|
7.6 |
2014 |
DR![Color; Aspect: 2.35:1 Color](icons/q-rgb.png) |
The 7.39 |
John Alexander, W, P, M TV |
|
7.6 |
2013 |
DoAdD![Color; Color](icons/q-rgb.png) |
Living on One Dollar |
Zach Ingrasci, Sean Leonard, ++, P, P, M, M, M++ |
|
7.6 |
2013 |
T![Color (Technicolor); Color (Technicolor)](icons/q-rgb.png) |
Mumbai Police |
Roshan Andrews, W, W, M |
|
7.6 |
2013 |
DoH![Color (HD); Color (HD)](icons/q-rgb.png) |
Rewind This! |
Josh Johnson, P, M |
|
7.6 |
2011 |
![TV](icons/tv_icon.png) ![TV](icons/tv_icon.png) AnADRT![Color; Aspect: 2.35:1; 35 mm (Kodak); Digital Intermediate (2K) (master format) Super 35 (source format); Arriflex 435 Xtreme, Zeiss Ultra Prime and Angenieux Optimo Lenses Moviecam Compact, Zeiss Ultra Prime and Angenieux Optimo Lenses Moviecam SL, Zeiss Ultra Prime and Angenieux Optimo Lenses; AUDIO: Dolby Digital Color](icons/rgb.png) |
"Future Diary" |
Naoto Hosoda, W, W, P, M «"Mirai Nikki"» TV series 2011- |
|
7.6 |
2011 |
AdH![Color; Aspect: 1.85:1; 16 mm (some scenes) 35 mm; Digital Intermediate (2K) (master format) Super 16 (some shots) Super 35; Arri SR16 Arriflex 435 Color](icons/rgb.png) |
17 Miracles |
T.C. Christensen, W, W, P |
|
7.6 |
2009 |
DT![Color; Aspect: 1.85:1; AUDIO: Stereo Color](icons/q-rgb.png) |
Absolute Evil - Final Exit |
Ulli Lommel, W, P, M «Absolute Evil» |
|
7.6 |
2009 |
DoC![Color; Aspect: 1.85:1 Color](icons/q-rgb.png) |
The Yes Men Fix the World |
Andy Bichlbaum, Mike Bonanno, ++, W, W, ++, P, P, M, M |
|
7.6 |
2009 |
Do![Color; Aspect: 1.85:1 Color](icons/q-rgb.png) |
Transcendent Man |
Robert Barry Ptolemy, P, M |
|
7.6 |
2007 |
DoBR![Color; Aspect: 1.78:1; AUDIO: Dolby Color](icons/q-rgb.png) |
Chris & Don. A Love Story |
Tina Mascara, Guido Santi, P, M |
|
7.6 |
2007 |
Do![Color; Video; DV; AUDIO: Dolby Digital Color](icons/v-rgb.png) |
The Devil Came on Horseback |
Ricki Stern, Anne Sundberg, W, W, P, P, P++, M |
|
7.6 |
2006 |
![TV](icons/tv_icon.png) ![TV](icons/tv_icon.png) CR![Color; Color](icons/q-rgb.png) |
"Princess Hours" |
[ In-roe Hwang ], [ W, W ] «"Goong"» TV series 2006- |
|
7.6 |
2006 |
D![Color; Aspect: 1.78:1 Color](icons/q-rgb.png) |
Though None Go with Me |
Armand Mastroianni, W, W, P, M TV |
|
7.6 |
2005 |
![TV](icons/tv_icon.png) ![TV](icons/tv_icon.png) AnCF![Color; Aspect: 1.33:1; AUDIO: Stereo Color](icons/q-rgb.png) |
"Camp Lazlo!" |
[ Brian Sheesley ], [ W, W, W++ ], M TV series 2005-2008 |
|
7.6 |
2005 |
DMc![Black and White; AUDIO: Dolby Digital Black and White](icons/bw.png) |
The Violin |
Francisco Vargas, W, P, P, M, M «El violin» |
|
7.6 |
2004 |
Do![Color; Aspect: 1.78:1; Video; Digital Video; AUDIO: Dolby Digital Color](icons/v-rgb.png) |
Short Cut to Nirvana: Kumbh Mela |
Maurizio Benazzo, Nick Day, P, P, M |
|
7.6 |
2003 |
BD![Color; AUDIO: Stereo Color](icons/q-rgb.png) |
America's Prince: The John F. Kennedy Jr. Story |
Eric Laneuville, W, W, P, M TV |
|
7.6 |
2003 |
AdDFFan![Color; Color](icons/q-rgb.png) |
Hans Christian Andersen: My Life as a Fairy Tale |
Philip Saville, W, W, P, M TV |
|
7.6 |
2003 |
CD![Color; Aspect: 1.78:1; AUDIO: Dolby Digital Color](icons/q-rgb.png) |
James' Journey to Jerusalem |
Ra'anan Alexandrowicz, W, W, P, M, M, M «Massa'ot James Be'eretz Hakodesh» |
|
7.6 |
2002 |
CrDMT![Color; AUDIO: Stereo Color](icons/q-rgb.png) |
A Is for Acid |
Harry Bradbeer, W, P, M, M TV |
|
7.6 |
2002 |
Do![Color; Color](icons/q-rgb.png) |
Crop Circles: Quest for Truth |
William Gazecki, P, M |
|
7.6 |
2002 |
Do![Color; AUDIO: Stereo Color](icons/q-rgb.png) |
Journeys with George |
Alexandra Pelosi, Aaron Lubarsky, W, P |
|
7.6 |
2002 |
SDo![Color; Aspect: 1.44:1; 65 mm (horizontal); IMAX Color](icons/rgb.png) |
Pulse: A Stomp Odyssey |
Luke Cresswell, Steve McNicholas, P, P |
|
7.6 |
2002 |
DR![Color; Aspect: 1.85:1; Video (PAL); DV; Canon XL-1; AUDIO: Dolby Digital Color](icons/v-rgb.png) |
Swingers |
Stephan Brenninkmeijer, W, P, M |
|
7.6 |
2001 |
Do![Color; Aspect: 1.37:1; Video; DV; JVC GY-DV500; AUDIO: Stereo Color](icons/v-rgb.png) |
Raw Deal: A Question of Consent |
Billy Corben, P, M, M, M |
|
7.6 |
2001 |
T![Color; 35 mm; AUDIO: Dolby Digital Color](icons/rgb.png) |
Tempted |
Bill Bennett, W, P, M |
|
7.6 |
2001 |
FFan![Color; Color](icons/q-rgb.png) |
Three Days |
Michael Switzer, W, W, P, M TV |
|
7.6 |
2001 |
C![Color; 35 mm; AUDIO: Dolby Color](icons/rgb.png) |
Wooly Boys |
Leszek Burzynski, W, W, ++, P, M |
|
7.6 |
2000 |
![Color; Aspect: 1.33:1; AUDIO: Stereo Color](icons/q-rgb.png) |
The Golden Spiders: A Nero Wolfe Mystery |
Bill Duke, W, W, P, M TV |
|
7.6 |
1999 |
SD![Color; AUDIO: Stereo Color](icons/q-rgb.png) |
Desserts |
Jeff Stark, W, P, M, M, M |
|
7.6 |
1998 |
![TV](icons/tv_icon.png) ![TV](icons/tv_icon.png) ACCr![Color; Aspect: 1.33:1; Panavision Cameras and Lenses; AUDIO: Stereo Color](icons/q-rgb.png) |
"V.I.P." |
[ Savage Steve Holland, Greg Yaitanes, D++ ], [ W, W, W++ ], P, P, M TV series 1998-2002 |
|
7.6 |
1998 |
DR![Color; Aspect: 1.85:1; 35 mm Color](icons/rgb.png) |
Dance Me to My Song |
Rolf de Heer, W, W, ++, P, M |
|
7.6 |
1998 |
An![Color; Color](icons/q-rgb.png) |
Fatal Fury 3 |
TV |
|
7.6 |
1998 |
DoH![Black and White, Color; Aspect: 1.33:1; AUDIO: Stereo Black and White, Color](icons/rgb-bw.png) |
Glorious Technicolor |
Peter Jones, W, W, P, P, P++ TV |
|
7.6 |
1998 |
DoS![Black and White; Black and White](icons/bw.png) |
Human Remains |
Jay Rosenblatt, W |
|
7.6 |
1997 |
SFanM![Black and White; Aspect: 1.33:1 Black and White](icons/bw.png) |
Doodlebug |
Christopher Nolan, W, P, M |
|
7.6 |
1997 |
RWe![Color; Panavision Cameras and Lenses; AUDIO: Dolby Color](icons/q-rgb.png) |
Gunfighter's Moon |
Larry Ferguson, W, P, M |
|
7.6 |
1997 |
ACCr![Color; AUDIO: Dolby Digital Color](icons/q-rgb.png) |
Kiler |
Juliusz Machulski, W, P, M, M |
|
7.6 |
1996 |
DR![Color; Aspect: 1.33:1; 35 mm; Lenses and Panaflex Camera by Panavision; AUDIO: Ultra Stereo Color](icons/rgb.png) |
Mr. and Mrs. Loving |
Richard Friedenberg, W, P, M TV |
|
7.6 |
1995 |
AnCS![Color; Aspect: 1.37:1; 16 mm Color](icons/rgb.png) |
Ah, L'Amour |
Don Hertzfeldt, W, P, M |
|
7.6 |
1994 |
AAnFan![Color; Aspect: 1.85:1; 35 mm (Eastman EXR 100T 5248); AUDIO: Dolby Color](icons/rgb.png) |
Fatal Fury: The Motion Picture |
Masami Ôbari, W, W, ++, M «Garou densetsu» |
|
7.6 |
1994 |
DRT![Color; AUDIO: Ultra Stereo Color](icons/q-rgb.png) |
Killer |
Mark Malone, W, W, P, M |
|
7.6 |
1993 |
![TV](icons/tv_icon.png) ![TV](icons/tv_icon.png) C![Color; Aspect: 1.33:1; Video; AUDIO: Stereo Color](icons/v-rgb.png) |
"Saved by the Bell: The College Years" |
[ Miguel Higuera, Jeff Melman ], W, W, ++, M TV series 1993-1994 |
|
7.6 |
1992 |
AnCMl![Color; 35 mm; AUDIO: Mono Color](icons/rgb.png) |
The Tune |
Bill Plympton, W, W, ++, P, M |
|
7.6 |
1991 |
AnSAFanSf![Color; Color](icons/q-rgb.png) |
Dragon Ball Z: Lord Slug |
Mitsuo Hashimoto, W, W, ++, M, M «Doragon bôru Z 4: Super Saiyajin da Son Gokû» |
|
7.6 |
1990 |
CHo![Color; 35 mm; AUDIO: Mono Color](icons/rgb.png) |
I Bought a Vampire Motorcycle |
Dirk Campbell, W, W, P, M |
|
7.6 |
1988 |
CFSf![Color; 35 mm; AUDIO: Stereo Color](icons/rgb.png) |
Purple People Eater |
Linda Shayne, W, P, M |
|
7.6 |
1986 |
DR![Color; Aspect: 1.85:1; Panaflex Camera and Lenses by Panavision; AUDIO: Stereo Color](icons/q-rgb.png) |
Violets Are Blue... |
Jack Fisk, W, P, M |
|
7.6 |
1985 |
CR![Color; 35 mm; AUDIO: Mono Color](icons/rgb.png) |
Breaking All the Rules |
James Orr, W, W, ++, P, M |
|
7.6 |
1985 |
RSf![Color; Aspect: 1.33:1; 35 mm; Panavision Cameras and Lenses; AUDIO: Mono Color](icons/rgb.png) |
Starcrossed |
Jeffrey Bloom, W, P, M TV |
|
7.6 |
1984 |
CrDM![Color; Color](icons/q-rgb.png) |
"The Adventures of Sherlock Holmes" The Naval Treaty |
Alan Grint, W, W, ++, P, M |
|
7.6 |
1984 |
D![Color; Aspect: 1.85:1; 35 mm; AUDIO: Mono Color](icons/rgb.png) |
The Stone Boy |
Christopher Cain, W, P, M |
|
7.6 |
1983 |
![TV](icons/tv_icon.png) ![TV](icons/tv_icon.png) AdCSf![Color; Aspect: 1.33:1; 35 mm; AUDIO: Mono Color](icons/rgb.png) |
"Automan" |
[ Kim Manners, Winrich Kolbe, Allen Baron ], [ W, W, W++ ], P, M, M, M TV series 1983-1984 |
|
7.6 |
1977 |
DFan![Color; 35 mm; AUDIO: Mono Color](icons/rgb.png) |
I Never Promised You a Rose Garden |
Anthony Page, W, W, ++, P, M |
|
7.6 |
1976 |
![TV](icons/tv_icon.png) ![TV](icons/tv_icon.png) CG![Color; Aspect: 1.33:1; Video; AUDIO: Mono Color](icons/v-rgb.png) |
"The Gong Show" |
[ John Dorsey, Terry Kyne ], [ W, W ], M, M TV series 1976-1980 |
|
7.6 |
1974 |
DR![Color (Technicolor); 35 mm; AUDIO: Mono Color (Technicolor)](icons/rgb.png) |
A Very Natural Thing |
Christopher Larkin, W, ++, P, M, M, M |
|
7.6 |
1973 |
CWe![Color; Aspect: 2.35:1; 35 mm; Panavision (anamorphic); AUDIO: Mono (Westrex Recording System) Color](icons/rgb.png) |
Kid Blue |
James Frawley, W, P, M, M |
|
7.6 |
1972 |
DR![Color (Eastmancolor); Aspect: 1.66:1; 35 mm; AUDIO: Mono Color (Eastmancolor)](icons/rgb.png) |
César and Rosalie |
Claude Sautet, W, W, ++, P, M «César et Rosalie» |
|
7.6 |
1972 |
D![Color (Technicolor); Aspect: 1.33:1; 35 mm; AUDIO: Mono Color (Technicolor)](icons/rgb.png) |
That Certain Summer |
Lamont Johnson, W, W, P, M TV |
|
7.6 |
1970 |
CrT![Color (Eastmancolor); AUDIO: Mono Color (Eastmancolor)](icons/q-rgb.png) |
The Crook |
Claude Lelouch, W, ++, P, M «Le voyou» |
|
7.6 |
1970 |
CS![Black and White; Aspect: 1.37:1; 16 mm; AUDIO: Mono Black and White](icons/bw.png) |
The Diane Linkletter Story |
John Waters, W, W, ++, P |
|
7.6 |
1968 |
We![Color; Aspect: 2.35:1; 35 mm (2-perf); Techniscope; AUDIO: Mono Color](icons/rgb.png) |
The Ruthless Four |
Giorgio Capitani, W, W, P, M «Ognuno per sé» |
|
7.6 |
1967 |
AnCFR![Color; Aspect: 1.33:1; 35 mm; AUDIO: Mono Color](icons/rgb.png) |
You're in Love, Charlie Brown |
Bill Melendez, W, M TV |
|
7.6 |
1966 |
AdWe![Color (Technicolor); Aspect: 2.35:1; 35 mm; Techniscope; AUDIO: Mono Color (Technicolor)](icons/rgb.png) |
The Night of the Grizzly |
Joseph Pevney, W, P, P, M |
|
7.6 |
1965 |
DMRF![Color; Aspect: 1.33:1; AUDIO: Mono (RCA Sound System) Color](icons/q-rgb.png) |
Waqt |
Yash Chopra, W, W, P, M |
|
7.6 |
1964 |
DA![Color; Aspect: 1.85:1; 35 mm; AUDIO: Mono (Westrex Recording System) Color](icons/rgb.png) |
The Lively Set |
Jack Arnold, W, W, ++, P, M |
|
7.6 |
1960 |
![TV](icons/tv_icon.png) ![TV](icons/tv_icon.png) We![Black and White; Aspect: 1.33:1; 35 mm; AUDIO: Mono (RCA Sound Recording) Black and White](icons/bw.png) |
"Stagecoach West" |
[ Don McDougall, Thomas Carr, George Blair ], [ W, W, W++ ], P, P, M, M TV series 1960-1961 |
|
7.6 |
1960 |
BDH![Color (Technicolor); Aspect: 2.20:1; 35 mm (horizontal); Super Technirama 70; AUDIO: Mono (Westrex Recording System) Color (Technicolor)](icons/rgb.png) |
The Trials of Oscar Wilde |
Ken Hughes, W, W, ++, P, M |
|
7.6 |
1960 |
FD![Color (Technicolor); Aspect: 1.37:1; 35 mm; AUDIO: Mono (RCA Sound Recording) Color (Technicolor)](icons/rgb.png) |
Toby Tyler, or Ten Weeks with a Circus |
Charles Barton, W, W, ++, P, M, M |
|
7.6 |
1959 |
D![Black and White; Aspect: 1.85:1; 35 mm; AUDIO: Mono (Westrex Recording System) Black and White](icons/bw.png) |
Career |
Joseph Anthony, W, W, ++, P, M |
|
7.6 |
1959 |
Ml![Color (Technicolor); Aspect: 2.35:1; 35 mm (horizontal); Technirama; AUDIO: 4-Track Stereo Color (Technicolor)](icons/rgb.png) |
For the First Time |
Rudolph Maté, W, P, M, M, M |
|
7.6 |
1958 |
DRW![Color (Eastmancolor); Aspect: 2.35:1; 35 mm; CinemaScope; AUDIO: Mono (Westrex Recording System), 4-Track Stereo Color (Eastmancolor)](icons/rgb.png) |
A Time to Love and a Time to Die |
Douglas Sirk, W, W, P, M |
|
7.6 |
1956 |
AnFSC![Color (Technicolor); Aspect: 1.37:1; 35 mm; AUDIO: Mono Color (Technicolor)](icons/rgb.png) |
To Hare Is Human |
Chuck Jones, W, M |
|
7.6 |
1949 |
C![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Recording) Black and White](icons/bw.png) |
Everybody Does It |
Edmund Goulding, W, W, ++, P |
|
7.6 |
1948 |
CMlR![Color (Technicolor); Aspect: 1.37:1; 35 mm; AUDIO: Mono, Mono (Western Electric Sound System) Color (Technicolor)](icons/rgb.png) |
Luxury Liner |
Richard Whorf, W, W, ++, P, M |
|
7.6 |
1944 |
C![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Mirrophonic Recording) Black and White](icons/bw.png) |
Our Hearts Were Young and Gay |
Lewis Allen, W, W, ++, P, M |
|
7.6 |
1936 |
DR![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (RCA Photophone) Black and White](icons/bw.png) |
Mayerling |
Anatole Litvak, W, W, ++, P, P, M, M |
|
7.6 |
1933 |
AnSMlFC![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Noiseless Recording) Black and White](icons/bw.png) |
Popeye the Sailor |
Dave Fleischer, ++ |
|
7.6 |
1933 |
CCrR![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono Black and White](icons/bw.png) |
The Little Giant |
Roy Del Ruth, W, W, P |
|
7.6 |
1932 |
FCS![Black and White; 35 mm; AUDIO: Mono (Western Electric Sound System) Black and White](icons/bw.png) |
Free Wheeling |
Robert F. McGowan, W, ++, P, M |
|
7.6 |
1931 |
D![Black and White; Aspect: 1.20:1; 35 mm; AUDIO: Mono (Western Electric Sound System) Black and White](icons/bw.png) |
Anna Christie |
Jacques Feyder, W, W, ++, P |
|
7.6 |
1931 |
DM![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Sound System) Black and White](icons/bw.png) |
The Phantom of Paris |
John S. Robertson, W, W, ++, P |
|
7.6 |
1930 |
CD![Black and White; Aspect: 1.33:1; 35 mm; AUDIO: Mono (Western Electric Sound System) Black and White](icons/bw.png) |
Min and Bill |
George W. Hill, W, W, ++, P |
|
7.6 |
1928 |
DR![Black and White; Silent](icons/bw.png) |
White Shadows in the South Seas |
W.S. Van Dyke, ++, W, W, ++, P, P, P, M |
|
7.6 |
1927 |
DR![Black and White; Silent](icons/bw.png) |
Captain Salvation |
John S. Robertson, W, W, ++, P, M |
|
7.6 |
1927 |
AdDHR![Black and White; Silent](icons/bw.png) |
The Beloved Rogue |
Alan Crosland, W, W, ++, P |
|
7.5 |
2014 |
![TV](icons/tv_icon.png) B![Color; Cooke S4/i Lenses Color](icons/q-rgb.png) |
"Cilla" |
[ Paul Whittington ], [ W ], P, M TV mini-series 2014- |
|
7.5 |
2014 |
![TV](icons/tv_icon.png) ![TV](icons/tv_icon.png) D![Color; Red Epic, Zeiss Ultra Prime and Angenieux Optimo Lenses Color](icons/d-rgb.png) |
"Signed, Sealed, Delivered" |
[ Scott Smith, Kevin Fair, Lynne Stopkewich ], [ W ], P, M TV series 2014- |
|
7.5 |
2014 |
BCDR![Color; Color](icons/q-rgb.png) |
Cantinflas |
Sebastian del Amo, W, W, P, M |
|
7.5 |
2014 |
Ho![Color; Canon T3 Canon T3i Color](icons/d-rgb.png) |
New Blood Rising |
Chad Zuver, W, P |
|
7.5 |
2014 |
T![Color; Aspect: 2.35:1; Hawk Scope; Hawk C Anamorphic Lenses Hawk V-Plus Anamorphic Lenses Color](icons/q-rgb.png) |
Who Am I |
Baran bo Odar, W, W, P, M «Who Am I - Kein System ist sicher» |
|
7.5 |
2013 |
Do![Color; Color](icons/q-rgb.png) |
The Punk Singer |
Sini Anderson, P, P |
|
7.5 |
2012 |
DoBH![Color, Black and White; AUDIO: Stereo Color, Black and White](icons/rgb-bw.png) |
Marina Abramovic: The Artist Is Present |
Matthew Akers, Jeff Dupre, P, M |
|
7.5 |
2012 |
CrDT![Color; Aspect: 2.35:1 Color](icons/q-rgb.png) |
Wasteland |
Rowan Athale, W, P, M |
|
7.5 |
2011 |
![TV](icons/tv_icon.png) ![TV](icons/tv_icon.png) CD![Color; AUDIO: Stereo Color](icons/q-rgb.png) |
"Jane by Design" |
[ Gavin Polone, Phil Traill ], [ W, W, W++ ], P, M TV series 2011- |
|
7.5 |
2011 |
![TV](icons/tv_icon.png) ![TV](icons/tv_icon.png) ACFan |
"My Babysitter's a Vampire" |
[ Tibor Takács, Paul Fox, D++ ], [ W, W, W++ ], P, P, M, M, M++ TV series 2011-2012 |
|
7.5 |
2011 |
CrD![Color; Aspect: 1.85:1; RED MYSTERIUM-X; AUDIO: Dolby Digital Color](icons/d-rgb.png) |
Few Options |
George A. Pappy Jr., W, P, M |
|
7.5 |
2010 |
AnCDMSf![Color; Aspect: 1.85:1; Digital; Digital Intermediate (2K) (master format) Digital (source format); AUDIO: Dolby Digital, DTS, SDDS Color](icons/d-rgb.png) |
The Disappearance of Haruhi Suzumiya |
Tatsuya Ishihara, Yasuhiro Takemoto, W, W, ++, P, M «Suzumiya Haruhi no shôshitsu» |
|
7.5 |
2009 |
SC![Color; 35 mm Color](icons/rgb.png) |
Fiasco |
Nadia Hamzeh, W, ++, P, M |
|
7.5 |
2009 |
CF![Color; Aspect: 1.85:1; AUDIO: DTS, Dolby Digital Color](icons/q-rgb.png) |
Le petit Nicolas |
Laurent Tirard, W, W, ++, P, M |
|
7.5 |
2008 |
B![Color; Color](icons/q-rgb.png) |
Hughie Green, Most Sincerely |
Daniel Percival, W, W, ++, P, M TV |
|
7.5 |
2008 |
A![Color; Aspect: 2.35:1; 35 mm (2-perf); Techniscope; Kinor 235 Color](icons/rgb.png) |
The Level |
Jeff Crook, Josh Crook, W, P, M TV |
|
7.5 |
2007 |
![TV](icons/tv_icon.png) ![TV](icons/tv_icon.png) C![Color; Color](icons/q-rgb.png) |
"Benidorm" |
[ Sandy Johnson, Kevin Allen, John Henderson ], [ W, W ], P, M TV series 2007- |
|
7.5 |
2007 |
![TV](icons/tv_icon.png) ![TV](icons/tv_icon.png) C![Color; Aspect: 1.33:1; Video; DVC Pro; Panasonic AJ-SDX900 Color](icons/v-rgb.png) |
"Halfway Home" |
[ Damon Jones ], [ W ], P TV series 2007- |
|
7.5 |
2007 |
![TV](icons/tv_icon.png) DoH![Color; Color](icons/q-rgb.png) |
"The Story of India" |
[ Jeremy Jeffs ], [ W ], M TV mini-series 2007- |
|
7.5 |
2007 |
Do![Color; Aspect: 1.33:1; AUDIO: Stereo Color](icons/q-rgb.png) |
A Map for Saturday |
Brook Silva-Braga, W, P, M |
|
7.5 |
2007 |
D![Color; Aspect: 1.85:1; Super 16; Digital Intermediate; AUDIO: Dolby Digital Color](icons/q-rgb.png) |
Estomago: A Gastronomic Story |
Marcos Jorge, W, W, ++, P, M «Estômago» |
|
7.5 |
2006 |
Do![Color; Video; DV Color](icons/v-rgb.png) |
Black Gold |
Marc Francis, Nick Francis, M, M, M |
|
7.5 |
2006 |
CDMl![Color; Aspect: 2.35:1; Video; Digital Video Color](icons/v-rgb.png) |
Colma: The Musical |
Richard Wong, W, W, ++, P, M |
|
7.5 |
2006 |
Do![Color; Color](icons/q-rgb.png) |
Crossing Arizona |
Dan DeVivo, Joseph Mathew, W, P |
|
7.5 |
2006 |
AdD![Color; Aspect: 1.78:1; Video (HDTV); D1 (master format) HDCAM (source format); Sony HDW-750 Sony HVR-Z1 Color](icons/h-rgb.png) |
Ghosts |
Nick Broomfield, W, W, ++, P, M, M |
|
7.5 |
2006 |
CD![Color; Aspect: 1.85:1; 16 mm; Super 16; AUDIO: Dolby Digital EX Color](icons/rgb.png) |
Naming Number Two |
Toa Fraser, W, P, M «No. 2» |
|
7.5 |
2006 |
DR![Color; Aspect: 2.35:1; 35 mm; Panavision (anamorphic); AUDIO: Dolby Digital Color](icons/rgb.png) |
The Elephant King |
Seth Grossman, W, P, M |
|
7.5 |
2005 |
BDH![Color; AUDIO: Stereo Color](icons/q-rgb.png) |
Einstein's Big Idea |
Gary Johnstone, W, W, P, M «E=mc²» TV |
|
7.5 |
2005 |
AdDW![Black and White, Color; Aspect: 1.85:1; Video; AUDIO: Dolby Digital Black and White, Color](icons/rgb-bw.png) |
Iluminados por el fuego |
Tristán Bauer, W, W, ++, P, M, M |
|
7.5 |
2005 |
Do![Color; Aspect: 1.85:1; AUDIO: Stereo Color](icons/q-rgb.png) |
We Feed the World |
Erwin Wagenhofer, W, P, M |
|
7.5 |
2003 |
AnAdCFSf![Color; Aspect: 1.33:1; AUDIO: Stereo Color](icons/q-rgb.png) |
Kim Possible: A Sitch in Time |
Steve Loter, W, W, M TV |
|
7.5 |
2003 |
DoMc![Color; Aspect: 1.78:1 Color](icons/q-rgb.png) |
Kiss Symphony |
Jonathan Beswick, Victor Burroughs TV |
|
7.5 |
2003 |
DCR![Color; AUDIO: Stereo Color](icons/q-rgb.png) |
Twelfth Night, or What You Will |
Tim Supple, W, W, ++, P, M TV |
|
7.5 |
2002 |
CR![Color; AUDIO: Dolby Digital Color](icons/q-rgb.png) |
Casomai |
Alessandro D'Alatri, W, W, P, M, M |
|
7.5 |
2001 |
Do![Color; Aspect: 1.33:1; Video; DV; AUDIO: Dolby SR Color](icons/v-rgb.png) |
ABC Africa |
Abbas Kiarostami, P |
|
7.5 |
2001 |
DMlCrR![Color; Color](icons/q-rgb.png) |
Lajja |
Rajkumar Santoshi, W, W, ++, P, M, M |
|
7.5 |
2001 |
D![Color; AUDIO: Stereo Color](icons/q-rgb.png) |
My Daughter's Secret Life |
John Fawcett, W, W, ++, P, M «Lucky Girl» TV |
|
7.5 |
2001 |
CSp![Color; Aspect: 1.85:1; 16 mm (Kodak Vision 200T 7274, Vision 500T SO-663); Super 16; Arriflex 16 SR3 HS, Zeiss and Angenieux Lenses; AUDIO: Dolby Digital Color](icons/rgb.png) |
Waterboys |
Shinobu Yaguchi, W, W, P, P, M, M |
|
7.5 |
2000 |
![Color; Color](icons/q-rgb.png) |
Road Dogz |
Alfredo Ramos, W, P, M |
|
7.5 |
1998 |
![TV](icons/tv_icon.png) D![Color; Aspect: 1.33:1; 35 mm; AUDIO: Stereo Color](icons/rgb.png) |
"A Will of Their Own" |
[ Karen Arthur ], [ W, W, W ], P, M TV mini-series 1998- |
|
7.5 |
1998 |
DR![Color; Color](icons/q-rgb.png) |
Diamond Girl |
Timothy Bond, W, W, P, M TV |
|
7.5 |
1998 |
DoBH![Color; Color](icons/q-rgb.png) |
Frank Lloyd Wright |
Ken Burns, Lynn Novick, W, P, P |
|
7.5 |
1998 |
DR![Color; AUDIO: Dolby Digital Color](icons/q-rgb.png) |
Late August, Early September |
Olivier Assayas, W, P «Fin août, début septembre» |
|
7.5 |
1997 |
DR![Color; 35 mm; AUDIO: Stereo Color](icons/rgb.png) |
The Only Thrill |
Peter Masterson, W, P, M |
|
7.5 |
1996 |
![TV](icons/tv_icon.png) ![TV](icons/tv_icon.png) CrMD![Color; AUDIO: Stereo Color](icons/q-rgb.png) |
"Dalziel and Pascoe" |
[ Patrick Lau, Maurice Phillips, D++ ], [ W, W, W++ ], P, P, P++, M, M, M++ TV series 1996- |
|
7.5 |
1996 |
ADR![Color; Aspect: 2.35:1; 35 mm; AUDIO: Dolby SR Color](icons/rgb.png) |
Ghatak: Lethal |
Rajkumar Santoshi, W, W, ++, P, M, M, M |
|
7.5 |
1996 |
CD![Color; AUDIO: Dolby Color](icons/q-rgb.png) |
The Other Side of Sunday |
Berit Nesheim, W, W, ++, P, M, M «Søndagsengler» |
|
7.5 |
1996 |
AnSCF![Color; Color](icons/q-rgb.png) |
What a Cartoon: Larry & Steve |
Seth MacFarlane, W, M «Larry & Steve» |
|
7.5 |
1995 |
DoHW![Color; Color](icons/q-rgb.png) |
Crusades |
Alan Ereira, David Wallace, W, W, P, P, M TV |
|
7.5 |
1995 |
DRW![Color (Eastmancolor); Aspect: 1.85:1; AUDIO: Dolby Digital Color (Eastmancolor)](icons/q-rgb.png) |
Frankie Starlight |
Michael Lindsay-Hogg, W, W, ++, P, M |
|
7.5 |
1994 |
CD![Color; AUDIO: Ultra Stereo Color](icons/q-rgb.png) |
Whale Music |
Richard J. Lewis, W, W, ++, P, M |
|
7.5 |
1993 |
AnASf![Color; AUDIO: Stereo Color](icons/q-rgb.png) |
Dragon Ball Z: Broly - The Legendary Super Saiyan |
Shigeyasu Yamauchi, W, W, M, M «Doragon bôru Z 8: Moetsukiro!! Nessen retsusen-chô gekisen» |
|
7.5 |
1993 |
RWD![Color; Aspect: 1.85:1; AUDIO: Dolby Color](icons/q-rgb.png) |
For the Moment |
Aaron Kim Johnston, W, P, M |
|
7.5 |
1993 |
AAdR![Color; Aspect: 1.85:1; 35 mm; AUDIO: Mono Color](icons/rgb.png) |
Zhan shen chuan shuo |
Sammo Hung Kam-Bo, W, P, M |
|
7.5 |
1992 |
BHoMSf![Color; Aspect: 1.33:1; 35 mm; AUDIO: Stereo Color](icons/rgb.png) |
Intruders |
Dan Curtis, W, W, ++, P, M TV |
|
7.5 |
1992 |
DoBD![Color; Aspect: 1.37:1; 35 mm; AUDIO: Stereo Color](icons/rgb.png) |
Quince Tree of the Sun |
Víctor Erice, W, W, P, P, M «El sol del membrillo» |
|
7.5 |
1992 |
CrD![Color; Aspect: 1.85:1; 35 mm; Panavision Panaflex Gold, Panavision Primo Lenses; AUDIO: Dolby Color](icons/rgb.png) |
South Central |
Stephen Milburn Anderson, W, W, P, M |
|
7.5 |
1990 |
DT![Color; 35 mm; AUDIO: Stereo Color](icons/rgb.png) |
Naked Obsession |
Dan Golden, W, W, M |
|
7.5 |
1990 |
C![Color; Color](icons/q-rgb.png) |
The Shrimp on the Barbie |
Michael Gottlieb, Alan Smithee, W, W, ++, P, M |
|
7.5 |
1990 |
CR![Color (Technicolor); Aspect: 1.85:1; 35 mm; AUDIO: Stereo Color (Technicolor)](icons/rgb.png) |
Tune in Tomorrow... |
Jon Amiel, W, W, P, M |
|
7.5 |
1989 |
CHoSf![Color; 35 mm; AUDIO: Mono Color](icons/rgb.png) |
Lobster Man from Mars |
Stanley Sheff, W, W, ++, P, M |
|
7.5 |
1989 |
AdSfSAnD![Color; Color](icons/q-rgb.png) |
Pryde of the X-Men |
Ray Lee, W, ++, M TV |
|
7.5 |
1989 |
FanHo![Black and White; Aspect: 1.37:1; 16 mm; AUDIO: Mono Black and White](icons/bw.png) |
Tales from the Gimli Hospital |
Guy Maddin, W, P |
|
7.5 |
1988 |
AnCrSf![Color; Aspect: 1.33:1; 35 mm; AUDIO: Stereo Color](icons/rgb.png) |
Appleseed |
Kazuyoshi Katayama, W, W, ++, M «Appurushîdo» TV |
|
7.5 |
1986 |
D![Color; Aspect: 1.85:1 Color](icons/q-rgb.png) |
The Terrorizers |
Edward Yang, W, W, P, M «Kong bu fen zi» |
|
7.5 |
1985 |
CFFan![Color; 35 mm; AUDIO: Stereo Color](icons/rgb.png) |
The Dirt Bike Kid |
Hoite C. Caston, W, W, ++, P, M, M |
|
7.5 |
1984 |
DoB![Black and White, Color; 35 mm; AUDIO: Mono Black and White, Color](icons/rgb-bw.png) |
28 Up |
Michael Apted TV |
|
7.5 |
1983 |
DACRF![Color; Color](icons/q-rgb.png) |
Coolie |
Manmohan Desai, Prayag Raj, W, W, ++, P, M, M |
|
7.5 |
1983 |
FAnC![Color (Technicolor); 35 mm; AUDIO: Mono Color (Technicolor)](icons/rgb.png) |
Daffy Duck's Movie: Fantastic Island |
Friz Freleng, Chuck Jones, ++, W, W, ++, M, M, M++ |
|
7.5 |
1981 |
CD![Color (Fujicolor); Aspect: 1.66:1; 35 mm; AUDIO: Mono Color (Fujicolor)](icons/rgb.png) |
Lola |
Rainer Werner Fassbinder, W, W, ++, P, M, M |
|
7.5 |
1979 |
D![Color; 35 mm; AUDIO: Mono Color](icons/rgb.png) |
Iskanderija... lih? |
Youssef Chahine, W, W, P, M |
|
7.5 |
1977 |
DoSB![Color; 35 mm; AUDIO: Mono Color](icons/rgb.png) |
La Soufrière - Warten auf eine unausweichliche Katastrophe |
Werner Herzog, P, P |
|
7.5 |
1976 |
DSp![Color; Aspect: 1.37:1; 35 mm; Panavision Cameras and Lenses; AUDIO: Mono Color](icons/rgb.png) |
The Loneliest Runner |
Michael Landon, W, P, M TV |
|
7.5 |
1976 |
D![Black and White; 35 mm; AUDIO: Mono Black and White](icons/bw.png) |
The Middleman |
Satyajit Ray, W, W, P, M «Jana Aranya» |
|
7.5 |
1975 |
D![Color; 35 mm; Panaflex Camera and Lenses by Panavision; AUDIO: Mono Color](icons/rgb.png) |
In This House of Brede |
George Schaefer, W, W, P, M TV |
|
7.5 |
1975 |
Ho![Color (Eastmancolor); Aspect: 2.35:1; 35 mm; Panavision (anamorphic); Panavision Cameras and Lenses; AUDIO: Mono Color (Eastmancolor)](icons/rgb.png) |
She sha shou |
Chih-Hung Kuei, W, P, M |
|
7.5 |
1973 |
CrC![Color; Aspect: 1.33:1; 35 mm; AUDIO: Mono Color](icons/rgb.png) |
Cops and Robbers |
Aram Avakian, W, P, M |
|
7.5 |
1973 |
CD![Color (Technicolor); Aspect: 2.35:1; 35 mm; Panavision (anamorphic); AUDIO: Mono Color (Technicolor)](icons/rgb.png) |
Oklahoma Crude |
Stanley Kramer, W, P, M |
|
7.5 |
1973 |
ACrT![Color; Aspect: 1.85:1; 35 mm; AUDIO: Mono (Westrex Recording System) Color](icons/rgb.png) |
The Boss |
Fernando Di Leo, W, W, P, M «Il boss» |
|
7.5 |
1973 |
DW![Black and White (archive footage), Black and White, Color (Eastmancolor); Aspect: 1.66:1; 35 mm; Panavision Cameras and Lenses; AUDIO: Mono Black and White (archive footage), Black and White, Color (Eastmancolor)](icons/rgb-bw.png) |
The Train |
Pierre Granier-Deferre, W, W, ++, P, M «Le train» |
|
7.5 |
1971 |
AAdD![Color (Eastmancolor); Aspect: 2.35:1; 35 mm 65 mm (partly); Panavision (anamorphic) Super Panavision 70 (partly); AUDIO: Mono Color (Eastmancolor)](icons/rgb.png) |
The Horsemen |
John Frankenheimer, W, W, P, P, P, M |
|
7.5 |
1970 |
AnFS![Color (Metrocolor); Aspect: 1.33:1; AUDIO: Mono Color (Metrocolor)](icons/q-rgb.png) |
Horton Hears a Who! |
Chuck Jones, Ben Washam, W, M TV |
|
7.5 |
1969 |
D![Black and White (tinted), Color (Eastmancolor); Aspect: 2.35:1; 35 mm; (anamorphic); AUDIO: Mono Black and White (tinted), Color (Eastmancolor)](icons/rgb-bw.png) |
Boy |
Nagisa Ôshima, W, P, P, M «Shônen» |
|
7.5 |
1969 |
D![Black and White; 35 mm; AUDIO: Mono Black and White](icons/bw.png) |
The Cow |
Dariush Mehrjui, W, W, P, M «Gaav» |
|
7.5 |
1968 |
ACD![Black and White; Aspect: 2.35:1; 35 mm; Tohoscope; AUDIO: Mono Black and White](icons/bw.png) |
Kill! |
Kihachi Okamoto, W, W, ++, P, M «Kiru» |
|
7.5 |
1966 |
DoSAdF![Color; Aspect: 1.37:1; 16 mm; AUDIO: Mono Color](icons/rgb.png) |
Paddle to the Sea |
Bill Mason, W, P, M |
|
7.5 |
1965 |
C![Color (Technicolor); Aspect: 1.66:1; 35 mm; AUDIO: Mono (Westrex Recording System) Color (Technicolor)](icons/rgb.png) |
The Art of Love |
Norman Jewison, W, W, ++, P, M |
|
7.5 |
1965 |
CM![Color (Eastmancolor); Aspect: 1.66:1; 35 mm; AUDIO: Mono Color (Eastmancolor)](icons/rgb.png) |
The Intelligence Men |
Robert Asher, W, W, ++, P, M |
|
7.5 |
1964 |
CSf![Color; Aspect: 1.85:1; 35 mm; AUDIO: Mono Color](icons/rgb.png) |
Kiss Me Quick! |
Peter Perry Jr., ++, P |
|
7.5 |
1963 |
CrDR![Black and White; Aspect: 2.35:1; 35 mm; Dyaliscope; AUDIO: Mono (Westrex Recording System) Black and White](icons/bw.png) |
Any Number Can Win |
Henri Verneuil, W, W, ++, P, M «Mélodie en sous-sol» |
|
7.5 |
1955 |
![TV](icons/tv_icon.png) ![TV](icons/tv_icon.png) C![Black and White; Aspect: 1.33:1; 35 mm; AUDIO: Mono (RCA Sound Recording) Black and White](icons/bw.png) |
"The Bob Cummings Show" |
[ Rod Amateau, Robert Cummings, Norman Tokar ], [ W, W, W++ ], P, M, M, M TV series 1955-1959 |
|
7.5 |
1954 |
FAnSC![Color (Technicolor); Aspect: 1.37:1; 35 mm; AUDIO: Mono Color (Technicolor)](icons/rgb.png) |
Baby Buggy Bunny |
Chuck Jones, W, M |
|
7.5 |
1953 |
DW![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Recording) Black and White](icons/bw.png) |
Raiders in the Sky |
Philip Leacock, W, W, ++, P, M «Appointment in London» |
|
7.5 |
1950 |
M![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Recording) Black and White](icons/bw.png) |
Five Angles on Murder |
Anthony Asquith, W, P, M «The Woman in Question» |
|
7.5 |
1948 |
D![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono Black and White](icons/bw.png) |
Nosotros, los pobres |
Ismael Rodríguez, W, W, ++, P, M |
|
7.5 |
1942 |
AAd![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (RCA Sound System) Black and White](icons/bw.png) |
Spy Smasher |
William Witney, W, W, ++, P, M |
|
7.5 |
1941 |
FAnSC![Color (Technicolor); Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Sound System) Color (Technicolor)](icons/rgb.png) |
The Midnight Snack |
Joseph Barbera, William Hanna, M |
|
7.5 |
1938 |
AD![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Sound System) Black and White](icons/bw.png) |
The Crowd Roars |
Richard Thorpe, W, W, ++, P, P, M |
|
7.5 |
1938 |
CrT![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (RCA Photophone) Black and White](icons/bw.png) |
They Drive by Night |
Arthur B. Woods, W, ++, P, M |
|
7.5 |
1936 |
CDMl![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Noiseless Recording) Black and White](icons/bw.png) |
Pennies from Heaven |
Norman Z. McLeod, W, W, ++, P, M |
|
7.5 |
1936 |
We![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Sound System) Black and White](icons/bw.png) |
Three Godfathers |
Richard Boleslawski, W, W, ++, P, M |
|
7.5 |
1932 |
D![Black and White; Aspect: 1.20:1; 35 mm; AUDIO: Mono (Western Electric Noiseless Recording) Black and White](icons/bw.png) |
Broken Lullaby |
Ernst Lubitsch, W, W, ++, P, M |
|
7.5 |
1932 |
D![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono Black and White](icons/bw.png) |
The Mouthpiece |
James Flood, Elliott Nugent, W, W, ++, P |
|
7.5 |
1926 |
C![Black and White; Silent](icons/bw.png) |
The Strong Man |
Frank Capra, W, W, ++, P, P, M |
|
7.5 |
1924 |
DR![Black and White; Silent](icons/bw.png) |
Wild Oranges |
King Vidor, W, W, ++, P, M |
|
7.5 |
1921 |
AAdR![Black and White, Color (Wyckoff-DeMill Color) (some sequences); Silent](icons/rgb-bw.png) |
The Three Musketeers |
Fred Niblo, W, W, ++, P, M, M, M |
|
7.5 |
1919 |
HoW![Black and White; Silent](icons/bw.png) |
I Accuse |
Abel Gance, W, P, P, P, M «J'accuse!» |
|
7.4 |
2013 |
DT![Color; Aspect: 2.35:1; AUDIO: Dolby Digital Color](icons/q-rgb.png) |
In the Name Of |
Malgorzata Szumowska, W, W, P, M, M «W imie..» |
|
7.4 |
2013 |
DoCMc![Color; Color](icons/q-rgb.png) |
Mistaken for Strangers |
Tom Berninger, M, M, M |
|
7.4 |
2013 |
Do![Color; AUDIO: Dolby Digital Color](icons/q-rgb.png) |
Salinger |
Shane Salerno, P, P, M |
|
7.4 |
2013 |
DHT![Color; Aspect: 2.35:1 Color](icons/q-rgb.png) |
Wakolda |
Lucía Puenzo, W, P, M, M |
|
7.4 |
2013 |
D![Color; Color](icons/q-rgb.png) |
Zinda Bhaag |
Meenu Gaur, Farjad Nabi, W, W, P, M |
|
7.4 |
2012 |
![TV](icons/tv_icon.png) ![TV](icons/tv_icon.png) AC![Color; Color](icons/q-rgb.png) |
"A Touch of Cloth" |
[ Jim O'Hanlon ], [ W, W ], P, P, M, M TV series 2012- |
|
7.4 |
2012 |
DR![Color; Aspect: 2.35:1; SxS Pro; Digital Intermediate (2K) (master format) ProRes 4:4:4 (1080/24p) (source format); Arri Alexa, Cooke S4 Lenses Color](icons/d-rgb.png) |
Architecture 101 |
Yong-Joo Lee, W, P, M «Geon-chook-hak-gae-ron» |
|
7.4 |
2012 |
AAdR![Color; Aspect: 2.35:1; Redcode RAW; CinemaScope; Red Epic Red One Camera Color](icons/d-rgb.png) |
Code Name Venus |
Tamer Garip, W, W, ++, P «Kod Adi: Venüs» |
|
7.4 |
2012 |
Do![Color; Color](icons/q-rgb.png) |
Everything or Nothing |
Stevan Riley, W, W, P |
|
7.4 |
2011 |
CHo![Color; Aspect: 2.35:1; 35 mm Codex; ArriRaw (2.8K) (source format) Digital Intermediate (2K) (master format) Hawk Scope (anamorphic) (source format); Arriflex 535B, Hawk Lenses Arriflex D-21, Hawk lenses (partly) Color](icons/rgb.png) |
Game of Werewolves |
Juan Martínez Moreno, W, P, M «Lobos de Arga» |
|
7.4 |
2011 |
DR![Color; Color](icons/q-rgb.png) |
Incir reçeli |
Aytaç Agirlar, W, P, P, M |
|
7.4 |
2011 |
DoC![Color; Aspect: 1.85:1 Color](icons/q-rgb.png) |
Laugh at My Pain |
Leslie Small, Tim Story, W, W, ++, P, M |
|
7.4 |
2011 |
CR![Color; Aspect: 2.35:1 Color](icons/q-rgb.png) |
Love Birds |
Paul Murphy, W, P, M, M |
|
7.4 |
2010 |
![TV](icons/tv_icon.png) ![TV](icons/tv_icon.png) CCr![Color; Color](icons/q-rgb.png) |
"Vexed" |
[ Matt Lipsey, Ian Fitzgibbon, Kieron J. Walsh ], [ W, W, W ], P, P, M, M TV series 2010- |
|
7.4 |
2010 |
DoB![Color; Aspect: 1.78:1; Red One Camera Color](icons/d-rgb.png) |
The Arbor |
Clio Barnard, P, M, M |
|
7.4 |
2010 |
D![Color; Aspect: 1.85:1; Sony HDW-F900 + Pro35 (2 cameras) Color](icons/q-rgb.png) |
The Life of Fish |
Matías Bize, W, ++, P, M «La vida de los peces» |
|
7.4 |
2009 |
![TV](icons/tv_icon.png) DoH![Color; Aspect: 1.78:1; 16 mm (Kodak Vision2 100T 7212, Vision2 200T 7217, Vision2 500T 7218, Eastman EXR 100T 7248); Digital Intermediate (2K) (master format) Super 16 (source format); Aaton XTR Prod, Zeiss Super Speed and Canon Lenses; AUDIO: Stereo Color](icons/rgb.png) |
"The National Parks: America's Best Idea" |
[ Ken Burns ], [ W ], P, P, P++ TV mini-series 2009- |
|
7.4 |
2009 |
DR![Color; Aspect: 1.85:1; 35 mm; Digital Intermediate (2K); AUDIO: Dolby Digital Color](icons/rgb.png) |
City of Life |
Ali F. Mostafa, W, W, ++, P, M, M |
|
7.4 |
2009 |
![Color; Aspect: 1.85:1; 35 mm; AUDIO: Dolby Digital Color](icons/rgb.png) |
Frontier Blues |
Babak Jalali, W, P, M |
|
7.4 |
2009 |
Do![Color; Aspect: 1.78:1; AUDIO: SDDS, Dolby Digital, DTS Color](icons/q-rgb.png) |
The Boys: The Sherman Brothers' Story |
Gregory V. Sherman, Jeff Sherman, P, M, M |
|
7.4 |
2009 |
DMSfT![Color; Aspect: 2.35:1; 35 mm; AUDIO: Dolby Digital EX Color](icons/rgb.png) |
The Door |
Anno Saul, W, W, P, M «Die Tür» |
|
7.4 |
2009 |
DFFan![Color; Color](icons/q-rgb.png) |
The Good Witch's Garden |
Craig Pryce, W, W, P TV |
|
7.4 |
2008 |
![TV](icons/tv_icon.png) ![TV](icons/tv_icon.png) C![Color; Aspect: 1.33:1; AUDIO: Mono Color](icons/q-rgb.png) |
"Sordid Lives: The Series" |
[ Del Shores ], [ W ], P, M TV series 2008- |
|
7.4 |
2008 |
![TV](icons/tv_icon.png) ![TV](icons/tv_icon.png) C![Color; Color](icons/q-rgb.png) |
"The Spoony Experiment" |
[ Noah Antwiler ], [ W ] TV series 2008- |
|
7.4 |
2006 |
DT![Color; Aspect: 1.85:1; 35 mm; AUDIO: Dolby Digital Color](icons/rgb.png) |
Last Train to Freo |
Jeremy Sims, W, P |
|
7.4 |
2005 |
D![Color; Color](icons/q-rgb.png) |
Knights of the South Bronx |
Allen Hughes, W, W, ++, P, M TV |
|
7.4 |
2005 |
CD![Color; Color](icons/q-rgb.png) |
The Blossoming of Maximo Oliveros |
Auraeus Solito, W, P, M «Ang pagdadalaga ni Maximo Oliveros» |
|
7.4 |
2004 |
CrRT![Color; Aspect: 2.35:1; 35 mm; AUDIO: Dolby Digital Color](icons/rgb.png) |
Lautlos |
Mennan Yapo, W, W, P, M, M |
|
7.4 |
2004 |
DoBSp![Color, Black and White; AUDIO: Dolby Color, Black and White](icons/rgb-bw.png) |
Unforgivable Blackness: The Rise and Fall of Jack Johnson |
Ken Burns, W, P, P, M |
|
7.4 |
2003 |
DFR![Color; Color](icons/q-rgb.png) |
Armaan |
Honey Irani, W, ++, P, M, M, M++ |
|
7.4 |
2003 |
DoS![Color; Color](icons/q-rgb.png) |
Chernobyl Heart |
Maryann DeLeo |
|
7.4 |
2003 |
D![Color; Aspect: 2.35:1 Color](icons/q-rgb.png) |
Tehzeeb |
Khalid Mohamed, W, W, P, M |
|
7.4 |
2002 |
![TV](icons/tv_icon.png) ![TV](icons/tv_icon.png) AAdC![Color; Color](icons/q-rgb.png) |
"She Spies" |
[ Gregory J. Bonann, Rick Jacobson, D++ ], [ W, W, W++ ], P, P, P, M, M TV series 2002-2004 |
|
7.4 |
2002 |
D![Color; Color](icons/q-rgb.png) |
Dekada '70 |
Chito S. Roño, W, P, M |
|
7.4 |
2002 |
BCD![Color; Aspect: 1.33:1; AUDIO: Stereo Color](icons/q-rgb.png) |
Gilda Radner: It's Always Something |
Duane Clark, W, W, P, M TV |
|
7.4 |
2002 |
CHoFR![Color; Color](icons/q-rgb.png) |
My Left Eye Sees Ghosts |
Johnnie To, Ka-Fai Wai, W, W, ++, P, M «Ngo joh aan gin diy gwai» |
|
7.4 |
2002 |
DW![Color; Aspect: 1.78:1; Video; Digital Betacam; AUDIO: Stereo Color](icons/v-rgb.png) |
The Falklands Play |
Michael Samuels, W, P, P, P++ TV |
|
7.4 |
2002 |
![Color; Aspect: 1.85:1; Arriflex Cameras; AUDIO: Dolby Digital Color](icons/q-rgb.png) |
The Keyman |
Daniel Millican, W, W, P, M |
|
7.4 |
2001 |
CFFan![Color; Aspect: 1.85:1; 35 mm; AUDIO: Dolby Digital Color](icons/rgb.png) |
Miss Minoes |
Vincent Bal, W, W, ++, P, M «Minoes» |
|
7.4 |
2001 |
DA![Color; Color](icons/q-rgb.png) |
Nayak: The Real Hero |
S. Shankar, W, W, P, M |
|
7.4 |
2001 |
CrDT![Color; AUDIO: Dolby Digital Color](icons/q-rgb.png) |
One Eyed King |
Robert Moresco, W, P, M, M |
|
7.4 |
2001 |
AnSCFanSf![Color; AUDIO: Dolby Digital Color](icons/q-rgb.png) |
Puni Puni Poemy |
Shinichi Watanabe, W, W, ++ «Puni Puni Poemi» TV |
|
7.4 |
2000 |
BCrD![Color; Aspect: 2.35:1; 35 mm (Kodak Vision 250D 5246, Vision 500T 5279); Super 35; AUDIO: Dolby Digital Color](icons/rgb.png) |
Murderous Maids |
Jean-Pierre Denis, W, W, ++, P «Les blessures assassines» |
|
7.4 |
2000 |
BD![Color; Aspect: 1.33:1; AUDIO: Stereo Color](icons/q-rgb.png) |
The David Cassidy Story |
Jack Bender, W, P, M TV |
|
7.4 |
1999 |
D![Color; Aspect: 1.85:1; 35 mm; AUDIO: Dolby Color](icons/rgb.png) |
Charisma |
Kiyoshi Kurosawa, W, P, M «Karisuma» |
|
7.4 |
1997 |
CD![Color; 35 mm Color](icons/rgb.png) |
Dry Cleaning |
Anne Fontaine, W, W, P «Nettoyage à sec» |
|
7.4 |
1997 |
![Black and White; Black and White](icons/bw.png) |
Mr. Vincent |
Robert Celestino, W, W, ++, P, M, M |
|
7.4 |
1997 |
DR![Color; Aspect: 1.85:1; 35 mm; AUDIO: Dolby SR Color](icons/rgb.png) |
Touch Me |
H. Gordon Boos, W, ++, P, M |
|
7.4 |
1995 |
AnAAdCFFanMcMSfWe![Color; Aspect: 1.85:1; 35 mm; Panavision Cameras and Lenses (as Panaflex ® Camera and Lenses by Panavision ®); AUDIO: Stereo Color](icons/rgb.png) |
Gumby: The Movie |
Art Clokey, W, W, ++, P, M «Gumby 1» |
|
7.4 |
1995 |
CrDMT![Color; Aspect: 1.85:1; 35 mm Color](icons/rgb.png) |
Shinjuku kuroshakai: Chaina mafia sensô |
Takashi Miike, W, P, M |
|
7.4 |
1993 |
![TV](icons/tv_icon.png) D![Color; Aspect: 1.33:1; 35 mm; AUDIO: Stereo Color](icons/rgb.png) |
"Queen" |
John Erman, W, W TV mini-series 1993- |
|
7.4 |
1990 |
![TV](icons/tv_icon.png) ![TV](icons/tv_icon.png) CHoMR![Color; Aspect: 1.33:1; Panaflex Cameras and Lenses by Panavision; AUDIO: Stereo Color](icons/q-rgb.png) |
"She-Wolf of London" |
[ Roger Cheveley, Brian Grant, D++ ], [ W, W, W++ ], P, P, P, M TV series 1990-1991 |
|
7.4 |
1990 |
C![Color (Eastmancolor); Aspect: 1.85:1; 35 mm; AUDIO: Dolby Color (Eastmancolor)](icons/rgb.png) |
Cold Dog Soup |
Alan Metter, W, W, P, M |
|
7.4 |
1990 |
D![Color; AUDIO: Mono Color](icons/q-rgb.png) |
Journey of Hope |
Xavier Koller, W, W, P «Reise der Hoffnung» |
|
7.4 |
1989 |
HoT![Color; Color](icons/q-rgb.png) |
The Forgotten One |
Phillip Badger, W, P, M |
|
7.4 |
1988 |
![TV](icons/tv_icon.png) D![Color; Aspect: 1.33:1; 35 mm; AUDIO: Mono Color](icons/rgb.png) |
"Lincoln" |
Lamont Johnson, W, W, P, M TV mini-series 1988- |
|
7.4 |
1988 |
CMR![Color; Aspect: 1.85:1; 35 mm; AUDIO: Ultra Stereo Color](icons/rgb.png) |
Plain Clothes |
Martha Coolidge, W, ++, P, M |
|
7.4 |
1988 |
D![Color; Arriflex Cameras; AUDIO: Dolby Color](icons/q-rgb.png) |
The Beat |
Paul Mones, W, P, M |
|
7.4 |
1988 |
DW![Color; Aspect: 1.33:1; 35 mm; AUDIO: Mono Color](icons/rgb.png) |
The Caine Mutiny Court-Martial |
Robert Altman, W, P TV |
|
7.4 |
1987 |
DoMc![Color; AUDIO: Stereo Color](icons/q-rgb.png) |
Stevie Nicks: Live at Red Rocks |
Marty Callner, P TV |
|
7.4 |
1985 |
CrDM![Color; Aspect: 1.33:1; AUDIO: Mono Color](icons/q-rgb.png) |
Agatha Christie's Miss Marple: A Pocket Full of Rye |
Guy Slater, W, W, P, M, M TV |
|
7.4 |
1981 |
![TV](icons/tv_icon.png) ![TV](icons/tv_icon.png) CR![Color; AUDIO: Stereo Color](icons/q-rgb.png) |
"A Fine Romance" |
Simon Cellan Jones, Graham Evans, [ W ] TV series 1981-1984 |
|
7.4 |
1979 |
AD![Color; Aspect: 2.35:1; 35 mm; (anamorphic); AUDIO: Mono Color](icons/rgb.png) |
Last Hurrah for Chivalry |
John Woo, W, P, P «Hao xia» |
|
7.4 |
1978 |
CrATD![Color; Aspect: 1.85:1; 35 mm; AUDIO: Mono Color](icons/rgb.png) |
Money Movers |
Bruce Beresford, W, W, P |
|
7.4 |
1976 |
D![Color (Eastmancolor); Aspect: 1.66:1; 35 mm; AUDIO: Mono Color (Eastmancolor)](icons/rgb.png) |
I Love You, I Don't |
Serge Gainsbourg, W, P, M «Je t'aime moi non plus» |
|
7.4 |
1976 |
BD![Color; Aspect: 1.33:1; 35 mm; Panaflex Cameras and Lenses by Panavision; AUDIO: Mono Color](icons/rgb.png) |
James Dean |
Robert Butler, W, P, M TV |
|
7.4 |
1976 |
D![Color; Aspect: 1.33:1; 35 mm; AUDIO: Mono Color](icons/rgb.png) |
Smash-Up on Interstate 5 |
John Llewellyn Moxey, W, W, ++, P, M TV |
|
7.4 |
1976 |
ACrT![Color; Aspect: 2.35:1; 35 mm (2-perf); Techniscope; AUDIO: Mono Color](icons/rgb.png) |
Violent Naples |
Umberto Lenzi, W, P, P, M «Napoli violenta» |
|
7.4 |
1975 |
D![Color; Aspect: 1.85:1; 35 mm; AUDIO: Mono (Westrex Recording System) Color](icons/rgb.png) |
The Other Side of the Mountain |
Larry Peerce, W, W, P, M |
|
7.4 |
1974 |
D![Color (Technicolor); Aspect: 2.35:1; 35 mm; Todd-AO 35; AUDIO: Mono Color (Technicolor)](icons/rgb.png) |
Conversation Piece |
Luchino Visconti, W, W, ++, P, M «Gruppo di famiglia in un interno» |
|
7.4 |
1973 |
CSfM![Color; Aspect: 1.33:1 Color](icons/q-rgb.png) |
Turist Ömer Uzay Yolu'nda |
Hulki Saner, W, ++, P, P |
|
7.4 |
1973 |
DRAMlF![Color; AUDIO: Stereo Color](icons/q-rgb.png) |
Yaadon Ki Baaraat |
Nasir Hussain, W, ++, P, M |
|
7.4 |
1969 |
CF![Color (Technicolor); Aspect: 2.35:1; 35 mm (2-perf); Techniscope; AUDIO: Mono (Westrex Recording System) Color (Technicolor)](icons/rgb.png) |
Angel in My Pocket |
Alan Rafkin, W, W, P, M, M |
|
7.4 |
1969 |
D![Color (Eastmancolor); 35 mm; AUDIO: Mono Color (Eastmancolor)](icons/rgb.png) |
The Mummy |
Chadi Abdel Salam, W, P, M «Al-mummia» |
|
7.4 |
1967 |
CR![Color (Pathécolor); Aspect: 1.85:1; 35 mm; AUDIO: Mono Color (Pathécolor)](icons/rgb.png) |
Enter Laughing |
Carl Reiner, W, W, ++, P, M |
|
7.4 |
1966 |
D![Black and White, Color; 35 mm; AUDIO: Mono Black and White, Color](icons/rgb-bw.png) |
Black Girl |
Ousmane Sembene, W, P «La noire de..» |
|
7.4 |
1964 |
D![Black and White; 35 mm; AUDIO: Mono Black and White](icons/bw.png) |
The Girl-Getters |
Michael Winner, W, P, M «The System» |
|
7.4 |
1959 |
WD![Black and White; Aspect: 2.35:1; 35 mm; MegaScope; AUDIO: Mono (Westrex Recording System) Black and White](icons/bw.png) |
Yesterday's Enemy |
Val Guest, W, P |
|
7.4 |
1956 |
C![Color (Technicolor); Aspect: 1.85:1; 35 mm (horizontal); VistaVision; AUDIO: Mono (Western Electric Recording) Color (Technicolor)](icons/rgb.png) |
Hollywood or Bust |
Frank Tashlin, W, ++, P, M |
|
7.4 |
1953 |
D![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (RCA Sound System) Black and White](icons/bw.png) |
Do Bigha Zamin |
Bimal Roy, W, W, ++, P, M |
|
7.4 |
1953 |
CMlR![Color (Technicolor); Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Sound System) Color (Technicolor)](icons/rgb.png) |
I Love Melvin |
Don Weis, W, W, ++, P, M |
|
7.4 |
1949 |
D![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Recording) Black and White](icons/bw.png) |
Come to the Stable |
Henry Koster, W, W, ++, P, M |
|
7.4 |
1949 |
FAnSC![Color (Technicolor); Aspect: 1.37:1; 35 mm; AUDIO: Mono Color (Technicolor)](icons/rgb.png) |
Frigid Hare |
Chuck Jones, W, M |
|
7.4 |
1949 |
DMlR![Color (Technicolor); Aspect: 1.37:1; 35 mm; AUDIO: Mono (RCA Sound System) Color (Technicolor)](icons/rgb.png) |
Look for the Silver Lining |
David Butler, W, W, ++, P, M |
|
7.4 |
1948 |
We![Color (Cinecolor); Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Recording) Color (Cinecolor)](icons/rgb.png) |
Coroner Creek |
Ray Enright, W, W, P, M |
|
7.4 |
1947 |
Ml![Color (Technicolor); Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Recording) Color (Technicolor)](icons/rgb.png) |
Mother Wore Tights |
Walter Lang, W, W, P, M, M |
|
7.4 |
1946 |
HMl![Color (Technicolor); Aspect: 1.37:1; 35 mm; AUDIO: Mono Color (Technicolor)](icons/rgb.png) |
Centennial Summer |
Otto Preminger, W, W, P, M |
|
7.4 |
1938 |
AAdSf![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Noiseless Recording) Black and White](icons/bw.png) |
Flash Gordon's Trip to Mars |
Ford Beebe, Robert F. Hill, ++, W, W, ++, P |
|
7.4 |
1935 |
CD![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Sound System) Black and White](icons/bw.png) |
Ah, Wilderness! |
Clarence Brown, W, W, ++, P, M, M |
|
7.4 |
1935 |
FMlR![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Noiseless Recording) Black and White](icons/bw.png) |
Curly Top |
Irving Cummings, W, W, ++, P, M, M, M++ |
|
7.4 |
1932 |
CS![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Sound System) Black and White](icons/bw.png) |
Any Old Port! |
James W. Horne, W, P |
|
7.4 |
1931 |
D![Black and White; Aspect: 1.20:1; 35 mm; AUDIO: Mono (Western Electric Sound System) Black and White](icons/bw.png) |
Five and Ten |
[ Robert Z. Leonard ], W, W, ++, P |
|
7.4 |
1929 |
AAdDR![Black and White; Silent](icons/bw.png) |
White Hell of Pitz Palu |
Arnold Fanck, Georg Wilhelm Pabst, W, W, P, P, P, M, M, M «Die weiße Hölle vom Piz Palü» |
|
7.4 |
1927 |
SC![Black and White; Silent](icons/bw.png) |
The Battle of the Century |
Clyde Bruckman, W, ++, P |
|
7.4 |
1925 |
DR![Black and White; Silent](icons/bw.png) |
The Merry Widow |
Erich von Stroheim, W, W, ++, P, P, P++ |
|
7.4 |
1920 |
CS![Black and White; Silent](icons/bw.png) |
Get Out and Get Under |
Hal Roach, W, P, M |
|
7.4 |
1916 |
RWe![Black and White (tinted); Silent](icons/bw.png) |
Hell's Hinges |
Charles Swickard, ++, W, P, M |
|
7.4 |
1898 |
SC![Black and White; Silent](icons/bw.png) |
Four Heads Are Better Than One |
Georges Méliès «Un homme de têtes» |