|
6.2 |
1972 |
CrD![Color (Technicolor); Aspect: 1.85:1; 35 mm (Eastman 100T 5254); Mitchell BNCR, Bausch & Lomb Super Baltar Lenses; AUDIO: DTS (re-release), Mono Color (Technicolor)](icons/rgb.png) |
The Godfather |
Francis Ford Coppola, W, W, ++, C, M |
|
9.5 |
1995 |
![TV](icons/tv_icon.png) RD![Color; Aspect: 1.66:1; 16 mm; Super 16; AUDIO: Dolby Color](icons/rgb.png) |
"Pride and Prejudice" |
[ Simon Langton ], [ W, W ], C, M TV mini-series 1995- |
|
7.7 |
1974 |
CrD![Color (Technicolor); Aspect: 1.85:1; 35 mm; Mitchell BNCR, Bausch & Lomb Super Baltar and Kowa Cine Prominar Lenses; AUDIO: Mono Color (Technicolor)](icons/rgb.png) |
The Godfather: Part II |
Francis Ford Coppola, W, W, ++, C, M |
|
8.8 |
1959 |
![TV](icons/tv_icon.png) ![TV](icons/tv_icon.png) FanHoMSfT![Black and White; Aspect: 1.33:1; 35 mm Video (some episodes); AUDIO: Mono (Westrex Recording System) Black and White](icons/bw.png) |
"Twilight Zone" |
[ John Brahm, Douglas Heyes, D++ ], [ W, W, W++ ], C, C, C++, M, M, M++ «"The Twilight Zone"» TV series 1959-1964 |
|
7.9 |
1999 |
![TV](icons/tv_icon.png) ![TV](icons/tv_icon.png) CD![Color; Aspect: 1.33:1; 35 mm (Eastman EXR 100T 5248, EXR 500T 5298); Super 35 (3-perf); Panavision Cameras and Lenses; AUDIO: Dolby Color](icons/rgb.png) |
"Freaks and Geeks" |
[ Jake Kasdan, Judd Apatow, D++ ], [ W, W, W++ ], C, M TV series 1999-2000 |
|
5.2 |
1994 |
CrDT![Color; Aspect: 2.35:1; 35 mm (Eastman EXR 50D 5245); Panavision (anamorphic); Panavision Cameras and Lenses; AUDIO: Dolby Digital Color](icons/rgb.png) |
Pulp Fiction |
Quentin Tarantino, W, W, ++, C |
|
7.9 |
1966 |
AdWe![Color (Technicolor); Aspect: 2.35:1; 35 mm (2-perf); Techniscope (as Techniscope ®); AUDIO: Mono Color (Technicolor)](icons/rgb.png) |
The Good, the Bad and the Ugly |
Sergio Leone, W, W, ++, C, M «Il buono, il brutto, il cattivo» |
|
7.7 |
1957 |
D![Black and White; Aspect: 1.66:1; 35 mm; AUDIO: Mono Black and White](icons/bw.png) |
12 Angry Men |
Sidney Lumet, W, C, M |
|
8.3 |
1984 |
![TV](icons/tv_icon.png) ![TV](icons/tv_icon.png) CrDM![Color; Aspect: 1.33:1; AUDIO: Mono Color](icons/q-rgb.png) |
"The Adventures of Sherlock Holmes" |
[ Alan Grint, Paul Annett, D++ ], [ W, W, W++ ], C, C, C, M TV series 1984-1985 |
|
6.8 |
2008 |
![TV](icons/tv_icon.png) CMlSf![Color; Aspect: 1.78:1; HDCAM Color](icons/h-rgb.png) |
"Dr. Horrible's Sing-Along Blog" |
[ Joss Whedon ], [ W, W, W++ ], C, M TV mini-series 2008- |
|
8.7 |
1997 |
DoAdBH![Color; Aspect: 1.33:1; AUDIO: Ultra Stereo Color](icons/q-rgb.png) |
Lewis & Clark: The Journey of the Corps of Discovery |
Ken Burns, W, W, ++, C, C, C TV |
|
9.0 |
1995 |
![TV](icons/tv_icon.png) ![TV](icons/tv_icon.png) C![Color; AUDIO: Stereo Color](icons/q-rgb.png) |
"Father Ted" |
[ Declan Lowney, Andy De Emmony ], [ W, W ], C, M TV series 1995-1998 |
|
8.9 |
1986 |
![TV](icons/tv_icon.png) ![TV](icons/tv_icon.png) CH![Color; AUDIO: Mono Color](icons/q-rgb.png) |
"Black-Adder II" |
[ Mandie Fletcher ], [ W, W ], M TV series 1986- |
|
7.1 |
1975 |
D![Color; Aspect: 1.85:1; 35 mm (Eastman 100T 5254); AUDIO: Mono Color](icons/rgb.png) |
One Flew Over the Cuckoo's Nest |
Milos Forman, W, W, ++, C, M |
|
3.4 |
2009 |
![TV](icons/tv_icon.png) ![TV](icons/tv_icon.png) C![Color; Aspect: 1.78:1; AUDIO: Stereo Color](icons/q-rgb.png) |
"Parks and Recreation" |
[ Dean Holland, Troy Miller, D++ ], [ W, W, W++ ], C, C, C++, M TV series 2009- |
|
7.8 |
2008 |
DoCrD![Color; Aspect: 1.33:1; 16 mm Video; DV Color](icons/rgb.png) |
Dear Zachary: A Letter to a Son About His Father |
Kurt Kuenne, W, C, M |
|
8.6 |
2001 |
CF![Color; Color](icons/q-rgb.png) |
The Incredible Adventures of Wallace & Gromit |
TV |
|
4.9 |
1997 |
CDRW![Color; Aspect: 1.85:1; 35 mm (Kodak); Panavision Cameras and Lenses; AUDIO: Dolby Digital Color](icons/rgb.png) |
Life Is Beautiful |
Roberto Benigni, W, W, C, M «La vita è bella» |
|
8.5 |
1990 |
![TV](icons/tv_icon.png) ![TV](icons/tv_icon.png) CF![Color; Aspect: 1.33:1; Video (PAL); AUDIO: Stereo Color](icons/v-rgb.png) |
"Mr. Bean" |
[ John Birkin, Paul Weiland, John Howard Davies ], [ W, W, W++ ], C, M TV series 1990-1995 |
|
9.0 |
1987 |
AnSDF![Color; AUDIO: Mono Color](icons/q-rgb.png) |
The Man Who Planted Trees |
Frédéric Back, W, W, M «L'homme qui plantait des arbres» |
|
8.2 |
1955 |
DoSHW![Black and White, Color; Aspect: 1.37:1; 16 mm; AUDIO: Mono Black and White, Color](icons/rgb-bw.png) |
Night and Fog |
Alain Resnais, W, ++, C, C, M «Nuit et brouillard» |
|
7.1 |
1942 |
DRW![Black and White; Aspect: 1.37:1; 35 mm; Mitchell BNC; AUDIO: Mono (RCA Sound System) Black and White](icons/bw.png) |
Casablanca |
Michael Curtiz, W, W, ++, C, M |
|
8.0 |
1931 |
CDR![Black and White; Silent](icons/bw.png) |
City Lights |
Charles Chaplin, W, ++, C, C, M |
|
5.5 |
2009 |
3 Idiots |
Rajkumar Hirani, W, W, ++, C, M, M, M |
|
4.9 |
2007 |
![TV](icons/tv_icon.png) ![TV](icons/tv_icon.png) CDFanMR![Color; Aspect: 1.78:1; 35 mm; AUDIO: Dolby Digital Color](icons/rgb.png) |
"Pushing Daisies" |
[ Lawrence Trilling, Adam Kane, D++ ], [ W, W, W++ ], C, C, C, M TV series 2007-2009 |
|
9.5 |
2002 |
![TV](icons/tv_icon.png) ![TV](icons/tv_icon.png) AnC![Color; Color](icons/q-rgb.png) |
"Azumanga Daioh" |
Makiko Date, Jun Fukuda, ++, W, W, ++, C, M «"Azumanga daiô"» TV series 2002- |
|
9.8 |
1991 |
![TV](icons/tv_icon.png) ![TV](icons/tv_icon.png) D![Color; Aspect: 1.33:1; 35 mm; AUDIO: Stereo Color](icons/rgb.png) |
"Brooklyn Bridge" |
[ Sam Weisman, Donald Reiker, D++ ], [ W, W, W++ ], C, C, M TV series 1991-1993 |
|
7.5 |
1988 |
D![Color; Aspect: 1.66:1; 35 mm (Kodak); AUDIO: Dolby Color](icons/rgb.png) |
Cinema Paradiso |
Giuseppe Tornatore, W, ++, C, M «Nuovo Cinema Paradiso» |
|
9.2 |
1985 |
CMc![Color; Aspect: 1.33:1; AUDIO: Stereo Color](icons/q-rgb.png) |
David Letterman's Holiday Film Festival |
Hal Gurnee, W, W, ++ TV |
|
6.2 |
1964 |
CSfW![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Westrex Recording System) Black and White](icons/bw.png) |
Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb |
Stanley Kubrick, W, W, ++, C, M |
|
7.3 |
1957 |
DW![Black and White; Aspect: 1.66:1; 35 mm; AUDIO: Mono Black and White](icons/bw.png) |
Paths of Glory |
Stanley Kubrick, W, W, ++, C, M |
|
8.5 |
1955 |
AnSCFFanMl![Color (Technicolor); Aspect: 1.37:1; 35 mm; AUDIO: Mono Color (Technicolor)](icons/rgb.png) |
One Froggy Evening |
Chuck Jones, W, M |
|
7.5 |
1950 |
DN![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Recording) Black and White](icons/bw.png) |
Sunset Blvd. |
Billy Wilder, W, W, ++, C, M |
|
7.4 |
2004 |
DoBSp![Color, Black and White; AUDIO: Dolby Color, Black and White](icons/rgb-bw.png) |
Unforgivable Blackness: The Rise and Fall of Jack Johnson |
Ken Burns, W, C, C, M |
|
9.4 |
2001 |
![TV](icons/tv_icon.png) ![TV](icons/tv_icon.png) AnCDFSf![Color; Color](icons/q-rgb.png) |
"Invader ZIM" |
[ Steve Ressel ], [ W, W, W++ ], M TV series 2001-2003 |
|
5.5 |
1997 |
![TV](icons/tv_icon.png) ![TV](icons/tv_icon.png) AAdSf![Color; Aspect: 1.78:1; AUDIO: Dolby Color](icons/q-rgb.png) |
"Stargate SG-1" |
[ Peter DeLuise, Martin Wood, D++ ], [ W, W, W++ ], C, C, C, M, M, M++ TV series 1997-2007 |
|
8.5 |
1993 |
AnSCCrF![Color; Aspect: 1.37:1; 16 mm; AUDIO: Dolby (as Dolby Stereo) Color](icons/rgb.png) |
The Wrong Trousers |
Nick Park, W, W, ++, M |
|
7.6 |
1988 |
![TV](icons/tv_icon.png) DW![Color; Aspect: 1.33:1; Arri Cameras and Lenses Panaflex Camera and Lenses by Panavision; AUDIO: Stereo Color](icons/d-rgb.png) |
"War and Remembrance" |
[ Dan Curtis ], [ W, W, W ], C, M TV mini-series 1988- |
|
8.0 |
1981 |
AAdDHW![Color (Fujicolor); Aspect: 1.85:1; 35 mm (Fuji A 250T 8518); AUDIO: Dolby Digital (director's cut), Dolby (original release), SDDS (director's cut) Color (Fujicolor)](icons/rgb.png) |
Das Boot |
Wolfgang Petersen, W, W, C, M |
|
7.9 |
1966 |
AnSCFFanMl![Color (Metrocolor); Aspect: 1.33:1; 35 mm; AUDIO: Mono (Westrex Recording System) Color (Metrocolor)](icons/rgb.png) |
How the Grinch Stole Christmas! |
Chuck Jones, Ben Washam, W, W, ++ TV |
|
7.9 |
1965 |
AnCF![Color; Aspect: 1.33:1; 35 mm; AUDIO: Mono (Westrex Recording System) Color](icons/rgb.png) |
A Charlie Brown Christmas |
Bill Melendez, W, ++, M TV |
|
6.4 |
1962 |
CrDM![Black and White; Aspect: 1.85:1; 35 mm; AUDIO: Mono (Westrex Recording System) Black and White](icons/bw.png) |
To Kill a Mockingbird |
Robert Mulligan, W, W, C, M |
|
7.2 |
1959 |
AAdCrMT![Color (Technicolor); Aspect: 1.66:1; 35 mm (horizontal); VistaVision; Mitchell VistaVision Cameras; AUDIO: Mono (Westrex Recording System), Dolby SR, Dolby Digital Color (Technicolor)](icons/rgb.png) |
North by Northwest |
Alfred Hitchcock, W, C, M |
|
7.4 |
1957 |
DM![Black and White; Aspect: 1.66:1; 35 mm; AUDIO: Mono (Westrex Recording System) Black and White](icons/bw.png) |
Witness for the Prosecution |
Billy Wilder, W, W, ++, C, M |
|
9.5 |
1956 |
CCrDMRWWe![Black and White; Aspect: 1.33:1; Live; Kinescope (filmed from black and white TV screen); AUDIO: Mono Black and White](icons/bw.png) |
"Playhouse 90" Requiem for a Heavyweight |
Ralph Nelson, W, C, M, M |
|
8.3 |
1952 |
AnFSC![Color (Technicolor); Aspect: 1.37:1; 35 mm; AUDIO: Mono Color (Technicolor)](icons/rgb.png) |
Rabbit Seasoning |
Chuck Jones, W, M |
|
8.5 |
1951 |
AnFSC![Color (Technicolor); Aspect: 1.37:1; 35 mm; AUDIO: Mono Color (Technicolor)](icons/rgb.png) |
Rabbit Fire |
Chuck Jones, W, M |
|
5.3 |
2009 |
AnAdCDFFan![Color; Aspect: 1.85:1; Digital; Digital Intermediate (2K) (master format) Digital (source format) Disney Digital 3-D (3-D version) PixarVision; AUDIO: SDDS, Dolby Digital EX, DTS Color](icons/d-rgb.png) |
Up |
Pete Docter, Bob Peterson, W, W, ++, M |
|
9.0 |
2001 |
CS![Color; Color](icons/q-rgb.png) |
The Girls Guitar Club |
Ruben Fleischer, W, W, C |
|
7.2 |
1988 |
AnFFan![Color; Aspect: 1.85:1; 35 mm; Spherical (hard-matted); AUDIO: Dolby (Stereo) Color](icons/rgb.png) |
My Neighbor Totoro |
Hayao Miyazaki, W, C, M «Tonari no Totoro» |
|
10.0 |
1987 |
![TV](icons/tv_icon.png) DoB![Black and White, Color; Aspect: 1.33:1; 35 mm; AUDIO: Mono Black and White, Color](icons/rgb-bw.png) |
"Buster Keaton: A Hard Act to Follow" |
Kevin Brownlow, David Gill, W, W, C, C, C, M TV mini-series 1987- |
|
8.3 |
1983 |
DoC![Color (Medallion Film Lab); Aspect: 1.85:1; 35 mm; Panavision Cameras and Lenses; AUDIO: Mono Color (Medallion Film Lab)](icons/rgb.png) |
Bill Cosby: Himself |
Bill Cosby, W, C |
|
6.7 |
1973 |
CCrD![Color (Technicolor); Aspect: 1.85:1; 35 mm; AUDIO: Mono (Westrex Recording System) Color (Technicolor)](icons/rgb.png) |
The Sting |
George Roy Hill, W, C |
|
7.4 |
1961 |
DHW![Black and White; Aspect: 1.75:1; 35 mm; AUDIO: Mono Black and White](icons/bw.png) |
Judgment at Nuremberg |
Stanley Kramer, W, ++, C, M |
|
7.5 |
1961 |
AAd![Black and White; Aspect: 2.35:1; 35 mm; Tohoscope (anamorphic); AUDIO: Perspecta Stereo (Westrex Recording System) Black and White](icons/bw.png) |
Yojimbo |
Akira Kurosawa, W, ++, C, M «Yôjinbô» |
|
9.5 |
1960 |
![TV](icons/tv_icon.png) ![TV](icons/tv_icon.png) CF![Black and White (1960-1965), Color (1965-1968); Aspect: 1.33:1; 35 mm; AUDIO: Mono Black and White (1960-1965), Color (1965-1968)](icons/rgb-bw.png) |
"The Andy Griffith Show" |
[ Bob Sweeney, Lee Philips, D++ ], [ W, W, W++ ], C, M, M, M TV series 1960-1968 |
|
9.0 |
1958 |
CCrDMRWWe![Black and White; AUDIO: Mono Black and White](icons/bw.png) |
"Playhouse 90" Days of Wine and Roses |
John Frankenheimer, W, C, M, M |
|
7.3 |
1954 |
CrD![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Recording) Black and White](icons/bw.png) |
On the Waterfront |
Elia Kazan, W, ++, C, M |
|
7.8 |
1949 |
DR![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Recording) Black and White](icons/bw.png) |
The Heiress |
William Wyler, W, W, ++, C, M |
|
7.3 |
1948 |
AAdDWe![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (RCA Sound System) Black and White](icons/bw.png) |
The Treasure of the Sierra Madre |
John Huston, W, W, C, M |
|
7.3 |
1937 |
DR![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Noiseless Recording) Black and White](icons/bw.png) |
Make Way for Tomorrow |
Leo McCarey, W, W, ++, C, M, M |
|
7.6 |
1928 |
CR![Black and White; Silent](icons/bw.png) |
Show People |
King Vidor, W, W, ++, C, M |
|
6.6 |
1927 |
DSf![Black and White; Silent](icons/bw.png) |
Metropolis |
Fritz Lang, W, ++, C, C, C, M, M, M++ |
|
6.9 |
1926 |
AAdCRW![Black and White (Sepiatone); Silent](icons/bw.png) |
The General |
Clyde Bruckman, Buster Keaton, W, W, ++, C, C, M, M, M++ |
|
7.6 |
1925 |
DRW![Black and White (with tinted sequences); Silent](icons/bw.png) |
The Big Parade |
King Vidor, ++, W, W, ++, C, C, M, M, M |
|
7.0 |
1925 |
AdCFRWe![Black and White; Silent](icons/bw.png) |
The Gold Rush |
Charles Chaplin, W, C, M, M, M |
|
8.2 |
1923 |
CRT![Black and White; Silent](icons/bw.png) |
Safety Last! |
Fred C. Newmeyer, Sam Taylor, W, W, ++, C, M, M |
|
7.4 |
2013 |
DoCDHNe![Color; Color](icons/q-rgb.png) |
The Square |
Jehane Noujaim, C, M «Al Midan» |
|
7.0 |
2012 |
Kahaani |
Sujoy Ghosh, W, ++, C, M, M |
|
7.1 |
2012 |
DoBMc![Black and White, Color; Aspect: 1.85:1; Digital Intermediate (master format); AUDIO: Dolby Digital Black and White, Color](icons/rgb-bw.png) |
Searching for Sugar Man |
Malik Bendjelloul, W, W, ++, C |
|
6.4 |
2010 |
AnAdCDFFan![Color; Aspect: 2.35:1; Digital; Digital 3-D; AUDIO: Dolby Digital, DTS, SDDS Color](icons/d-rgb.png) |
How to Train Your Dragon |
Dean DeBlois, Chris Sanders, W, W, ++, M |
|
6.9 |
2009 |
AnCD![Black and White, Color; Aspect: 1.85:1; AUDIO: Dolby Digital Black and White, Color](icons/rgb-bw.png) |
Mary and Max |
Adam Elliot, W, C, M |
|
4.9 |
2008 |
D![Color; Aspect: 2.35:1; 35 mm (Kodak Vision3 500T 5219); Digital Intermediate (2K) (master format) Panavision (anamorphic) (source format); Panavision Panaflex Millennium XL2, Panavision C-Series Lenses Panavision Panaflex Platinum, Panavision C-Series Lenses; AUDIO: DTS, Dolby Digital, SDDS Color](icons/rgb.png) |
Gran Torino |
Clint Eastwood, W, W, ++, C, M, M |
|
7.9 |
1999 |
DF![Color; Aspect: 1.85:1; 35 mm Color](icons/rgb.png) |
The Color of Paradise |
Majid Majidi, W, C, M «Rang-e khoda» |
|
5.6 |
1999 |
DMT![Color (Technicolor); Aspect: 1.85:1; 35 mm (Eastman); Panavision Cameras and Lenses; AUDIO: DTS, Dolby Digital, SDDS Color (Technicolor)](icons/rgb.png) |
The Sixth Sense |
M. Night Shyamalan, W, C, M |
|
8.4 |
1987 |
Do![Black and White, Color; AUDIO: Mono Black and White, Color](icons/rgb-bw.png) |
Radium City |
Carole Langer, C, M |
|
9.4 |
1986 |
![TV](icons/tv_icon.png) ![TV](icons/tv_icon.png) CrDM![Color; Aspect: 1.33:1; AUDIO: Stereo Color](icons/q-rgb.png) |
"The Return of Sherlock Holmes" |
[ Peter Hammond, David Carson ], [ W, W, W++ ], C, C, C++, M TV series 1986- |
|
7.0 |
1983 |
![TV](icons/tv_icon.png) ![TV](icons/tv_icon.png) CH![Color; Aspect: 1.33:1; 16 mm (exterior and location shots) Video (interior shots); AUDIO: Mono Color](icons/rgb.png) |
"The Black Adder" |
[ Martin Shardlow ], [ W, W, W ], M TV series 1983- |
|
6.6 |
1983 |
![TV](icons/tv_icon.png) DRW![Color; Aspect: 1.33:1; 35 mm; AUDIO: Mono Color](icons/rgb.png) |
"The Winds of War" |
[ Dan Curtis ], [ W ], C, C, M TV mini-series 1983- |
|
7.7 |
1983 |
AnSCFan![Color; Aspect: 1.37:1; 35 mm; AUDIO: Mono Color](icons/rgb.png) |
Dimensions of Dialogue |
Jan Svankmajer, W, C, M «Moznosti dialogu» |
|
8.6 |
1982 |
AnSAdFFan![Color; Aspect: 1.33:1; 35 mm; AUDIO: Mono Color](icons/rgb.png) |
The Snowman |
Dianne Jackson, Jimmy T. Murakami, W, M |
|
6.8 |
1978 |
![TV](icons/tv_icon.png) DHRW![Color; Aspect: 1.33:1; AUDIO: Mono Color](icons/q-rgb.png) |
"Holocaust" |
[ Marvin J. Chomsky ], [ W ], C, M TV mini-series 1978- |
|
6.8 |
1969 |
DW![Color (Eastmancolor); Aspect: 1.85:1; 35 mm (Eastman 50T 5251, 100T 5254); Caméflex Cameras Kinoptik, Cooke Speed Panchro and Angenieux Lenses Mitchell BNC, Cooke Speed Panchro and Angenieux Lenses; AUDIO: Mono, Dolby Digital (2006 restoration) Color (Eastmancolor)](icons/rgb.png) |
Army of Shadows |
Jean-Pierre Melville, W, W, C, C, M «L'armée des ombres» |
|
6.9 |
1964 |
AnAdFFanMl![Color (Technicolor); AUDIO: Mono (RCA Sound Recording) Color (Technicolor)](icons/q-rgb.png) |
Rudolph, the Red-Nosed Reindeer |
Larry Roemer, W, W, M TV |
|
8.2 |
1963 |
![TV](icons/tv_icon.png) ![TV](icons/tv_icon.png) FanHoSfDMT![Black and White; 35 mm; AUDIO: Mono Black and White](icons/bw.png) |
"The Outer Limits" |
[ Gerd Oswald, Byron Haskin, D++ ], [ W, W, W++ ], C, C, C, M, M, M TV series 1963-1965 |
|
7.4 |
1962 |
ADT![Black and White; Aspect: 2.35:1; 35 mm; Tohoscope (anamorphic); AUDIO: Perspecta Stereo (Westrex Recording System) Black and White](icons/bw.png) |
Sanjuro |
Akira Kurosawa, W, W, ++, C, C, M «Tsubaki Sanjûrô» |
|
7.2 |
1957 |
DN![Black and White; Aspect: 1.66:1; 35 mm; AUDIO: Mono (Westrex Recording System) Black and White](icons/bw.png) |
Sweet Smell of Success |
Alexander Mackendrick, W, W, ++, C, M |
|
7.7 |
1957 |
D![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Recording), Mono (Perspecta Sound encoding) Black and White](icons/bw.png) |
Throne of Blood |
Akira Kurosawa, W, W, ++, C, M «Kumonosu-jô» |
|
7.2 |
1955 |
HoMT![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (A.R.T.E.C.) Black and White](icons/bw.png) |
Diabolique |
Henri-Georges Clouzot, W, W, ++, C, M «Les diaboliques» |
|
7.3 |
1955 |
CrDT![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Sound System) Black and White](icons/bw.png) |
Rififi |
Jules Dassin, W, W, ++, C, M «Du rififi chez les hommes» |
|
7.3 |
1952 |
D![Black and White; Aspect: 1.37:1; 35 mm (DuPont/Gevaert); AUDIO: Mono (RCA Sound System) Black and White](icons/bw.png) |
Umberto D. |
Vittorio De Sica, W, C, M |
|
7.9 |
1949 |
D![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono Black and White](icons/bw.png) |
Late Spring |
Yasujirô Ozu, W, W, ++, C, M «Banshun» |
|
8.2 |
1946 |
DRW![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Recording) Black and White](icons/bw.png) |
The Best Years of Our Lives |
William Wyler, W, W, C, M |
|
7.8 |
1945 |
D![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Recording) Black and White](icons/bw.png) |
A Tree Grows in Brooklyn |
Elia Kazan, W, W, ++, C, M |
|
6.5 |
1941 |
DR![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Mirrophonic Recording) Black and White](icons/bw.png) |
The Little Foxes |
William Wyler, W, ++, C, M |
|
5.7 |
1939 |
DRW![Color (Technicolor); Aspect: 1.37:1; 35 mm; Bausch & Lomb Lenses Mitchell Cameras; AUDIO: Mono (Western Electric Sound System) Color (Technicolor)](icons/rgb.png) |
Gone with the Wind |
Victor Fleming, ++, W, W, ++, C, C, M |
|
7.3 |
1936 |
DR![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Wide Range Noiseless Recording) Black and White](icons/bw.png) |
Dodsworth |
William Wyler, W, W, ++, C, M |
|
7.1 |
1934 |
CR![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Noiseless Recording) Black and White](icons/bw.png) |
It Happened One Night |
Frank Capra, W, W, C, M |
|
6.9 |
1902 |
SAdFanSf![Color (hand-colored), Black and White; Silent](icons/rgb-bw.png) |
A Trip to the Moon |
[ Georges Méliès ], ++, C, C, M, M, M «Le voyage dans la lune» |
|
6.7 |
2008 |
ABDHSp![Color; Aspect: 2.35:1; 35 mm (Fuji Eterna 500T 8573); Digital Intermediate (2K) (master format) Super 35 (source format); Arricam LT, Zeiss Ultra Prime and Angenieux Optimo Lenses Arriflex 35 BL4, Zeiss Ultra Prime and Angenieux Optimo Lenses Arriflex 435 Xtreme, Zeiss Ultra Prime and Angenieux Optimo Lenses Arriflex 535B, Zeiss Ultra Prime and Angenieux Optimo Lenses; AUDIO: DTS, Dolby Digital Color](icons/rgb.png) |
Ip Man |
Wilson Yip, W, W, C, M «Yip Man» |
|
10.0 |
2006 |
DoS![Color; Color](icons/q-rgb.png) |
Mother Superior |
Alex Mack, Diana Montero, M |
|
8.0 |
2005 |
Do![Color; Video; DV Color](icons/v-rgb.png) |
Street Fight |
Marshall Curry, W, C, M |
|
7.1 |
2004 |
BDHW![Color; Aspect: 2.35:1; 35 mm (Kodak); Super 35 (source format) Digital Intermediate (master format); AUDIO: DTS, Dolby Digital Color](icons/rgb.png) |
Hotel Rwanda |
Terry George, W, W, C, M, M, M |
|
3.9 |
2004 |
DSp![Color; Aspect: 2.35:1; 35 mm (Kodak Vision 250D 5246, Vision 500T 5279); Panavision (anamorphic); Panavision Panaflex Platinum, Panavision C-Series Lenses; AUDIO: DTS, Dolby Digital, SDDS Color](icons/rgb.png) |
Million Dollar Baby |
Clint Eastwood, W, W, C, M |
|
2.2 |
2003 |
ACrT![Black and White, Color; Aspect: 2.35:1; 35 mm (Eastman Double-X 5222, EXR 100T 5248, Kodak Vision 320T 5277, Vision 500T 5279, Vision 800T 5289, EXR 200T 5293); Digital Intermediate (2K) (master format) Super 35 (3-perf) (source format); Panavision Panaflex Platinum, Panavision Primo Lenses; AUDIO: DTS, Dolby Digital, SDDS Black and White, Color](icons/rgb-bw.png) |
Kill Bill: Vol. 1 |
Quentin Tarantino, W, ++, C, M |
|
9.2 |
2000 |
Do![Black and White, Color; Aspect: 1.78:1; AUDIO: Mono Black and White, Color](icons/rgb-bw.png) |
Finest Hour: The Battle of Britain |
Nick Read, W TV |
|
9.5 |
1999 |
SAn![Color; Aspect: 1.44:1; 65 mm (horizontal); IMAX; AUDIO: Dolby Digital Color](icons/rgb.png) |
The Old Man and the Sea |
Aleksandr Petrov, W, W, M, M |
|
6.5 |
1998 |
D![Color; Aspect: 1.33:1; Video (PAL); Sony PC-7E Camera; AUDIO: Dolby Color](icons/v-rgb.png) |
The Celebration |
[ Thomas Vinterberg ], W, W, ++, C, M «Festen» |
|
8.0 |
1994 |
![TV](icons/tv_icon.png) ![TV](icons/tv_icon.png) CrDM![Color; Aspect: 1.33:1; AUDIO: Dolby Color](icons/q-rgb.png) |
"The Memoirs of Sherlock Holmes" |
[ Peter Hammond, Sarah Hellings ], [ W, W, W++ ], C, M TV series 1994- |
|
7.1 |
1988 |
DoCrM![Color; Aspect: 1.66:1; 35 mm Super 16; AUDIO: Dolby Color](icons/rgb.png) |
The Thin Blue Line |
Errol Morris, W, C, C, M |
|
6.7 |
1986 |
ADW![Color; Aspect: 1.85:1; 35 mm; J-D-C Cameras; AUDIO: Stereo (Dolby Stereo) Color](icons/rgb.png) |
Platoon |
Oliver Stone, W, C, M |
|
5.7 |
1983 |
CF![Color (Metrocolor); Aspect: 1.37:1; 35 mm; Lenses and Panaflex Camera by Panavision; AUDIO: Mono Color (Metrocolor)](icons/rgb.png) |
A Christmas Story |
Bob Clark, W, ++, C, M, M |
|
7.5 |
1980 |
![TV](icons/tv_icon.png) AdDHW![Color; Aspect: 1.33:1; 35 mm; Panavision Cameras and Lenses; AUDIO: Mono Color](icons/rgb.png) |
"Shogun" |
Jerry London, W, W, C, M TV mini-series 1980- |
|
7.8 |
1976 |
DSp![Color (Technicolor); Aspect: 1.33:1; 35 mm; Panaflex Camera and Lenses by Panavision; AUDIO: Mono Color (Technicolor)](icons/rgb.png) |
Rocky |
John G. Avildsen, W, C, M |
|
8.5 |
1973 |
D![Color; Aspect: 1.33:1; 35 mm; AUDIO: Mono Color](icons/rgb.png) |
The Thanksgiving Treasure |
Paul Bogart, W, W, M TV |
|
9.6 |
1972 |
D![Color; Aspect: 1.33:1; Video; AUDIO: Mono Color](icons/v-rgb.png) |
The House Without a Christmas Tree |
Paul Bogart, W, W, M TV |
|
7.0 |
1965 |
DSfW![Black and White; Aspect: 1.37:1; 16 mm; AUDIO: Mono Black and White](icons/bw.png) |
The War Game |
Peter Watkins, W, C, C |
|
7.7 |
1959 |
DRW![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono Black and White](icons/bw.png) |
Ballad of a Soldier |
Grigoriy Chukhray, W, W, C, C, M «Ballada o soldate» |
|
6.7 |
1959 |
AAdDHR![Color (Technicolor); Aspect: 2.76:1; 65 mm; MGM Camera 65 (anamorphic); Panavision Lenses; AUDIO: 70 mm 6-Track (70 mm prints) (Westrex Recording System), Dolby (1993 re-release) Color (Technicolor)](icons/rgb.png) |
Ben-Hur |
William Wyler, W, W, ++, C, M |
|
7.7 |
1954 |
D![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono Black and White](icons/bw.png) |
Twenty-Four Eyes |
Keisuke Kinoshita, W, W, C, M «Nijûshi no hitomi» |
|
9.1 |
1952 |
FCAnS![Color (Technicolor); Aspect: 1.37:1; 35 mm; AUDIO: Mono Color (Technicolor)](icons/rgb.png) |
Feed the Kitty |
Chuck Jones, W, M |
|
6.6 |
1952 |
DWe![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Recording) Black and White](icons/bw.png) |
High Noon |
Fred Zinnemann, W, W, C, M |
|
7.1 |
1952 |
DMc![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (RCA Sound System) Black and White](icons/bw.png) |
Limelight |
Charles Chaplin, W, C, M |
|
8.7 |
1946 |
AnSCFHo![Color (Technicolor); Aspect: 1.37:1; 35 mm; AUDIO: Mono Color (Technicolor)](icons/rgb.png) |
Hair-Raising Hare |
Chuck Jones, W, M |
|
6.4 |
1944 |
CCrRT![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (RCA Sound System) Black and White](icons/bw.png) |
Arsenic and Old Lace |
Frank Capra, W, W, ++, C, M |
|
7.3 |
1943 |
CrDWe![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Recording) Black and White](icons/bw.png) |
The Ox-Bow Incident |
William A. Wellman, W, W, C, M |
|
7.4 |
1930 |
DW![Black and White; Aspect: 1.20:1; 35 mm; AUDIO: Mono (Western Electric Sound System) Black and White](icons/bw.png) |
All Quiet on the Western Front |
Lewis Milestone, W, W, ++, C, C, M, M |
|
7.1 |
2010 |
DoC![Color; AUDIO: Dolby Digital Color](icons/q-rgb.png) |
Exit Through the Gift Shop |
Banksy |
|
6.5 |
2009 |
DSf![Color; Aspect: 2.35:1; 35 mm (Kodak Vision3 500T 5219, Vision 200T 5274); Digital Intermediate (2K) (master format) Super 35 (3-perf) (source format); Arricam LT, Panavision Primo Lenses Arriflex 435, Panavision Primo Lenses Panavision Panaflex Millennium XL, Panavision Primo Lenses; AUDIO: Dolby Digital Color](icons/rgb.png) |
Moon |
Duncan Jones, W, W, C, M |
|
5.7 |
2007 |
AnCFFan![Color; Aspect: 2.35:1; Digital; 3-D (3-D version: 2014 re-release) Digital; AUDIO: SDDS, Dolby Digital EX, DTS-ES Color](icons/d-rgb.png) |
Ratatouille |
Brad Bird, Jan Pinkava, W, W, ++, M |
|
8.0 |
2007 |
Do![Color; AUDIO: Stereo Color](icons/q-rgb.png) |
The Most Hated Family in America |
Geoffrey O'Connor, W, C TV |
|
10.0 |
2006 |
AnS![Color; Video; Digital Betacam Color](icons/v-rgb.png) |
Beyond Freedom |
Jacquie Trowell, W, M, M |
|
7.4 |
2006 |
DoCr![Color; Aspect: 1.85:1; Video (HDTV); HDV; Sony HVR-Z1; AUDIO: Dolby Digital Color](icons/h-rgb.png) |
Deliver Us from Evil |
Amy Berg, W, C, C, M, M |
|
6.0 |
2006 |
DHW![Color; Aspect: 2.35:1; 35 mm (Kodak Vision 250D 5246, Vision 500T 5279) Video (HDV); Digital Intermediate (2K) (master format) HDV (source format) Panavision (anamorphic) (source format); Arriflex 235, Panavision C- and E-Series Lenses Panavision Panaflex Millennium XL, Panavision C- and E-Series Lenses Panavision Panaflex Platinum, Panavision C- and E-Series Lenses Sony HVR-Z1U; AUDIO: DTS, SDDS, Dolby Digital Color](icons/rgb.png) |
Letters from Iwo Jima |
Clint Eastwood, W, ++, C, M, M |
|
10.0 |
2005 |
FS![Color; Color](icons/q-rgb.png) |
Kylie Goldstein, All American |
Eva Saks, W, C, M |
|
8.4 |
2000 |
![TV](icons/tv_icon.png) ![TV](icons/tv_icon.png) C![Color; Aspect: 1.78:1; 16 mm; Super 16; AUDIO: Dolby Color](icons/rgb.png) |
"Malcolm in the Middle" |
[ Todd Holland, Jeff Melman, D++ ], [ W, W, W++ ], C, C, M, M TV series 2000-2006 |
|
7.6 |
1991 |
AnFFanMlR![Color (Technicolor); Aspect: 1.66:1; 35 mm (Eastman) Digital; Digital Spherical; AUDIO: 70 mm 6-Track (70 mm prints), Dolby (35 mm prints), Sonics-DDP (IMAX version) Color (Technicolor)](icons/rgb.png) |
Beauty and the Beast |
Gary Trousdale, Kirk Wise, W, W, ++, M |
|
7.7 |
1988 |
CH![Color; Color](icons/q-rgb.png) |
Blackadder's Christmas Carol |
Richard Boden, W, W, ++, M TV |
|
7.7 |
1986 |
D![Color (Eastmancolor); Aspect: 2.35:1; 35 mm (Kodak); Technovision (anamorphic); Technovision Cameras and Lenses; AUDIO: Dolby Color (Eastmancolor)](icons/rgb.png) |
Manon of the Spring |
Claude Berri, W, W, ++, C, M «Manon des sources» |
|
6.4 |
1979 |
DC![Color (Technicolor); Aspect: 1.85:1; 35 mm; Panaflex Cameras and Lenses by Panavision; AUDIO: Mono Color (Technicolor)](icons/rgb.png) |
Being There |
Hal Ashby, W, ++, C, M |
|
7.0 |
1970 |
BDHW![Color; Aspect: 2.20:1; 65 mm; Dimension 150; AUDIO: 70 mm 6-Track (70 mm prints) (Westrex Recording System), Mono (35 mm prints), DTS 70 mm (70 mm re-release) Color](icons/rgb.png) |
Patton |
Franklin J. Schaffner, W, W, ++, C, M |
|
5.9 |
1968 |
DHoM![Color (Technicolor); Aspect: 1.85:1; 35 mm (Eastman 50T 5251); AUDIO: Mono Color (Technicolor)](icons/rgb.png) |
Rosemary's Baby |
Roman Polanski, W, W, C, M |
|
7.8 |
1965 |
DW![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono Black and White](icons/bw.png) |
The Shop on Main Street |
Ján Kadár, Elmar Klos, W, ++, C, M «Obchod na korze» |
|
6.7 |
1964 |
FanHo![Color (Eastmancolor); Aspect: 2.35:1; 35 mm; Tohoscope; AUDIO: Mono (Western Electric Recording) Color (Eastmancolor)](icons/rgb.png) |
Kwaidan |
Masaki Kobayashi, W, W, C, M «Kaidan» |
|
6.9 |
1962 |
DMRSfTW![Black and White; Aspect: 1.85:1; 35 mm; AUDIO: Mono (Westrex Recording System), Dolby SR, Dolby Digital Black and White](icons/bw.png) |
The Manchurian Candidate |
John Frankenheimer, W, W, ++, C, M |
|
7.2 |
1959 |
DW![Black and White; Aspect: 2.35:1; 35 mm; Daieiscope; AUDIO: Mono Black and White](icons/bw.png) |
Fires on the Plain |
Kon Ichikawa, W, W, C, C, M «Nobi» |
|
7.9 |
1952 |
FSCAn![Color (Technicolor); Aspect: 1.37:1; 35 mm; AUDIO: Mono Color (Technicolor)](icons/rgb.png) |
Operation: Rabbit |
Chuck Jones, W, M |
|
7.6 |
1946 |
DFanR![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono, Dolby Digital (1995 opera version) Black and White](icons/bw.png) |
Beauty and the Beast |
Jean Cocteau, ++, W, ++, C, M «La belle et la bête» |
|
8.7 |
1944 |
SMc![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (RCA Sound System) Black and White](icons/bw.png) |
Jammin' the Blues |
Gjon Mili, C |
|
7.0 |
1940 |
CDR![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Mirrophonic Recording) Black and White](icons/bw.png) |
His Girl Friday |
Howard Hawks, W, W, ++, C, M, M |
|
5.4 |
1938 |
CR![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (RCA Victor System) Black and White](icons/bw.png) |
Bringing Up Baby |
Howard Hawks, W, W, ++, C, M |
|
7.6 |
1938 |
AAdR![Color (Technicolor); Aspect: 1.37:1; 35 mm; AUDIO: Mono Color (Technicolor)](icons/rgb.png) |
The Adventures of Robin Hood |
Michael Curtiz, William Keighley, W, W, ++, C, C, M |
|
7.9 |
1935 |
FCAnSMc![Color (Technicolor); Aspect: 1.37:1; 35 mm; AUDIO: Mono Color (Technicolor)](icons/rgb.png) |
The Band Concert |
Wilfred Jackson, M |
|
6.9 |
1933 |
AdFanHo![Black and White; Aspect: 1.37:1; 35 mm; Mitchell Camera; AUDIO: Mono (RCA Photophone System) Black and White](icons/bw.png) |
King Kong |
[ Merian C. Cooper, Ernest B. Schoedsack ], W, W, ++, C, C, C++, M |
|
7.0 |
1932 |
DHoT![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Sound System) Black and White](icons/bw.png) |
Freaks |
Tod Browning, W, ++, C |
|
7.4 |
1928 |
ACDFR![Black and White; Silent](icons/bw.png) |
Steamboat Bill, Jr. |
Charles Reisner, ++, W, ++, C, C |
|
6.7 |
1922 |
Ho![Black and White; Silent](icons/bw.png) |
Nosferatu |
F.W. Murnau, W, ++, C, C, M, M, M++ «Nosferatu, eine Symphonie des Grauens» |
|
8.4 |
1920 |
CSF![Black and White; Silent](icons/bw.png) |
The Scarecrow |
Edward F. Cline, Buster Keaton, W, W, C, M |
|
6.9 |
2014 |
DoB![Color; Color](icons/q-rgb.png) |
Life Itself |
Steve James, C, M |
|
2.5 |
2013 |
DSfT![Color; Aspect: 2.35:1; Codex; ARRIRAW (2.8K) (source format) Digital Intermediate (2K) (master format); Arri Alexa, Zeiss Master Prime Lenses; AUDIO: Datasat, Dolby Digital, Dolby Atmos Color](icons/d-rgb.png) |
Gravity |
Alfonso Cuarón, W, W, ++, C, M |
|
8.4 |
2006 |
SC![Color; 35 mm; AUDIO: Dolby Digital Color](icons/rgb.png) |
Tanghi argentini |
Guy Thys, W, C, M |
|
9.6 |
2006 |
DoHMc![Color; Color](icons/q-rgb.png) |
The Singing Revolution |
James Tusty, Maureen Castle Tusty, W, W, ++, C, M |
|
8.7 |
2004 |
![TV](icons/tv_icon.png) ![TV](icons/tv_icon.png) Do![Color; AUDIO: Stereo Color](icons/q-rgb.png) |
"The Worst Jobs in History" |
[ Brendan Hughes, Patricia Murphy, Nigel Walk ], W, W, C, C, C++ TV series 2004- |
|
2.1 |
2004 |
D![Color; Aspect: 2.35:1; 35 mm (Kodak Vision2 Expression 500T 5229); Digital Intermediate (2K) (master format) Super 35 (source format); Panavision Panaflex Millennium XL, Panavision Super Speed MKII Lenses; AUDIO: Dolby Digital Color](icons/rgb.png) |
Crash |
Paul Haggis, W, ++, C, M |
|
9.4 |
1999 |
![TV](icons/tv_icon.png) ![TV](icons/tv_icon.png) DoBH![Color; Aspect: 1.33:1; AUDIO: Mono Color](icons/q-rgb.png) |
"Not for Ourselves Alone: The Story of Elizabeth Cady Stanton & Susan B. Anthony" |
Ken Burns, W, C, C, C TV series 1999- |
|
7.0 |
1999 |
DoHSp![Black and White, Color; Aspect: 1.85:1; 35 mm; AUDIO: Stereo Black and White, Color](icons/rgb-bw.png) |
One Day in September |
Kevin Macdonald, C, C, M |
|
7.5 |
1999 |
AnAdCFFan![Color (Technicolor); Aspect: 1.85:1; Digital; Digital; AUDIO: DTS, SDDS, Dolby Digital Color (Technicolor)](icons/d-rgb.png) |
Toy Story 2 |
John Lasseter, Ash Brannon, ++, W, W, ++, C, M |
|
8.0 |
1996 |
DoH![Black and White, Color; Aspect: 1.85:1; 35 mm; AUDIO: Mono Black and White, Color](icons/rgb-bw.png) |
"The American Experience" The Battle Over Citizen Kane |
Michael Epstein, Thomas Lennon, W, W, C, C, M |
|
9.0 |
1993 |
S![Black and White; Aspect: 1.66:1; 35 mm; AUDIO: Mono Black and White](icons/bw.png) |
Black Rider |
Pepe Danquart, W, C, M «Schwarzfahrer» |
|
7.8 |
1990 |
AnSCFan![Color; 35 mm; AUDIO: Mono Color](icons/rgb.png) |
Darkness Light Darkness |
Jan Svankmajer, W, C «Tma/Svetlo/Tma» |
|
7.4 |
1989 |
DHW![Color (Technicolor); Aspect: 1.85:1; 35 mm (Eastman 125T 5247, 400T 5294); Panavision Cameras and Lenses; AUDIO: 70 mm 6-Track (70 mm prints), Dolby SR (35 mm prints) Color (Technicolor)](icons/rgb.png) |
Glory |
Edward Zwick, W, W, ++, C, M |
|
7.2 |
1989 |
AnAdFFan![Color; Aspect: 1.85:1; 35 mm; AUDIO: Dolby Color](icons/rgb.png) |
Kiki's Delivery Service |
Hayao Miyazaki, W, W, C, M «Majo no takkyûbin» |
|
7.5 |
1987 |
DMcR![Color (Eastmancolor); Aspect: 1.66:1; 35 mm; AUDIO: Dolby Color (Eastmancolor)](icons/rgb.png) |
Babette's Feast |
Gabriel Axel, W, W, C, M «Babettes gæstebud» |
|
7.6 |
1984 |
CDFFan![Color; Aspect: 1.33:1; 35 mm; Panaflex Camera and Lenses by Panavision; AUDIO: Dolby Color](icons/rgb.png) |
A Christmas Carol |
Clive Donner, W, W, C, M TV |
|
7.4 |
1983 |
AdSCFan![Color (Technicolor); Aspect: 1.85:1; 35 mm; J-D-C Cameras and Lenses; AUDIO: Dolby Color (Technicolor)](icons/rgb.png) |
The Crimson Permanent Assurance |
Terry Gilliam, W, C, M |
|
8.2 |
1974 |
![TV](icons/tv_icon.png) DM![Color; Aspect: 1.33:1; 35 mm; AUDIO: Mono Color](icons/rgb.png) |
"QB VII" |
[ Tom Gries ], [ W, W, W ], M TV mini-series 1974- |
|
9.5 |
1974 |
D![Color; 35 mm; AUDIO: Mono Color](icons/rgb.png) |
The Autobiography of Miss Jane Pittman |
John Korty, W, W, C, M TV |
|
7.2 |
1964 |
DRT![Black and White; Aspect: 1.85:1; 35 mm; AUDIO: Mono (Westrex Recording System) Black and White](icons/bw.png) |
Seven Days in May |
John Frankenheimer, W, W, ++, C, M |
|
7.1 |
1963 |
D![Black and White; Aspect: 1.78:1; 35 mm; AUDIO: Mono (Westrex Recording System) Black and White](icons/bw.png) |
America, America |
Elia Kazan, W, C, M |
|
7.2 |
1962 |
CD![Black and White; Aspect: 1.85:1; 35 mm; AUDIO: Mono (RCA Sound Recording) Black and White](icons/bw.png) |
Days of Wine and Roses |
Blake Edwards, W, C, M |
|
6.9 |
1960 |
D![Color (Eastman Color); Aspect: 1.66:1; 35 mm; AUDIO: Mono (Westrex Recording System) Color (Eastman Color)](icons/rgb.png) |
Elmer Gantry |
Richard Brooks, W, W, C, M |
|
7.2 |
1958 |
DRWe![Color (Technicolor); Aspect: 2.35:1; 35 mm; Technirama; AUDIO: Mono (Westrex Recording System) Color (Technicolor)](icons/rgb.png) |
The Big Country |
William Wyler, W, W, ++, C, M |
|
10.0 |
1955 |
D![Black and White; Aspect: 1.33:1; Live; Kinescope; AUDIO: Mono Black and White](icons/bw.png) |
"Kraft Theatre" Patterns |
Fielder Cook, W «"Kraft Television Theatre" Patterns» |
|
6.2 |
1954 |
DRW![Color (Technicolor); Aspect: 1.85:1; 35 mm; AUDIO: Mono (Western Electric Recording) Color (Technicolor)](icons/rgb.png) |
The Caine Mutiny |
Edward Dmytryk, W, W, ++, C, M |
|
8.6 |
1953 |
D![Black and White; Aspect: 1.33:1; Live; Kinescope; AUDIO: Mono Black and White](icons/bw.png) |
"The Philco-Goodyear Television Playhouse" Marty |
Delbert Mann, W, C «"The Philco Television Playhouse" Marty» |
|
6.6 |
1952 |
CDR![Color (Technicolor); Aspect: 1.37:1; 35 mm; Mitchell Cameras; AUDIO: Mono (RCA Sound System) Color (Technicolor)](icons/rgb.png) |
The Quiet Man |
John Ford, W, W, ++, C, M |
|
7.5 |
1947 |
CDFFan![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Recording) Black and White](icons/bw.png) |
Miracle on 34th Street |
George Seaton, W, W, C, C, M |
|
7.0 |
1946 |
CrDNM![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Recording) Black and White](icons/bw.png) |
The Killers |
Robert Siodmak, W, W, ++, C, M |
|
7.2 |
1940 |
D![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Sound System) Black and White](icons/bw.png) |
The Mortal Storm |
Frank Borzage, W, W, ++, C, C, C, M, M, M |
|
6.2 |
1939 |
AdWe![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Mirrophonic Recording) Black and White](icons/bw.png) |
Stagecoach |
John Ford, W, W, ++, C, M |
|
6.7 |
1935 |
HoSf![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Sound System) Black and White](icons/bw.png) |
The Bride of Frankenstein |
James Whale, W, W, ++, C, M «Bride of Frankenstein» |
|
7.2 |
1933 |
SC![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Sound System) Black and White](icons/bw.png) |
Busy Bodies |
Lloyd French, ++, C |
|
7.9 |
1929 |
SCF![Black and White; Silent](icons/bw.png) |
Big Business |
James W. Horne, Leo McCarey, W, ++, C, M |
|
7.4 |
1923 |
CF![Black and White; Silent](icons/bw.png) |
Our Hospitality |
John G. Blystone, Buster Keaton, W, W, ++, C, C, M |
|
4.3 |
2012 |
DHT![Color; Aspect: 2.35:1; 16 mm (Kodak Vision3 250D 7207, Vision3 500T 7219) 35 mm (Kodak Vision3 250D 5207, Vision3 500T 5219, Vision2 500T 5260) 8 mm (Kodak Vision3 500T 5219, Ektachrome 100D 5285) Digital; ARRIRAW (2.8K) (source format) (some scenes) Digital Intermediate (4K) (master format) Hawk Scope (anamorphic) (source format) Super 16 (source format) (some shots) Super 35 (source format) (some scenes) Super 8 (source format) (some shots) Techniscope (source format) (some scenes); Arri Alexa Plus, Hawk V-Lite, V-Plus, V-Series, Zeiss Super Speed, Ultra Prime and Angenieux Optimo Lenses Arricam LT, Hawk V-Lite, V-Plus, V-Series, Zeiss Super Speed, Ultra Prime, Angenieux Optimo and Canon Lenses Arricam ST, Hawk V-Lite, V-Plus, V-Series, Zeiss Super Speed, Ultra Prime, Angenieux Optimo and Canon Lenses Bolex H16 REX-5, Kern-Paillard Switar and Angenieux Lenses Canon 1014 AZ; AUDIO: SDDS, Datasat, Dolby Digital Color](icons/rgb.png) |
Argo |
Ben Affleck, W, W, ++, C, M |
|
10.0 |
2012 |
DoSDW![Color; Color](icons/q-rgb.png) |
Karama Has No Walls |
Sara Ishaq, C, C, C |
|
9.0 |
2010 |
![TV](icons/tv_icon.png) ![TV](icons/tv_icon.png) Do![Color; Aspect: 1.33:1 Color](icons/q-rgb.png) |
"Third Reich: The Rise & Fall" |
Nicole Rittenmeyer, Seth Skundrick, [ W ], M TV series 2010- |
|
6.4 |
2010 |
AnCFFanMlR![Color; Aspect: 1.85:1; Digital; Digital Intermediate (2K) (master format) Disney Digital 3-D (source format); AUDIO: Dolby Digital, SDDS, DTS Color](icons/d-rgb.png) |
Tangled |
Nathan Greno, Byron Howard, W, W, ++, M |
|
5.1 |
2008 |
DHMT![Color, Black and White (opening and end sequence); Aspect: 2.35:1; 35 mm (Kodak Vision 500T 5279); Digital Intermediate (2K) (master format) Panavision (anamorphic) (source format); Panavision Panaflex Millennium XL2, Panavision C-Series Lenses Panavision Panaflex Platinum, Panavision C-Series Lenses; AUDIO: SDDS, Dolby Digital, DTS Color, Black and White (opening and end sequence)](icons/rgb-bw.png) |
Changeling |
Clint Eastwood, W, C, M |
|
6.2 |
2007 |
SADT![Color; Aspect: 2.35:1; AUDIO: Dolby Digital Color](icons/q-rgb.png) |
Spider |
Nash Edgerton, W, W, C, M |
|
7.7 |
2007 |
Do![Color; Aspect: 1.85:1 Color](icons/q-rgb.png) |
The Pixar Story |
Leslie Iwerks, W, C, M |
|
10.0 |
2007 |
DoH![Color; Color](icons/q-rgb.png) |
Through Deaf Eyes |
Diane Garey, Lawrence R. Hott, W, W, ++, C, C, C++, M, M TV |
|
5.8 |
2006 |
D![Color; Aspect: 1.85:1; 35 mm; AUDIO: Dolby SR, Dolby Digital Color](icons/rgb.png) |
After the Wedding |
Susanne Bier, W, W, C, M «Efter brylluppet» |
|
10.0 |
2006 |
SC![Color; Aspect: 1.78:1; AUDIO: Dolby Digital Color](icons/q-rgb.png) |
Division III |
Marshall Cook, W, C, M |
|
10.0 |
2006 |
SDFan![Color; Color](icons/q-rgb.png) |
Sent |
Alex Feldman, W, C, M |
|
10.0 |
2004 |
SC![Color; Color](icons/q-rgb.png) |
Life or Breath |
Steve Desmond, W, W, ++, C, C, M |
|
10.0 |
2004 |
SC![Color; Aspect: 1.33:1 Color](icons/q-rgb.png) |
The Old Negro Space Program |
Andy Bobrow, W, C, C, M, M |
|
8.0 |
2004 |
D![Color; AUDIO: Dolby Digital Color](icons/q-rgb.png) |
Yesterday |
Darrell Roodt, W, C, M |
|
10.0 |
2003 |
AnCFanHoT![Color; Color](icons/q-rgb.png) |
The Collected Shorts of Jan Svankmajer: The Later Years Vol. 2 |
James Marsh, Jan Svankmajer, W, W, ++, C, C, C++, M TV |
|
8.9 |
2002 |
SC |
The Syndicate |
Allan Steele, W, C |
|
7.5 |
2001 |
ASC![Color; Aspect: 2.35:1; 35 mm; AUDIO: Dolby Digital Color](icons/rgb.png) |
Star |
Guy Ritchie, W, W, C |
|
4.8 |
2000 |
CAdCrMc![Color; Aspect: 2.35:1; 35 mm (Eastman EXR 100T 5248, Kodak Vision 500T 5279, EXR 200T 5293); Digital Intermediate (2K) (master format) Super 35 (source format); Arriflex 535B, Cooke S4 Lenses; AUDIO: DTS, Dolby Digital, SDDS Color](icons/rgb.png) |
O Brother, Where Art Thou? |
Joel Coen, ++, W, W, ++, C, M |
|
7.5 |
1998 |
DoBH![Color; Color](icons/q-rgb.png) |
Frank Lloyd Wright |
Ken Burns, Lynn Novick, W, C, C |
|
10.0 |
1997 |
DoH![Color; Color](icons/q-rgb.png) |
China: Born Under the Red Flag |
Sue Williams, W, C, C, M TV |
|
9.3 |
1997 |
AnSFan![Color; Color](icons/q-rgb.png) |
Mermaid |
Aleksandr Petrov, W «Rusalka» |
|
8.1 |
1997 |
AnSC![Color; Color](icons/q-rgb.png) |
The Old Lady and the Pigeons |
Sylvain Chomet, W, W, ++, M «La vieille dame et les pigeons» |
|
9.7 |
1995 |
![TV](icons/tv_icon.png) DoH![Black and White, Color; Aspect: 1.33:1 Black and White, Color](icons/rgb-bw.png) |
"Cinema Europe: The Other Hollywood" |
[ Kevin Brownlow, David Gill ], M, M, M TV mini-series 1995- |
|
8.2 |
1994 |
![TV](icons/tv_icon.png) ![TV](icons/tv_icon.png) AnCDR![Color; Aspect: 1.33:1; AUDIO: Dolby Color](icons/q-rgb.png) |
"The Critic" |
[ Bret Haaland, Lauren MacMullan, D++ ], [ W, W, W++ ], M TV series 1994-1995 |
|
8.1 |
1993 |
DoBH![Black and White, Color; AUDIO: Mono Black and White, Color](icons/rgb-bw.png) |
The Wonderful, Horrible Life of Leni Riefenstahl |
Ray Müller, W, C, C, C++, M, M «Die Macht der Bilder: Leni Riefenstahl» |
|
8.0 |
1991 |
![TV](icons/tv_icon.png) ![TV](icons/tv_icon.png) CrDHoMT![Color; Aspect: 1.33:1; AUDIO: Stereo Color](icons/q-rgb.png) |
"The Case-Book of Sherlock Holmes" |
[ Tim Sullivan, Peter Hammond ], [ W, W, W++ ], C, C, C, M TV series 1991- |
|
7.4 |
1985 |
DHW![Color (Eastmancolor); Aspect: 1.85:1; 35 mm; AUDIO: Dolby Color (Eastmancolor)](icons/rgb.png) |
The Official Story |
Luis Puenzo, W, W, C, M «La historia oficial» |
|
6.2 |
1983 |
CFan![Black and White, Color; Aspect: 1.85:1; 35 mm; Panaflex Camera and Lenses by Panavision; AUDIO: Mono Black and White, Color](icons/rgb-bw.png) |
Zelig |
Woody Allen, W, C, M |
|
6.8 |
1982 |
D![Color (Technicolor); Aspect: 1.85:1; 35 mm; Panaflex Camera and Lenses by Panavision; AUDIO: Mono Color (Technicolor)](icons/rgb.png) |
The Verdict |
Sidney Lumet, W, W, ++, C, M |
|
7.6 |
1980 |
D![Color (Technicolor); Aspect: 1.85:1; 35 mm; Lenses and Panaflex Camera by Panavision; AUDIO: Mono Color (Technicolor)](icons/rgb.png) |
Ordinary People |
Robert Redford, W, W, ++, C |
|
6.8 |
1979 |
D![Color (Technicolor); Aspect: 1.85:1; 35 mm; Panaflex Camera and Lenses by Panavision; AUDIO: Mono Color (Technicolor)](icons/rgb.png) |
Kramer vs. Kramer |
Robert Benton, W, W, C |
|
8.5 |
1974 |
AnSF![Color (Technicolor); 35 mm; AUDIO: Mono (RCA Photophone Sound Recording) Color (Technicolor)](icons/rgb.png) |
Winnie the Pooh and Tigger Too |
John Lounsbery, W, W, ++, M |
|
7.1 |
1973 |
T![Color (Technicolor); Aspect: 1.85:1; 35 mm (Eastman 100T 5254); AUDIO: Mono (Westrex Recording System) Color (Technicolor)](icons/rgb.png) |
The Day of the Jackal |
Fred Zinnemann, W, W, C, M |
|
6.2 |
1967 |
D![Color (Technicolor); Aspect: 1.85:1; 35 mm; AUDIO: Mono Color (Technicolor)](icons/rgb.png) |
Guess Who's Coming to Dinner |
Stanley Kramer, W, C, M |
|
10.0 |
1964 |
![Color, Black and White; AUDIO: Mono Color, Black and White](icons/rgb-bw.png) |
A Touch of Greatness |
Robert Downey Sr., M |
|
6.7 |
1964 |
CFFanMl![Color (Technicolor); Aspect: 1.66:1; 35 mm; AUDIO: Stereo (RCA Sound Recording) Color (Technicolor)](icons/rgb.png) |
Mary Poppins |
Robert Stevenson, W, W, ++, C, M |
|
7.3 |
1964 |
DMlR![Color (Eastmancolor); Aspect: 1.66:1; 35 mm; AUDIO: Dolby SR (restored version) (1992), Mono Color (Eastmancolor)](icons/rgb.png) |
The Umbrellas of Cherbourg |
Jacques Demy, W, C, M «Les parapluies de Cherbourg» |
|
8.4 |
1957 |
FAnSC![Color (Technicolor); Aspect: 1.37:1; 35 mm; AUDIO: Mono Color (Technicolor)](icons/rgb.png) |
Ali Baba Bunny |
Chuck Jones, W, M, M |
|
8.1 |
1956 |
FAnSC![Color (Technicolor); Aspect: 1.37:1; 35 mm; AUDIO: Mono Color (Technicolor)](icons/rgb.png) |
Broom-Stick Bunny |
Chuck Jones, W, M |
|
6.9 |
1956 |
HoSf![Black and White; Aspect: 1.85:1; 35 mm; Spherical SuperScope (as Superscope) (anamorphic); AUDIO: Mono (Perspecta Sound encoding) (Western Electric Recording) Black and White](icons/bw.png) |
Invasion of the Body Snatchers |
Don Siegel, W, W, ++, C, M |
|
7.3 |
1956 |
AAdBDH![Color (Eastmancolor); Aspect: 1.37:1; 35 mm; AUDIO: Mono Color (Eastmancolor)](icons/rgb.png) |
Samurai III: Duel at Ganryu Island |
Hiroshi Inagaki, W, W, ++, C, M «Miyamoto Musashi kanketsuhen: kettô Ganryûjima» |
|
5.9 |
1952 |
D![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Recording) Black and White](icons/bw.png) |
Come Back, Little Sheba |
Daniel Mann, W, W, C, M |
|
7.3 |
1951 |
DSfT![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Recording) Black and White](icons/bw.png) |
The Day the Earth Stood Still |
Robert Wise, W, W, C, M |
|
7.2 |
1949 |
DR![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Recording) Black and White](icons/bw.png) |
A Letter to Three Wives |
Joseph L. Mankiewicz, W, W, ++, C, M |
|
8.1 |
1949 |
AnSCFFan![Color (Technicolor); Aspect: 1.37:1; 35 mm; AUDIO: Mono Color (Technicolor)](icons/rgb.png) |
The Windblown Hare |
Robert McKimson, W, M |
|
7.4 |
1949 |
ADW![Black and White (archive footage), Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Recording) Black and White (archive footage), Black and White](icons/bw.png) |
Twelve O'Clock High |
Henry King, W, W, ++, C, M |
|
7.1 |
1948 |
AdCrD![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono Black and White](icons/bw.png) |
Oliver Twist |
David Lean, W, W, ++, C, M |
|
7.1 |
1944 |
D![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono Black and White](icons/bw.png) |
The Children Are Watching Us |
Vittorio De Sica, W, ++, C, C, M «I bambini ci guardano» |
|
6.0 |
1941 |
DF![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Mirrophonic Recording) Black and White](icons/bw.png) |
How Green Was My Valley |
John Ford, W, W, C, M |
|
6.0 |
1941 |
BDHW![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (RCA Sound System) Black and White](icons/bw.png) |
Sergeant York |
Howard Hawks, W, W, ++, C, M |
|
6.9 |
1941 |
CR![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (RCA Sound System) Black and White](icons/bw.png) |
The Devil and Miss Jones |
Sam Wood, W, C |
|
7.2 |
1937 |
CFAnS![Color (Technicolor); Aspect: 1.37:1; 35 mm; AUDIO: Mono (RCA Sound System) Color (Technicolor)](icons/rgb.png) |
Lonesome Ghosts |
[ Burt Gillett ], ++, M |
|
6.1 |
1937 |
AdDFanM![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Noiseless Recording) Black and White](icons/bw.png) |
Lost Horizon |
Frank Capra, W, W, ++, C, M |
|
7.3 |
1935 |
AAd![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono Black and White](icons/bw.png) |
Captain Blood |
Michael Curtiz, W, W, C, C, M |
|
7.3 |
1935 |
AdDH![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Sound System) Black and White](icons/bw.png) |
Mutiny on the Bounty |
Frank Lloyd, W, W, ++, C, C, C, M |
|
7.3 |
1935 |
CMlR![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (RCA Victor System) Black and White](icons/bw.png) |
Top Hat |
Mark Sandrich, W, W, ++, C |
|
6.0 |
1933 |
CD![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Sound System) Black and White](icons/bw.png) |
Dinner at Eight |
George Cukor, W, W, ++, C, M |
|
10.0 |
1933 |
FCS![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Sound System) Black and White](icons/bw.png) |
Fish Hooky |
Robert F. McGowan, C |
|
7.4 |
1933 |
C![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Sound System) Black and White](icons/bw.png) |
Sons of the Desert |
William A. Seiter, W, W, ++, C, M |
|
8.5 |
1929 |
AnFSCHoMl![Black and White; Aspect: 1.33:1; 35 mm; AUDIO: Cinephone Black and White](icons/bw.png) |
The Skeleton Dance |
Walt Disney, ++, M |
|
7.8 |
1928 |
ACF![Black and White; Silent](icons/bw.png) |
Speedy |
Ted Wilde, W, W, ++, C, M, M |
|
6.5 |
1922 |
SCF![Black and White; Silent](icons/bw.png) |
Cops |
Edward F. Cline, Buster Keaton, W, W, C |
|
8.3 |
1921 |
CS![Black and White; Silent](icons/bw.png) |
The Goat |
Buster Keaton, Malcolm St. Clair, W, W, C, M |
|
8.6 |
1921 |
SCFan![Black and White; Silent](icons/bw.png) |
The Play House |
Edward F. Cline, Buster Keaton, W, W, C |
|
7.9 |
2010 |
SCFanR![Black and White; Aspect: 1.78:1; Redcode RAW; Digital Intermediate (2K) (master format) Redcode RAW (4K) (source format); Red One Camera, Zeiss Super Speed Lenses Black and White](icons/bw.png) |
God of Love |
Luke Matheny, W, C, M |
|
8.9 |
2010 |
SCD![Color; Color](icons/q-rgb.png) |
Table 7 |
Marko Slavnic, Andrew McDonald, W, C, M |
|
8.2 |
2009 |
Do![Color; AUDIO: Dolby Digital, DTS, SDDS Color](icons/q-rgb.png) |
Waking Sleeping Beauty |
Don Hahn, W, M |
|
7.0 |
2006 |
![TV](icons/tv_icon.png) ![TV](icons/tv_icon.png) DoHW![Color; Aspect: 1.78:1; Video (HDTV); HDTV Color](icons/h-rgb.png) |
"The War That Made America" |
Ben Loeterman, Eric Stange, W, W, C, C, M TV series 2006- |
|
10.0 |
2005 |
SDFan![Color; Color](icons/q-rgb.png) |
Cherie |
Jason Wen, W, ++, C |
|
10.0 |
2005 |
DS![Color; Aspect: 1.85:1; AUDIO: Dolby SR (RCA Sound System) Color](icons/q-rgb.png) |
Goodnight Bill |
John Mitchell, Jeremy Kipp Walker, W, C |
|
7.4 |
2005 |
AnSAdF![Color; Aspect: 1.85:1; AUDIO: Dolby Digital Color](icons/q-rgb.png) |
Jack-Jack Attack |
Brad Bird, W, W, ++ TV |
|
10.0 |
2005 |
C![Color; Color](icons/q-rgb.png) |
John Pinette: I Say Nay Nay |
Robert Krakower, W TV |
|
10.0 |
2005 |
Do![Color; Aspect: 1.33:1 Color](icons/q-rgb.png) |
RKO Production 601: The Making of 'Kong, the Eighth Wonder of the World' |
W, W, C, C TV |
|
8.9 |
2003 |
![TV](icons/tv_icon.png) ![TV](icons/tv_icon.png) Do![Black and White, Color; Black and White, Color](icons/rgb-bw.png) |
"Churchill" |
[ Lucy Carter ], [ W ], C, M TV series 2003- |
|
5.1 |
2003 |
CCrDMR![Color; Aspect: 2.35:1; 35 mm (Kodak Vision 200T 5274, Vision Expression 500T 5284); Digital Intermediate (2K) (master format) Super 35 (3-perf) (source format); Arriflex 535B, Cooke S4 Lenses; AUDIO: Dolby Digital, Dolby SR Color](icons/rgb.png) |
The Barbarian Invasions |
Denys Arcand, W, C, M «Les invasions barbares» |
|
9.0 |
2002 |
S![Color; AUDIO: Dolby SR Color](icons/q-rgb.png) |
Side Effects |
Scott Allen Perry, W, C, M |
|
8.9 |
2001 |
DoB![Black and White, Color; Aspect: 1.33:1; AUDIO: Mono Black and White, Color](icons/rgb-bw.png) |
Mark Twain |
Ken Burns, W, W, C, C, C TV |
|
7.0 |
2001 |
AS![Color; Aspect: 1.85:1; 16 mm; Arriflex Cameras; AUDIO: Dolby Digital Color](icons/rgb.png) |
Powder Keg |
Alejandro González Iñárritu, W, W, ++, C, M |
|
5.3 |
1999 |
SCHSf![Color; Aspect: 2.20:1; 35 mm; Super 35; Panavision Cameras and Lenses; AUDIO: DTS 70 mm (as dts Digital Sound) Color](icons/rgb.png) |
Blackadder Back & Forth |
Paul Weiland, W, W, ++, C, M |
|
8.2 |
1998 |
DoW![Black and White, Color; Aspect: 1.85:1; 35 mm (Kodak); Panavision Cameras and Lenses; AUDIO: Dolby SR Black and White, Color](icons/rgb-bw.png) |
The Last Days |
James Moll, C, M |
|
8.3 |
1997 |
AnS![Color; Aspect: 1.66:1; AUDIO: Dolby SR Color](icons/q-rgb.png) |
Flatworld |
Daniel Greaves, W, W, M |
|
7.1 |
1992 |
BDH![Color; Aspect: 1.85:1; 35 mm (Eastman EXR 50D 5245, EXR 500T 5296, 250D 5297); Super 35; AUDIO: Dolby Digital (35 mm prints), 70 mm 6-Track (70 mm prints) Color](icons/rgb.png) |
Malcolm X |
Spike Lee, W, W, ++, C, M |
|
6.9 |
1989 |
AnSF![Color; Aspect: 1.85:1; Digital; Digital 3-D; AUDIO: Dolby Color](icons/d-rgb.png) |
Knick Knack |
John Lasseter, W, M |
|
9.4 |
1988 |
Do![Color; Aspect: 1.33:1 Color](icons/q-rgb.png) |
The Making of a Legend: Gone with the Wind |
David Hinton, W, C TV |
|
7.8 |
1982 |
RDA![Color; Aspect: 1.33:1; AUDIO: Mono Color](icons/q-rgb.png) |
The Scarlet Pimpernel |
Clive Donner, W, W, C, M TV |
|
6.1 |
1971 |
C![Color (Eastmancolor); Aspect: 1.85:1; 35 mm; AUDIO: Mono Color (Eastmancolor)](icons/rgb.png) |
And Now for Something Completely Different |
Ian MacNaughton, W, W, ++, C, M |
|
7.0 |
1970 |
HWe![Color (Technicolor); Aspect: 2.20:1; 35 mm; Panavision (anamorphic); AUDIO: 70 mm 6-Track (Spanish release), Stereo Color (Technicolor)](icons/rgb.png) |
Little Big Man |
Arthur Penn, W, W, C, M |
|
6.3 |
1967 |
C![Color (Pathécolor); Aspect: 1.37:1; 35 mm; AUDIO: Mono Color (Pathécolor)](icons/rgb.png) |
The Producers |
Mel Brooks, W, C, M |
|
5.7 |
1956 |
DRWe![Color (Warnercolor); Aspect: 1.66:1; 35 mm; AUDIO: Mono (RCA Sound Recording) Color (Warnercolor)](icons/rgb.png) |
Giant |
George Stevens, W, W, ++, C, M |
|
7.0 |
1955 |
DR![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Recording) Black and White](icons/bw.png) |
Marty |
Delbert Mann, W, ++, C, M |
|
7.8 |
1954 |
CDR![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Recording) Black and White](icons/bw.png) |
Hobson's Choice |
David Lean, W, W, ++, C, M |
|
6.8 |
1952 |
AAdDHR![Color (Technicolor); Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Sound System) Color (Technicolor)](icons/rgb.png) |
Scaramouche |
George Sidney, W, W, ++, C, M |
|
6.9 |
1950 |
DWe![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Recording) Black and White](icons/bw.png) |
The Gunfighter |
Henry King, W, W, ++, C, M |
|
7.8 |
1947 |
AnFSC![Color (Technicolor); Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Sound System) Color (Technicolor)](icons/rgb.png) |
Salt Water Tabby |
Joseph Barbera, William Hanna, M |
|
6.3 |
1944 |
FMlR![Color (Technicolor); Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Sound System) Color (Technicolor)](icons/rgb.png) |
Meet Me in St. Louis |
Vincente Minnelli, W, W, ++, C, M, M |
|
7.7 |
1943 |
AnCS![Color (Technicolor); Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Sound System) Color (Technicolor)](icons/rgb.png) |
Red Hot Riding Hood |
Tex Avery, M |
|
8.2 |
1942 |
FSWAnC![Color (Technicolor); Aspect: 1.37:1; 35 mm; AUDIO: Mono (RCA Sound System) Color (Technicolor)](icons/rgb.png) |
Der Fuehrer's Face |
[ Jack Kinney ], ++, M |
|
7.0 |
1939 |
DR![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Sound System) Black and White](icons/bw.png) |
Goodbye, Mr. Chips |
Sam Wood, ++, W, W, ++, C |
|
8.1 |
1938 |
FAnCS![Color (Technicolor); Aspect: 1.37:1; 35 mm; AUDIO: Mono Color (Technicolor)](icons/rgb.png) |
Brave Little Tailor |
[ Bill Roberts ], ++, M |
|
7.1 |
1933 |
DHoSfT![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Noiseless Recording Sound System) Black and White](icons/bw.png) |
The Invisible Man |
James Whale, W, W, ++, C, M |
|
6.5 |
1932 |
CMlRSp![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Noiseless Recording) Black and White](icons/bw.png) |
Horse Feathers |
Norman Z. McLeod, W, W, ++, C, M |
|
7.2 |
1928 |
AnFCMlS![Black and White; Aspect: 1.33:1; 35 mm; AUDIO: Cinephone Black and White](icons/bw.png) |
Steamboat Willie |
Ub Iwerks, ++, ++, M, M |
|
7.4 |
1925 |
HoT![Black and White, Color (2-strip Technicolor); Silent](icons/rgb-bw.png) |
The Phantom of the Opera |
Rupert Julian, ++, W, ++, C, C, C, M, M, M++ |
|
6.8 |
1922 |
DoHo![Black and White (Sepiatone); Silent](icons/bw.png) |
Häxan: Witchcraft Through the Ages |
Benjamin Christensen, W, C, M, M, M++ «Häxan» |
|
7.4 |
1922 |
AdRF![Black and White; Silent](icons/bw.png) |
Robin Hood |
Allan Dwan, W, ++, C, C, M |
|
8.4 |
1913 |
CrD![Black and White; Silent](icons/bw.png) |
L'enfant de Paris |
Léonce Perret, W |
|
7.4 |
1898 |
SC![Black and White; Silent](icons/bw.png) |
Four Heads Are Better Than One |
Georges Méliès «Un homme de têtes» |
|
7.5 |
2013 |
DoBCrH![Color; Color](icons/q-rgb.png) |
An Unreal Dream: The Michael Morton Story |
Al Reinert, John Dean, ++, W, C, M, M |
|
7.2 |
2013 |
AnS![Color, Black and White; Color, Black and White](icons/rgb-bw.png) |
Get a Horse! |
Lauren MacMullan, M |
|
10.0 |
2012 |
DoH![Color; Color](icons/q-rgb.png) |
Slavery by Another Name |
Samuel D. Pollard, W, C, C, C TV |
|
3.0 |
2011 |
AdDFM![Color; Aspect: 1.85:1; HDCAM-SR; Digital Intermediate (2K) (master format) Fusion Camera (dual-strip 3-D) (source format); Arri Alexa, Cooke S4, 5/i and Panchro Lenses; AUDIO: Dolby Digital, Datasat, SDDS Color](icons/h-rgb.png) |
Hugo |
Martin Scorsese, W, W, C, M |
|
7.2 |
2009 |
AnSACr![Color; Color](icons/q-rgb.png) |
Logorama |
François Alaux, Hervé de Crécy, ++, W, W, ++ |
|
6.2 |
2009 |
Do![Color; Color](icons/q-rgb.png) |
The Art of the Steal |
Don Argott, C, M |
|
10.0 |
2008 |
S |
FCU: Fact Checkers Unit |
Dan Beers, W, W, ++ |
|
2.4 |
2008 |
DTW![Color; Aspect: 1.85:1; 16 mm (Fuji Eterna 250D 8663, Eterna 500T 8673) Video (HDTV); Digital Intermediate (2K) (master format) HDCAM SR (source format) (high-speed shots) Super 16 (source format); Aaton A-Minima, Canon Lenses Aaton XTR Prod, Canon Lenses REDLAKE Hi-Speed; AUDIO: Dolby Digital Color](icons/rgb.png) |
The Hurt Locker |
Kathryn Bigelow, W, C, M, M |
|
4.9 |
2007 |
D![Color; Aspect: 2.35:1; 35 mm (Kodak Vision2 100T 5212, Vision2 200T 5217, Vision2 500T 5218); Digital Intermediate (2K) (master format) Super 35 (3-perf) (source format); Arricam LT, Zeiss Master Prime, Lightweight, Angenieux Optimo and Hawk Lenses Arricam ST, Zeiss Master Prime, Lightweight, Angenieux Optimo and Hawk Lenses Arriflex 235, Zeiss Master Prime Lenses; AUDIO: SDDS, Dolby Digital, DTS Color](icons/rgb.png) |
The Kite Runner |
Marc Forster, W, W, C, M |
|
8.8 |
2006 |
SC![Color; Canon EOS 5D Mark II Color](icons/d-rgb.png) |
Chad Vader |
Aaron Yonda, W, W, C, M TV |
|
9.5 |
2004 |
CMlSR![Color; AUDIO: Stereo Color](icons/q-rgb.png) |
Pretty Dead Girl |
Shawn Ku, W, ++, C, M |
|
9.6 |
2003 |
Do![Black and White, Color; Aspect: 1.33:1; AUDIO: Dolby Digital Black and White, Color](icons/rgb-bw.png) |
The Making of '20000 Leagues Under the Sea' |
W, M TV |
|
8.3 |
2003 |
Do![Color; AUDIO: Stereo Color](icons/q-rgb.png) |
Unchained Memories: Readings from the Slave Narratives |
Ed Bell, Thomas Lennon, W, C, M |
|
6.6 |
2003 |
SD![Color; Aspect: 1.85:1; 35 mm; AUDIO: Dolby SR Color](icons/rgb.png) |
Wasp |
Andrea Arnold, W, C |
|
8.6 |
2002 |
![TV](icons/tv_icon.png) DoBH![Color; Color](icons/q-rgb.png) |
"Benjamin Franklin" |
Ellen Hovde, Muffie Meyer, W, C, C, M TV mini-series 2002- |
|
7.6 |
2001 |
DSC![Black and White; Digital Black and White](icons/bw.png) |
Copy Shop |
Virgil Widrich, W, C, M |
|
4.4 |
2001 |
DHTW![Color; Aspect: 2.35:1; 35 mm (Kodak Vision 500T 5279); Super 35; Panavision Cameras and Lenses; AUDIO: DTS, Dolby Digital Color](icons/rgb.png) |
Enemy at the Gates |
Jean-Jacques Annaud, W, W, C, M |
|
3.2 |
2000 |
CrDT![Color; Aspect: 1.85:1; 35 mm (Kodak Vision 320T 5277, Vision 800T 5289); Digital Intermediate (master format) (some scenes) Spherical (source format); Panavision Panaflex Millennium XL, Panavision Primo Lenses; AUDIO: DTS, Dolby Digital, SDDS Color](icons/rgb.png) |
Traffic |
Steven Soderbergh, W, W, C, M |
|
10.0 |
1988 |
![TV](icons/tv_icon.png) ![TV](icons/tv_icon.png) DoH![Black and White, Color; Aspect: 1.33:1; AUDIO: Mono Black and White, Color](icons/rgb-bw.png) |
"The American Experience" |
[ David Grubin, Stephen Ives, D++ ], [ W, W, W++ ], C, C, C++, M, M, M++ TV series 1988- |
|
8.2 |
1984 |
AnSFanHoT![Black and White; AUDIO: Mono Black and White](icons/bw.png) |
Kyvadlo, jáma a nadeje |
Jan Svankmajer, W, W, ++, C |
|
7.7 |
1977 |
AnFFanMl![Color (Technicolor); Aspect: 1.37:1; 35 mm; AUDIO: Mono (RCA Photophone Sound Recording) Color (Technicolor)](icons/rgb.png) |
The Many Adventures of Winnie the Pooh |
John Lounsbery, Wolfgang Reitherman, W, W, ++, M |
|
9.2 |
1968 |
SC![Black and White; 35 mm; AUDIO: Mono Black and White](icons/bw.png) |
De Düva: The Dove |
George Coe, Anthony Lover, W, C |
|
7.5 |
1967 |
AD![Color; Aspect: 2.35:1; 35 mm; Shawscope; AUDIO: Mono Color](icons/rgb.png) |
The One-Armed Swordsman |
Cheh Chang, W, W, C, M «Dubei dao» |
|
7.4 |
1951 |
FAnSC![Color (Technicolor); Aspect: 1.37:1; 35 mm; AUDIO: Mono Color (Technicolor)](icons/rgb.png) |
Canned Feud |
Friz Freleng, W, W, M |
|
6.7 |
1948 |
We![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Recording) Black and White](icons/bw.png) |
Fort Apache |
John Ford, W, W, C, C, M |
|
6.8 |
1944 |
DRW![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Recording) Black and White](icons/bw.png) |
Since You Went Away |
John Cromwell, ++, W, ++, C, C, C++, M |
|
10.0 |
1943 |
FAnCS![Color (Technicolor); Aspect: 1.37:1; 35 mm; AUDIO: Mono Color (Technicolor)](icons/rgb.png) |
Dumb-Hounded |
Tex Avery, ++, M |
|
5.8 |
1943 |
DRW![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Mirrophonic Recording) Black and White](icons/bw.png) |
So Proudly We Hail! |
Mark Sandrich, W, ++, C, M |
|
6.0 |
1940 |
CR![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Mirrophonic Recording) Black and White](icons/bw.png) |
Christmas in July |
Preston Sturges, W, ++, C, M, M |
|
7.2 |
1940 |
AAdRWe![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Mirrophonic Recording) Black and White](icons/bw.png) |
The Mark of Zorro |
Rouben Mamoulian, W, W, ++, C, M, M, M++ |
|
9.6 |
1938 |
CD![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono Black and White](icons/bw.png) |
The Baker's Wife |
Marcel Pagnol, W, ++, C, M «La femme du boulanger» |
|
9.0 |
1935 |
SMc![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Noiseless Recording) Black and White](icons/bw.png) |
Symphony in Black: A Rhapsody of Negro Life |
Fred Waller, W, W, C |
|
10.0 |
1934 |
FSC![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Sound System) Black and White](icons/bw.png) |
Mama's Little Pirate |
Gus Meins, C |
|
7.4 |
1927 |
CDFR![Black and White; Silent](icons/bw.png) |
The Kid Brother |
Ted Wilde, J.A. Howe, ++, W, W, ++, C, M, M |
|
7.5 |
1925 |
CFSp![Black and White, Color (tinted); Silent](icons/rgb-bw.png) |
The Freshman |
Fred C. Newmeyer, Sam Taylor, W, W, ++, C, M, M |
|
3.0 |
2010 |
Do![Color; Aspect: 1.85:1; Video (HD); DVC Pro HD (720p/24) (source format) Digital Intermediate (2K) (master format) XDCAM (1080p/24) (source format); Panasonic AJ-HDC27 Varicam Sony PMW-EX3; AUDIO: Dolby Color](icons/h-rgb.png) |
Waiting for 'Superman' |
Davis Guggenheim, W, W, C, C, M «Waiting for Superman» |
|
9.5 |
2004 |
DS![Color; Color](icons/q-rgb.png) |
Adopting Change |
Catherine C. Pirotta, W, W, C, M |
|
9.2 |
2004 |
DoBH![Black and White, Color; Aspect: 1.33:1 Black and White, Color](icons/rgb-bw.png) |
Henri Langlois: The Phantom of the Cinémathèque |
Jacques Richard, W, C, C, M, M «Le fantôme d'Henri Langlois» |
|
10.0 |
2004 |
Do![Color; Digital Color](icons/d-rgb.png) |
Hiding and Seeking: Faith and Tolerance After the Holocaust |
Menachem Daum, Oren Rudavsky, W, W, C, M |
|
9.8 |
2001 |
McAnS![Color; Aspect: 1.78:1; AUDIO: Dolby Digital Color](icons/q-rgb.png) |
Animusic |
Wayne Lytle, M TV |
|
5.6 |
2000 |
C![Color; Aspect: 1.85:1; Super 16 (Kodak); Aaton Super 16 Camera; AUDIO: DTS, Dolby Digital, SDDS Color](icons/q-rgb.png) |
Best in Show |
Christopher Guest, W, W, C, M |
|
8.2 |
2000 |
SD![Color; Color](icons/q-rgb.png) |
Try |
Jonas Åkerlund, W, W, ++ |
|
10.0 |
1998 |
Do![Color; AUDIO: Mono Color](icons/q-rgb.png) |
A Paralyzing Fear: The Story of Polio in America |
Nina Gilden Seavey, W, W, C, C, M TV |
|
9.6 |
1995 |
CS![Black and White; Black and White](icons/bw.png) |
Your Studio and You |
[ Trey Parker ], ++, C |
|
10.0 |
1993 |
DoAnSFH![Color; Color](icons/q-rgb.png) |
Le fleuve aux grandes eaux |
Frédéric Back, W, W, ++, M, M |
|
7.4 |
1993 |
D![Color; Aspect: 1.85:1; 35 mm; Arriflex 535 Camera; AUDIO: Dolby, Dolby SR Color](icons/rgb.png) |
Madadayo |
Akira Kurosawa, W, W, ++, C, C, M |
|
10.0 |
1992 |
C![Color; Color](icons/q-rgb.png) |
The Perilous Persuits of Mr. Bean |
John Birkin, Paul Weiland TV |
|
9.0 |
1990 |
AdBCDR![Color (Eastmancolor); Aspect: 1.85:1; 35 mm; AUDIO: Dolby Color (Eastmancolor)](icons/rgb.png) |
My Mother's Castle |
Yves Robert, W, W, ++, C, M «Le château de ma mère» |
|
8.0 |
1990 |
AnSCF![Color (Technicolor); AUDIO: Dolby Color (Technicolor)](icons/q-rgb.png) |
Roller Coaster Rabbit |
Frank Marshall, Rob Minkoff, W, W, ++, M |
|
7.7 |
1985 |
DoB![Black and White, Color; 35 mm; AUDIO: Mono Black and White, Color](icons/rgb-bw.png) |
Huey Long |
Ken Burns, W, C, C, M |
|
6.0 |
1968 |
AMT![Color (Technicolor); Aspect: 1.85:1; 35 mm; Arriflex Cameras and Lenses; AUDIO: Mono Color (Technicolor)](icons/rgb.png) |
Bullitt |
Peter Yates, W, W, ++, C, M |
|
6.9 |
1968 |
CrDFMl![Color (Technicolor); Aspect: 2.20:1; 35 mm; Panavision (anamorphic) (filmed in) (as Panavision®); AUDIO: Mono (35 mm optical prints), 70 mm 6-Track (Westrex Recording System) (70 mm prints), 4-Track Stereo (Westrex Recording System) (35 mm magnetic prints) Color (Technicolor)](icons/rgb.png) |
Oliver! |
Carol Reed, W, W, ++, C, M |
|
6.8 |
1954 |
DH![Black and White; Aspect: 1.33:1; AUDIO: Mono Black and White](icons/bw.png) |
Salt of the Earth |
Herbert J. Biberman, W, C, C, M |
|
6.6 |
1949 |
ND![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Recording) Black and White](icons/bw.png) |
House of Strangers |
Joseph L. Mankiewicz, W, W, ++, C, M |
|
7.5 |
1944 |
DT![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Recording) Black and White](icons/bw.png) |
The Suspect |
Robert Siodmak, W, W, ++, C, M |
|
7.4 |
1934 |
C![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Noiseless Recording) Black and White](icons/bw.png) |
It's a Gift |
Norman Z. McLeod, W, W, ++, C, M |
|
9.5 |
1927 |
CR![Black and White; Silent](icons/bw.png) |
My Best Girl |
Sam Taylor, W, W, ++, C, C |
|
8.8 |
1922 |
DR![Black and White; Silent](icons/bw.png) |
Monte Cristo |
Emmett J. Flynn, W, W, ++, C |
|
5.7 |
2012 |
DoSF![Color; Color](icons/q-rgb.png) |
Mondays at Racine |
Cynthia Wade, C, C, M |
|
10.0 |
2010 |
DoS![Color; Color](icons/q-rgb.png) |
Strangers No More |
Karen Goodman, Kirk Simon, C, M |
|
7.5 |
2010 |
SDT![Color; Aspect: 2.35:1 Color](icons/q-rgb.png) |
The Confession |
Tanel Toom, W, W, C, M |
|
4.0 |
2009 |
D![Color; Aspect: 1.85:1; 35 mm (Kodak) (Fuji Eterna 250D 8563, Eterna 500T 8573); Digital Intermediate (2K) (master format) Super 35 (3-perf) (source format); Arricam LT, Cooke S4, Angenieux Optimo and Arri Lightweight Lenses Arricam ST, Cooke S4, Angenieux Optimo and Arri Lightweight Lenses; AUDIO: DTS, Dolby Digital, SDDS Color](icons/rgb.png) |
Precious |
Lee Daniels, W, W, C, M |
|
7.2 |
2009 |
S![Color; Color](icons/q-rgb.png) |
The Pig |
Dorthe Warnø Høgh, W, W, ++, C, M «Grisen» |
|
7.9 |
2008 |
Do![Black and White (archive clips), Color; Black and White (archive clips), Color](icons/rgb-bw.png) |
Thou Shalt Not: Sex, Sin and Censorship in Pre-Code Hollywood |
W TV |
|
10.0 |
2007 |
AnS![Color; Color](icons/q-rgb.png) |
Apnée |
Claude Chabot, W, M |
|
10.0 |
2007 |
Do![Color, Black and White; Aspect: 1.33:1; AUDIO: Stereo Color, Black and White](icons/rgb-bw.png) |
The Dawn of Sound: How Movies Learned to Talk |
W, W, C, M TV |
|
10.0 |
2007 |
SC![Color; Color](icons/q-rgb.png) |
Watch & Learn |
James Magliocca, W, C, M |
|
10.0 |
2006 |
AnSC![Color; Aspect: 2.35:1 Color](icons/q-rgb.png) |
Fetch |
Dana Dorian, W, M |
|
6.8 |
2005 |
DoH![Color; Aspect: 1.85:1 Color](icons/q-rgb.png) |
EXPO: Magic of the White City |
Mark Bussler, W TV |
|
9.3 |
2005 |
DoH![Color; Color](icons/q-rgb.png) |
Rome: Engineering an Empire |
Christopher Cassel, W, W, C, M TV |
|
5.1 |
2005 |
SCMlR![Color; Aspect: 1.85:1; 35 mm (Fuji); Digital Intermediate (master format) Spherical (source format); Panavision Panaflex Gold II, Panavision Primo Lenses; AUDIO: Dolby SR (Digital) Color](icons/rgb.png) |
West Bank Story |
Ari Sandel, W, W, C, M |
|
9.1 |
2004 |
AnSC![Color; Color](icons/q-rgb.png) |
Guard Dog |
Bill Plympton, W, C, M, M |
|
3.3 |
2002 |
DFanHM![Color; Aspect: 1.85:1; Digital (HDTV); Uncompressed Digital (4:4:4); Sony CineAlta HDW-F900, Canon Lens; AUDIO: Dolby Digital Color](icons/d-rgb.png) |
Russian Ark |
Aleksandr Sokurov, W, W, ++, C, M «Russkiy kovcheg» |
|
10.0 |
2000 |
S![Color; Color](icons/q-rgb.png) |
Revenge of the Red Balloon |
Gregg Rossen, W, W, C, M |
|
9.5 |
1997 |
S![Black and White, Color; Aspect: 1.85:1; 35 mm; AUDIO: Dolby SR Black and White, Color](icons/rgb-bw.png) |
Visas and Virtue |
Chris Tashima, W, W, ++, C, M |
|
9.3 |
1991 |
AnMlS![Color; 35 mm; AUDIO: Mono Color](icons/rgb.png) |
Seryy Volk end Krasnaya Shapochka |
Garri Bardin, W, W, C, C, C |
|
8.6 |
1990 |
AnSCHW![Color; 35 mm; AUDIO: Mono Color](icons/rgb.png) |
Grasshoppers |
Bruno Bozzetto, W, C, M «Cavallette» |
|
8.4 |
1986 |
AnSF![Color; Aspect: 1.78:1; Digital; Digital; AUDIO: Stereo Color](icons/d-rgb.png) |
Luxo Jr. |
John Lasseter, W |
|
9.5 |
1986 |
SAn![Color; Color](icons/q-rgb.png) |
Nightangel |
Jacques Drouin, Bretislav Pojar, C, C, M |
|
9.8 |
1983 |
![TV](icons/tv_icon.png) DoC![Black and White, Color; Aspect: 1.33:1; 35 mm; AUDIO: Mono Black and White, Color](icons/rgb-bw.png) |
"Unknown Chaplin" |
[ Kevin Brownlow, David Gill ], [ W, W ], M, M TV mini-series 1983- |
|
9.7 |
1971 |
AnS![Color; Color](icons/q-rgb.png) |
The Selfish Giant |
Peter Sander, W, W, M |
|
5.8 |
1956 |
BD![Color (Metrocolor); Aspect: 2.55:1; 35 mm; CinemaScope; AUDIO: Mono (Perspecta Sound encoding) (35 mm optical prints) (Westrex Recording System), 4-Track Stereo (35 mm magnetic prints) (Westrex Recording System) Color (Metrocolor)](icons/rgb.png) |
Lust for Life |
Vincente Minnelli, ++, W, W, C, C, M |
|
9.2 |
1951 |
FAnSC![Color (Technicolor); Aspect: 1.37:1; 35 mm; AUDIO: Mono Color (Technicolor)](icons/rgb.png) |
Cheese Chasers |
Chuck Jones, W, M |
|
5.8 |
1950 |
NMT![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (RCA Sound System) Black and White](icons/bw.png) |
D.O.A. |
Rudolph Maté, W, W, ++, C, M |
|
9.1 |
1948 |
AnSCF![Color (Technicolor); Aspect: 1.37:1; 35 mm; AUDIO: Mono Color (Technicolor)](icons/rgb.png) |
Mouse Wreckers |
Chuck Jones, W, M |
|
9.5 |
1945 |
AnCS![Color (Technicolor); Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Sound System) Color (Technicolor)](icons/rgb.png) |
Swing Shift Cinderella |
Tex Avery, W, M |
|
6.9 |
1942 |
CCr![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (RCA Sound System) Black and White](icons/bw.png) |
Larceny, Inc. |
Lloyd Bacon, W, W, ++, C, M |
|
8.3 |
1923 |
CS![Black and White; Silent](icons/bw.png) |
It's a Gift |
Hugh Fay |
|
7.2 |
2013 |
Do![Color; CF; Canon 5D Color](icons/d-rgb.png) |
Valentine Road |
Marta Cunningham, C, M |
|
8.9 |
2011 |
SD![Color; Color](icons/q-rgb.png) |
Henry |
Yan England, W, C, M, M |
|
10.0 |
2010 |
DoS![Color (HD); AUDIO: Stereo Color (HD)](icons/q-rgb.png) |
The Warriors of Qiugang |
Ruby Yang, W, C, M |
|
7.9 |
2009 |
AnSCDFan![Color; Aspect: 2.35:1 Color](icons/q-rgb.png) |
The Lady and the Reaper (La dama y la muerte) |
Javier Recio Gracia, W, M |
|
8.1 |
2009 |
SCD![Color; Color](icons/q-rgb.png) |
Wish 143 |
Ian Barnes, W, C, M, M |
|
6.9 |
2007 |
BDHW![Color; Aspect: 1.78:1; AUDIO: Stereo, Dolby Digital Color](icons/q-rgb.png) |
My Boy Jack |
Brian Kirk, W, C, M TV |
|
9.4 |
2006 |
Do![Color, Black and White; Aspect: 1.33:1; Video; AUDIO: Mono Color, Black and White](icons/rgb-bw.png) |
Silent Britain |
David Thompson, W, C, M TV |
|
10.0 |
2004 |
CS![Color; Aspect: 2.35:1; AUDIO: Stereo Color](icons/q-rgb.png) |
Our Time Is Up |
Rob Pearlstein, W, C, M |
|
9.5 |
2004 |
S![Color (Eastmancolor); Aspect: 2.35:1; 35 mm; Hawk Scope; AUDIO: Dolby Digital Color (Eastmancolor)](icons/rgb.png) |
Passing Hearts |
Johan Brisinger, W, C, M «En del av mitt hjärta» |
|
8.4 |
2003 |
DH![Color; Color](icons/q-rgb.png) |
Pompeii: The Last Day |
Peter Nicholson, W, W, C, M TV |
|
10.0 |
2001 |
DoB![Color; Color](icons/q-rgb.png) |
Echoes from the White House |
Philip Kunhardt III, Philip Kunhardt Jr., ++, W, W, ++, C, M TV |
|
6.5 |
2001 |
ACSp![Color; Aspect: 1.85:1; 35 mm; Digital Intermediate (1080p) (master format) Spherical (source format); Arriflex 35 BL4, Zeiss and Angenieux Lenses Arriflex 435 ES, Zeiss and Angenieux Lenses; AUDIO: Dolby Digital, SDDS (US version), DTS (US version) Color](icons/rgb.png) |
Shaolin Soccer |
Stephen Chow, W, W, ++, C, C, M «Siu lam juk kau» |
|
5.9 |
1995 |
AnSCFSfT![Color; 35 mm; AUDIO: Stereo Color](icons/rgb.png) |
Runaway Brain |
Chris Bailey, W, M |
|
8.1 |
1994 |
DoS![Black and White, Color; Aspect: 1.33:1; Panavision Camera and Lenses Black and White, Color](icons/rgb-bw.png) |
Meet Me in St. Louis: The Making of an American Classic |
Scott Benson, W, C TV |
|
5.3 |
1994 |
C![Black and White, Color; Aspect: 1.85:1; 35 mm (Eastman EXR 200T 5293); Arriflex 535, Zeiss Standard Speed and Super Speed Lenses Arriflex 35 BL4, Zeiss Standard Speed and Super Speed Lenses; AUDIO: Dolby Digital Black and White, Color](icons/rgb-bw.png) |
The Hudsucker Proxy |
Joel Coen, ++, W, W, ++, C, M |
|
5.6 |
1981 |
DHSp![Color; Aspect: 1.85:1; 35 mm; AUDIO: Dolby Color](icons/rgb.png) |
Chariots of Fire |
Hugh Hudson, W, C, M |
|
7.6 |
1978 |
![TV](icons/tv_icon.png) ![TV](icons/tv_icon.png) D![Color; 35 mm; AUDIO: Mono Color](icons/rgb.png) |
"The Paper Chase" |
[ Jack Bender, Ralph Senensky, D++ ], [ W, W, W++ ], C, C, C, M, M, M TV series 1978-1986 |
|
5.4 |
1968 |
CrDM![Color (Eastmancolor); Aspect: 1.66:1; 35 mm; AUDIO: Mono Color (Eastmancolor)](icons/rgb.png) |
The Bride Wore Black |
François Truffaut, W, W, ++, C, M «La mariée était en noir» |
|
6.8 |
1960 |
HoMSf![Black and White; Aspect: 1.85:1; 35 mm; AUDIO: Mono (Westrex Recording System) Black and White](icons/bw.png) |
Village of the Damned |
Wolf Rilla, W, W, ++, C, M |
|
8.5 |
1953 |
FSAnC![Color (Technicolor); Aspect: 1.37:1; 35 mm; AUDIO: Mono Color (Technicolor)](icons/rgb.png) |
From A to Z-Z-Z-Z |
Chuck Jones, W, M |
|
6.5 |
1945 |
DW![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Sound System) Black and White](icons/bw.png) |
They Were Expendable |
John Ford, ++, W, W, ++, C, M |
|
9.3 |
1944 |
DoHW![Color (Technicolor); Aspect: 1.37:1; 16 mm 35 mm; AUDIO: Mono Color (Technicolor)](icons/rgb.png) |
The Memphis Belle: A Story of a Flying Fortress |
William Wyler, W, W, ++, C, C, C++, M |
|
8.9 |
1935 |
SMc![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Noiseless Recording) Black and White](icons/bw.png) |
Cab Calloway's Jitterbug Party |
Fred Waller, W, W, C |
|
7.3 |
1928 |
S![Black and White; Silent](icons/bw.png) |
Ghosts Before Breakfast |
Hans Richter, ++, C, M «Vormittagsspuk» |
|
9.4 |
1928 |
AnSCFFanSf![Black and White; Silent](icons/bw.png) |
Ko-Ko's Earth Control |
Dave Fleischer |
|
8.6 |
1928 |
SC![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Apparatus) Black and White](icons/bw.png) |
The Beau Brummels |
|
|
8.4 |
1924 |
AdDR![Black and White; Silent](icons/bw.png) |
The Sea Hawk |
Frank Lloyd, W, W, ++, C, M, M, M |
|
6.9 |
1914 |
AnSCF![Black and White; Silent](icons/bw.png) |
Gertie the Dinosaur |
Winsor McCay, W |
|
9.5 |
1911 |
SAnDo![Black and White, Color (hand-colored), Black and White (tinted) (some sequences); Silent](icons/rgb-bw.png) |
Winsor McCay, the Famous Cartoonist of the N.Y. Herald and His Moving Comics |
Winsor McCay, J. Stuart Blackton, W, C |
|
6.9 |
1909 |
SCFan![Color (hand-tinted); Silent](icons/q-rgb.png) |
The Devilish Tenant |
Georges Méliès, C «Le locataire diabolique» |
|
7.5 |
2012 |
SDFanRW![Color; Aspect: 2.35:1; DCP Color](icons/d-rgb.png) |
Death of a Shadow |
Tom Van Avermaet, W, C, M «Dood van een Schaduw» |
|
7.4 |
2010 |
CD![Color; Aspect: 2.35:1; 35 mm (Kodak Vision3 250D 5207, Vision3 500T 5219); Digital Intermediate (master format) Super 35 (3-perf) (source format); Arricam LT, Cooke S4 Lenses; AUDIO: DTS, Dolby Digital Color](icons/rgb.png) |
My Afternoons with Margueritte |
Jean Becker, W, W, ++, C, M «La tête en friche» |
|
3.3 |
2010 |
D![Color, Black and White; Aspect: 1.85:1; Redcode RAW; Digital Intermediate (2K) (master format) Redcode RAW (4K) (source format); Red One Camera, Zeiss Master Prime and Angenieux Optimo Lenses; AUDIO: Dolby Digital Color, Black and White](icons/rgb-bw.png) |
Winter's Bone |
Debra Granik, W, W, ++, C, M |
|
6.0 |
2009 |
DR![Color; Aspect: 2.35:1; ARRIRAW; ARRIRAW (source format) Digital Intermediate (2K) (master format); Arriflex D-20; AUDIO: Dolby Digital Color](icons/d-rgb.png) |
Adam |
Max Mayer, W, C, M |
|
10.0 |
2008 |
SCSf![Color; Aspect: 1.85:1 Color](icons/q-rgb.png) |
Ascension |
Stephen Irwin, W, C, M |
|
8.5 |
2006 |
AnS![Color; Aspect: 2.35:1 Color](icons/q-rgb.png) |
Love and War |
Fredrik Emilson, W, ++, C, M |
|
10.0 |
2005 |
AnS![Color; AUDIO: Stereo Color](icons/q-rgb.png) |
Journey to Mars |
Juan Pablo Zaramella, W, C, C «Viaje a Marte» |
|
9.6 |
2005 |
DS![Color; AUDIO: Stereo Color](icons/q-rgb.png) |
The Youth in Us |
Joshua Leonard, W, W, C, M |
|
8.4 |
2002 |
Do![Color; AUDIO: Stereo Color](icons/q-rgb.png) |
Founding Brothers |
Melissa Jo Peltier, W, W, ++ TV |
|
5.5 |
2001 |
CHoMlRT![Color; Aspect: 1.85:1; 35 mm; AUDIO: Stereo Color](icons/rgb.png) |
The Happiness of the Katakuris |
Takashi Miike, W, W, C, M, M «Katakuri-ke no kôfuku» |
|
9.5 |
1995 |
Do![Color; Aspect: 1.33:1 Color](icons/q-rgb.png) |
The Making of 'My Fair Lady' |
Suzie Galler, W, W TV |
|
6.6 |
1989 |
AnFCS![Color (Metrocolor); Aspect: 1.85:1; 35 mm; AUDIO: Dolby Color (Metrocolor)](icons/rgb.png) |
Tummy Trouble |
Rob Minkoff, W, W, ++, M |
|
10.0 |
1987 |
AnFanS![Color; Aspect: 1.33:1; Video (NTSC); Digital; AUDIO: Stereo Color](icons/v-rgb.png) |
Stanley and Stella in 'Breaking the Ice' |
Larry Malone, M |
|
9.5 |
1985 |
AnSCWe![Black and White, Color; Black and White, Color](icons/rgb-bw.png) |
Broken Down Film |
Osamu Tezuka, W, C |
|
8.8 |
1968 |
Do![Color; Aspect: 1.33:1; 35 mm; AUDIO: Mono Color](icons/rgb.png) |
Black History: Lost Stolen, or Strayed |
W TV |
|
10.0 |
1957 |
D![Black and White; Aspect: 2.35:1; 35 mm; CinemaScope; AUDIO: Mono Black and White](icons/bw.png) |
He Who Must Die |
Jules Dassin, W, W, ++, C, C, M «Celui qui doit mourir» |
|
6.9 |
1949 |
CR![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (RCA Sound System) Black and White](icons/bw.png) |
Holiday Affair |
Don Hartman, W, W, C, M |
|
10.0 |
1948 |
AnSCF![Color (Technicolor); Aspect: 1.37:1; 35 mm; AUDIO: Mono Color (Technicolor)](icons/rgb.png) |
Little 'Tinker |
Tex Avery, M |
|
7.9 |
1938 |
CFAnS![Color (Technicolor); Aspect: 1.37:1; 35 mm; AUDIO: Mono (RCA Sound System) Color (Technicolor)](icons/rgb.png) |
Ferdinand the Bull |
[ Dick Rickard ], W, W, M |
|
8.1 |
1933 |
CFMlAnS![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (RCA Photophone System) Black and White](icons/bw.png) |
Mickey's Gala Premier |
[ Burt Gillett ], M |
|
6.1 |
1932 |
DFanHo![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Noiseless Recording Sound System) Black and White](icons/bw.png) |
The Mummy |
Karl Freund, W, W, ++, C, M |
|
8.2 |
1922 |
AnSCDFan![Black and White; Silent](icons/bw.png) |
The Frogs Who Wanted a King |
Wladyslaw Starewicz, W, C, M «Les grenouilles qui demandent un roi» |
|
10.0 |
2009 |
Do![Color; Color](icons/q-rgb.png) |
Worse Than War |
Mike DeWitt, C, M TV |
|
10.0 |
2008 |
SCR![Color; Color](icons/q-rgb.png) |
Eve |
Natalie Portman, W, C, M |
|
10.0 |
2007 |
DoH![Color; Color](icons/q-rgb.png) |
Athens: The Dawn of Democracy |
Timothy Copestake, C, M «Athens: The Truth About Democracy» TV |
|
5.6 |
2007 |
Do![Color, Black and White; Aspect: 1.85:1; 16 mm; AUDIO: Dolby Digital Color, Black and White](icons/rgb-bw.png) |
Crazy Love |
Dan Klores, Fisher Stevens, W, C, M |
|
9.5 |
2004 |
SC |
Home Game |
Martin Lund, W, C «Hjemmekamp» |
|
9.5 |
2003 |
SCFMc![Color; AUDIO: Dolby Digital Color](icons/q-rgb.png) |
Colorforms |
Eva Saks, W, C |
|
4.9 |
2003 |
Do![Black and White, Color; Aspect: 1.85:1; 16 mm Super 8 Video; Spherical (film segments); AUDIO: Stereo Black and White, Color](icons/rgb-bw.png) |
Overnight |
Tony Montana, Mark Brian Smith, W, C, M, M |
|
6.5 |
2002 |
Do![Color; AUDIO: Stereo Color](icons/q-rgb.png) |
Cinemania |
Angela Christlieb, Stephen Kijak, C, M, M |
|
9.4 |
2001 |
DoDW![Color; Aspect: 1.78:1 Color](icons/q-rgb.png) |
Great Escape: The Untold Story |
Steven Clarke, C, M TV |
|
10.0 |
1995 |
AnSC![Color; 35 mm; AUDIO: Mono Color](icons/rgb.png) |
Pib and Pog |
Peter Peake, W, C, M |
|
10.0 |
1992 |
DoAnS![Color; Aspect: 1.33:1 Color](icons/q-rgb.png) |
A Is for Autism |
Tim Webb, M, M |
|
8.4 |
1992 |
AnS![Color; AUDIO: Mono Color](icons/q-rgb.png) |
Mona Lisa Descending a Staircase |
Joan C. Gratz, M |
|
7.8 |
1990 |
CD![Color (Eastmancolor); Aspect: 1.66:1; 35 mm; AUDIO: Mono Color (Eastmancolor)](icons/rgb.png) |
Tatie Danielle |
Étienne Chatiliez, W, ++, C, M, M |
|
10.0 |
1988 |
AnSDMc![Color; Color](icons/q-rgb.png) |
Feelings of Mountains and Waters |
Wei Te, W, M «Shan shui qing» |
|
6.9 |
1966 |
CD![Color (Technicolor); Aspect: 2.35:1; 35 mm (2-perf); Techniscope (as Techniscope®); AUDIO: Mono (RCA Recording System) Color (Technicolor)](icons/rgb.png) |
Alfie |
Lewis Gilbert, W, C, M |
|
8.1 |
1965 |
SC![Black and White; AUDIO: Mono Black and White](icons/bw.png) |
Le poulet |
Claude Berri, W, C, M |
|
8.4 |
1962 |
DoS![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono Black and White](icons/bw.png) |
The Wall |
[ Walter de Hoog ], ++ |
|
9.5 |
1955 |
CD![Black and White; Aspect: 1.33:1; Live; Kinescope; AUDIO: Mono Black and White](icons/bw.png) |
"The United States Steel Hour" No Time for Sergeants |
Alex Segal, W, W, M |
|
6.6 |
1953 |
S![Black and White, Color; Aspect: 1.37:1 Black and White, Color](icons/rgb-bw.png) |
Eaux d'artifice |
Kenneth Anger, C |
|
6.6 |
1944 |
FAnSC![Color (Technicolor); Aspect: 1.37:1; 35 mm; AUDIO: Mono Color (Technicolor)](icons/rgb.png) |
Bugs Bunny and the Three Bears |
Chuck Jones, W, M |
|
8.4 |
1928 |
AnSC![Black and White; Silent](icons/bw.png) |
Comicalamities |
Otto Messmer |
|
7.2 |
1928 |
SC![Black and White; Silent](icons/bw.png) |
There It Is |
Harold L. Muller, ++, ++, C |
|
10.0 |
1920 |
D![Black and White; Silent](icons/bw.png) |
Klostret i Sendomir |
Victor Sjöström, W, W, C |
|
10.0 |
2010 |
DoS![Color; Color](icons/q-rgb.png) |
Killing in the Name |
Jed Rothstein, C, M |
|
9.5 |
2008 |
Do![Color, Black and White; Aspect: 1.78:1; AUDIO: Stereo Color, Black and White](icons/rgb-bw.png) |
Murnau, Borzage and Fox |
John Cork, Lisa Van Eyssen, W, C, C TV |
|
7.5 |
2008 |
AnS![Color; Aspect: 1.78:1; Digital; AUDIO: Dolby Digital Color](icons/d-rgb.png) |
This Way Up |
Adam Foulkes, Alan Smith, W, W, ++, M, M |
|
7.6 |
2007 |
SD![Color; Aspect: 2.35:1 Color](icons/q-rgb.png) |
At Night |
Christian E. Christiansen, W, C, M «Om natten» |
|
10.0 |
2005 |
DoS![Color; Aspect: 1.33:1 Color](icons/q-rgb.png) |
The Tribe |
Tiffany Shlain, W, W, C, M |
|
7.8 |
1988 |
AnCS![Color; Color](icons/q-rgb.png) |
One of Those Days |
Bill Plympton, W |
|
9.2 |
1974 |
AnSFan![Color; Aspect: 1.37:1; AUDIO: Mono Color](icons/q-rgb.png) |
Closed Mondays |
Bob Gardiner, Will Vinton, M |
|
6.1 |
1942 |
AAdDFH![Color (Technicolor); Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Recording) Color (Technicolor)](icons/rgb.png) |
The Black Swan |
Henry King, W, W, ++, C, M |
|
7.3 |
1938 |
CrS![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Sound System) Black and White](icons/bw.png) |
A Crime Does Not Pay Subject: They're Always Caught |
Harold S. Bucquet, W |
|
7.7 |
1938 |
AnS![Color (Technicolor); Aspect: 1.37:1; 35 mm; AUDIO: Mono Color (Technicolor)](icons/rgb.png) |
All's Fair at the Fair |
Dave Fleischer, M, M |
|
9.0 |
1937 |
D![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono, Phillips Sound Black and White](icons/bw.png) |
Harvest |
Marcel Pagnol, W, W, C, M «Regain» |
|
8.1 |
1932 |
SC![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono Black and White](icons/bw.png) |
Bridge Wives |
Roscoe 'Fatty' Arbuckle, W, W |
|
6.7 |
1928 |
D![Black and White; Silent](icons/bw.png) |
Four Sons |
John Ford, W, W, ++, C, C, M, M |
|
9.1 |
1926 |
SC![Black and White; Silent](icons/bw.png) |
Now You Tell One |
Charles R. Bowers, Harold L. Muller, W, W, ++, M |
|
7.3 |
1916 |
CS![Black and White; Silent](icons/bw.png) |
Fatty and Mabel Adrift |
Roscoe 'Fatty' Arbuckle, W |
|
7.5 |
1914 |
FanD![Color (tinted), Black and White; Silent](icons/rgb-bw.png) |
Cinderella |
James Kirkwood, W |
|
8.5 |
1911 |
SC![Black and White; Silent](icons/bw.png) |
Max Takes Tonics |
Max Linder, W «Max victime du quinquina» |
|
7.6 |
1901 |
SFanHo![Black and White; Silent](icons/bw.png) |
Bluebeard |
Georges Méliès, W, W «Barbe-bleue» |
|
6.8 |
2011 |
SCD![Color; Color](icons/q-rgb.png) |
The Shore |
Terry George, W, C, M, M |
|
7.0 |
2008 |
Do![Color (HD), Black and White; Aspect: 1.78:1; AUDIO: 6-Track Stereo, Dolby Digital Color (HD), Black and White](icons/rgb-bw.png) |
Harlan: In the Shadow of Jew Suess |
Felix Moeller, W, C, M «Harlan - Im Schatten von Jud Süss» |
|
6.8 |
2007 |
AnSDFanSf![Color; Color](icons/q-rgb.png) |
Even Pigeons Go to Heaven |
Samuel Tourneux, W, W, ++, M «Même les pigeons vont au paradis» |
|
10.0 |
1999 |
![TV](icons/tv_icon.png) Do![Color; Color](icons/q-rgb.png) |
"Wonders of the African World with Henry Louis Gates Jr." |
Helena Appio, Nicola Colton, ++, [ W ], M, M, M++ TV mini-series 1999- |
|
8.2 |
1996 |
AnCF![Color; Color](icons/q-rgb.png) |
The Best of Roger Rabbit |
Barry Cook, Rob Minkoff, W, M TV |
|
7.6 |
1989 |
AnCS![Color; Color](icons/q-rgb.png) |
25 Ways to Quit Smoking |
Bill Plympton, W |
|
3.9 |
1958 |
CMlR![Color (Metrocolor); Aspect: 2.35:1; 35 mm; CinemaScope; AUDIO: 4-Track Stereo (Westrex Recording System), Perspecta Stereo, Mono Color (Metrocolor)](icons/rgb.png) |
Gigi |
Vincente Minnelli, W, W, C, C, M, M |
|
7.7 |
1929 |
SFMc![Black and White; Aspect: 1.33:1; 35 mm; AUDIO: Mono (Vitaphone) Black and White](icons/bw.png) |
Baby Rose Marie the Child Wonder |
Bryan Foy |
|
8.2 |
1917 |
CWeR![Black and White (color toned); Silent](icons/rgb-bw.png) |
Wild and Woolly |
John Emerson, W, W, ++, C |
|
6.9 |
2010 |
Do![Color; AUDIO: Dolby Digital Color](icons/q-rgb.png) |
Cool It |
Ondi Timoner, W, W, ++, C |
|
10.0 |
2009 |
B![Color; Color](icons/q-rgb.png) |
Looking for Lincoln |
John Maggio, Muriel Soenens, W, M TV |
|
10.0 |
2008 |
S |
The History of America |
|
|
9.4 |
2004 |
HoCS![Color; Aspect: 1.85:1; Video; DV; Canon XL-2 Color](icons/v-rgb.png) |
The Netherbeast of Berm-Tech Industries, Inc. |
Dean Matthew Ronalds, W, C, M |
|
4.9 |
1999 |
SCSf![Color; Aspect: 1.33:1; Video (NTSC) Color](icons/v-rgb.png) |
Thumb Wars: The Phantom Cuticle |
Steve Oedekerk, W, C, M TV |
|
7.3 |
1995 |
AdFFan![Color; Aspect: 1.85:1; 35 mm; Panaflex Camera and Lenses by Panavision; AUDIO: DTS, Dolby SR, DTS-Stereo Color](icons/rgb.png) |
Babe |
Chris Noonan, W, W, ++, C, M |
|
8.5 |
1992 |
![TV](icons/tv_icon.png) Do![Black and White, Color; Aspect: 1.33:1; AUDIO: Stereo Black and White, Color](icons/rgb-bw.png) |
"MGM: When the Lion Roars" |
Frank Martin, W, C, M TV mini-series 1992- |
|
6.5 |
1977 |
Ad![Color; Aspect: 1.37:1; 35 mm; Lenses and Panaflex Camera by Panavision (as Lenses & Panaflex Camera by Panavision®); AUDIO: Mono Color](icons/rgb.png) |
The Man in the Iron Mask |
Mike Newell, W, W, C, M TV |
|
7.1 |
1961 |
DR![Color (Technicolor); Aspect: 1.85:1; 35 mm; AUDIO: Mono (Westrex Recording) Color (Technicolor)](icons/rgb.png) |
Fanny |
Joshua Logan, W, W, ++, C, M |
|
8.4 |
1912 |
SWe![Black and White; Silent](icons/bw.png) |
The Heart of an Indian |
Thomas H. Ince, W, C |
|
9.0 |
1906 |
FanSCSf![Black and White; Silent](icons/bw.png) |
The '?' Motorist |
Walter R. Booth, C |
|
5.6 |
1896 |
SHo![Color (hand-colored), Black and White; Silent](icons/rgb-bw.png) |
The House of the Devil |
Georges Méliès, W «Le manoir du diable» |
|
5.4 |
2008 |
AnSC![Color; Aspect: 1.85:1; AUDIO: Dolby Digital, Stereo Color](icons/q-rgb.png) |
Big Buck Bunny |
Sacha Goedegebure, W, M |
|
10.0 |
2006 |
S![Color; Color](icons/q-rgb.png) |
A Taste of Nate |
Jim McGorman |
|
3.5 |
2005 |
Do![Color; Color](icons/q-rgb.png) |
Obsession: Radical Islam's War Against the West |
Wayne Kopping, W, W, M |
|
10.0 |
2005 |
SCSf![Color; Aspect: 2.35:1 Color](icons/q-rgb.png) |
Southwestern Orange County vs. the Flying Saucers |
James Dastoli, Robert Dastoli, W, W, C, C, M |
|
7.8 |
2002 |
CMl![Color; AUDIO: Dolby Digital, Dolby Digital (2.0), Dolby Digital (5.1 surround) Color](icons/q-rgb.png) |
Yes Nurse! No Nurse! |
Pieter Kramer, W, W, ++, C, M «Ja zuster, nee zuster» |
|
9.1 |
2000 |
DoB![Black and White, Color; Aspect: 1.33:1; 35 mm; AUDIO: Stereo Black and White, Color](icons/rgb-bw.png) |
Lon Chaney: A Thousand Faces |
Kevin Brownlow, M TV |
|
10.0 |
1992 |
AnS![Color; Aspect: 1.37:1 Color](icons/q-rgb.png) |
La course à l'abîme |
Georges Schwizgebel, W |
|
6.9 |
1988 |
AnSF![Color; Aspect: 1.78:1; Digital; Digital; AUDIO: Stereo Color](icons/d-rgb.png) |
Tin Toy |
John Lasseter, W |
|
7.5 |
1951 |
DoAnS![Color (Technicolor); AUDIO: Mono (RCA Sound System) Color (Technicolor)](icons/q-rgb.png) |
The Story of Time |
W, C, M |
|
7.7 |
1935 |
D![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono Black and White](icons/bw.png) |
The Right to Live |
William Keighley, W, W, C |
|
8.9 |
1921 |
AnS![Black and White; Silent](icons/bw.png) |
Dreams of the Rarebit Fiend: The Flying House |
Winsor McCay, W |
|
7.1 |
1899 |
DS![Color (hand-colored), Black and White; Silent](icons/rgb-bw.png) |
Cinderella |
Georges Méliès, W «Cendrillon» |
|
4.9 |
2011 |
DoC![Color; Color](icons/q-rgb.png) |
The Greatest Movie Ever Sold |
Morgan Spurlock, W, W, C, M |
|
6.8 |
2010 |
AnS![Color; Color](icons/q-rgb.png) |
Madagascar, a Journey Diary |
Bastien Dubois, W «Madagascar, carnet de voyage» |
|
10.0 |
2009 |
SC![Color (HD); Aspect: 1.78:1; AUDIO: Stereo Color (HD)](icons/q-rgb.png) |
How to Be a Director: 10 Easy Steps to Fortune and Fame |
Daniel F. Scherl, W, W, C |
|
9.3 |
2004 |
Do![Color; Aspect: 1.33:1; AUDIO: Stereo Color](icons/q-rgb.png) |
The Masters Behind the Musicals |
Peter Fitzgerald, W TV |
|
3.8 |
2002 |
CR![Color; Aspect: 1.85:1; 35 mm; Panavision Cameras and Lenses; AUDIO: Dolby SR Color](icons/rgb.png) |
My Big Fat Greek Wedding |
Joel Zwick, W, C, M, M |
|
10.0 |
1999 |
AnS![Color; Color](icons/q-rgb.png) |
How to Haunt a House |
Aaron Blaise, W, W, ++ |
|
9.2 |
1977 |
BD![Color; Aspect: 1.33:1; 35 mm; AUDIO: Mono Color](icons/rgb.png) |
The Amazing Howard Hughes |
William A. Graham, W, W, ++, C, C, M TV |
|
5.2 |
1975 |
ASfSpT![Color (Technicolor); Aspect: 1.85:1; 35 mm; Panaflex Camera and Lenses by Panavision; AUDIO: 4-Track Stereo (35 mm magnetic prints), 70 mm 6-Track (70 mm prints) Color (Technicolor)](icons/rgb.png) |
Rollerball |
Norman Jewison, W, ++, C, M |
|
9.0 |
1934 |
CMlS![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Noiseless Recording) Black and White](icons/bw.png) |
Nifty Nurses |
Leigh Jason, W, W, C |
|
8.3 |
1931 |
FCAnHoSMl![Black and White; 35 mm; AUDIO: Mono Black and White](icons/bw.png) |
The Cat's Out |
Wilfred Jackson |
|
6.9 |
1914 |
AdDW![Black and White (tinted); Silent](icons/bw.png) |
Cabiria |
Giovanni Pastrone, W, W, ++, C, C, C++, M, M |
|
2.8 |
2006 |
DMcMl![Color; Aspect: 2.35:1; 35 mm (Kodak Vision2 200T 5217, Vision2 500T 5218); Digital Intermediate (2K) (master format) Super 35 (source format); Panavision Panaflex Millennium XL, Panavision Primo Lenses Panavision Panaflex Platinum, Panavision Primo Lenses; AUDIO: DTS, Dolby Digital, SDDS Color](icons/rgb.png) |
Dreamgirls |
Bill Condon, W, W, C, M, M |
|
9.5 |
2005 |
Do![Color; Aspect: 1.78:1 Color](icons/q-rgb.png) |
Ben-Hur: The Epic That Changed Cinema |
Gary Leva, C TV |
|
4.5 |
2004 |
AnS![Color; Color](icons/q-rgb.png) |
Doggy Poo |
Oh-Sung Kwon, W, W, ++, C, M |
|
10.0 |
1997 |
DoS![Color; Aspect: 1.33:1 Color](icons/q-rgb.png) |
The Story Behind Walt Disney's 'Fun and Fancy Free' |
W TV |
|
6.9 |
1943 |
SDW![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono Black and White](icons/bw.png) |
You, John Jones! |
Mervyn LeRoy, W, M, M |
|
7.7 |
1929 |
SDMc![Black and White; Aspect: 1.20:1; 35 mm; AUDIO: Mono (RCA Photophone System) Black and White](icons/bw.png) |
St. Louis Blues |
Dudley Murphy, W, C |
|
8.9 |
1925 |
DRW![Color (hand-colored); Silent](icons/rgb.png) |
Cyrano de Bergerac |
Augusto Genina, W, W, ++, C, M «Cirano di Bergerac» |
|
8.6 |
1923 |
AnCSFFan![Black and White; Silent](icons/bw.png) |
Alice's Wonderland |
Walt Disney, W, C, C, M |
|
8.1 |
1921 |
CS![Black and White; Silent](icons/bw.png) |
Be Reasonable |
Roy Del Ruth, C, C |
|
5.6 |
2004 |
DoHW![Color; Color](icons/q-rgb.png) |
First Invasion: The War of 1812 |
Gary Foreman, W, W, ++, C, C, C++, M TV |
|
9.3 |
1943 |
DoSW![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono Black and White](icons/bw.png) |
The Autobiography of a 'Jeep' |
Irving Lerner, ++, W, C |
|
10.0 |
1934 |
S![Black and White; Black and White](icons/bw.png) |
Rhythm in Light |
Mary Ellen Bute, Ted Nemeth, ++ |
|
7.3 |
1925 |
SCHoSf![Black and White; Silent](icons/bw.png) |
Dr. Pyckle and Mr. Pryde |
Scott Pembroke, Joe Rock, W, C |
|
9.0 |
1908 |
SC![Black and White; Silent](icons/bw.png) |
Diabolical Pickpocket |
Segundo de Chomón, C «L'insaisissable pickpocket» |
|
6.8 |
1906 |
SBD![Black and White; Silent](icons/bw.png) |
The Birth, the Life and the Death of Christ |
Alice Guy «La vie du Christ» |
|
7.1 |
1897 |
SC![Black and White; Silent](icons/bw.png) |
The Bewitched Inn |
Georges Méliès, W «L'auberge ensorcelée» |
|
10.0 |
2003 |
AnS![Color; Aspect: 1.33:1 Color](icons/q-rgb.png) |
The Beauty of Life |
Moritz Bunk, W, ++, M TV |
|
8.3 |
2002 |
Do![Black and White, Color; Aspect: 1.33:1; AUDIO: Stereo Black and White, Color](icons/rgb-bw.png) |
Joan Crawford: The Ultimate Movie Star |
Peter Fitzgerald, W TV |
|
7.8 |
1956 |
DoS![Color (Technicolor); Aspect: 1.66:1; 35 mm; AUDIO: Perspecta Stereo (Westrex Recording System) Color (Technicolor)](icons/rgb.png) |
Van Gogh: Darkness Into Light |
W, C |
|
7.3 |
1900 |
DS![Color (hand-tinted); AUDIO: Phono-Cinema-Theatre Color (hand-tinted)](icons/q-rgb.png) |
Cyrano de Bergerac |
Clément Maurice, W |
|
9.1 |
1909 |
SFanSf![Black and White; Silent](icons/bw.png) |
The Battle in the Clouds |
Walter R. Booth, W, W «The Airship Destroyer» |
|
7.9 |
1914 |
SC![Black and White; Silent](icons/bw.png) |
Ambrose's First Falsehood |
F. Richard Jones |
|
6.3 |
1926 |
SMc![Black and White; Aspect: 1.33:1; 35 mm; AUDIO: Mono (Vitaphone) Black and White](icons/bw.png) |
A Plantation Act |
[ Philip Roscoe ] |
|
8.5 |
1910 |
S![Black and White; Silent](icons/bw.png) |
Les illusions fantaisistes |
Georges Méliès |
|
3.6 |
2002 |
RCDMl![Color; Aspect: 2.35:1; 35 mm (Kodak); Super 35; AUDIO: Dolby Digital, SDDS, DTS Color](icons/rgb.png) |
Bollywood/Hollywood |
Deepa Mehta, W, C, M |
|
10.0 |
1909 |
S![Black and White; Silent](icons/bw.png) |
Le voleur invisible |
Segundo de Chomón, W, C |
|
10.0 |
2007 |
SACFan![Color; Aspect: 1.78:1 Color](icons/q-rgb.png) |
The Rochambeau Kid |
Patrick Flynn, W, W, ++, C, C |
|
10.0 |
2006 |
AnS![Color; Color](icons/q-rgb.png) |
Sou |
Theodore Ushev |
|
7.0 |
1942 |
S![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Sound System) Black and White](icons/bw.png) |
Mr. Blabbermouth! |
Basil Wrangell, W, W, C, M, M |
|
10.0 |
1906 |
S![Black and White; Silent](icons/bw.png) |
Questions indiscrètes |
Alice Guy |
|
10.0 |
1991 |
Do![Color; Color](icons/q-rgb.png) |
The Making of 'Europa' |
TV |
|
10.0 |
1905 |
SMc![Black and White; AUDIO: Chronophone Black and White](icons/bw.png) |
La polka des trottins |
Alice Guy |
|
10.0 |
1987 |
D![Color; Aspect: 1.33:1; 35 mm; AUDIO: Mono Color](icons/rgb.png) |
Fight for Life |
Elliot Silverstein, W, W, ++, C, M TV |
|
10.0 |
1905 |
SMc![Black and White; AUDIO: Chronophone Black and White](icons/bw.png) |
Lilas blanc |
Alice Guy |
|
6.1 |
1984 |
AnSF![Color; Aspect: 1.20:1; Digital; Digital Color](icons/d-rgb.png) |
The Adventures of André and Wally B. |
Alvy Ray Smith, W |
|
10.0 |
1905 |
SMc![Black and White; AUDIO: Chronophone Black and White](icons/bw.png) |
Dranem Performs 'The True Jiu-Jitsu' |
Alice Guy «Le vrai jiu-jitsu» |
|
10.0 |
1902 |
S![Black and White; Silent](icons/bw.png) |
In a Hurry to Catch the Train |
Ferdinand Zecca «Monsieur et Madame sont pressés» |
|
10.0 |
1905 |
SMc![Black and White; AUDIO: Chronophone Black and White](icons/bw.png) |
Five O'Clock Tea |
Alice Guy |
|
8.1 |
2006 |
DoHW![Color; Color](icons/q-rgb.png) |
Armenian Genocide |
Andrew Goldberg, W TV |
|
10.0 |
2008 |
DoSC![Color; Aspect: 1.78:1; AUDIO: Stereo (RCA Sound System) Color](icons/q-rgb.png) |
My Longest Day |
Matthew A. Steinhart, W |