|
8.6 |
2014 |
DSp![Color; Color](icons/q-rgb.png) |
Seve the Movie |
John-Paul Davidson, W, P, M |
|
8.6 |
2013 |
DF![Color; Color](icons/q-rgb.png) |
Fandry |
Nagraj Manjule, W, P, M |
|
8.6 |
2011 |
C![Color; Color](icons/q-rgb.png) |
Austin High |
Alan Deutsch, W, W, ++, P |
|
8.6 |
2006 |
CR![Color; Video (HDTV); HDTV Color](icons/h-rgb.png) |
Jasminum |
Jan Jakub Kolski, W, P, M |
|
8.6 |
2005 |
MD![Color; Color](icons/q-rgb.png) |
Murder on the Yellow Brick Road |
Ross Hagen, W, W, P, M, M |
|
8.6 |
2004 |
CD![Color; Aspect: 2.35:1; 35 mm; AUDIO: DTS Color](icons/rgb.png) |
Four Shades of Brown |
Tomas Alfredson, W, W, ++, P «Fyra nyanser av brunt» |
|
8.6 |
2004 |
CDR![Color; Aspect: 1.85:1; 35 mm; Panavision Cameras and Lenses; AUDIO: SDDS, Dolby Digital Color](icons/rgb.png) |
Love's Brother |
Jan Sardi, W, P, M |
|
8.6 |
2003 |
CDFMl![Color; Color](icons/q-rgb.png) |
Gupta vs Gordon |
Jitendra Pal, W, W, P, M, M |
|
8.6 |
2003 |
CR![Color; Aspect: 1.85:1 Color](icons/q-rgb.png) |
Ladies' Night |
Gabriela Tagliavini, W, W, ++, P |
|
8.6 |
2002 |
CR![Color; 35 mm Color](icons/rgb.png) |
Love Life |
Ray Brady, W, W, P |
|
8.6 |
2001 |
MlDR![Color; Aspect: 2.35:1; 35 mm; (anamorphic); AUDIO: DTS, DTS-Stereo Color](icons/rgb.png) |
Waves |
Mani Ratnam, W, ++, P, M «Alai Payuthey» |
|
8.6 |
1998 |
CCr![Color; Aspect: 2.35:1; 35 mm; Super 35; AUDIO: Dolby Digital, DTS Color](icons/rgb.png) |
Serial Lover |
James Huth, W, W, ++, P, M |
|
8.6 |
1997 |
CDHMlR![Color; Aspect: 1.85:1; AUDIO: Dolby, Dolby SR Color](icons/q-rgb.png) |
Destiny |
Youssef Chahine, W, W, P, M, M «Al-massir» |
|
8.6 |
1994 |
DHoRT![Color; Aspect: 1.85:1; 35 mm; AUDIO: Mono Color](icons/rgb.png) |
Angel Dust |
Gakuryu Ishii, W, W, P, M «Enjeru dasuto» |
|
8.6 |
1994 |
CHoSf![Black and White, Color; Aspect: 1.33:1; 35 mm; Arriflex Cameras; AUDIO: Dolby Black and White, Color](icons/rgb-bw.png) |
That Little Monster |
Paul Bunnell, W, P, M |
|
8.6 |
1992 |
CD![Color; Aspect: 1.85:1; 35 mm; AUDIO: Dolby Color](icons/rgb.png) |
Leaving Normal |
Edward Zwick, W, P, M |
|
8.6 |
1991 |
DR![Color; AUDIO: Dolby Color](icons/q-rgb.png) |
Children of Nature |
Friðrik Þór Friðriksson, W, W, P, M «Börn náttúrunnar» |
|
8.6 |
1987 |
FMlFan![Color; 35 mm; AUDIO: Dolby Color](icons/rgb.png) |
Hansel and Gretel |
Len Talan, W, W, ++, P |
|
8.6 |
1983 |
AC![Color (Technicolor); 35 mm; AUDIO: Mono Color (Technicolor)](icons/rgb.png) |
Bullshot Crummond |
Dick Clement, W, W, ++, P, M «Bullshot» |
|
8.6 |
1981 |
CrDT![Color (Eastmancolor); Aspect: 1.66:1; 35 mm; AUDIO: Mono Color (Eastmancolor)](icons/rgb.png) |
Garde à vue |
Claude Miller, W, W, ++, P, M |
|
8.6 |
1980 |
CrRCD![Color; Aspect: 2.35:1; 35 mm; Panavision (anamorphic); AUDIO: Stereo Color](icons/rgb.png) |
The Black Marble |
Harold Becker, W, P, M, M |
|
8.6 |
1979 |
![Color (Eastmancolor); 35 mm; AUDIO: Mono Color (Eastmancolor)](icons/rgb.png) |
Junoon |
Shyam Benegal, W, W, ++, P, M, M |
|
8.6 |
1976 |
CrTM![Color (Technicolor); Aspect: 1.85:1; 35 mm; AUDIO: Stereo Color (Technicolor)](icons/rgb.png) |
Cadaveri eccellenti |
Francesco Rosi, W, W, ++, P, M |
|
8.6 |
1973 |
D![Color (Eastmancolor); Aspect: 1.78:1; 35 mm; AUDIO: Mono Color (Eastmancolor)](icons/rgb.png) |
The Homecoming |
Peter Hall, W, P |
|
8.6 |
1972 |
DHMW![Color (Eastmancolor); Aspect: 2.35:1; 35 mm; Tohoscope; AUDIO: Mono Color (Eastmancolor)](icons/rgb.png) |
Under the Flag of the Rising Sun |
Kinji Fukasaku, W, W, ++, P, M «Gunki hatameku motoni» |
|
8.6 |
1968 |
DW![Color (Technicolor); Aspect: 2.35:1; 35 mm (2-perf); Techniscope; AUDIO: Mono Color (Technicolor)](icons/rgb.png) |
The Long Day's Dying |
Peter Collinson, W, W, P, P, M |
|
8.6 |
1967 |
WD![Color (Technicolor); Aspect: 1.33:1; 35 mm; AUDIO: Mono Color (Technicolor)](icons/rgb.png) |
The Longest Hundred Miles |
Don Weis, W, W, ++, P, M |
|
8.6 |
1953 |
BDH![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono Black and White](icons/bw.png) |
Martin Luther |
Irving Pichel, W, W, ++, P, M |
|
8.6 |
1952 |
DRW![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono Black and White](icons/bw.png) |
So Little Time |
Compton Bennett, W, W, P, M |
|
8.6 |
1942 |
D![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono Black and White](icons/bw.png) |
There Was a Father |
Yasujirô Ozu, W, W, ++, P, M «Chichi ariki» |
|
8.6 |
1935 |
![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Sound System) Black and White](icons/bw.png) |
Sequoia |
Chester M. Franklin, ++, W, W, ++, P, M |
|
8.5 |
2013 |
D![Color; Aspect: 1.85:1; 35 mm; Arricam LT Color](icons/rgb.png) |
Circles |
Srdan Golubovic, W, W, P, M «Krugovi» |
|
8.5 |
2013 |
CD![Color; Color](icons/q-rgb.png) |
The Maladjusted |
Chris Kiros, W, ++, P, M, M, M |
|
8.5 |
2012 |
BDMc![Color; Color](icons/q-rgb.png) |
Renee |
Nathan Frankowski, W, W, ++, P |
|
8.5 |
2012 |
D![Color; Aspect: 1.85:1; 35 mm (Kodak Vision2 200T 5217, Vision2 500T 5218, Vision3 500T 5219, Eastman EXR 50D 5245); Digital Intermediate (2K) (master format) Spherical (source format); Moviecam SL; AUDIO: Dolby Color](icons/rgb.png) |
Una noche |
Lucy Mulloy, W, P, P |
|
8.5 |
2011 |
T![Color; Aspect: 1.85:1 Color](icons/q-rgb.png) |
Bicycle Day |
Damian Morter, W, P, M, M, M++ |
|
8.5 |
2010 |
AD![Color; Aspect: 1.85:1 Color](icons/q-rgb.png) |
Last Letters from Monte Rosa |
Ari Taub, W, P, M |
|
8.5 |
2009 |
BCDH![Black and White, Color; Aspect: 1.85:1; AUDIO: Dolby Digital Black and White, Color](icons/rgb-bw.png) |
Harishchandrachi Factory |
Paresh Mokashi, W, P, M |
|
8.5 |
2007 |
D |
A Winter Tale |
Frances-Anne Solomon, W, W, ++, P, M, M |
|
8.5 |
2004 |
DR![Color; AUDIO: Dolby, DTS, Dolby SR Color](icons/q-rgb.png) |
A Common Thread |
Éléonore Faucher, W, W, ++, P, M «Brodeuses» |
|
8.5 |
2003 |
DFanR![Color; Aspect: 1.85:1; Digital; AUDIO: Dolby SR Color](icons/d-rgb.png) |
Expiration |
Gavin Heffernan, W, P, P, M |
|
8.5 |
2001 |
D![Color (Technicolor); AUDIO: Dolby Color (Technicolor)](icons/q-rgb.png) |
Acts of Worship |
Rosemary Rodriguez, W, P, M |
|
8.5 |
2001 |
CFDR![Color; Aspect: 1.66:1; 35 mm; AUDIO: DTS Color](icons/rgb.png) |
Oui, mais... |
Yves Lavandier, W, P, M |
|
8.5 |
2000 |
D![Color; Video; Digital Video; AUDIO: Stereo Color](icons/v-rgb.png) |
First, Last and Deposit |
Peter Hyoguchi, W, W, P, M |
|
8.5 |
1999 |
D![Color; Aspect: 1.85:1; 35 mm (Fuji); Arriflex Cameras; AUDIO: Dolby Color](icons/rgb.png) |
Railroad Man |
Yasuo Furuhata, W, W, P, M «Poppoya» |
|
8.5 |
1992 |
CrRT![Color; Aspect: 2.35:1; 35 mm; CinemaScope; AUDIO: Stereo Color](icons/rgb.png) |
Roja |
Mani Ratnam, W, P, M |
|
8.5 |
1990 |
DSp![Color; Aspect: 1.85:1; 35 mm; AUDIO: Dolby Color](icons/rgb.png) |
Pastime |
Robin B. Armstrong, W, P, M |
|
8.5 |
1988 |
D![Color (Metrocolor); Aspect: 1.75:1; 35 mm; AUDIO: Dolby Color (Metrocolor)](icons/rgb.png) |
Pascali's Island |
James Dearden, W, W, P, M |
|
8.5 |
1986 |
D![Color (Eastmancolor); 35 mm; AUDIO: Dolby Color (Eastmancolor)](icons/rgb.png) |
Night of the Pencils |
Héctor Olivera, W, W, ++, P, M «La noche de los lápices» |
|
8.5 |
1983 |
D![Color; AUDIO: Mono Color](icons/q-rgb.png) |
Lianna |
John Sayles, W, P, M |
|
8.5 |
1981 |
D![Color (Technicolor); Aspect: 1.85:1; 35 mm; AUDIO: Mono Color (Technicolor)](icons/rgb.png) |
Three Brothers |
Francesco Rosi, W, W, ++, P, M «Tre fratelli» |
|
8.5 |
1979 |
AD![Color; Aspect: 2.35:1; 35 mm; Shawscope; AUDIO: Mono Color](icons/rgb.png) |
The Kid with the Golden Arm |
Cheh Chang, W, W, P, M «Jin bei tong» |
|
8.5 |
1978 |
D![Color (Metrocolor); Aspect: 1.85:1; 35 mm; Panavision Cameras and Lenses; AUDIO: Mono Color (Metrocolor)](icons/rgb.png) |
An Enemy of the People |
George Schaefer, W, W, ++, P, M |
|
8.5 |
1972 |
MlR![Color (Eastmancolor); AUDIO: Mono Color (Eastmancolor)](icons/q-rgb.png) |
Amar Prem |
Shakti Samanta, W, W, ++, P, M |
|
8.5 |
1972 |
CD![Color (Technicolor), Black and White (partial); Aspect: 1.44:1; 35 mm; AUDIO: Mono (RCA Sound System) Color (Technicolor), Black and White (partial)](icons/rgb-bw.png) |
Mera Naam Joker |
Raj Kapoor, W, ++, P, M, M |
|
8.5 |
1971 |
C![Black and White, Color; Aspect: 1.85:1; 35 mm; AUDIO: Mono Black and White, Color](icons/rgb-bw.png) |
Made for Each Other |
Robert B. Bean, W, W, P, M |
|
8.5 |
1968 |
DMlRC![Color; Color](icons/q-rgb.png) |
Padosan |
Jyoti Swaroop, W, P, M |
|
8.5 |
1959 |
DW![Black and White; Aspect: 1.66:1; 35 mm; AUDIO: Mono Black and White](icons/bw.png) |
Il Generale della Rovere |
Roberto Rossellini, W, W, ++, P, M «Il generale della Rovere» |
|
8.5 |
1936 |
D![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono Black and White](icons/bw.png) |
Hitori musuko |
Yasujirô Ozu, W, W, ++, P, M |
|
8.5 |
1932 |
DC![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono Black and White](icons/bw.png) |
Blessed Event |
Roy Del Ruth, W, W, ++, P |
|
8.5 |
1928 |
D![Color (Two-strip Technicolor), Black and White; Silent](icons/rgb-bw.png) |
The Wedding March |
Erich von Stroheim, W, W, P, P, P++, M, M, M++ |
|
8.4 |
2013 |
D![Color (35 mm version); Aspect: 2.35:1; Arriflex Cameras and Lenses Color (35 mm version)](icons/q-rgb.png) |
Listen... Amaya |
Avinash Kumar Singh, W, W, ++, P, M |
|
8.4 |
2009 |
D![Color; Red One Camera Color](icons/d-rgb.png) |
Earthwork |
Chris Ordal, W, P |
|
8.4 |
2004 |
D![Color; Aspect: 2.35:1 Color](icons/q-rgb.png) |
Des Hoyaa Pardes |
Manoj Punj, W, M |
|
8.4 |
2004 |
DH![Color; Aspect: 1.85:1; AUDIO: Dolby Digital Color](icons/q-rgb.png) |
The Spirit of Jeet Kune Do |
Ha Yoo, W, P, M «Maljukgeori janhoksa» |
|
8.4 |
2003 |
T![Color; Color](icons/q-rgb.png) |
Samay: When Time Strikes |
Robby Grewal, W, W, P, M |
|
8.4 |
2000 |
DR![Color; AUDIO: DTS, Dolby Digital Color](icons/q-rgb.png) |
Dhadkan |
Dharmesh Darshan, W, W, ++, P, M, M, M++ |
|
8.4 |
2000 |
DR![Color; Aspect: 1.85:1; 35 mm; AUDIO: Dolby Digital Color](icons/rgb.png) |
Restless |
Aku Louhimies, W, ++, P, M «Levottomat» |
|
8.4 |
1999 |
CD![Color; AUDIO: Mono Color](icons/q-rgb.png) |
Getting to Know You |
Lisanne Skyler, W, W, ++, P, M, M |
|
8.4 |
1999 |
D![Color; 35 mm Color](icons/rgb.png) |
The Dream Catcher |
Ed Radtke, W, W, P, M |
|
8.4 |
1998 |
DT![Black and White, Color; AUDIO: Stereo, Dolby Digital Black and White, Color](icons/rgb-bw.png) |
Miss Monday |
Benson Lee, W, W, P, M |
|
8.4 |
1991 |
D![Color; 35 mm; AUDIO: Mono Color](icons/rgb.png) |
The Boy Who Cried Bitch |
Juan José Campanella, W, P, M |
|
8.4 |
1990 |
D![Color (Eastmancolor); Aspect: 1.66:1; 35 mm; AUDIO: Dolby Color (Eastmancolor)](icons/rgb.png) |
Everybody's Fine |
Giuseppe Tornatore, W, W, ++, P, M «Stanno tutti bene» |
|
8.4 |
1988 |
ACrT![Color; Aspect: 1.85:1; 35 mm; AUDIO: Mono Color](icons/rgb.png) |
The Big Heat |
Yeung-Wah Kam, Johnnie To, ++, W, M, M «Seng fat dak ging» |
|
8.4 |
1984 |
D![Color (Eastmancolor); Aspect: 1.66:1; 35 mm; Panavision Cameras and Lenses; AUDIO: Mono Color (Eastmancolor)](icons/rgb.png) |
A Sunday in the Country |
Bertrand Tavernier, W, W, ++, P «Un dimanche à la campagne» |
|
8.4 |
1980 |
AAdCrDT![Color; AUDIO: Stereo Color](icons/q-rgb.png) |
Shaan |
Ramesh Sippy, W, W, P, M |
|
8.4 |
1976 |
DF![Color; Aspect: 1.85:1; 35 mm; AUDIO: Dolby Digital Color](icons/rgb.png) |
Storm Boy |
Henri Safran, W, W, ++, P, M |
|
8.4 |
1975 |
MlR![Color; Color](icons/q-rgb.png) |
Mausam |
Gulzar, W, W, ++, P, M |
|
8.4 |
1971 |
D![Color (Technicolor); 35 mm; AUDIO: Mono Color (Technicolor)](icons/rgb.png) |
T.R. Baskin |
Herbert Ross, W, P, M |
|
8.4 |
1967 |
CR![Color; Aspect: 1.37:1; 35 mm; AUDIO: Mono Color](icons/rgb.png) |
Kidnapping, Caucasian Style |
Leonid Gayday, W, W, ++, P, M «Kavkazskaya plennitsa, ili Novye priklyucheniya Shurika» |
|
8.4 |
1965 |
DR![Black and White; 35 mm; AUDIO: Mono (Westrex Recording System) Black and White](icons/bw.png) |
Wild Seed |
Brian G. Hutton, W, W, P, M |
|
8.4 |
1963 |
AAdDHRW![Color; Aspect: 2.35:1; 35 mm; Ultrascope; AUDIO: Mono Color](icons/rgb.png) |
El Naser Salah el Dine |
Youssef Chahine, W, W, ++, P, M |
|
8.4 |
1960 |
CDR![Color (Technicolor); Aspect: 1.85:1; 35 mm; AUDIO: Mono (RCA Recording System) Color (Technicolor)](icons/rgb.png) |
Once More, with Feeling! |
Stanley Donen, W, P |
|
8.4 |
1959 |
DHW![Black and White; Aspect: 2.35:1; 35 mm; Shochiku Grandscope; AUDIO: Mono Black and White](icons/bw.png) |
The Human Condition II: Road to Eternity |
Masaki Kobayashi, W, W, ++, P, M «Ningen no jôken» |
|
8.4 |
1951 |
D![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono Black and White](icons/bw.png) |
Death of a Salesman |
Laslo Benedek, W, W, P, M |
|
8.4 |
1944 |
AdDR![Color (Technicolor); Aspect: 1.37:1; 35 mm; AUDIO: Mono Color (Technicolor)](icons/rgb.png) |
Frenchman's Creek |
Mitchell Leisen, W, W, P, P, M |
|
8.4 |
1938 |
AdH![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Mirrophonic Recording) Black and White](icons/bw.png) |
If I Were King |
Frank Lloyd, W, W, P, M |
|
8.3 |
2014 |
T![Color; Color](icons/q-rgb.png) |
Black Fly |
Jason Bourque, W, P, M |
|
8.3 |
2014 |
C![Color; Color](icons/q-rgb.png) |
Cinema Purgatorio |
Chris White, W, W, ++, P, M |
|
8.3 |
2013 |
DH![Color; Color](icons/q-rgb.png) |
Ephraim's Rescue |
T.C. Christensen, W, P |
|
8.3 |
2013 |
CT![Color; Color](icons/q-rgb.png) |
Soodhu Kavvum |
Nalan Kumarasamy, W, W, P, M |
|
8.3 |
2012 |
CDF![Color; Color](icons/q-rgb.png) |
God's Country |
Chris Armstrong, W, W, ++, P |
|
8.3 |
2012 |
C![Color; Aspect: 1.78:1 Color](icons/q-rgb.png) |
My Uncle Rafael |
Marc Fusco, W, W, ++, P, M, M |
|
8.3 |
2009 |
D![Color; Aspect: 2.35:1; AUDIO: Dolby Digital Color](icons/q-rgb.png) |
Brotherhood |
Nicolo Donato, W, W, P, M «Broderskab» |
|
8.3 |
2007 |
CD![Color; Aspect: 2.35:1; Hawk Scope; Hawk Anamorphic Lenses Color](icons/q-rgb.png) |
The Rest is Silence |
Nae Caranfil, W, P, M «Restul e tacere» |
|
8.3 |
2006 |
C![Color; Aspect: 1.85:1; AUDIO: Dolby Digital Color](icons/q-rgb.png) |
Cross Eyed |
Adam Jones, W, P, P, M |
|
8.3 |
2005 |
D![Color; Color](icons/q-rgb.png) |
Night People |
Adrian Mead, W, W, P, M |
|
8.3 |
2001 |
D![Color; Color](icons/q-rgb.png) |
Jet Boy |
Dave Schultz, W, P, M, M |
|
8.3 |
2001 |
AD![Color; 35 mm; AUDIO: Dolby Digital Color](icons/rgb.png) |
MacArthur Park |
Billy Wirth, W, ++, P, M, M |
|
8.3 |
2000 |
C![Black and White, Color; Aspect: 2.35:1; 35 mm; Panavision (anamorphic); Panavision Cameras and Lenses; AUDIO: DTS Black and White, Color](icons/rgb-bw.png) |
Compassionate Sex |
Laura Mañá, W, P, M, M «Sexo por compasión» |
|
8.3 |
2000 |
RSf![Color; Color](icons/q-rgb.png) |
Ditto |
Jeong-kwon Kim, W, P, M «Donggam» |
|
8.3 |
2000 |
DFanHoMR![Color; AUDIO: Dolby Digital Color](icons/q-rgb.png) |
Wild Flowers |
F.A. Brabec, W, W, ++, P, M, M «Kytice» |
|
8.3 |
1999 |
DC![Color; Aspect: 1.85:1; Video (PAL); DV; Sony DCR-TRV900; AUDIO: Dolby Digital Color](icons/v-rgb.png) |
Enlightenment Guaranteed |
Doris Dörrie, W, W, P «Erleuchtung garantiert» |
|
8.3 |
1999 |
CDR![Color; Aspect: 1.85:1; 35 mm (Kodak); Digital Intermediate (master format) Spherical (source format); Arriflex Cameras and Lenses; AUDIO: Dolby Digital Color](icons/rgb.png) |
King of Comedy |
Stephen Chow, Lik-Chi Lee, W, W, ++, P, M, M «Hei kek ji wong» |
|
8.3 |
1999 |
D![Color; Color](icons/q-rgb.png) |
The Tic Code |
Gary Winick, W, P, M |
|
8.3 |
1999 |
AD![Color; AUDIO: DTS Color](icons/q-rgb.png) |
Vaastav: The Reality |
Mahesh Manjrekar, W, W, ++, P, M, M, M++ |
|
8.3 |
1997 |
ACrDR![Color; Color](icons/q-rgb.png) |
Sara |
Maciej Slesicki, W, P |
|
8.3 |
1996 |
D![Color; Aspect: 1.85:1; 35 mm; Arriflex Cameras; AUDIO: Dolby Color](icons/rgb.png) |
Hollow Reed |
Angela Pope, W, W, P, M |
|
8.3 |
1992 |
CD![Black and White; Aspect: 1.66:1; AUDIO: Mono Black and White](icons/bw.png) |
In the Soup |
Alexandre Rockwell, W, W, P, M |
|
8.3 |
1992 |
CR![Color; Aspect: 1.85:1; 35 mm; Panavision Cameras and Lenses; AUDIO: Dolby Color](icons/rgb.png) |
The Opposite Sex and How to Live with Them |
Matthew Meshekoff, W, P, M |
|
8.3 |
1989 |
BDHSpW![Black and White (archive footage), Color; Aspect: 1.85:1; 35 mm (Eastman 400T 5295); Aaton 35-III, Panavision Primo Lenses Panavision Panaflex Gold, Panavision Primo Lenses; AUDIO: Dolby SR Black and White (archive footage), Color](icons/rgb-bw.png) |
Triumph of the Spirit |
Robert M. Young, W, W, ++, P, M |
|
8.3 |
1986 |
Ad![Color; Aspect: 2.35:1; 35 mm; Super 35; Arriflex Cameras; AUDIO: Digitrac Digital Audio System Color](icons/rgb.png) |
Where the River Runs Black |
Christopher Cain, W, W, ++, P, M |
|
8.3 |
1982 |
D![Color; Aspect: 1.85:1; AUDIO: Mono Color](icons/q-rgb.png) |
Volver a empezar |
José Luis Garci, W, ++, P |
|
8.3 |
1981 |
AAdCD![Color (Eastmancolor); AUDIO: Mono Color (Eastmancolor)](icons/q-rgb.png) |
Goodbye Pork Pie |
Geoff Murphy, W, W, P, M |
|
8.3 |
1980 |
ADMcR![Color; Aspect: 2.35:1; 35 mm; Todd-AO 35; AUDIO: Mono Color](icons/rgb.png) |
Stunt Rock |
Brian Trenchard-Smith, W, W, P, P, M |
|
8.3 |
1972 |
DHW![Black and White, Color; Aspect: 2.35:1; 35 mm; Sovscope; AUDIO: Mono Black and White, Color](icons/rgb-bw.png) |
The Dawns Here are Quiet |
Stanislav Rostotsky, W, W, P, M «A zori zdes tikhie» |
|
8.3 |
1967 |
FanCR![Color (Metrocolor); Aspect: 2.35:1; 35 mm; Franscope; AUDIO: Mono Color (Metrocolor)](icons/rgb.png) |
More Than a Miracle |
Francesco Rosi, W, W, ++, P, M «C'era una volta..» |
|
8.3 |
1960 |
AAdDF![Color (Technicolor); Aspect: 1.75:1; 35 mm; AUDIO: Mono (RCA Sound Recording) Color (Technicolor)](icons/rgb.png) |
Kidnapped |
Robert Stevenson, W, ++, P, M |
|
8.3 |
1950 |
C![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (RCA Sound System) Black and White](icons/bw.png) |
The Magnet |
Charles Frend, W, P, M |
|
8.3 |
1922 |
DR![Black and White; Silent](icons/bw.png) |
Tess of the Storm Country |
John S. Robertson, W, W, ++, P, M |
|
8.2 |
2014 |
F![Color; Atomos Ninja 2 Nikon D800 (1080p/30) Color](icons/q-rgb.png) |
Waterfall 1: No Words, No Sex, Just Relax |
Volker Bossert, P |
|
8.2 |
2012 |
AT![Color; Aspect: 1.78:1 Color](icons/q-rgb.png) |
Pseudo |
Gursimran Dhillon, W, W, P, M |
|
8.2 |
2009 |
CD![Color; Aspect: 1.33:1; Video (HDTV); DVC Pro HD (720p/24) (source format) Digital Intermediate (master format) HDCAM SR (1080p/24) (source format); Canon GL-1 Panasonic AG-DVX100A Panasonic AJ-SDX900 Panasonic PV-DV103 Color](icons/h-rgb.png) |
Archie's Final Project |
David Lee Miller, W, ++, P, P, M «My Suicide» |
|
8.2 |
2005 |
DSp![Color; Aspect: 2.35:1; 35 mm; AUDIO: Dolby Digital Color](icons/rgb.png) |
Crying Fist |
Seung-wan Ryoo, W, W, M «Jumeogi unda» |
|
8.2 |
2005 |
D![Color; Aspect: 1.85:1; 35 mm; AUDIO: Dolby Digital Color](icons/rgb.png) |
The Willow Tree |
Majid Majidi, W, ++, P, P, M «Beed-e majnoon» |
|
8.2 |
2003 |
C![Color; Color](icons/q-rgb.png) |
Perico ripiao |
Ángel Muñiz, W, W, P, M |
|
8.2 |
2002 |
AdCR![Color; Aspect: 1.85:1; 35 mm; AUDIO: DTS, Dolby Digital Color](icons/rgb.png) |
A Kind of America |
Gábor Herendi, W, W, P, M «Valami Amerika» |
|
8.2 |
2002 |
DF![Color; Aspect: 1.85:1; 16 mm 35 mm; Digital Intermediate (master format) Super 16 (source format) Spherical; AUDIO: DTS, Dolby Digital Color](icons/rgb.png) |
Elina: As If I Wasn't There |
Klaus Härö, W, W, ++, P, M «Elina - Som om jag inte fanns» |
|
8.2 |
2001 |
DC![Color; Aspect: 2.35:1; Video (HD); HDCAM (1080p/24); Sony CineAlta HDW-F900, Canon Lenses; AUDIO: Dolby Color](icons/h-rgb.png) |
Jackpot |
Michael Polish, W, W, P, M |
|
8.2 |
2001 |
DRW![Color; Aspect: 2.35:1; 35 mm; Super 35; AUDIO: Dolby Digital Color](icons/rgb.png) |
The Officer's Ward |
François Dupeyron, W, W, P, M «La chambre des officiers» |
|
8.2 |
2000 |
D![Color; AUDIO: Dolby Digital Color](icons/q-rgb.png) |
The Bench |
Per Fly, W, W, P, M «Bænken» |
|
8.2 |
1998 |
ACMl![Color; AUDIO: DTS Color](icons/q-rgb.png) |
Bade Miyan Chote Miyan |
David Dhawan, W, P, M |
|
8.2 |
1998 |
TD![Color; 35 mm; AUDIO: Stereo Color](icons/rgb.png) |
Dead by Dawn |
James Salisbury, W, M |
|
8.2 |
1998 |
D![Color; AUDIO: Dolby Color](icons/q-rgb.png) |
La vendedora de rosas |
Víctor Gaviria, W, W, P, P, M |
|
8.2 |
1997 |
DHR![Color; Aspect: 2.35:1; 35 mm (Fuji); Panavision (anamorphic); Panavision Cameras and Lenses; AUDIO: Dolby Digital Color](icons/rgb.png) |
The Soong Sisters |
Mabel Cheung, W, P, M, M «Song jia huang chao» |
|
8.2 |
1996 |
AD![Color; Aspect: 2.35:1; AUDIO: DTS Color](icons/q-rgb.png) |
Indian |
S. Shankar, W, ++, P, M |
|
8.2 |
1992 |
BDH![Color; Aspect: 1.66:1; 35 mm (Kodak); AUDIO: Dolby SR Color](icons/rgb.png) |
Daens |
Stijn Coninx, W, W, ++, P, M |
|
8.2 |
1988 |
DFan![Color; Aspect: 1.85:1; 35 mm; AUDIO: Dolby Color](icons/rgb.png) |
Da |
Matt Clark, W, P, M |
|
8.2 |
1984 |
D![Color; Aspect: 1.85:1; 35 mm; AUDIO: Mono Color](icons/rgb.png) |
Misunderstood |
Jerry Schatzberg, W, W, P, M |
|
8.2 |
1983 |
BDW![Color (Eastmancolor); Aspect: 2.35:1; 35 mm; Panavision (anamorphic); AUDIO: Mono Color (Eastmancolor)](icons/rgb.png) |
Entre Nous |
Diane Kurys, W, ++, P, M «Coup de foudre» |
|
8.2 |
1982 |
FD![Color (Technicolor); 35 mm; AUDIO: Dolby Color (Technicolor)](icons/rgb.png) |
Night Crossing |
Delbert Mann, W, P, M |
|
8.2 |
1981 |
D![Color; Aspect: 1.85:1; 35 mm; AUDIO: Mono Color](icons/rgb.png) |
Ticket to Heaven |
Ralph L. Thomas, W, W, ++, P, M, M |
|
8.2 |
1973 |
D![Color; Aspect: 1.66:1; 35 mm; AUDIO: Mono Color](icons/rgb.png) |
Payday |
Daryl Duke, W, P, M, M, M++ |
|
8.2 |
1969 |
D![Black and White; 35 mm; AUDIO: Mono Black and White](icons/bw.png) |
Funeral Procession of Roses |
Toshio Matsumoto, W, P, M «Bara no sôretsu» |
|
8.2 |
1960 |
D![Black and White; Aspect: 2.35:1; 35 mm; CinemaScope; Bausch & Lomb Lenses; AUDIO: Mono (Westrex Recording System) Black and White](icons/bw.png) |
Sons and Lovers |
Jack Cardiff, W, W, ++, P, M |
|
8.2 |
1956 |
D![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono Black and White](icons/bw.png) |
Gervaise |
René Clément, W, W, ++, P, M |
|
8.2 |
1940 |
DF![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Mirrophonic Recording) Black and White](icons/bw.png) |
The Biscuit Eater |
Stuart Heisler, W, W, ++, P, M |
|
8.2 |
1933 |
DR![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (RCA Victor System) Black and White](icons/bw.png) |
The Silver Cord |
John Cromwell, W, W, P, M |
|
8.2 |
1926 |
DR![Black and White; Silent](icons/bw.png) |
Bardelys the Magnificent |
King Vidor, W, W, P, M, M |
|
8.1 |
2014 |
Ho![Color; Color](icons/q-rgb.png) |
Charlie's Farm |
Chris Sun, W, P, M |
|
8.1 |
2013 |
D![Color; Redcode RAW; Digital Intermediate (master format) Redcode RAW (5K) (source format); Red Epic; AUDIO: Dolby Color](icons/d-rgb.png) |
King's Faith |
Nicholas DiBella, W, W, P, M, M |
|
8.1 |
2012 |
F![Color; Aspect: 2.35:1 Color](icons/q-rgb.png) |
Balak Palak |
Ravi Jadhav, W, W, P, M, M |
|
8.1 |
2010 |
CDR![Color; Aspect: 1.78:1 Color](icons/q-rgb.png) |
I Wish I Were Stephanie V |
Jon Cohen, W, P, M |
|
8.1 |
2010 |
D![Color; Aspect: 1.85:1; 35 mm (Kodak Vision3 500T 5219, Fuji Eterna 400T 8583); Digital Intermediate (2K) (master format) Spherical (source format); Arricam LT, Cooke and Angenieux Lenses Arricam ST, Cooke and Angenieux Lenses; AUDIO: Dolby Digital Color](icons/rgb.png) |
Ocean Paradise |
Xiao Lu Xue, W, P, M «Haiyang tiantang» |
|
8.1 |
2009 |
D![Color; Aspect: 1.85:1 Color](icons/q-rgb.png) |
Sezon tumanov |
Anna Tchernakova, W, W, P, M |
|
8.1 |
2006 |
MlD![Color; Color](icons/q-rgb.png) |
Banaras |
Pankaj Parashar, W, W, P, M |
|
8.1 |
2006 |
DR![Color; Arriflex 435, Hawk Lenses Color](icons/q-rgb.png) |
Bommarillu |
Bhaskar, W, W, ++, P, M |
|
8.1 |
2005 |
MlW![Color; Aspect: 1.85:1; 16 mm 35 mm Video (HDTV); HDCAM (HDTV segments) Spherical (35 mm segments) Super 16 (16 mm segments); AUDIO: Dolby Digital Color](icons/rgb.png) |
Bosta |
Philippe Aractingi, W, P, M, M, M |
|
8.1 |
2003 |
CDMc![Color; Color](icons/q-rgb.png) |
Hey DJ |
Migel Delgado, Jon Jacobs, W, P, M |
|
8.1 |
1999 |
DR![Color; Aspect: 1.85:1; AUDIO: Dolby SR, DTS Color](icons/q-rgb.png) |
Bad Company |
Jean-Pierre Améris, W, P «Mauvaises fréquentations» |
|
8.1 |
1998 |
ACrDT![Color; Aspect: 1.85:1; 35 mm; AUDIO: Dolby Color](icons/rgb.png) |
No Code of Conduct |
Bret Michaels, W, W, ++, P, M, M |
|
8.1 |
1998 |
FD![Color; 35 mm; AUDIO: Stereo Color](icons/rgb.png) |
Owd Bob |
Rodney Gibbons, W, W, M |
|
8.1 |
1998 |
DTCrA![Color; Aspect: 2.35:1; 35 mm; Super 35 Technovision (anamorphic); Arriflex 35 BL4, Technovision Anamorphic Lenses Arriflex 35 III, Technovision Anamorphic Lenses; AUDIO: Mono Color](icons/rgb.png) |
The Longest Nite |
Tat-Chi Yau, W, W, P, M «Am faa» |
|
8.1 |
1997 |
D![Color; Aspect: 1.78:1; Video; DV Color](icons/v-rgb.png) |
Dancehall Queen |
Rick Elgood, Don Letts, W, W, ++, P, M |
|
8.1 |
1995 |
CCr![Color; Aspect: 1.85:1; 35 mm (Eastman Kodak); AUDIO: Dolby Color](icons/rgb.png) |
Palookaville |
Alan Taylor, W, P, M |
|
8.1 |
1975 |
![Color; AUDIO: Stereo (Western Electric Sound System) Color](icons/q-rgb.png) |
Rime of the Ancient Mariner |
Raul daSilva, W, W, ++, P, P, P++ |
|
8.1 |
1974 |
DT![Color (Eastmancolor); Aspect: 1.66:1; 35 mm; AUDIO: Mono Color (Eastmancolor)](icons/rgb.png) |
Eugenie Sex Happening |
Jesús Franco, W, W, P, M «Eugénie» |
|
8.1 |
1972 |
ACrDT![Color (Technicolor); Aspect: 2.35:1; 35 mm; Panavision (anamorphic); AUDIO: Mono Color (Technicolor)](icons/rgb.png) |
Fear Is the Key |
Michael Tuchner, W, W, P, M |
|
8.1 |
1970 |
FC![Color (Technicolor); Aspect: 1.66:1; 35 mm; AUDIO: Mono (RCA Sound Recording) Color (Technicolor)](icons/rgb.png) |
The Boatniks |
Norman Tokar, W, W, P, M |
|
8.1 |
1970 |
DT![Black and White; 35 mm; AUDIO: Mono Black and White](icons/bw.png) |
The Ear |
Karel Kachyna, W, W, ++, P, M «Ucho» |
|
8.1 |
1963 |
CACr![Black and White; Aspect: 1.66:1; 35 mm; AUDIO: Mono Black and White](icons/bw.png) |
Monsieur Gangster |
Georges Lautner, W, W, ++, P, M «Les tontons flingueurs» |
|
8.1 |
1959 |
DMT![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono Black and White](icons/bw.png) |
Night Train |
Jerzy Kawalerowicz, W, W, P, M «Pociag» |
|
8.1 |
1958 |
CD![Color (Agfacolor); 35 mm; AUDIO: Mono Color (Agfacolor)](icons/rgb.png) |
Equinox Flower |
Yasujirô Ozu, W, W, ++, P, M «Higanbana» |
|
8.1 |
1958 |
CrTD![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono Black and White](icons/bw.png) |
It Happened in Broad Daylight |
Ladislao Vajda, W, ++, P, M «Es geschah am hellichten Tag» |
|
8.1 |
1956 |
C![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Sound System) Black and White](icons/bw.png) |
Four Bags Full |
Claude Autant-Lara, W, W, ++, P, M «La traversée de Paris» |
|
8.1 |
1952 |
D![Color (Technicolor); Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Recording) Color (Technicolor)](icons/rgb.png) |
Wait Till the Sun Shines, Nellie |
Henry King, W, W, ++, P, M |
|
8.1 |
1951 |
C![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono Black and White](icons/bw.png) |
Laughter in Paradise |
Mario Zampi, W, W, P, M |
|
8.1 |
1950 |
D![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Recording) Black and White](icons/bw.png) |
The Mudlark |
Jean Negulesco, W, W, P, M |
|
8.1 |
1949 |
BMc![Color (Technicolor); Aspect: 1.37:1; 35 mm; AUDIO: Mono, Mono (Western Electric Recording) Color (Technicolor)](icons/rgb.png) |
Jolson Sings Again |
Henry Levin, W, P, M |
|
8.1 |
1947 |
BMl![Color (Technicolor); Aspect: 1.37:1; 35 mm; AUDIO: Mono (RCA Sound System) Color (Technicolor)](icons/rgb.png) |
My Wild Irish Rose |
David Butler, W, W, ++, P, P |
|
8.1 |
1931 |
C![Black and White; Aspect: 1.20:1; 35 mm; AUDIO: Mono (Western Electric Noiseless Recording) Black and White](icons/bw.png) |
Girls About Town |
George Cukor, W, W, ++, P, M |