|
7.3 |
2014 |
DR![Color; Color](icons/q-rgb.png) |
Bangalore Days |
Anjali Menon, W, ++, P, M |
|
7.3 |
2014 |
DT![Color; Color](icons/q-rgb.png) |
Munnariyippu |
Venu, W, W, P, M |
|
7.3 |
2014 |
AAdD![Color; Aspect: 2.35:1; Redcode RAW; Digital Intermediate (2K) (master format) Redcode RAW (5K) (source format); Red Epic, Zeiss Master Prime, Fujinon Alura and Premier Lenses; AUDIO: Dolby Digital Color](icons/d-rgb.png) |
Rurouni Kenshin: Kyoto Inferno |
Keishi Ohtomo, W, W, ++, P «Rurôni Kenshin: Kyôto taika-hen» |
|
7.3 |
2013 |
ACrDT![Color; Color](icons/q-rgb.png) |
Metro Manila |
Sean Ellis, W, ++, P, M |
|
7.3 |
2013 |
CD![Color; Aspect: 2.35:1; Redcode RAW; Digital Intermediate (2K) (master format) Redcode RAW (4.5K) (source format); Red One Camera (MX sensor) Color](icons/d-rgb.png) |
Miracle in Cell No.7 |
Lee Hwan-Kyung, W, W, ++, P |
|
7.3 |
2012 |
Cr![Color; Super 16; Arriflex Cameras Color](icons/q-rgb.png) |
1,000 Times More Brutal |
Kamal Ahmed, W, P, M «Brutal» |
|
7.3 |
2012 |
CrDHoM![Color; Aspect: 2.35:1; Canon 7D Canon T2i; AUDIO: Dolby Digital (Dolby 5.1) Color](icons/d-rgb.png) |
The Black Dahlia Haunting |
Brandon Slagle, W, P, M |
|
7.3 |
2011 |
CR![Color; Red One Camera Color](icons/d-rgb.png) |
Take Me Home |
Sam Jaeger, W, P, M |
|
7.3 |
2007 |
CRSp![Color; Color](icons/q-rgb.png) |
The Hammer |
Charles Herman-Wurmfeld, W, W, P, M, M |
|
7.3 |
2005 |
D![Color; Aspect: 2.35:1; 35 mm; (anamorphic) Color](icons/rgb.png) |
Iqbal |
Nagesh Kukunoor, W, P, M, M, M |
|
7.3 |
2005 |
D![Color; Aspect: 2.35:1; 35 mm; AUDIO: Dolby Digital Color](icons/rgb.png) |
Lovelorn |
Yavuz Turgul, W «Gönül yarasi» |
|
7.3 |
2005 |
CrD![Color; Aspect: 1.85:1; Sony TRV-900; AUDIO: Dolby Digital Color](icons/q-rgb.png) |
The Magician |
Scott Ryan, W, P |
|
7.3 |
2004 |
CFanR![Color; Color](icons/q-rgb.png) |
Citizen Dog |
Wisit Sasanatieng, W, W, P «Mah nakorn» |
|
7.3 |
2004 |
DA![Color; Aspect: 2.35:1; 35 mm; (anamorphic) (source format) Digital Intermediate (master format); Arriflex Cameras; AUDIO: Dolby Digital Color](icons/rgb.png) |
Khakee |
Rajkumar Santoshi, W, ++, P, M |
|
7.3 |
2004 |
DR![Color; Aspect: 1.85:1; 35 mm (Fuji Super F-250T 8552); Digital Intermediate (master format) Spherical (source format); Arriflex 535; AUDIO: DTS, Dolby Digital Color](icons/rgb.png) |
The Hidden Blade |
Yôji Yamada, W, W, ++, P, M «Kakushi ken oni no tsume» |
|
7.3 |
2004 |
CD![Color; Aspect: 2.35:1; 35 mm; Super 35; AUDIO: Dolby Digital Color](icons/rgb.png) |
The Syrian Bride |
Eran Riklis, W, W, P, M |
|
7.3 |
2003 |
CDR![Color; Video (HDTV); HDCAM; Sony HDW-F900; AUDIO: Dolby Color](icons/h-rgb.png) |
A Foreign Affair |
Helmut Schleppi, W, P, M |
|
7.3 |
2003 |
RD![Color; Aspect: 1.85:1; 35 mm (Kodak Vision 250D 5246, Vision 320T 5277, Vision Expression 500T 5284); Moviecam Compact, Panavision Primo Lenses PanArri 35-III, Panavision Primo Lenses Panavision Panaflex Platinum, Panavision Primo Lenses; AUDIO: Dolby Digital Color](icons/rgb.png) |
Zelary |
Ondrej Trojan, W, W, P, M |
|
7.3 |
2002 |
CD![Color (Cinecolor); Aspect: 1.85:1; 35 mm; AUDIO: Dolby Digital Color (Cinecolor)](icons/rgb.png) |
Intimate Stories |
Carlos Sorin, W, P, M «Historias mínimas» |
|
7.3 |
2002 |
DR![Color; Aspect: 1.37:1; AUDIO: Dolby SR Color](icons/q-rgb.png) |
Open Hearts |
Susanne Bier, W, P, M «Elsker dig for evigt» |
|
7.3 |
2002 |
D![Color; Aspect: 1.66:1; Video; DVCAM; AUDIO: DTS Color](icons/v-rgb.png) |
Ten |
Abbas Kiarostami, W, P |
|
7.3 |
2001 |
CrD![Color; Aspect: 1.85:1; 35 mm; Panavision Cameras and Lenses; AUDIO: DTS, Dolby Digital, SDDS Color](icons/rgb.png) |
Blue Hill Avenue |
Craig Ross Jr., W, P, M, M |
|
7.3 |
2000 |
D![Color; Aspect: 2.35:1; 35 mm; AUDIO: Dolby Digital, Dolby SR Color](icons/rgb.png) |
El Bola |
Achero Mañas, W, W, P, M |
|
7.3 |
1999 |
D![Color; Aspect: 1.85:1; 35 mm; AUDIO: Dolby Digital Color](icons/rgb.png) |
After the Rain |
Takashi Koizumi, W, W, P, M «Ame agaru» |
|
7.3 |
1998 |
CDMcR![Color; AUDIO: Dolby Digital Color](icons/q-rgb.png) |
That's the Way I Like It |
Glen Goei, W, P, M «Forever Fever» |
|
7.3 |
1997 |
DR![Color (Technicolor); Aspect: 1.85:1; 35 mm (Fuji); Panaflex Camera and Lenses by Panavision (as Panavision®); AUDIO: Dolby Digital, SDDS Color (Technicolor)](icons/rgb.png) |
Bliss |
Lance Young, W, P, M |
|
7.3 |
1997 |
CrD |
Rainy Dog |
Takashi Miike, W, M «Gokudô kuroshakai» |
|
7.3 |
1996 |
DMc![Color (Eastmancolor); Aspect: 1.85:1; 35 mm (Kodak); AUDIO: Dolby Digital Color (Eastmancolor)](icons/rgb.png) |
Beyond Silence |
Caroline Link, W, W, P, M «Jenseits der Stille» |
|
7.3 |
1996 |
D![Color; Aspect: 2.35:1; 35 mm; Panavision (anamorphic); Panavision Cameras and Lenses; AUDIO: Dolby Digital Color](icons/rgb.png) |
The War at Home |
Emilio Estevez, W, P, M |
|
7.3 |
1996 |
CR![Color; Aspect: 1.66:1; AUDIO: Dolby Digital Color](icons/q-rgb.png) |
When the Cat's Away |
Cédric Klapisch, W, P «Chacun cherche son chat» |
|
7.3 |
1995 |
D![Color; AUDIO: DTS-Stereo, DTS Color](icons/q-rgb.png) |
My Family |
Gregory Nava, W, W, P, M |
|
7.3 |
1994 |
CrDSp![Color; Aspect: 1.85:1; 35 mm; AUDIO: Dolby Color](icons/rgb.png) |
Above the Rim |
Jeff Pollack, W, W, ++, P, M |
|
7.3 |
1992 |
D![Color (Technicolor); 35 mm; AUDIO: Dolby Color (Technicolor)](icons/rgb.png) |
Breaking the Rules |
Neal Israel, W, P, M |
|
7.3 |
1992 |
D![Color (DuArt); Aspect: 1.85:1; 35 mm; Arriflex Cameras and Lenses; AUDIO: Dolby Color (DuArt)](icons/rgb.png) |
Passion Fish |
John Sayles, W, P, M |
|
7.3 |
1990 |
D![Color; AUDIO: Stereo Color](icons/q-rgb.png) |
Strangers in Good Company |
Cynthia Scott, W, W, ++, P, M |
|
7.3 |
1989 |
CDHo![Color; Aspect: 1.78:1; 35 mm; AUDIO: Mono Color](icons/rgb.png) |
Baxter |
Jérôme Boivin, W, W, ++, P, M, M |
|
7.3 |
1989 |
CFan![Color (Technicolor); Aspect: 1.85:1; 35 mm; AUDIO: Dolby Color (Technicolor)](icons/rgb.png) |
How to Get Ahead in Advertising |
Bruce Robinson, W, P, M, M |
|
7.3 |
1986 |
CR![Black and White, Color; Aspect: 1.85:1; 16 mm 35 mm; Spherical (35 mm segments) Super 16 (16 mm segments); Arriflex 16 HSR; AUDIO: Mono Black and White, Color](icons/rgb-bw.png) |
She's Gotta Have It |
Spike Lee, W, P, M |
|
7.3 |
1985 |
D![Color; AUDIO: Mono Color](icons/q-rgb.png) |
When Father Was Away on Business |
Emir Kusturica, W, P, M «Otac na sluzbenom putu» |
|
7.3 |
1984 |
D![Color; Aspect: 1.85:1; 35 mm; Panaflex Camera and Lenses by Panavision; AUDIO: Mono Color](icons/rgb.png) |
Mass Appeal |
Glenn Jordan, W, P, M |
|
7.3 |
1983 |
CD![Color; Aspect: 1.85:1; 35 mm; AUDIO: Mono Color](icons/rgb.png) |
Max Dugan Returns |
Herbert Ross, W, P, M |
|
7.3 |
1982 |
SfCMc![Color (Metrocolor); Panaflex Cameras and Lenses by Panavision; AUDIO: Mono Color (Metrocolor)](icons/q-rgb.png) |
Jekyll and Hyde... Together Again |
Jerry Belson, W, W, ++, P, M |
|
7.3 |
1981 |
D![Color (Metrocolor); Aspect: 2.35:1; 35 mm; Panavision (anamorphic); Panaflex Camera and Lenses by Panavision; AUDIO: Mono Color (Metrocolor)](icons/rgb.png) |
Whose Life Is It Anyway? |
John Badham, W, ++, P, M |
|
7.3 |
1979 |
CCr![Color (Eastmancolor); Panavision; AUDIO: Mono Color (Eastmancolor)](icons/q-rgb.png) |
Buffet Froid |
Bertrand Blier, W, P, M «Buffet froid» |
|
7.3 |
1978 |
DH![Color (Gevacolor); Aspect: 1.33:1; 35 mm; AUDIO: Mono Color (Gevacolor)](icons/rgb.png) |
The Tree of Wooden Clogs |
Ermanno Olmi, W, P «L'albero degli zoccoli» |
|
7.3 |
1975 |
DCrR![Color (Eastmancolor); Aspect: 1.66:1; 35 mm; AUDIO: Mono Color (Eastmancolor)](icons/rgb.png) |
Fox and His Friends |
Rainer Werner Fassbinder, W, W, P, M «Faustrecht der Freiheit» |
|
7.3 |
1975 |
DR![Black and White; Aspect: 1.78:1; 35 mm; AUDIO: Mono Black and White](icons/bw.png) |
Hester Street |
Joan Micklin Silver, W, W, P, M |
|
7.3 |
1972 |
D![Color; Aspect: 1.37:1; 35 mm; AUDIO: Mono Color](icons/rgb.png) |
The Bitter Tears of Petra von Kant |
Rainer Werner Fassbinder, W, P «Die bitteren Tränen der Petra von Kant» |
|
7.3 |
1970 |
CD![Color (Technicolor); Aspect: 1.85:1; 35 mm; AUDIO: Mono (Westrex Recording System) Color (Technicolor)](icons/rgb.png) |
Diary of a Mad Housewife |
Frank Perry, W, W, P |
|
7.3 |
1970 |
D![Color (Technicolor); 35 mm; AUDIO: Mono Color (Technicolor)](icons/rgb.png) |
I Never Sang for My Father |
Gilbert Cates, W, P, P, M, M |
|
7.3 |
1970 |
C![Color (Metrocolor); Aspect: 1.85:1; 35 mm; AUDIO: Mono Color (Metrocolor)](icons/rgb.png) |
Lovers and Other Strangers |
Cy Howard, W, W, ++, P, M |
|
7.3 |
1967 |
DHMc![Color; Aspect: 1.85:1; 35 mm; AUDIO: Mono Color](icons/rgb.png) |
Marat/Sade |
Peter Brook, W, W, ++, P, M |
|
7.3 |
1966 |
CDW![Black and White; Aspect: 1.33:1; 35 mm; AUDIO: Mono Black and White](icons/bw.png) |
Closely Watched Trains |
Jirí Menzel, W, ++, P, M «Ostre sledované vlaky» |
|
7.3 |
1966 |
DSf![Black and White; 35 mm; AUDIO: Mono Black and White](icons/bw.png) |
The Face of Another |
Hiroshi Teshigahara, W, P, M «Tanin no kao» |
|
7.3 |
1962 |
D![Black and White; Aspect: 1.85:1; 35 mm; AUDIO: Mono (Westrex Recording System) Black and White](icons/bw.png) |
Mamma Roma |
Pier Paolo Pasolini, W, P |
|
7.3 |
1961 |
C![Black and White; Aspect: 1.85:1; 35 mm; AUDIO: Mono (Westrex Co. System) Black and White](icons/bw.png) |
Divorce Italian Style |
Pietro Germi, W, W, ++, P, P, M «Divorzio all'italiana» |
|
7.3 |
1961 |
CrDT![Black and White; Aspect: 1.85:1; 35 mm; AUDIO: Mono (Westrex Recording System) Black and White](icons/bw.png) |
Underworld U.S.A. |
Samuel Fuller, W, ++, P, M |
|
7.3 |
1960 |
DHW![Black and White; Aspect: 1.66:1; 35 mm; AUDIO: Mono Black and White](icons/bw.png) |
Kapò |
Gillo Pontecorvo, W, W, P, M |
|
7.3 |
1960 |
BDW![Black and White; Aspect: 1.66:1; 35 mm; AUDIO: Mono (Westrex Recording System) Black and White](icons/bw.png) |
The Gallant Hours |
Robert Montgomery, W, W, P, M |
|
7.3 |
1957 |
D![Black and White; Aspect: 2.35:1; 35 mm; CinemaScope; AUDIO: Mono (optical prints), 4-Track Stereo (Westrex Recording System) (magnetic prints) Black and White](icons/bw.png) |
A Hatful of Rain |
Fred Zinnemann, W, ++, P, M |
|
7.3 |
1956 |
D![Black and White; 35 mm; AUDIO: Mono Black and White](icons/bw.png) |
Early Spring |
Yasujirô Ozu, W, W, P, M «Sôshun» |
|
7.3 |
1954 |
C![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Recording) Black and White](icons/bw.png) |
The Belles of St. Trinian's |
Frank Launder, W, W, ++, P, M |
|
7.3 |
1953 |
DF![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono Black and White](icons/bw.png) |
Little Fugitive |
Ray Ashley, Morris Engel, ++, W, W, ++, P, M |
|
7.3 |
1952 |
ADWe![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (RCA Sound System) Black and White](icons/bw.png) |
The Lusty Men |
Nicholas Ray, ++, W, W, ++, P, M |
|
7.3 |
1951 |
DFanR![Black and White, Color (Technicolor); Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Recording) Black and White, Color (Technicolor)](icons/rgb-bw.png) |
I'll Never Forget You |
Roy Ward Baker, W, W, ++, P, M «The House in the Square» |
|
7.3 |
1951 |
DR![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono Black and White](icons/bw.png) |
Summer Interlude |
Ingmar Bergman, W, W, P, M, M «Sommarlek» |
|
7.3 |
1951 |
C![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Recording) Black and White](icons/bw.png) |
The Mating Season |
Mitchell Leisen, W, W, ++, P, M |
|
7.3 |
1948 |
CrDMR![Color (Technicolor); Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Sound Recording) Color (Technicolor)](icons/rgb.png) |
Blanche Fury |
Marc Allégret, W, W, ++, P, P, M |
|
7.3 |
1948 |
WD![Black and White (archive footage), Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Sound System) Black and White (archive footage), Black and White](icons/bw.png) |
Command Decision |
Sam Wood, W, W, ++, P, M |
|
7.3 |
1948 |
DFanNT![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Recording) Black and White](icons/bw.png) |
Night Has a Thousand Eyes |
John Farrow, W, W, ++, P, M |
|
7.3 |
1945 |
D![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (RCA Sound System) Black and White](icons/bw.png) |
The Corn Is Green |
Irving Rapper, W, W, ++, P, M |
|
7.3 |
1941 |
CMlR![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Mirrophonic Recording) Black and White](icons/bw.png) |
It Started with Eve |
Henry Koster, W, W, ++, P, M |
|
7.3 |
1939 |
CrDRT![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Wide Range Sound System) Black and White](icons/bw.png) |
Daybreak |
Marcel Carné, W, W, P, P, P++, M «Le jour se lève» |
|
7.3 |
1936 |
DR![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Wide Range Noiseless Recording) Black and White](icons/bw.png) |
These Three |
William Wyler, W, ++, P, M |
|
7.3 |
1935 |
CR![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Noiseless Recording) Black and White](icons/bw.png) |
The Good Fairy |
William Wyler, W, W, ++, P, M |
|
7.3 |
1934 |
DHR![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Noiseless Recording) Black and White](icons/bw.png) |
The Scarlet Empress |
Josef von Sternberg, W, W, ++, P |
|
7.3 |
1933 |
AdD![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono Black and White](icons/bw.png) |
Wild Boys of the Road |
William A. Wellman, W, W, P, M |
|
7.3 |
1927 |
DHo![Black and White; Silent](icons/bw.png) |
London After Midnight |
Tod Browning, W, W, ++, P |
|
7.3 |
1923 |
CDR![Black and White; Silent](icons/bw.png) |
Souls for Sale |
Rupert Hughes, W, P, M |
|
7.3 |
1919 |
AdD![Black and White; Silent](icons/bw.png) |
Male and Female |
Cecil B. DeMille, W, W, P, M |
|
7.2 |
2014 |
CT![Color; Arri Alexa Color](icons/d-rgb.png) |
Na Maloom Afraad |
Nabeel Qureshi, P, M |
|
7.2 |
2013 |
CR![Color; Color](icons/q-rgb.png) |
Raja Rani |
Atlee Kumar, W, P, P, M |
|
7.2 |
2013 |
CF![Color; Color](icons/q-rgb.png) |
Seethamma Vakitlo Sirimalle Chettu |
Srikanth Addala, W, W, ++, P, M, M |
|
7.2 |
2013 |
B![Color; Red Epic Color](icons/d-rgb.png) |
The Dance of Reality |
Alejandro Jodorowsky, W, P, M «La danza de la realidad» |
|
7.2 |
2013 |
Ho![Color; Color](icons/q-rgb.png) |
The House of the End Times |
Alejandro Hidalgo, W, P, M «La casa del fin de los tiempos» |
|
7.2 |
2012 |
DSp![Color; Red One Camera Color](icons/d-rgb.png) |
9-Ball |
Anthony Palma, W, P, P, P, M |
|
7.2 |
2011 |
CD![Color; Aspect: 2.35:1; 35 mm (Kodak Vision3 250D 5207, Vision3 200T 5213, Vision3 500T 5219); Digital Intermediate (2K) (master format) Super 35 (source format); Arriflex 235, Zeiss Ultra Prime, CMI Cinewand Borescope and Canon Lenses Arriflex 535B, Zeiss Ultra Prime, CMI Cinewand Borescope and Canon Lenses; AUDIO: Dolby Digital Color](icons/rgb.png) |
Footnote |
Joseph Cedar, W, P, M «Hearat Shulayim» |
|
7.2 |
2011 |
DR![Color; Color](icons/q-rgb.png) |
Mayakkam Enna |
K. Selvaraghavan, W, P, M |
|
7.2 |
2011 |
D![Color; Aspect: 1.85:1; 35 mm (Kodak Vision3 250D 5207, Vision2 500T 5260); Digital Intermediate (2K) (master format) Super 35 (source format); Arricam LT, Zeiss Ultra Prime Lenses Arriflex 235, Zeiss Ultra Prime Lenses; AUDIO: Dolby Digital Color](icons/rgb.png) |
Pariah |
Dee Rees, W, P |
|
7.2 |
2011 |
CDF![Color; AUDIO: Dolby Digital Color](icons/q-rgb.png) |
Stanley's Tiffin Box |
Amole Gupte, W, W, P, M «Stanley Ka Dabba» |
|
7.2 |
2010 |
ACDWe![Color; Aspect: 2.35:1; 35 mm (Fuji); Digital Intermediate (master format) Super 35 (source format); Panavision Cameras and Lenses; AUDIO: Dolby Digital Color](icons/rgb.png) |
Gunless |
William Phillips, W, P, M |
|
7.2 |
2010 |
T![Color; Red One Camera Color](icons/d-rgb.png) |
Legacy |
Thomas Ikimi, W, P, M |
|
7.2 |
2010 |
CrDT![Color; Aspect: 2.35:1; 35 mm (Kodak Vision3 250D 5207, Vision3 500T 5219) Redcode RAW; Digital Intermediate (2K) (master format) Redcode RAW (4K) (source format) Super 35 (source format); Arricam LT, Zeiss and Angenieux Lenses Arriflex 435 Advanced, Zeiss and Angenieux Lenses Red One Camera, Zeiss and Angenieux Lenses; AUDIO: Dolby Digital Color](icons/d-rgb.png) |
The Yellow Sea |
Hong-jin Na, W, P, M, M «Hwanghae» |
|
7.2 |
2009 |
D![Color; Aspect: 2.35:1; AUDIO: DTS, Dolby Digital Color](icons/q-rgb.png) |
Welcome |
Philippe Lioret, W, W, ++, P, M |
|
7.2 |
2008 |
AdCFanMlR![Color; Color](icons/q-rgb.png) |
Were the World Mine |
Tom Gustafson, W, W, ++, P, M, M |
|
7.2 |
2007 |
DFanHoM![Color; Aspect: 1.85:1; Digital Intermediate Color](icons/d-rgb.png) |
Hansel & Gretel |
Pil-Sung Yim, W, W, P, M «Henjel gwa Geuretel» |
|
7.2 |
2007 |
D![Color; Aspect: 2.35:1; 35 mm; (anamorphic); AUDIO: Dolby Digital Color](icons/rgb.png) |
Save Me |
Robert Cary, W, W, ++, P, M |
|
7.2 |
2007 |
D![Color; Aspect: 2.35:1; 35 mm; J-D-C Scope (anamorphic) Color](icons/rgb.png) |
The Banishment |
Andrey Zvyagintsev, W, W, ++, P, M, M «Izgnanie» |
|
7.2 |
2006 |
BDR![Color; Color](icons/q-rgb.png) |
Woh Lamhe |
Mohit Suri, W, W, P, M |
|
7.2 |
2005 |
D![Color; Aspect: 2.35:1; 35 mm (Kodak Vision2 Expression 500T 5229, Vision 250D 5246); Super 35; Aaton 35 III, Cooke S4 Lenses Arriflex 535B, Cooke S4 Lenses; AUDIO: Dolby Digital Color](icons/rgb.png) |
Hell |
Danis Tanovic, W, W, P, M, M «L'enfer» |
|
7.2 |
2005 |
CDW![Color (Eastmancolor); Aspect: 2.35:1; 35 mm; Digital Intermediate (2K) (master format) Super 35 (source format); Arriflex 535B, Zeiss Ultra Prime Lenses Photo-Sonics 4ER, Zeiss Ultra Prime Lenses; AUDIO: Dolby Digital Color (Eastmancolor)](icons/rgb.png) |
Welcome to Dongmakgol |
Kwang-Hyun Park, W, W, ++, P, M «Welkkeom tu Dongmakgol» |
|
7.2 |
2004 |
D![Color; AUDIO: Dolby Digital Color](icons/q-rgb.png) |
Everyday People |
Jim McKay, W, P, M |
|
7.2 |
2004 |
AAdCCrT![Color; 35 mm; AUDIO: DTS Color](icons/rgb.png) |
Matando Cabos |
Alejandro Lozano, W, W, ++, P, M |
|
7.2 |
2004 |
D![Color; Aspect: 1.85:1; 35 mm; AUDIO: Dolby Digital Color](icons/rgb.png) |
Moolaadé |
Ousmane Sembene, W, P, M |
|
7.2 |
2004 |
CD![Color (Cinecolor); Aspect: 1.85:1; 35 mm; AUDIO: Dolby Digital Color (Cinecolor)](icons/rgb.png) |
Whisky |
Juan Pablo Rebella, Pablo Stoll, W, W, ++, P, M |
|
7.2 |
2003 |
CCrDR![Color; Aspect: 1.85:1; 35 mm; AUDIO: Dolby Digital Color](icons/rgb.png) |
The Man Who Copied |
Jorge Furtado, W, P «O Homem Que Copiava» |
|
7.2 |
2002 |
CrMD![Color; Aspect: 1.85:1; 35 mm; AUDIO: Stereo Color](icons/rgb.png) |
Hukkle |
György Pálfi, W, P, M, M |
|
7.2 |
2002 |
DC![Color; Aspect: 1.85:1; 35 mm (Kodak Vision 250D 5246, Vision 500T 5279); Arriflex 535B, Zeiss and Angenieux Lenses; AUDIO: Dolby Digital Color](icons/rgb.png) |
I Not Stupid |
Jack Neo, W, P, M «Xiaohai bu ben» |
|
7.2 |
2002 |
CDMlR![Color; Aspect: 2.35:1; 35 mm; Super 35; AUDIO: Dolby Digital Color](icons/rgb.png) |
The Other Side of the Bed |
Emilio Martínez Lázaro, W, P, M, M, M «El otro lado de la cama» |
|
7.2 |
2001 |
ADC![Color; Aspect: 1.85:1; 35 mm; AUDIO: Dolby Digital Color](icons/rgb.png) |
Guns & Talks |
Jin Jang, W, P, M «Killerdeului suda» |
|
7.2 |
2000 |
CDR![Color; Aspect: 2.35:1; 35 mm; Super 35; AUDIO: Dolby SR Color](icons/rgb.png) |
The Adventures of Felix |
Olivier Ducastel, Jacques Martineau, W, W, P «Drôle de Félix» |
|
7.2 |
2000 |
CD![Color; Aspect: 1.85:1; 35 mm; AUDIO: Dolby Digital EX Color](icons/rgb.png) |
The Iron Ladies |
Yongyoot Thongkongtoon, W, W, ++, P «Satree lek» |
|
7.2 |
1999 |
CrTD![Color; Color](icons/q-rgb.png) |
Dead End |
Iren Koster, W, P, M |
|
7.2 |
1999 |
T![Color; Color](icons/q-rgb.png) |
Kaun? |
Ram Gopal Varma, W, P, M |
|
7.2 |
1998 |
D![Color; 35 mm; AUDIO: Stereo Color](icons/rgb.png) |
At Sachem Farm |
John Huddles, W, P, M |
|
7.2 |
1998 |
D![Color; Aspect: 1.85:1; Panaflex Cameras and Lenses by Panavision; AUDIO: Dolby Digital Color](icons/q-rgb.png) |
Down in the Delta |
Maya Angelou, W, P, M |
|
7.2 |
1997 |
BDHW![Color; Aspect: 1.85:1; 35 mm (Kodak Vision 500T 5279, Eastman EXR 200T 5293); Moviecam Compact; AUDIO: Dolby SR Color](icons/rgb.png) |
Behind the Lines |
Gillies MacKinnon, W, W, P, M «Regeneration» |
|
7.2 |
1996 |
C![Color; Aspect: 2.35:1; 35 mm; Panavision (anamorphic); Panavision Camera and Lenses; AUDIO: Dolby Color](icons/rgb.png) |
Family Resemblances |
Cédric Klapisch, W, W, ++, P, M «Un air de famille» |
|
7.2 |
1996 |
ADFanHoSfT![Color; Aspect: 1.85:1; 35 mm; AUDIO: Dolby SR Color](icons/rgb.png) |
Gamera 2: Attack of the Legion |
Shûsuke Kaneko, W, P, M «Gamera 2: Region shurai» |
|
7.2 |
1996 |
DH![Color; Aspect: 1.85:1; 35 mm; AUDIO: Dolby SR Color](icons/rgb.png) |
Some Mother's Son |
Terry George, W, W, P |
|
7.2 |
1995 |
ACT![Color; Aspect: 1.85:1; Panavision Cameras and Lenses; AUDIO: Dolby Color](icons/q-rgb.png) |
Coldblooded |
Wallace Wolodarsky, W, P, M |
|
7.2 |
1995 |
DR![Color; Aspect: 2.35:1; 35 mm; Panavision (anamorphic); AUDIO: Dolby, Dolby SR Color](icons/rgb.png) |
The Star Maker |
Giuseppe Tornatore, W, W, ++, P, M «L'uomo delle stelle» |
|
7.2 |
1995 |
ADT![Black and White (inserts only), Color; Aspect: 1.85:1; 35 mm; AUDIO: Mono Black and White (inserts only), Color](icons/rgb-bw.png) |
Tokyo Fist |
Shin'ya Tsukamoto, W, W, ++, P, M |
|
7.2 |
1994 |
HoT![Color; Aspect: 1.85:1; 35 mm; AUDIO: Dolby Color](icons/rgb.png) |
Nightwatch |
Ole Bornedal, W, P, M, M, M++ «Nattevagten» |
|
7.2 |
1994 |
ACD![Color; Aspect: 1.85:1; 35 mm; Spherical (source format); AUDIO: Mono Color](icons/rgb.png) |
Wing Chun |
Woo-ping Yuen, W, W, P, M, M, M |
|
7.2 |
1993 |
BCD![Color (Technicolor); Aspect: 1.66:1; AUDIO: Dolby, Dolby SR Color (Technicolor)](icons/q-rgb.png) |
Caro diario |
Nanni Moretti, W, P, M |
|
7.2 |
1993 |
D![Color; Aspect: 1.66:1; 35 mm; AUDIO: Dolby Color](icons/rgb.png) |
The Cement Garden |
Andrew Birkin, W, W, P, M |
|
7.2 |
1986 |
DMc![Color (Eastmancolor); Aspect: 2.35:1; 35 mm; Panavision (anamorphic); AUDIO: Dolby Color (Eastmancolor)](icons/rgb.png) |
'Round Midnight |
Bertrand Tavernier, W, W, ++, P, M |
|
7.2 |
1986 |
ADAd![Color (Metrocolor); 35 mm; AUDIO: Dolby Color (Metrocolor)](icons/rgb.png) |
Never Too Young to Die |
Gil Bettman, W, W, ++, P, M |
|
7.2 |
1985 |
CCr![Color (Technicolor); Aspect: 1.85:1; 35 mm; AUDIO: Mono Color (Technicolor)](icons/rgb.png) |
Restless Natives |
Michael Hoffman, W, P, M |
|
7.2 |
1984 |
CDR![Color; Aspect: 1.85:1; 35 mm (Eastman 125T 5247, 250T 5293); Panaflex Cameras and Lenses by Panavision; AUDIO: Mono Color](icons/rgb.png) |
Racing with the Moon |
Richard Benjamin, W, P, M |
|
7.2 |
1983 |
DW![Color; Aspect: 1.85:1; 35 mm; AUDIO: Dolby Color](icons/rgb.png) |
Under Fire |
Roger Spottiswoode, W, W, ++, P, M |
|
7.2 |
1982 |
CDMc![Color; Aspect: 1.85:1; 35 mm; AUDIO: Mono Color](icons/rgb.png) |
Ladies and Gentlemen, the Fabulous Stains |
Lou Adler, W, P |
|
7.2 |
1981 |
CCrD![Color; Aspect: 1.66:1; 35 mm; AUDIO: Mono Color](icons/rgb.png) |
Coup de torchon |
Bertrand Tavernier, W, W, ++, P, M |
|
7.2 |
1981 |
CD![Color (Technicolor); Aspect: 1.85:1; Panavision Cameras and Lenses; AUDIO: Stereo Color (Technicolor)](icons/q-rgb.png) |
Four Friends |
Arthur Penn, W, P, M |
|
7.2 |
1979 |
CDR![Color; 35 mm; AUDIO: Mono Color](icons/rgb.png) |
Osenniy marafon |
Georgiy Daneliya, W, P, M |
|
7.2 |
1976 |
AC![Color; 35 mm; AUDIO: Mono Color](icons/rgb.png) |
The Human Tornado |
Cliff Roquemore, W, W, ++, P, P, M |
|
7.2 |
1974 |
DA![Color (Technicolor); Aspect: 1.66:1; 35 mm; Panavision Cameras and Lenses; AUDIO: Mono Color (Technicolor)](icons/rgb.png) |
Macon County Line |
Richard Compton, W, ++, P, M |
|
7.2 |
1974 |
DT![Color; Aspect: 2.35:1; 35 mm; Toeiscope; AUDIO: Mono Color](icons/rgb.png) |
School of the Holy Beast |
Noribumi Suzuki, W, W, M «Seijû gakuen» |
|
7.2 |
1972 |
CM![Color (Eastmancolor); Aspect: 1.66:1; 35 mm; AUDIO: Mono Color (Eastmancolor)](icons/rgb.png) |
The Tall Blond Man with One Black Shoe |
Yves Robert, W, W, P, M «Le grand blond avec une chaussure noire» |
|
7.2 |
1969 |
T![Color (Eastmancolor); 35 mm; AUDIO: Mono Color (Eastmancolor)](icons/rgb.png) |
This Man Must Die |
Claude Chabrol, W, ++, P, M «Que la bête meure» |
|
7.2 |
1963 |
D![Black and White; Aspect: 1.78:1; 35 mm; AUDIO: Mono (Westrex Recording System) Black and White](icons/bw.png) |
America, America |
Elia Kazan, W, P, M |
|
7.2 |
1962 |
ADH![Color (Eastmancolor); Aspect: 2.20:1; 35 mm; Tohoscope; AUDIO: Mono Color (Eastmancolor)](icons/rgb.png) |
Chushingura |
Hiroshi Inagaki, W, P, M «Chûshingura» |
|
7.2 |
1961 |
DR![Black and White; Aspect: 2.35:1; 35 mm; Franscope; AUDIO: Mono Black and White](icons/bw.png) |
Lola |
Jacques Demy, W, P, M |
|
7.2 |
1961 |
D![Black and White; Aspect: 1.66:1; 35 mm; AUDIO: Mono Black and White](icons/bw.png) |
Town Without Pity |
Gottfried Reinhardt, W, W, ++, P, M |
|
7.2 |
1959 |
BDMc![Color (Technicolor); Aspect: 1.85:1; 35 mm (horizontal); VistaVision: Motion Picture High-Fidelity; AUDIO: Mono (Westrex Recording System) Color (Technicolor)](icons/rgb.png) |
The Five Pennies |
Melville Shavelson, W, W, ++, P, M |
|
7.2 |
1957 |
DW![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono Black and White](icons/bw.png) |
Kanal |
Andrzej Wajda, W, P, M |
|
7.2 |
1953 |
D![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono Black and White](icons/bw.png) |
Sawdust and Tinsel |
Ingmar Bergman, ++, P, P, M «Gycklarnas afton» |
|
7.2 |
1952 |
CrDR![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Optiphone) Black and White](icons/bw.png) |
Casque d'Or |
Jacques Becker, W, W, ++, P, M «Casque d'or» |
|
7.2 |
1951 |
D![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (RCA Sound System) Black and White](icons/bw.png) |
Payment on Demand |
Curtis Bernhardt, W, W, P, M |
|
7.2 |
1951 |
AdCrDT![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Sound System) Black and White](icons/bw.png) |
The Tall Target |
Anthony Mann, W, W, ++, P |
|
7.2 |
1950 |
DR![Color (Technicolor); Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Recording) Color (Technicolor)](icons/rgb.png) |
Gone to Earth |
Michael Powell, Emeric Pressburger, W, W, ++, P, M |
|
7.2 |
1950 |
DN![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Recording) Black and White](icons/bw.png) |
No Man of Her Own |
Mitchell Leisen, W, W, ++, P, M |
|
7.2 |
1949 |
D![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Recording) Black and White](icons/bw.png) |
The Passionate Friends |
David Lean, W, W, ++, P, M |
|
7.2 |
1946 |
AdCFMl![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Mirrophonic Recording) Black and White](icons/bw.png) |
Road to Utopia |
Hal Walker, W, W, P, M |
|
7.2 |
1943 |
CAdFan![Color (Agfacolor); Aspect: 1.37:1; 35 mm; AUDIO: Mono Color (Agfacolor)](icons/rgb.png) |
The Adventures of Baron Munchausen |
Josef von Báky, W, ++, P, P, M «Münchhausen» |
|
7.2 |
1943 |
DMlR![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (RCA Sound System) Black and White](icons/bw.png) |
The Hard Way |
Vincent Sherman, W, W, ++, P, M |
|
7.2 |
1942 |
DW![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Sound System) Black and White](icons/bw.png) |
Journey for Margaret |
W.S. Van Dyke, ++, W, W, ++, P, M, M, M++ |
|
7.2 |
1939 |
AdHR![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Noiseless Recording Sound System) Black and White](icons/bw.png) |
The Man in the Iron Mask |
James Whale, W, W, P, M |
|
7.2 |
1937 |
C![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono Black and White](icons/bw.png) |
It's Love I'm After |
Archie Mayo, W, W, P, M |
|
7.2 |
1937 |
CDR![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Sound System) Black and White](icons/bw.png) |
The Bride Wore Red |
Dorothy Arzner, W, W, ++, P, M |
|
7.2 |
1936 |
CCrMSpT![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Noiseless Recording) Black and White](icons/bw.png) |
Charlie Chan at the Race Track |
H. Bruce Humberstone, W, W, ++, P |
|
7.2 |
1936 |
AAdSf![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (RCA Victor High Fidelity Recording) Black and White](icons/bw.png) |
Flash Gordon |
Frederick Stephani, ++, W, W, ++, P, P, M |
|
7.2 |
1936 |
DF![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (RCA Victor High Fidelity System) Black and White](icons/bw.png) |
Little Lord Fauntleroy |
John Cromwell, W, W, P, M |
|
7.2 |
1936 |
MlRAdDWe![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Sound System) Black and White](icons/bw.png) |
Rose-Marie |
W.S. Van Dyke, W, W, ++, P, M |
|
7.2 |
1936 |
D![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Eion Sound System) Black and White](icons/bw.png) |
Sisters of the Gion |
Kenji Mizoguchi, W, W, ++, P «Gion no shimai» |
|
7.2 |
1936 |
BDH![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Noiseless Recording) Black and White](icons/bw.png) |
The Prisoner of Shark Island |
John Ford, W, P, M, M |
|
7.2 |
1935 |
DHR![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Noiseless Recording) Black and White](icons/bw.png) |
Les Misérables |
Richard Boleslawski, W, W, P, M |
|
7.2 |
1934 |
MlCR![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Sound System) Black and White](icons/bw.png) |
The Merry Widow |
Ernst Lubitsch, W, W, ++, P |
|
7.2 |
1933 |
CFanMlR![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Wide Range Noiseless Recording) Black and White](icons/bw.png) |
Roman Scandals |
Frank Tuttle, W, W, ++, P, P, M |
|
7.2 |
1932 |
D![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (RCA Photophone System) Black and White](icons/bw.png) |
What Price Hollywood? |
George Cukor, W, W, ++, P, M |
|
7.2 |
1931 |
CD![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Sound System) Black and White](icons/bw.png) |
Private Lives |
Sidney Franklin, W, W, ++, P, M |
|
7.2 |
1928 |
DW![Black and White; Aspect: 1.33:1; 35 mm; AUDIO: Mono (Western Electric Apparatus) (talking sequences, musical score and sound effects) Black and White](icons/bw.png) |
Noah's Ark |
Michael Curtiz, ++, W, W, ++, P, P, M, M, M++ |
|
7.2 |
1928 |
T![Black and White; Silent](icons/bw.png) |
Spies |
Fritz Lang, W, W, ++, P, M «Spione» |
|
7.2 |
1928 |
Ho![Black and White; Silent](icons/bw.png) |
The Fall of the House of Usher |
Jean Epstein, W, W, ++, P, P «La chute de la maison Usher» |
|
7.2 |
1928 |
DR![Black and White; Silent](icons/bw.png) |
The Mysterious Lady |
Fred Niblo, W, W, ++, P, M, M |
|
7.2 |
1926 |
AdA![Color (2-strip Technicolor); Silent](icons/rgb.png) |
The Black Pirate |
Albert Parker, W, W, P, M |
|
7.2 |
1924 |
We![Black and White (tinted); Silent](icons/bw.png) |
The Iron Horse |
John Ford, W, W, ++, P, M, M, M |
|
7.2 |
1922 |
DFFanMR![Color (2-strip Technicolor) (Process Number Two); Silent](icons/rgb.png) |
The Toll of the Sea |
Chester M. Franklin, W, ++, P |
|
7.2 |
1918 |
CW![Black and White; Silent](icons/bw.png) |
Shoulder Arms |
Charles Chaplin, W, P, M |