|
7.3 |
2015 |
R![Color; Color](icons/q-rgb.png) |
OK Kanmani |
Mani Ratnam, W, P, M |
|
7.3 |
2014 |
![TV](icons/tv_icon.png) ![TV](icons/tv_icon.png) CrD![Color; AUDIO: Stereo Color](icons/q-rgb.png) |
"Fargo" |
[ Adam Bernstein, Colin Bucksey, D++ ], [ W ], P, P, M TV series 2014- |
|
7.3 |
2014 |
D![Color; Color](icons/q-rgb.png) |
50 to 1 |
Jim Wilson, W, W, ++, P, M |
|
7.3 |
2013 |
![TV](icons/tv_icon.png) DMT |
"Utopia" |
[ Marc Munden, Alex Garcia Lopez, Wayne Yip ], [ W, W, W++ ], P, M TV mini-series 2013- |
|
7.3 |
2013 |
D![Color; Color](icons/q-rgb.png) |
Short Term 12 |
Destin Cretton, W, P, M |
|
7.3 |
2012 |
AnSCFR![Black and White, Color; Aspect: 1.85:1; Digital; Digital Intermediate (2K) (master format) Digital (source format); AUDIO: SDDS, Datasat, Dolby Digital Black and White, Color](icons/rgb-bw.png) |
Paperman |
John Kahrs, W, W, M |
|
7.3 |
2012 |
Do![Color; Canon 5D Mark II Panasonic AG-HPX170 Color](icons/d-rgb.png) |
Side by Side |
Christopher Kenneally, W, P, M, M |
|
7.3 |
2012 |
SDR![Color; Color](icons/q-rgb.png) |
Three Days in Kamakura |
Alec McAulay, W, P, M |
|
7.3 |
2011 |
BCD![Color; Aspect: 1.85:1; 35 mm (Fuji Eterna Vivid 250D 8546); Digital Intermediate (2K) (master format) Super 35 (3-perf) (source format); Aaton Penelope, Panavision Primo Lenses Arri Alexa, Panavision Primo Lenses (some night scenes) Arriflex 435, Panavision Primo Lenses; AUDIO: Dolby Digital Color](icons/rgb.png) |
The Intouchables |
Olivier Nakache, Eric Toledano, W, W, P, M «Intouchables» |
|
7.3 |
2007 |
CR![Color; AUDIO: Dolby Digital Color](icons/q-rgb.png) |
Jab We Met |
Imtiaz Ali, W, P, M, M, M |
|
7.3 |
2007 |
SD![Color; Color](icons/q-rgb.png) |
Otousan no tabako |
Shohei Shiozaki, W, P, M |
|
7.3 |
2007 |
DoCrW![Color; Aspect: 1.85:1; Video (HDTV); AUDIO: Dolby Digital Color](icons/h-rgb.png) |
Taxi to the Dark Side |
Alex Gibney, W, P, P, M |
|
7.3 |
2007 |
D![Color; Aspect: 1.85:1; 35 mm (Fuji); Digital Intermediate (source format) Spherical (master format); AUDIO: Dolby Digital EX Color](icons/rgb.png) |
The Edge of Heaven |
Fatih Akin, W, P, M «Auf der anderen Seite» |
|
7.3 |
2007 |
D![Color; Aspect: 1.85:1; 35 mm (Kodak); Digital Intermediate (master format) Spherical (source format); AUDIO: Dolby Digital Color](icons/rgb.png) |
XXY |
Lucía Puenzo, W, W, P, M, M |
|
7.3 |
2006 |
![TV](icons/tv_icon.png) ![TV](icons/tv_icon.png) AnAFanHo![Color; Aspect: 1.78:1; AUDIO: Dolby Digital, Dolby Digital (English version), DTS (English version) Color](icons/q-rgb.png) |
"Hellsing Ultimate" |
[ Taliesin Jaffe, Tomokazu Tokoro, Hideki Tonokatsu ], [ W, W, W++ ], M TV series 2006- |
|
7.3 |
2006 |
CDR![Color; Aspect: 2.35:1; 35 mm; AUDIO: DTS, Dolby Digital EX Color](icons/rgb.png) |
Lage Raho Munna Bhai |
Rajkumar Hirani, W, W, ++, P, M |
|
7.3 |
2006 |
DMc![Color; AUDIO: Dolby Digital Color](icons/q-rgb.png) |
Vitus |
Fredi M. Murer, W, W, ++, P, M |
|
7.3 |
2005 |
![TV](icons/tv_icon.png) ![TV](icons/tv_icon.png) AnACD![Color; Aspect: 1.78:1; Digital; AUDIO: Stereo Color](icons/d-rgb.png) |
"The Boondocks" |
[ Seung Eun Kim, Sung-hoon Kim, D++ ], [ W, W, W++ ], M, M, M TV series 2005- |
|
7.3 |
2004 |
![TV](icons/tv_icon.png) ![TV](icons/tv_icon.png) ACrDMT![Color; Aspect: 1.78:1; 35 mm (Kodak Vision 200T 5274, Vision 500T 5279) Video (HD); HDCAM SR (1080p/24) (season 6-) Super 35 (3-perf) (seasons 1-5); Arri Alexa, Cooke S4 and Angenieux Optimo Lenses (Season 9) Arricam LT, Cooke S4 and Angenieux Optimo Lenses Arricam ST, Cooke S4 and Angenieux Optimo Lenses Arriflex 435, Cooke S4 and Angenieux Optimo Lenses Clairmont Cameras and Lenses Sony CineAlta F35, Cooke S4 and Angenieux Optimo Lenses; AUDIO: Dolby Digital Color](icons/rgb.png) |
"CSI: NY" |
[ Rob Bailey, Alex Zakrzewski, D++ ], [ W, W, W++ ], P, P, P++, M TV series 2004-2013 |
|
7.3 |
2004 |
![TV](icons/tv_icon.png) ![TV](icons/tv_icon.png) DM![Color; Aspect: 1.78:1; 35 mm (Fuji Eterna 400T 8583) Video; HDCAM SR (1080p/24) (master format) Super 35 (3-perf) (source format); Arricam LT, Cooke S4 and Angenieux Optimo Lenses Arricam ST, Cooke S4 and Angenieux Optimo Lenses Canon 5D MKII; AUDIO: Stereo, Dolby Digital (Dolby 5.1) Color](icons/rgb.png) |
"House M.D." |
[ Greg Yaitanes, Deran Sarafian, D++ ], [ W, W, W++ ], P, P, P++, M, M TV series 2004-2012 |
|
7.3 |
2004 |
BDHW![Color; Aspect: 1.85:1; 35 mm (Kodak Vision2 500T 5218, Vision 250D 5246); Digital Intermediate (2K) (master format) Super 35 (3-perf) (source format); Arricam LT, Zeiss Ultra Prime Lenses Arricam ST, Zeiss Ultra Prime Lenses Arriflex 435, Zeiss Ultra Prime Lenses; AUDIO: Dolby Digital, DTS Color](icons/rgb.png) |
Downfall |
Oliver Hirschbiegel, W, W, ++, P, M «Der Untergang» |
|
7.3 |
2004 |
DR![Color; Aspect: 1.85:1; 35 mm; AUDIO: Dolby Digital Color](icons/rgb.png) |
Head-On |
Fatih Akin, W, P, M, M «Gegen die Wand» |
|
7.3 |
2004 |
WDR![Color, Black and White; Aspect: 2.35:1; 35 mm (Kodak Vision2 500T 5218, Vision 250D 5246, Vision 320T 5277, Vision Expression 500T 5284); Digital Intermediate (master format) Hawk Scope (anamorphic) (source format); Arriflex 35-III, Hawk V-Series Lenses Arriflex 435, Hawk V-Series Lenses Arriflex 535B, Hawk V-Series and Angenieux HR Lenses; AUDIO: DTS, Dolby Digital, Dolby SR Color, Black and White](icons/rgb-bw.png) |
Lakshya |
Farhan Akhtar, W, ++, P, M, M, M |
|
7.3 |
2003 |
DoSp![Color; Aspect: 1.85:1; 16 mm Video (HDTV); HDCAM (video segments) Super 16 (film segments); AUDIO: Dolby Digital Color](icons/rgb.png) |
Step Into Liquid |
Dana Brown, W, P, M |
|
7.3 |
2002 |
![TV](icons/tv_icon.png) ![TV](icons/tv_icon.png) C![Color; Aspect: 1.33:1; AUDIO: Stereo Color](icons/q-rgb.png) |
"Still Standing" |
[ Andrew D. Weyman, Gerry Cohen, D++ ], [ W, W, W++ ], P, M TV series 2002-2006 |
|
7.3 |
2002 |
RCDMc![Color; Aspect: 1.85:1; 35 mm (Kodak); Panavision Cameras and Lenses; AUDIO: Dolby Digital Color](icons/rgb.png) |
Brown Sugar |
Rick Famuyiwa, W, ++, P, P, M |
|
7.3 |
2001 |
AdBD![Color; Aspect: 1.85:1; 35 mm; AUDIO: Dolby Digital, DTS (Dolby 5.1) Color](icons/rgb.png) |
The Other Side of Heaven |
Mitch Davis, W, W, P, M |
|
7.3 |
2000 |
![TV](icons/tv_icon.png) ![TV](icons/tv_icon.png) AnC![Color; Color](icons/q-rgb.png) |
"Aqua Teen Hunger Force" |
[ Dave Willis, Matt Maiellaro ], [ W, W, W++ ], M TV series 2000- |
|
7.3 |
2000 |
CrDR![Color (Technicolor); Aspect: 1.85:1; 35 mm (Kodak); AUDIO: Dolby Digital Color (Technicolor)](icons/rgb.png) |
Dinner Rush |
Bob Giraldi, W, W, P, M |
|
7.3 |
2000 |
ACCr![Color; Aspect: 2.35:1; 35 mm; Super 35; AUDIO: Dolby Digital Color](icons/rgb.png) |
Flickering Lights |
Anders Thomas Jensen, W, P, M, M «Blinkende lygter» |
|
7.3 |
2000 |
DoBHMc![Color; Aspect: 1.85:1; AUDIO: Dolby SR Color](icons/q-rgb.png) |
The Filth and the Fury |
Julien Temple |
|
7.3 |
1999 |
DHR![Color; Aspect: 1.85:1; 35 mm (Kodak Eastmancolor); Technovision Cameras and Lenses; AUDIO: DTS, Dolby Digital Color](icons/rgb.png) |
Est - Ouest |
Régis Wargnier, W, W, ++, P, M |
|
7.3 |
1999 |
C![Color; Color](icons/q-rgb.png) |
New Waterford Girl |
Allan Moyle, W, P, M, M, M |
|
7.3 |
1998 |
CrDT![Color; Aspect: 1.85:1; 35 mm; AUDIO: Stereo Color](icons/rgb.png) |
Monument Ave. |
Ted Demme, W, ++, P, M «Snitch» |
|
7.3 |
1998 |
DR![Color; Aspect: 1.85:1; 35 mm (Kodak); AUDIO: Dolby Digital Color](icons/rgb.png) |
My Name Is Joe |
Ken Loach, W, P, M |
|
7.3 |
1998 |
DW![Color; Aspect: 2.35:1; 35 mm; Super 35; AUDIO: Dolby Digital Color](icons/rgb.png) |
Savior |
Predrag Antonijevic, W, P, M |
|
7.3 |
1997 |
![TV](icons/tv_icon.png) ![TV](icons/tv_icon.png) AnCD![Color; Aspect: 1.33:1; AUDIO: Dolby Color](icons/q-rgb.png) |
"King of the Hill" |
[ Klay Hall, Tricia Garcia, D++ ], [ W, W, W++ ], P, M, M, M++ TV series 1997-2010 |
|
7.3 |
1997 |
AnCFFanMl![Color; Aspect: 1.33:1; 35 mm; AUDIO: DTS, Dolby Digital Color](icons/rgb.png) |
Cats Don't Dance |
Mark Dindal, W, W, ++, M |
|
7.3 |
1997 |
CDMcR![Color; 35 mm; AUDIO: Dolby, Dolby SR Color](icons/rgb.png) |
The Crazy Stranger |
Tony Gatlif, W, W, ++, P, M, M «Gadjo dilo» |
|
7.3 |
1996 |
DMR![Color; Aspect: 2.35:1; 35 mm; Super 35; Panavision Cameras and Lenses; AUDIO: Dolby, Dolby Digital Color](icons/rgb.png) |
Lone Star |
John Sayles, W, P, M |
|
7.3 |
1995 |
![TV](icons/tv_icon.png) ![TV](icons/tv_icon.png) DSf![Color; Aspect: 1.33:1; AUDIO: Dolby Color](icons/q-rgb.png) |
"Space: Above and Beyond" |
[ Thomas J. Wright, Charles Martin Smith, D++ ], [ W, W, W++ ], P, P, M TV series 1995-1996 |
|
7.3 |
1995 |
BCrDHT![Color (DeLuxe), Color; Aspect: 1.33:1; 35 mm; AUDIO: Dolby Color (DeLuxe), Color](icons/rgb.png) |
Citizen X |
Chris Gerolmo, W, W, P, M TV |
|
7.3 |
1995 |
DW![Color (Metrocolor); Aspect: 1.66:1; 35 mm (Kodak); AUDIO: Dolby Digital Color (Metrocolor)](icons/rgb.png) |
Land and Freedom |
Ken Loach, W, P, M |
|
7.3 |
1995 |
DR![Color; Aspect: 1.85:1; 35 mm; AUDIO: Dolby Digital Color](icons/rgb.png) |
When Night Is Falling |
Patricia Rozema, W, P, M |
|
7.3 |
1994 |
AD![Color; Aspect: 1.85:1; 35 mm (Eastman); Arriflex 35 BL4, Zeiss and Angenieux Lenses Arriflex 35 III, Zeiss and Angenieux Lenses; AUDIO: Mono Color](icons/rgb.png) |
Fist of Legend |
Gordon Chan, W, W, P, M, M «Jing wu ying xiong» |
|
7.3 |
1994 |
CD![Color; Aspect: 1.85:1; 35 mm; AUDIO: Dolby Color](icons/rgb.png) |
The Sum of Us |
Geoff Burton, Kevin Dowling, W, P, M |
|
7.3 |
1993 |
DMcRW![Black and White (some scenes), Color; Aspect: 1.85:1; 35 mm; Arriflex 535; AUDIO: Dolby Black and White (some scenes), Color](icons/rgb-bw.png) |
Farewell My Concubine |
Kaige Chen, W, ++, P, M «Ba wang bie ji» |
|
7.3 |
1993 |
D![Color; Aspect: 1.85:1; 35 mm; Panavision Cameras and Lenses; AUDIO: Dolby, Dolby SR Color](icons/rgb.png) |
What's Eating Gilbert Grape |
Lasse Hallström, W, P, M, M |
|
7.3 |
1992 |
D![Color; Aspect: 1.85:1; 35 mm; AUDIO: Dolby Color](icons/rgb.png) |
City of Joy |
Roland Joffé, W, W, P, M |
|
7.3 |
1992 |
D![Color; Aspect: 1.33:1; 35 mm; AUDIO: Stereo Color](icons/rgb.png) |
Doing Time on Maple Drive |
Ken Olin, W, P, M TV |
|
7.3 |
1992 |
HoMR![Color; Aspect: 1.33:1; Video; Digital Video; AUDIO: Stereo Color](icons/v-rgb.png) |
Ghostwatch |
Lesley Manning, W, M TV |
|
7.3 |
1991 |
CrDH![Color; Aspect: 1.85:1; 35 mm (Eastman); Arriflex Cameras and Lenses; AUDIO: Dolby Color](icons/rgb.png) |
Let Him Have It |
Peter Medak, W, W, P, M |
|
7.3 |
1990 |
BD![Color (Technicolor); Aspect: 1.85:1; 35 mm; Panaflex Camera and Lenses by Panavision; AUDIO: Dolby Color (Technicolor)](icons/rgb.png) |
Awakenings |
Penny Marshall, W, W, P, M |
|
7.3 |
1990 |
AdDHM![Color (Rankcolor); Aspect: 1.85:1; 35 mm; AUDIO: 70 mm 6-Track (70 mm prints), Dolby (35 mm prints) Color (Rankcolor)](icons/rgb.png) |
Mountains of the Moon |
Bob Rafelson, W, ++, P, M |
|
7.3 |
1989 |
AnSAdCF![Color; Aspect: 1.33:1; AUDIO: Mono Color](icons/q-rgb.png) |
A Grand Day Out |
Nick Park, W, P, M |
|
7.3 |
1989 |
DHW![Color (Technicolor); Aspect: 1.85:1; 35 mm (Eastman 125T 5247, 400T 5294); Panavision Cameras and Lenses; AUDIO: 70 mm 6-Track (70 mm prints), Dolby SR (35 mm prints) Color (Technicolor)](icons/rgb.png) |
Glory |
Edward Zwick, W, W, ++, P, M |
|
7.3 |
1988 |
AnFFan![Color; Aspect: 1.85:1; 35 mm; Spherical (hard-matted); AUDIO: Dolby (Stereo) Color](icons/rgb.png) |
My Neighbor Totoro |
Hayao Miyazaki, W, P, M «Tonari no Totoro» |
|
7.3 |
1987 |
DH![Color; Aspect: 1.85:1; 35 mm (Eastman 250D 5297); AUDIO: Mono Color](icons/rgb.png) |
Matewan |
John Sayles, W, P, M |
|
7.3 |
1986 |
AnAAdFFanR![Color; Aspect: 1.85:1; 35 mm; AUDIO: Dolby Color](icons/rgb.png) |
Castle in the Sky |
Hayao Miyazaki, W, P, M «Tenkû no shiro Rapyuta» |
|
7.3 |
1986 |
CCr![Color; Aspect: 1.85:1; 35 mm; Arriflex Cameras and Lenses; AUDIO: Dolby Color](icons/rgb.png) |
Ruthless People |
Jim Abrahams, David Zucker, ++, W, W, P, M |
|
7.3 |
1985 |
BD![Color (Technicolor); Aspect: 1.85:1; 35 mm; Panavision Cameras and Lenses; AUDIO: Mono Color (Technicolor)](icons/rgb.png) |
Mask |
Peter Bogdanovich, W, P, M |
|
7.3 |
1984 |
DMW![Color (Metrocolor); Aspect: 1.85:1; 35 mm (Eastman 125T 5247, 400T 5294); Panavision Cameras and Lenses; AUDIO: Dolby Color (Metrocolor)](icons/rgb.png) |
A Soldier's Story |
Norman Jewison, W, P, M |
|
7.3 |
1983 |
CrDT![Color (Astrocolor); Aspect: 1.85:1; 35 mm; Lenses and Panaflex Camera by Panavision; AUDIO: Dolby Color (Astrocolor)](icons/rgb.png) |
Bad Boys |
Rick Rosenthal, W, P, P, M |
|
7.3 |
1983 |
AnMcSf![Color; Aspect: 1.85:1; 35 mm; AUDIO: Dolby Color](icons/rgb.png) |
Rock & Rule |
Clive A. Smith, W, W, ++, P, M |
|
7.3 |
1982 |
Do![Color; Aspect: 1.33:1; AUDIO: Mono Color](icons/q-rgb.png) |
Burden of Dreams |
Les Blank, W, P |
|
7.3 |
1982 |
AdBD![Color; Aspect: 1.85:1; 35 mm; Arriflex 35 BL3; AUDIO: Mono Color](icons/rgb.png) |
Fitzcarraldo |
Werner Herzog, W, P, M |
|
7.3 |
1981 |
BDHW![Black and White (archive footage), Black and White, Color (Eastmancolor); Aspect: 2.35:1; 35 mm (Eastman 100T 5247); Panavision (anamorphic); AUDIO: Dolby Black and White (archive footage), Black and White, Color (Eastmancolor)](icons/rgb-bw.png) |
Lion of the Desert |
Moustapha Akkad, W, W, ++, P, M |
|
7.3 |
1979 |
CR![Color (Technicolor); Aspect: 2.35:1; 35 mm; Panavision (anamorphic); AUDIO: Stereo Color (Technicolor)](icons/rgb.png) |
A Little Romance |
George Roy Hill, W, W, ++, P, M |
|
7.3 |
1979 |
AnAdFFan![Color; Aspect: 1.85:1; 35 mm; AUDIO: Mono Color](icons/rgb.png) |
Lupin the Third: The Castle of Cagliostro |
Hayao Miyazaki, W, W, ++, P, M «Rupan sansei: Kariosutoro no shiro» |
|
7.3 |
1979 |
BDR![Color (Eastmancolor); Aspect: 1.85:1; 35 mm; Panaflex Camera and Lenses by Panavision; AUDIO: Mono Color (Eastmancolor)](icons/rgb.png) |
My Brilliant Career |
Gillian Armstrong, W, W, P, M |
|
7.3 |
1979 |
CrD![Color (Eastmancolor); Aspect: 1.37:1; 35 mm; AUDIO: Mono Color (Eastmancolor)](icons/rgb.png) |
Scum |
Alan Clarke, W, P |
|
7.3 |
1978 |
DMc![Color (Eastmancolor); Aspect: 1.66:1; 35 mm; Arriflex 35 BL; AUDIO: Mono Color (Eastmancolor)](icons/rgb.png) |
Autumn Sonata |
Ingmar Bergman, W, P «Höstsonaten» |
|
7.3 |
1977 |
D![Color; Aspect: 1.37:1; 35 mm; AUDIO: Mono Color](icons/rgb.png) |
The Duellists |
Ridley Scott, W, W, P, M |
|
7.3 |
1976 |
AdFFanMlR![Color (Technicolor); Aspect: 2.35:1; 35 mm; Panavision (anamorphic) (as Panavision®); AUDIO: Mono, 4-Track Stereo Color (Technicolor)](icons/rgb.png) |
The Slipper and the Rose: The Story of Cinderella |
Bryan Forbes, W, W, ++, P, M |
|
7.3 |
1975 |
AdDW![Color (Technicolor); Aspect: 1.85:1; 35 mm; Cameras and Lenses by Panavision (as Cameras and Lenses by Panavision®); AUDIO: Mono Color (Technicolor)](icons/rgb.png) |
Operation: Daybreak |
Lewis Gilbert, W, W, P, M |
|
7.3 |
1975 |
AAd![Color (Technicolor); Aspect: 2.35:1; 35 mm; Panavision (anamorphic) (as Panavision®); AUDIO: 4-Track Stereo Color (Technicolor)](icons/rgb.png) |
The Man Who Would Be King |
John Huston, W, W, ++, P, M |
|
7.3 |
1974 |
DoFMl![Color (Metrocolor), Black and White; Aspect: 1.85:1; 35 mm; AUDIO: 4-Track Stereo (35 mm magnetic prints), Mono (35 mm optical prints), 70 mm 6-Track Color (Metrocolor), Black and White](icons/rgb-bw.png) |
That's Entertainment! |
Jack Haley Jr., W, M |
|
7.3 |
1973 |
CDR![Black and White, Color (Eastmancolor); Aspect: 1.66:1; 35 mm; Panavision (anamorphic); AUDIO: Mono Black and White, Color (Eastmancolor)](icons/rgb-bw.png) |
Day for Night |
François Truffaut, W, W, ++, P, M «La nuit américaine» |
|
7.3 |
1971 |
BCrDT![Color (Eastmancolor); Aspect: 1.85:1; 35 mm; AUDIO: Mono Color (Eastmancolor)](icons/rgb.png) |
10 Rillington Place |
Richard Fleischer, W, W, P, M |
|
7.3 |
1971 |
CR![Color; 35 mm; AUDIO: Mono Color](icons/rgb.png) |
A New Leaf |
Elaine May, W, W, P, M |
|
7.3 |
1969 |
CWe![Color (Technicolor); Aspect: 1.85:1; 35 mm; AUDIO: Mono Color (Technicolor)](icons/rgb.png) |
Support Your Local Sheriff! |
Burt Kennedy, W, P, M |
|
7.3 |
1968 |
AdWe![Color (Technicolor); Aspect: 2.35:1; 35 mm (2-perf); Techniscope; AUDIO: Mono Color (Technicolor)](icons/rgb.png) |
Once Upon a Time in the West |
Sergio Leone, W, W, ++, P, M «C'era una volta il West» |
|
7.3 |
1968 |
DR![Color (Technicolor); Aspect: 1.66:1; 35 mm; AUDIO: Mono Color (Technicolor)](icons/rgb.png) |
Romeo and Juliet |
Franco Zeffirelli, W, W, ++, P, M |
|
7.3 |
1968 |
CR![Color (Technicolor); Aspect: 2.35:1; 35 mm; Panavision (filmed in); AUDIO: Mono Color (Technicolor)](icons/rgb.png) |
The Odd Couple |
Gene Saks, W, P, M |
|
7.3 |
1967 |
DoMc![Black and White; Aspect: 1.37:1; 16 mm; AUDIO: Mono Black and White](icons/bw.png) |
Dont Look Back |
D.A. Pennebaker, W, P, P, P++ |
|
7.3 |
1967 |
CrD![Black and White; Aspect: 1.85:1; 35 mm; AUDIO: Mono Black and White](icons/bw.png) |
The Incident |
Larry Peerce, W, P, M, M |
|
7.3 |
1967 |
CSfT![Color (Technicolor); Aspect: 2.35:1; 35 mm; Panavision (anamorphic); AUDIO: Mono Color (Technicolor)](icons/rgb.png) |
The President's Analyst |
Theodore J. Flicker, W, P, M, M |
|
7.3 |
1966 |
AD![Black and White; Aspect: 2.35:1; 35 mm; Tohoscope; AUDIO: Mono Black and White](icons/bw.png) |
The Sword of Doom |
Kihachi Okamoto, W, W, P, M «Dai-bosatsu tôge» |
|
7.3 |
1965 |
CDR![Black and White; Aspect: 1.66:1; 35 mm; AUDIO: Mono (RCA) Black and White](icons/bw.png) |
A Thousand Clowns |
Fred Coe, W, P, M |
|
7.3 |
1964 |
BDH![Color (Technicolor) (as Technicolor®); Aspect: 2.20:1; 35 mm; Panavision (anamorphic) (as Panavision ®); AUDIO: 70 mm 6-Track (Westrex Recording System), Mono (Westrex Recording System) Color (Technicolor) (as Technicolor®)](icons/rgb.png) |
Becket |
Peter Glenville, W, W, ++, P, M |
|
7.3 |
1964 |
AdDTW![Black and White; Aspect: 1.85:1; 35 mm; AUDIO: Mono (RCA Sound Recording) Black and White](icons/bw.png) |
Fail-Safe |
Sidney Lumet, W, W, ++, P |
|
7.3 |
1964 |
DMlR![Color (Eastmancolor); Aspect: 1.66:1; 35 mm; AUDIO: Dolby SR (restored version) (1992), Mono Color (Eastmancolor)](icons/rgb.png) |
The Umbrellas of Cherbourg |
Jacques Demy, W, P, M «Les parapluies de Cherbourg» |
|
7.3 |
1962 |
D![Black and White; Aspect: 1.78:1; 35 mm; AUDIO: Mono Black and White](icons/bw.png) |
Phaedra |
Jules Dassin, W, W, ++, P, M |
|
7.3 |
1962 |
D![Black and White; Aspect: 1.37:1; 35 mm; Mitchell Cameras; AUDIO: Mono Black and White](icons/bw.png) |
Vivre Sa Vie |
Jean-Luc Godard, W, W, ++, P, M «Vivre sa vie: Film en douze tableaux» |
|
7.3 |
1961 |
DSp![Black and White; Aspect: 2.35:1; 35 mm; CinemaScope; AUDIO: Mono (Westrex Recording System) Black and White](icons/bw.png) |
The Hustler |
Robert Rossen, W, W, ++, P, M |
|
7.3 |
1959 |
AdFFan![Color (Technicolor); Aspect: 1.75:1; 35 mm; AUDIO: Mono (RCA Sound Recording) Color (Technicolor)](icons/rgb.png) |
Darby O'Gill and the Little People |
Robert Stevenson, W, W, P, M |
|
7.3 |
1958 |
DRWe![Color (Technicolor); Aspect: 2.35:1; 35 mm; Technirama; AUDIO: Mono (Westrex Recording System) Color (Technicolor)](icons/rgb.png) |
The Big Country |
William Wyler, W, W, ++, P, M |
|
7.3 |
1958 |
BDW![Color; Aspect: 2.35:1; 35 mm; CinemaScope; Bausch & Lomb Lenses; AUDIO: 4-Track Stereo (Westrex Recording System) Color](icons/rgb.png) |
The Inn of the Sixth Happiness |
Mark Robson, W, W, P, M |
|
7.3 |
1957 |
DW![Black and White; Aspect: 1.66:1; 35 mm; AUDIO: Mono Black and White](icons/bw.png) |
Paths of Glory |
Stanley Kubrick, W, W, ++, P, M |
|
7.3 |
1955 |
AnAdCR![Color (Technicolor); Aspect: 2.55:1; 35 mm; CinemaScope (CinemaScope version) Spherical (spherical version); AUDIO: 4-Track Stereo (RCA Sound Recording) (magnetic prints), Mono (optical prints), Dolby (1986 re-issue print) (as Dolby Stereo) Color (Technicolor)](icons/rgb.png) |
Lady and the Tramp |
Clyde Geronimi, Wilfred Jackson, ++, W, W, ++, M |
|
7.3 |
1955 |
CrDT![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Sound System) Black and White](icons/bw.png) |
Rififi |
Jules Dassin, W, W, ++, P, M «Du rififi chez les hommes» |
|
7.3 |
1954 |
DR![Black and White; Aspect: 1.66:1; 35 mm; AUDIO: Mono (Western Electric Sound System) Black and White](icons/bw.png) |
Executive Suite |
Robert Wise, W, W, P |
|
7.3 |
1954 |
CrD![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Recording) Black and White](icons/bw.png) |
On the Waterfront |
Elia Kazan, W, ++, P, M |
|
7.3 |
1953 |
CDR![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Recording) Black and White](icons/bw.png) |
Roman Holiday |
William Wyler, W, W, ++, P, P, M |
|
7.3 |
1952 |
D![Black and White; Aspect: 1.37:1; 35 mm (DuPont/Gevaert); AUDIO: Mono (RCA Sound System) Black and White](icons/bw.png) |
Umberto D. |
Vittorio De Sica, W, P, M |
|
7.3 |
1951 |
DSfT![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Recording) Black and White](icons/bw.png) |
The Day the Earth Stood Still |
Robert Wise, W, W, P, M |
|
7.3 |
1950 |
D![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Recording) Black and White](icons/bw.png) |
All About Eve |
Joseph L. Mankiewicz, W, ++, P, M |
|
7.3 |
1950 |
CrND![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Sound System) Black and White](icons/bw.png) |
The Asphalt Jungle |
John Huston, W, W, ++, P, M |
|
7.3 |
1948 |
CrDT![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Recording) Black and White](icons/bw.png) |
Drunken Angel |
Akira Kurosawa, W, W, P, M «Yoidore tenshi» |
|
7.3 |
1948 |
AAdDWe![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (RCA Sound System) Black and White](icons/bw.png) |
The Treasure of the Sierra Madre |
John Huston, W, W, P, M |
|
7.3 |
1945 |
DW![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Recording) Black and White](icons/bw.png) |
Rome, Open City |
Roberto Rossellini, W, W, ++, P, M «Roma, città aperta» |
|
7.3 |
1943 |
DR![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono Black and White](icons/bw.png) |
Day of Wrath |
Carl Theodor Dreyer, ++, P, M «Vredens dag» |
|
7.3 |
1943 |
CrDWe![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Recording) Black and White](icons/bw.png) |
The Ox-Bow Incident |
William A. Wellman, W, W, P, M |
|
7.3 |
1940 |
CrDNM![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (RCA Sound System) Black and White](icons/bw.png) |
The Letter |
William Wyler, W, W, P, M |
|
7.3 |
1937 |
DR![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Noiseless Recording) Black and White](icons/bw.png) |
Make Way for Tomorrow |
Leo McCarey, W, W, ++, P, M, M |
|
7.3 |
1937 |
CrDR![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (R.C.A. Photophone) Black and White](icons/bw.png) |
Pépé le Moko |
Julien Duvivier, W, ++, P, P, M, M |
|
7.3 |
1937 |
ADR![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Mirrophonic Recording) Black and White](icons/bw.png) |
The Hurricane |
John Ford, ++, W, W, ++, P, M |
|
7.3 |
1936 |
DR![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Wide Range Noiseless Recording) Black and White](icons/bw.png) |
Dodsworth |
William Wyler, W, W, ++, P, M |
|
7.3 |
1935 |
AAd![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono Black and White](icons/bw.png) |
Captain Blood |
Michael Curtiz, W, W, P, P, M |
|
7.3 |
1935 |
AdDH![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Sound System) Black and White](icons/bw.png) |
Mutiny on the Bounty |
Frank Lloyd, W, W, ++, P, P, P, M |
|
7.3 |
1935 |
CMlR![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (RCA Victor System) Black and White](icons/bw.png) |
Top Hat |
Mark Sandrich, W, W, ++, P |
|
7.3 |
1933 |
CDR![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Sound System) Black and White](icons/bw.png) |
Bombshell |
[ Victor Fleming ], W, W, ++, P, P, M |
|
7.3 |
1931 |
CrNT![Black and White; Aspect: 1.20:1; 35 mm; AUDIO: Mono Black and White](icons/bw.png) |
M |
Fritz Lang, W, W, ++, P |
|
7.3 |
1930 |
D![Black and White; Silent](icons/bw.png) |
Earth |
Aleksandr Dovzhenko, W, P, M, M, M «Zemlya» |
|
7.3 |
1919 |
C![Black and White; Silent](icons/bw.png) |
Don't Change Your Husband |
Cecil B. DeMille, W, P |
|
7.3 |
1896 |
DoS![Black and White; Silent](icons/bw.png) |
Arrival of a Train at La Ciotat |
Auguste Lumière, Louis Lumière, P «L'arrivée d'un train à La Ciotat» |
|
7.2 |
2015 |
DSf![Color; Aspect: 2.35:1; AXSM SRMemory Video (HD); Digital Intermediate (2K) (master format) J-D-C Scope (anamorphic) (source format) Kowa Scope (anamorphic) (source format) (some scenes); GoPro Hero 3 Black Edition Sony CineAlta F65, Cooke Xtal Express, Kowa Prominar and Angenieux Optimo Lenses Sony CineAlta PMW-F55, Cooke Xtal Express, Kowa Prominar and Angenieux Optimo Lenses; AUDIO: Dolby Digital, SDDS, Datasat Color](icons/q-rgb.png) |
Ex Machina |
Alex Garland, W, P, M, M |
|
7.2 |
2014 |
![TV](icons/tv_icon.png) ![TV](icons/tv_icon.png) AAdDT![Color; Aspect: 1.78:1; Redcode RAW; Digital Intermediate (2K) (master format) Redcode RAW (5K) (source format); Red Epic; AUDIO: Stereo Color](icons/d-rgb.png) |
"Street Fighter: Assassin's Fist" |
Joey Ansah, W, W, P TV series 2014- |
|
7.2 |
2014 |
CDR![Color; Color](icons/q-rgb.png) |
Sam & Amira |
Sean Mullin, W, P, M |
|
7.2 |
2013 |
CR![Color; Aspect: 1.78:1; Red One Camera Color](icons/q-rgb.png) |
Unicorn City |
Bryan Lefler, W, W, ++, P, M |
|
7.2 |
2012 |
AnA![Color; Aspect: 1.78:1; Video Color](icons/v-rgb.png) |
Batman: The Dark Knight Returns, Part 1 |
Jay Oliva, W, W, ++, M TV |
|
7.2 |
2012 |
D![Color; Arri Alexa, Zeiss Master Prime Lenses Color](icons/d-rgb.png) |
Still Mine |
Michael McGowan, W, P, M, M, M |
|
7.2 |
2010 |
AnACrT![Color; Color](icons/q-rgb.png) |
Batman: Under the Red Hood |
Brandon Vietti, W, W, M TV |
|
7.2 |
2008 |
![TV](icons/tv_icon.png) ![TV](icons/tv_icon.png) C![Color; AUDIO: Stereo Color](icons/q-rgb.png) |
"The Inbetweeners" |
[ Ben Palmer, Gordon Anderson ], [ W, W ], P, P, P TV series 2008-2010 |
|
7.2 |
2007 |
CrDMT![Color; Aspect: 2.35:1; AUDIO: Dolby Digital Color](icons/q-rgb.png) |
Manorama Six Feet Under |
Navdeep Singh, W, W, ++, P, M |
|
7.2 |
2007 |
DRSp![Color; Aspect: 1.85:1; 16 mm; Spherical Super 16; Aaton XTR Prod; AUDIO: Mono Color](icons/rgb.png) |
Shelter |
Jonah Markowitz, W, P, M |
|
7.2 |
2007 |
D![Color; Aspect: 1.85:1; Video (HDTV); HDV; AUDIO: Dolby Digital Color](icons/h-rgb.png) |
The Class |
Ilmar Raag, W, W, ++, P, M, M, M «Klass» |
|
7.2 |
2006 |
![TV](icons/tv_icon.png) ![TV](icons/tv_icon.png) Do![Color; AUDIO: Dolby Digital Color](icons/q-rgb.png) |
"When the Levees Broke: A Requiem in Four Acts" |
[ Spike Lee ], P, M TV series 2006- |
|
7.2 |
2006 |
AnSFSf![Color; Aspect: 1.85:1; Digital; AUDIO: Dolby Digital Color](icons/d-rgb.png) |
Lifted |
Gary Rydstrom, W, W, ++, M |
|
7.2 |
2005 |
HoT![Color; Aspect: 1.78:1 Color](icons/q-rgb.png) |
"Masters of Horror" John Carpenter's Cigarette Burns |
John Carpenter, W, W, ++, P, M |
|
7.2 |
2005 |
AdDF![Color; Aspect: 1.85:1; 35 mm; AUDIO: DTS, Dolby Digital, SDDS Color](icons/rgb.png) |
Duma |
Carroll Ballard, W, W, ++, P, M, M |
|
7.2 |
2005 |
D![Color; Aspect: 2.35:1; 35 mm (Kodak Vision2 500T 5218, Vision 250D 5246); Super 35; Arricam LT, Zeiss Ultra Prime Lenses; AUDIO: Dolby Digital, DTS Color](icons/rgb.png) |
Live and Become |
Radu Mihaileanu, W, W, P, M «Va, vis et deviens» |
|
7.2 |
2005 |
BCrDH![Black and White (some scenes), Color; Aspect: 1.85:1; 16 mm; AUDIO: Dolby Digital Black and White (some scenes), Color](icons/rgb-bw.png) |
Pierrepoint: The Last Hangman |
Adrian Shergold, W, W, P, M «The Last Hangman» |
|
7.2 |
2005 |
DoBMc![Black and White, Color; Aspect: 1.85:1; 16 mm 8 mm; Super 16 Super 8; AUDIO: Dolby Digital Black and White, Color](icons/rgb-bw.png) |
The Devil and Daniel Johnston |
Jeff Feuerzeig, W, P, M |
|
7.2 |
2004 |
![TV](icons/tv_icon.png) ![TV](icons/tv_icon.png) CrD![Color; Aspect: 1.78:1; 16 mm; Super 16 Color](icons/rgb.png) |
"Veronica Mars" |
[ John T. Kretchmer, Nick Marck, D++ ], [ W, W, W++ ], P, P, M TV series 2004-2007 |
|
7.2 |
2004 |
CD![Color; Aspect: 1.85:1; 16 mm; Super 16; AUDIO: Dolby Digital Color](icons/rgb.png) |
King of the Corner |
Peter Riegert, W, W, P, M |
|
7.2 |
2004 |
CD![Color; Aspect: 2.35:1; 35 mm; (anamorphic); AUDIO: Dolby Digital Color](icons/rgb.png) |
Rory O'Shea Was Here |
Damien O'Donnell, W, W, P, M «Inside I'm Dancing» |
|
7.2 |
2004 |
CD![Color; Aspect: 1.78:1; 16 mm (Eastman Kodak); Super 16; Aaton Camera Color](icons/rgb.png) |
Simon |
Eddy Terstall, W, P, M |
|
7.2 |
2004 |
DFan![Color; Aspect: 1.33:1; AUDIO: Stereo Color](icons/q-rgb.png) |
The Five People You Meet in Heaven |
Lloyd Kramer, W, P, M TV |
|
7.2 |
2003 |
![TV](icons/tv_icon.png) ![TV](icons/tv_icon.png) CDFan![Color; Aspect: 1.78:1; 35 mm; AUDIO: Dolby Digital Color](icons/rgb.png) |
"Dead Like Me" |
[ David Grossman, James Whitmore Jr., D++ ], [ W, W, W++ ], P, P, M, M TV series 2003-2004 |
|
7.2 |
2003 |
RWeD![Color; Aspect: 1.85:1 Color](icons/q-rgb.png) |
Love Comes Softly |
Michael Landon Jr., W, W, ++, P, M, M, M TV |
|
7.2 |
2002 |
D![Color; Aspect: 1.85:1; 35 mm (Kodak); AUDIO: Dolby Digital Color](icons/rgb.png) |
The Magdalene Sisters |
Peter Mullan, W, P, M |
|
7.2 |
2001 |
CrDMcRT![Color; Digital; AUDIO: Dolby Digital Color](icons/d-rgb.png) |
All About Lily Chou-Chou |
Shunji Iwai, W, P, M «Riri Shushu no subete» |
|
7.2 |
2000 |
CDW![Color; Aspect: 1.85:1; AUDIO: Dolby Digital Color](icons/q-rgb.png) |
Divided We Fall |
Jan Hrebejk, W, W, ++, P, M «Musíme si pomáhat» |
|
7.2 |
2000 |
DRSp![Color; Aspect: 1.85:1; 35 mm; AUDIO: Dolby Digital, SDDS, DTS Color](icons/rgb.png) |
Love & Basketball |
Gina Prince-Bythewood, W, P, M |
|
7.2 |
2000 |
CD![Color; Aspect: 1.85:1; 35 mm (Kodak); Panavision Cameras and Lenses; AUDIO: DTS, Dolby Digital, SDDS Color](icons/rgb.png) |
The Dish |
Rob Sitch, W, W, ++, P, M |
|
7.2 |
1999 |
RDW![Color; Aspect: 1.85:1; 35 mm (Kodak Vision 200T 5274); Moviecam Compact, Zeiss and Angenieux Lenses; AUDIO: Dolby SR Color](icons/rgb.png) |
Aimee & Jaguar |
Max Färberböck, W, W, P, M «Aimée & Jaguar» |
|
7.2 |
1999 |
DMcW![Color; Aspect: 2.35:1; 35 mm; Panavision (anamorphic); AUDIO: Dolby Digital Color](icons/rgb.png) |
Butterfly |
José Luis Cuerda, W, W, ++, P, M «La lengua de las mariposas» |
|
7.2 |
1999 |
DoB![Black and White (archive footage), Color; Aspect: 1.66:1; 35 mm; AUDIO: Dolby SR Black and White (archive footage), Color](icons/rgb-bw.png) |
My Best Fiend - Klaus Kinski |
Werner Herzog, P, M «Mein liebster Feind - Klaus Kinski» |
|
7.2 |
1999 |
D![Color; Aspect: 1.85:1; 16 mm; AUDIO: Dolby SR Color](icons/rgb.png) |
Not One Less |
Yimou Zhang, W, P, M «Yi ge dou bu neng shao» |
|
7.2 |
1999 |
CDR![Color; Aspect: 1.85:1; 35 mm; AUDIO: Dolby Digital Color](icons/rgb.png) |
The Wood |
Rick Famuyiwa, W, W, ++, P, M |
|
7.2 |
1997 |
DHoT![Color; Aspect: 1.33:1; 35 mm; Panavision Cameras and Lenses; AUDIO: Stereo Color](icons/rgb.png) |
Intensity |
Yves Simoneau, W, W, P, M TV |
|
7.2 |
1997 |
AnAdFan![Color; Aspect: 1.85:1; 35 mm; AUDIO: Dolby Digital (English-language version), Dolby Color](icons/rgb.png) |
Princess Mononoke |
Hayao Miyazaki, W, P, M «Mononoke-hime» |
|
7.2 |
1997 |
CD![Color; Aspect: 1.85:1; 35 mm; AUDIO: Dolby Digital Color](icons/rgb.png) |
Twin Town |
Kevin Allen, W, W, P, M |
|
7.2 |
1996 |
AdDF![Color; Aspect: 1.85:1; 35 mm (Eastman EXR 50D 5245, EXR 100T 5248, EXR 200T 5293, EXR 500T 5298); Panavision Cameras and Lenses; AUDIO: SDDS (8 channels), Dolby Digital Color](icons/rgb.png) |
Fly Away Home |
Carroll Ballard, W, W, ++, P, M |
|
7.2 |
1995 |
CD![Black and White, Color (FotoKem); Aspect: 1.85:1; 35 mm; Panavision Cameras and Lenses; AUDIO: Dolby Digital Black and White, Color (FotoKem)](icons/rgb-bw.png) |
Friday |
F. Gary Gray, W, W, P, M, M, M |
|
7.2 |
1995 |
DW![Color (Technicolor); Aspect: 2.35:1; 35 mm; Super 35; Cameras and Lenses by JDC; AUDIO: DTS, Dolby Digital Color (Technicolor)](icons/rgb.png) |
Richard III |
Richard Loncraine, W, W, ++, P, M |
|
7.2 |
1994 |
DH![Color; Aspect: 1.66:1; 35 mm; AUDIO: Dolby SR Color](icons/rgb.png) |
Burnt by the Sun |
Nikita Mikhalkov, W, ++, P, M «Utomlyonnye solntsem» |
|
7.2 |
1994 |
D![Color; Aspect: 1.85:1; 35 mm (Eastman); Panavision Cameras and Lenses; AUDIO: DTS, DTS-Stereo, Dolby SR Color](icons/rgb.png) |
The War |
Jon Avnet, W, P, M |
|
7.2 |
1993 |
CDR![Color (Technicolor); Aspect: 1.85:1; 35 mm; Ariflex 535 Camera, Zeiss Lenses; AUDIO: Dolby Color (Technicolor)](icons/rgb.png) |
Much Ado About Nothing |
Kenneth Branagh, W, W, P, M |
|
7.2 |
1993 |
CD![Color; Aspect: 1.85:1; 35 mm (Eastman EXR 100T 5248, EXR 500T 5296); Panavision Cameras and Lenses; AUDIO: Dolby Color](icons/rgb.png) |
Searching for Bobby Fischer |
Steven Zaillian, W, W, P, P, M |
|
7.2 |
1993 |
D![Color (DuArt); Aspect: 1.85:1; 35 mm; Panavision Cameras and Lenses; AUDIO: Dolby Color (DuArt)](icons/rgb.png) |
The Man Without a Face |
Mel Gibson, W, W, P, M |
|
7.2 |
1993 |
CD![Color; Aspect: 1.66:1; 35 mm; AUDIO: Dolby Color](icons/rgb.png) |
The Snapper |
Stephen Frears, W, P TV |
|
7.2 |
1993 |
BD![Color (Technicolor); Aspect: 2.35:1; 35 mm (Agfa XT 320); Panavision (anamorphic); Lenses and Panaflex Camera by Panavision; AUDIO: Dolby Color (Technicolor)](icons/rgb.png) |
This Boy's Life |
Michael Caton-Jones, W, W, P, M |
|
7.2 |
1992 |
DSp![Color; Aspect: 1.85:1; 35 mm; Panavision Cameras and Lenses; AUDIO: Dolby Color](icons/rgb.png) |
Diggstown |
Michael Ritchie, W, W, P, M |
|
7.2 |
1991 |
DW![Black and White, Color (Pathécolor); Aspect: 2.35:1; 35 mm; Panavision (anamorphic); AUDIO: Dolby SR Black and White, Color (Pathécolor)](icons/rgb-bw.png) |
Europa |
Lars von Trier, W, W, P, P, P, M |
|
7.2 |
1991 |
CDW![Color (Technicolor); AUDIO: Dolby Color (Technicolor)](icons/q-rgb.png) |
Mediterraneo |
Gabriele Salvatores, W, P, M, M |
|
7.2 |
1991 |
AnDR![Color; Aspect: 1.85:1; 35 mm; AUDIO: Dolby Color](icons/rgb.png) |
Only Yesterday |
Isao Takahata, W, M «Omohide poro poro» |
|
7.2 |
1990 |
CDR![Color; Aspect: 2.35:1; 35 mm; Panavision (anamorphic); AUDIO: Mono Color](icons/rgb.png) |
The Hairdresser's Husband |
Patrice Leconte, W, W, P, M «Le mari de la coiffeuse» |
|
7.2 |
1989 |
ABDHRW![Color (Technicolor); Aspect: 1.85:1; 35 mm; Lenses and Panaflex Cameras by Panavision; AUDIO: Dolby Color (Technicolor)](icons/rgb.png) |
Henry V |
Kenneth Branagh, W, W, P, M |
|
7.2 |
1989 |
AnAdFFan![Color; Aspect: 1.85:1; 35 mm; AUDIO: Dolby Color](icons/rgb.png) |
Kiki's Delivery Service |
Hayao Miyazaki, W, W, P, M «Majo no takkyûbin» |
|
7.2 |
1988 |
CrDR![Black and White; Aspect: 1.33:1; 35 mm; AUDIO: Mono Black and White](icons/bw.png) |
Damnation |
Béla Tarr, W, W, P, M «Kárhozat» |
|
7.2 |
1988 |
DHSp![Color; Aspect: 1.85:1; 35 mm; AUDIO: Mono Color](icons/rgb.png) |
Eight Men Out |
John Sayles, W, W, P, M |
|
7.2 |
1988 |
DoCrM![Color; Aspect: 1.66:1; 35 mm Super 16; AUDIO: Dolby Color](icons/rgb.png) |
The Thin Blue Line |
Errol Morris, W, P, P, M |
|
7.2 |
1987 |
BDW![Color; Aspect: 1.66:1; 35 mm; AUDIO: Dolby Color](icons/rgb.png) |
Au Revoir Les Enfants |
Louis Malle, W, P «Au revoir les enfants» |
|
7.2 |
1987 |
D![Color; Aspect: 1.78:1; AUDIO: Dolby Color](icons/q-rgb.png) |
Pelle the Conqueror |
Bille August, W, W, ++, P, M «Pelle erobreren» |
|
7.2 |
1987 |
ACrSf![Color; Aspect: 1.85:1; 35 mm; Arriflex 35 BL, Zeiss Super Speed Lenses; AUDIO: Dolby SR (35 mm prints), 70 mm 6-Track (70 mm prints), DTS (special edition) Color](icons/rgb.png) |
RoboCop |
Paul Verhoeven, W, W, P, P, M |
|
7.2 |
1987 |
AdCFFanR![Color; Aspect: 1.85:1; 35 mm; J-D-C Cameras and Lenses; AUDIO: Dolby Color](icons/rgb.png) |
The Princess Bride |
Rob Reiner, W, P, M |
|
7.2 |
1985 |
C![Color (Technicolor); Aspect: 1.85:1; 35 mm; Panaflex Camera and Lenses by Panavision; AUDIO: Dolby Color (Technicolor)](icons/rgb.png) |
Fandango |
Kevin Reynolds, W, P, M |
|
7.2 |
1985 |
ADW![Color; Aspect: 1.85:1; 35 mm; Panaflex Cameras and Lenses by Panavision; AUDIO: Dolby (35 mm prints), 70 mm 6-Track (70 mm prints) Color](icons/rgb.png) |
Ran |
Akira Kurosawa, W, W, ++, P, P, P, M |
|
7.2 |
1984 |
CFFan![Color (Metrocolor); Aspect: 2.20:1; 35 mm; Panavision (anamorphic); Panavision Cameras and Lenses; AUDIO: 70 mm 6-Track (70 mm prints), Dolby (35 mm prints) Color (Metrocolor)](icons/rgb.png) |
Ghostbusters |
Ivan Reitman, W, W, ++, P, M «Ghost Busters» |
|
7.2 |
1984 |
D![Color (Technicolor); Aspect: 1.85:1; 35 mm; Panaflex Camera and Lenses by Panavision; AUDIO: Mono Color (Technicolor)](icons/rgb.png) |
Places in the Heart |
Robert Benton, W, P, M |
|
7.2 |
1984 |
DHW![Color; Aspect: 1.85:1; 35 mm; Panavision Cameras and Lenses; AUDIO: Dolby Color](icons/rgb.png) |
The Killing Fields |
Roland Joffé, W, P, M |
|
7.2 |
1982 |
DHMT![Color (Technicolor); Aspect: 1.85:1; 35 mm; Panaflex Camera and Lenses by Panavision; AUDIO: Mono Color (Technicolor)](icons/rgb.png) |
Missing |
Costa-Gavras, W, W, ++, P, M |
|
7.2 |
1981 |
CrDT![Color (Technicolor); Aspect: 1.85:1; 35 mm; Panaflex Camera and Lenses by Panavision; AUDIO: Mono Color (Technicolor)](icons/rgb.png) |
Prince of the City |
Sidney Lumet, W, W, ++, P, M |
|
7.2 |
1980 |
C![Color (Metrocolor); Aspect: 1.85:1; 35 mm; Lenses and Panaflex Camera by Panavision; AUDIO: 4-Track Stereo Color (Metrocolor)](icons/rgb.png) |
Airplane! |
Jim Abrahams, David Zucker, ++, W, W, ++, P, M |
|
7.2 |
1980 |
ACCrMc![Color (Technicolor); Aspect: 1.33:1; 35 mm; Panaflex Camera and Lenses by Panavision; AUDIO: 4-Track Stereo (magnetic prints), Mono (optical prints) Color (Technicolor)](icons/rgb.png) |
The Blues Brothers |
John Landis, W, W, P |
|
7.2 |
1979 |
HoSf![Color; Aspect: 2.20:1; 35 mm (Eastman 100T 5247); Panavision (anamorphic); AUDIO: 70 mm 6-Track (70 mm prints), Dolby (as Dolby Stereo) Color](icons/rgb.png) |
Alien |
Ridley Scott, W, W, ++, P, M |
|
7.2 |
1979 |
CDSp![Color; Aspect: 1.85:1; 35 mm; AUDIO: Mono Color](icons/rgb.png) |
Breaking Away |
Peter Yates, W, P |
|
7.2 |
1979 |
C![Color (Eastmancolor); Aspect: 1.85:1; 35 mm; Arriflex Cameras and Lenses; AUDIO: Dolby Color (Eastmancolor)](icons/rgb.png) |
Life of Brian |
Terry Jones, W, W, ++, P, M |
|
7.2 |
1979 |
CrD![Color (Technicolor); Aspect: 1.85:1; 35 mm; Panavision Cameras and Lenses; AUDIO: Mono Color (Technicolor)](icons/rgb.png) |
Over the Edge |
Jonathan Kaplan, W, W, P, M |
|
7.2 |
1977 |
CDR![Color (Eastmancolor); Aspect: 1.66:1; 35 mm; Panavision Cameras and Lenses; AUDIO: Mono Color (Eastmancolor)](icons/rgb.png) |
That Obscure Object of Desire |
Luis Buñuel, W, W, ++, P «Cet obscur objet du désir» |
|
7.2 |
1975 |
D![Color; Aspect: 1.85:1; 35 mm (Eastman 100T 5254); AUDIO: Mono Color](icons/rgb.png) |
One Flew Over the Cuckoo's Nest |
Milos Forman, W, W, ++, P, M |
|
7.2 |
1974 |
CrT![Color (Technicolor); Aspect: 1.66:1; 35 mm; AUDIO: Mono Color (Technicolor)](icons/rgb.png) |
Rabid Dogs |
Mario Bava, ++, W, ++, P, P, M «Cani arrabbiati» |
|
7.2 |
1974 |
Sf![Color; Aspect: 1.33:1; 35 mm; AUDIO: Mono Color](icons/rgb.png) |
Where Have All the People Gone |
John Llewellyn Moxey, W, W, ++, P, M TV |
|
7.2 |
1971 |
DW![Color (Eastmancolor) (uncredited); Aspect: 2.35:1; 35 mm; Panavision (anamorphic) (as Panavision®); AUDIO: Mono Color (Eastmancolor) (uncredited)](icons/rgb.png) |
Murphy's War |
Peter Yates, W, W, P |
|
7.2 |
1971 |
AdDW![Color (Eastmancolor); Aspect: 2.35:1; 65 mm; Todd-AO; AUDIO: 70 mm 6-Track (70 mm prints), Mono (35 mm prints) Color (Eastmancolor)](icons/rgb.png) |
The Last Valley |
James Clavell, W, W, P, P, M |
|
7.2 |
1969 |
D![Black and White; Aspect: 1.33:1; 35 mm; AUDIO: Mono Black and White](icons/bw.png) |
My Night at Maud's |
Eric Rohmer, W, P «Ma nuit chez Maud» |
|
7.2 |
1968 |
HoSf![Black and White; Aspect: 1.33:1; 35 mm; AUDIO: Mono Black and White](icons/bw.png) |
Night of the Living Dead |
George A. Romero, W, W, P |
|
7.2 |
1968 |
AdMSf![Color; Aspect: 2.35:1; 35 mm; Panavision (anamorphic) (as Panavision®); AUDIO: 4-Track Stereo (Westrex Recording System) Color](icons/rgb.png) |
Planet of the Apes |
Franklin J. Schaffner, W, W, ++, P, M |
|
7.2 |
1966 |
C![Color; Aspect: 1.85:1; 35 mm; AUDIO: Mono Color](icons/rgb.png) |
The Trouble with Angels |
Ida Lupino, W, W, P, M |
|
7.2 |
1965 |
DT![Black and White; Aspect: 1.85:1; 35 mm; AUDIO: Mono (Westrex Recording System) Black and White](icons/bw.png) |
The Bedford Incident |
James B. Harris, W, W, P, M |
|
7.2 |
1964 |
![TV](icons/tv_icon.png) ![TV](icons/tv_icon.png) CFFan![Black and White (1964-1966), Color (1966-1972); AUDIO: Mono Black and White (1964-1966), Color (1966-1972)](icons/rgb-bw.png) |
"Bewitched" |
[ William Asher, Richard Michaels, D++ ], [ W, W, W++ ], P, P, P++, M, M, M TV series 1964-1972 |
|
7.2 |
1964 |
CMl![Black and White; Aspect: 1.75:1; 35 mm; AUDIO: Mono (RCA Sound Recording) Black and White](icons/bw.png) |
A Hard Day's Night |
Richard Lester, W, P |
|
7.2 |
1964 |
CrDT![Black and White; Aspect: 1.66:1; 35 mm; AUDIO: Mono Black and White](icons/bw.png) |
Seance on a Wet Afternoon |
Bryan Forbes, W, W, P, M |
|
7.2 |
1964 |
DRT![Black and White; Aspect: 1.85:1; 35 mm; AUDIO: Mono (Westrex Recording System) Black and White](icons/bw.png) |
Seven Days in May |
John Frankenheimer, W, W, ++, P, M |
|
7.2 |
1963 |
D![Black and White; Aspect: 2.35:1; 35 mm; Panavision (anamorphic); AUDIO: Mono (Westrex Recording System) Black and White](icons/bw.png) |
Hud |
Martin Ritt, W, W, ++, P, M |
|
7.2 |
1962 |
CD![Black and White; Aspect: 1.85:1; 35 mm; AUDIO: Mono (RCA Sound Recording) Black and White](icons/bw.png) |
Days of Wine and Roses |
Blake Edwards, W, P, M |
|
7.2 |
1962 |
DW![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono Black and White](icons/bw.png) |
Ivan's Childhood |
Andrei Tarkovsky, ++, W, ++, P, M «Ivanovo detstvo» |
|
7.2 |
1962 |
AnCDFFanMl![Color; Aspect: 1.33:1; 35 mm; AUDIO: Mono Color](icons/rgb.png) |
Mister Magoo's Christmas Carol |
Abe Levitow, W, W, M TV |
|
7.2 |
1962 |
DSp![Black and White; Aspect: 1.85:1; 35 mm; AUDIO: Mono (Westrex Recording System) Black and White](icons/bw.png) |
Requiem for a Heavyweight |
Ralph Nelson, W, P, M |
|
7.2 |
1962 |
D![Black and White; Aspect: 1.85:1; 35 mm; AUDIO: Mono Black and White](icons/bw.png) |
The Intruder |
Roger Corman, W, P, M |
|
7.2 |
1960 |
CrDT![Black and White; Aspect: 2.35:1; 35 mm; Tohoscope (anamorphic); AUDIO: Perspecta Stereo (Westrex Recording System) Black and White](icons/bw.png) |
The Bad Sleep Well |
Akira Kurosawa, W, W, ++, P, M «Warui yatsu hodo yoku nemuru» |
|
7.2 |
1959 |
DW![Black and White; Aspect: 2.35:1; 35 mm; Daieiscope; AUDIO: Mono Black and White](icons/bw.png) |
Fires on the Plain |
Kon Ichikawa, W, W, P, P, M «Nobi» |
|
7.2 |
1959 |
DMlR![Color (Technicolor); Aspect: 2.20:1; 65 mm; Todd-AO; AUDIO: 70 mm 6-Track (70 mm prints), Stereo Color (Technicolor)](icons/rgb.png) |
Porgy and Bess |
Otto Preminger, ++, W, ++, P |
|
7.2 |
1959 |
DR![Black and White; Aspect: 1.66:1; 35 mm; AUDIO: Mono (Westrex Recording System) Black and White](icons/bw.png) |
Room at the Top |
Jack Clayton, W, W, ++, P, M |
|
7.2 |
1958 |
C![Black and White; Aspect: 1.85:1; 35 mm; AUDIO: Mono (RCA Sound Recording) Black and White](icons/bw.png) |
No Time for Sergeants |
Mervyn LeRoy, W, W, ++, P, M |
|
7.2 |
1957 |
DFR![Color (Technicolor); Aspect: 1.85:1; 35 mm; AUDIO: Mono (RCA Sound Recording) Color (Technicolor)](icons/rgb.png) |
All Mine to Give |
Allen Reisner, W, W, ++, P, M |
|
7.2 |
1956 |
FFanS![Color (Technicolor); Aspect: 1.37:1; 35 mm; AUDIO: Mono Color (Technicolor)](icons/rgb.png) |
The Red Balloon |
Albert Lamorisse, W, P, M «Le ballon rouge» |
|
7.2 |
1955 |
HoMT![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (A.R.T.E.C.) Black and White](icons/bw.png) |
Diabolique |
Henri-Georges Clouzot, W, W, ++, P, M «Les diaboliques» |
|
7.2 |
1955 |
DR![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Recording) Black and White](icons/bw.png) |
Marty |
Delbert Mann, W, ++, P, M |
|
7.2 |
1954 |
AD![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono, Stereo (re-release prints) Black and White](icons/bw.png) |
Seven Samurai |
Akira Kurosawa, W, W, ++, P, M «Shichinin no samurai» |
|
7.2 |
1953 |
CrNT![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Recording) Black and White](icons/bw.png) |
The Big Heat |
Fritz Lang, W, W, P, M |
|
7.2 |
1951 |
DW![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Recording) Black and White](icons/bw.png) |
Decision Before Dawn |
Anatole Litvak, W, W, ++, P, M |
|
7.2 |
1951 |
DW![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Sound System) Black and White](icons/bw.png) |
The Red Badge of Courage |
John Huston, W, W, ++, P, M |
|
7.2 |
1950 |
CD![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Recording) Black and White](icons/bw.png) |
Harvey |
Henry Koster, W, ++, P, M |
|
7.2 |
1950 |
We![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Recording) Black and White](icons/bw.png) |
Winchester '73 |
Anthony Mann, W, W, ++, P |
|
7.2 |
1949 |
DR![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Recording) Black and White](icons/bw.png) |
A Letter to Three Wives |
Joseph L. Mankiewicz, W, W, ++, P, M |
|
7.2 |
1948 |
D![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (RCA Sound System) Black and White](icons/bw.png) |
Germany Year Zero |
Roberto Rossellini, W, ++, P, M «Germania, anno zero» |
|
7.2 |
1947 |
CrDNRT![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Recording) Black and White](icons/bw.png) |
Odd Man Out |
Carol Reed, W, ++, P, M |
|
7.2 |
1947 |
DFanMRT![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Recording) Black and White](icons/bw.png) |
The Ghost and Mrs. Muir |
Joseph L. Mankiewicz, W, W, P, M |
|
7.2 |
1946 |
AnFMc![Color (Technicolor); Aspect: 1.37:1; 35 mm; AUDIO: Mono (RCA Sound System) Color (Technicolor)](icons/rgb.png) |
Song of the South |
Harve Foster, Wilfred Jackson, W, W, ++, P, M, M |
|
7.2 |
1945 |
HoT![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (RCA Sound System) Black and White](icons/bw.png) |
The Body Snatcher |
Robert Wise, W, W, ++, P, M |
|
7.2 |
1944 |
BDHW![Color (Technicolor); Aspect: 1.85:1; 35 mm; SuperScope (1950's cropped widescreen version) Spherical; AUDIO: Mono Color (Technicolor)](icons/rgb.png) |
Henry V |
Laurence Olivier, W, ++, P, P, M «The Chronicle History of King Henry the Fift with His Battell Fought at Agincourt in France» |
|
7.2 |
1943 |
MlFan![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Sound System) Black and White](icons/bw.png) |
Cabin in the Sky |
Vincente Minnelli, ++, W, W, ++, P, M, M |
|
7.2 |
1943 |
DRW![Color (Technicolor); Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Microphonic Recording) Color (Technicolor)](icons/rgb.png) |
The Life and Death of Colonel Blimp |
Michael Powell, Emeric Pressburger, W, W, P, M |
|
7.2 |
1942 |
DRW![Black and White; Aspect: 1.37:1; 35 mm; Mitchell BNC; AUDIO: Mono (RCA Sound System) Black and White](icons/bw.png) |
Casablanca |
Michael Curtiz, W, W, ++, P, M |
|
7.2 |
1940 |
CCrMT![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (RCA High Fidelity Recording) Black and White](icons/bw.png) |
Charlie Chan at the Wax Museum |
Lynn Shores, W, W, P, M |
|
7.2 |
1940 |
AAdRWe![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Mirrophonic Recording) Black and White](icons/bw.png) |
The Mark of Zorro |
Rouben Mamoulian, W, W, ++, P, M, M, M++ |
|
7.2 |
1940 |
CDR![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Sound System) Black and White](icons/bw.png) |
The Shop Around the Corner |
Ernst Lubitsch, W, W, ++, P, M |
|
7.2 |
1939 |
CCrHoMT![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (RCA High Fidelity Recording) Black and White](icons/bw.png) |
Charlie Chan at Treasure Island |
Norman Foster, W, W, P, M |
|
7.2 |
1939 |
CWe![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Noiseless Recording) Black and White](icons/bw.png) |
Destry Rides Again |
George Marshall, W, W, ++, P, M |
|
7.2 |
1939 |
DR![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (RCA Victor System) Black and White](icons/bw.png) |
In Name Only |
John Cromwell, W, W, P, M |
|
7.2 |
1939 |
D![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono, Mono (Western Electric Mirrophonic Recording) Black and White](icons/bw.png) |
Of Mice and Men |
Lewis Milestone, W, W, P, M |
|
7.2 |
1939 |
DR![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (RCA Victor System) Black and White](icons/bw.png) |
The Hunchback of Notre Dame |
William Dieterle, W, W, ++, P, M |
|
7.2 |
1939 |
CD![Black and White, Color (Technicolor); Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Sound System) Black and White, Color (Technicolor)](icons/rgb-bw.png) |
The Women |
George Cukor, W, W, ++, P, P, M, M |
|
7.2 |
1938 |
CrDRT![Black and White; Aspect: 1.33:1; 35 mm; AUDIO: Mono (RCA Photophone System) Black and White](icons/bw.png) |
Port of Shadows |
Marcel Carné, W, W, P, M «Le quai des brumes» |
|
7.2 |
1937 |
AnFFanMlR![Color (Technicolor); Aspect: 1.37:1; 35 mm; Bell & Howell 2709; AUDIO: Mono (RCA Victor High Fidelity Sound System) Color (Technicolor)](icons/rgb.png) |
Snow White and the Seven Dwarfs |
William Cottrell, David Hand, ++, W, W, ++, M, M |
|
7.2 |
1937 |
CD![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (RCA Victor System) Black and White](icons/bw.png) |
Stage Door |
Gregory La Cava, W, W, ++, P, M |
|
7.2 |
1936 |
CCrM![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Sound System) Black and White](icons/bw.png) |
After the Thin Man |
W.S. Van Dyke, W, W, ++, P, M, M |
|
7.2 |
1936 |
CS![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Noiseless Recording) Black and White](icons/bw.png) |
Disorder in the Court |
Jack White, W, P |
|
7.2 |
1934 |
AAd![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Sound System) Black and White](icons/bw.png) |
Tarzan and His Mate |
Cedric Gibbons, ++, W, W, ++, P, P |
|
7.2 |
1933 |
DHoSfT![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Noiseless Recording Sound System) Black and White](icons/bw.png) |
The Invisible Man |
James Whale, W, W, ++, P, M |
|
7.2 |
1929 |
D![Black and White; Silent](icons/bw.png) |
Diary of a Lost Girl |
Georg Wilhelm Pabst, W, W, P, P, M «Tagebuch einer Verlorenen» |
|
7.2 |
1924 |
D![Black and White; Silent](icons/bw.png) |
Greed |
Erich von Stroheim, W, W, ++, P, P, M, M, M++ |
|
7.2 |
1920 |
DR![Black and White; Silent](icons/bw.png) |
Way Down East |
D.W. Griffith, W, W, ++, P, P, P++, M, M |