|
9.6 |
1961 |
DF![Black and White; 35 mm; AUDIO: Mono (RCA Sound Recording) Black and White](icons/bw.png) |
Hand in Hand |
Philip Leacock, W, W, P, M |
|
9.5 |
2011 |
![Color; Color](icons/q-rgb.png) |
Nefarious: Merchant of Souls |
Benjamin Nolot, Matt Dickey, W, P, P, P, M |
|
9.5 |
1998 |
AC![Color; Color](icons/q-rgb.png) |
Gunda |
Kanti Shah, W, M |
|
9.5 |
1997 |
D![Color; Aspect: 1.85:1; 35 mm (Eastman Double-X 5222, EXR 100T 5248, Kodak Vision 500T 5279, EXR 200T 5287, EXR 200T 5293); Panavision Panaflex Gold II, Panavision Primo Lenses; AUDIO: Dolby Digital, SDDS Color](icons/rgb.png) |
Eve's Bayou |
Kasi Lemmons, W, P, M |
|
9.4 |
2013 |
AAdCrD![Color; Color](icons/q-rgb.png) |
Dead in 5 Heartbeats |
Jeff Santo, W, P |
|
9.4 |
2003 |
CDF![Color; Color](icons/q-rgb.png) |
Uncle Nino |
Robert Shallcross, W, P, M |
|
9.4 |
2000 |
D![Color; Aspect: 1.85:1 Color](icons/q-rgb.png) |
Train Ride |
Rel Dowdell, W, P |
|
9.1 |
1991 |
CD![Color; Color](icons/q-rgb.png) |
"American Playhouse" Into the Woods |
James Lapine, W |
|
9.0 |
1973 |
DFanFAdR![Color; 35 mm; AUDIO: Mono Color](icons/rgb.png) |
Three Wishes for Cinderella |
Václav Vorlícek, W, W, P, M «Tri orísky pro Popelku» |
|
8.9 |
2005 |
BD![Color; Aspect: 2.35:1; 35 mm; Super 35; Panavision Cameras and Lenses; AUDIO: Dolby Digital Color](icons/rgb.png) |
Self Medicated |
Monty Lapica, W, P, M |
|
8.9 |
1995 |
DH![Color; Aspect: 2.35:1; 35 mm; Super 35; AUDIO: Dolby, Dolby SR Color](icons/rgb.png) |
Les Misérables |
Claude Lelouch, W, W, P, P, M, M, M++ «Les misérables» |
|
8.9 |
1971 |
D![Color; AUDIO: Mono Color](icons/q-rgb.png) |
Anand |
Hrishikesh Mukherjee, W, W, ++, P, M |
|
8.8 |
2013 |
R![Color; Color](icons/q-rgb.png) |
Moondru Per Moondru Kaadhal |
Vasanth, W, P, M |
|
8.8 |
1997 |
C![Color; 35 mm; AUDIO: Mono Color](icons/rgb.png) |
Fakin' Da Funk |
Timothy A. Chey, W, P, M |
|
8.8 |
1983 |
CD![Color; 35 mm; AUDIO: Mono Color](icons/rgb.png) |
Jaane Bhi Do Yaaro |
Kundan Shah, W, W, ++, P, M |
|
8.8 |
1978 |
AAdD![Color; Aspect: 2.35:1; 35 mm; Shawscope; AUDIO: Mono Color](icons/rgb.png) |
The 36th Chamber of Shaolin |
Chia-Liang Liu, W, P, P, M «Shao Lin san shi liu fang» |
|
8.7 |
2011 |
|
Untitled Sarah Palin Documentary |
|
|
8.7 |
2006 |
DR![Color; Aspect: 1.78:1; Video (HDTV); HDCAM (1080p/24) (master format) HDV (1080i/50) (source format); Sony HVR-Z1U Color](icons/h-rgb.png) |
Tomorrow Is Today |
Frederic Lumiere, W, P, M |
|
8.7 |
1968 |
D![Color (Technicolor); Aspect: 2.35:1; 35 mm; CinemaScope; AUDIO: Mono Color (Technicolor)](icons/rgb.png) |
Interlude |
Kevin Billington, W, W, ++, P, M |
|
8.7 |
1958 |
FWe![Color (Eastmancolor); Aspect: 1.85:1; 35 mm; AUDIO: Mono Color (Eastmancolor)](icons/rgb.png) |
Snowfire |
Dorrell McGowan, Stuart E. McGowan, W, W, P, M |
|
8.6 |
2014 |
DTWe![Color (HD), Color; Color (HD), Color](icons/q-rgb.png) |
Wichita |
Nicholas Barton, W, P, P |
|
8.6 |
2009 |
DFMRWe![Color; Aspect: 1.78:1; Red One Camera (4K); AUDIO: Dolby Digital (Dolby 5.1) Color](icons/d-rgb.png) |
The Taste of Relation |
Mukesh Asopa, W, W, P, M, M, M++ |
|
8.6 |
2002 |
DW![Black and White, Color; Aspect: 2.35:1; 35 mm; (anamorphic); AUDIO: DTS, DTS-Stereo Black and White, Color](icons/rgb-bw.png) |
Kannathil Muthamittal |
Mani Ratnam, W, ++, P, M |
|
8.6 |
1981 |
CrD![Color; Aspect: 1.85:1; 35 mm; AUDIO: Mono Color](icons/rgb.png) |
Pixote |
Hector Babenco, W, W, ++, P, M «Pixote: A Lei do Mais Fraco» |
|
8.6 |
1928 |
DR![Black and White; Silent](icons/bw.png) |
The Crowd |
King Vidor, W, W, ++, P, M |
|
8.6 |
1927 |
BDHW![Black and White, Black and White (tinted) (some sequences); Silent](icons/bw.png) |
Napoleon |
Abel Gance, W, P, P, P++, M, M, M «Napoléon» |
|
8.5 |
2003 |
BDH![Color; Aspect: 1.85:1; 35 mm; AUDIO: DTS, Dolby Digital Color](icons/rgb.png) |
The Visual Bible: The Gospel of John |
Philip Saville, W, P, M |
|
8.5 |
2000 |
DH![Black and White, Color; 35 mm Black and White, Color](icons/rgb-bw.png) |
Hey Ram |
Kamal Hassan, W, W, P, M |
|
8.5 |
1995 |
D![Color; Aspect: 1.85:1; 35 mm; AUDIO: DTS Color](icons/rgb.png) |
The Cure |
Peter Horton, W, P, M |
|
8.5 |
1932 |
CCrR![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Noiseless Recording) Black and White](icons/bw.png) |
Trouble in Paradise |
Ernst Lubitsch, W, W, ++, P, M |
|
8.4 |
2013 |
DFT![Color; Color](icons/q-rgb.png) |
Drishyam |
Jeethu Joseph, W, P, M, M |
|
8.4 |
2012 |
CHoT![Color; Color](icons/q-rgb.png) |
The Haunting of Pearson Place |
Michael Merino, W, P, M |
|
8.4 |
2002 |
DT![Color; AUDIO: Stereo Color](icons/q-rgb.png) |
Looking Through Lillian |
Jake Torem, W, W, P, M |
|
8.4 |
1997 |
DF![Color; Aspect: 1.85:1; 35 mm; Panavision Cameras and Lenses; AUDIO: Dolby SR Color](icons/rgb.png) |
The King of Masks |
Tian-Ming Wu, W, W, P, M «Bian Lian» |
|
8.4 |
1967 |
DW![Color (Metrocolor); Aspect: 2.35:1; 35 mm; Franscope; AUDIO: Mono (Westrex Recording System) Color (Metrocolor)](icons/rgb.png) |
The 25th Hour |
Henri Verneuil, W, W, ++, P, M, M «La vingt-cinquième heure» |
|
8.4 |
1936 |
CDMlR![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Noiseless Western Electric Recording) Black and White](icons/bw.png) |
Show Boat |
James Whale, W, W, ++, P |
|
8.3 |
2014 |
DHoMT![Color; Color](icons/q-rgb.png) |
House of Temptation |
Doc Zee, Hassan Zee, W, W, P |
|
8.3 |
2013 |
CD![Color; Color](icons/q-rgb.png) |
Ankhon Dekhi |
Rajat Kapoor, W, M |
|
8.3 |
2008 |
AAd![Color; Aspect: 1.85:1; 35 mm; AUDIO: Dolby Digital Color](icons/rgb.png) |
The Flyboys |
Rocco DeVilliers, W, W, ++, P, M |
|
8.3 |
2002 |
ACrTD![Color; Aspect: 2.35:1; 35 mm; (anamorphic); AUDIO: DTS, Dolby Digital Color](icons/rgb.png) |
Company |
Ram Gopal Varma, W, P, M |
|
8.3 |
2002 |
AT![Color; Color](icons/q-rgb.png) |
Day of the Sirens |
Ray Brady, W, P, M |
|
8.3 |
2002 |
CDR![Color; Aspect: 1.85:1; 35 mm; AUDIO: Stereo Color](icons/rgb.png) |
The Trip |
Miles Swain, W, P, P, M |
|
8.3 |
1991 |
CD![Color; Aspect: 1.85:1; 35 mm; Panavision Cameras and Lenses; AUDIO: Dolby Color](icons/rgb.png) |
29th Street |
George Gallo, W, W, ++, P, M |
|
8.3 |
1989 |
CDR![Color; Aspect: 1.85:1; 35 mm; AUDIO: Dolby Color](icons/rgb.png) |
Shag |
Zelda Barron, W, W, ++, P |
|
8.3 |
1989 |
DHW![Color (Eastmancolor); Aspect: 1.66:1; 35 mm (Eastman 125T 5247, 400T 5294); Panavision Cameras and Lenses; AUDIO: Dolby Color (Eastmancolor)](icons/rgb.png) |
The Winter War |
Pekka Parikka, W, W, ++, P, M, M «Talvisota» |
|
8.3 |
1988 |
CDR![Color; Aspect: 1.85:1; 35 mm; AUDIO: Dolby Color](icons/rgb.png) |
Torch Song Trilogy |
Paul Bogart, W, P |
|
8.3 |
1986 |
DMc![Color (Eastmancolor); Aspect: 1.85:1; 35 mm; AUDIO: Mono Color (Eastmancolor)](icons/rgb.png) |
Man Facing Southeast |
Eliseo Subiela, W, P, M «Hombre mirando al sudeste» |
|
8.3 |
1984 |
CCrRT![Color (Technicolor); Panaflex Camera and Lenses by Panavision; AUDIO: Stereo Color (Technicolor)](icons/q-rgb.png) |
American Dreamer |
Rick Rosenthal, W, W, ++, P, P, M |
|
8.3 |
1975 |
CDW![Color (Technicolor); Aspect: 1.66:1; 35 mm; AUDIO: Mono Color (Technicolor)](icons/rgb.png) |
Seven Beauties |
Lina Wertmüller, W, P, M «Pasqualino Settebellezze» |
|
8.3 |
1966 |
AdDRWe![Color (Eastmancolor); Aspect: 2.35:1; 35 mm; Panavision (anamorphic); AUDIO: Mono Color (Eastmancolor)](icons/rgb.png) |
The Trap |
Sidney Hayers, W, P, M |
|
8.3 |
1961 |
D![Black and White; Aspect: 1.85:1; AUDIO: Mono (RCA Sound Recording) Black and White](icons/bw.png) |
A Raisin in the Sun |
Daniel Petrie, W, P, M |
|
8.3 |
1928 |
DRWe![Black and White; Silent](icons/bw.png) |
The Wind |
Victor Sjöström, W, W, P, M, M |
|
8.2 |
2014 |
R![Color; Color](icons/q-rgb.png) |
Go with Le Flo |
Michael Glover, W, ++ |
|
8.2 |
2000 |
D |
Kelviyin Nayagan |
Mani Ratnam, M |
|
8.2 |
1998 |
CDR![Color; Aspect: 2.35:1; 35 mm; Panavision (anamorphic); Panavision Cameras and Lenses; AUDIO: Dolby SR Color](icons/rgb.png) |
Get Real |
Simon Shore, W, P, M |
|
8.2 |
1996 |
DW![Color; Aspect: 1.66:1; 35 mm; AUDIO: Stereo Color](icons/rgb.png) |
Pretty Village, Pretty Flame |
Srdjan Dragojevic, W, W, ++, P, M, M «Lepa sela lepo gore» |
|
8.2 |
1993 |
CMc![Black and White, Color; Aspect: 1.37:1; 16 mm; Panavision Camera and Lenses; AUDIO: Ultra Stereo Black and White, Color](icons/rgb-bw.png) |
Fear of a Black Hat |
Rusty Cundieff, W, P |
|
8.2 |
1993 |
DR![Color (Technicolor); Aspect: 1.85:1; 35 mm; Panavision Cameras and Lenses; AUDIO: Dolby Color (Technicolor)](icons/rgb.png) |
Wrestling Ernest Hemingway |
Randa Haines, W, P, M |
|
8.2 |
1987 |
CrD![Color; Color](icons/q-rgb.png) |
Nayakan |
Mani Ratnam, W, W, ++, P, M |
|
8.2 |
1985 |
AdCSf![Color (Technicolor); Aspect: 1.85:1; 35 mm (also horizontal) (Eastman 125T 5247, 400T 5294); Spherical VistaVision (special effects); Panaflex Camera and Lenses by Panavision; AUDIO: 70 mm 6-Track (70 mm prints), Dolby (35 mm prints) (as Dolby Stereo) Color (Technicolor)](icons/rgb.png) |
Back to the Future |
Robert Zemeckis, W, W, P, M |
|
8.2 |
1980 |
AAdSf![Color; Aspect: 2.20:1; 35 mm (also horizontal) (Eastman 100T 5247); VistaVision (special effects) Panavision (anamorphic); AUDIO: 70 mm 6-Track (70 mm prints), Dolby (35 mm prints) Color](icons/rgb.png) |
Star Wars: Episode V - The Empire Strikes Back |
Irvin Kershner, W, W, ++, P, M |
|
8.2 |
1975 |
AdBD![Color (Sovcolor); Aspect: 2.20:1; 70 mm; Sovscope 70; AUDIO: 70 mm 6-Track (70 mm prints), Mono (35 mm prints) Color (Sovcolor)](icons/rgb.png) |
Dersu Uzala |
Akira Kurosawa, W, W, ++, P, P, P, M |
|
8.2 |
1960 |
CrDT![Black and White; Aspect: 1.66:1; 35 mm; AUDIO: Mono (Western Electric Sound System) Black and White](icons/bw.png) |
Le Trou |
Jacques Becker, W, W, ++, P, M «Le trou» |
|
8.2 |
1955 |
D![Black and White; Aspect: 1.37:1; 35 mm; Wall; AUDIO: Mono Black and White](icons/bw.png) |
Pather Panchali |
Satyajit Ray, W, W, P, M |
|
8.2 |
1951 |
DFan![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Recording) Black and White](icons/bw.png) |
A Christmas Carol |
Brian Desmond Hurst, W, W, P, M «Scrooge» |
|
8.2 |
1946 |
DRW![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Recording) Black and White](icons/bw.png) |
The Best Years of Our Lives |
William Wyler, W, W, P, M |
|
8.2 |
1928 |
CRFD![Black and White; Silent](icons/bw.png) |
The Cameraman |
Edward Sedgwick, ++, W, W, ++, P, P |
|
8.2 |
1923 |
CRT![Black and White; Silent](icons/bw.png) |
Safety Last! |
Fred C. Newmeyer, Sam Taylor, W, W, ++, P, M, M |
|
8.1 |
2014 |
DR![Color; Color](icons/q-rgb.png) |
Old Fashioned |
Rik Swartzwelder, W, P, M |
|
8.1 |
2012 |
BD![Color; Color](icons/q-rgb.png) |
Shahid |
Hansal Mehta, W, W, ++, P, M |
|
8.1 |
2010 |
CD![Color; Aspect: 2.35:1; 35 mm (Kodak) (Fuji); (anamorphic); Arriflex Cameras; AUDIO: Dolby Digital Color](icons/rgb.png) |
Do Dooni Chaar |
Habib Faisal, W, W, P, M, M |
|
8.1 |
2010 |
ABCrSpT![Color; Color](icons/q-rgb.png) |
Paan Singh Tomar |
Tigmanshu Dhulia, P, M |
|
8.1 |
2009 |
DR![Color, Color (Super 16mm); 16 mm Super 16; AUDIO: Dolby Color, Color (Super 16mm)](icons/rgb.png) |
Undertow |
Javier Fuentes-León, W, P, M «Contracorriente» |
|
8.1 |
2001 |
CDR![Color; Aspect: 1.85:1; 35 mm; AUDIO: Dolby Digital Color](icons/rgb.png) |
My Sassy Girl |
Jae-young Kwak, W, W, P, M «Yeopgijeogin geunyeo» |
|
8.1 |
1996 |
CDR![Color; Aspect: 1.85:1; 35 mm; AUDIO: Dolby Color](icons/rgb.png) |
Beautiful Thing |
Hettie Macdonald, W, P, M |
|
8.1 |
1994 |
BDSp![Color; Aspect: 1.85:1; 35 mm; AUDIO: DTS, Dolby Color](icons/rgb.png) |
8 Seconds |
John G. Avildsen, W, P, M |
|
8.1 |
1994 |
C![Color; Color](icons/q-rgb.png) |
Andaz Apna Apna |
Rajkumar Santoshi, W, ++, P, M |
|
8.1 |
1993 |
DH![Color; Aspect: 2.35:1; 35 mm; Super 35; Panavision Cameras and Lenses; AUDIO: Dolby SR Color](icons/rgb.png) |
King of the Hill |
Steven Soderbergh, W, W, P, M |
|
8.1 |
1990 |
BCDHR![Color; Aspect: 1.66:1; 35 mm; Panavision Cameras and Lenses; AUDIO: Dolby, LC-Concept Digital Sound Color](icons/rgb.png) |
Cyrano de Bergerac |
Jean-Paul Rappeneau, W, W, ++, P, M |
|
8.1 |
1986 |
D![Color; Aspect: 1.85:1; 35 mm; Clairmont Camera; AUDIO: Mono Color](icons/rgb.png) |
'night, Mother |
Tom Moore, W, P, M |
|
8.1 |
1985 |
C![Color; Aspect: 1.37:1; 35 mm; Panavision Cameras and Lenses; AUDIO: Dolby Color](icons/rgb.png) |
Tampopo |
Jûzô Itami, W, P, M |
|
8.1 |
1983 |
DMc![Color; Aspect: 1.85:1; Lenses and Panaflex Camera by Panavision; AUDIO: Stereo Color](icons/q-rgb.png) |
Tender Mercies |
Bruce Beresford, W, P, M |
|
8.1 |
1972 |
DFHMl![Color (Eastmancolor); Aspect: 2.35:1; 35 mm; Panavision (anamorphic); AUDIO: Mono Color (Eastmancolor)](icons/rgb.png) |
1776 |
Peter H. Hunt, W, W, ++, P, M |
|
8.1 |
1971 |
DR![Color (Eastmancolor); Aspect: 1.85:1; 35 mm; AUDIO: Mono Color (Eastmancolor)](icons/rgb.png) |
Melody |
Waris Hussein, W, P |
|
8.1 |
1965 |
CDW![Black and White; Aspect: 1.66:1; 35 mm; AUDIO: Mono Black and White](icons/bw.png) |
Chimes at Midnight |
Orson Welles, W, W, ++, P, M «Campanadas a medianoche» |
|
8.1 |
1955 |
BDFH![Color; Aspect: 2.55:1; 35 mm; CinemaScope; AUDIO: 4-Track Stereo (Western Electric Recording) Color](icons/rgb.png) |
A Man Called Peter |
Henry Koster, W, W, P, M |
|
8.1 |
1951 |
WeD![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Sound System) Black and White](icons/bw.png) |
Westward the Women |
William A. Wellman, W, W, P, M |
|
8.1 |
1946 |
C![Color (Technicolor); Aspect: 1.37:1; 35 mm; AUDIO: Mono Color (Technicolor)](icons/rgb.png) |
Margie |
Henry King, W, W, ++, P, M |
|
8.1 |
1945 |
DR![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono Black and White](icons/bw.png) |
Children of Paradise |
Marcel Carné, W, P, M «Les enfants du paradis» |
|
8.1 |
1935 |
DHR![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Sound System) Black and White](icons/bw.png) |
A Tale of Two Cities |
Jack Conway, ++, W, W, ++, P, M |