|
8.0 |
2013 |
ACrT![Color; Color](icons/q-rgb.png) |
On the Job |
Erik Matti, W, W, P, M |
|
8.0 |
2012 |
D![Color; AUDIO: Dolby Digital Color](icons/q-rgb.png) |
The Other Son |
Lorraine Levy, W, W, ++, P «Le fils de l'autre» |
|
8.0 |
2011 |
D![Color; Color](icons/q-rgb.png) |
Shuffle |
Kurt Kuenne, W, P, M |
|
8.0 |
2010 |
AdCDHRSp![Color; Aspect: 1.78:1; AUDIO: Dolby Digital Color](icons/q-rgb.png) |
Montevideo: Taste of a Dream |
Dragan Bjelogrlic, W, W, ++, P, M «Montevideo, Bog te video!» |
|
8.0 |
2010 |
BD![Color; Aspect: 2.35:1; 35 mm (Fuji Eterna Vivid 160T 8543, Eterna Vivid 500T 8547); Digital Intermediate (2K) (master format) Techniscope (source format); Aaton Penelope; AUDIO: Dolby Digital Color](icons/rgb.png) |
The First Grader |
Justin Chadwick, W, P, M |
|
8.0 |
2006 |
BD![Color; Aspect: 1.85:1; Arriflex 16SR 3 Arriflex Cameras Color](icons/q-rgb.png) |
The Bondage |
Eric Allen Bell, W, P, M «Bondage» |
|
8.0 |
2004 |
DF![Color; Aspect: 1.85:1; Video (HDTV); HDTV (1080p/24); AUDIO: Dolby Digital Color](icons/h-rgb.png) |
Benji: Off the Leash! |
Joe Camp, W, P, M |
|
8.0 |
2004 |
D![Color; Aspect: 2.35:1; 35 mm; (anamorphic); AUDIO: Dolby Digital, DTS Color](icons/rgb.png) |
Dev |
Govind Nihalani, W, W, ++, P, M, M |
|
8.0 |
2003 |
CDR![Color; AUDIO: Dolby Digital Color](icons/q-rgb.png) |
An American Reunion |
Jim Fitzpatrick, W, P, M |
|
8.0 |
2003 |
AdCR![Color; Color](icons/q-rgb.png) |
Rice Girl |
Michael Fischa, W, P |
|
8.0 |
2001 |
CDM![Color; 35 mm; AUDIO: Stereo Color](icons/rgb.png) |
Almost Salinas |
Terry Green, W, P, M |
|
8.0 |
2001 |
CDF![Color; Aspect: 1.66:1; 35 mm (Kodak Vision 200T 5274, Vision 500T 5279, Vision Expression 500T 5284, Vision 800T 5289); Moviecam Compact, Zeiss Super Speed and Angenieux HR Lenses; AUDIO: Dolby Digital Color](icons/rgb.png) |
Autumn Spring |
Vladimír Michálek, W, P, M «Babí léto» |
|
8.0 |
2001 |
DR![Color; AUDIO: Dolby Digital Color](icons/q-rgb.png) |
Tum Bin...: Love Will Find a Way |
Anubhav Sinha, W, W, P, M, M, M |
|
8.0 |
1999 |
CR![Color; Aspect: 1.85:1; 35 mm; AUDIO: Dolby Color](icons/rgb.png) |
Sun Alley |
Leander Haußmann, W, W, ++, P, M, M «Sonnenallee» |
|
8.0 |
1996 |
|
American Job |
Chris Smith, W, W, ++, P |
|
8.0 |
1991 |
CDR![Color (Eastmancolor); Aspect: 1.85:1; 35 mm; AUDIO: Dolby Color (Eastmancolor)](icons/rgb.png) |
High Heels |
Pedro Almodóvar, W, P, M «Tacones lejanos» |
|
8.0 |
1987 |
FFanMlR![Color; 35 mm; AUDIO: Dolby Color](icons/rgb.png) |
Snow White |
Michael Berz, W, W, ++, P, M |
|
8.0 |
1983 |
CrD![Color; AUDIO: Mono Color](icons/q-rgb.png) |
Ardh Satya |
Govind Nihalani, W, W, ++, P, M |
|
8.0 |
1982 |
D![Black and White; Aspect: 1.66:1; 35 mm; AUDIO: Mono Black and White](icons/bw.png) |
Veronika Voss |
Rainer Werner Fassbinder, W, W, ++, P, M «Die Sehnsucht der Veronika Voss» |
|
8.0 |
1981 |
CDR![Color; Aspect: 1.66:1; 35 mm; AUDIO: Dolby Color](icons/rgb.png) |
Do You Remember Dolly Bell? |
Emir Kusturica, W, W, P, P, M «Sjecas Li Se, Dolly Bell» |
|
8.0 |
1981 |
AdT![Color (Metrocolor); Aspect: 2.35:1; 35 mm; Panavision (anamorphic); Panavision Cameras and Lenses; AUDIO: Dolby Color (Metrocolor)](icons/rgb.png) |
Roar |
Noel Marshall, W, W, P, M |
|
8.0 |
1979 |
CD![Color; 35 mm; AUDIO: Mono Color](icons/rgb.png) |
French Postcards |
Willard Huyck, W, W, P, M |
|
8.0 |
1977 |
D![Color (Eastmancolor); Aspect: 1.66:1; 35 mm; AUDIO: Mono Color (Eastmancolor)](icons/rgb.png) |
Iphigenia |
Mihalis Kakogiannis, W, W, P, M «Ifigeneia» |
|
8.0 |
1977 |
D![Color; Aspect: 1.85:1; 35 mm; AUDIO: Mono Color](icons/rgb.png) |
Short Eyes |
Robert M. Young, W, P, M |
|
8.0 |
1975 |
D![Color (Eastmancolor); Aspect: 1.85:1; AUDIO: Mono Color (Eastmancolor)](icons/q-rgb.png) |
The Man in the Glass Booth |
Arthur Hiller, W, ++, P |
|
8.0 |
1974 |
CD![Color (Technicolor); 35 mm; AUDIO: Mono Color (Technicolor)](icons/rgb.png) |
Scent of a Woman |
Dino Risi, W, W, ++, P, M «Profumo di donna» |
|
8.0 |
1969 |
CDHoT![Black and White; Aspect: 1.66:1; 35 mm; AUDIO: Mono Black and White](icons/bw.png) |
The Cremator |
Juraj Herz, W, ++, P, M «Spalovac mrtvol» |
|
8.0 |
1966 |
FFan![Color (Eastmancolor); 35 mm; AUDIO: Mono Color (Eastmancolor)](icons/rgb.png) |
The Christmas That Almost Wasn't |
Rossano Brazzi, W, W, P, M «Il Natale che quasi non fu» |
|
8.0 |
1964 |
DM![Color (Technicolor); Aspect: 1.85:1; 35 mm; AUDIO: Mono (Westrex Recording System) Color (Technicolor)](icons/rgb.png) |
The Chalk Garden |
Ronald Neame, W, W, P, M |
|
8.0 |
1962 |
CCrD![Black and White; Aspect: 1.85:1; 35 mm; AUDIO: Mono (Westrex Recording System) Black and White](icons/bw.png) |
Mafioso |
Alberto Lattuada, W, W, ++, P, M |
|
8.0 |
1959 |
D![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono Black and White](icons/bw.png) |
Nazarin |
Luis Buñuel, W, W, ++, P, M «Nazarín» |
|
8.0 |
1959 |
DHW![Black and White; Aspect: 2.35:1; 35 mm; Shochiku Grandscope; AUDIO: Mono Black and White](icons/bw.png) |
The Human Condition I: No Greater Love |
Masaki Kobayashi, W, W, ++, P, M «Ningen no jôken» |
|
8.0 |
1950 |
C![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono Black and White](icons/bw.png) |
The Happiest Days of Your Life |
Frank Launder, W, W, P, M |
|
7.9 |
2014 |
CD![Color; AUDIO: Dolby Digital (Frantz Emile) Color](icons/q-rgb.png) |
Against the Jab |
Patrick Jerome, W, P, M, M, M |
|
7.9 |
2014 |
D![Color; Aspect: 2.35:1 Color](icons/q-rgb.png) |
Punjab 1984 |
Anurag Singh, W, W, P, M, M |
|
7.9 |
2014 |
CDR![Color; Color](icons/q-rgb.png) |
The Right Juice |
Kristjan Knigge, W, W, P, M |
|
7.9 |
2011 |
T![Color; Aspect: 1.78:1; Digital Intermediate; Panasonic AJ-HPX3000; AUDIO: Dolby SR Color](icons/d-rgb.png) |
Next Door to the Velinsky's |
Darren K. Hawkins, W, W, ++, P, M |
|
7.9 |
2009 |
D![Color; Color](icons/q-rgb.png) |
For Love of Amy |
Ted Lange, W, P, M |
|
7.9 |
2008 |
CD![Color; Aspect: 1.85:1; 35 mm; Arriflex Cameras; AUDIO: Dolby Digital Color](icons/rgb.png) |
Mid-August Lunch |
Gianni Di Gregorio, W, W, ++, P, M «Pranzo di ferragosto» |
|
7.9 |
2007 |
DH![Color; Color](icons/q-rgb.png) |
Dharm |
Bhavna Talwar, W, W, P |
|
7.9 |
2006 |
CDR![Color; Color](icons/q-rgb.png) |
Premium |
Pete Chatmon, W, P, M |
|
7.9 |
2006 |
D![Color; Aspect: 1.85:1; Video (HDTV); Digital Intermediate (master format) HDCAM (source format); Sony HDW-F900; AUDIO: Dolby Digital Color](icons/h-rgb.png) |
Stephanie Daley |
Hilary Brougher, W, P, M |
|
7.9 |
2004 |
D![Color; 35 mm; AUDIO: Dolby Digital Color](icons/rgb.png) |
Captive |
Gaston Biraben, W, P, P, M «Cautiva» |
|
7.9 |
2004 |
DSp![Color; AUDIO: Dolby Digital Color](icons/q-rgb.png) |
Mickey |
Hugh Wilson, W, M |
|
7.9 |
2004 |
D![Color; Color](icons/q-rgb.png) |
On the Outs |
Lori Silverbush, Michael Skolnik, W, P, M, M |
|
7.9 |
2002 |
D![Color; Aspect: 1.85:1; 35 mm; AUDIO: Dolby Digital, SDDS Color](icons/rgb.png) |
Big Girls Don't Cry |
Maria von Heland, W, P, M, M «Große Mädchen weinen nicht» |
|
7.9 |
2002 |
CrDT![Color (Technicolor); 35 mm; AUDIO: Dolby SR Color (Technicolor)](icons/rgb.png) |
Red Bear |
Adrián Caetano, W, W, ++, P, M, M «Un oso rojo» |
|
7.9 |
2002 |
D![Color; Aspect: 1.85:1; 8 mm; Super 8; AUDIO: 4-Track Stereo Color](icons/rgb.png) |
Sleep Always |
Rick Palidwor, Mitch Perkins, W, P |
|
7.9 |
2001 |
CD![Color; 35 mm; AUDIO: DTS Color](icons/rgb.png) |
Pauline and Paulette |
Lieven Debrauwer, W, W, P, M «Pauline & Paulette» |
|
7.9 |
2000 |
ACCrFan![Color; AUDIO: DTS Color](icons/q-rgb.png) |
Space Travelers |
Katsuyuki Motohiro, W, W, P, M «Supêsutoraberâzu» |
|
7.9 |
1998 |
CrDT![Color; Aspect: 1.85:1; 35 mm; AUDIO: Dolby SR Color](icons/rgb.png) |
Short Sharp Shock |
Fatih Akin, W, P, M «Kurz und schmerzlos» |
|
7.9 |
1997 |
AdD![Color; Aspect: 1.85:1; 35 mm (Eastman EXR 50D 5245, EXR 200T 5293, EXR 500T 5298); Arriflex 35 BL4, Zeiss Standard Speed, Cooke Cinetal and Nikkor Lenses Arriflex 35-III, Zeiss Standard Speed, Cooke Cinetal and Nikkor Lenses Arriflex 535, Zeiss Standard Speed, Cooke Cinetal and Nikkor Lenses; AUDIO: Dolby Digital Color](icons/rgb.png) |
Passion in the Desert |
Lavinia Currier, W, W, ++, P, M |
|
7.9 |
1996 |
CD![Color (Technicolor); Aspect: 1.85:1; 35 mm; Arriflex BL II; AUDIO: Dolby, Dolby SR Color (Technicolor)](icons/rgb.png) |
Drifting Clouds |
Aki Kaurismäki, W, P, M «Kauas pilvet karkaavat» |
|
7.9 |
1996 |
CCrR![Color (Eastmancolor); Aspect: 1.85:1; 35 mm; Arriflex 535; AUDIO: Dolby Digital Color (Eastmancolor)](icons/rgb.png) |
Regular Guys |
Rolf Silber, W, W, P, M «Echte Kerle» |
|
7.9 |
1994 |
CDF![Color; 35 mm; AUDIO: Dolby Color](icons/rgb.png) |
A Feast at Midnight |
Justin Hardy, W, W, P, M, M |
|
7.9 |
1994 |
D![Color; Aspect: 1.85:1; 35 mm; AUDIO: Dolby Color](icons/rgb.png) |
Dance Me Outside |
Bruce McDonald, W, W, ++, P, M |
|
7.9 |
1991 |
CD![Color (Metrocolor); AUDIO: Mono Color (Metrocolor)](icons/q-rgb.png) |
Hangin' with the Homeboys |
Joseph B. Vasquez, W, P, M |
|
7.9 |
1991 |
D![Color; 35 mm; AUDIO: Mono Color](icons/rgb.png) |
The Stranger |
Satyajit Ray, W, ++, P, M «Agantuk» |
|
7.9 |
1984 |
C![Color (Fujicolor); Aspect: 1.85:1; 35 mm; AUDIO: Stereo Color (Fujicolor)](icons/rgb.png) |
The Funeral |
Jûzô Itami, W, P, M «Osôshiki» |
|
7.9 |
1983 |
D![Color; Aspect: 1.85:1; 35 mm; AUDIO: Mono Color](icons/rgb.png) |
Man of Flowers |
Paul Cox, W, W, P |
|
7.9 |
1978 |
ACrT![Color; AUDIO: Mono Color](icons/q-rgb.png) |
Don |
Chandra Barot, W, ++, P, M, M |
|
7.9 |
1978 |
AD![Color; Aspect: 2.35:1; 35 mm; Shawscope; AUDIO: Mono Color](icons/rgb.png) |
Heroes of the East |
Chia-Liang Liu, W, P, M «Zhong hua zhang fu» |
|
7.9 |
1974 |
CD![Black and White, Color (Technicolor); Aspect: 1.66:1; 35 mm; AUDIO: Mono Black and White, Color (Technicolor)](icons/rgb-bw.png) |
We All Loved Each Other So Much |
Ettore Scola, W, W, ++, P, M «C'eravamo tanto amati» |
|
7.9 |
1971 |
DF![Color (Eastmancolor); 35 mm; AUDIO: Mono Color (Eastmancolor)](icons/rgb.png) |
Flight of the Doves |
Ralph Nelson, W, W, ++, P, M |
|
7.9 |
1962 |
AdCFanRSfW![Black and White, Color; 35 mm; AUDIO: Mono Black and White, Color](icons/rgb-bw.png) |
Baron Prásil |
Karel Zeman, W, W, ++, P, M |
|
7.9 |
1960 |
DR![Black and White; 35 mm; AUDIO: Mono Black and White](icons/bw.png) |
The Lady with the Dog |
Iosif Kheifits, W, W, P, P, M «Dama s sobachkoj» |
|
7.9 |
1959 |
C![Black and White; Aspect: 1.66:1; 35 mm; AUDIO: Mono (RCA Sound Recording) Black and White](icons/bw.png) |
The Battle of the Sexes |
Charles Crichton, W, W, P, M |
|
7.9 |
1951 |
CDFan![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono, Mono (RCA Sound System) Black and White](icons/bw.png) |
Miracle in Milan |
Vittorio De Sica, W, ++, P, M «Miracolo a Milano» |
|
7.9 |
1951 |
BDMc![Color (Technicolor); Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Sound System) Color (Technicolor)](icons/rgb.png) |
The Great Caruso |
Richard Thorpe, W, ++, P, M |
|
7.9 |
1939 |
AdCCr![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (British Acoustic) Black and White](icons/bw.png) |
Ask a Policeman |
Marcel Varnel, W, W, ++, P, M, M, M |
|
7.9 |
1936 |
CCrD![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono Black and White](icons/bw.png) |
The Crime of Monsieur Lange |
Jean Renoir, W, W, ++, P, M, M «Le crime de Monsieur Lange» |
|
7.9 |
1935 |
CFanHoR![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Noiseless Recording) Black and White](icons/bw.png) |
The Ghost Goes West |
René Clair, W, W, ++, P, M |
|
7.9 |
1926 |
RWe![Black and White; Silent](icons/bw.png) |
3 Bad Men |
John Ford, W, W, ++, P, M |
|
7.9 |
1924 |
DR![Black and White; Silent](icons/bw.png) |
Gösta Berlings saga |
Mauritz Stiller, W, W, ++, P |
|
7.8 |
2010 |
CD![Color; Aspect: 2.35:1; Redcode RAW; Digital Intermediate (2K) (master format) Redcode RAW (4K) (source format); Red One Camera, Zeiss Ultra Prime and Angenieux Optimo Lenses Color](icons/d-rgb.png) |
Hello Ghost |
Young-Tak Kim, W, P, M «Hellowoo goseuteu» |
|
7.8 |
2008 |
CD![Color; Color](icons/q-rgb.png) |
Real Time |
Randall Cole, W, P, M |
|
7.8 |
2005 |
D![Color; Aspect: 1.78:1 Color](icons/q-rgb.png) |
Automatic |
Jonathan Walls, W, P, P, M |
|
7.8 |
2005 |
CDFFan![Color; Color](icons/q-rgb.png) |
The Blue Umbrella |
Vishal Bhardwaj, W, W, ++, P, M |
|
7.8 |
2004 |
CMR![Color; Aspect: 1.85:1; AUDIO: Dolby Digital Color](icons/q-rgb.png) |
Unconscious |
Joaquín Oristrell, W, W, ++, P, M «Inconscientes» |
|
7.8 |
2002 |
CMl![Color; AUDIO: Dolby Digital, Dolby Digital (2.0), Dolby Digital (5.1 surround) Color](icons/q-rgb.png) |
Yes Nurse! No Nurse! |
Pieter Kramer, W, W, ++, P, M «Ja zuster, nee zuster» |
|
7.8 |
2002 |
![Color; Color](icons/q-rgb.png) |
You Got Nothin' |
Philip Angelotti, W, W, P, P, P, M |
|
7.8 |
1998 |
CR![Color; Color](icons/q-rgb.png) |
The Misadventures of Margaret |
Brian Skeet, W, W, P, M, M |
|
7.8 |
1996 |
D![Color; Aspect: 1.85:1; 35 mm; AUDIO: Dolby Digital Color](icons/rgb.png) |
Sticks & Stones |
Neil Tolkin, W, P, M |
|
7.8 |
1995 |
AdCCrFM![Color; Aspect: 2.35:1; 35 mm; Arriscope (anamorphic) Clairmont-Scope (anamorphic); Arriflex 35-III, Arriscope and Clairmont Lenses Moviecam Compact, Arriscope and Clairmont Lenses; AUDIO: Dolby Digital Color](icons/rgb.png) |
Bushwhacked |
Greg Beeman, W, W, ++, P, M |
|
7.8 |
1993 |
DC![Color; 35 mm; AUDIO: Dolby SR Color](icons/rgb.png) |
Raining Stones |
Ken Loach, W, P, M |
|
7.8 |
1985 |
CCrDT![Color; 35 mm; AUDIO: Dolby Color](icons/rgb.png) |
Trouble in Mind |
Alan Rudolph, W, P, M |
|
7.8 |
1979 |
CrDMT![Color; Aspect: 1.66:1; 35 mm; AUDIO: Mono Color](icons/rgb.png) |
I as in Icarus |
Henri Verneuil, W, W, P, M «I... comme Icare» |
|
7.8 |
1979 |
ACCrF![Color (Technicolor); Aspect: 1.85:1; 35 mm; AUDIO: Mono (RCA Photophone Sound Recording) Color (Technicolor)](icons/rgb.png) |
The North Avenue Irregulars |
Bruce Bilson, W, W, P, M |
|
7.8 |
1961 |
DW![Black and White; Aspect: 1.66:1; 35 mm; AUDIO: Mono (Westrex Recording System) Black and White](icons/bw.png) |
The Outsider |
Delbert Mann, W, W, P, M |
|
7.8 |
1960 |
CrDHo![Black and White; Aspect: 1.55:1; 35 mm; (anamorphic); AUDIO: Mono Black and White](icons/bw.png) |
The Housemaid |
Ki-young Kim, W, P, M «Hanyo» |
|
7.8 |
1959 |
MlR![Black and White; Aspect: 2.35:1; 35 mm; CinemaScope; AUDIO: Mono Black and White](icons/bw.png) |
Kaagaz Ke Phool |
Guru Dutt, W, P, M |
|
7.8 |
1952 |
C![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Recording) Black and White](icons/bw.png) |
The Happy Time |
Richard Fleischer, W, W, ++, P, M |
|
7.8 |
1951 |
DN![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (RCA Sound Recording) Black and White](icons/bw.png) |
The Well |
Leo C. Popkin, Russell Rouse, W, W, P, M |
|
7.8 |
1949 |
D![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Recording) Black and White](icons/bw.png) |
Edward, My Son |
George Cukor, W, W, ++, P, M |
|
7.8 |
1928 |
D![Black and White; Silent](icons/bw.png) |
The Cossacks |
George W. Hill, ++, W, W, ++, P, M, M |
|
7.8 |
1927 |
CDFR![Black and White; Silent](icons/bw.png) |
The Kid Brother |
Ted Wilde, J.A. Howe, ++, W, W, ++, P, M, M |
|
7.8 |
1921 |
D![Black and White; Silent](icons/bw.png) |
Tol'able David |
Henry King, W, W, ++, P, M |
|
7.7 |
2010 |
CFan![Color; Color](icons/q-rgb.png) |
Skeletons |
Nick Whitfield, W, P, M |
|
7.7 |
2009 |
BD![Color, Color (35 mm version); Aspect: 1.85:1; 35 mm; AUDIO: Dolby Digital Color, Color (35 mm version)](icons/rgb.png) |
Desert Flower |
Sherry Hormann, W, W, ++, P, M |
|
7.7 |
2009 |
D![Color; AUDIO: Dolby Digital Color](icons/q-rgb.png) |
La mission |
Peter Bratt, W, P, M |
|
7.7 |
2007 |
AAdCCr![Color; Aspect: 1.85:1; 35 mm; Panavision Cameras and Lenses; AUDIO: Dolby Digital Color](icons/rgb.png) |
Ladrón que roba a ladrón |
Joe Menendez, W, P, M |
|
7.7 |
2006 |
D![Color; Color](icons/q-rgb.png) |
Destiny |
Zeki Demirkubuz, W, P, M «Kader» |
|
7.7 |
2003 |
CrDT![Color; Color](icons/q-rgb.png) |
Palabras encadenadas |
Laura Mañá, W, W, ++, P, M |
|
7.7 |
2002 |
CDR![Color; Color](icons/q-rgb.png) |
Tattoo, a Love Story |
Richard W. Bean, W, W, P, M |
|
7.7 |
2002 |
DH![Color; AUDIO: Mono Color](icons/q-rgb.png) |
The Clay Bird |
Tareque Masud, W, W, P, M «Matir moina» |
|
7.7 |
2001 |
ACCr![Color (Eastmancolor); Aspect: 1.85:1; AUDIO: Dolby Digital Color (Eastmancolor)](icons/q-rgb.png) |
Torrente 2: Mission in Marbella |
Santiago Segura, W, P, M «Torrente 2: Misión en Marbella» |
|
7.7 |
2000 |
AdC![Color; Aspect: 1.85:1; 35 mm; AUDIO: Dolby Digital Color](icons/rgb.png) |
A Dog's Will |
Guel Arraes, W, W, ++, P, M «O Auto da Compadecida» |
|
7.7 |
2000 |
D![Color; Aspect: 1.66:1; 35 mm; AUDIO: Dolby Digital Color](icons/rgb.png) |
The Town Is Quiet |
Robert Guédiguian, W, W, P «La ville est tranquille» |
|
7.7 |
1999 |
D![Color; AUDIO: Dolby Digital Color](icons/q-rgb.png) |
Garage Olimpo |
Marco Bechis, W, W, ++, P, M |
|
7.7 |
1999 |
CR![Color (Technicolor); 35 mm; AUDIO: Stereo Color (Technicolor)](icons/rgb.png) |
Just One Time |
Lane Janger, W, ++, P, P, M, M |
|
7.7 |
1997 |
DT![Color; 35 mm; AUDIO: Stereo Color](icons/rgb.png) |
Loved |
Erin Dignam, W, P, M |
|
7.7 |
1997 |
CRD![Color; Aspect: 2.35:1; 35 mm (Eastman EXR 200T 5293, EXR 500T 5298); Panavision (anamorphic); Panavision Panaflex Gold II, Panavision C-Series, Cooke and Nikon Lenses Panavision Panaflex Lightweight, Panavision C-Series, Cooke and Nikon Lenses; AUDIO: Dolby Digital, SDDS Color](icons/rgb.png) |
Roseanna's Grave |
Paul Weiland, W, P, M |
|
7.7 |
1996 |
DR![Color (Eastmancolor); Aspect: 2.35:1; 35 mm; Panavision (anamorphic) Color (Eastmancolor)](icons/rgb.png) |
Earth |
Julio Medem, W, P, M «Tierra» |
|
7.7 |
1992 |
CrD![Color; Aspect: 1.66:1; 35 mm; AUDIO: Dolby Color](icons/rgb.png) |
The Efficiency Expert |
Mark Joffe, W, W, P, M «Spotswood» |
|
7.7 |
1991 |
ACrDF![Color; AUDIO: Stereo Color](icons/q-rgb.png) |
Hum |
Mukul Anand, W, W, ++, P, M, M, M++ |
|
7.7 |
1990 |
DHoRT![Color; Aspect: 1.85:1; 35 mm; Panaflex Cameras and Lenses by Panavision; AUDIO: Dolby Color](icons/rgb.png) |
Lisa |
Gary Sherman, W, W, P, M |
|
7.7 |
1990 |
DFan![Black and White; AUDIO: Dolby SR Black and White](icons/bw.png) |
The Juniper Tree |
Nietzchka Keene, W, P, M |
|
7.7 |
1989 |
DR![Color; Aspect: 1.66:1; 35 mm; AUDIO: Mono Color](icons/rgb.png) |
Coming Out |
Heiner Carow, W, W, P, M |
|
7.7 |
1988 |
CrDR![Color (Eastmancolor); Aspect: 1.85:1; 35 mm (Kodak); Arriflex Cameras; AUDIO: Dolby Color (Eastmancolor)](icons/rgb.png) |
Ariel |
Aki Kaurismäki, W, P, M, M, M++ |
|
7.7 |
1988 |
D![Color; AUDIO: Mono Color](icons/q-rgb.png) |
Medea |
Lars von Trier, W, W, ++, P, M |
|
7.7 |
1982 |
AAdCrDF![Color; AUDIO: Mono Color](icons/q-rgb.png) |
Shakti |
Ramesh Sippy, W, W, P, M |
|
7.7 |
1981 |
D![Color; Color](icons/q-rgb.png) |
Babylon |
Franco Rosso, W, W, P, M |
|
7.7 |
1980 |
ACFanHo![Color; Aspect: 2.35:1; 35 mm; (anamorphic); AUDIO: Mono Color](icons/rgb.png) |
Spooky Encounters |
Sammo Hung Kam-Bo, W, W, P, P «Gui da gui» |
|
7.7 |
1979 |
D![Color; 35 mm; AUDIO: Mono Color](icons/rgb.png) |
Saint Jack |
Peter Bogdanovich, W, W, ++, P |
|
7.7 |
1973 |
CR![Color; Aspect: 1.85:1; 35 mm; AUDIO: Stereo Color](icons/rgb.png) |
The Thief Who Came to Dinner |
Bud Yorkin, W, W, P, M |
|
7.7 |
1966 |
DFanHo![Color (Eastmancolor); Aspect: 2.35:1; 35 mm; Daieiscope; AUDIO: Mono (Westrex Recording System) Color (Eastmancolor)](icons/rgb.png) |
Daimajin |
Kimiyoshi Yasuda, W, P, M |
|
7.7 |
1963 |
D![Color (Eastmancolor); Aspect: 1.66:1; 35 mm; Chevereau Cameras; AUDIO: Mono, Dolby Digital Color (Eastmancolor)](icons/rgb.png) |
Muriel, or The Time of Return |
Alain Resnais, W, P, M «Muriel ou Le temps d'un retour» |
|
7.7 |
1963 |
ACrM![Black and White, Color; Aspect: 2.35:1; 35 mm; Nikkatsuscope; AUDIO: Mono (Westrex Recording System) Black and White, Color](icons/rgb-bw.png) |
Youth of the Beast |
Seijun Suzuki, W, W, ++, P, M «Yajû no seishun» |
|
7.7 |
1960 |
D![Black and White; Aspect: 1.85:1; 35 mm; AUDIO: Mono Black and White](icons/bw.png) |
Let No Man Write My Epitaph |
Philip Leacock, W, W, P, M |
|
7.7 |
1958 |
CR![Color (Metrocolor); Aspect: 2.35:1; 35 mm; CinemaScope; AUDIO: Perspecta Stereo (Westrex Recording System) Color (Metrocolor)](icons/rgb.png) |
The Reluctant Debutante |
Vincente Minnelli, W, W, ++, P |
|
7.7 |
1957 |
CR![Color (Technicolor); Aspect: 2.35:1; 35 mm; CinemaScope; AUDIO: Mono (Westrex Recording System) Color (Technicolor)](icons/rgb.png) |
Tammy and the Bachelor |
Joseph Pevney, W, W, P, M |
|
7.7 |
1946 |
DRTW![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono Black and White](icons/bw.png) |
Murderers Among Us |
Wolfgang Staudte, W, ++, P, P, M «Die Mörder sind unter uns» |
|
7.7 |
1938 |
DR![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono Black and White](icons/bw.png) |
My Bill |
John Farrow, W, W, ++, P, M |
|
7.7 |
1934 |
D![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Noiseless Recording) Black and White](icons/bw.png) |
No Greater Glory |
Frank Borzage, W, W, P, M |
|
7.7 |
1934 |
C![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Noiseless Recording) Black and White](icons/bw.png) |
You're Telling Me! |
Erle C. Kenton, W, W, ++, P, M, M |