|
7.6 |
2013 |
DW![Color; Color](icons/q-rgb.png) |
Tangerines |
Zaza Urushadze, W, P «Mandariinid» |
|
7.6 |
2010 |
CCrD![Color (Technicolor); Aspect: 2.35:1; AUDIO: Dolby Digital Color (Technicolor)](icons/q-rgb.png) |
El Narco |
Luis Estrada, W, ++, P, M «El infierno» |
|
7.6 |
2010 |
DA![Color; Aspect: 2.35:1; 35 mm; Digital Intermediate (2K) (master format) Super 35 (source format); Arricam LT, Zeiss Master Prime Lenses; AUDIO: Dolby Color](icons/rgb.png) |
King of Devil's Island |
Marius Holst, W, W, ++, P, M «Kongen av Bastøy» |
|
7.6 |
2009 |
ADR![Color; AUDIO: DTS Color](icons/q-rgb.png) |
Magadheera |
S.S. Rajamouli, W, W, ++, P, M |
|
7.6 |
2009 |
DMRT![Color; Aspect: 1.78:1; HD 720p; JVC GY-HD200U (Illinois unit) Panasonic AG-HPX500 (second unit) Panasonic AG-HVX200 (principal photography); AUDIO: Dolby Digital Color](icons/h-rgb.png) |
One Hour Fantasy Girl |
Edgar Michael Bravo, W, P, M |
|
7.6 |
2008 |
BD![Color; Aspect: 1.85:1; 16 mm; Digital Intermediate (master format) Super 16 (source format); Aaton Cameras; AUDIO: Dolby Digital Color](icons/rgb.png) |
Everlasting Moments |
Jan Troell, W, W, ++, P, P, M «Maria Larssons eviga ögonblick» |
|
7.6 |
2007 |
C![Color; Aspect: 1.78:1 Color](icons/q-rgb.png) |
Confusions of an Unmarried Couple |
Brett M. Butler, Jason G. Butler, W, M |
|
7.6 |
2005 |
DR![Color; Aspect: 2.35:1; 35 mm (Kodak); Panavision (anamorphic); Panavision Cameras and Lenses; AUDIO: Dolby Digital Color](icons/rgb.png) |
Aurora Borealis |
James C.E. Burke, W, P, M |
|
7.6 |
2005 |
BDSp![Color; Aspect: 2.35:1; 35 mm (Kodak Vision 500T 5279, Eastman EXR 200T 5293); Super 35 (3-perf) (source format) Digital Intermediate (master format); Arriflex 235, Cooke Lenses Arriflex 535, Cooke Lenses Color](icons/rgb.png) |
The Rocket: The Legend of Rocket Richard |
Charles Binamé, W, P, M «Maurice Richard» |
|
7.6 |
2004 |
CD![Color; Aspect: 2.35:1; 35 mm; Panavision; AUDIO: Dolby Digital Color](icons/rgb.png) |
Mickybo and Me |
Terry Loane, W, W, P, M |
|
7.6 |
2003 |
CrD![Color; Aspect: 1.85:1; 16 mm; Super 16; AUDIO: Dolby Digital Color](icons/rgb.png) |
Blind Shaft |
Yang Li, W, P, M «Mang jing» |
|
7.6 |
2003 |
ADF![Color; Aspect: 1.85:1; 35 mm; Arriflex Cameras Panavision Cameras and Lenses; AUDIO: Dolby Digital Color](icons/rgb.png) |
The Road Home |
Drew Johnson, W, W, P, M |
|
7.6 |
2003 |
CR![Color; Aspect: 1.66:1; AUDIO: Stereo Color](icons/q-rgb.png) |
Why We Had to Kill Bitch |
John-Paul Nickel, W, P, M, M, M |
|
7.6 |
2001 |
AAdC![Color; Aspect: 2.35:1; 35 mm; Super 35; AUDIO: Stereo Color](icons/rgb.png) |
Let's Get Skase |
Matthew George, W, W, P, M |
|
7.6 |
2000 |
DMT![Color; Aspect: 1.85:1; 35 mm; AUDIO: Dolby Digital Color](icons/rgb.png) |
Auggie Rose |
Matthew Tabak, W, P, M, M |
|
7.6 |
2000 |
C![Color; AUDIO: Dolby Digital Color](icons/q-rgb.png) |
Hera Pheri |
Priyadarshan, W, W, ++, P, M |
|
7.6 |
2000 |
D![Color; Aspect: 1.85:1; AUDIO: Mono Color](icons/q-rgb.png) |
The Circle |
Jafar Panahi, W, W, P «Dayereh» |
|
7.6 |
1999 |
HoRW![Color; Aspect: 1.85:1; 35 mm; AUDIO: Dolby Digital Color](icons/rgb.png) |
Nang-Nak |
Nonzee Nimibutr, W, P, M, M «Nang nak» |
|
7.6 |
1998 |
D![Color; Aspect: 1.75:1; 35 mm (Eastman EXR 100T 5248, EXR 200T 5293); Arriflex 35 BL4S, Zeiss Super Speed and Angenieux HR Lenses; AUDIO: Dolby SR Color](icons/rgb.png) |
Eternity and a Day |
Theodoros Angelopoulos, W, W, ++, P, P, M «Mia aioniotita kai mia mera» |
|
7.6 |
1998 |
CD![Color; AUDIO: Dolby Color](icons/q-rgb.png) |
God Said, 'Ha!' |
Julia Sweeney, W, P, M |
|
7.6 |
1998 |
AdCDFan |
The Bird People in China |
Takashi Miike, W, W, P, M «Chûgoku no chôjin» |
|
7.6 |
1997 |
CrD![Color; Aspect: 1.85:1; 35 mm Color](icons/rgb.png) |
Eye of God |
Tim Blake Nelson, W, P, M |
|
7.6 |
1997 |
D![Color (Technicolor); AUDIO: Dolby Color (Technicolor)](icons/q-rgb.png) |
Men with Guns |
John Sayles, W, P, M |
|
7.6 |
1997 |
DMR![Color (Technicolor); Aspect: 2.35:1; 35 mm; Super 35; AUDIO: Dolby SR, SDDS Color (Technicolor)](icons/rgb.png) |
Swept from the Sea |
Beeban Kidron, W, W, P, M |
|
7.6 |
1996 |
CD![Color; Aspect: 2.35:1; 35 mm; Panavision (anamorphic); Panavision Camera and Lenses; AUDIO: DTS Color](icons/rgb.png) |
A Family Thing |
Richard Pearce, W, W, P, M |
|
7.6 |
1996 |
CDMcR![Color; Color](icons/q-rgb.png) |
Cosi |
Mark Joffe, W, P, M |
|
7.6 |
1996 |
CD![Color; Aspect: 1.85:1; 35 mm; AUDIO: Stereo, Dolby SR Color](icons/rgb.png) |
The Eighth Day |
Jaco Van Dormael, W, P, M «Le huitième jour» |
|
7.6 |
1993 |
CDMcMR![Color; Aspect: 1.66:1; 35 mm; AUDIO: Ultra Stereo Color](icons/rgb.png) |
The Red Squirrel |
Julio Medem, W, P, M, M «La ardilla roja» |
|
7.6 |
1992 |
CDR![Color; Aspect: 1.37:1; 16 mm; AUDIO: Mono Color](icons/rgb.png) |
Careful |
Guy Maddin, W, W, ++, P, M |
|
7.6 |
1992 |
D![Color; Aspect: 1.85:1; AUDIO: Mono Color](icons/q-rgb.png) |
Laws of Gravity |
Nick Gomez, W, P |
|
7.6 |
1992 |
CrDRT![Color; Aspect: 2.35:1; 35 mm; Super 35; Panavision Cameras and Lenses; AUDIO: Dolby Color](icons/rgb.png) |
The Public Eye |
Howard Franklin, W, P, M |
|
7.6 |
1991 |
D![Color; Aspect: 1.85:1; 35 mm; AUDIO: Dolby Color](icons/rgb.png) |
Where the Day Takes You |
Marc Rocco, W, W, ++, P, M |
|
7.6 |
1989 |
BD![Color; 35 mm; AUDIO: Dolby Color](icons/rgb.png) |
Romero |
John Duigan, W, P, M |
|
7.6 |
1988 |
D![Color; Aspect: 1.85:1; 35 mm; Panavision Cameras and Lenses; AUDIO: Dolby Color](icons/rgb.png) |
Dominick and Eugene |
Robert M. Young, W, W, ++, P, M |
|
7.6 |
1987 |
DF![Color; Aspect: 1.66:1 Color](icons/q-rgb.png) |
Where is the Friend's Home? |
Abbas Kiarostami, W, P, M «Khane-ye doust kodjast?» |
|
7.6 |
1983 |
CMc![Color; Aspect: 1.85:1; 35 mm; Panavision Cameras and Lenses; AUDIO: Dolby Color](icons/rgb.png) |
Get Crazy |
Allan Arkush, W, W, ++, P, M |
|
7.6 |
1980 |
CDR![Color (Sovcolor); Aspect: 1.37:1; 35 mm; AUDIO: Mono Color (Sovcolor)](icons/rgb.png) |
Moscow Does Not Believe in Tears |
Vladimir Menshov, W, W, P, M «Moskva slezam ne verit» |
|
7.6 |
1977 |
D![Color (Technicolor); 35 mm; AUDIO: Mono Color (Technicolor)](icons/rgb.png) |
A Special Day |
Ettore Scola, W, W, ++, P, M «Una giornata particolare» |
|
7.6 |
1977 |
D![Color (Eastmancolor); 35 mm; AUDIO: Mono Color (Eastmancolor)](icons/rgb.png) |
Providence |
Alain Resnais, W, P, M |
|
7.6 |
1974 |
D![Black and White; Aspect: 1.37:1; 16 mm; AUDIO: Mono Black and White](icons/bw.png) |
Alice in the Cities |
Wim Wenders, W, W, P, M «Alice in den Städten» |
|
7.6 |
1974 |
ACrT![Color (Eastmancolor); Aspect: 2.35:1; 35 mm (2-perf); Techniscope; AUDIO: Mono Color (Eastmancolor)](icons/rgb.png) |
Almost Human |
Umberto Lenzi, W, P, M «Milano odia: la polizia non può sparare» |
|
7.6 |
1970 |
DR![Color (Metrocolor); Aspect: 1.85:1; 35 mm; AUDIO: Mono Color (Metrocolor)](icons/rgb.png) |
The Strawberry Statement |
Stuart Hagmann, W, W, P, M |
|
7.6 |
1969 |
AdDT![Color (Technicolor); Aspect: 2.35:1; 35 mm; Techniscope; AUDIO: Mono Color (Technicolor)](icons/rgb.png) |
Dirkie |
Jamie Uys, W, P, P, M, M, M++ |
|
7.6 |
1966 |
DRW![Black and White; Aspect: 2.35:1; 35 mm; Daieiscope; AUDIO: Mono (Westrex Recording System) Black and White](icons/bw.png) |
Red Angel |
Yasuzô Masumura, W, W, P, M «Akai tenshi» |
|
7.6 |
1965 |
DW![Black and White; Aspect: 1.37:1; 16 mm 35 mm; AUDIO: Mono (Westrex Recording System) Black and White](icons/bw.png) |
It Happened Here |
Kevin Brownlow, Andrew Mollo, W, W, ++, P, P |
|
7.6 |
1964 |
C![Color (Eastmancolor); Aspect: 1.85:1; 35 mm; AUDIO: Mono (Westrex Recording System) Color (Eastmancolor)](icons/rgb.png) |
Bedtime Story |
Ralph Levy, W, W, P, M |
|
7.6 |
1961 |
DRW![Black and White; 35 mm; AUDIO: Mono (Westrex Recording System) Black and White](icons/bw.png) |
Bridge to the Sun |
Etienne Périer, W, W, P, P, P, M |
|
7.6 |
1959 |
CD![Color; Aspect: 1.37:1; 35 mm; AUDIO: Mono Color](icons/rgb.png) |
Good Morning |
Yasujirô Ozu, W, W, P, M «Ohayô» |
|
7.6 |
1955 |
D![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono Black and White](icons/bw.png) |
I Live in Fear |
Akira Kurosawa, W, W, ++, P, M «Ikimono no kiroku» |
|
7.6 |
1954 |
CMlDR![Color (Technicolor); Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Sound System) Color (Technicolor)](icons/rgb.png) |
French Cancan |
Jean Renoir, W, W, P, M |
|
7.6 |
1954 |
AAdBDH![Color (Eastmancolor); Aspect: 1.33:1; 35 mm; AUDIO: Mono Color (Eastmancolor)](icons/rgb.png) |
Samurai I: Musashi Miyamoto |
Hiroshi Inagaki, W, W, ++, P, M «Miyamoto Musashi» |
|
7.6 |
1954 |
D![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono Black and White](icons/bw.png) |
Twenty-Four Eyes |
Keisuke Kinoshita, W, W, P, M «Nijûshi no hitomi» |
|
7.6 |
1952 |
DR![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Dolby (re-release), Mono (RCA Sound System) Black and White](icons/bw.png) |
Othello |
Orson Welles, W, ++, P, P, P++, M, M «The Tragedy of Othello: The Moor of Venice» |
|
7.6 |
1946 |
DR![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Recording) Black and White](icons/bw.png) |
To Each His Own |
Mitchell Leisen, W, W, ++, P, M |
|
7.6 |
1943 |
CrDR![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono Black and White](icons/bw.png) |
Ossessione |
Luchino Visconti, W, W, ++, P, P, M |
|
7.6 |
1941 |
ADH![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono Black and White](icons/bw.png) |
The 47 Ronin |
Kenji Mizoguchi, W, W, ++, P, M «Genroku Chûshingura» |
|
7.6 |
1934 |
C![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Noiseless Recording) Black and White](icons/bw.png) |
The Old Fashioned Way |
William Beaudine, W, W, ++, P, M |
|
7.6 |
1929 |
CMlR![Black and White; Aspect: 1.20:1; 35 mm; AUDIO: Mono (Western Electric Sound System) Black and White](icons/bw.png) |
The Love Parade |
Ernst Lubitsch, W, W, ++, P, M, M, M++ |
|
7.6 |
1925 |
D![Black and White; Silent](icons/bw.png) |
Strike |
Sergei M. Eisenstein, W, W, ++, P, P, P «Stachka» |
|
7.6 |
1920 |
CrDHo![Black and White; Silent](icons/bw.png) |
The Penalty |
Wallace Worsley, W, ++, P |
|
7.5 |
2014 |
R![Color; Color](icons/q-rgb.png) |
That Thing Called Tadhana |
Antoinette Jadaone, W, P, M |
|
7.5 |
2013 |
T![Color; Aspect: 2.35:1; Redcode RAW; Digital Intermediate (2K) (master format) Redcode RAW (4.5K) (source format); Red One Camera, Zeiss Master Prime and Angenieux Optimo Lenses (MX sensor) Color](icons/d-rgb.png) |
New World |
Hoon-jung Park, W, P |
|
7.5 |
2013 |
BDH![Color; Color](icons/q-rgb.png) |
Paradesi |
Bala, W, W, P, M |
|
7.5 |
2012 |
D![Color; Aspect: 2.35:1 Color](icons/q-rgb.png) |
Fill the Void |
Rama Burshtein, W, P, M «Lemale et ha'halal» |
|
7.5 |
2012 |
CrMT![Color; ProRes 4:2:2 HD; Canon 7D and Canon lenses Sony PMW-F3, Cooke S4 and Angenieux Optimo Lenses Color](icons/q-rgb.png) |
Last Hours in Suburbia |
John Stimpson, W, P, M |
|
7.5 |
2010 |
CD![Color; Aspect: 2.35:1; 35 mm (Kodak Vision3 250D 5207, Vision3 500T 5219); Digital Intermediate (master format) Super 35 (3-perf) (source format); Arricam LT, Cooke S4 Lenses; AUDIO: DTS, Dolby Digital Color](icons/rgb.png) |
My Afternoons with Margueritte |
Jean Becker, W, W, ++, P, M «La tête en friche» |
|
7.5 |
2009 |
CrDH![Black and White; Aspect: 2.35:1; 35 mm (Kodak Vision3 500T 5219); Digital Intermediate (2K) (master format) Super 35 (source format); Arriflex 235, Zeiss Master Prime Lenses; AUDIO: Dolby Digital Black and White](icons/bw.png) |
Polytechnique |
Denis Villeneuve, W, W, ++, P, M |
|
7.5 |
2009 |
D![Color; Color](icons/q-rgb.png) |
Teenage Dirtbag |
Regina Crosby, W, P, M |
|
7.5 |
2008 |
D![Color; Aspect: 1.85:1; 35 mm; Arricam LT, Zeiss Master Prime Lenses; AUDIO: Dolby Digital Color](icons/rgb.png) |
Lorna's Silence |
Jean-Pierre Dardenne, Luc Dardenne, W, W, P «Le silence de Lorna» |
|
7.5 |
2008 |
AAdCFFan![Color (HDCAM); Aspect: 1.85:1; DVC Pro HD; Panasonic Varicam Color (HDCAM)](icons/d-rgb.png) |
The Gamers: Dorkness Rising |
Matt Vancil, W, P, M, M |
|
7.5 |
2007 |
DHW![Color; Aspect: 2.35:1; 16mm/35mm; Digital Intermediate (master format) Spherical (source format); AUDIO: Dolby Digital Color](icons/rgb.png) |
Shake Hands with the Devil |
Roger Spottiswoode, W, W, P, M |
|
7.5 |
2007 |
DMR![Color; Aspect: 1.85:1; AUDIO: Dolby Digital Color](icons/q-rgb.png) |
The Love of Siam |
Chookiat Sakveerakul, W, P, M «Rak haeng Siam» |
|
7.5 |
2006 |
D![Color; Aspect: 1.85:1; 35 mm (Fuji); Digital Intermediate (master format) Spherical (source format); Panavision Cameras and Lenses; AUDIO: Dolby Digital Color](icons/rgb.png) |
Canvas |
Joseph Greco, W, P, M |
|
7.5 |
2006 |
D![Color; AUDIO: Dolby Digital Color](icons/q-rgb.png) |
Grbavica: The Land of My Dreams |
Jasmila Zbanic, W, P, M «Grbavica» |
|
7.5 |
2005 |
C![Color; Aspect: 1.85:1; 35 mm; AUDIO: Dolby Digital Color](icons/rgb.png) |
Checking Out |
Jeff Hare, W, W, P, M |
|
7.5 |
2005 |
CrD![Color; Aspect: 1.85:1; 35 mm (Kodak Vision2 Expression 500T 5229); Moviecam Compact; AUDIO: Dolby Digital Color](icons/rgb.png) |
Le petit lieutenant |
Xavier Beauvois, W, W, ++, P |
|
7.5 |
2005 |
CDR![Color; Aspect: 1.77:1; AUDIO: Dolby Digital Color](icons/q-rgb.png) |
Main, Meri Patni... Aur Woh! |
Chandan Arora, W, W, ++, P, M, M, M |
|
7.5 |
2005 |
DW![Black and White, Color; Aspect: 2.35:1; 35 mm; Super 35; AUDIO: Dolby Digital Black and White, Color](icons/rgb-bw.png) |
Mother of Mine |
Klaus Härö, W, W, ++, P, M «Äideistä parhain» |
|
7.5 |
2005 |
DR![Color; AUDIO: Mono Color](icons/q-rgb.png) |
Neo Ned |
Van Fischer, W, P, M, M |
|
7.5 |
2005 |
CD![Color; Aspect: 1.85:1; Video; DV; AUDIO: Dolby Digital Color](icons/v-rgb.png) |
One Last Thing... |
Alex Steyermark, W, P, M |
|
7.5 |
2005 |
RC![Color; Aspect: 1.33:1; AUDIO: Dolby Digital Color](icons/q-rgb.png) |
Socha Na Tha |
Imtiaz Ali, W, P, M |
|
7.5 |
2004 |
FanMRT![Black and White, Color; Aspect: 1.85:1 Black and White, Color](icons/rgb-bw.png) |
Survive Style 5+ |
Gen Sekiguchi, W, P, M |
|
7.5 |
2004 |
DCMc![Color; Aspect: 1.85:1; 35 mm (Fuji Super F-500T 8572); Arriflex 535, Zeiss Ultra Prime and Angenieux Optimo Lenses; AUDIO: Dolby Digital Color](icons/rgb.png) |
Swing Girls |
Shinobu Yaguchi, W, W, P, M, M «Suwingu gâruzu» |
|
7.5 |
2002 |
D![Color; Aspect: 1.85:1; 35 mm; Arriflex Cameras, Cooke S4 Lenses; AUDIO: Dolby Digital Color](icons/rgb.png) |
EvenHand |
Joseph Pierson, W, P, M |
|
7.5 |
2002 |
DF![Color; Aspect: 1.78:1; Video; DV; Sony DV Cameras; AUDIO: Stereo Color](icons/v-rgb.png) |
Manito |
Eric Eason, W, P, M |
|
7.5 |
2002 |
CDR![Color; Aspect: 1.85:1; 35 mm; AUDIO: Dolby Digital Color](icons/rgb.png) |
Valentin |
Alejandro Agresti, W, P, M, M «Valentín» |
|
7.5 |
2001 |
CD![Color; Aspect: 1.85:1; 16 mm; Super 16; AUDIO: Dolby Color](icons/rgb.png) |
Lawless Heart |
Tom Hunsinger, Neil Hunter, W, W, P, M |
|
7.5 |
1998 |
D![Color; 35 mm (Eastman); Panavision Panaflex Gold II; AUDIO: Dolby Digital Color](icons/rgb.png) |
The Grandfather |
José Luis Garci, W, W, ++, P, M «El abuelo» |
|
7.5 |
1998 |
CCr![Color; Aspect: 1.85:1; 35 mm (Kodak); AUDIO: Dolby Digital Color](icons/rgb.png) |
Torrente, el brazo tonto de la ley |
Santiago Segura, W, P, M |
|
7.5 |
1997 |
CCrD? |
Six Ways to Sunday |
Adam Bernstein, W, W, ++, P, M |
|
7.5 |
1997 |
AAdC![Color; Aspect: 2.35:1; 35 mm; Clairmont-Scope (anamorphic); AUDIO: DTS, Dolby Digital, SDDS Color](icons/rgb.png) |
Wild America |
William Dear, W, P, M |
|
7.5 |
1996 |
D![Color; Aspect: 1.85:1; 35 mm (Eastman EXR 100T 5248, EXR 500T 5296); Arriflex 535B, Zeiss and Angenieux Lenses; AUDIO: Dolby Color](icons/rgb.png) |
Kids Return |
Takeshi Kitano, W, P, M «Kizzu ritân» |
|
7.5 |
1994 |
D![Color (Technicolor); Aspect: 1.85:1; 35 mm; AUDIO: Dolby Color (Technicolor)](icons/rgb.png) |
Second Best |
Chris Menges, W, P, M |
|
7.5 |
1993 |
BD![Color; Aspect: 1.66:1; 35 mm; AUDIO: Dolby Color](icons/rgb.png) |
A Home of Our Own |
Tony Bill, W, P, M |
|
7.5 |
1992 |
CDR![Color; AUDIO: Stereo Color](icons/q-rgb.png) |
Jo Jeeta Wohi Sikandar |
Mansoor Khan, W, W, ++, P, M, M |
|
7.5 |
1992 |
C![Color; Aspect: 2.35:1; 35 mm; (anamorphic); AUDIO: Dolby SR Color](icons/rgb.png) |
Schtonk! |
Helmut Dietl, W, W, ++, P, M |
|
7.5 |
1991 |
CCrR![Color; 35 mm; AUDIO: Mono Color](icons/rgb.png) |
Johnny Stecchino |
Roberto Benigni, W, W, P, M |
|
7.5 |
1989 |
DFFan![Color; Aspect: 1.85:1; 35 mm; Arriflex Cameras; AUDIO: Dolby SR Color](icons/rgb.png) |
Prancer |
John D. Hancock, W, P, M |
|
7.5 |
1988 |
BDHR![Color (Fujicolor); Aspect: 2.35:1; 35 mm; Panavision (anamorphic); AUDIO: Dolby SR Color (Fujicolor)](icons/rgb.png) |
Camille Claudel |
Bruno Nuytten, W, W, ++, P, M |
|
7.5 |
1984 |
CD![Color (Metrocolor); 35 mm; Arriflex Cameras; AUDIO: Mono Color (Metrocolor)](icons/rgb.png) |
Love Streams |
John Cassavetes, W, W, ++, P, M |
|
7.5 |
1983 |
BDH![Color; Aspect: 1.66:1; 35 mm; AUDIO: Mono Color](icons/rgb.png) |
Danton |
Andrzej Wajda, W, W, ++, P, M |
|
7.5 |
1982 |
BCrDHMR![Color (Fujicolor); Aspect: 1.66:1; 35 mm; AUDIO: Mono Color (Fujicolor)](icons/rgb.png) |
The Return of Martin Guerre |
Daniel Vigne, W, W, ++, P, M «Le retour de Martin Guerre» |
|
7.5 |
1980 |
AdD![Color (Technicolor); Aspect: 2.35:1; 35 mm; Panavision (anamorphic); AUDIO: Stereo Color (Technicolor)](icons/rgb.png) |
The Earthling |
Peter Collinson, W, P, M, M |
|
7.5 |
1979 |
D![Color; Aspect: 1.33:1; 35 mm; AUDIO: Mono Color](icons/rgb.png) |
Camera Buff |
Krzysztof Kieslowski, W, ++, P, P, P++, M «Amator» |
|
7.5 |
1978 |
AC![Color; Aspect: 2.35:1; 35 mm; (anamorphic); AUDIO: Mono Color](icons/rgb.png) |
Snake in the Eagle's Shadow |
Woo-ping Yuen, W, W, ++, P, M «Se ying diu sau» |
|
7.5 |
1977 |
D![Color; Aspect: 1.33:1; AUDIO: Mono Color](icons/q-rgb.png) |
"Play for Today" Abigail's Party |
Mike Leigh, W |
|
7.5 |
1975 |
C![Color; Aspect: 1.85:1; 35 mm; Panavision Cameras and Lenses; AUDIO: Mono Color](icons/rgb.png) |
Smile |
Michael Ritchie, W, P |
|
7.5 |
1973 |
D![Color (Eastmancolor); Aspect: 1.85:1; 35 mm; AUDIO: Mono Color (Eastmancolor)](icons/rgb.png) |
The Iceman Cometh |
John Frankenheimer, W, W, P |
|
7.5 |
1972 |
DTCr![Color; Aspect: 2.35:1; 35 mm; Toeiscope; AUDIO: Mono Color](icons/rgb.png) |
Female Convict Scorpion Jailhouse 41 |
Shunya Ito, W, M «Joshuu sasori: Dai-41 zakkyo-bô» |
|
7.5 |
1972 |
CD![Color (Technicolor); Aspect: 1.85:1; 35 mm; AUDIO: Mono (Westrex Recording System) Color (Technicolor)](icons/rgb.png) |
Play It As It Lays |
Frank Perry, W, ++, P |
|
7.5 |
1969 |
CSf![Color (Eastmancolor); Aspect: 1.85:1; 35 mm; AUDIO: Mono Color (Eastmancolor)](icons/rgb.png) |
Hello Down There |
Jack Arnold, Ricou Browning, W, W, ++, P, M |
|
7.5 |
1964 |
AAdCR![Color (Eastmancolor); Aspect: 1.66:1; 35 mm; AUDIO: Mono Color (Eastmancolor)](icons/rgb.png) |
That Man from Rio |
Philippe de Broca, W, W, ++, P, M «L'homme de Rio» |
|
7.5 |
1962 |
AAdD![Black and White; Aspect: 2.35:1; 35 mm; Daieiscope; AUDIO: Mono Black and White](icons/bw.png) |
The Tale of Zatoichi |
Kenji Misumi, W, W, P, M «Zatôichi monogatari» |
|
7.5 |
1960 |
D![Black and White; Aspect: 2.35:1; 35 mm; Tohoscope; AUDIO: Mono Black and White](icons/bw.png) |
The Naked Island |
Kaneto Shindô, W, P, M «Hadaka no shima» |
|
7.5 |
1957 |
DMlF![Color (Gevacolor) (negative), Color (Technicolor) (prints); Aspect: 1.37:1; 35 mm; AUDIO: Mono (RCA Sound Recording) Color (Gevacolor) (negative), Color (Technicolor) (prints)](icons/rgb.png) |
Mother India |
Mehboob Khan, W, W, P, M |
|
7.5 |
1953 |
D![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (RCA High Fidelity) Black and White](icons/bw.png) |
El |
Luis Buñuel, W, W, ++, P, M |
|
7.5 |
1953 |
D![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Recording) Black and White](icons/bw.png) |
Man on a Tightrope |
Elia Kazan, W, W, P, M |
|
7.5 |
1952 |
DT![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Recording) Black and White](icons/bw.png) |
5 Fingers |
Joseph L. Mankiewicz, W, W, ++, P, M |
|
7.5 |
1952 |
MRD![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Recording) Black and White](icons/bw.png) |
My Cousin Rachel |
Henry Koster, W, W, P, M |
|
7.5 |
1950 |
BH![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric) Black and White](icons/bw.png) |
The Flowers of St. Francis |
Roberto Rossellini, W, W, ++, P, M «Francesco, giullare di Dio» |
|
7.5 |
1946 |
D![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (RCA Photophone System) Black and White](icons/bw.png) |
Shoeshine |
Vittorio De Sica, W, W, ++, P, M «Sciuscià (Ragazzi)» |
|
7.5 |
1934 |
AAdDHRT![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Sound System) Black and White](icons/bw.png) |
The Count of Monte Cristo |
Rowland V. Lee, W, W, ++, P, M |
|
7.5 |
1932 |
CMlR![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Sound System) Black and White](icons/bw.png) |
The Kid from Spain |
Leo McCarey, W, W, ++, P, M |
|
7.5 |
1930 |
D![Black and White; Aspect: 1.33:1; 35 mm; AUDIO: Mono Black and White](icons/bw.png) |
Beauty Prize |
Augusto Genina, W, W, P, P, M «Prix de beauté (Miss Europe)» |
|
7.5 |
1930 |
DR![Black and White; Silent](icons/bw.png) |
City Girl |
F.W. Murnau, W, W, ++, P, M, M |
|
7.5 |
1930 |
WDA![Black and White; Aspect: 1.33:1; 35 mm; AUDIO: Vitaphone (Western Electric Sound System) Black and White](icons/bw.png) |
The Dawn Patrol |
Howard Hawks, W, W, ++, P, M |
|
7.5 |
1928 |
D![Black and White; Silent](icons/bw.png) |
Sadie Thompson |
Raoul Walsh, W, W, ++, P, P, P |
|
7.5 |
1926 |
CDRW![Black and White; Silent](icons/bw.png) |
Tell It to the Marines |
George W. Hill, W, W, P, M |
|
7.5 |
1926 |
AdD![Black and White; Silent](icons/bw.png) |
The Son of the Sheik |
George Fitzmaurice, W, W, ++, P, M, M |
|
7.5 |
1921 |
FanT![Black and White, Color (tinted); Silent](icons/rgb-bw.png) |
Destiny |
Fritz Lang, W, W, P, P, P++, M, M, M «Der müde Tod» |
|
7.4 |
2015 |
D![Color; Color](icons/q-rgb.png) |
Do You Believe? |
Jon Gunn, W, W, P, M |
|
7.4 |
2015 |
BDH![Color; Color](icons/q-rgb.png) |
Selam: Bahara Yolculuk |
Hamdi Alkan, W, P, P, M |
|
7.4 |
2014 |
ATW![Color (HD), Color; AUDIO: Dolby Atmos Color (HD), Color](icons/q-rgb.png) |
O21 |
Jamshed Mahmood Raza, ++, W, W, ++, P, M |
|
7.4 |
2013 |
D![Color; Aspect: 1.78:1; Canon 5D Mark II Color](icons/d-rgb.png) |
Phantom |
Jonathan Soler, W, P |
|
7.4 |
2013 |
D![Color; AUDIO: Dolby Digital Color](icons/q-rgb.png) |
The Caribbean Heist |
Max Sainvil, W |
|
7.4 |
2011 |
DHTW![Color; Color](icons/q-rgb.png) |
Return to the Hiding Place |
Peter C. Spencer, Josiah Spencer, W, W, P, M |
|
7.4 |
2011 |
ADR![Color; Color](icons/q-rgb.png) |
The Bodyguard |
Siddique, W, P, M «Kaavalan» |
|
7.4 |
2009 |
D![Color; Color](icons/q-rgb.png) |
Entre nos |
Gloria La Morte, Paola Mendoza, W, W, P, M |
|
7.4 |
2005 |
AdCDF![Color; Aspect: 2.35:1; 35 mm (Kodak); Digital Intermediate (master format) Super 35 (source format); Panavision Cameras and Lenses; AUDIO: DTS, Dolby Digital Color](icons/rgb.png) |
Lassie |
Charles Sturridge, W, W, P, M |
|
7.4 |
2005 |
DHT![Color; Color](icons/q-rgb.png) |
The King and the Clown |
Joon-ik Lee, W, W, P, M «Wang-ui namja» |
|
7.4 |
2003 |
D![Color; 35 mm; AUDIO: Dolby Digital Color](icons/rgb.png) |
Blind Flight |
John Furse, W, P, M |
|
7.4 |
2003 |
DR![Color; 35 mm; AUDIO: Dolby Digital Color](icons/rgb.png) |
Take My Eyes |
Icíar Bollaín, W, W, P, M «Te doy mis ojos» |
|
7.4 |
2003 |
D![Color; 35 mm; AUDIO: Dolby Digital Color](icons/rgb.png) |
The Mudge Boy |
Michael Burke, W, P, M |
|
7.4 |
2002 |
RD![Color; Aspect: 1.85:1; 35 mm (Kodak Vision 500T 5263, Vision 320T 5277); Arriflex 535B, Zeiss and Angenieux Lenses; AUDIO: Dolby Digital Color](icons/rgb.png) |
The Sea Is Watching |
Kei Kumai, W, W, ++, P, M «Umi wa miteita» |
|
7.4 |
2002 |
DRW![Black and White, Color; Aspect: 1.85:1; 35 mm (Kodak); AUDIO: Dolby Digital Black and White, Color](icons/rgb-bw.png) |
Twin Sisters |
Ben Sombogaart, W, W, P, M «De tweeling» |
|
7.4 |
2000 |
D![Color; Aspect: 1.85:1; 35 mm; AUDIO: Dolby Digital Color](icons/rgb.png) |
Aberdeen |
Hans Petter Moland, W, W, ++, P, M |
|
7.4 |
2000 |
CRD![Color; Aspect: 2.35:1; 35 mm; Super 35; AUDIO: Dolby Digital Color](icons/rgb.png) |
Bossa Nova |
Bruno Barreto, W, W, ++, P, M |
|
7.4 |
2000 |
D![Color; Aspect: 1.85:1; 35 mm; Arriflex BL 4S; AUDIO: Dolby SR Color](icons/rgb.png) |
Innocence |
Paul Cox, W, P, M |
|
7.4 |
2000 |
CR![Color; Color](icons/q-rgb.png) |
Luminarias |
José Luis Valenzuela, W, P, M, M |
|
7.4 |
1999 |
C![Color; Aspect: 1.85:1; 35 mm; AUDIO: DTS, Dolby Digital, SDDS Color](icons/rgb.png) |
The Big Tease |
Kevin Allen, W, W, P, M |
|
7.4 |
1998 |
C![Color; Aspect: 1.85:1; 35 mm; AUDIO: Dolby SR Color](icons/rgb.png) |
Relax... It's Just Sex |
P.J. Castellaneta, W, P, M |
|
7.4 |
1998 |
AAdC![Black and White; Aspect: 1.85:1 Black and White](icons/bw.png) |
Samurai Fiction |
Hiroyuki Nakano, W, W, P, M «SF: Episode One» |
|
7.4 |
1998 |
DR![Color; Aspect: 2.35:1; 35 mm (Kodak Vision 250D 5246, Vision 500T 5279); Super 35; Aaton 35-III, Zeiss Super Speed and Canon Lenses Moviecam Compact, Zeiss Super Speed and Canon Lenses; AUDIO: DTS-Stereo Color](icons/rgb.png) |
Under the Sun |
Colin Nutley, W, W, ++, P «Under solen» |
|
7.4 |
1997 |
CD![Color; Aspect: 1.85:1; AUDIO: Dolby Digital Color](icons/q-rgb.png) |
Dream with the Fishes |
Finn Taylor, W, W, ++, P, M |
|
7.4 |
1996 |
D![Color; Aspect: 1.66:1; 16 mm (Kodak); Super 16; AUDIO: Dolby Color](icons/rgb.png) |
La promesse |
Jean-Pierre Dardenne, Luc Dardenne, W, W, P, M, M |
|
7.4 |
1994 |
CFSp![Color (Technicolor); Aspect: 1.85:1; 35 mm; Panavision Cameras and Lenses; AUDIO: Dolby, DTS, SDDS (8 channels) Color (Technicolor)](icons/rgb.png) |
Little Big League |
Andrew Scheinman, W, ++, P, M |
|
7.4 |
1994 |
C![Color (Eastmancolor); Aspect: 1.85:1; 35 mm; AUDIO: Dolby SR, Dolby Color (Eastmancolor)](icons/rgb.png) |
Maybe... Maybe Not |
Sönke Wortmann, W, W, P, M «Der bewegte Mann» |
|
7.4 |
1994 |
CDHMR![Color (Technicolor); Aspect: 1.85:1; 35 mm; Panavision Cameras and Lenses; AUDIO: Dolby Color (Technicolor)](icons/rgb.png) |
Princess Caraboo |
Michael Austin, W, W, P, M |
|
7.4 |
1993 |
DRWe![Color (Technicolor); Aspect: 1.85:1; Panavision Cameras and Lenses; AUDIO: Dolby Color (Technicolor)](icons/q-rgb.png) |
The Ballad of Little Jo |
Maggie Greenwald, W, P, M |
|
7.4 |
1993 |
C![Color; Aspect: 1.85:1; 35 mm Super 16; AUDIO: Stereo, Dolby (DVD version) (as Dolby Surround) Color](icons/rgb.png) |
The Making of '...And God Spoke' |
Arthur Borman, W, W, ++, P, M |
|
7.4 |
1993 |
BDMc![Color; AUDIO: Stereo Color](icons/q-rgb.png) |
Thirty Two Short Films About Glenn Gould |
François Girard, W, W, ++, P |
|
7.4 |
1992 |
CD![Color (Eastmancolor); 35 mm; AUDIO: Dolby SR Color (Eastmancolor)](icons/rgb.png) |
Just Like a Woman |
Christopher Monger, W, W, P, M |
|
7.4 |
1991 |
CHoSf![Color; Aspect: 1.78:1; 35 mm; AUDIO: Mono Color](icons/rgb.png) |
There's Nothing Out There |
Rolfe Kanefsky, W, P, M |
|
7.4 |
1990 |
AAdCCrD![Color; Aspect: 1.85:1; 35 mm; Panavision Cameras and Lenses; AUDIO: Dolby Color](icons/rgb.png) |
Flashback |
Franco Amurri, W, P, M |
|
7.4 |
1990 |
DC![Color (Eastmancolor); Aspect: 1.85:1; Arriflex Cameras; AUDIO: Mono Color (Eastmancolor)](icons/q-rgb.png) |
The Match Factory Girl |
Aki Kaurismäki, W, P «Tulitikkutehtaan tyttö» |
|
7.4 |
1989 |
DHW![Black and White; Aspect: 1.85:1; 35 mm; AUDIO: Dolby SR Black and White](icons/bw.png) |
Black Rain |
Shôhei Imamura, W, W, ++, P, M «Kuroi ame» |
|
7.4 |
1989 |
CMc![Color (Eastmancolor); Aspect: 1.85:1; AUDIO: Dolby Color (Eastmancolor)](icons/q-rgb.png) |
Leningrad Cowboys Go America |
Aki Kaurismäki, W, W, ++, P, M |
|
7.4 |
1987 |
D![Color; Aspect: 1.66:1 Color](icons/q-rgb.png) |
Blind Chance |
Krzysztof Kieslowski, W, P, M «Przypadek» |
|
7.4 |
1977 |
D![Color (Metrocolor); Aspect: 1.85:1; 35 mm; AUDIO: Mono Color (Metrocolor)](icons/rgb.png) |
Opening Night |
John Cassavetes, W, P, M |
|
7.4 |
1977 |
CrMCD![Color, Color (Metrocolor); Aspect: 1.85:1; 35 mm; Lenses and Panaflex Camera by Panavision; AUDIO: Mono Color, Color (Metrocolor)](icons/rgb.png) |
The Late Show |
Robert Benton, W, P, M |
|
7.4 |
1975 |
AdD![Color (Technicolor); Aspect: 2.35:1; 35 mm; Todd-AO 35 (anamorphic); AUDIO: Mono (Westrex Recording System) Color (Technicolor)](icons/rgb.png) |
The Great Waldo Pepper |
George Roy Hill, W, W, P, M |
|
7.4 |
1974 |
CD![Color (Metrocolor); Aspect: 2.35:1; 35 mm; Panavision (anamorphic); AUDIO: Mono Color (Metrocolor)](icons/rgb.png) |
California Split |
Robert Altman, W, P |
|
7.4 |
1974 |
D![Color; Aspect: 2.35:1; 35 mm; Panavision (anamorphic); AUDIO: Mono (Westrex Recording System) Color](icons/rgb.png) |
Conrack |
Martin Ritt, W, W, ++, P, M |
|
7.4 |
1974 |
AC![Color (Eastmancolor); Aspect: 1.85:1; 35 mm; AUDIO: Mono Color (Eastmancolor)](icons/rgb.png) |
Watch Out, We're Mad |
Marcello Fondato, W, W, ++, P, M, M «...altrimenti ci arrabbiamo!» |
|
7.4 |
1973 |
DR![Black and White; Aspect: 1.37:1; 16 mm; AUDIO: Mono Black and White](icons/bw.png) |
The Mother and the Whore |
Jean Eustache, W, P «La maman et la putain» |
|
7.4 |
1972 |
CDWe![Color (Eastmancolor); Aspect: 1.85:1; 35 mm; AUDIO: Mono Color (Eastmancolor)](icons/rgb.png) |
Greaser's Palace |
Robert Downey Sr., W, P, M |
|
7.4 |
1969 |
CDW![Color (Technicolor); Aspect: 2.35:1; 35 mm; Panavision (anamorphic); AUDIO: Mono Color (Technicolor)](icons/rgb.png) |
The Secret of Santa Vittoria |
Stanley Kramer, W, W, ++, P, M |
|
7.4 |
1969 |
CD![Color (Technicolor); Aspect: 1.85:1; 35 mm; AUDIO: Mono Color (Technicolor)](icons/rgb.png) |
The Sterile Cuckoo |
Alan J. Pakula, W, W, P, M |
|
7.4 |
1967 |
DHR![Black and White; Aspect: 2.35:1; 35 mm; (anamorphic); AUDIO: Mono Black and White](icons/bw.png) |
Marketa Lazarová |
Frantisek Vlácil, W, W, ++, P, M |
|
7.4 |
1965 |
AdD![Color; Aspect: 2.35:1; 35 mm; CinemaScope; AUDIO: Mono (Westrex Recording System) Color](icons/rgb.png) |
A High Wind in Jamaica |
Alexander Mackendrick, W, W, ++, P, M |
|
7.4 |
1965 |
TD![Color (Technicolor); Aspect: 1.85:1; 35 mm; AUDIO: Mono (Westrex Recording System) Color (Technicolor)](icons/rgb.png) |
Moment to Moment |
Mervyn LeRoy, W, W, P, M |
|
7.4 |
1964 |
DR![Black and White; Aspect: 1.66:1; 35 mm; AUDIO: Mono Black and White](icons/bw.png) |
The Soft Skin |
François Truffaut, W, W, P, M «La peau douce» |
|
7.4 |
1961 |
AdFan![Color (Eastmancolor); Aspect: 2.35:1; 35 mm; CinemaScope; AUDIO: Mono Color (Eastmancolor)](icons/rgb.png) |
The Thief of Baghdad |
Arthur Lubin, Bruno Vailati, W, W, ++, P, M «Il ladro di Bagdad» |
|
7.4 |
1956 |
AAdBDH![Color (Eastmancolor); Aspect: 1.37:1; 35 mm; AUDIO: Mono Color (Eastmancolor)](icons/rgb.png) |
Samurai III: Duel at Ganryu Island |
Hiroshi Inagaki, W, W, ++, P, M «Miyamoto Musashi kanketsuhen: kettô Ganryûjima» |
|
7.4 |
1955 |
D![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono Black and White](icons/bw.png) |
Death of a Cyclist |
Juan Antonio Bardem, W, W, P, M «Muerte de un ciclista» |
|
7.4 |
1954 |
DHRW![Color (Technicolor); Aspect: 1.66:1; 35 mm; AUDIO: Mono (Western Electric Sound System) Color (Technicolor)](icons/rgb.png) |
Senso |
Luchino Visconti, W, W, ++, P, P |
|
7.4 |
1953 |
DHR![Color (Eastmancolor); Aspect: 1.37:1; 35 mm (Eastman 25T 5248); AUDIO: Mono (Western Electric Recording) Color (Eastmancolor)](icons/rgb.png) |
Gate of Hell |
Teinosuke Kinugasa, W, W, ++, P, M «Jigokumon» |
|
7.4 |
1952 |
CrD![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Recording) Black and White](icons/bw.png) |
Deadline - U.S.A. |
Richard Brooks, W, P, M, M |
|
7.4 |
1950 |
CR![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (RCA Sound System) Black and White](icons/bw.png) |
Champagne for Caesar |
Richard Whorf, W, W, P, M |
|
7.4 |
1950 |
D![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono Black and White](icons/bw.png) |
Scandal |
Akira Kurosawa, W, W, P, M «Shûbun» |
|
7.4 |
1947 |
CrDMc![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Variable Density) Black and White](icons/bw.png) |
Quai des Orfèvres |
Henri-Georges Clouzot, W, W, ++, P, M |
|
7.4 |
1947 |
C![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (RCA Sound System) Black and White](icons/bw.png) |
The Farmer's Daughter |
H.C. Potter, W, W, ++, P, M |
|
7.4 |
1944 |
D![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Recording) Black and White](icons/bw.png) |
The Keys of the Kingdom |
John M. Stahl, W, W, ++, P, M |
|
7.4 |
1943 |
AdDF![Color (Technicolor); Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Sound System) Color (Technicolor)](icons/rgb.png) |
Lassie Come Home |
Fred M. Wilcox, W, W, P, P, M |
|
7.4 |
1941 |
BDR![Color (Technicolor); Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Sound System) Color (Technicolor)](icons/rgb.png) |
Blossoms in the Dust |
Mervyn LeRoy, W, W, ++, P, P, M |
|
7.4 |
1937 |
DM![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono Black and White](icons/bw.png) |
They Won't Forget |
[ Mervyn LeRoy ], W, W, ++, P, M |
|
7.4 |
1936 |
D![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono Black and White](icons/bw.png) |
The Green Pastures |
Marc Connelly, William Keighley, W, W, ++, P, M |
|
7.4 |
1933 |
DR![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono Black and White](icons/bw.png) |
Employees' Entrance |
Roy Del Ruth, W, W, P |
|
7.4 |
1932 |
D![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Sound System) Black and White](icons/bw.png) |
Downstairs |
[ Monta Bell ], W, W, ++, P |
|
7.4 |
1932 |
DR![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Sound System) Black and White](icons/bw.png) |
Skyscraper Souls |
Edgar Selwyn, W, W, ++, P, M |
|
7.4 |
1930 |
CMl![Color (2-strip Technicolor); Aspect: 1.37:1; AUDIO: Mono (Western Electric Sound System) Color (2-strip Technicolor)](icons/q-rgb.png) |
Whoopee! |
Thornton Freeland, W, W, ++, P, P, P |
|
7.4 |
1929 |
CDRSf![Black and White; Silent](icons/bw.png) |
By Rocket to the Moon |
Fritz Lang, W, W, ++, P, P, P++, M, M «Frau im Mond» |
|
7.4 |
1925 |
ACDHR![Black and White; Silent](icons/bw.png) |
The Eagle |
Clarence Brown, W, W, ++, P, P, M, M, M |
|
7.4 |
1922 |
AdRF![Black and White; Silent](icons/bw.png) |
Robin Hood |
Allan Dwan, W, ++, P, P, M |