|
7.3 |
2014 |
FanHoMT![Color; Codex; Arri Alexa Color](icons/d-rgb.png) |
Styria |
Mauricio Chernovetzky, Mark Devendorf, W, W, ++, P, M |
|
7.3 |
2014 |
DW![Color; Aspect: 2.35:1 Color](icons/q-rgb.png) |
Warsaw '44 |
Jan Komasa, W, P, M «Miasto 44» |
|
7.3 |
2013 |
![TV](icons/tv_icon.png) ![TV](icons/tv_icon.png) C![Color; Color](icons/q-rgb.png) |
"Maron" |
[ Luke Matheny, Bobcat Goldthwait, Robert Cohen ], [ W, W, W++ ], P TV series 2013- |
|
7.3 |
2013 |
ACr![Color; Aspect: 2.35:1; SxS Pro; Digital Intermediate (2K) (master format) ProRes 4:4:4 (1080/23.976p) (source format); Arri Alexa M (some scenes) Arri Alexa, Zeiss Master Prime Lenses; AUDIO: Dolby Digital Color](icons/d-rgb.png) |
Cold Eyes |
Ui-seok Jo, Byung-seo Kim, W, W, ++ «Gam-si-ja-deul» |
|
7.3 |
2013 |
C![Color; Aspect: 1.85:1; Arri Alexa Plus, Panavision Primo Lenses Arri Alexa, Panavision Primo Lenses Color](icons/d-rgb.png) |
La cage dorée |
Ruben Alves, W, W, ++, P |
|
7.3 |
2012 |
AT![Color; Color](icons/q-rgb.png) |
7 Boxes |
Juan Carlos Maneglia, Tana Schembori, W, W, ++, P, M «7 cajas» |
|
7.3 |
2012 |
ACrT![Color; Aspect: 1.85:1; 35 mm Redcode RAW; Digital Intermediate Color](icons/d-rgb.png) |
Chorabali |
Redoan Rony, W, P, M |
|
7.3 |
2012 |
D![Color; Aspect: 1.85:1; AUDIO: Dolby Digital Color](icons/q-rgb.png) |
Everybody in Our Family |
Radu Jude, W, W, P «Toata lumea din familia noastra» |
|
7.3 |
2012 |
R![Color; Arri Alexa Arri Alexa, Zeiss Super Speed Lenses Clairmont Cameras and Lenses Color](icons/q-rgb.png) |
Love at the Thanksgiving Day Parade |
Ron Oliver, W, P, M TV |
|
7.3 |
2011 |
![TV](icons/tv_icon.png) ![TV](icons/tv_icon.png) C![Color; Aspect: 1.78:1; 35 mm; Digital Intermediate (2K) (master format) Super 35 (3-perf) (source format); Arricam LT, Zeiss Master Prime Lenses Arricam ST, Zeiss Master Prime Lenses Color](icons/rgb.png) |
"The Cafe" |
[ Robin Shepperd, Craig Cash ], [ W, W ], P, P, M TV series 2011- |
|
7.3 |
2011 |
CD![Color; Aspect: 1.85:1; 35 mm; AUDIO: Dolby Digital Color](icons/rgb.png) |
Sidewalls |
Gustavo Taretto, W, P, M «Medianeras» |
|
7.3 |
2011 |
An![Color; Color](icons/q-rgb.png) |
The Painting |
Jean-François Laguionie, W, W «Le tableau» |
|
7.3 |
2010 |
CD![Color; Color](icons/q-rgb.png) |
Hello Lonesome |
Adam Reid, W, P, M, M |
|
7.3 |
2010 |
DR![Color; Aspect: 2.35:1; Redcode RAW; Redcode RAW (4K); Red One Camera; AUDIO: DTS Color](icons/d-rgb.png) |
The River Why |
Matthew Leutwyler, W, W, ++, P, M |
|
7.3 |
2009 |
DR![Color; Color](icons/q-rgb.png) |
Little Black Dress |
Bramwell Noah, Dan Noah, W, P, M |
|
7.3 |
2008 |
SHoT![Color; Aspect: 1.85:1 Color](icons/q-rgb.png) |
Clown |
Tate Steinsiek, P, M |
|
7.3 |
2008 |
BCD![Color; Aspect: 1.78:1; AUDIO: Stereo Color](icons/q-rgb.png) |
Filth: The Mary Whitehouse Story |
Andy De Emmony, W, W, P, M, M TV |
|
7.3 |
2008 |
DoBSpW![Color (HDCAM), Color; Color (HDCAM), Color](icons/q-rgb.png) |
Harvard Beats Yale 29-29 |
Kevin Rafferty, P |
|
7.3 |
2008 |
BD![Color; Aspect: 1.78:1; AUDIO: Stereo Color](icons/q-rgb.png) |
Miss Austen Regrets |
Jeremy Lovering, W, ++, P, M TV |
|
7.3 |
2008 |
D![Color; AUDIO: Dolby Color](icons/q-rgb.png) |
Ramchand Pakistani |
Mehreen Jabbar, W, W, P, M |
|
7.3 |
2007 |
DMT![Color; Color](icons/q-rgb.png) |
Into the Arms of Strangers |
Chris Harris, W, W, P, M, M |
|
7.3 |
2006 |
DR![Color; Aspect: 1.85:1; 35 mm (Fuji Eterna 500T 8573); Digital Intermediate (master format) Spherical (source format); Arriflex 535, Zeiss and Angenieux Lenses; AUDIO: Dolby Digital Color](icons/rgb.png) |
Love and Honor |
Yôji Yamada, W, W, ++, M «Bushi no ichibun» |
|
7.3 |
2006 |
DoSp![Color, Black and White; Aspect: 1.85:1; Video; Digital Video; AUDIO: Dolby Digital Color, Black and White](icons/rgb-bw.png) |
Once in a Lifetime: The Extraordinary Story of the New York Cosmos |
Paul Crowder, John Dower, W, W, ++, P, M |
|
7.3 |
2005 |
R![Color; Aspect: 2.35:1; 35 mm; (anamorphic) Color](icons/rgb.png) |
...Yahaan |
Shoojit Sircar, W, ++, P, M, M |
|
7.3 |
2005 |
DF![Color; Aspect: 1.85:1; AUDIO: Dolby Digital Color](icons/q-rgb.png) |
Heidi |
Paul Marcus, W, W, P, M |
|
7.3 |
2005 |
CD![Color; AUDIO: Dolby Digital Color](icons/q-rgb.png) |
Tapas |
José Corbacho, Juan Cruz, W, W, P, M |
|
7.3 |
2004 |
AdCCr![Color; Aspect: 1.85:1; Video; AUDIO: Dolby SR, DTS Color](icons/v-rgb.png) |
Balas & Bolinhos - O Regresso |
Luis Ismael, W, P, M |
|
7.3 |
2003 |
![TV](icons/tv_icon.png) A![Color; Aspect: 1.33:1; Video; Digital Video; AUDIO: Stereo Color](icons/v-rgb.png) |
"The Tai Chi Master" |
Kin-Wu Lee, Chiu-Yee Yip, ++, W «"Tai chi zong shi"» TV mini-series 2003- |
|
7.3 |
2003 |
D |
Pleasureland |
Brian Percival, W, P, M, M TV |
|
7.3 |
2003 |
D![Black and White; 35 mm Black and White](icons/bw.png) |
The Commission |
Mark Sobel, W, P, M |
|
7.3 |
2003 |
DHT![Black and White, Color; Aspect: 1.33:1; AUDIO: Stereo Black and White, Color](icons/rgb-bw.png) |
The Pentagon Papers |
Rod Holcomb, W, P, M TV |
|
7.3 |
2002 |
CDR![Color; Aspect: 1.85:1; 35 mm (Kodak Vision 320T 5277, Vision Expression 500T 5284); Multivision 235; Moviecam Cameras, Zeiss Lenses; AUDIO: Dolby Digital Color](icons/rgb.png) |
Leaving Metropolis |
Brad Fraser, W, P, M |
|
7.3 |
2002 |
DoMc![Color; AUDIO: Dolby Digital Color](icons/q-rgb.png) |
Paul McCartney: Back in the U.S. |
Mark Haefeli, Amy Tinkham TV |
|
7.3 |
2002 |
CD![Black and White; AUDIO: Dolby Digital Black and White](icons/bw.png) |
Suddenly |
Diego Lerman, W, W, ++, P, P, M, M «Tan de repente» |
|
7.3 |
2002 |
AAdCDR![Color (Technicolor); Aspect: 2.35:1; 35 mm; Super 35; AUDIO: Dolby Digital Color (Technicolor)](icons/rgb.png) |
The Abduction Club |
Stefan Schwartz, W, W, P, M |
|
7.3 |
2002 |
R![Color; Aspect: 1.85:1; 35 mm; AUDIO: DTS Color](icons/rgb.png) |
The Guy in the Grave Next Door |
Kjell Sundvall, W, W, P, M «Grabben i graven bredvid» |
|
7.3 |
2001 |
D![Black and White; Aspect: 1.66:1; 35 mm; AUDIO: Mono Black and White](icons/bw.png) |
Don's Plum |
R.D. Robb, W, W, ++, P, P, M |
|
7.3 |
2001 |
DoMc![Color; AUDIO: Dolby Digital Color](icons/q-rgb.png) |
U2: Elevation 2001 Live from Boston |
Hamish Hamilton, P, M, M, M TV |
|
7.3 |
2000 |
![TV](icons/tv_icon.png) ![TV](icons/tv_icon.png) FanHoMSfT![Color; Aspect: 1.33:1; Panavision Cameras and Lenses; AUDIO: Stereo Color](icons/q-rgb.png) |
"Night Visions" |
[ Jefery Levy, Thomas J. Wright, D++ ], [ W, W, W++ ], P, M, M TV series 2000- |
|
7.3 |
2000 |
D![Color; Aspect: 1.85:1; 35 mm; AUDIO: Mono Color](icons/rgb.png) |
The Amati Girls |
Anne De Salvo, W, P, M |
|
7.3 |
1999 |
![TV](icons/tv_icon.png) ![TV](icons/tv_icon.png) SfAnAAd![Color; AUDIO: Dolby Color](icons/q-rgb.png) |
"Roughnecks: The Starship Troopers Chronicles" |
[ Sean Song, Alan Caldwell, D++ ], W, P, M, M TV series 1999- |
|
7.3 |
1999 |
BDR![Color; Aspect: 1.85:1; 35 mm; AUDIO: Stereo Color](icons/rgb.png) |
A Love Divided |
Syd Macartney, W, W, ++, P, M |
|
7.3 |
1998 |
CR![Color; AUDIO: Dolby Color](icons/q-rgb.png) |
Bu jian bu san |
Xiaogang Feng, W, W, P, M |
|
7.3 |
1998 |
D![Color; Color](icons/q-rgb.png) |
Hazaar Chaurasi Ki Maa |
Govind Nihalani, W, W, ++, P, M |
|
7.3 |
1997 |
![TV](icons/tv_icon.png) ![TV](icons/tv_icon.png) CrD![Color; Aspect: 1.33:1; AUDIO: Stereo Color](icons/q-rgb.png) |
"Brooklyn South" |
[ Michael W. Watkins, Marc Buckland, D++ ], W, P, M TV series 1997-1998 |
|
7.3 |
1996 |
D![Color; Aspect: 1.85:1; 35 mm; AUDIO: Stereo Color](icons/rgb.png) |
Der Unhold |
Volker Schlöndorff, W, W, ++, P, M |
|
7.3 |
1996 |
D![Color; Aspect: 1.33:1 Color](icons/q-rgb.png) |
Hidden in Silence |
Richard A. Colla, W, P, M TV |
|
7.3 |
1996 |
DM![Color; Aspect: 1.85:1; 35 mm; AUDIO: Dolby Color](icons/rgb.png) |
The Disappearance of Finbar |
Sue Clayton, W, W, ++, P, M |
|
7.3 |
1995 |
DFanR![Black and White, Color; AUDIO: Dolby Black and White, Color](icons/rgb-bw.png) |
Don't Die Without Telling Me Where You're Going |
Eliseo Subiela, W, P, M «No te mueras sin decirme adónde vas» |
|
7.3 |
1994 |
CCr![Color; Aspect: 1.85:1; 35 mm (Eastman); Panavision Camera and Lenses; AUDIO: Dolby SR, Dolby Color](icons/rgb.png) |
Holy Matrimony |
Leonard Nimoy, W, W, P, M |
|
7.3 |
1994 |
D![Color; Aspect: 1.33:1; 35 mm; AUDIO: Mono Color](icons/rgb.png) |
Sin & Redemption |
Neema Barnette, W, P, M TV |
|
7.3 |
1993 |
D![Color; Aspect: 1.33:1; 35 mm; AUDIO: Stereo Color](icons/rgb.png) |
Mercy Mission: The Rescue of Flight 771 |
Roger Young, W, W, P, M TV |
|
7.3 |
1992 |
![TV](icons/tv_icon.png) ![TV](icons/tv_icon.png) C![Color; Aspect: 1.33:1; Video; AUDIO: Mono Color](icons/v-rgb.png) |
"The Golden Palace" |
[ Lex Passaris, Peter D. Beyt ], [ W, W, W++ ], M TV series 1992-1993 |
|
7.3 |
1992 |
CD![Color; Aspect: 1.85:1; 35 mm (Eastman); Panavision Cameras and Lenses; AUDIO: Dolby Color](icons/rgb.png) |
Crossing the Bridge |
Mike Binder, W, P, M |
|
7.3 |
1991 |
DR![Color; Panavision Cameras and Lenses; AUDIO: Stereo Color](icons/q-rgb.png) |
Wildflower |
Diane Keaton, W, P, M, M TV |
|
7.3 |
1988 |
DRW![Color; Aspect: 1.33:1; 35 mm; AUDIO: Mono Color](icons/rgb.png) |
Tears in the Rain |
Don Sharp, W, W, ++, P, M TV |
|
7.3 |
1987 |
CDR![Color; Aspect: 1.66:1; 35 mm; AUDIO: Mono Color](icons/rgb.png) |
Boyfriends and Girlfriends |
Eric Rohmer, W, P, M «L'ami de mon amie» |
|
7.3 |
1987 |
CDR![Color; Aspect: 1.85:1; 35 mm; AUDIO: Mono Color](icons/rgb.png) |
Crazy Moon |
Allan Eastman, W, W, P, M, M |
|
7.3 |
1987 |
D![Color (Eastmancolor); Aspect: 1.85:1; 35 mm; AUDIO: Dolby Color (Eastmancolor)](icons/rgb.png) |
Peter Kenna's The Good Wife |
Ken Cameron, W, P, M «The Umbrella Woman» |
|
7.3 |
1984 |
S![Color; Color](icons/q-rgb.png) |
The Pilot |
Michael Ray Rhodes, W TV |
|
7.3 |
1982 |
![TV](icons/tv_icon.png) ![TV](icons/tv_icon.png) ACrD![Color; Aspect: 1.78:1; 35 mm; AUDIO: Mono Color](icons/rgb.png) |
"T.J. Hooker" |
[ Cliff Bole, Sigmund Neufeld Jr., D++ ], [ W, W, W++ ], P, P, P++, M, M, M++ TV series 1982-1986 |
|
7.3 |
1981 |
![TV](icons/tv_icon.png) ![TV](icons/tv_icon.png) C![Color; Aspect: 1.33:1; Video (NTSC); AUDIO: Mono Color](icons/v-rgb.png) |
"Gimme a Break!" |
[ Hal Cooper, Jim Drake, D++ ], [ W, W, W++ ], M TV series 1981-1987 |
|
7.3 |
1980 |
AC![Color; Aspect: 2.35:1; 35 mm; Shawscope; AUDIO: Mono Color](icons/rgb.png) |
Return to the 36th Chamber |
Chia-Liang Liu, W, P, M «Shao Lin da peng da shi» |
|
7.3 |
1979 |
BD![Color (Eastmancolor); Aspect: 1.85:1; 35 mm; AUDIO: Mono Color (Eastmancolor)](icons/rgb.png) |
Meetings with Remarkable Men |
Peter Brook, W, W, ++, P, M |
|
7.3 |
1979 |
HoT![Color; Aspect: 2.35:1; 35 mm Color](icons/rgb.png) |
Star of David: Beauty Hunting |
Noribumi Suzuki, W, W «Dabide no hoshi: Bishôjo-gari» |
|
7.3 |
1979 |
Ho![Color; Aspect: 1.33:1; 35 mm; AUDIO: Mono Color](icons/rgb.png) |
Vampire |
E.W. Swackhamer, W, W, P, M TV |
|
7.3 |
1977 |
AD![Color; Aspect: 2.35:1; AUDIO: Mono Color](icons/q-rgb.png) |
The Invincible Armour |
See-Yuen Ng, W, P, M «Ying zhao tie bu shan» |
|
7.3 |
1976 |
D![Black and White; 35 mm; AUDIO: Mono Black and White](icons/bw.png) |
Winstanley |
Kevin Brownlow, W, W, ++, P |
|
7.3 |
1975 |
D![Color; AUDIO: Mono Color](icons/q-rgb.png) |
Return to Macon County |
Richard Compton, W, P, M |
|
7.3 |
1975 |
HoT![Color; Aspect: 1.33:1; 35 mm; AUDIO: Mono Color](icons/rgb.png) |
The Dead Don't Die |
Curtis Harrington, W, P, M TV |
|
7.3 |
1974 |
DoBW![Color; Aspect: 1.37:1; 16 mm; Super 16; AUDIO: Mono Color](icons/rgb.png) |
General Idi Amin Dada |
Barbet Schroeder, W, P, M «Général Idi Amin Dada: Autoportrait» |
|
7.3 |
1974 |
ADFanH![Color; Aspect: 2.35:1; 35 mm; Tohoscope; AUDIO: Mono Color](icons/rgb.png) |
Lone Wolf and Cub: White Heaven in Hell |
Yoshiyuki Kuroda, W, W, ++, P, M «Kozure ôkami: Jigoku e ikuzo! Daigorô» |
|
7.3 |
1973 |
AD![Color; Aspect: 2.35:1; 35 mm; Tohoscope; AUDIO: Mono Color](icons/rgb.png) |
Razor 2: The Snare |
Yasuzô Masumura, W, W, P, M «Goyôkiba: Kamisori Hanzô jigoku zeme» |
|
7.3 |
1973 |
D![Color (Eastmancolor); Aspect: 1.85:1; 35 mm; AUDIO: Mono Color (Eastmancolor)](icons/rgb.png) |
The Optimists of Nine Elms |
Anthony Simmons, W, W, P, M |
|
7.3 |
1972 |
Ho![Color; Aspect: 2.35:1; 35 mm (2-perf); Techniscope; AUDIO: Mono Color](icons/rgb.png) |
Night of the Devils |
Giorgio Ferroni, W, W, ++, P, M «La notte dei diavoli» |
|
7.3 |
1972 |
D![Color (Technicolor); Aspect: 1.33:1; 35 mm; AUDIO: Mono Color (Technicolor)](icons/rgb.png) |
Short Walk to Daylight |
Barry Shear, W, W, ++, P, P, M TV |
|
7.3 |
1970 |
CDR![Color (Technicolor); Aspect: 1.85:1; 35 mm; AUDIO: Mono Color (Technicolor)](icons/rgb.png) |
Tell Me That You Love Me, Junie Moon |
Otto Preminger, W, P, M, M |
|
7.3 |
1969 |
DFanHoM![Color (Eastmancolor); AUDIO: Mono Color (Eastmancolor)](icons/q-rgb.png) |
El libro de piedra |
Carlos Enrique Taboada, W, P, M |
|
7.3 |
1969 |
D![Color (Eastmancolor); Aspect: 1.85:1; 35 mm; AUDIO: Mono Color (Eastmancolor)](icons/rgb.png) |
Pigpen |
Pier Paolo Pasolini, W, P, P, P, M «Porcile» |
|
7.3 |
1967 |
CD![Black and White; Aspect: 1.37:1; 16 mm; AUDIO: Mono Black and White](icons/bw.png) |
David Holzman's Diary |
Jim McBride, ++, P |
|
7.3 |
1966 |
D![Black and White, Color; Aspect: 1.37:1; 16 mm; Auricon; AUDIO: Mono Black and White, Color](icons/rgb-bw.png) |
Chelsea Girls |
Paul Morrissey, Andy Warhol, W, W, P, M |
|
7.3 |
1964 |
D![Color; Aspect: 2.35:1; 35 mm; Nikkatsuscope; AUDIO: Mono Color](icons/rgb.png) |
Gate of Flesh |
Seijun Suzuki, W, W, P, M «Nikutai no mon» |
|
7.3 |
1962 |
D![Color (Technicolor); Aspect: 1.85:1; 35 mm; AUDIO: Mono Color (Technicolor)](icons/rgb.png) |
Family Portrait |
Valerio Zurlini, W, W, ++, P, M «Cronaca familiare» |
|
7.3 |
1961 |
D![Black and White; Aspect: 1.85:1; 35 mm; AUDIO: Mono (Westrex Recording System) Black and White](icons/bw.png) |
The Young Doctors |
Phil Karlson, W, W, P, M |
|
7.3 |
1960 |
AAdWe![Color (Eastmancolor); 35 mm; AUDIO: Mono (Westrex Recording System) Color (Eastmancolor)](icons/rgb.png) |
Seven Ways from Sundown |
Harry Keller, W, P, M, M |
|
7.3 |
1955 |
D![Color; Aspect: 2.55:1; 35 mm; CinemaScope (anamorphic); Bausch & Lomb Lenses; AUDIO: Mono (Western Electric Recording) (optical prints), 4-Track Stereo (Western Electric Recording) (magnetic prints) Color](icons/rgb.png) |
Good Morning, Miss Dove |
Henry Koster, W, W, P, M |
|
7.3 |
1953 |
AnFSC![Color (Technicolor); Aspect: 1.37:1; 35 mm; AUDIO: Mono Color (Technicolor)](icons/rgb.png) |
Zipping Along |
Chuck Jones, W, M |
|
7.3 |
1952 |
![TV](icons/tv_icon.png) ![TV](icons/tv_icon.png) CF![Black and White, Color; Aspect: 1.33:1; 35 mm; AUDIO: Mono Black and White, Color](icons/rgb-bw.png) |
"The Adventures of Ozzie & Harriet" |
[ Ozzie Nelson, David Nelson ], [ W, W, W++ ], P, P, P++, M TV series 1952-1966 |
|
7.3 |
1952 |
CDMl![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Recording) Black and White](icons/bw.png) |
The Stooge |
Norman Taurog, W, W, ++, P, M |
|
7.3 |
1952 |
AdWe![Color (Anscocolor); Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Sound System) Color (Anscocolor)](icons/rgb.png) |
The Wild North |
Andrew Marton, W, P, M |
|
7.3 |
1946 |
D![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Sound System) Black and White](icons/bw.png) |
The Green Years |
Victor Saville, W, W, ++, P, M |
|
7.3 |
1945 |
DoSW![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono Black and White](icons/bw.png) |
San Pietro |
[ John Huston ], ++, P, P, M |
|
7.3 |
1945 |
FAnSC![Color (Technicolor); Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Sound System) Color (Technicolor)](icons/rgb.png) |
The Mouse Comes to Dinner |
Joseph Barbera, William Hanna |
|
7.3 |
1944 |
CMl![Color (Technicolor); Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Mirrophonic Recording) Color (Technicolor)](icons/rgb.png) |
Up in Arms |
Elliott Nugent, W, W, ++, P, M |
|
7.3 |
1942 |
FAnCS![Color (Technicolor); Aspect: 1.37:1; 35 mm; AUDIO: Mono Color (Technicolor)](icons/rgb.png) |
Dog Trouble |
Joseph Barbera, William Hanna, M |
|
7.3 |
1942 |
AnSAFanSf![Color (Technicolor); Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Noiseless Recording) Color (Technicolor)](icons/rgb.png) |
The Bulleteers |
Dave Fleischer, ++, W, W, ++, M, M |
|
7.3 |
1941 |
DoDW![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono Black and White](icons/bw.png) |
Target for Tonight |
[ Harry Watt ], ++, P, P, M |
|
7.3 |
1939 |
D![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono Black and White](icons/bw.png) |
The Story of the Last Chrysanthemum |
Kenji Mizoguchi, W, W, ++, P, P, M, M «Zangiku monogatari» |
|
7.3 |
1939 |
We![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (RCA Sound System) Black and White](icons/bw.png) |
Zorro's Fighting Legion |
John English, William Witney, W, W, ++, P, M, M, M++ |
|
7.3 |
1938 |
MlRWe![Black and White (Sepiatone); Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Sound System) Black and White (Sepiatone)](icons/bw.png) |
The Girl of the Golden West |
Robert Z. Leonard, W, W, ++, P, M |
|
7.3 |
1935 |
CWeS![Black and White; Aspect: 1.33:1; 35 mm; AUDIO: Mono (Western Electric Noiseless Recording) Black and White](icons/bw.png) |
Horses' Collars |
Clyde Bruckman, W, P |
|
7.3 |
1933 |
D![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Noiseless Recording) Black and White](icons/bw.png) |
Blood Money |
Rowland Brown, W, W, ++, P, M |
|
7.3 |
1927 |
DR![Black and White; Silent](icons/bw.png) |
Love |
Edmund Goulding, ++, W, W, ++, P, M, M, M |
|
7.3 |
1927 |
CR![Black and White; Silent](icons/bw.png) |
The Red Mill |
Roscoe 'Fatty' Arbuckle, W, W, ++, P, M |
|
7.3 |
1924 |
D![Black and White; Silent](icons/bw.png) |
The Enchanted Cottage |
John S. Robertson, W, W, ++, P |
|
7.3 |
1923 |
DR![Black and White; Silent](icons/bw.png) |
Scaramouche |
Rex Ingram, W, W, ++, P, M, M, M |
|
7.3 |
1920 |
CS![Black and White; Silent](icons/bw.png) |
High and Dizzy |
Hal Roach, W, P, M |
|
7.3 |
1908 |
AnSFan![Black and White; Silent](icons/bw.png) |
A Fantasy |
Émile Cohl «Fantasmagorie» |
|
7.2 |
2015 |
Do![Color; Color](icons/q-rgb.png) |
That Gal... Who Was in That Thing: That Guy 2 |
Ian Roumain, P, M |
|
7.2 |
2014 |
![TV](icons/tv_icon.png) ![TV](icons/tv_icon.png) C![Color; Color](icons/q-rgb.png) |
"Review" |
[ Jeffrey Blitz ], [ W, W, W++ ], P, P, M TV series 2014- |
|
7.2 |
2014 |
C![Color; Aspect: 2.35:1 Color](icons/q-rgb.png) |
Almost Married |
Ben Cookson, W, P |
|
7.2 |
2013 |
![TV](icons/tv_icon.png) ![TV](icons/tv_icon.png) C![Color; Color](icons/q-rgb.png) |
"Plebs" |
[ Sam Leifer ], [ W, W ], P, M TV series 2013- |
|
7.2 |
2013 |
DH![Color, Black and White; Aspect: 2.39:1; Hawk Scope; Hawk V-Lite Anamorphic Lenses Color, Black and White](icons/rgb-bw.png) |
Die andere Heimat - Chronik einer Sehnsucht |
Edgar Reitz, W, W, P, M |
|
7.2 |
2013 |
D![Color; Aspect: 1.85:1; Arri Alexa; AUDIO: Dolby Digital Color](icons/d-rgb.png) |
Like a Country Song |
Johnny Remo, W, W, P |
|
7.2 |
2013 |
ACDFan![Color (HD); Color (HD)](icons/q-rgb.png) |
Slug Street Scrappers: Beat Em Up |
Micah Brock, W, P, P, M, M, M |
|
7.2 |
2013 |
DW![Color; Aspect: 2.35:1; Codex; ARRIRAW (2.8K) (source format) Digital Intermediate (2K) (master format); Arri Alexa Plus, Cooke S4 Lenses Color](icons/d-rgb.png) |
The Notebook |
János Szász, W, W, ++, P «A nagy füzet» |
|
7.2 |
2013 |
Do![Color; CF; Canon 5D Color](icons/d-rgb.png) |
Valentine Road |
Marta Cunningham, P, M |
|
7.2 |
2012 |
CHo![Color; Aspect: 2.35:1; Hawk Scope (anamorphic); Arri Alexa, Hawk V-Lite Lenses Color](icons/q-rgb.png) |
100 Bloody Acres |
Cameron Cairnes, Colin Cairnes, W, W, P |
|
7.2 |
2012 |
D![Color; Aspect: 2.35:1 Color](icons/q-rgb.png) |
I Do |
Glenn Gaylord, W, P, M, M |
|
7.2 |
2012 |
C![Color; Aspect: 1.78:1 Color](icons/q-rgb.png) |
The Cinema Snob Movie |
Ryan Mitchelle, W, M TV |
|
7.2 |
2012 |
DW![Color; Aspect: 2.35:1; Digital; Digital Intermediate (2K) (master format) Hawk Scope (anamorphic) (source format); Arri Alexa, Hawk V-Lite Lenses Canon EOS 5D Mark II, Isco-Göttingen Iscorama and Nikon Lenses Color](icons/d-rgb.png) |
The Patience Stone |
Atiq Rahimi, W, W, P |
|
7.2 |
2012 |
DMSfT![Color; Red One Camera Color](icons/d-rgb.png) |
Travelling Salesman |
Timothy Lanzone, W, W, P, M |
|
7.2 |
2011 |
D![Color; Aspect: 2.35:1; Redcode RAW; Digital Intermediate (4K) (master format) Redcode RAW (4K) (source format); Red One MX; AUDIO: Dolby Digital Color](icons/d-rgb.png) |
Breathing |
Karl Markovics, W, P, M «Atmen» |
|
7.2 |
2009 |
![TV](icons/tv_icon.png) CrDT![Color; Aspect: 1.85:1; 4K Redcode RAW; Red One Camera Color](icons/d-rgb.png) |
"The Take" |
David Drury, W, W, P, M TV mini-series 2009- |
|
7.2 |
2009 |
CM![Black and White; Aspect: 1.85:1; HD Black and White](icons/bw.png) |
Dark and Stormy Night |
Larry Blamire, W, P, M |
|
7.2 |
2009 |
CR![Color; DV; Panavision Genesis; AUDIO: Mono Color](icons/d-rgb.png) |
My Fake Fiance |
Gil Junger, W, P, M TV |
|
7.2 |
2009 |
DMc![Color; Aspect: 2.35:1; 35 mm; SL2K; AUDIO: Dolby Digital Color](icons/rgb.png) |
No One Knows About Persian Cats |
Bahman Ghobadi, W, W, ++, P, M, M «Kasi az gorbehaye irani khabar nadareh» |
|
7.2 |
2009 |
CH![Color; Aspect: 1.85:1; AUDIO: Dolby Digital Color](icons/q-rgb.png) |
Tales from the Golden Age |
Hanno Höfer, Razvan Marculescu, ++, W, P, P, P, M, M «Amintiri din epoca de aur» |
|
7.2 |
2008 |
CDMc![Color; Aspect: 1.85:1; 35 mm; AUDIO: Dolby Digital, Dolby SR Color](icons/rgb.png) |
Berlin Calling |
Hannes Stöhr, W, P, M |
|
7.2 |
2008 |
CrD![Color; Aspect: 1.85:1; 16 mm (Kodak); Digital Intermediate (master format) Super 16 (source format); Arriflex Cameras and Lenses; AUDIO: Dolby Digital Color](icons/rgb.png) |
Lake City |
Hunter Hill, Perry Moore, W, W, P, M |
|
7.2 |
2008 |
Do![Color; Color](icons/q-rgb.png) |
The Order of Myths |
Margaret Brown, W, P |
|
7.2 |
2007 |
![TV](icons/tv_icon.png) ![TV](icons/tv_icon.png) CMR![Color; Aspect: 1.78:1; Clairmont Cameras and Lenses Sony HDW-F900 CineAlta, Canon Lenses; AUDIO: Stereo Color](icons/d-rgb.png) |
"Samantha Who?" |
[ Lee Shallat Chemel, Paul Lazarus, D++ ], [ W, W, W++ ], P, P, M TV series 2007-2009 |
|
7.2 |
2007 |
CD![Color; Aspect: 2.35:1; 35 mm; AUDIO: Dolby SR, DTS Color](icons/rgb.png) |
Conversations with My Gardener |
Jean Becker, W, W, ++, P «Dialogue avec mon jardinier» |
|
7.2 |
2007 |
CD![Black and White, Color; Aspect: 1.85:1; 35 mm (Kodak); Digital Intermediate (2K) (master format) Spherical (source format); Arriflex 235, Zeiss and Angenieux Lenses Arriflex 535B, Zeiss and Angenieux Lenses; AUDIO: Dolby Digital Black and White, Color](icons/rgb-bw.png) |
Glory to the Filmmaker! |
Takeshi Kitano, W, P, M «Kantoku · Banzai!» |
|
7.2 |
2007 |
AnSC![Color, Color (High Definition); AUDIO: Dolby Digital, Dolby Digital (Dolby 5.1) Color, Color (High Definition)](icons/q-rgb.png) |
Oktapodi |
Julien Bocabeille, François-Xavier Chanioux, ++, M |
|
7.2 |
2006 |
T![Color; Aspect: 1.66:1 Color](icons/q-rgb.png) |
Slip |
Brian Maris, W, P, M |
|
7.2 |
2006 |
D![Color; Color](icons/q-rgb.png) |
The Hawk Is Dying |
Julian Goldberger, W, W, P, M |
|
7.2 |
2005 |
![TV](icons/tv_icon.png) D![Color; AUDIO: Stereo Color](icons/q-rgb.png) |
"To the Ends of the Earth" |
[ David Attwood ], [ W, W, W ], P, M TV mini-series 2005- |
|
7.2 |
2005 |
DoC![Color; Aspect: 1.33:1; Video; DV (480p/24) Color](icons/v-rgb.png) |
Ringers: Lord of the Fans |
Carlene Cordova, W, W, P, M |
|
7.2 |
2005 |
D![Color; Aspect: 1.85:1; AUDIO: Dolby SR Color](icons/q-rgb.png) |
Shanghai Dreams |
Xiaoshuai Wang, W, P, M «Qing hong» |
|
7.2 |
2005 |
DR![Color; Aspect: 1.78:1; AUDIO: Dolby Color](icons/q-rgb.png) |
Suzanne's Diary for Nicholas |
Richard Friedenberg, W, W, P, M TV |
|
7.2 |
2004 |
MlAdCFRD![Color; AUDIO: Dolby Digital Color](icons/q-rgb.png) |
Erreway: 4 caminos |
Ezequiel Crupnicoff, W, W, ++, P, M, M, M |
|
7.2 |
2004 |
D![Color; Aspect: 2.35:1; 35 mm; AUDIO: Dolby Digital Color](icons/rgb.png) |
Roma |
Adolfo Aristarain, W, W, ++, P |
|
7.2 |
2004 |
DoNe![Color; Color](icons/q-rgb.png) |
WMD: Weapons of Mass Deception |
Danny Schechter |
|
7.2 |
2004 |
C![Color; Color](icons/q-rgb.png) |
You I Love |
Olga Stolpovskaja, Dmitriy Troitskiy, W, W, ++, P, M «Ya lyublyu tebya» |
|
7.2 |
2003 |
ADT![Color; Color](icons/q-rgb.png) |
The Gun (From 6 to 7:30 p.m.) |
Vladimir Alenikov, W, P, M |
|
7.2 |
2002 |
DRSp![Color; Aspect: 1.78:1; Digital; AUDIO: Stereo Color](icons/d-rgb.png) |
You'll Get Over It |
Fabrice Cazeneuve, W, P, M «À cause d'un garçon» TV |
|
7.2 |
2001 |
Do![Color; Aspect: 1.85:1; 35 mm; AUDIO: Dolby SR Color](icons/rgb.png) |
Ayurveda: Art of Being |
Pan Nalin, W, P, M |
|
7.2 |
2001 |
HoD![Color; AUDIO: Dolby Digital Color](icons/q-rgb.png) |
Fausto 5.0 |
Àlex Ollé, Isidro Ortiz, ++, W, P, M |
|
7.2 |
2001 |
DWe![Color (Technicolor); Aspect: 1.85:1; 35 mm; AUDIO: Dolby Digital Color (Technicolor)](icons/rgb.png) |
How Harry Became a Tree |
Goran Paskaljevic, W, W, ++, P, M |
|
7.2 |
2001 |
BDMc![Color; 35 mm; AUDIO: Dolby, Dolby Digital Color](icons/rgb.png) |
Quitting |
Yang Zhang, W, W, P, P «Zuotian» |
|
7.2 |
2001 |
D![Color; Color](icons/q-rgb.png) |
Riders |
Doug Sadler, W, P, M, M, M++ |
|
7.2 |
2001 |
DR![Color; Aspect: 1.85:1; 35 mm; AUDIO: Dolby Digital Color](icons/rgb.png) |
Strictly Sinatra |
Peter Capaldi, W, P, M |
|
7.2 |
2000 |
C![Color; Aspect: 2.35:1; 35 mm Color](icons/rgb.png) |
Magicians |
James Merendino, W, M |
|
7.2 |
1999 |
DA![Color; Aspect: 1.33:1; AUDIO: Stereo Color](icons/q-rgb.png) |
Family of Cops III: Under Suspicion |
Sheldon Larry, W, P, M TV |
|
7.2 |
1999 |
DoB![Black and White, Color; Aspect: 1.33:1; AUDIO: Stereo Black and White, Color](icons/rgb-bw.png) |
Hitchcock: Shadow of a Genius |
Ted Haimes, W, P, P, P++, M TV |
|
7.2 |
1999 |
CDR![Color; AUDIO: Dolby SR Color](icons/q-rgb.png) |
I'll Take You There |
Adrienne Shelly, W, P, M |
|
7.2 |
1999 |
CDR![Color; Aspect: 2.35:1; 35 mm; Panavision; AUDIO: Dolby Color](icons/rgb.png) |
The Secret Laughter of Women |
Peter Schwabach, W, W, P, M |
|
7.2 |
1998 |
C![Color; AUDIO: Dolby SR Color](icons/q-rgb.png) |
Cuisine américaine |
Jean-Yves Pitoun, W, P, M |
|
7.2 |
1997 |
BDW![Color; Aspect: 2.35:1; 35 mm; Technovision; AUDIO: Dolby Digital, DTS Color](icons/rgb.png) |
Lucie Aubrac |
Claude Berri, W, W, P, M |
|
7.2 |
1997 |
D![Color; Aspect: 1.85:1; 35 mm; AUDIO: Mono Color](icons/rgb.png) |
The Mirror |
Jafar Panahi, W, P «Ayneh» |
|
7.2 |
1997 |
CDCr![Color; Aspect: 1.85:1; 35 mm; AUDIO: Dolby SR Color](icons/rgb.png) |
Weapons of Mass Distraction |
Stephen Surjik, W, P, M TV |
|
7.2 |
1996 |
![TV](icons/tv_icon.png) ![TV](icons/tv_icon.png) CrDM![Color; Arri D-21 (season 13); AUDIO: Stereo Color](icons/d-rgb.png) |
"Silent Witness" |
[ Richard Signy, Renny Rye, D++ ], [ W, W, W++ ], P, P, P++, M, M, M++ TV series 1996- |
|
7.2 |
1996 |
CD![Color; Aspect: 1.37:1; 35 mm; AUDIO: DTS Color](icons/rgb.png) |
Good Luck |
Richard LaBrie, W, P, M |
|
7.2 |
1996 |
D![Color; Aspect: 1.33:1; AUDIO: Stereo Color](icons/q-rgb.png) |
Unforgivable |
Graeme Campbell, W, ++, P, M TV |
|
7.2 |
1995 |
CD![Color; 35 mm; AUDIO: Dolby, Dolby SR Color](icons/rgb.png) |
Guantanamera |
Tomás Gutiérrez Alea, Juan Carlos Tabío, W, W, ++, P, M |
|
7.2 |
1994 |
ADT![Color; Aspect: 1.85:1; 35 mm; Panavision Camera and Lenses; AUDIO: Stereo Color](icons/rgb.png) |
Against the Wall |
John Frankenheimer, W, P, M TV |
|
7.2 |
1994 |
C![Black and White; Aspect: 1.85:1; 35 mm; AUDIO: Stereo Black and White](icons/bw.png) |
Take Care of Your Scarf, Tatiana |
Aki Kaurismäki, W, W, P, M «Pidä huivista kiinni, Tatjana» |
|
7.2 |
1994 |
CR![Color; Aspect: 1.33:1; 35 mm; AUDIO: Stereo Color](icons/rgb.png) |
The Counterfeit Contessa |
Ron Lagomarsino, W, W, ++, P, M TV |
|
7.2 |
1992 |
CrDM![Color; Aspect: 1.33:1; AUDIO: Stereo Color](icons/q-rgb.png) |
The Mirror Crack'd |
Norman Stone, W, W, P TV |
|
7.2 |
1990 |
AAd![Color; Color](icons/q-rgb.png) |
Catman in Lethal Track |
Godfrey Ho «U.S. Catman: Lethal Track» |
|
7.2 |
1990 |
DC![Color (Metrocolor); Aspect: 1.85:1; 35 mm; Arriflex 35 BL II; AUDIO: Mono Color (Metrocolor)](icons/rgb.png) |
I Hired a Contract Killer |
Aki Kaurismäki, W, ++, P |
|
7.2 |
1990 |
ACr![Color; Aspect: 1.85:1; 35 mm; AUDIO: Mono Color](icons/rgb.png) |
Tiger Cage 2 |
Woo-ping Yuen, W, W, ++, P, P, P++, M, M «Sai hak chin» |
|
7.2 |
1989 |
CHoSf![Color; 35 mm; AUDIO: Dolby Color](icons/rgb.png) |
Meet the Hollowheads |
Thomas R. Burman, W, W, ++, P, M |
|
7.2 |
1988 |
CD![Color (Technicolor); Aspect: 1.85:1; 35 mm; AUDIO: Stereo Color (Technicolor)](icons/rgb.png) |
The Prince of Pennsylvania |
Ron Nyswaner, W, P, M |
|
7.2 |
1987 |
AnSF![Color; Aspect: 1.85:1; Digital; Digital; AUDIO: Stereo Color](icons/d-rgb.png) |
Red's Dream |
John Lasseter, W, M |
|
7.2 |
1986 |
Sf![Color; Aspect: 1.33:1; 35 mm; AUDIO: Mono Color](icons/rgb.png) |
Annihilator |
Michael Chapman, W, W, P, M, M TV |
|
7.2 |
1986 |
C![Color; 35 mm; AUDIO: Mono Color](icons/rgb.png) |
Modern Girls |
Jerry Kramer, W, ++, P, M, M |
|
7.2 |
1985 |
DMl![Color (Metrocolor); Ultracam 35 Camera, Ultranon Lenses; AUDIO: Dolby Color (Metrocolor)](icons/q-rgb.png) |
Fast Forward |
Sidney Poitier, W, W, P, M, M |
|
7.2 |
1985 |
DR![Color; AUDIO: Stereo Color](icons/q-rgb.png) |
Hey Babu Riba |
Jovan Acin, W, P, M |
|
7.2 |
1985 |
ACrD![Color; 35 mm; AUDIO: Stereo Color](icons/rgb.png) |
Naked Vengeance |
Cirio H. Santiago, W, W, P, M |
|
7.2 |
1982 |
C![Color; 35 mm; AUDIO: Mono Color](icons/rgb.png) |
P'tang, Yang, Kipperbang. |
Michael Apted, W, P, M TV |
|
7.2 |
1981 |
DoS![Color; Aspect: 1.33:1; 16 mm; AUDIO: Mono Color](icons/rgb.png) |
God's Angry Man |
Werner Herzog, W, P «Glaube und Währung - Dr. Gene Scott, Fernsehprediger» TV |
|
7.2 |
1981 |
DMT![Color; Aspect: 1.33:1; 35 mm; Panaflex Camera and Lenses by Panavision; AUDIO: Mono Color](icons/rgb.png) |
No Place to Hide |
John Llewellyn Moxey, W, W, P, M TV |
|
7.2 |
1980 |
CR![Color (Metrocolor); Aspect: 1.85:1; 35 mm; Panaflex Camera and Lenses by Panavision; AUDIO: Mono Color (Metrocolor)](icons/rgb.png) |
Hero at Large |
Martin Davidson, W, P, M |
|
7.2 |
1980 |
D![Color; Video; AUDIO: Mono Color](icons/v-rgb.png) |
The Merchant of Venice |
Jack Gold, W, M TV |
|
7.2 |
1979 |
CCr![Color; 35 mm; Cameras and Lenses by JDC; AUDIO: Mono Color](icons/rgb.png) |
A Nightingale Sang in Berkeley Square |
Ralph Thomas, W, P, M |
|
7.2 |
1977 |
MSf![Color; Aspect: 1.33:1; AUDIO: Mono Color](icons/q-rgb.png) |
Alternative 3 |
Christopher Miles, W, ++, P, P, M TV |
|
7.2 |
1976 |
CDR![Color (Sovcolor), Black and White (archive footage) (one scene); Aspect: 1.37:1; 35 mm; AUDIO: Mono Color (Sovcolor), Black and White (archive footage) (one scene)](icons/rgb-bw.png) |
A Slave of Love |
Nikita Mikhalkov, W, W, P, M «Raba lyubvi» |
|
7.2 |
1975 |
ATD![Color (Eastmancolor); Aspect: 1.85:1; 35 mm; Panavision Camera and Lenses; AUDIO: Mono Color (Eastmancolor)](icons/rgb.png) |
Peur sur la ville |
Henri Verneuil, W, W, ++, P, M |
|
7.2 |
1975 |
CrD![Color; Aspect: 1.85:1; 35 mm; Panavision Cameras and Lenses; AUDIO: Mono Color](icons/rgb.png) |
Report to the Commissioner |
Milton Katselas, W, W, ++, P, M |
|
7.2 |
1975 |
D![Color (Orwocolor); Aspect: 1.66:1; 35 mm; AUDIO: Mono, Dolby Digital (re-release) Color (Orwocolor)](icons/rgb.png) |
The Promised Land |
Andrzej Wajda, W, W, P, P, P, M «Ziemia obiecana» |
|
7.2 |
1974 |
HoMSf![Color; Aspect: 1.33:1; 35 mm; AUDIO: Mono Color](icons/rgb.png) |
The Stranger Within |
Lee Philips, W, P, M TV |
|
7.2 |
1973 |
CrDT![Color; Aspect: 1.33:1; 35 mm; AUDIO: Mono Color](icons/rgb.png) |
Outrage |
Richard T. Heffron, W, P, M TV |
|
7.2 |
1972 |
ACD![Color; Aspect: 1.85:1; 35 mm; AUDIO: Mono Color](icons/rgb.png) |
The Unholy Rollers |
Vernon Zimmerman, W, W, ++, P, M |
|
7.2 |
1971 |
CD![Color (Eastmancolor); 35 mm; AUDIO: Mono Color (Eastmancolor)](icons/rgb.png) |
Bleak Moments |
Mike Leigh, W, P |
|
7.2 |
1970 |
CD![Color (Eastmancolor); Aspect: 1.66:1; 35 mm; AUDIO: Mono (Westrex Recording System) Color (Eastmancolor)](icons/rgb.png) |
Bed & Board |
François Truffaut, W, W, ++, P, M «Domicile conjugal» |
|
7.2 |
1967 |
We![Color (Technicolor); Aspect: 2.35:1; 35 mm (2-perf); Techniscope; AUDIO: Mono Color (Technicolor)](icons/rgb.png) |
Bandidos |
Massimo Dallamano, W, W, ++, P, M |
|
7.2 |
1964 |
AdCrDWe![Black and White; Aspect: 1.33:1; 35 mm; AUDIO: Mono Black and White](icons/bw.png) |
Black God, White Devil |
Glauber Rocha, W, ++, P, M «Deus e o Diabo na Terra do Sol» |
|
7.2 |
1961 |
CrD![Black and White; Aspect: 1.66:1; 35 mm; AUDIO: Mono (RCA Sound Recording) Black and White](icons/bw.png) |
The Man in the Back Seat |
Vernon Sewell, W, W, P, M |
|
7.2 |
1960 |
DHW![Color (Eastmancolor); Aspect: 2.35:1; 35 mm; Tohoscope; AUDIO: Mono (Westrex Recording System) Color (Eastmancolor)](icons/rgb.png) |
Hawai Middowei daikaikûsen: Taiheiyô no arashi |
Shûe Matsubayashi, Hugo Grimaldi, W, W, P, M |
|
7.2 |
1959 |
D![Color; Aspect: 2.35:1; 35 mm; CinemaScope; AUDIO: 4-Track Stereo (Westrex Recording System) Color](icons/rgb.png) |
The Blue Angel |
Edward Dmytryk, W, W, ++, P, M |
|
7.2 |
1958 |
CMl![Color (Technicolor); Aspect: 1.37:1; 35 mm; AUDIO: Mono (RCA Sound Recording) Color (Technicolor)](icons/rgb.png) |
The Girl Most Likely |
Mitchell Leisen, W, ++, P, M |
|
7.2 |
1957 |
CDMl![Color; Aspect: 2.35:1; 35 mm; CinemaScope; AUDIO: 4-Track Stereo (Westrex Recording System) Color](icons/rgb.png) |
April Love |
Henry Levin, W, W, P |
|
7.2 |
1955 |
ACDRWe![Color (Technicolor); Aspect: 1.85:1; 35 mm; AUDIO: Mono (Western Electric Recording) Color (Technicolor)](icons/rgb.png) |
Foxfire |
Joseph Pevney, W, W, P, M |
|
7.2 |
1954 |
FCAnS![Color (Technicolor); Aspect: 2.55:1; 35 mm; CinemaScope; AUDIO: Mono (RCA Sound Recording) Color (Technicolor)](icons/rgb.png) |
Grand Canyonscope |
Charles A. Nichols, W, W, M |
|
7.2 |
1954 |
DW![Color (Anscocolor); Aspect: 1.75:1; 35 mm; AUDIO: Mono (Western Electric Sound System) Color (Anscocolor)](icons/rgb.png) |
Men of the Fighting Lady |
Andrew Marton, W, W, ++, P, M |
|
7.2 |
1954 |
D![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono Black and White](icons/bw.png) |
Riot in Cell Block 11 |
Don Siegel, W, P, M |
|
7.2 |
1951 |
![TV](icons/tv_icon.png) ![TV](icons/tv_icon.png) We![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Recording) Black and White](icons/bw.png) |
"The Roy Rogers Show" |
George Blair, John English, ++, W, W, ++, P, P, P, M, M, M TV series 1951-1957 |
|
7.2 |
1950 |
SFanR![Black and White; Silent](icons/bw.png) |
A Song of Love |
Jean Genet, W, P, M «Un chant d'amour» |
|
7.2 |
1950 |
C![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Recording) Black and White](icons/bw.png) |
The Fuller Brush Girl |
Lloyd Bacon, W, P, M |
|
7.2 |
1949 |
D![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Sound System) Black and White](icons/bw.png) |
Any Number Can Play |
Mervyn LeRoy, W, W, P, M |
|
7.2 |
1947 |
FAnSC![Color (Technicolor); Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Sound System) Color (Technicolor)](icons/rgb.png) |
A Mouse in the House |
Joseph Barbera, William Hanna, M |
|
7.2 |
1946 |
WD![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (RCA Sound System) Black and White](icons/bw.png) |
The Captive Heart |
Basil Dearden, W, W, ++, P, M |
|
7.2 |
1945 |
WD![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Mirrophonic Recording) Black and White](icons/bw.png) |
Counter-Attack |
Zoltan Korda, W, W, ++, P, M |
|
7.2 |
1945 |
FAnCS![Color (Technicolor); Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Sound System) Color (Technicolor)](icons/rgb.png) |
Mouse in Manhattan |
Joseph Barbera, William Hanna |
|
7.2 |
1944 |
CDMc![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Recording) Black and White](icons/bw.png) |
The Merry Monahans |
Charles Lamont, W, W, P, M |
|
7.2 |
1943 |
AnSCFW![Color (Technicolor); Aspect: 1.37:1; 35 mm; AUDIO: Mono Color (Technicolor)](icons/rgb.png) |
Daffy - The Commando |
Friz Freleng, W, M |
|
7.2 |
1942 |
CrDMR![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (RCA Sound System) Black and White](icons/bw.png) |
A Date with the Falcon |
Irving Reis, W, W, ++, P, M |
|
7.2 |
1942 |
DRW![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (RCA Sound System) Black and White](icons/bw.png) |
Joan of Paris |
Robert Stevenson, W, W, ++, P, M |
|
7.2 |
1940 |
D![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (RCA Ultra Violet Recording) Black and White](icons/bw.png) |
The Stars Look Down |
Carol Reed, W, W, ++, P, M |
|
7.2 |
1940 |
We![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Wide Range System) Black and White](icons/bw.png) |
Three Men from Texas |
Lesley Selander, W, W, P, M |
|
7.2 |
1939 |
DMl![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono Black and White](icons/bw.png) |
Rose of Washington Square |
Gregory Ratoff, W, W, ++, P, M |
|
7.2 |
1937 |
D![Black and White; Aspect: 1.20:1; 35 mm; AUDIO: Mono (Tobis-Klangfilm) Black and White](icons/bw.png) |
La Habanera |
Douglas Sirk, W, P, M |
|
7.2 |
1937 |
C![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (RCA Victor System) Black and White](icons/bw.png) |
Wise Girl |
Leigh Jason, W, W, ++, P, M |
|
7.2 |
1934 |
D![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Noiseless Recording) Black and White](icons/bw.png) |
One More River |
James Whale, W, W, ++, P, M |
|
7.2 |
1933 |
DR![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric System) Black and White](icons/bw.png) |
Zoo in Budapest |
Rowland V. Lee, W, W, ++, P |
|
7.2 |
1927 |
AdR![Black and White, Color (2-strip Technicolor); Silent](icons/rgb-bw.png) |
The Gaucho |
F. Richard Jones, W, P, M |
|
7.2 |
1926 |
C![Black and White; Silent](icons/bw.png) |
Kiki |
Clarence Brown, W, W, P |
|
7.2 |
1926 |
C![Black and White; Silent](icons/bw.png) |
Mantrap |
Victor Fleming, W, W, ++, P |
|
7.2 |
1924 |
DHR![Black and White; Silent](icons/bw.png) |
Beau Brummel |
Harry Beaumont, W, W, P, M |
|
7.2 |
1920 |
DoAd![Black and White; Silent](icons/bw.png) |
South |
[ Frank Hurley ], P |