|
7.6 |
2014 |
DR![Color; Aspect: 2.35:1; Red Epic Color](icons/d-rgb.png) |
500 Miles |
Ashlee Jensen, W, W, P, P, M |
|
7.6 |
2014 |
CrMT![Color; Color](icons/q-rgb.png) |
Man from Reno |
Dave Boyle, W, W, ++, P |
|
7.6 |
2013 |
D![Color; SxS Pro; Arri Alexa, Cooke S4 and Angenieux Optimo Lenses Color](icons/d-rgb.png) |
The Inevitable Defeat of Mister and Pete |
George Tillman Jr., W, P, M, M |
|
7.6 |
2012 |
D![Color; Aspect: 1.85:1; 16 mm (Fuji); Super 16; Arriflex Cameras Red One Camera Color](icons/rgb.png) |
Least Among Saints |
Martin Papazian, W, P, M |
|
7.6 |
2011 |
D![Color; Aspect: 1.85:1; Redcode RAW; Digital Intermediate (2K) (master format) Redcode RAW (source format); Red One Camera, Zeiss and Angenieux Lenses; AUDIO: Dolby Digital Color](icons/d-rgb.png) |
A Simple Life |
Ann Hui, W, W, P, M «Tao jie» |
|
7.6 |
2011 |
ADH![Color; Aspect: 2.35:1; 35 mm; Digital Intermediate (2K) (master format) Super 35 (3-perf) (source format); Arricam LT, Zeiss Master Prime Lenses Arricam ST, Zeiss Master Prime Lenses Color](icons/rgb.png) |
Warriors of the Rainbow: Seediq Bale |
Te-Sheng Wei, W, P «Sàidékè balái» |
|
7.6 |
2010 |
AT![Color; Aspect: 1.66:1; AUDIO: Stereo Color](icons/q-rgb.png) |
Jersey Justice |
John Charles Hunt, W, P, M |
|
7.6 |
2010 |
C![Black and White, Color; Aspect: 1.85:1; 35 mm Super 16 Super 8; AUDIO: Dolby Digital Black and White, Color](icons/rgb-bw.png) |
The Names of Love |
Michel Leclerc, W, W, P, M, M «Le nom des gens» |
|
7.6 |
2009 |
D![Color; AUDIO: Dolby Digital Color](icons/q-rgb.png) |
Blessed |
Ana Kokkinos, W, W, ++, P, M |
|
7.6 |
2007 |
DR![Color; Color](icons/q-rgb.png) |
Anwar |
Manish Jha, W, W, P, M, M, M |
|
7.6 |
2007 |
DHo![Color, Black and White; Aspect: 1.33:1; 8 mm Video; DV Super 8; Canon Optura Keystone Super 8 Camera; AUDIO: Dolby Digital (RCA Sound System) Color, Black and White](icons/rgb-bw.png) |
Head Case |
Anthony Spadaccini, W, P, P, P |
|
7.6 |
2006 |
ACrT![Color; Aspect: 2.35:1; 35 mm; AUDIO: Dolby Digital Color](icons/rgb.png) |
A Dirty Carnival |
Ha Yoo, W, P, M «Biyeolhan geori» |
|
7.6 |
2006 |
D![Color; 35 mm; AUDIO: Dolby Digital Color](icons/rgb.png) |
Anche libero va bene |
Kim Rossi Stuart, W, W, ++, P, M |
|
7.6 |
2006 |
DR![Color; Aspect: 2.35:1; 35 mm; AUDIO: Dolby Digital Color](icons/rgb.png) |
Eternal Summer |
Leste Chen, W, W, P, M «Sheng xia guang nian» |
|
7.6 |
2006 |
C![Color; Color](icons/q-rgb.png) |
The Penalty King |
Chris Cook, W, P, P, P++, M |
|
7.6 |
2004 |
CDFR![Color; Video; DVCAM DV Color](icons/v-rgb.png) |
Boats Out of Watermelon Rinds |
Ahmet Ulucay, W, P, M, M «Karpuz kabugundan gemiler yapmak» |
|
7.6 |
2003 |
DHoR![Color; 35 mm; AUDIO: Dolby Digital Color](icons/rgb.png) |
Rhinoceros Eyes |
Aaron Woodley, W, P, M, M |
|
7.6 |
2003 |
CCrM![Color; Aspect: 1.85:1; AUDIO: DTS Color](icons/q-rgb.png) |
Slim Susie |
Ulf Malmros, W, W, P «Smala Sussie» |
|
7.6 |
2002 |
D![Color; Aspect: 2.35:1; 35 mm; AUDIO: Dolby Digital Color](icons/rgb.png) |
En la ciudad sin límites |
Antonio Hernández, W, W, P, M |
|
7.6 |
2001 |
DCr![Color; Aspect: 1.78:1; 35 mm; AUDIO: Dolby Color](icons/rgb.png) |
My Kingdom |
Don Boyd, W, W, ++, P, M, M |
|
7.6 |
2000 |
ACrT![Color; Aspect: 2.35:1; 35 mm; AUDIO: Dolby Digital Color](icons/rgb.png) |
Leak |
Jean van de Velde, W, W, ++, P, M «Lek» |
|
7.6 |
2000 |
CrDT![Color; Color](icons/q-rgb.png) |
Under Hellgate Bridge |
Michael Sergio, W, P, M, M |
|
7.6 |
2000 |
C![Color; AUDIO: Dolby Digital Color](icons/q-rgb.png) |
We Married Margo |
J.D. Shapiro, W, W, P, M, M, M++ |
|
7.6 |
1999 |
CDRA![Color (Eastmancolor); Aspect: 1.85:1; 35 mm; AUDIO: Dolby SR Color (Eastmancolor)](icons/rgb.png) |
Gigantics |
Sebastian Schipper, W, P «Absolute Giganten» |
|
7.6 |
1998 |
DMR![Color; Aspect: 2.35:1; 35 mm; Panavision (anamorphic); AUDIO: DTS, Dolby Digital Color](icons/rgb.png) |
The School of Flesh |
Benoît Jacquot, W, W, P «L'école de la chair» |
|
7.6 |
1997 |
DTCr![Color; Aspect: 1.33:1; AUDIO: Ultra Stereo Color](icons/q-rgb.png) |
The Boys Club |
John Fawcett, W, W, P, M, M |
|
7.6 |
1996 |
DRW![Color (Metrocolor); AUDIO: Dolby, Dolby SR Color (Metrocolor)](icons/q-rgb.png) |
Carla's Song |
Ken Loach, W, P, M |
|
7.6 |
1995 |
DR![Color; Aspect: 1.85:1; 35 mm; AUDIO: Dolby Digital Color](icons/rgb.png) |
Angel Baby |
Michael Rymer, W, P, M, M, M |
|
7.6 |
1994 |
AAdCFanR![Color; Aspect: 1.85:1; 35 mm; AUDIO: Mono Color](icons/rgb.png) |
A Chinese Odyssey Part One: Pandora's Box |
Jeffrey Lau, W, W, P «Sai yau gei: Dai yat baak ling yat wui ji - Yut gwong bou haap» |
|
7.6 |
1993 |
CrD![Color (Technicolor); Aspect: 1.85:1; 35 mm (Eastman EXR 50D 5245, EXR 500T 5296); AUDIO: Mono Color (Technicolor)](icons/rgb.png) |
Amongst Friends |
Rob Weiss, W, P |
|
7.6 |
1991 |
R? |
A Scene at the Sea |
Takeshi Kitano, W, P, M «Ano natsu, ichiban shizukana umi» |
|
7.6 |
1988 |
DMc![Color; 35 mm (Eastman Kodak); Panavision Cameras and Lenses; AUDIO: Dolby Color](icons/rgb.png) |
Madame Sousatzka |
John Schlesinger, W, W, ++, P, M |
|
7.6 |
1986 |
CrDM![Color; Color](icons/q-rgb.png) |
"The Return of Sherlock Holmes" The Man with the Twisted Lip |
Patrick Lau, W, W, ++, P, M |
|
7.6 |
1979 |
CCr![Color (Eastmancolor) (uncredited); Aspect: 1.85:1; 35 mm; AUDIO: Mono Color (Eastmancolor) (uncredited)](icons/rgb.png) |
Doing Time |
Dick Clement, W, W, P «Porridge» |
|
7.6 |
1978 |
CMl![Black and White, Color; Aspect: 1.85:1; 35 mm; AUDIO: Mono Black and White, Color](icons/rgb-bw.png) |
Movie Movie |
Stanley Donen, W, W, P, P, M |
|
7.6 |
1977 |
CrD![Color (Technicolor); Aspect: 1.85:1; 35 mm; Panavision Cameras and Lenses; AUDIO: Mono Color (Technicolor)](icons/rgb.png) |
The Squeeze |
Michael Apted, W, W, P, M |
|
7.6 |
1972 |
ACrT![Color; Aspect: 1.85:1; AUDIO: Mono Color](icons/q-rgb.png) |
Caliber 9 |
Fernando Di Leo, W, W, P, M, M «Milano calibro 9» |
|
7.6 |
1972 |
D![Color (Eastmancolor); Aspect: 1.85:1; 35 mm; AUDIO: Mono Color (Eastmancolor)](icons/rgb.png) |
Cisco Pike |
Bill L. Norton, W, ++, P |
|
7.6 |
1972 |
AD![Color; Aspect: 2.35:1; 35 mm; Dyaliscope; AUDIO: Mono Color](icons/rgb.png) |
Hapkido |
Feng Huang, W, P, M «He qi dao» |
|
7.6 |
1970 |
D![Color; 16 mm; Eclair ACL; AUDIO: Mono Color](icons/rgb.png) |
Goin' Down the Road |
Donald Shebib, W, ++, P, M |
|
7.6 |
1970 |
C![Black and White, Color; Aspect: 1.85:1; 35 mm; AUDIO: Mono Black and White, Color](icons/rgb-bw.png) |
What Do You Say to a Naked Lady? |
Allen Funt, W, P, P, P++, M |
|
7.6 |
1969 |
D![Color (Technicolor); 35 mm; AUDIO: Mono Color (Technicolor)](icons/rgb.png) |
80 Steps to Jonah |
Gerd Oswald, W, ++, P, M |
|
7.6 |
1968 |
CD![Color (Technicolor); Aspect: 1.78:1; 35 mm; AUDIO: Mono Color (Technicolor)](icons/rgb.png) |
Bye Bye Braverman |
Sidney Lumet, W, W, P, M |
|
7.6 |
1963 |
D![Color (Eastmancolor); Aspect: 2.35:1; 35 mm; Daieiscope; AUDIO: Mono Color (Eastmancolor)](icons/rgb.png) |
An Actor's Revenge |
Kon Ichikawa, W, W, ++, P, M, M «Yukinojô henge» |
|
7.6 |
1962 |
Sf![Color; Color](icons/q-rgb.png) |
Planeta Bur |
Pavel Klushantsev, W, W, P, M, M |
|
7.6 |
1953 |
ADW![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Recording) Black and White](icons/bw.png) |
Sailor of the King |
Roy Boulting, W, W, P, M «Single-Handed» |
|
7.6 |
1952 |
C![Color (Technicolor); Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Recording) Color (Technicolor)](icons/rgb.png) |
Has Anybody Seen My Gal |
Douglas Sirk, W, W, P, M |
|
7.6 |
1952 |
AAdF![Color (Technicolor); Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Recording) Color (Technicolor)](icons/rgb.png) |
The Story of Robin Hood and His Merrie Men |
Ken Annakin, W, P, M |
|
7.6 |
1951 |
We![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono Black and White](icons/bw.png) |
Little Big Horn |
Charles Marquis Warren, W, W, P, M |
|
7.6 |
1949 |
D![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric) Black and White](icons/bw.png) |
Bitter Rice |
Giuseppe De Santis, W, ++, P, M «Riso amaro» |
|
7.6 |
1941 |
DR![Black and White; AUDIO: Mono (Western Electric Mirrophonic Recording) Black and White](icons/bw.png) |
Hold Back the Dawn |
Mitchell Leisen, W, W, ++, P, M |
|
7.6 |
1932 |
DR![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Sound System) Black and White](icons/bw.png) |
Smilin' Through |
Sidney Franklin, W, W, ++, P |
|
7.6 |
1932 |
DFanM![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Tobis-Klangfilm) Black and White](icons/bw.png) |
The Blue Light |
Leni Riefenstahl, ++, W, W, ++, P, P, M «Das blaue Licht» |
|
7.6 |
1931 |
CR![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Sound System) Black and White](icons/bw.png) |
Just a Gigolo |
Jack Conway, W, W, ++, P |
|
7.6 |
1930 |
DRT![Black and White; Aspect: 1.20:1; 35 mm; AUDIO: Mono (Western Electric Sound System) Black and White](icons/bw.png) |
The Big House |
George W. Hill, ++, W, W, ++, P |
|
7.6 |
1930 |
DRW![Black and White; Aspect: 1.20:1; 35 mm; AUDIO: Mono (Tobis-Klangfilm) Black and White](icons/bw.png) |
Westfront 1918 |
Georg Wilhelm Pabst, W, W, ++, P, P, M |
|
7.6 |
1929 |
D![Black and White; Silent](icons/bw.png) |
Asphalt |
Joe May, W, W, ++, P, M, M |
|
7.6 |
1925 |
ACDRW![Black and White; Silent](icons/bw.png) |
Lazybones |
Frank Borzage, W, W, P, P, M |
|
7.6 |
1924 |
DAdFan![Black and White; Silent](icons/bw.png) |
Kriemhild's Revenge |
Fritz Lang, W, P, P, M «Die Nibelungen: Kriemhilds Rache» |
|
7.5 |
2014 |
AdCSp![Color; Color](icons/q-rgb.png) |
Montevideo, vidimo se! |
Dragan Bjelogrlic, W, W, ++, P, M |
|
7.5 |
2014 |
CHo![Color; Color](icons/q-rgb.png) |
Yaamirukka Bayamey |
Deekay, W, P |
|
7.5 |
2013 |
MT![Color; Color](icons/q-rgb.png) |
Memories |
Jeethu Joseph, W, P, M |
|
7.5 |
2012 |
CD![Color; Aspect: 1.85:1; 16 mm (Fuji Eterna 500T 8673, Reala 500D 8692); Digital Intermediate (2K) (master format) Super 16 (source format); Arriflex 416 Color](icons/rgb.png) |
Mighty Fine |
Debbie Goodstein, P, M |
|
7.5 |
2011 |
D![Color; Aspect: 2.35:1; 35 mm; AUDIO: Dolby Digital Color](icons/rgb.png) |
Chinese Take-Out |
Sebastián Borensztein, W, P, M «Un cuento chino» |
|
7.5 |
2011 |
D![Color; Aspect: 1.85:1; 35 mm (Fuji Eterna 500T 8573); Digital Intermediate (2K) (master format) Spherical (source format); Arricam LT, Zeiss and Angenieux Lenses Arricam ST, Zeiss and Angenieux Lenses; AUDIO: Dolby Digital, DTS-Stereo Color](icons/rgb.png) |
I Wish |
Hirokazu Koreeda, W, P «Kiseki» |
|
7.5 |
2010 |
CCrMcRT![Color; Aspect: 2.35:1; 35 mm (Fuji Super F-64D 8522, Eterna 250T 8553, Eterna 250D 8563, Eterna 500T 8573, Eterna 400T 8583, Reala 500D 8592); Super 35; Arricam LT, Zeiss Ultra Prime and Angenieux Optimo Lenses Arriflex 435 ES, Zeiss Ultra Prime and Angenieux Optimo Lenses Color](icons/rgb.png) |
Sound of Noise |
Ola Simonsson, Johannes Stjärne Nilsson, W, ++, P, M, M, M |
|
7.5 |
2010 |
ADT![Color; Aspect: 2.35:1; 35 mm (Fuji Eterna Vivid 160T 8543, Eterna Vivid 500T 8547, Reala 500D 8592); Digital Intermediate (2K) (master format) Super 35 (source format); Arricam Cameras, Zeiss and Angenieux Lenses Arriflex 435 Xtreme, Zeiss and Angenieux Lenses Moviecam Compact, Zeiss and Angenieux Lenses; AUDIO: Dolby Digital Color](icons/rgb.png) |
The Stool Pigeon |
Dante Lam, W, W, P, M «Sin yan» |
|
7.5 |
2008 |
DR![Color; Aspect: 1.85:1; 35 mm; Digital Intermediate (2K) (master format) Super 35 (3-perf) (source format); Moviecam Compact, Zeiss Super Speed Lenses Color](icons/rgb.png) |
Lovely, Still |
Nicholas Fackler, W, W, P, M, M |
|
7.5 |
2006 |
D![Color; Aspect: 1.85:1; AUDIO: Dolby Digital Color](icons/q-rgb.png) |
Takva: A Man's Fear of God |
Özer Kiziltan, W, P, M «Takva» |
|
7.5 |
2006 |
AdDR![Color; Aspect: 2.35:1; 35 mm; Hawk Scope (anamorphic); Arriflex 435, Hawk Lenses Moviecam Compact, Hawk Lenses; AUDIO: Dolby Digital Color](icons/rgb.png) |
Valley of Flowers |
Pan Nalin, W, W, ++, P, M, M |
|
7.5 |
2004 |
DR![Color; Aspect: 2.35:1; 35 mm (Kodak Vision2 250D 5205, Vision2 500T 5218); Digital Intermediate (2K) (master format) Panavision (anamorphic) (source format); Panavision Panaflex Gold II, Panavision C-Series Lenses Panavision Panaflex Millennium XL, Panavision C-Series Lenses Panavision Panaflex Platinum, Panavision C-Series Lenses; AUDIO: Dolby Digital Color](icons/rgb.png) |
Crying Out Love in the Center of the World |
Isao Yukisada, W, W, ++, P, M, M «Sekai no chûshin de, ai o sakebu» |
|
7.5 |
2004 |
DR![Color; Aspect: 1.66:1; AUDIO: Dolby Digital, Dolby SR Color](icons/q-rgb.png) |
Or |
Keren Yedaya, W, W, P |
|
7.5 |
2004 |
CD![Color; AUDIO: Dolby SR Color](icons/q-rgb.png) |
University of Laughs |
Mamoru Hoshi, W, P, M «Warai no daigaku» |
|
7.5 |
2003 |
CDR![Color; Color](icons/q-rgb.png) |
Hungama |
Priyadarshan, W, ++, P, M, M |
|
7.5 |
2003 |
D![Color; 35 mm; AUDIO: Dolby Digital Color](icons/rgb.png) |
The Event |
Thom Fitzgerald, W, W, ++, P, M |
|
7.5 |
2002 |
CRA![Color; Aspect: 1.85:1; 35 mm; Digital Intermediate (master format) Spherical (source format); Arriflex Cameras; AUDIO: Dolby Digital EX Color](icons/rgb.png) |
Chinese Odyssey 2002 |
Jeffrey Lau, W, P, M, M «Tian xia wu shuang» |
|
7.5 |
2002 |
CF![Color; Color](icons/q-rgb.png) |
Grand Champion |
Barry Tubb, W, P |
|
7.5 |
2002 |
ACCrR![Color; Aspect: 1.85:1; Arriflex Cameras Sony DCR-VX1000 (one scene); AUDIO: Dolby Digital, SDDS Color](icons/q-rgb.png) |
Love and a Bullet |
Kantz, Ben Ramsey, W, W, P, M, M |
|
7.5 |
2001 |
CDR![Color; Aspect: 1.70:1 Color](icons/q-rgb.png) |
Brief Crossing |
Catherine Breillat, W, P, M, M, M «Brève traversée» |
|
7.5 |
2001 |
CDR![Color; 35 mm; AUDIO: Stereo Color](icons/rgb.png) |
Suddenly Naked |
Anne Wheeler, W, P, M |
|
7.5 |
2000 |
D![Color (Technicolor); Aspect: 1.85:1; 35 mm; AUDIO: Dolby Digital Color (Technicolor)](icons/rgb.png) |
Chinese Coffee |
Al Pacino, W, P, M |
|
7.5 |
2000 |
DR![Black and White (some shots), Color; Aspect: 2.35:1; 35 mm; AUDIO: DTS, Dolby Digital Black and White (some shots), Color](icons/rgb-bw.png) |
Fiza |
Khalid Mohamed, W, W, P, M, M |
|
7.5 |
1999 |
D![Color; Aspect: 1.85:1 Color](icons/q-rgb.png) |
Rollercoaster |
Scott Smith, W, P, M |
|
7.5 |
1998 |
CD![Color; AUDIO: DTS Color](icons/q-rgb.png) |
Reach the Rock |
Bill Ryan, W, P, M |
|
7.5 |
1996 |
DR![Color (Alphacine); Aspect: 1.85:1; 35 mm; Moviecam Camera; AUDIO: Dolby Digital Color (Alphacine)](icons/rgb.png) |
Carried Away |
Bruno Barreto, W, W, P, M |
|
7.5 |
1995 |
CrD![Color; Aspect: 1.85:1; 35 mm (Eastman EXR 200T 5293, EXR 500T 5298); Arriflex 35-IIC, Panavision Primo Lenses Arriflex 35-III, Panavision Primo Lenses Bell & Howell Eyemo, Panavision Primo Lenses Panavision Panaflex Gold II, Panavision Primo Lenses; AUDIO: DTS Color](icons/rgb.png) |
New Jersey Drive |
Nick Gomez, W, ++, P, M |
|
7.5 |
1991 |
DTWe![Color; Aspect: 2.35:1; 35 mm; Panavision (anamorphic); AUDIO: Dolby Color](icons/rgb.png) |
Clearcut |
Ryszard Bugajski, W, W, P, M |
|
7.5 |
1987 |
AdF![Color; Aspect: 1.85:1; AUDIO: Dolby Color](icons/q-rgb.png) |
Benji the Hunted |
Joe Camp, W, P, M, M |
|
7.5 |
1987 |
DR![Color; 35 mm; AUDIO: Dolby Color](icons/rgb.png) |
The Year My Voice Broke |
John Duigan, W, P, M |
|
7.5 |
1983 |
Ho![Color; Aspect: 1.85:1; 35 mm; AUDIO: Mono Color](icons/rgb.png) |
Mo |
Chih-Hung Kuei, W, W, P, P, P, M, M |
|
7.5 |
1980 |
ADCr![Color; Aspect: 1.85:1; 35 mm; AUDIO: Mono Color](icons/rgb.png) |
Defiance |
John Flynn, W, ++, P, M |
|
7.5 |
1978 |
CDR![Color (Technicolor); Aspect: 1.85:1; 35 mm; AUDIO: Mono Color (Technicolor)](icons/rgb.png) |
House Calls |
Howard Zieff, W, W, ++, P, M |
|
7.5 |
1978 |
AD![Color; Aspect: 2.35:1; 35 mm; (anamorphic); AUDIO: Mono Color](icons/rgb.png) |
She hao ba bu |
Chi-Hwa Chen, W, P, M |
|
7.5 |
1977 |
AD![Color; Aspect: 2.35:1; 35 mm; Shawscope; AUDIO: Mono Color](icons/rgb.png) |
Executioners from Shaolin |
Chia-Liang Liu, W, P, M «Hong Xi Guan» |
|
7.5 |
1974 |
DMc![Color (Technicolor), Color; Aspect: 1.85:1; 35 mm; AUDIO: 4-Track Stereo (35 mm magnetic prints), Mono (35 mm optical prints) Color (Technicolor), Color](icons/rgb.png) |
Stardust |
Michael Apted, W, P |
|
7.5 |
1970 |
C![Color (Technicolor); Aspect: 1.66:1; 35 mm; AUDIO: Mono Color (Technicolor)](icons/rgb.png) |
Hoffman |
Alvin Rakoff, W, P, M |
|
7.5 |
1970 |
C![Color (Technicolor); 35 mm; AUDIO: Mono Color (Technicolor)](icons/rgb.png) |
The Rise and Rise of Michael Rimmer |
Kevin Billington, W, W, ++, P, M |
|
7.5 |
1967 |
AD![Color; Aspect: 2.35:1; 35 mm; Shawscope; AUDIO: Mono Color](icons/rgb.png) |
The One-Armed Swordsman |
Cheh Chang, W, W, P, M «Dubei dao» |
|
7.5 |
1960 |
CrT![Black and White; Aspect: 2.35:1; 35 mm; Hammerscope; AUDIO: Mono (RCA Sound Recording) Black and White](icons/bw.png) |
Hell Is a City |
Val Guest, W, W, P, M |
|
7.5 |
1960 |
CrDRT![Black and White; Aspect: 1.66:1; 35 mm; AUDIO: Mono (Western Electric-Optiphone) Black and White](icons/bw.png) |
The Big Risk |
Claude Sautet, W, W, ++, P, M «Classe tous risques» |
|
7.5 |
1960 |
D![Black and White; Aspect: 1.85:1; 35 mm; AUDIO: Mono (RCA High Fidelity) Black and White](icons/bw.png) |
The Young One |
Luis Buñuel, W, W, ++, P |
|
7.5 |
1958 |
MT![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (RCA Sound Recording) Black and White](icons/bw.png) |
Chase a Crooked Shadow |
Michael Anderson, W, W, P, M |
|
7.5 |
1958 |
DW![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono Black and White](icons/bw.png) |
Orders to Kill |
Anthony Asquith, W, W, ++, P, M |
|
7.5 |
1956 |
D![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono Black and White](icons/bw.png) |
Street of Shame |
Kenji Mizoguchi, W, W, P, M «Akasen chitai» |
|
7.5 |
1955 |
D![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono Black and White](icons/bw.png) |
Dreams |
Ingmar Bergman, W, P «Kvinnodröm» |
|
7.5 |
1951 |
CFSp![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Recording) Black and White](icons/bw.png) |
Rhubarb |
Arthur Lubin, W, W, ++, P, M |
|
7.5 |
1950 |
ND![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Recording) Black and White](icons/bw.png) |
The Sound of Fury |
Cy Endfield, W, ++, P, M |
|
7.5 |
1947 |
DMR![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Recording) Black and White](icons/bw.png) |
So Well Remembered |
Edward Dmytryk, W, W, P, M |
|
7.5 |
1946 |
CM![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono, Mono (RCA Sound System) Black and White](icons/bw.png) |
Home, Sweet Homicide |
Lloyd Bacon, W, W, P, M |
|
7.5 |
1944 |
DT![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Recording) Black and White](icons/bw.png) |
The Suspect |
Robert Siodmak, W, W, ++, P, M |
|
7.5 |
1943 |
DW![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (BAF Sound System) Black and White](icons/bw.png) |
Millions Like Us |
Sidney Gilliat, Frank Launder, W, W, P, P |
|
7.5 |
1932 |
D![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Sound System) Black and White](icons/bw.png) |
Are You Listening? |
Harry Beaumont, W, P, M |
|
7.5 |
1929 |
D![Black and White; Aspect: 1.20:1; 35 mm; AUDIO: Mono (Western Electric System) Black and White](icons/bw.png) |
Dynamite |
Cecil B. DeMille, W, W, ++, P |
|
7.4 |
2013 |
![Color; Aspect: 1.85:1 Color](icons/q-rgb.png) |
Ilo Ilo |
Anthony Chen, W, P |
|
7.4 |
2012 |
CR![Color; Red One Camera Color](icons/d-rgb.png) |
Love Failure |
Balaji Mohan, W, P, M «Kadhalil Sodhappuvadhu Yeppadi» |
|
7.4 |
2011 |
ACrT![Color; Aspect: 2.35:1; AUDIO: DTS, Dolby Digital Color](icons/q-rgb.png) |
The Prey |
Eric Valette, W, W, P, M «La proie» |
|
7.4 |
2007 |
RSf![Color; Color](icons/q-rgb.png) |
11 Minutes Ago |
Bob Gebert, W, P |
|
7.4 |
2006 |
D![Color; Aspect: 2.35:1; AUDIO: Dolby Digital Color](icons/q-rgb.png) |
Holly |
Guy Moshe, W, W, P, M |
|
7.4 |
2006 |
DR![Color; Aspect: 1.85:1; AUDIO: Dolby Color](icons/q-rgb.png) |
Tuya's Marriage |
Quan'an Wang, W, W, P «Tuya de hun shi» |
|
7.4 |
2005 |
C![Color; Color](icons/q-rgb.png) |
Funky Forest: The First Contact |
Katsuhito Ishii, Hajime Ishimine, ++, W, W, ++, P, P «Naisu no mori: The First Contact» |
|
7.4 |
2005 |
CD![Color; Aspect: 1.85:1; Video (anamorphic 16 : 9); Panasonic AG-DVX100A; AUDIO: Dolby Digital Color](icons/v-rgb.png) |
Hank Williams First Nation |
Aaron James Sorensen, W, P |
|
7.4 |
2005 |
CR![Color; Aspect: 1.85:1; HDCAM; Digital Intermediate (2K) (master format) HDCAM SR (1080p/24) (source format); Sony CineAlta HDC-F950, Fujinon Cine Super E Series Lenses; AUDIO: Dolby Digital Color](icons/h-rgb.png) |
Train Man |
Shôsuke Murakami, W, W, P, M «Densha otoko» |
|
7.4 |
2004 |
C![Color; Aspect: 2.35:1; 35 mm; AUDIO: Dolby, DTS, Dolby Digital, SDDS Color](icons/rgb.png) |
Stella Street |
Peter Richardson, W, W, ++, P, M, M |
|
7.4 |
2002 |
CrDMT![Color; Aspect: 1.85:1; 35 mm; AUDIO: Dolby Color](icons/rgb.png) |
The Adversary |
Nicole Garcia, W, W, ++, P, M «L'adversaire» |
|
7.4 |
2002 |
DFanT![Color; Aspect: 2.35:1; Video (HDTV); HDTV (1080p/24); Sony HDW-F900 (modified by Panavision); AUDIO: DTS, Dolby Digital Color](icons/h-rgb.png) |
The Invisible |
Joel Bergvall, Simon Sandquist, W, W, P, P, M, M «Den osynlige» |
|
7.4 |
2002 |
CD![Color; Aspect: 2.35:1; Video; Digital Video; AUDIO: Dolby Digital Color](icons/v-rgb.png) |
The Last Great Wilderness |
David Mackenzie, W, W, ++, P, M |
|
7.4 |
2001 |
TM![Color; AUDIO: Dolby Digital, DTS Color](icons/q-rgb.png) |
Aks |
Rakeysh Omprakash Mehra, W, ++, P, M, M |
|
7.4 |
2001 |
C![Color; Aspect: 1.85:1; 35 mm Color](icons/rgb.png) |
Lammbock |
Christian Zübert, W, P, M |
|
7.4 |
2000 |
CD![Color; Aspect: 1.66:1; 35 mm; AUDIO: Stereo Color](icons/rgb.png) |
The Day I Became a Woman |
Marzieh Makhmalbaf, W, W, P, P, M «Roozi ke zan shodam» |
|
7.4 |
2000 |
DHRT![Color; Aspect: 1.85:1; 35 mm; AUDIO: Dolby Digital Color](icons/rgb.png) |
The Legend of Rita |
Volker Schlöndorff, W, W, P «Die Stille nach dem Schuß» |
|
7.4 |
1999 |
CR![Color; 35 mm; AUDIO: Dolby Digital Color](icons/rgb.png) |
Seven Girlfriends |
Paul Lazarus, W, W, ++, P, M |
|
7.4 |
1999 |
CD![Color; 35 mm; AUDIO: Stereo Color](icons/rgb.png) |
The Florentine |
Nick Stagliano, W, W, P, M |
|
7.4 |
1998 |
CD![Color; Aspect: 1.37:1; AUDIO: Dolby Digital Color](icons/q-rgb.png) |
Am I Beautiful? |
Doris Dörrie, W, W, ++, P, M «¿Bin ich schön?» |
|
7.4 |
1996 |
DT![Color; 35 mm (Eastman Kodak); AUDIO: Dolby Color](icons/rgb.png) |
Caught |
Robert M. Young, W, P, M |
|
7.4 |
1996 |
D![Color; 35 mm; AUDIO: Dolby Color](icons/rgb.png) |
Small Faces |
Gillies MacKinnon, W, W, P, M |
|
7.4 |
1994 |
AdCF![Color (Technicolor); Aspect: 1.85:1; Panavision Cameras, Primo Lenses; AUDIO: Dolby Color (Technicolor)](icons/q-rgb.png) |
Monkey Trouble |
Franco Amurri, W, W, P, M |
|
7.4 |
1993 |
DR![Color; Aspect: 2.35:1; 35 mm; Panavision (anamorphic); AUDIO: Dolby SR Color](icons/rgb.png) |
Germinal |
Claude Berri, W, W, ++, P, M |
|
7.4 |
1993 |
D![Color; Aspect: 1.85:1; 35 mm; AUDIO: Dolby, Dolby SR Color](icons/rgb.png) |
The Blue Kite |
Zhuangzhuang Tian, W, P, M «Lan feng zheng» |
|
7.4 |
1988 |
CD![Color (Metrocolor); Aspect: 1.85:1; 35 mm; AUDIO: Ultra Stereo Color (Metrocolor)](icons/rgb.png) |
Mr. North |
Danny Huston, W, W, ++, P, M |
|
7.4 |
1988 |
D![Color (Eastmancolor); Aspect: 1.66:1; 35 mm; AUDIO: Mono Color (Eastmancolor)](icons/rgb.png) |
Story of Women |
Claude Chabrol, W, W, ++, P, M «Une affaire de femmes» |
|
7.4 |
1988 |
AD![Color; Clairmont Cameras; AUDIO: Dolby Stereo Color](icons/q-rgb.png) |
War Party |
Franc Roddam, W, P, M |
|
7.4 |
1986 |
CD![Color; Aspect: 1.66:1; AUDIO: Mono Color](icons/q-rgb.png) |
Ginger and Fred |
Federico Fellini, W, W, ++, P, P, M «Ginger e Fred» |
|
7.4 |
1986 |
CA![Color; Aspect: 1.85:1; 35 mm; Arriflex Cameras; AUDIO: Mono Color](icons/rgb.png) |
Peking Opera Blues |
Hark Tsui, W, P, M «Do ma daan» |
|
7.4 |
1985 |
CrDM |
"The Adventures of Sherlock Holmes" The Greek Interpreter |
Alan Grint, W, W, ++, P, M |
|
7.4 |
1982 |
AC![Color; Aspect: 2.35:1; 35 mm; (anamorphic); AUDIO: Mono Color](icons/rgb.png) |
Long zhi ren zhe |
Corey Yuen |
|
7.4 |
1982 |
HoTM![Color; Aspect: 1.85:1 Color](icons/q-rgb.png) |
Next of Kin |
Tony Williams, W, W, P, M |
|
7.4 |
1981 |
D![Color (Eastmancolor); Aspect: 2.35:1; 35 mm; AUDIO: Mono Color (Eastmancolor)](icons/rgb.png) |
Beau Pere |
Bertrand Blier, W, P, M «Beau-père» |
|
7.4 |
1976 |
Ho![Color; Aspect: 2.35:1; Nikkatsuscope Color](icons/q-rgb.png) |
Assault! Jack the Ripper |
Yasuharu Hasebe, W «Bôkô Kirisaki Jakku» |
|
7.4 |
1973 |
SfT![Color (Technicolor); Aspect: 1.85:1; 35 mm; AUDIO: Mono Color (Technicolor)](icons/rgb.png) |
The Last Days of Man on Earth |
Robert Fuest, W, W, P, M, M «The Final Programme» |
|
7.4 |
1973 |
ACrDT![Color; 35 mm; AUDIO: Mono Color](icons/rgb.png) |
Zanjeer |
Prakash Mehra, W, ++, P, M, M |
|
7.4 |
1968 |
ADM![Color (Technicolor); Aspect: 2.35:1; 35 mm (2-perf); Techniscope; AUDIO: Mono (Westrex Recording System) Color (Technicolor)](icons/rgb.png) |
P.J. |
John Guillermin, W, ++, P, M |
|
7.4 |
1966 |
D![Black and White; Aspect: 2.35:1; 35 mm; Panavision (anamorphic); AUDIO: Mono Black and White](icons/bw.png) |
Mademoiselle |
Tony Richardson, W, W, P, M |
|
7.4 |
1966 |
CD![Black and White; Aspect: 2.35:1; 35 mm; Nikkatsuscope; AUDIO: Mono Black and White](icons/bw.png) |
The Pornographers |
Shôhei Imamura, W, W, ++, P, M, M «Erogotoshi-tachi yori: Jinruigaku nyûmon» |
|
7.4 |
1963 |
HoMT![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono Black and White](icons/bw.png) |
La maldición de la Llorona |
Rafael Baledón, W, ++, P, M |
|
7.4 |
1960 |
DMl![Black and White; Aspect: 1.33:1; 35 mm Black and White](icons/bw.png) |
The Cloud-Capped Star |
Ritwik Ghatak, W, W, ++, P, M «Meghe Dhaka Tara» |
|
7.4 |
1957 |
C![Black and White; Aspect: 1.85:1; 35 mm; AUDIO: Mono (Westrex Recording System) Black and White](icons/bw.png) |
All at Sea |
Charles Frend, W, P, M «Barnacle Bill» |
|
7.4 |
1957 |
D![Black and White; 35 mm; AUDIO: Mono Black and White](icons/bw.png) |
Il grido |
Michelangelo Antonioni, W, W, ++, P, M |
|
7.4 |
1956 |
D![Color (Trucolor); Aspect: 1.33:1; 35 mm; AUDIO: Mono (RCA Sound Recording) Color (Trucolor)](icons/rgb.png) |
Come Next Spring |
R.G. Springsteen, W, P, M |
|
7.4 |
1954 |
DR![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Recording) Black and White](icons/bw.png) |
About Mrs. Leslie |
Daniel Mann, W, W, ++, P, M |
|
7.4 |
1951 |
BCMl![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (RCA Sound System) Black and White](icons/bw.png) |
I'll See You in My Dreams |
Michael Curtiz, W, W, ++, P, M |
|
7.4 |
1950 |
CrDR![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric) Black and White](icons/bw.png) |
Story of a Love Affair |
Michelangelo Antonioni, W, ++, P, M «Cronaca di un amore» |
|
7.4 |
1949 |
BDRSp![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Sound System) Black and White](icons/bw.png) |
The Stratton Story |
Sam Wood, W, W, ++, P, M |
|
7.4 |
1948 |
Sf![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Recording) Black and White](icons/bw.png) |
Superman |
Spencer Gordon Bennet, Thomas Carr, W, W, ++, P |
|
7.4 |
1942 |
CMT![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Wide Range Recording) Black and White](icons/bw.png) |
The Murderer Lives at Number 21 |
Henri-Georges Clouzot, W, W, ++, P, M «L'assassin habite... au 21» |
|
7.4 |
1940 |
CCrMT![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Mirrophonic Recording) Black and White](icons/bw.png) |
Charlie Chan's Murder Cruise |
Eugene Forde, W, W, ++, P |
|
7.4 |
1937 |
AdDFFan![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono Black and White](icons/bw.png) |
The Prince and the Pauper |
William Keighley, ++, W, W, ++, P, P, M |
|
7.4 |
1935 |
CDR![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Noiseless Recording) Black and White](icons/bw.png) |
Steamboat Round the Bend |
John Ford, W, W, ++, P, M |
|
7.4 |
1934 |
CRD![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono Black and White](icons/bw.png) |
Here Comes the Navy |
Lloyd Bacon, W, W, ++, P |
|
7.4 |
1931 |
RD![Black and White; Aspect: 1.20:1; 35 mm; AUDIO: Mono (Western Electric Noiseless Recording) Black and White](icons/bw.png) |
An American Tragedy |
Josef von Sternberg, W, W, ++, P, M, M |
|
7.4 |
1929 |
DMl![Black and White; Aspect: 1.20:1; 35 mm; AUDIO: Mono Black and White](icons/bw.png) |
Applause |
Rouben Mamoulian, W, W, P |
|
7.4 |
1929 |
BDH![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Apparatus) Black and White](icons/bw.png) |
Disraeli |
Alfred E. Green, W, ++, P, M |
|
7.4 |
1929 |
CrD![Black and White; Silent](icons/bw.png) |
Escape from Dartmoor |
Anthony Asquith, W, W, P, P, M «A Cottage on Dartmoor» |
|
7.4 |
1929 |
DWe![Black and White; Aspect: 1.20:1; 35 mm; AUDIO: Mono (Western Electric Equipment) Black and White](icons/bw.png) |
Hell's Heroes |
William Wyler, W, W, ++, P, M, M |
|
7.4 |
1924 |
DR![Black and White; Silent](icons/bw.png) |
Michael |
Carl Theodor Dreyer, W, W, ++, P, P, M «Mikaël» |