leni Riefenstahl, W, W, ++, P, P, P++, M «Triumph des Willens» |
|
6.5 |
2003 |
D![Color; Aspect: 1.85:1; 35 mm; AUDIO: Dolby Digital Color](icons/rgb.png) |
Spring, Summer, Fall, Winter... and Spring |
Ki-duk Kim, W, P, M «Bom yeoreum gaeul gyeoul geurigo bom» |
|
6.5 |
2000 |
DMcR![Color; Aspect: 1.85:1; AUDIO: Dolby Color](icons/q-rgb.png) |
Yi Yi |
Edward Yang, W, P, M «Yi yi» |
|
6.5 |
1990 |
CD![Color (Technicolor); Aspect: 1.85:1; 35 mm; Panavision Cameras, Primo Lenses; AUDIO: Dolby Digital Color (Technicolor)](icons/rgb.png) |
Rosencrantz & Guildenstern Are Dead |
Tom Stoppard, W, ++, P, M |
|
6.5 |
1979 |
DFanMcMl![Color (Technicolor); Aspect: 1.85:1; 35 mm; Lenses and Panaflex Camera by Panavision; AUDIO: Dolby Color (Technicolor)](icons/rgb.png) |
All That Jazz |
Bob Fosse, W, W, P, M |
|
6.5 |
1976 |
ACrT![Color (Eastmancolor); Aspect: 1.66:1; Panavision; AUDIO: Mono Color (Eastmancolor)](icons/q-rgb.png) |
Hunter Will Get You |
Philippe Labro, W, W, ++, P, M «L'alpagueur» |
|
6.5 |
1975 |
BD![Black and White, Color; Aspect: 1.37:1; 16 mm 8 mm 35 mm (Kodak); Mitchell BNCR Arriflex Cameras; AUDIO: Mono Black and White, Color](icons/rgb-bw.png) |
The Mirror |
Andrei Tarkovsky, W, W, ++, P, M «Zerkalo» |
|
6.5 |
1968 |
C![Color (Technicolor); 35 mm; AUDIO: Mono Color (Technicolor)](icons/rgb.png) |
The Girl with a Pistol |
Mario Monicelli, W, W, ++, P, M «La ragazza con la pistola» |
|
6.5 |
1965 |
AdC![Color; Aspect: 2.35:1; 65 mm; Todd-AO; AUDIO: 4-Track Stereo (35 mm prints), 70 mm 6-Track (Westrex Recording System) (70 mm prints) Color](icons/rgb.png) |
Those Magnificent Men in Their Flying Machines or How I Flew from London to Paris in 25 hours 11 minutes |
Ken Annakin, W, W, P, M |
|
6.5 |
1964 |
FanHo![Color (Eastmancolor); Aspect: 2.35:1; 35 mm; Tohoscope; AUDIO: Mono (Western Electric Recording) Color (Eastmancolor)](icons/rgb.png) |
Kwaidan |
Masaki Kobayashi, W, W, P, M «Kaidan» |
|
6.5 |
1962 |
CrDM![Black and White; Aspect: 1.85:1; 35 mm; AUDIO: Mono (Westrex Recording System) Black and White](icons/bw.png) |
To Kill a Mockingbird |
Robert Mulligan, W, W, P, M |
|
6.4 |
2010 |
![TV](icons/tv_icon.png) ![TV](icons/tv_icon.png) CrDM![Color; Aspect: 1.78:1; HDCAM (season 1) SxS Pro (season 2); Digital Intermediate (2K) (master format) HDCAM (1080p) (source format) ProRes 4:4:4 (1080p) (source format); Arri Alexa, Cooke S4 and Zeiss Super Speed Lenses (season 2) Sony CineAlta F35 (season 1); AUDIO: Dolby Digital Color](icons/h-rgb.png) |
"Sherlock" |
[ Paul McGuigan ], [ W, W, W++ ], P, P, M, M TV series 2010- |
|
6.4 |
2004 |
CRMcDW![Color; Aspect: 1.85:1; AUDIO: DTS, Dolby Digital Color](icons/q-rgb.png) |
Life is a Miracle |
Emir Kusturica, W, W, P, M, M «Zivot je cudo» |
|
6.4 |
2001 |
R![Color; Color](icons/q-rgb.png) |
Come Look at Me |
Mikhail Agranovich, Oleg Yankovskiy, W, P, M «Prikhodi na menya posmotret» |
|
6.4 |
1998 |
D![Color; Aspect: 1.66:1; 16 mm; Super 16; AUDIO: Dolby SR Color](icons/rgb.png) |
The Dreamlife of Angels |
Erick Zonca, W, W, ++, P, P, M «La vie rêvée des anges» |
|
6.4 |
1998 |
CDSf![Color; Aspect: 1.85:1; 35 mm (Eastman EXR 100T 5248, Kodak Vision 500T 5279, EXR 200T 5293); Panavision Panaflex Platinum, Panavision Primo Lenses; AUDIO: DTS, Dolby Digital Color](icons/rgb.png) |
The Truman Show |
Peter Weir, W, P, M |
|
6.4 |
1993 |
CFan![Color; Aspect: 1.37:1; 35 mm; Panavision Cameras and Lenses; AUDIO: Dolby Digital Color](icons/rgb.png) |
Addams Family Values |
Barry Sonnenfeld, W, W, P, M |
|
6.4 |
1992 |
DoW![Color; Aspect: 2.20:1; 65 mm (Eastman EXR 100T 5248, EXR 500T 5296); Todd-AO; Mitchell AP-65, Hasselblad, Mamiya, Pentax and Schneider Lenses; AUDIO: 70 mm 6-Track (70 mm prints), Dolby SR (35 mm prints) Color](icons/rgb.png) |
Baraka |
Ron Fricke, W, W, ++, P, M |
|
6.4 |
1988 |
CFan![Color (Technicolor); Aspect: 1.85:1; 35 mm (Eastman 125T 5247, 400T 5295); Panaflex Camera and Lenses by Panavision; AUDIO: Dolby Color (Technicolor)](icons/rgb.png) |
Beetlejuice |
Tim Burton, W, W, ++, P, M «Beetle Juice» |
|
6.4 |
1979 |
DC![Color (Technicolor); Aspect: 1.85:1; 35 mm; Panaflex Cameras and Lenses by Panavision; AUDIO: Mono Color (Technicolor)](icons/rgb.png) |
Being There |
Hal Ashby, W, ++, P, M |
|
6.4 |
1975 |
DMRT![Color (Technicolor); Aspect: 2.35:1; 35 mm (Eastman 100T 5254); Panavision (anamorphic); Panavision Cameras and Lenses; AUDIO: Mono Color (Technicolor)](icons/rgb.png) |
Three Days of the Condor |
Sydney Pollack, W, W, ++, P, M |
|
6.4 |
1974 |
BD![Color (Eastmancolor); Aspect: 1.66:1; 8 mm 35 mm; AUDIO: Mono Color (Eastmancolor)](icons/rgb.png) |
The Enigma of Kaspar Hauser |
Werner Herzog, W, ++, P «Jeder für sich und Gott gegen alle» |
|
6.4 |
1972 |
DMl![Color (Technicolor); Aspect: 1.85:1; 35 mm; AUDIO: 4-Track Stereo, Dolby Digital (DVD version) Color (Technicolor)](icons/rgb.png) |
Cabaret |
Bob Fosse, W, W, ++, P, M, M |
|
6.4 |
1966 |
DS![Black and White; 35 mm; AUDIO: Mono Black and White](icons/bw.png) |
Patriotism |
Masaki Dômoto, Yukio Mishima, W, P «Yûkoku» |
|
6.4 |
1964 |
D![Black and White; Aspect: 1.85:1; 35 mm; AUDIO: Mono (Westrex Recording System) Black and White](icons/bw.png) |
The Night of the Iguana |
John Huston, W, W, ++, P, M |
|
6.3 |
2010 |
BCrDSp![Color; Aspect: 2.35:1; 35 mm; Digital Intermediate (master format) Super 35 (source format); AUDIO: Dolby Color](icons/rgb.png) |
The Robber |
Benjamin Heisenberg, W, W, ++, P, M «Der Räuber» |
|
6.3 |
1999 |
D![Color (Eastmancolor); Aspect: 2.35:1; 35 mm; Panavision (anamorphic); Panavision Cameras and Lenses; AUDIO: Dolby Digital Color (Eastmancolor)](icons/rgb.png) |
All About My Mother |
Pedro Almodóvar, W, P, M «Todo sobre mi madre» |
|
6.3 |
1957 |
AdDW![Color (Technicolor); Aspect: 2.35:1; 35 mm; CinemaScope; AUDIO: 70 mm 6-Track (70 mm prints) (RCA Sound Recording), Mono (35 mm prints) (RCA Sound Recording), 4-Track Stereo (Linear PCM) Color (Technicolor)](icons/rgb.png) |
The Bridge on the River Kwai |
David Lean, W, ++, P, M |
|
6.2 |
2001 |
CR![Black and White, Color (Duboicolor); Aspect: 2.35:1; 35 mm (Kodak Vision 250D 5246, Vision 320T 5277); Digital Intermediate (2K) (master format) Super 35 (source format); Arriflex 435 ES, Zeiss Ultra Prime Lenses Arriflex 535, Zeiss Ultra Prime Lenses; AUDIO: DTS, Dolby Digital Black and White, Color (Duboicolor)](icons/rgb-bw.png) |
Amélie |
Jean-Pierre Jeunet, W, W, ++, P, M «Le fabuleux destin d'Amélie Poulain» |
|
6.2 |
1994 |
C![Color (Technicolor); Aspect: 1.85:1; 35 mm; Panaflex Cameras and Lenses by Panavision; AUDIO: Mono Color (Technicolor)](icons/rgb.png) |
Bullets Over Broadway |
Woody Allen, W, W, P |
|
6.2 |
1988 |
CCr![Color; Aspect: 1.37:1; 35 mm; Arriflex Cameras; AUDIO: Dolby SR Color](icons/rgb.png) |
Dirty Rotten Scoundrels |
Frank Oz, W, W, ++, P, M |
|
6.2 |
1983 |
ACrDT![Color (Eastmancolor); Panavision; Panaflex Cameras and Lenses by Panavision Color (Eastmancolor)](icons/q-rgb.png) |
Le marginal |
Jacques Deray, W, W, ++, P, M |
|
6.2 |
1970 |
MT![Color (Eastmancolor); Aspect: 2.35:1; 35 mm (2-perf); Cromoscope; AUDIO: Mono Color (Eastmancolor)](icons/rgb.png) |
The Bird with the Crystal Plumage |
Dario Argento, W, ++, P, M «L'uccello dalle piume di cristallo» |
|
6.2 |
1962 |
SDRSf![Black and White; Aspect: 1.66:1; 35 mm; Arriflex Cameras Pentax 24 x 36; AUDIO: Mono Black and White](icons/bw.png) |
La Jetée |
Chris Marker, W, P, P «La jetée» |
|
6.2 |
1953 |
FFanMcR![Color (Technicolor); Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Recording) Color (Technicolor)](icons/rgb.png) |
The 5,000 Fingers of Dr. T. |
Roy Rowland, W, W, ++, P, M, M, M |
|
6.1 |
2008 |
D![Color; Aspect: 1.85:1; 35 mm (Kodak Vision2 100T 5212, Vision2 500T 5218); Digital Intermediate (2K) (master format) Super 35 (3-perf) (source format); Aaton 35-III, Zeiss Standard Speed Lenses Arriflex 535B, Zeiss Standard Speed Lenses; AUDIO: DTS, Dolby Digital Color](icons/rgb.png) |
Home |
Ursula Meier, W, W, ++, P |
|
6.1 |
1999 |
CDMc![Color; Aspect: 1.85:1; 35 mm; Panavision Cameras and Lenses; AUDIO: Dolby Digital (Mono) Color](icons/rgb.png) |
Sweet and Lowdown |
Woody Allen, W, P |
|
6.1 |
1997 |
ACCrRT![Color; Aspect: 1.85:1; 35 mm (Eastman); AUDIO: Dolby Digital, SDDS Color](icons/rgb.png) |
Grosse Pointe Blank |
George Armitage, W, ++, P |
|
6.1 |
1990 |
ADT![Color (Eastmancolor); Aspect: 2.35:1; 35 mm; Technovision (anamorphic); AUDIO: Dolby Color (Eastmancolor)](icons/rgb.png) |
La Femme Nikita |
Luc Besson, W, P, M «Nikita» |
|
6.1 |
1988 |
C![Color (Eastmancolor); Aspect: 2.35:1; 35 mm; Panavision (anamorphic); AUDIO: Mono Color (Eastmancolor)](icons/rgb.png) |
À gauche en sortant de l'ascenseur |
Edouard Molinaro, W, P, M |
|
6.1 |
1972 |
MT![Color; Aspect: 1.85:1; 35 mm; AUDIO: Mono (Westrex Recording System) Color](icons/rgb.png) |
Sleuth |
Joseph L. Mankiewicz, W, P, M |
|
6.1 |
1972 |
CrD![Color (Technicolor); Aspect: 1.85:1; 35 mm (Eastman 100T 5254); Mitchell BNCR, Bausch & Lomb Super Baltar Lenses; AUDIO: DTS (re-release), Mono Color (Technicolor)](icons/rgb.png) |
The Godfather |
Francis Ford Coppola, W, W, ++, P, M |
|
6.1 |
1971 |
CD![Color (Technicolor); Aspect: 1.85:1; 35 mm; AUDIO: Mono Color (Technicolor)](icons/rgb.png) |
Harold and Maude |
Hal Ashby, W, P |
|
6.1 |
1964 |
CSfW![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Westrex Recording System) Black and White](icons/bw.png) |
Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb |
Stanley Kubrick, W, W, ++, P, M |
|
6.0 |
2009 |
D![Color; AUDIO: Dolby Digital Color](icons/q-rgb.png) |
Bury Me Behind the Baseboard |
Sergei Snezhkin, W, W, P, M «Pokhoronite menya za plintusom» |
|
6.0 |
1998 |
CrT![Color; Aspect: 1.85:1; 16 mm; Super 16; Photosonics Camera; AUDIO: Dolby Digital Color](icons/rgb.png) |
Lock, Stock and Two Smoking Barrels |
Guy Ritchie, W, P, M, M |
|
6.0 |
1988 |
CCr![Color (Technicolor); Aspect: 1.37:1; 35 mm (Agfa XT); Panaflex Camera and Lenses by Panavision; AUDIO: Mono Color (Technicolor)](icons/rgb.png) |
A Fish Called Wanda |
Charles Crichton, ++, W, W, ++, P, M |
|
6.0 |
1985 |
D![Color (Metrocolor); Aspect: 1.85:1; 35 mm; AUDIO: Mono Color (Metrocolor)](icons/rgb.png) |
Kiss of the Spider Woman |
Hector Babenco, W, W, P, M, M |
|
6.0 |
1976 |
CMTCr![Color (Metrocolor); Aspect: 1.33:1; 35 mm; Panaflex Camera and Lenses by Panavision; AUDIO: Mono Color (Metrocolor)](icons/rgb.png) |
Murder by Death |
Robert Moore, W, P, M |
|
6.0 |
1972 |
SSf![Black and White; Black and White](icons/bw.png) |
Matematik i chyort |
Semion Lipovich Raytburt, W, W, P |
|
6.0 |
1966 |
CCr![Color (Eastmancolor); Aspect: 2.35:1; 35 mm; Techniscope; Eclair Cameflex; AUDIO: Mono Color (Eastmancolor)](icons/rgb.png) |
Let's Not Get Angry |
Georges Lautner, W, W, ++, P, M «Ne nous fâchons pas» |
|
6.0 |
1960 |
AAd![Color (Eastmancolor); Aspect: 2.35:1; 35 mm; Dyaliscope; AUDIO: Mono Color (Eastmancolor)](icons/rgb.png) |
Captain Blood |
André Hunebelle, W, W, ++, P, M «Le capitan» |
|
6.0 |
1946 |
CrDNMRT![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Sound System) Black and White](icons/bw.png) |
The Postman Always Rings Twice |
Tay Garnett, W, W, ++, P, M |
|
5.9 |
2008 |
AAdC![Color, Black and White; Aspect: 2.35:1; 35 mm (Kodak); Digital Intermediate (2K) (master format) Super 35 (source format); Arricam LT, Zeiss Master Prime and Angenieux Optimo Lenses Arriflex 435 Advanced, Zeiss Master Prime and Angenieux Optimo Lenses; AUDIO: Dolby Digital EX Color, Black and White](icons/rgb-bw.png) |
The Good, the Bad, the Weird |
Kim Jee-Woon, W, W, P, P, M, M «Joheunnom nabbeunnom isanghannom» |
|
5.9 |
2000 |
DR![Color; Aspect: 1.66:1; 35 mm (Kodak Vision 500T 5279, Vision 800T 5289); Arriflex 35 BL4, Zeiss Lenses Arriflex 535, Zeiss Lenses; AUDIO: Dolby Digital Color](icons/rgb.png) |
In the Mood for Love |
Kar Wai Wong, W, P, P, P, M, M «Fa yeung nin wa» |
|
5.9 |
1975 |
DR![Color (Eastmancolor); Aspect: 1.66:1; 35 mm; AUDIO: Mono Color (Eastmancolor)](icons/rgb.png) |
That Most Important Thing: Love |
Andrzej Zulawski, W, ++, P, M «L'important c'est d'aimer» |
|
5.9 |
1932 |
D![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Noiseless Recording) Black and White](icons/bw.png) |
Blonde Venus |
Josef von Sternberg, W, W, ++, P, M, M, M++ |
|
5.8 |
2002 |
CDR![Black and White, Color; Aspect: 2.35:1; 35 mm (Kodak); Panavision (anamorphic); Panavision Cameras and Lenses; AUDIO: Dolby Digital Black and White, Color](icons/rgb-bw.png) |
Talk to Her |
Pedro Almodóvar, W, P, M «Hable con ella» |
|
5.8 |
2000 |
DMR![Color; Aspect: 2.35:1; 35 mm (Kodak); Super 35; Panavision Cameras and Lenses; AUDIO: Dolby Digital Color](icons/rgb.png) |
The Princess and the Warrior |
Tom Tykwer, W, P, M, M, M «Der Krieger und die Kaiserin» |
|
5.8 |
1997 |
DRT![Color; Aspect: 2.35:1; 35 mm; Super 35; AUDIO: Dolby Color](icons/rgb.png) |
Winter Sleepers |
Tom Tykwer, W, ++, P, M, M, M «Winterschläfer» |
|
5.8 |
1995 |
AdFanSf![Color; Aspect: 1.85:1; 35 mm (Eastman EXR 100T 5248, EXR 200T 5293); Technovision Cameras; AUDIO: DTS, Dolby SR Color](icons/rgb.png) |
The City of Lost Children |
Marc Caro, Jean-Pierre Jeunet, W, W, ++, P, M «La cité des enfants perdus» |
|
5.8 |
1995 |
CrMT![Color (Technicolor); Aspect: 2.35:1; 35 mm; Super 35; Panavision Cameras and Lenses; AUDIO: Dolby Digital Color (Technicolor)](icons/rgb.png) |
The Usual Suspects |
Bryan Singer, W, P, M |
|
5.8 |
1994 |
AT![Color; Aspect: 2.20:1; 35 mm (also horizontal) (Eastman EXR 50D 5245, EXR 200T 5293, EXR 500T 5296); Super 35 VistaVision (special effects); Arriflex 35 BL4, Zeiss and Cooke Lenses Arriflex 35 IIC, Zeiss Lenses Arriflex 35-III, Zeiss and Cooke Lenses Beaumont VistaVision Camera Bell & Howell Eyemo Moviecam Compact, Zeiss Lenses; AUDIO: 70 mm 6-Track (70 mm prints), Dolby Digital (35 mm prints), DTS Color](icons/rgb.png) |
True Lies |
James Cameron, W, W, ++, P, M |
|
5.8 |
1991 |
BDMcR![Color; Video; AUDIO: Dolby Color](icons/v-rgb.png) |
All the Mornings of the World |
Alain Corneau, W, W, ++, P, M «Tous les matins du monde» |
|
5.8 |
1972 |
C![Black and White, Color; Aspect: 1.85:1; Video (some scenes) 35 mm; Video (some scenes) Spherical; Panavision Camera and Lenses; AUDIO: Mono Black and White, Color](icons/rgb-bw.png) |
Everything You Always Wanted to Know About Sex * But Were Afraid to Ask |
Woody Allen, W, W, P, M |
|
5.8 |
1967 |
CrDMT![Color (Eastmancolor); Aspect: 1.85:1; 35 mm; AUDIO: Mono Color (Eastmancolor)](icons/rgb.png) |
Le Samouraï |
Jean-Pierre Melville, W, W, ++, P, M «Le samouraï» |
|
5.7 |
2004 |
CDMcR![Color; Aspect: 2.35:1; 35 mm (Kodak); Super 35; AUDIO: DTS, Dolby Digital Color](icons/rgb.png) |
Look at Me |
Agnès Jaoui, W, W, P, M «Comme une image» |
|
5.7 |
2002 |
D![Color; AUDIO: Dolby Digital Color](icons/q-rgb.png) |
The Lover |
Valeriy Todorovskiy, W, P, M «Lyubovnik» |
|
5.7 |
1991 |
DFanMR![Color; 35 mm; AUDIO: Mono Color](icons/rgb.png) |
Malina |
Werner Schroeter, W, W, ++, P, M |
|
5.7 |
1991 |
DFanMcR![Color; Aspect: 1.66:1; 35 mm (Kodak); Moviecam Cameras; AUDIO: Dolby SR Color](icons/rgb.png) |
The Double Life of Veronique |
Krzysztof Kieslowski, W, W, P, M «La double vie de Véronique» |
|
5.7 |
1979 |
DW![Color; Aspect: 2.00:1; 16 mm (newsreel scenes) 35 mm (Eastman 100T 5247); Technovision (anamorphic); Arriflex 16 ST (newsreel scenes) Arriflex 35 BL, Technovision/Cooke Lenses Mitchell BNCR, Technovision/Cooke Lenses; AUDIO: 70 mm 6-Track (70 mm prints), Dolby Digital (Redux version), Dolby (35 mm prints), DTS (Redux version) Color](icons/rgb.png) |
Apocalypse Now |
Francis Ford Coppola, W, W, ++, P, M, M |
|
5.6 |
1999 |
DMT![Color (Technicolor); Aspect: 1.85:1; 35 mm (Eastman); Panavision Cameras and Lenses; AUDIO: DTS, Dolby Digital, SDDS Color (Technicolor)](icons/rgb.png) |
The Sixth Sense |
M. Night Shyamalan, W, P, M |
|
5.6 |
1992 |
CrT![Color (Eastmancolor); Aspect: 2.35:1; 35 mm (Eastman EXR 50D 5245); Super 35; PanArri 35-III, Panavision Primo Lenses Panavision Panaflex X, Panavision Primo Lenses Panavision Panaflex Gold, Panavision Primo and Canon Lenses; AUDIO: Dolby Color (Eastmancolor)](icons/rgb.png) |
Reservoir Dogs |
Quentin Tarantino, W, W, ++, P |
|
5.6 |
1991 |
CFanHo![Color; Aspect: 1.85:1; 35 mm; Panavision Camera and Lenses; AUDIO: Dolby SR Color](icons/rgb.png) |
The Addams Family |
Barry Sonnenfeld, W, W, ++, P, M |
|
5.6 |
1981 |
AdCFFanSf![Color (Technicolor); Aspect: 1.85:1; 35 mm; AUDIO: Dolby Color (Technicolor)](icons/rgb.png) |
Time Bandits |
Terry Gilliam, W, W, P, M |
|
5.6 |
1978 |
DW![Color (Technicolor); Aspect: 2.35:1; 35 mm; Panavision (anamorphic); Panavision Cameras and Lenses; AUDIO: 70 mm 6-Track (70 mm prints), Dolby (35 mm prints) Color (Technicolor)](icons/rgb.png) |
The Deer Hunter |
Michael Cimino, W, W, ++, P, M |
|
5.6 |
1976 |
CT![Color (Technicolor); Aspect: 1.85:1; 35 mm; AUDIO: Mono (Westrex Recording System) Color (Technicolor)](icons/rgb.png) |
Family Plot |
Alfred Hitchcock, W, W, P, M |
|
5.6 |
1966 |
C![Color (Eastmancolor); 35 mm; AUDIO: Mono Color (Eastmancolor)](icons/rgb.png) |
Relax Freddie |
Erik Balling, W, W, ++, P, P, M «Slap af, Frede!» |
|
5.6 |
1961 |
AAd![Color (Eastmancolor); Aspect: 2.35:1; 35 mm; Dyaliscope; AUDIO: Mono Color (Eastmancolor)](icons/rgb.png) |
Captain Fracasse |
Pierre Gaspard-Huit, W, W, ++, P, M «Le capitaine Fracasse» |
|
5.5 |
2004 |
DT![Color; Aspect: 2.35:1; 35 mm (Kodak Vision 500T 5279); Digital Intermediate (2K) (master format) Super 35 (source format); Arriflex 35 BL4, Zeiss and Canon Lenses Arriflex 435, Zeiss and Canon Lenses Arriflex 535, Zeiss and Canon Lenses; AUDIO: Dolby Digital, DTS Color](icons/rgb.png) |
The Machinist |
Brad Anderson, W, P, M |
|
5.5 |
2003 |
BCrD![Color; Aspect: 1.85:1; 35 mm (Kodak Vision2 500T 5218, Vision 200T 5274); Panavision Cameras and Lenses; AUDIO: DTS, Dolby Digital Color](icons/rgb.png) |
Monster |
Patty Jenkins, W, P, M |
|
5.5 |
1974 |
DMT![Color (Technicolor); Aspect: 1.37:1; 35 mm; AUDIO: Mono, Dolby Digital (restored version) Color (Technicolor)](icons/rgb.png) |
The Conversation |
Francis Ford Coppola, W, P, P, M |
|
5.4 |
2009 |
CrDMRT![Color; Aspect: 2.35:1; 35 mm (Fuji Eterna 250T 8553, Eterna 250D 8563); AUDIO: Dolby Digital Color](icons/rgb.png) |
The Double Hour |
Giuseppe Capotondi, W, W, ++, P, M «La doppia ora» |
|
5.4 |
2001 |
DR![Color; Aspect: 2.35:1; Video; HDCAM (1080p) (24p); Sony HDW-F900; AUDIO: Dolby Digital Color](icons/v-rgb.png) |
Sex and Lucia |
Julio Medem, W, P, M «Lucía y el sexo» |
|
5.4 |
1989 |
CDR![Color (Technicolor); Aspect: 1.85:1; 35 mm (Eastman 400T 5294, 400T 5295, 250D 5297); AUDIO: Mono Color (Technicolor)](icons/rgb.png) |
New York Stories |
Woody Allen, Francis Ford Coppola, ++, W, W, ++, P, P, P, M |
|
5.3 |
2005 |
CDFanR![Black and White; Aspect: 2.35:1; 35 mm (Kodak Vision2 250D 5205, Vision2 500T 5218, Eastman EXR 50D 5245); Digital Intermediate (2K) (master format) Super 35 (source format); Arricam LT, Cooke S4 and Angenieux Optimo Lenses Arricam ST, Cooke S4 and Angenieux Optimo Lenses; AUDIO: Dolby Digital EX, DTS-ES Black and White](icons/bw.png) |
Angel-A |
Luc Besson, W, P, M |
|
5.3 |
1995 |
DFanWe![Black and White; Aspect: 1.85:1; 35 mm; Moviecam and Arriflex Cameras; AUDIO: Dolby, Dolby SR Black and White](icons/bw.png) |
Dead Man |
Jim Jarmusch, W, P, M |
|
5.3 |
1979 |
DTCr![Color (Metrocolor); Aspect: 1.85:1; 35 mm; Panaflex Camera and Lenses by Panavision; AUDIO: Mono Color (Metrocolor)](icons/rgb.png) |
...And Justice for All. |
Norman Jewison, W, W, P, M |
|
5.3 |
1960 |
CrD![Black and White; Aspect: 1.37:1; 35 mm; Arriflex Cameras; AUDIO: Mono Black and White](icons/bw.png) |
Breathless |
Jean-Luc Godard, W, ++, P, M «À bout de souffle» |
|
5.2 |
1999 |
D![Color; Aspect: 1.66:1; AUDIO: Dolby SR Color](icons/q-rgb.png) |
Moloch |
Aleksandr Sokurov, W, W, P, P «Molokh» |
|
5.2 |
1998 |
DMcMl![Color; Aspect: 1.78:1; 35 mm (Kodak); AUDIO: Dolby Digital Color](icons/rgb.png) |
"Great Performances" Cats |
David Mallet, W, P |
|
5.2 |
1986 |
AdCF![Color (Eastmancolor); Aspect: 2.20:1; 35 mm (Kodak); Panavision (anamorphic); Panavision Cameras and Lenses; AUDIO: 70 mm 6-Track (70 mm prints), Dolby (35 mm prints) Color (Eastmancolor)](icons/rgb.png) |
Pirates |
Roman Polanski, W, W, ++, P, M |
|
5.2 |
1985 |
DFanSf![Color (Technicolor); Aspect: 1.85:1; 35 mm (Kodak); J-D-C Cameras; AUDIO: Dolby Color (Technicolor)](icons/rgb.png) |
Brazil |
Terry Gilliam, W, W, ++, P, M |
|
5.2 |
1984 |
D![Color; Aspect: 1.66:1; 35 mm; AUDIO: Mono Color](icons/rgb.png) |
Paris, Texas |
Wim Wenders, W, W, P, M |
|
5.2 |
1958 |
C![Color (Eastmancolor); Aspect: 1.37:1; 35 mm; AUDIO: Mono Color (Eastmancolor)](icons/rgb.png) |
Mon Oncle |
Jacques Tati, W, W, ++, P, M, M, M «Mon oncle» |
|
5.1 |
2001 |
D![Color; AUDIO: Dolby Digital Color](icons/q-rgb.png) |
Taurus |
Aleksandr Sokurov, W, P, M «Telets» |
|
5.1 |
1995 |
CD![Color; Aspect: 1.85:1; 35 mm; AUDIO: Dolby Color](icons/rgb.png) |
Welcome to the Dollhouse |
Todd Solondz, W, P, M |
|
5.1 |
1994 |
CrDT![Color; Aspect: 2.35:1; 35 mm (Eastman EXR 50D 5245); Panavision (anamorphic); Panavision Cameras and Lenses; AUDIO: Dolby Digital Color](icons/rgb.png) |
Pulp Fiction |
Quentin Tarantino, W, W, ++, P |
|
5.1 |
1963 |
AAdCCr![Color (Technicolor); Aspect: 2.76:1; 65 mm; Ultra Panavision 70 (anamorphic); AUDIO: 4-Track Stereo (Westrex Recording System) (35mm prints), 70 mm 6-Track (Westrex Recording System) (70 mm prints) Color (Technicolor)](icons/rgb.png) |
It's a Mad Mad Mad Mad World |
Stanley Kramer, W, W, P, M |
|
5.0 |
1987 |
FanDR![Color (Eastmancolor), Black and White (partly); Aspect: 1.37:1; 35 mm (Eastman Kodak); Arriflex 35 BL4; AUDIO: Dolby Color (Eastmancolor), Black and White (partly)](icons/rgb-bw.png) |
Wings of Desire |
Wim Wenders, W, W, ++, P, M «Der Himmel über Berlin» |
|
5.0 |
1981 |
T![Color (Eastmancolor); Aspect: 1.66:1; 35 mm; Panaflex Cameras and Lenses by Panavision; AUDIO: Mono Color (Eastmancolor)](icons/rgb.png) |
Diva |
Jean-Jacques Beineix, W, W, ++, P, M |
|
5.0 |
1967 |
CHo![Color; Aspect: 2.35:1; 35 mm; Panavision (anamorphic); Panavision Lenses; AUDIO: Mono (RCA Sound Recording) Color](icons/rgb.png) |
The Fearless Vampire Killers |
Roman Polanski, W, W, P, M «Dance of the Vampires» |
|
4.9 |
2003 |
AnC![Color; Aspect: 1.66:1; Video; AUDIO: Dolby Digital Color](icons/v-rgb.png) |
The Triplets of Belleville |
Sylvain Chomet, W, M «Les triplettes de Belleville» |
|
4.8 |
2003 |
CD![Color; 35 mm; AUDIO: Dolby Color](icons/rgb.png) |
Fear and Trembling |
Alain Corneau, W, W, P «Stupeur et tremblements» |
|
4.8 |
1992 |
MT![Color (Technicolor); Aspect: 2.35:1; 35 mm (Eastman EXR 500T 5296); Panavision (anamorphic); Panavision Panaflex Platinum, Panavision Primo Lenses; AUDIO: Dolby SR, LC-Concept Digital Sound (France) Color (Technicolor)](icons/rgb.png) |
Basic Instinct |
Paul Verhoeven, W, P, M |
|
4.8 |
1957 |
CRD![Black and White; Aspect: 1.85:1; AUDIO: Mono (Westrex Recording System) Black and White](icons/bw.png) |
Love in the Afternoon |
Billy Wilder, W, W, ++, P |
|
4.7 |
2000 |
CAdCrMc![Color; Aspect: 2.35:1; 35 mm (Eastman EXR 100T 5248, Kodak Vision 500T 5279, EXR 200T 5293); Digital Intermediate (2K) (master format) Super 35 (source format); Arriflex 535B, Cooke S4 Lenses; AUDIO: DTS, Dolby Digital, SDDS Color](icons/rgb.png) |
O Brother, Where Art Thou? |
Joel Coen, ++, W, W, ++, P, M |
|
4.6 |
1977 |
ASfT![Color; Aspect: 2.20:1; 35 mm; Panavision (anamorphic) (as Panavision®); Panavision Cameras and Lenses; AUDIO: 4-Track Stereo (35 mm magnetic prints), 70 mm 6-Track (70 mm prints), Mono (35 mm optical prints) Color](icons/rgb.png) |
Capricorn One |
Peter Hyams, W, P, M |
|
4.6 |
1968 |
CFFanMlSf![Color (Technicolor); Aspect: 2.20:1; 65 mm; Super Panavision 70; AUDIO: 70 mm 6-Track Color (Technicolor)](icons/rgb.png) |
Chitty Chitty Bang Bang |
Ken Hughes, W, W, ++, P, M |
|
4.5 |
1974 |
CD![Color (Eastmancolor); Aspect: 1.66:1; 35 mm; AUDIO: Mono Color (Eastmancolor)](icons/rgb.png) |
Going Places |
Bertrand Blier, W, ++, P, M «Les valseuses» |
|
4.4 |
1994 |
CR![Color (Eastmancolor); Aspect: 1.66:1; 35 mm; J-D-C Cameras; AUDIO: Dolby Digital, Dolby SR Color (Eastmancolor)](icons/rgb.png) |
Four Weddings and a Funeral |
Mike Newell, W, P, M |
|
4.2 |
1997 |
AAdSf![Color (Technicolor); Aspect: 2.35:1; 35 mm (Eastman EXR 50D 5245, EXR 100T 5248, EXR 200T 5293); Super 35; Arriflex 35 IIC, Zeiss Standard Speed and Super Speed Lenses Arriflex 35 IIIC, Zeiss Standard Speed and Super Speed Lenses Arriflex 435, Zeiss Standard Speed and Super Speed Lenses Arriflex 535B, Zeiss Standard Speed and Super Speed Lenses Bell & Howell Eyemo; AUDIO: SDDS, Dolby Digital Color (Technicolor)](icons/rgb.png) |
The Fifth Element |
Luc Besson, W, ++, P, M |
|
4.1 |
1955 |
DNT![Black and White; Aspect: 1.66:1; 35 mm; AUDIO: Mono (Western Electric Recording) Black and White](icons/bw.png) |
The Night of the Hunter |
Charles Laughton, ++, W, W, ++, P, M |
|
4.0 |
1962 |
AAd![Color (Eastmancolor); Aspect: 2.35:1; 35 mm; Dyaliscope; AUDIO: Mono Color (Eastmancolor)](icons/rgb.png) |
Les mystères de Paris |
André Hunebelle, W, W, ++, P, P, M |
|
3.9 |
1999 |
D![Color; Aspect: 1.66:1; 16 mm; Super 16; AUDIO: Dolby SR Color](icons/rgb.png) |
Rosetta |
Jean-Pierre Dardenne, Luc Dardenne, W, W, P, M |
|
3.8 |
2004 |
DR![Color; Aspect: 1.85:1; 35 mm (Kodak) (Fuji); Panavision Cameras and Lenses; AUDIO: DTS, Dolby Digital, SDDS Color](icons/rgb.png) |
Before Sunset |
Richard Linklater, W, W, ++, P |
|
3.8 |
1993 |
CD![Color; Aspect: 2.20:1; 35 mm (Agfa XT 100, XTS 400); Super 35; Camera and Lenses by Panavision; AUDIO: Dolby (as Dolby Stereo), 70 mm 6-Track (70 mm prints) Color](icons/rgb.png) |
Short Cuts |
Robert Altman, W, W, ++, P, M |
|
3.8 |
1966 |
DMT![Color (Metrocolor); Aspect: 1.85:1; 35 mm; AUDIO: Mono Color (Metrocolor)](icons/rgb.png) |
Blow-Up |
Michelangelo Antonioni, W, W, ++, P, M «Blowup» |
|
3.7 |
1993 |
D![Color; Aspect: 1.66:1; 35 mm; AUDIO: Dolby Color](icons/rgb.png) |
Naked |
Mike Leigh, W, P, M |
|
3.6 |
2002 |
CrDRT![Color; Aspect: 1.85:1; 35 mm (Kodak); Panavision Cameras and Lenses; AUDIO: Dolby Digital Color](icons/rgb.png) |
Heaven |
Tom Tykwer, W, W, ++, P |
|
3.6 |
2000 |
AAdDFanR![Color (Technicolor); Aspect: 2.35:1; 35 mm (Eastman EXR 50D 5245, Kodak Vision 250D 5246, Vision 320T 5277); Super 35; Arriflex 435 ES, Zeiss Lenses Moviecam Compact, Zeiss Lenses; AUDIO: Dolby Digital Color (Technicolor)](icons/rgb.png) |
Crouching Tiger, Hidden Dragon |
Ang Lee, W, W, ++, P, M «Wo hu cang long» |
|
3.6 |
1996 |
CrDT![Color; Aspect: 1.85:1; 35 mm (Eastman EXR 200T 5293); Arriflex 35 BL4, Zeiss Standard Speed Lenses; AUDIO: Dolby Digital Color](icons/rgb.png) |
Fargo |
Joel Coen, ++, W, W, P, M |
|
3.3 |
1994 |
CCrDT![Color; Aspect: 1.66:1; 35 mm (Fuji F-125T 8530, F-250T 8550, F-500T 8570); Panavision Panaflex Gold, Panavision Primo Lenses; AUDIO: Dolby, Dolby SR Color](icons/rgb.png) |
Amateur |
Hal Hartley, W, P, M, M |
|
2.9 |
2008 |
CD![Color; Aspect: 2.35:1; 35 mm (Fuji Eterna Vivid 160T 8543, Eterna 500T 8573) Video (Car Scenes); Digital Intermediate (master format) Super 35 (source format); Arriflex Cameras and Lenses; AUDIO: DTS, Dolby Digital Color](icons/rgb.png) |
Happy-Go-Lucky |
Mike Leigh, W, P, M |
|
2.6 |
2003 |
CrD![Color; Aspect: 2.35:1; Video (PAL) (some scenes) Video (HDTV); DVCAM (some scenes) HDTV (1080p/24); Sony DSR-PD150P (some scenes) Sony HDW-F900, Canon Zoom Lens; AUDIO: Dolby Digital Color](icons/v-rgb.png) |
Dogville |
Lars von Trier, W, P |
|
2.1 |
1998 |
CD![Color; Aspect: 1.85:1; 35 mm (Kodak); Panavision Cameras and Lenses; AUDIO: Dolby Color](icons/rgb.png) |
Happiness |
Todd Solondz, W, P, M |
|
2.0 |
1937 |
DS![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono Black and White](icons/bw.png) |
How to Undress in Front of Your Husband |
Dwain Esper, W, P |
|
1.9 |
1985 |
DMc![Color (Technicolor); Aspect: 2.35:1; 35 mm; Super 35; Panavision Cameras and Lenses; AUDIO: 70 mm 6-Track (70 mm prints), Dolby (35 mm prints) Color (Technicolor)](icons/rgb.png) |
A Chorus Line |
Richard Attenborough, W, W, ++, P |
|
1.8 |
2001 |
AdDSf![Color (Technicolor); Aspect: 1.85:1; 35 mm (Kodak Vision 500T 5279, Eastman EXR 200T 5293); Panavision Cameras, Zeiss Lenses; AUDIO: DTS-ES, Dolby Digital EX, SDDS Color (Technicolor)](icons/rgb.png) |
A.I. Artificial Intelligence |
Steven Spielberg, W, W, ++, P, M «Artificial Intelligence: AI» |
|
1.5 |
1996 |
AAdSfT![Color; Aspect: 2.20:1; 35 mm (Eastman EXR 100T 5248, EXR 200T 5293, EXR 500T 5298); Super 35; Clairmont Cameras Panavision Cameras and Lenses; AUDIO: DTS 70 mm (70 mm print), DTS (35 mm prints), Dolby Digital (35 mm prints), SDDS (35 mm prints) Color](icons/rgb.png) |
Independence Day |
Roland Emmerich, W, W, P, M |
|
? |
2009 |
D![Color; Aspect: 1.66:1; AUDIO: Dolby Digital Color](icons/q-rgb.png) |
Melody for a Street Organ |
Kira Muratova, W, W, ++, P, M, M «Melodiya dlya sharmanki» |
|
? |
2008 |
An![Color; Color](icons/q-rgb.png) |
Kolibelnye mira |
Elizaveta Skvortsova, W, W |
|
? |
2007 |
C![Color; Color](icons/q-rgb.png) |
Den vyborov |
Oleg Fomin, W, W, ++, P, M, M |
|
? |
2006 |
SD![Color; Color](icons/q-rgb.png) |
Devochka dura |
Zoya Kireeva, W, M |
|
? |
2006 |
D![Color; Aspect: 1.85:1; 35 mm (Kodak Vision2 500T 5218, Vision 250D 5246, Vision 200T 5274, Vision 500T 5279); AUDIO: Dolby Digital Color](icons/rgb.png) |
Red Like the Sky |
Cristiano Bortone, W, W, ++, P, M «Rosso come il cielo» |
|
? |
2005 |
D![Color; AUDIO: Dolby Digital Color](icons/q-rgb.png) |
Na Verkhney Maslovke |
Konstantin Khudyakov, W, W, ++ |
|
? |
2004 |
AnSCF![Color; Color](icons/q-rgb.png) |
Burevestnik |
Aleksey Turkus, W, W, ++, M, M TV |
|
? |
2002 |
AnS![Color; Color](icons/q-rgb.png) |
Podozhdi, pozhaluy |
Elizaveta Skvortsova, M, M |
|
? |
1998 |
DW![Color; 35 mm Color](icons/rgb.png) |
Vremya tantsora |
Vadim Abdrashitov, W, P, P, M |
|
? |
1988 |
D![Color; 35 mm; AUDIO: Mono Color](icons/rgb.png) |
Vy chyo, starichyo? |
Iosif Kheifits, W, W, P, M |
|
? |
1987 |
CF![Color; Color](icons/q-rgb.png) |
Kuvyrok cherez golovu |
Eduard Gavrilov, W, W, P, M |
|
? |
1987 |
MlC![Color; Aspect: 1.37:1; 65 mm; Stereo 70 (single-strip 3-D); AUDIO: 70 mm 6-Track Color](icons/rgb.png) |
Ona s metloy, on v chyornoy shlyape |
Vitali Makarov, W, P, M |
|
? |
1983 |
CR![Color; Color](icons/q-rgb.png) |
Blondinka za uglom |
Vladimir Bortko, W, P, P, M |
|
? |
1982 |
AnS![Color; Aspect: 1.33:1 Color](icons/q-rgb.png) |
Karandash i lastik |
Elena Gavrilko, W |
|
? |
1981 |
AnSM![Color; Color](icons/q-rgb.png) |
Khalif-aist |
Valeriy Ugarov, W, W, ++, P, M TV |
|
? |
1979 |
CD![Color; Color](icons/q-rgb.png) |
Fantazii Faryateva |
Ilya Averbakh, W, W, P, M TV |
|
? |
1977 |
CMlR |
Truffaldino iz Bergamo |
Vladimir Vorobyov, W, W, ++, P, M TV |
|
? |
1977 |
DR![Color; Aspect: 2.35:1; 35 mm; Sovscope; AUDIO: Mono Color](icons/rgb.png) |
V chetverg i bolshe nikogda |
Anatoli Efros, W, P |
|
? |
1976 |
AnSF![Color; Color](icons/q-rgb.png) |
38 popugaev |
Ivan Ufimtsev, W, P, M |
|
? |
1976 |
DMlC![Color; 35 mm; AUDIO: Mono Color](icons/rgb.png) |
Heavenly Swallows |
Leonid Kvinikhidze, W, W, ++, P, M, M «Nebesnye lastochki» |
|
? |
1974 |
FMl![Color; Aspect: 2.20:1; 70 mm; Sovscope 70 (VarioScope); AUDIO: Mono (35 mm prints), 70 mm 6-Track Color](icons/rgb.png) |
Avtomobil, skripka i sobaka Klyaksa |
Rolan Bykov, W, P, M |
|
? |
1973 |
C |
La belle affaire |
Jacques Besnard, W, W, ++, P |
|
? |
1972 |
F![Black and White; Black and White](icons/bw.png) |
Okh, uzh eta Nastya! |
Yuri Pobedonostsev, W, P, P, M |
|
? |
1972 |
FC![Color; AUDIO: Mono Color](icons/q-rgb.png) |
Tochka, tochka, zapyataya... |
Aleksandr Mitta, W, W, P, M |
|
? |
1972 |
FC![Color; AUDIO: Mono Color](icons/q-rgb.png) |
Vnimanie, cherepakha! |
Rolan Bykov, W, W, P, M |
|
? |
1970 |
AnSFMl![Color; Color](icons/q-rgb.png) |
Katerok |
Inessa Kovalevskaya, W, P, M TV |
|
? |
1970 |
FC![Color; Color](icons/q-rgb.png) |
Priklyucheniya zhyoltogo chemodanchika |
Ilya Frez, W, W, P, M |
|
? |
1969 |
AnSF![Color (Sovcolor); Color (Sovcolor)](icons/q-rgb.png) |
Krokodil Gena |
Roman Kachanov, W, W, P, M |
|
? |
1968 |
AnSF![Color; Color](icons/q-rgb.png) |
Ostorozhno, shchuka! |
Mikhail Kamenetskiy, Ivan Ufimtsev, W, P, M |
|
? |
1968 |
FFan![Color; Aspect: 2.35:1; 35 mm; Sovscope; AUDIO: Mono Color](icons/rgb.png) |
Staraya, staraya skazka |
Nadezhda Kosheverova, W, W, ++, P, M |
|
? |
1967 |
DR![Black and White; AUDIO: Mono Black and White](icons/bw.png) |
Korotkie vstrechi |
Kira Muratova, W, W, P, M |
|
? |
1965 |
AnS![Color; 35 mm; AUDIO: Mono Color](icons/rgb.png) |
Kanikuly Bonifatsiya |
Fyodor Khitruk, W, W, P, M |