|
10.0 |
1973 |
D![Color (Eastmancolor); 35 mm; AUDIO: Mono Color (Eastmancolor)](icons/rgb.png) |
Distant Thunder |
Satyajit Ray, W, W, P, M «Ashani Sanket» |
|
10.0 |
1971 |
D![Black and White; Aspect: 1.76:1; 35 mm; Arriflex Cameras; AUDIO: Mono Black and White](icons/bw.png) |
Love |
Károly Makk, W, W, P, M «Szerelem» |
|
10.0 |
1953 |
DoAd![Color (Technicolor); Aspect: 1.37:1; 35 mm; AUDIO: Mono (RCA Sound System) Color (Technicolor)](icons/rgb.png) |
The Conquest of Everest |
George Lowe, W, P, P, P, M |
|
9.7 |
1938 |
CD![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono Black and White](icons/bw.png) |
The Baker's Wife |
Marcel Pagnol, W, ++, P, M «La femme du boulanger» |
|
9.3 |
1978 |
BD![Color (Technicolor); 35 mm; AUDIO: Mono Color (Technicolor)](icons/rgb.png) |
Stevie |
Robert Enders, W, P, M |
|
9.1 |
1983 |
CDR![Color; Aspect: 1.85:1; 35 mm; AUDIO: Mono Color](icons/rgb.png) |
Reuben, Reuben |
Robert Ellis Miller, W, W, ++, P, M |
|
9.0 |
1983 |
![TV](icons/tv_icon.png) ![TV](icons/tv_icon.png) ![Color; Aspect: 1.33:1; 35 mm; AUDIO: Mono Color](icons/rgb.png) |
"The Yearling" |
Masaaki Ôsumi, W, W, P, M «"Kojika monogatari"» TV series 1983- |
|
8.8 |
1994 |
D![Color (Eastmancolor); Aspect: 2.35:1; 35 mm (Kodak); Technovision; Technovision Cameras and Lenses; AUDIO: Dolby, Dolby SR Color (Eastmancolor)](icons/rgb.png) |
Lamerica |
Gianni Amelio, W, W, ++, P, M |
|
8.8 |
1987 |
CRD![Color (Eastmancolor); Aspect: 1.85:1; 35 mm (Kodak); AUDIO: Dolby Color (Eastmancolor)](icons/rgb.png) |
Dark Eyes |
Nikita Mikhalkov, W, W, ++, P, M «Oci ciornie» |
|
8.8 |
1980 |
![TV](icons/tv_icon.png) D![Color; Aspect: 1.33:1; 16 mm; AUDIO: Mono Color](icons/rgb.png) |
"Berlin Alexanderplatz" |
[ Rainer Werner Fassbinder ], [ W, W ], P, M TV mini-series 1980- |
|
8.8 |
1976 |
Do![Color; 16 mm; AUDIO: Mono Color](icons/rgb.png) |
Harlan County U.S.A. |
Barbara Kopple, P, P, M, M |
|
8.7 |
1984 |
DoMc![Color; Aspect: 1.85:1; 35 mm; Panaflex Camera and Lenses by Panavision; AUDIO: Dolby Digital (1999 re-release), Stereo Color](icons/rgb.png) |
Stop Making Sense |
Jonathan Demme, W, W, P, M, M, M++ |
|
8.7 |
1983 |
DR![Color; Aspect: 1.66:1; 35 mm; AUDIO: Dolby Color](icons/rgb.png) |
Heat and Dust |
James Ivory, W, P, M |
|
8.6 |
1981 |
CrD![Color; Aspect: 1.85:1; 35 mm; AUDIO: Mono Color](icons/rgb.png) |
Pixote |
Hector Babenco, W, W, ++, P, M «Pixote: A Lei do Mais Fraco» |
|
8.6 |
1973 |
D![Color (Eastmancolor); Aspect: 1.78:1; 35 mm; AUDIO: Mono Color (Eastmancolor)](icons/rgb.png) |
The Homecoming |
Peter Hall, W, P |
|
8.6 |
1964 |
D![Black and White; 35 mm; AUDIO: Mono Black and White](icons/bw.png) |
One Potato, Two Potato |
Larry Peerce, W, W, P, M |
|
8.5 |
1986 |
CCrD![Color; Aspect: 2.35:1; 35 mm; Panavision (anamorphic); AUDIO: Mono Color](icons/rgb.png) |
Ménage |
Bertrand Blier, W, P, M «Tenue de soirée» |
|
8.5 |
1967 |
CD![Black and White; Aspect: 1.66:1; 35 mm; AUDIO: Mono Black and White](icons/bw.png) |
The Two of Us |
Claude Berri, W, W, ++, P, M «Le vieil homme et l'enfant» |
|
8.5 |
1959 |
DW![Black and White; Aspect: 1.66:1; 35 mm; AUDIO: Mono Black and White](icons/bw.png) |
Il Generale della Rovere |
Roberto Rossellini, W, W, ++, P, M «Il generale della Rovere» |
|
8.5 |
1932 |
CCrR![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Noiseless Recording) Black and White](icons/bw.png) |
Trouble in Paradise |
Ernst Lubitsch, W, W, ++, P, M |
|
8.4 |
1983 |
D![Color (Technicolor); Aspect: 1.85:1; 35 mm; AUDIO: Stereo Color (Technicolor)](icons/rgb.png) |
Daniel |
Sidney Lumet, W, P, M |
|
8.4 |
1980 |
D![Color (Eastmancolor); Aspect: 1.66:1; 35 mm; AUDIO: Mono Color (Eastmancolor)](icons/rgb.png) |
Bye Bye Brasil |
Carlos Diegues, W, W, P, M, M, M |
|
8.4 |
1965 |
D![Black and White; Aspect: 1.75:1; 35 mm; AUDIO: Mono Black and White](icons/bw.png) |
Fists in the Pocket |
Marco Bellocchio, W, P, M «I pugni in tasca» |
|
8.4 |
1953 |
DFRW![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Recording) Black and White](icons/bw.png) |
The Little Kidnappers |
Philip Leacock, W, P, M «The Kidnappers» |
|
8.4 |
1951 |
D![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono Black and White](icons/bw.png) |
Death of a Salesman |
Laslo Benedek, W, W, P, M |
|
8.3 |
1994 |
D![Color; Aspect: 1.66:1; 35 mm; AUDIO: Dolby Color](icons/rgb.png) |
Ladybird Ladybird |
Ken Loach, W, P, M |
|
8.3 |
1980 |
CDR![Black and White (archive footage), Color (Eastmancolor); Aspect: 1.66:1; AUDIO: Mono Black and White (archive footage), Color (Eastmancolor)](icons/rgb-bw.png) |
Mon oncle d'Amérique |
Alain Resnais, W, W, P, M |
|
8.3 |
1975 |
CDW![Color (Technicolor); Aspect: 1.66:1; 35 mm; AUDIO: Mono Color (Technicolor)](icons/rgb.png) |
Seven Beauties |
Lina Wertmüller, W, P, M «Pasqualino Settebellezze» |
|
8.3 |
1964 |
C![Color (Eastmancolor); 35 mm; AUDIO: Mono Color (Eastmancolor)](icons/rgb.png) |
Nothing But the Best |
Clive Donner, W, W, P, M |
|
8.3 |
1962 |
D![Black and White; Aspect: 2.35:1; 35 mm; Franscope; AUDIO: Mono Black and White](icons/bw.png) |
Sundays and Cybele |
Serge Bourguignon, W, W, ++, P, M «Les dimanches de Ville d'Avray» |
|
8.3 |
1961 |
CD![Black and White; Aspect: 1.85:1; 35 mm; AUDIO: Mono (Westrex Recording System) Black and White](icons/bw.png) |
Girl with a Suitcase |
Valerio Zurlini, W, W, ++, P «La ragazza con la valigia» |
|
8.3 |
1960 |
D![Black and White; Aspect: 1.66:1; 35 mm; AUDIO: Mono (Westrex Recording System) Black and White](icons/bw.png) |
The Angry Silence |
Guy Green, W, W, ++, P, M |
|
8.3 |
1931 |
D![Black and White; Aspect: 1.20:1; 35 mm; AUDIO: Mono (Western Electric Sound System) Black and White](icons/bw.png) |
La Chienne |
Jean Renoir, W, W, ++, P «La chienne» |
|
8.2 |
1985 |
AdCSf![Color (Technicolor); Aspect: 1.85:1; 35 mm (also horizontal) (Eastman 125T 5247, 400T 5294); Spherical VistaVision (special effects); Panaflex Camera and Lenses by Panavision; AUDIO: 70 mm 6-Track (70 mm prints), Dolby (35 mm prints) (as Dolby Stereo) Color (Technicolor)](icons/rgb.png) |
Back to the Future |
Robert Zemeckis, W, W, P, M |
|
8.2 |
1984 |
![TV](icons/tv_icon.png) D![Black and White, Color; Aspect: 1.33:1; AUDIO: Mono Black and White, Color](icons/rgb-bw.png) |
"Heimat: A Chronicle of Germany" |
[ Edgar Reitz ], [ W, W ], P, M «"Heimat - Eine deutsche Chronik"» TV mini-series 1984- |
|
8.2 |
1983 |
BDW![Color (Eastmancolor); Aspect: 2.35:1; 35 mm; Panavision (anamorphic); AUDIO: Mono Color (Eastmancolor)](icons/rgb.png) |
Entre Nous |
Diane Kurys, W, ++, P, M «Coup de foudre» |
|
8.2 |
1980 |
D![Color (Eastmancolor); 35 mm; AUDIO: Mono Color (Eastmancolor)](icons/rgb.png) |
Every Man for Himself |
Jean-Luc Godard, W, W, P, P, P, M «Sauve qui peut (la vie)» |
|
8.2 |
1979 |
CCr![Color (Eastmancolor); Aspect: 1.66:1; 35 mm; AUDIO: Mono Color (Eastmancolor)](icons/rgb.png) |
The Third Generation |
Rainer Werner Fassbinder, W, P, M «Die dritte Generation» |
|
8.2 |
1973 |
D![Color; Aspect: 1.66:1; 35 mm; AUDIO: Mono Color](icons/rgb.png) |
Payday |
Daryl Duke, W, P, M, M, M++ |
|
8.2 |
1955 |
D![Black and White; Aspect: 1.37:1; 35 mm; Wall; AUDIO: Mono Black and White](icons/bw.png) |
Pather Panchali |
Satyajit Ray, W, W, P, M |
|
8.2 |
1951 |
D![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Recording) Black and White](icons/bw.png) |
Cry, the Beloved Country |
Zoltan Korda, W, ++, P, M |
|
8.2 |
1946 |
DRW![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Recording) Black and White](icons/bw.png) |
The Best Years of Our Lives |
William Wyler, W, W, P, M |
|
8.2 |
1935 |
CR![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Noiseless Recording) Black and White](icons/bw.png) |
Ruggles of Red Gap |
Leo McCarey, W, W, ++, P |
|
8.1 |
1993 |
D![Color; 35 mm (Eastman Kodak); Panavision Cameras and Lenses; AUDIO: Dolby Color](icons/rgb.png) |
Household Saints |
Nancy Savoca, W, W, ++, P, M |
|
8.1 |
1985 |
C![Color; Aspect: 1.37:1; 35 mm; Panavision Cameras and Lenses; AUDIO: Dolby Color](icons/rgb.png) |
Tampopo |
Jûzô Itami, W, P, M |
|
8.1 |
1984 |
CDR![Color; Aspect: 1.85:1; 35 mm; AUDIO: Stereo Color](icons/rgb.png) |
The Flamingo Kid |
Garry Marshall, W, W, ++, P, M |
|
8.1 |
1983 |
DMc![Color; Aspect: 1.85:1; Lenses and Panaflex Camera by Panavision; AUDIO: Stereo Color](icons/q-rgb.png) |
Tender Mercies |
Bruce Beresford, W, P, M |
|
8.1 |
1982 |
DH![Color (Eastmancolor); Aspect: 1.66:1; 35 mm; Technovision; AUDIO: Mono Color (Eastmancolor)](icons/rgb.png) |
La nuit de Varennes |
Ettore Scola, W, W, ++, P, M |
|
8.1 |
1956 |
D![Black and White; 35 mm; AUDIO: Mono (Westrex Recording System) Black and White](icons/bw.png) |
The Great Man |
José Ferrer, W, ++, P, M, M |
|
8.1 |
1945 |
DR![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono Black and White](icons/bw.png) |
Children of Paradise |
Marcel Carné, W, P, M «Les enfants du paradis» |
|
8.0 |
1994 |
DW![Color; Aspect: 1.85:1; 35 mm; AUDIO: Dolby, Dolby SR Color](icons/rgb.png) |
To Live |
Yimou Zhang, W, W, ++, P, M «Huozhe» |
|
8.0 |
1985 |
BCrD![Color (Technicolor); Aspect: 1.66:1; 35 mm; AUDIO: Stereo Color (Technicolor)](icons/rgb.png) |
Dance with a Stranger |
Mike Newell, W, P, M |
|
8.0 |
1985 |
DoHW![Color; Aspect: 1.37:1; 16 mm; AUDIO: Mono Color](icons/rgb.png) |
Shoah |
Claude Lanzmann, W, P, P, P++ |
|
8.0 |
1975 |
BDH![Color (Eastmancolor); Aspect: 1.66:1; 35 mm; AUDIO: Mono Color (Eastmancolor)](icons/rgb.png) |
The Story of Adele H |
François Truffaut, W, W, ++, P «L'histoire d'Adèle H» |
|
8.0 |
1969 |
CrDHMT![Color (Eastmancolor); Aspect: 1.66:1; 35 mm; AUDIO: Mono Color (Eastmancolor)](icons/rgb.png) |
Z |
Costa-Gavras, W, W, ++, P, M |
|
8.0 |
1966 |
AdWe![Color (Technicolor); Aspect: 2.35:1; 35 mm (2-perf); Techniscope (as Techniscope ®); AUDIO: Mono Color (Technicolor)](icons/rgb.png) |
The Good, the Bad and the Ugly |
Sergio Leone, W, W, ++, P, M «Il buono, il brutto, il cattivo» |
|
8.0 |
1959 |
D![Black and White; 35 mm; AUDIO: Mono Black and White](icons/bw.png) |
The World of Apu |
Satyajit Ray, W, W, P, M «Apur Sansar» |
|
8.0 |
1948 |
DF![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (RCA Sound System) Black and White](icons/bw.png) |
I Remember Mama |
George Stevens, W, W, ++, P, M |
|
8.0 |
1941 |
BD![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (RCA Sound System) Black and White](icons/bw.png) |
One Foot in Heaven |
Irving Rapper, W, W, P, M |
|
7.9 |
1996 |
D![Color; Aspect: 1.66:1; AUDIO: Stereo Color](icons/q-rgb.png) |
Ponette |
Jacques Doillon, W, W, P, M |
|
7.9 |
1992 |
DR![Color; Aspect: 1.85:1; 35 mm; AUDIO: Dolby Color](icons/rgb.png) |
Gas, Food Lodging |
Allison Anders, W, W, P, M |
|
7.9 |
1986 |
D![Color (Eastmancolor); Aspect: 2.35:1; 35 mm; Technovision; AUDIO: Dolby Color (Eastmancolor)](icons/rgb.png) |
Jean de Florette |
Claude Berri, W, W, ++, P, M |
|
7.9 |
1986 |
D![Color (Eastmancolor); Aspect: 2.35:1; 35 mm (Kodak); Technovision (anamorphic); Technovision Cameras and Lenses; AUDIO: Dolby Color (Eastmancolor)](icons/rgb.png) |
Manon of the Spring |
Claude Berri, W, W, ++, P, M «Manon des sources» |
|
7.9 |
1980 |
DHW![Color (Eastmancolor); Aspect: 1.85:1; 35 mm; Panaflex Camera and Lenses by Panavision; AUDIO: Mono Color (Eastmancolor)](icons/rgb.png) |
Breaker Morant |
Bruce Beresford, W, W, ++, P «'Breaker' Morant» |
|
7.9 |
1972 |
CR![Color (Technicolor); Aspect: 1.85:1; 35 mm; Panavision Cameras and Lenses; AUDIO: Mono Color (Technicolor)](icons/rgb.png) |
What's Up, Doc? |
Peter Bogdanovich, W, W, ++, P, M |
|
7.9 |
1971 |
D![Black and White; Aspect: 1.66:1; 35 mm; AUDIO: Mono Black and White](icons/bw.png) |
King Lear |
Peter Brook, W, W, P |
|
7.9 |
1962 |
BD![Black and White; Aspect: 1.66:1; AUDIO: Mono Black and White](icons/bw.png) |
The Miracle Worker |
Arthur Penn, W, ++, P, M |
|
7.9 |
1960 |
DR![Color (Technicolor); Aspect: 1.66:1; 35 mm; AUDIO: Mono (Westrex Recording System) Color (Technicolor)](icons/rgb.png) |
Tunes of Glory |
Ronald Neame, W, P, M |
|
7.9 |
1953 |
DMlR![Color (Technicolor); Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Sound System) Color (Technicolor)](icons/rgb.png) |
Lili |
Charles Walters, W, W, P, M |
|
7.9 |
1939 |
CR![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Mirrophonic Recording) Black and White](icons/bw.png) |
Midnight |
Mitchell Leisen, W, W, ++, P, M |
|
7.8 |
1995 |
RD![Color; Aspect: 1.85:1; 35 mm (Eastman Kodak); AUDIO: Dolby Digital Color](icons/rgb.png) |
Persuasion |
Roger Michell, W, W, P, M |
|
7.8 |
1994 |
DMR![Color (Eastmancolor); Aspect: 1.85:1; 35 mm; AUDIO: Dolby, Dolby SR Color (Eastmancolor)](icons/rgb.png) |
Three Colors: Red |
Krzysztof Kieslowski, W, W, P, M «Trois couleurs: Rouge» |
|
7.8 |
1994 |
CDR![Color; Aspect: 1.66:1; 16 mm; Super 16; AUDIO: Dolby Color](icons/rgb.png) |
Vanya on 42nd Street |
Louis Malle, W, W, ++, P, M |
|
7.8 |
1990 |
CrD![Color; Aspect: 1.37:1; 16 mm (some scenes) 35 mm; AUDIO: Mono Color](icons/rgb.png) |
Close-Up |
Abbas Kiarostami, W, P «Nema-ye Nazdik» |
|
7.8 |
1988 |
![TV](icons/tv_icon.png) D![Color; Aspect: 1.33:1; 35 mm; AUDIO: Mono Color](icons/rgb.png) |
"The Decalogue" |
[ Krzysztof Kieslowski ], [ W, W ], P, P, M «"Dekalog"» TV mini-series 1988- |
|
7.8 |
1987 |
DMcR![Color (Eastmancolor); Aspect: 1.66:1; 35 mm; AUDIO: Dolby Color (Eastmancolor)](icons/rgb.png) |
Babette's Feast |
Gabriel Axel, W, W, P, M «Babettes gæstebud» |
|
7.8 |
1985 |
DR![Color (Technicolor); Aspect: 1.85:1; 35 mm; AUDIO: Mono Color (Technicolor)](icons/rgb.png) |
The Shooting Party |
Alan Bridges, W, W, P, M |
|
7.8 |
1981 |
CDR![Color; Aspect: 1.85:1; 35 mm; AUDIO: Mono Color](icons/rgb.png) |
Gregory's Girl |
Bill Forsyth, W, P, M |
|
7.8 |
1981 |
AAd![Color; Aspect: 2.20:1; 35 mm (Eastman 100T 5247); Panavision (anamorphic); Panavision Cameras and Lenses; AUDIO: 70 mm 6-Track (70 mm prints), Dolby (35 mm prints) Color](icons/rgb.png) |
Raiders of the Lost Ark |
Steven Spielberg, W, W, ++, P, M |
|
7.8 |
1975 |
AdHoT![Color; Aspect: 2.35:1; 35 mm (Eastman 100T 5254); Panavision (anamorphic); Arriflex 35-III, Panavision C-Series Lenses (some shots) Panavision Panaflex, Panavision C-Series Lenses; AUDIO: Mono (Westrex Recording System), Dolby Digital (Dolby 5.1), DTS (DTS 5.1), Dolby Surround 7.1 (DTS HD Master Audio) Color](icons/rgb.png) |
Jaws |
Steven Spielberg, W, W, ++, P, M |
|
7.8 |
1969 |
DoHW![Black and White; 35 mm; AUDIO: Mono Black and White](icons/bw.png) |
The Sorrow and the Pity |
Marcel Ophüls, W, W, P, P «Le chagrin et la pitié» |
|
7.8 |
1965 |
DW![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono Black and White](icons/bw.png) |
The Shop on Main Street |
Ján Kadár, Elmar Klos, W, ++, P, M «Obchod na korze» |
|
7.8 |
1960 |
HoMT![Black and White; Aspect: 1.37:1; 35 mm; Mitchell BNC; AUDIO: Mono (Westrex Recording System) Black and White](icons/bw.png) |
Psycho |
Alfred Hitchcock, W, W, P, M |
|
7.8 |
1958 |
CCr![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono Black and White](icons/bw.png) |
Big Deal on Madonna Street |
Mario Monicelli, W, W, ++, P, M «I soliti ignoti» |
|
7.8 |
1954 |
D![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono Black and White](icons/bw.png) |
Sansho the Bailiff |
Kenji Mizoguchi, W, W, ++, P, M, M, M «Sanshô dayû» |
|
7.8 |
1949 |
DR![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Recording) Black and White](icons/bw.png) |
The Heiress |
William Wyler, W, W, ++, P, M |
|
7.8 |
1945 |
D![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Recording) Black and White](icons/bw.png) |
A Tree Grows in Brooklyn |
Elia Kazan, W, W, ++, P, M |
|
7.8 |
1939 |
CDR![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (RCA Victor System) Black and White](icons/bw.png) |
Love Affair |
Leo McCarey, W, W, ++, P, M |
|
7.8 |
1938 |
CDR![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Wide Range System) Black and White](icons/bw.png) |
Pygmalion |
Anthony Asquith, Leslie Howard, W, ++, P, M |
|
7.7 |
1995 |
AnAdCFFan![Color (Technicolor); Aspect: 1.85:1; Digital; Digital; AUDIO: Dolby Digital Color (Technicolor)](icons/d-rgb.png) |
Toy Story |
John Lasseter, W, W, ++, M |
|
7.7 |
1994 |
DW![Color (Eastmancolor); Aspect: 1.85:1; 35 mm (Eastman); Technovision Cameras and Lenses; AUDIO: Dolby SR Color (Eastmancolor)](icons/rgb.png) |
Before the Rain |
Milcho Manchevski, W, P, M, M, M |
|
7.7 |
1991 |
CrD![Color (DeLuxe); Aspect: 1.85:1; 35 mm; Arriflex Camera and Lenses; AUDIO: Dolby Color (DeLuxe)](icons/rgb.png) |
Boyz n the Hood |
John Singleton, W, P, M |
|
7.7 |
1988 |
AT![Color; Aspect: 2.20:1; 35 mm (Eastman 400T 5295) 65 mm (special effects) (Eastman 125T 5247, 400T 5295); Panavision (anamorphic); Panavision Cameras and Lenses; AUDIO: 70 mm 6-Track (70 mm prints), Dolby (35 mm prints) Color](icons/rgb.png) |
Die Hard |
John McTiernan, W, W, ++, P, M |
|
7.7 |
1985 |
DoB![Black and White, Color; 35 mm; AUDIO: Mono Black and White, Color](icons/rgb-bw.png) |
Huey Long |
Ken Burns, W, P, P, M |
|
7.7 |
1985 |
D![Color; Aspect: 1.85:1; 35 mm; AUDIO: Mono Color](icons/rgb.png) |
The Trip to Bountiful |
Peter Masterson, W, P, M |
|
7.7 |
1980 |
BD![Black and White; Aspect: 2.35:1; 35 mm (Eastman Plus-X 5231); Panavision (anamorphic); Panavision Cameras and Lenses; AUDIO: Dolby Black and White](icons/bw.png) |
The Elephant Man |
David Lynch, W, W, ++, P, M |
|
7.7 |
1976 |
DFan![Color (Eastmancolor); Aspect: 1.66:1; 35 mm; AUDIO: Mono Color (Eastmancolor)](icons/rgb.png) |
Face to Face |
Ingmar Bergman, W, P «Ansikte mot ansikte» |
|
7.7 |
1970 |
DoHMc![Color (Technicolor); Aspect: 2.20:1; 16 mm 35 mm; Multiscreen; Eclair Cameras and Lenses; AUDIO: Dolby Digital (re-release), Mono (RCA Sound System), 70 mm 6-Track (70 mm prints), 4-Track Stereo (original release) Color (Technicolor)](icons/rgb.png) |
Woodstock |
Michael Wadleigh, P, P, P++ |
|
7.7 |
1964 |
TWA![Black and White; Aspect: 1.66:1; 35 mm; AUDIO: Mono (Westrex Recording System) Black and White](icons/bw.png) |
The Train |
John Frankenheimer, ++, W, W, ++, P, P, M |
|
7.7 |
1963 |
CrDMT![Black and White, Color (Eastmancolor) (inserts only); Aspect: 2.35:1; 35 mm; Tohoscope (anamorphic); AUDIO: 4-Track Stereo (Westrex Recording System) Black and White, Color (Eastmancolor) (inserts only)](icons/rgb-bw.png) |
High and Low |
Akira Kurosawa, W, W, ++, P, P, M «Tengoku to jigoku» |
|
7.7 |
1960 |
D![Black and White; Aspect: 1.66:1; 35 mm; AUDIO: Mono (Westrex Recording System) Black and White](icons/bw.png) |
The Entertainer |
Tony Richardson, W, W, ++, P, M |
|
7.7 |
1959 |
D![Color (Technicolor); Aspect: 1.78:1; 35 mm; AUDIO: Mono (RCA Sound Recording) Color (Technicolor)](icons/rgb.png) |
The Nun's Story |
Fred Zinnemann, W, W, P, M |
|
7.7 |
1957 |
D![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Recording), Mono (Perspecta Sound encoding) Black and White](icons/bw.png) |
Throne of Blood |
Akira Kurosawa, W, W, ++, P, M «Kumonosu-jô» |
|
7.7 |
1954 |
D![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Recording) Black and White](icons/bw.png) |
La Strada |
Federico Fellini, W, W, ++, P, P, M «La strada» |
|
7.7 |
1953 |
D![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono Black and White](icons/bw.png) |
A Geisha |
Kenji Mizoguchi, W, W, ++, P, M «Gion bayashi» |
|
7.7 |
1953 |
DFanM![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Recording) Black and White](icons/bw.png) |
Ugetsu |
Kenji Mizoguchi, W, W, ++, P, M, M, M «Ugetsu monogatari» |
|
7.7 |
1937 |
AdDF![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Sound System) Black and White](icons/bw.png) |
Captains Courageous |
Victor Fleming, W, W, ++, P, M |
|
7.6 |
1994 |
CRD![Color; Aspect: 1.85:1; AUDIO: Dolby, Dolby SR Color](icons/q-rgb.png) |
Eat Drink Man Woman |
Ang Lee, W, W, ++, P, M «Yin shi nan nu» |
|
7.6 |
1993 |
CDFanR![Color (Technicolor); Aspect: 1.85:1; 35 mm; Panavision Cameras and Lenses; AUDIO: Dolby SR (as Dolby Stereo) Color (Technicolor)](icons/rgb.png) |
Groundhog Day |
Harold Ramis, W, W, ++, P, M |
|
7.6 |
1991 |
AnFFanMlR![Color (Technicolor); Aspect: 1.66:1; 35 mm (Eastman) Digital; Digital Spherical; AUDIO: 70 mm 6-Track (70 mm prints), Dolby (35 mm prints), Sonics-DDP (IMAX version) Color (Technicolor)](icons/rgb.png) |
Beauty and the Beast |
Gary Trousdale, Kirk Wise, W, W, ++, M |
|
7.6 |
1990 |
BCrDT![Color (Technicolor); Aspect: 1.85:1; 35 mm; Arriflex 35 BL4S, Zeiss Lenses; AUDIO: Dolby SR Color (Technicolor)](icons/rgb.png) |
Goodfellas |
Martin Scorsese, W, ++, P |
|
7.6 |
1980 |
D![Color (Technicolor); Aspect: 1.85:1; 35 mm; Lenses and Panaflex Camera by Panavision; AUDIO: Mono Color (Technicolor)](icons/rgb.png) |
Ordinary People |
Robert Redford, W, W, ++, P |
|
7.6 |
1978 |
CrD![Color (Technicolor); Aspect: 1.85:1; 35 mm; Spherical (as Panavision); Panavision Cameras and Lenses; AUDIO: Mono Color (Technicolor)](icons/rgb.png) |
Blue Collar |
Paul Schrader, W, W, ++, P, M |
|
7.6 |
1974 |
CrD![Color (Technicolor); Aspect: 1.85:1; 35 mm; Mitchell BNCR, Bausch & Lomb Super Baltar and Kowa Cine Prominar Lenses; AUDIO: Mono Color (Technicolor)](icons/rgb.png) |
The Godfather: Part II |
Francis Ford Coppola, W, W, ++, P, M |
|
7.6 |
1970 |
DoMc![Color; Aspect: 1.33:1; 35 mm; AUDIO: Mono Color](icons/rgb.png) |
Gimme Shelter |
Albert Maysles, David Maysles, ++, P, P, P |
|
7.6 |
1964 |
DT![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Westrex Recording System) Black and White](icons/bw.png) |
Woman in the Dunes |
Hiroshi Teshigahara, W, ++, P, M «Suna no onna» |
|
7.6 |
1961 |
AAd![Black and White; Aspect: 2.35:1; 35 mm; Tohoscope (anamorphic); AUDIO: Perspecta Stereo (Westrex Recording System) Black and White](icons/bw.png) |
Yojimbo |
Akira Kurosawa, W, ++, P, M «Yôjinbô» |
|
7.6 |
1958 |
ADH![Black and White (archive footage), Black and White; Aspect: 1.66:1; 35 mm; AUDIO: Mono (Westrex Recording System) Black and White (archive footage), Black and White](icons/bw.png) |
A Night to Remember |
Roy Ward Baker, W, W, P, M |
|
7.6 |
1957 |
D![Black and White; Aspect: 1.66:1; 35 mm; AUDIO: Mono Black and White](icons/bw.png) |
12 Angry Men |
Sidney Lumet, W, P, M |
|
7.6 |
1957 |
D![Black and White; Aspect: 1.85:1; 35 mm; AUDIO: Mono (RCA Sound System) Black and White](icons/bw.png) |
A Face in the Crowd |
Elia Kazan, W, P, P, M |
|
7.6 |
1957 |
DRW![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono Black and White](icons/bw.png) |
The Cranes are Flying |
Mikhail Kalatozov, W, P, M «Letyat zhuravli» |
|
7.6 |
1956 |
Do![Color (Eastmancolor); 35 mm; AUDIO: Mono Color (Eastmancolor)](icons/rgb.png) |
The Silent World |
Jacques-Yves Cousteau, Louis Malle, W, P, P, M «Le monde du silence» |
|
7.6 |
1952 |
D![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono Black and White](icons/bw.png) |
Ikiru |
Akira Kurosawa, W, W, ++, P, M |
|
7.6 |
1952 |
DR![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Dolby (re-release), Mono (RCA Sound System) Black and White](icons/bw.png) |
Othello |
Orson Welles, W, ++, P, P, P++, M, M «The Tragedy of Othello: The Moor of Venice» |
|
7.6 |
1949 |
CrDNT![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (RCA Sound System) Black and White](icons/bw.png) |
White Heat |
Raoul Walsh, W, W, ++, P, M |
|
7.6 |
1947 |
CDFFan![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Recording) Black and White](icons/bw.png) |
Miracle on 34th Street |
George Seaton, W, W, P, P, M |
|
7.6 |
1946 |
DFanR![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono, Dolby Digital (1995 opera version) Black and White](icons/bw.png) |
Beauty and the Beast |
Jean Cocteau, ++, W, ++, P, M «La belle et la bête» |
|
7.6 |
1946 |
DFFan![Color, Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (RCA Sound System) Color, Black and White](icons/rgb-bw.png) |
It's a Wonderful Life |
Frank Capra, W, W, ++, P, P, P, M |
|
7.6 |
1943 |
CrDR![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono Black and White](icons/bw.png) |
Ossessione |
Luchino Visconti, W, W, ++, P, P, M |
|
7.6 |
1938 |
AAdR![Color (Technicolor); Aspect: 1.37:1; 35 mm; AUDIO: Mono Color (Technicolor)](icons/rgb.png) |
The Adventures of Robin Hood |
Michael Curtiz, William Keighley, W, W, ++, P, P, M |
|
7.6 |
1936 |
DR![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (RCA Photophone) Black and White](icons/bw.png) |
Mayerling |
Anatole Litvak, W, W, ++, P, P, M, M |
|
7.6 |
1934 |
C![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Noiseless Recording) Black and White](icons/bw.png) |
It's a Gift |
Norman Z. McLeod, W, W, ++, P, M |
|
7.5 |
1997 |
CrDMT![Color (Technicolor); Aspect: 2.35:1; 35 mm (Kodak Vision 500T 5279, Eastman EXR 200T 5293); Super 35; Panavision Panaflex Gold II, Panavision Primo Lenses Panavision Panaflex Lightweight, Panavision Primo Lenses Panavision Panaflex Platinum, Panavision Primo Lenses; AUDIO: Dolby Digital Color (Technicolor)](icons/rgb.png) |
L.A. Confidential |
Curtis Hanson, W, W, ++, P, M |
|
7.5 |
1993 |
DR![Color (Technicolor); Aspect: 2.20:1; 35 mm (Eastman EXR 200T 5293, EXR 500T 5296); Super 35; Panavision Cameras and Lenses; AUDIO: 70 mm 6-Track (70 mm prints), Dolby SR (35 mm prints), SDDS (35 mm prints) Color (Technicolor)](icons/rgb.png) |
The Remains of the Day |
James Ivory, W, W, P, M |
|
7.5 |
1988 |
CrD![Color; Aspect: 1.85:1; 35 mm; AUDIO: Stereo Color](icons/rgb.png) |
Salaam Bombay! |
Mira Nair, W, W, ++, P, M |
|
7.5 |
1988 |
ACCrR![Color (Technicolor); Aspect: 1.85:1; 35 mm; Lenses and Panaflex Camera by Panavision; AUDIO: Mono Color (Technicolor)](icons/rgb.png) |
The Naked Gun: From the Files of Police Squad! |
David Zucker, W, W, ++, P, M |
|
7.5 |
1986 |
AAdSfT![Color (Eastmancolor); Aspect: 1.85:1; 35 mm (Eastman 400T 5294, 400T 5295); Arriflex 35-III, Canon K35 Lenses Moviecam SuperAmerica, Canon K35 Lenses; AUDIO: 70 mm 6-Track (70 mm prints), Dolby (35 mm prints) Color (Eastmancolor)](icons/rgb.png) |
Aliens |
James Cameron, W, W, ++, P, M |
|
7.5 |
1984 |
DoB![Black and White, Color; 35 mm; AUDIO: Mono Black and White, Color](icons/rgb-bw.png) |
28 Up |
Michael Apted TV |
|
7.5 |
1983 |
BDH![Color; Aspect: 1.66:1; 35 mm; AUDIO: Mono Color](icons/rgb.png) |
Danton |
Andrzej Wajda, W, W, ++, P, M |
|
7.5 |
1982 |
BCrDHMR![Color (Fujicolor); Aspect: 1.66:1; 35 mm; AUDIO: Mono Color (Fujicolor)](icons/rgb.png) |
The Return of Martin Guerre |
Daniel Vigne, W, W, ++, P, M «Le retour de Martin Guerre» |
|
7.5 |
1981 |
CD![Color (Fujicolor); Aspect: 1.66:1; 35 mm; AUDIO: Mono Color (Fujicolor)](icons/rgb.png) |
Lola |
Rainer Werner Fassbinder, W, W, ++, P, M, M |
|
7.5 |
1977 |
CD![Color; Aspect: 1.66:1; 35 mm; AUDIO: Mono Color](icons/rgb.png) |
Stroszek |
Werner Herzog, W, P, M, M |
|
7.5 |
1975 |
C![Color; Aspect: 1.85:1; 35 mm; Panavision Cameras and Lenses; AUDIO: Mono Color](icons/rgb.png) |
Smile |
Michael Ritchie, W, P |
|
7.5 |
1965 |
DW![Black and White; Aspect: 1.66:1; 35 mm; AUDIO: Mono (Westrex Recording System) Black and White](icons/bw.png) |
The Hill |
Sidney Lumet, W, ++, P |
|
7.5 |
1962 |
ADT![Black and White; Aspect: 2.35:1; 35 mm; Tohoscope (anamorphic); AUDIO: Perspecta Stereo (Westrex Recording System) Black and White](icons/bw.png) |
Sanjuro |
Akira Kurosawa, W, W, ++, P, P, M «Tsubaki Sanjûrô» |
|
7.5 |
1959 |
D![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono Black and White](icons/bw.png) |
Les Cousins |
Claude Chabrol, W, W, P, M «Les cousins» |
|
7.5 |
1956 |
DWWe![Color (as De Luxe); Aspect: 1.75:1; 35 mm; AUDIO: Mono (Westrex Recording System) Color (as De Luxe)](icons/rgb.png) |
Friendly Persuasion |
William Wyler, W, ++, P, M |
|
7.5 |
1952 |
CMlR![Color (Technicolor), Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Sound System) Color (Technicolor), Black and White](icons/rgb-bw.png) |
Singin' in the Rain |
Stanley Donen, Gene Kelly, W, W, ++, P, M |
|
7.5 |
1950 |
DN![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Recording) Black and White](icons/bw.png) |
Sunset Blvd. |
Billy Wilder, W, W, ++, P, M |
|
7.5 |
1949 |
NSp![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (RCA Sound System) Black and White](icons/bw.png) |
The Set-Up |
Robert Wise, W, W, P |
|
7.5 |
1949 |
ADW![Black and White (archive footage), Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Recording) Black and White (archive footage), Black and White](icons/bw.png) |
Twelve O'Clock High |
Henry King, W, W, ++, P, M |
|
7.5 |
1946 |
D![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (RCA Photophone System) Black and White](icons/bw.png) |
Shoeshine |
Vittorio De Sica, W, W, ++, P, M «Sciuscià (Ragazzi)» |
|
7.5 |
1944 |
CrDNT![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Mirrophonic Recording) Black and White](icons/bw.png) |
Double Indemnity |
Billy Wilder, W, W, ++, P, M |
|
7.5 |
1939 |
D![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Mirrophonic Recording) Black and White](icons/bw.png) |
Mr. Smith Goes to Washington |
Frank Capra, W, W, ++, P, M |
|
7.5 |
1934 |
AAdDHRT![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Sound System) Black and White](icons/bw.png) |
The Count of Monte Cristo |
Rowland V. Lee, W, W, ++, P, M |
|
7.5 |
1932 |
D![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono Black and White](icons/bw.png) |
The Mouthpiece |
James Flood, Elliott Nugent, W, W, ++, P |
|
7.4 |
1994 |
DoDSp![Color; Aspect: 1.33:1; Video (NTSC); Betacam SP (source format) D1 (master format); AUDIO: Ultra Stereo Color](icons/v-rgb.png) |
Hoop Dreams |
Steve James, W, W, P, M |
|
7.4 |
1993 |
BDMc![Color; AUDIO: Stereo Color](icons/q-rgb.png) |
Thirty Two Short Films About Glenn Gould |
François Girard, W, W, ++, P |
|
7.4 |
1990 |
DC![Color (Eastmancolor); Aspect: 1.85:1; Arriflex Cameras; AUDIO: Mono Color (Eastmancolor)](icons/q-rgb.png) |
The Match Factory Girl |
Aki Kaurismäki, W, P «Tulitikkutehtaan tyttö» |
|
7.4 |
1990 |
CD![Color; Aspect: 1.85:1; 35 mm (Eastman EXR 500T 5296); AUDIO: Mono Color](icons/rgb.png) |
Trust |
Hal Hartley, W, P, M, M |
|
7.4 |
1988 |
D![Color (Eastmancolor); Aspect: 1.66:1; 35 mm; AUDIO: Mono Color (Eastmancolor)](icons/rgb.png) |
Story of Women |
Claude Chabrol, W, W, ++, P, M «Une affaire de femmes» |
|
7.4 |
1978 |
CrD![Color (Technicolor); Aspect: 1.85:1; 35 mm; Panavision Cameras and Lenses; AUDIO: Mono Color (Technicolor)](icons/rgb.png) |
Straight Time |
Ulu Grosbard, ++, W, W, ++, P, M |
|
7.4 |
1978 |
CrDHT![Color (Eastmancolor); 35 mm; AUDIO: Mono Color (Eastmancolor)](icons/rgb.png) |
Violette |
Claude Chabrol, W, W, ++, P, M «Violette Nozière» |
|
7.4 |
1977 |
CD![Color; AUDIO: Mono Color](icons/q-rgb.png) |
Handle with Care |
Jonathan Demme, W, P, M |
|
7.4 |
1974 |
AdCDR![Color; Aspect: 1.85:1; 35 mm; AUDIO: Mono (Westrex Recording System) Color](icons/rgb.png) |
Harry and Tonto |
Paul Mazursky, W, W, P, M |
|
7.4 |
1974 |
CrDT![Color; Aspect: 2.35:1; 35 mm; Panavision (anamorphic); Panavision Cameras and Lenses; AUDIO: Mono Color](icons/rgb.png) |
The Taking of Pelham One Two Three |
Joseph Sargent, W, W, P, M |
|
7.4 |
1973 |
![TV](icons/tv_icon.png) D![Color (Eastmancolor); 16 mm; AUDIO: Mono Color (Eastmancolor)](icons/rgb.png) |
"Scenes from a Marriage" |
[ Ingmar Bergman ], [ W ], P «"Scener ur ett äktenskap"» TV mini-series 1973- |
|
7.4 |
1968 |
Do![Black and White; 35 mm; AUDIO: Mono Black and White](icons/bw.png) |
Salesman |
Albert Maysles, David Maysles, ++, P |
|
7.4 |
1966 |
BDH![Color (Technicolor); Aspect: 1.66:1; 35 mm; AUDIO: Dolby SR (DVD Release), Mono (Westrex Recording System) Color (Technicolor)](icons/rgb.png) |
A Man for All Seasons |
Fred Zinnemann, W, P, M |
|
7.4 |
1963 |
D![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (AGA Sound System) Black and White](icons/bw.png) |
The Silence |
Ingmar Bergman, W, P, M «Tystnaden» |
|
7.4 |
1962 |
DHoT![Black and White; Aspect: 1.33:1; 35 mm; AUDIO: Mono (RCA Sound Recording) Black and White](icons/bw.png) |
What Ever Happened to Baby Jane? |
Robert Aldrich, W, W, P, M |
|
7.4 |
1961 |
DHW![Black and White; Aspect: 1.75:1; 35 mm; AUDIO: Mono Black and White](icons/bw.png) |
Judgment at Nuremberg |
Stanley Kramer, W, ++, P, M |
|
7.4 |
1960 |
CDR![Black and White; Aspect: 2.35:1; 35 mm; Panavision (anamorphic); AUDIO: Mono (Westrex Recording System) Black and White](icons/bw.png) |
The Apartment |
Billy Wilder, W, W, P, M |
|
7.4 |
1959 |
CR![Color (Eastmancolor); Aspect: 2.35:1; 35 mm; CinemaScope; AUDIO: Mono (Westrex Recording System) Color (Eastmancolor)](icons/rgb.png) |
Pillow Talk |
Michael Gordon, W, W, ++, P, M |
|
7.4 |
1953 |
DHR![Color (Eastmancolor); Aspect: 1.37:1; 35 mm (Eastman 25T 5248); AUDIO: Mono (Western Electric Recording) Color (Eastmancolor)](icons/rgb.png) |
Gate of Hell |
Teinosuke Kinugasa, W, W, ++, P, M «Jigokumon» |
|
7.4 |
1953 |
AdDT![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric) Black and White](icons/bw.png) |
The Wages of Fear |
Henri-Georges Clouzot, W, W, ++, P, M «Le salaire de la peur» |
|
7.4 |
1950 |
CrD![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (RCA High Fidelity Recording) Black and White](icons/bw.png) |
Los Olvidados |
Luis Buñuel, W, W, ++, P, M, M «Los olvidados» |
|
7.4 |
1948 |
CrD![Black and White; Aspect: 1.37:1; 35 mm; Arriflex II C; AUDIO: Mono Black and White](icons/bw.png) |
Bicycle Thieves |
Vittorio De Sica, W, W, ++, P, M «Ladri di biciclette» |
|
7.4 |
1948 |
DW![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono Black and White](icons/bw.png) |
The Search |
Fred Zinnemann, W, W, ++, P, M |
|
7.4 |
1944 |
DFSp![Color (Technicolor); Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Sound System) Color (Technicolor)](icons/rgb.png) |
National Velvet |
Clarence Brown, W, W, ++, P, M |
|
7.4 |
1942 |
DR![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (RCA Sound System) Black and White](icons/bw.png) |
Now, Voyager |
Irving Rapper, W, W, P, M |
|
7.4 |
1940 |
C![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Mirrophonic Recording) Black and White](icons/bw.png) |
The Bank Dick |
Edward F. Cline, W, ++, P, M |
|
7.4 |
1939 |
AdFFanMl![Black and White (Sepiatone), Color (Technicolor); Aspect: 1.37:1; 35 mm; Metroscope (1955 re-release) Spherical; Technicolor Three-Strip Camera; AUDIO: Mono (Western Electric Sound System: The Voice of Action), Dolby Digital (2005 re-issue) Black and White (Sepiatone), Color (Technicolor)](icons/rgb-bw.png) |
The Wizard of Oz |
Victor Fleming, ++, W, W, ++, P |
|
7.4 |
1937 |
DM![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono Black and White](icons/bw.png) |
They Won't Forget |
[ Mervyn LeRoy ], W, W, ++, P, M |
|
7.4 |
1936 |
CD![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Noiseless Recording) Black and White](icons/bw.png) |
Mr. Deeds Goes to Town |
Frank Capra, W, W, P, M |
|
7.4 |
1934 |
CCrM![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Sound System) Black and White](icons/bw.png) |
The Thin Man |
W.S. Van Dyke, W, W, ++, P, M |
|
7.4 |
1930 |
DW![Black and White; Aspect: 1.20:1; 35 mm; AUDIO: Mono (Western Electric Sound System) Black and White](icons/bw.png) |
All Quiet on the Western Front |
Lewis Milestone, W, W, ++, P, P, M, M |
|
7.4 |
1929 |
BDH![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Apparatus) Black and White](icons/bw.png) |
Disraeli |
Alfred E. Green, W, ++, P, M |
|
7.3 |
2000 |
DoMc![Color; Aspect: 1.85:1; 35 mm; AUDIO: DTS, Dolby Digital Color](icons/rgb.png) |
Calle 54 |
Fernando Trueba, W, P, M |
|
7.3 |
1996 |
DMR![Color; Aspect: 2.35:1; 35 mm; Super 35; Panavision Cameras and Lenses; AUDIO: Dolby, Dolby Digital Color](icons/rgb.png) |
Lone Star |
John Sayles, W, P, M |
|
7.3 |
1993 |
DMcRW![Black and White (some scenes), Color; Aspect: 1.85:1; 35 mm; Arriflex 535; AUDIO: Dolby Black and White (some scenes), Color](icons/rgb-bw.png) |
Farewell My Concubine |
Kaige Chen, W, ++, P, M «Ba wang bie ji» |
|
7.3 |
1993 |
D![Color; Aspect: 1.85:1; 35 mm; Panavision Cameras and Lenses; AUDIO: Dolby, Dolby SR Color](icons/rgb.png) |
What's Eating Gilbert Grape |
Lasse Hallström, W, P, M, M |
|
7.3 |
1986 |
CCr![Color; Aspect: 1.85:1; 35 mm; Arriflex Cameras and Lenses; AUDIO: Dolby Color](icons/rgb.png) |
Ruthless People |
Jim Abrahams, David Zucker, ++, W, W, P, M |
|
7.3 |
1986 |
CR![Black and White, Color; Aspect: 1.85:1; 16 mm 35 mm; Spherical (35 mm segments) Super 16 (16 mm segments); Arriflex 16 HSR; AUDIO: Mono Black and White, Color](icons/rgb-bw.png) |
She's Gotta Have It |
Spike Lee, W, P, M |
|
7.3 |
1982 |
AdBD![Color; Aspect: 1.85:1; 35 mm; Arriflex 35 BL3; AUDIO: Mono Color](icons/rgb.png) |
Fitzcarraldo |
Werner Herzog, W, P, M |
|
7.3 |
1982 |
D![Color; Aspect: 1.78:1; 35 mm; AUDIO: Mono Color](icons/rgb.png) |
Moonlighting |
Jerzy Skolimowski, W, P, M |
|
7.3 |
1978 |
DH![Color (Gevacolor); Aspect: 1.33:1; 35 mm; AUDIO: Mono Color (Gevacolor)](icons/rgb.png) |
The Tree of Wooden Clogs |
Ermanno Olmi, W, P «L'albero degli zoccoli» |
|
7.3 |
1977 |
D![Color; Aspect: 1.37:1; 35 mm; AUDIO: Mono Color](icons/rgb.png) |
The Duellists |
Ridley Scott, W, W, P, M |
|
7.3 |
1973 |
CDR![Black and White, Color (Eastmancolor); Aspect: 1.66:1; 35 mm; Panavision (anamorphic); AUDIO: Mono Black and White, Color (Eastmancolor)](icons/rgb-bw.png) |
Day for Night |
François Truffaut, W, W, ++, P, M «La nuit américaine» |
|
7.3 |
1972 |
DSp![Color (Eastmancolor); Aspect: 1.66:1; 35 mm; AUDIO: Mono Color (Eastmancolor)](icons/rgb.png) |
The Goalie's Anxiety at the Penalty Kick |
Wim Wenders, W, W, ++, P, M «Die Angst des Tormanns beim Elfmeter» |
|
7.3 |
1968 |
DR![Color (Technicolor); Aspect: 1.66:1; 35 mm; AUDIO: Mono Color (Technicolor)](icons/rgb.png) |
Romeo and Juliet |
Franco Zeffirelli, W, W, ++, P, M |
|
7.3 |
1967 |
CD![Black and White; Aspect: 1.37:1; 16 mm; AUDIO: Mono Black and White](icons/bw.png) |
David Holzman's Diary |
Jim McBride, ++, P |
|
7.3 |
1967 |
DoMc![Black and White; Aspect: 1.37:1; 16 mm; AUDIO: Mono Black and White](icons/bw.png) |
Dont Look Back |
D.A. Pennebaker, W, P, P, P++ |
|
7.3 |
1961 |
C![Black and White; Aspect: 1.85:1; 35 mm; AUDIO: Mono (Westrex Co. System) Black and White](icons/bw.png) |
Divorce Italian Style |
Pietro Germi, W, W, ++, P, P, M «Divorzio all'italiana» |
|
7.3 |
1961 |
DSp![Black and White; Aspect: 2.35:1; 35 mm; CinemaScope; AUDIO: Mono (Westrex Recording System) Black and White](icons/bw.png) |
The Hustler |
Robert Rossen, W, W, ++, P, M |
|
7.3 |
1957 |
D![Black and White; Aspect: 2.35:1; 35 mm; CinemaScope; AUDIO: Mono (optical prints), 4-Track Stereo (Westrex Recording System) (magnetic prints) Black and White](icons/bw.png) |
A Hatful of Rain |
Fred Zinnemann, W, ++, P, M |
|
7.3 |
1957 |
DW![Black and White; Aspect: 1.66:1; 35 mm; AUDIO: Mono Black and White](icons/bw.png) |
Paths of Glory |
Stanley Kubrick, W, W, ++, P, M |
|
7.3 |
1955 |
CrDT![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Sound System) Black and White](icons/bw.png) |
Rififi |
Jules Dassin, W, W, ++, P, M «Du rififi chez les hommes» |
|
7.3 |
1954 |
CrD![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Recording) Black and White](icons/bw.png) |
On the Waterfront |
Elia Kazan, W, ++, P, M |
|
7.3 |
1953 |
DF![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono Black and White](icons/bw.png) |
Little Fugitive |
Ray Ashley, Morris Engel, ++, W, W, ++, P, M |
|
7.3 |
1953 |
CDR![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Recording) Black and White](icons/bw.png) |
Roman Holiday |
William Wyler, W, W, ++, P, P, M |
|
7.3 |
1952 |
D![Black and White; Aspect: 1.37:1; 35 mm (DuPont/Gevaert); AUDIO: Mono (RCA Sound System) Black and White](icons/bw.png) |
Umberto D. |
Vittorio De Sica, W, P, M |
|
7.3 |
1951 |
DSfT![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Recording) Black and White](icons/bw.png) |
The Day the Earth Stood Still |
Robert Wise, W, W, P, M |
|
7.3 |
1950 |
D![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Recording) Black and White](icons/bw.png) |
All About Eve |
Joseph L. Mankiewicz, W, ++, P, M |
|
7.3 |
1950 |
CrND![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Sound System) Black and White](icons/bw.png) |
The Asphalt Jungle |
John Huston, W, W, ++, P, M |
|
7.3 |
1948 |
AAdDWe![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (RCA Sound System) Black and White](icons/bw.png) |
The Treasure of the Sierra Madre |
John Huston, W, W, P, M |
|
7.3 |
1946 |
AdWe![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (RCA Sound System) Black and White](icons/bw.png) |
The Overlanders |
Harry Watt, W, P, M |
|
7.3 |
1945 |
DW![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Recording) Black and White](icons/bw.png) |
Rome, Open City |
Roberto Rossellini, W, W, ++, P, M «Roma, città aperta» |
|
7.3 |
1943 |
CrDWe![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Recording) Black and White](icons/bw.png) |
The Ox-Bow Incident |
William A. Wellman, W, W, P, M |
|
7.3 |
1940 |
CrDNM![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (RCA Sound System) Black and White](icons/bw.png) |
The Letter |
William Wyler, W, W, P, M |
|
7.3 |
1937 |
DR![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Noiseless Recording) Black and White](icons/bw.png) |
Make Way for Tomorrow |
Leo McCarey, W, W, ++, P, M, M |
|
7.3 |
1936 |
DR![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Wide Range Noiseless Recording) Black and White](icons/bw.png) |
Dodsworth |
William Wyler, W, W, ++, P, M |
|
7.3 |
1936 |
DR![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Wide Range Noiseless Recording) Black and White](icons/bw.png) |
These Three |
William Wyler, W, ++, P, M |
|
7.3 |
1935 |
AdDH![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Sound System) Black and White](icons/bw.png) |
Mutiny on the Bounty |
Frank Lloyd, W, W, ++, P, P, P, M |
|
7.3 |
1935 |
CMlR![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (RCA Victor System) Black and White](icons/bw.png) |
Top Hat |
Mark Sandrich, W, W, ++, P |
|
7.3 |
1931 |
CrNT![Black and White; Aspect: 1.20:1; 35 mm; AUDIO: Mono Black and White](icons/bw.png) |
M |
Fritz Lang, W, W, ++, P |
|
7.2 |
1993 |
CDR![Color (Technicolor); Aspect: 1.85:1; 35 mm; Ariflex 535 Camera, Zeiss Lenses; AUDIO: Dolby Color (Technicolor)](icons/rgb.png) |
Much Ado About Nothing |
Kenneth Branagh, W, W, P, M |
|
7.2 |
1989 |
ABDHRW![Color (Technicolor); Aspect: 1.85:1; 35 mm; Lenses and Panaflex Cameras by Panavision; AUDIO: Dolby Color (Technicolor)](icons/rgb.png) |
Henry V |
Kenneth Branagh, W, W, P, M |
|
7.2 |
1988 |
DHSp![Color; Aspect: 1.85:1; 35 mm; AUDIO: Mono Color](icons/rgb.png) |
Eight Men Out |
John Sayles, W, W, P, M |
|
7.2 |
1988 |
DoCrM![Color; Aspect: 1.66:1; 35 mm Super 16; AUDIO: Dolby Color](icons/rgb.png) |
The Thin Blue Line |
Errol Morris, W, P, P, M |
|
7.2 |
1987 |
BDW![Color; Aspect: 1.66:1; 35 mm; AUDIO: Dolby Color](icons/rgb.png) |
Au Revoir Les Enfants |
Louis Malle, W, P «Au revoir les enfants» |
|
7.2 |
1987 |
D![Color; Aspect: 1.78:1; AUDIO: Dolby Color](icons/q-rgb.png) |
Pelle the Conqueror |
Bille August, W, W, ++, P, M «Pelle erobreren» |
|
7.2 |
1987 |
ACrSf![Color; Aspect: 1.85:1; 35 mm; Arriflex 35 BL, Zeiss Super Speed Lenses; AUDIO: Dolby SR (35 mm prints), 70 mm 6-Track (70 mm prints), DTS (special edition) Color](icons/rgb.png) |
RoboCop |
Paul Verhoeven, W, W, P, P, M |
|
7.2 |
1986 |
DMc![Color (Eastmancolor); Aspect: 2.35:1; 35 mm; Panavision (anamorphic); AUDIO: Dolby Color (Eastmancolor)](icons/rgb.png) |
'Round Midnight |
Bertrand Tavernier, W, W, ++, P, M |
|
7.2 |
1985 |
ADW![Color; Aspect: 1.85:1; 35 mm; Panaflex Cameras and Lenses by Panavision; AUDIO: Dolby (35 mm prints), 70 mm 6-Track (70 mm prints) Color](icons/rgb.png) |
Ran |
Akira Kurosawa, W, W, ++, P, P, P, M |
|
7.2 |
1984 |
D![Color (Technicolor); Aspect: 1.85:1; 35 mm; Panaflex Camera and Lenses by Panavision; AUDIO: Mono Color (Technicolor)](icons/rgb.png) |
Places in the Heart |
Robert Benton, W, P, M |
|
7.2 |
1984 |
DHW![Color; Aspect: 1.85:1; 35 mm; Panavision Cameras and Lenses; AUDIO: Dolby Color](icons/rgb.png) |
The Killing Fields |
Roland Joffé, W, P, M |
|
7.2 |
1982 |
DHMT![Color (Technicolor); Aspect: 1.85:1; 35 mm; Panaflex Camera and Lenses by Panavision; AUDIO: Mono Color (Technicolor)](icons/rgb.png) |
Missing |
Costa-Gavras, W, W, ++, P, M |
|
7.2 |
1981 |
CrDT![Color (Technicolor); Aspect: 1.85:1; 35 mm; Panaflex Camera and Lenses by Panavision; AUDIO: Mono Color (Technicolor)](icons/rgb.png) |
Prince of the City |
Sidney Lumet, W, W, ++, P, M |
|
7.2 |
1980 |
C![Color (Metrocolor); Aspect: 1.85:1; 35 mm; Lenses and Panaflex Camera by Panavision; AUDIO: 4-Track Stereo Color (Metrocolor)](icons/rgb.png) |
Airplane! |
Jim Abrahams, David Zucker, ++, W, W, ++, P, M |
|
7.2 |
1979 |
CDSp![Color; Aspect: 1.85:1; 35 mm; AUDIO: Mono Color](icons/rgb.png) |
Breaking Away |
Peter Yates, W, P |
|
7.2 |
1977 |
CDR![Color (Eastmancolor); Aspect: 1.66:1; 35 mm; Panavision Cameras and Lenses; AUDIO: Mono Color (Eastmancolor)](icons/rgb.png) |
That Obscure Object of Desire |
Luis Buñuel, W, W, ++, P «Cet obscur objet du désir» |
|
7.2 |
1976 |
CrDH![Color (Eastmancolor); Aspect: 2.35:1; 35 mm; Panavision (anamorphic); AUDIO: Mono Color (Eastmancolor)](icons/rgb.png) |
The Judge and the Assassin |
Bertrand Tavernier, W, W, ++, P, M «Le juge et l'assassin» |
|
7.2 |
1975 |
D![Color; Aspect: 1.85:1; 35 mm (Eastman 100T 5254); AUDIO: Mono Color](icons/rgb.png) |
One Flew Over the Cuckoo's Nest |
Milos Forman, W, W, ++, P, M |
|
7.2 |
1970 |
CD![Color (Eastmancolor); Aspect: 1.66:1; 35 mm; AUDIO: Mono (Westrex Recording System) Color (Eastmancolor)](icons/rgb.png) |
Bed & Board |
François Truffaut, W, W, ++, P, M «Domicile conjugal» |
|
7.2 |
1969 |
D![Black and White; Aspect: 1.33:1; 35 mm; AUDIO: Mono Black and White](icons/bw.png) |
My Night at Maud's |
Eric Rohmer, W, P «Ma nuit chez Maud» |
|
7.2 |
1969 |
T![Color (Eastmancolor); 35 mm; AUDIO: Mono Color (Eastmancolor)](icons/rgb.png) |
This Man Must Die |
Claude Chabrol, W, ++, P, M «Que la bête meure» |
|
7.2 |
1968 |
HoSf![Black and White; Aspect: 1.33:1; 35 mm; AUDIO: Mono Black and White](icons/bw.png) |
Night of the Living Dead |
George A. Romero, W, W, P |
|
7.2 |
1964 |
CMl![Black and White; Aspect: 1.75:1; 35 mm; AUDIO: Mono (RCA Sound Recording) Black and White](icons/bw.png) |
A Hard Day's Night |
Richard Lester, W, P |
|
7.2 |
1964 |
CDR![Color (Eastmancolor); 35 mm; AUDIO: Mono Color (Eastmancolor)](icons/rgb.png) |
Marriage Italian Style |
Vittorio De Sica, W, W, ++, P, M «Matrimonio all'italiana» |
|
7.2 |
1963 |
D![Black and White; Aspect: 1.78:1; 35 mm; AUDIO: Mono (Westrex Recording System) Black and White](icons/bw.png) |
America, America |
Elia Kazan, W, P, M |
|
7.2 |
1963 |
D![Black and White; Aspect: 2.35:1; 35 mm; Panavision (anamorphic); AUDIO: Mono (Westrex Recording System) Black and White](icons/bw.png) |
Hud |
Martin Ritt, W, W, ++, P, M |
|
7.2 |
1962 |
CD![Black and White; Aspect: 1.85:1; 35 mm; AUDIO: Mono (RCA Sound Recording) Black and White](icons/bw.png) |
Days of Wine and Roses |
Blake Edwards, W, P, M |
|
7.2 |
1959 |
DR![Black and White; Aspect: 1.66:1; 35 mm; AUDIO: Mono (Westrex Recording System) Black and White](icons/bw.png) |
Room at the Top |
Jack Clayton, W, W, ++, P, M |
|
7.2 |
1955 |
HoMT![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (A.R.T.E.C.) Black and White](icons/bw.png) |
Diabolique |
Henri-Georges Clouzot, W, W, ++, P, M «Les diaboliques» |
|
7.2 |
1955 |
DR![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Recording) Black and White](icons/bw.png) |
Marty |
Delbert Mann, W, ++, P, M |
|
7.2 |
1954 |
AD![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono, Stereo (re-release prints) Black and White](icons/bw.png) |
Seven Samurai |
Akira Kurosawa, W, W, ++, P, M «Shichinin no samurai» |
|
7.2 |
1953 |
CrNT![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Recording) Black and White](icons/bw.png) |
The Big Heat |
Fritz Lang, W, W, P, M |
|
7.2 |
1951 |
DW![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Sound System) Black and White](icons/bw.png) |
The Red Badge of Courage |
John Huston, W, W, ++, P, M |
|
7.2 |
1949 |
DR![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Recording) Black and White](icons/bw.png) |
A Letter to Three Wives |
Joseph L. Mankiewicz, W, W, ++, P, M |
|
7.2 |
1947 |
CrDNRT![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Recording) Black and White](icons/bw.png) |
Odd Man Out |
Carol Reed, W, ++, P, M |
|
7.2 |
1944 |
BDHW![Color (Technicolor); Aspect: 1.85:1; 35 mm; SuperScope (1950's cropped widescreen version) Spherical; AUDIO: Mono Color (Technicolor)](icons/rgb.png) |
Henry V |
Laurence Olivier, W, ++, P, P, M «The Chronicle History of King Henry the Fift with His Battell Fought at Agincourt in France» |
|
7.2 |
1943 |
DRW![Color (Technicolor); Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Microphonic Recording) Color (Technicolor)](icons/rgb.png) |
The Life and Death of Colonel Blimp |
Michael Powell, Emeric Pressburger, W, W, P, M |
|
7.2 |
1942 |
DRW![Black and White; Aspect: 1.37:1; 35 mm; Mitchell BNC; AUDIO: Mono (RCA Sound System) Black and White](icons/bw.png) |
Casablanca |
Michael Curtiz, W, W, ++, P, M |
|
7.2 |
1940 |
CDR![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Sound System) Black and White](icons/bw.png) |
The Shop Around the Corner |
Ernst Lubitsch, W, W, ++, P, M |
|
7.2 |
1940 |
D![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (RCA Ultra Violet Recording) Black and White](icons/bw.png) |
The Stars Look Down |
Carol Reed, W, W, ++, P, M |
|
7.2 |
1939 |
CWe![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Noiseless Recording) Black and White](icons/bw.png) |
Destry Rides Again |
George Marshall, W, W, ++, P, M |
|
7.2 |
1939 |
D![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono, Mono (Western Electric Mirrophonic Recording) Black and White](icons/bw.png) |
Of Mice and Men |
Lewis Milestone, W, W, P, M |
|
7.2 |
1939 |
CD![Black and White, Color (Technicolor); Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Sound System) Black and White, Color (Technicolor)](icons/rgb-bw.png) |
The Women |
George Cukor, W, W, ++, P, P, M, M |
|
7.2 |
1937 |
AnFFanMlR![Color (Technicolor); Aspect: 1.37:1; 35 mm; Bell & Howell 2709; AUDIO: Mono (RCA Victor High Fidelity Sound System) Color (Technicolor)](icons/rgb.png) |
Snow White and the Seven Dwarfs |
William Cottrell, David Hand, ++, W, W, ++, M, M |
|
7.2 |
1937 |
CD![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (RCA Victor System) Black and White](icons/bw.png) |
Stage Door |
Gregory La Cava, W, W, ++, P, M |
|
7.2 |
1935 |
DHR![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Noiseless Recording) Black and White](icons/bw.png) |
Les Misérables |
Richard Boleslawski, W, W, P, M |
|
7.1 |
1996 |
CrD![Color; Aspect: 1.85:1; 35 mm (Eastman EXR 200T 5293); Aaton 35-III, Zeiss Standard Speed Lenses Arriflex 35 BL4, Zeiss Standard Speed Lenses; AUDIO: Dolby Digital Color](icons/rgb.png) |
Trainspotting |
Danny Boyle, W, W, P |
|
7.1 |
1995 |
CD![Black and White, Color; Aspect: 1.85:1; 16 mm (Eastman Double-X 7222, EXR 50D 7245) 35 mm (Eastman EXR 50D 5245, EXR 500T 5296); Arriflex 16 SR, Zeiss and Cooke Lenses Arriflex 35 BL4S, Zeiss and Cooke Lenses; AUDIO: Mono Black and White, Color](icons/rgb-bw.png) |
Living in Oblivion |
Tom DiCillo, W, P, M |
|
7.1 |
1992 |
DoCrM![Color; 35 mm; AUDIO: Mono Color](icons/rgb.png) |
Brother's Keeper |
Joe Berlinger, Bruce Sinofsky, P, P, M, M |
|
7.1 |
1992 |
BDH![Color; Aspect: 1.85:1; 35 mm (Eastman EXR 50D 5245, EXR 500T 5296, 250D 5297); Super 35; AUDIO: Dolby Digital (35 mm prints), 70 mm 6-Track (70 mm prints) Color](icons/rgb.png) |
Malcolm X |
Spike Lee, W, W, ++, P, M |
|
7.1 |
1992 |
D![Color; Aspect: 1.85:1; 35 mm; AUDIO: Dolby Color](icons/rgb.png) |
The Waterdance |
Neal Jimenez, Michael Steinberg, W, P, M |
|
7.1 |
1991 |
DoB![Black and White, Color (Eastmancolor); Aspect: 1.85:1; AUDIO: Dolby Black and White, Color (Eastmancolor)](icons/rgb-bw.png) |
A Brief History of Time |
Errol Morris, W, P, P, M |
|
7.1 |
1991 |
AdDHWe![Color (Eastmancolor); Aspect: 1.85:1; 35 mm (Eastman EXR 500T 5296, 250D 5297); Panaflex Cameras and Lenses by Panavision; AUDIO: Dolby Color (Eastmancolor)](icons/rgb.png) |
Black Robe |
Bruce Beresford, W, P, M |
|
7.1 |
1989 |
BD![Color (Technicolor); Aspect: 1.85:1; 35 mm; AUDIO: Mono Color (Technicolor)](icons/rgb.png) |
My Left Foot |
Jim Sheridan, W, W, ++, P, M «My Left Foot: The Story of Christy Brown» |
|
7.1 |
1989 |
CD![Black and White; 35 mm; AUDIO: Mono Black and White](icons/bw.png) |
My Twentieth Century |
Ildikó Enyedi, W, P, M «Az én XX. századom» |
|
7.1 |
1985 |
DC![Color (Fujicolor); Aspect: 1.66:1; 16 mm 35 mm; AUDIO: Mono Color (Fujicolor)](icons/rgb.png) |
My Life as a Dog |
Lasse Hallström, W, W, ++, P, M «Mitt liv som hund» |
|
7.1 |
1984 |
BDMc![Color (Technicolor); Aspect: 2.20:1; 35 mm (Eastman 250T 5293); Panavision (anamorphic); Panavision Cameras and Lenses; AUDIO: 70 mm 6-Track (70 mm prints), Dolby Digital (director's cut), Dolby (35 mm prints) Color (Technicolor)](icons/rgb.png) |
Amadeus |
Milos Forman, W, P |
|
7.1 |
1984 |
D![Color; Aspect: 1.33:1; 16 mm; AUDIO: Mono Color](icons/rgb.png) |
Secret Honor |
Robert Altman, W, W, ++, P, M |
|
7.1 |
1983 |
CD![Color; 35 mm; AUDIO: Mono Color](icons/rgb.png) |
The Family Game |
Yoshimitsu Morita, W, W, P «Kazoku gêmu» |
|
7.1 |
1982 |
D![Color; Aspect: 1.75:1; 35 mm; AUDIO: Mono Color](icons/rgb.png) |
Smash Palace |
Roger Donaldson, W, W, ++, P, M |
|
7.1 |
1974 |
CrDMT![Color (Technicolor); Aspect: 2.35:1; 35 mm (Eastman 100T 5254); Panavision (anamorphic); Panavision Panaflex, Panavision C-Series Lenses; AUDIO: Mono Color (Technicolor)](icons/rgb.png) |
Chinatown |
Roman Polanski, W, ++, P, P, M |
|
7.1 |
1973 |
AnCD![Color; Aspect: 1.85:1; 35 mm; AUDIO: Mono Color](icons/rgb.png) |
Heavy Traffic |
Ralph Bakshi, W, P, P, M, M |
|
7.1 |
1973 |
T![Color (Technicolor); Aspect: 1.85:1; 35 mm (Eastman 100T 5254); AUDIO: Mono (Westrex Recording System) Color (Technicolor)](icons/rgb.png) |
The Day of the Jackal |
Fred Zinnemann, W, W, P, M |
|
7.1 |
1972 |
DR![Color (Eastmancolor); Aspect: 1.37:1; 35 mm; AUDIO: Mono Color (Eastmancolor)](icons/rgb.png) |
Love in the Afternoon |
Eric Rohmer, W, P, M «L'amour l'après-midi» |
|
7.1 |
1970 |
HWe![Color (Technicolor); Aspect: 2.20:1; 35 mm; Panavision (anamorphic); AUDIO: 70 mm 6-Track (Spanish release), Stereo Color (Technicolor)](icons/rgb.png) |
Little Big Man |
Arthur Penn, W, W, P, M |
|
7.1 |
1969 |
D![Black and White, Color; Aspect: 2.35:1; 35 mm; Panavision (anamorphic); AUDIO: 4-Track Stereo Black and White, Color](icons/rgb-bw.png) |
They Shoot Horses, Don't They? |
Sydney Pollack, W, W, ++, P, M |
|
7.1 |
1968 |
D![Black and White; Aspect: 1.66:1; 35 mm; AUDIO: Mono Black and White](icons/bw.png) |
Memories of Underdevelopment |
Tomás Gutiérrez Alea, W, ++, P, M «Memorias del subdesarrollo» |
|
7.1 |
1968 |
AnAdCFanMl![Color; Aspect: 1.66:1; 35 mm; AUDIO: DTS (re-release), Dolby Digital (re-release), Mono (original release) (Westrex Recording System) Color](icons/rgb.png) |
Yellow Submarine |
George Dunning, W, ++ |
|
7.1 |
1966 |
CrDHW![Black and White; Aspect: 1.85:1; 35 mm; AUDIO: Mono Black and White](icons/bw.png) |
The Battle of Algiers |
Gillo Pontecorvo, W, W, P, M, M «La battaglia di Algeri» |
|
7.1 |
1959 |
AAdCrMT![Color (Technicolor); Aspect: 1.66:1; 35 mm (horizontal); VistaVision; Mitchell VistaVision Cameras; AUDIO: Mono (Westrex Recording System), Dolby SR, Dolby Digital Color (Technicolor)](icons/rgb.png) |
North by Northwest |
Alfred Hitchcock, W, P, M |
|
7.1 |
1959 |
C![Black and White; Aspect: 1.66:1; 35 mm; AUDIO: Mono (Westrex Recording System) Black and White](icons/bw.png) |
Some Like It Hot |
Billy Wilder, W, W, ++, P, M |
|
7.1 |
1957 |
DN![Black and White; Aspect: 1.66:1; 35 mm; AUDIO: Mono (Westrex Recording System) Black and White](icons/bw.png) |
Sweet Smell of Success |
Alexander Mackendrick, W, W, ++, P, M |
|
7.1 |
1950 |
TD![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Recording) Black and White](icons/bw.png) |
Seven Days to Noon |
John Boulting, Roy Boulting, W, W, ++, P, M |
|
7.1 |
1949 |
CCr![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (RCA Sound System) Black and White](icons/bw.png) |
Kind Hearts and Coronets |
Robert Hamer, W, W, ++, P, M |
|
7.1 |
1948 |
AdCrD![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono Black and White](icons/bw.png) |
Oliver Twist |
David Lean, W, W, ++, P, M |
|
7.1 |
1948 |
D![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Recording) Black and White](icons/bw.png) |
The Snake Pit |
Anatole Litvak, W, W, ++, P, M |
|
7.1 |
1947 |
DNT![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (RCA Sound System) Black and White](icons/bw.png) |
Out of the Past |
Jacques Tourneur, W, ++, P, M |
|
7.1 |
1946 |
DR![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Recording) Black and White](icons/bw.png) |
Great Expectations |
David Lean, W, W, ++, P, M |
|
7.1 |
1946 |
CrDNM![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Recording) Black and White](icons/bw.png) |
The Killers |
Robert Siodmak, W, W, ++, P, M |
|
7.1 |
1945 |
HoT![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (RCA) Black and White](icons/bw.png) |
Dead of Night |
Alberto Cavalcanti, Charles Crichton, ++, W, W, ++, P, P, M |
|
7.1 |
1943 |
CR![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Mirrophonic Recording) Black and White](icons/bw.png) |
The More the Merrier |
George Stevens, W, W, ++, P, M |
|
7.1 |
1941 |
FanCR![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Mirrophonic Recording) Black and White](icons/bw.png) |
Here Comes Mr. Jordan |
Alexander Hall, W, W, ++, P, M |
|
7.1 |
1940 |
AnAdDFFanMc![Color (Technicolor); Aspect: 1.33:1; 35 mm; AUDIO: Mono (RCA Victor High Fidelity Sound System) Color (Technicolor)](icons/rgb.png) |
Pinocchio |
Norman Ferguson, T. Hee, ++, W, W, ++, M, M |
|
7.1 |
1940 |
D![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Sound System) Black and White](icons/bw.png) |
The Mortal Storm |
Frank Borzage, W, W, ++, P, P, P, M, M, M |
|
7.1 |
1939 |
CR![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Sound System) Black and White](icons/bw.png) |
Ninotchka |
Ernst Lubitsch, W, W, ++, P, M |
|
7.1 |
1938 |
D![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Sound System) Black and White](icons/bw.png) |
The Citadel |
King Vidor, W, W, ++, P, M, M |
|
7.1 |
1937 |
CR![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Mirrophonic Recording) Black and White](icons/bw.png) |
Easy Living |
Mitchell Leisen, W, W, P, M, M, M++ |
|
7.1 |
1935 |
AdD![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Noiseless Recording) Black and White](icons/bw.png) |
The Lives of a Bengal Lancer |
Henry Hathaway, W, W, ++, P, M, M, M++ |
|
7.1 |
1934 |
CR![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Noiseless Recording) Black and White](icons/bw.png) |
It Happened One Night |
Frank Capra, W, W, P, M |
|
7.1 |
1933 |
CDR![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric System) Black and White](icons/bw.png) |
State Fair |
Henry King, W, W, ++, P, P, M |
|
7.1 |
1932 |
CMlR![Black and White (tinted); Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Noiseless Recording) Black and White (tinted)](icons/bw.png) |
One Hour with You |
Ernst Lubitsch, ++, W, W, P, M, M, M |
|
7.0 |
1995 |
DR![Color (Technicolor); Aspect: 1.85:1; 35 mm; AUDIO: Dolby SR, SDDS (8 channels), Dolby Digital Color (Technicolor)](icons/rgb.png) |
Sense and Sensibility |
Ang Lee, W, W, P, M |
|
7.0 |
1988 |
D![Color; Aspect: 1.85:1; 35 mm (Eastman 400T 5295); Panaflex Camera and Lenses by Panavision Panavision Panaflex Cameras, Panavision Primo Lenses; AUDIO: Dolby SR, Dolby Stereo Color](icons/rgb.png) |
Rain Man |
Barry Levinson, W, W, ++, P, M |
|
7.0 |
1987 |
CCr![Color; Aspect: 1.33:1; 35 mm; AUDIO: Dolby Color](icons/rgb.png) |
A Taxing Woman |
Jûzô Itami, W, P, M «Marusa no onna» |
|
7.0 |
1984 |
CMc![Color; Aspect: 1.70:1; 16 mm; Super 16; AUDIO: Dolby Color](icons/rgb.png) |
This Is Spinal Tap |
Rob Reiner, W, W, ++, P, M, M, M++ |
|
7.0 |
1983 |
D![Color (Eastmancolor); Aspect: 1.66:1; 35 mm; AUDIO: Mono Color (Eastmancolor)](icons/rgb.png) |
A Love in Germany |
Andrzej Wajda, W, W, ++, P, M «Eine Liebe in Deutschland» |
|
7.0 |
1983 |
CD![Color; Aspect: 1.85:1; 35 mm; J-D-C Cameras and Lenses; AUDIO: Mono Color](icons/rgb.png) |
Local Hero |
Bill Forsyth, W, P, M |
|
7.0 |
1982 |
AAdSfT![Color; Aspect: 2.20:1; 35 mm (Fuji A 250T 8518); Panavision (anamorphic); AUDIO: 70 mm 6-Track (70 mm prints), Dolby (35 mm prints) Color](icons/rgb.png) |
Star Trek II: The Wrath of Khan |
Nicholas Meyer, W, W, ++, P, M «Star Trek: The Wrath of Khan» |
|
7.0 |
1981 |
AAdT![Black and White (archive footage), Color; Aspect: 2.20:1; 35 mm; Panavision (anamorphic) (as Panavision ®); AUDIO: Dolby (35 mm prints) (as Dolby Stereo), 70 mm 6-Track (70 mm prints) Black and White (archive footage), Color](icons/rgb-bw.png) |
Mad Max 2: The Road Warrior |
George Miller, W, W, ++, P, M «Mad Max 2» |
|
7.0 |
1980 |
BDMc![Color (Technicolor); Aspect: 1.85:1; 35 mm; Panaflex Camera and Lenses by Panavision; AUDIO: Stereo Color (Technicolor)](icons/rgb.png) |
Coal Miner's Daughter |
Michael Apted, W, W, ++, P |
|
7.0 |
1980 |
DHW![Color (Eastmancolor); Aspect: 1.85:1; 35 mm; AUDIO: Dolby Color (Eastmancolor)](icons/rgb.png) |
Kagemusha |
Akira Kurosawa, W, W, P, P, M |
|
7.0 |
1978 |
DoMc![Color; Aspect: 1.85:1; Panaflex Cameras and Lenses; AUDIO: Dolby Color](icons/q-rgb.png) |
The Last Waltz |
Martin Scorsese, W, P |
|
7.0 |
1976 |
D![Color (Metrocolor); Aspect: 1.85:1; 35 mm; AUDIO: Mono Color (Metrocolor)](icons/rgb.png) |
Network |
Sidney Lumet, W, P, M |
|
7.0 |
1974 |
DW![Color (Eastmancolor); Aspect: 1.66:1; 35 mm (Eastman); AUDIO: Mono Color (Eastmancolor)](icons/rgb.png) |
Lacombe, Lucien |
Louis Malle, W, W, ++, P «Lacombe Lucien» |
|
7.0 |
1974 |
AdCD![Color (Technicolor); Aspect: 1.85:1; 35 mm; AUDIO: Mono Color (Technicolor)](icons/rgb.png) |
Swept Away |
Lina Wertmüller, W, P, P, P++, M «Travolti da un insolito destino nell'azzurro mare d'agosto» |
|
7.0 |
1971 |
D![Color (Eastmancolor); Aspect: 1.66:1; 35 mm; AUDIO: Mono Color (Eastmancolor)](icons/rgb.png) |
Murmur of the Heart |
Louis Malle, W, P «Le souffle au coeur» |
|
7.0 |
1967 |
CrD![Color (Technicolor); Aspect: 2.35:1; 35 mm; Panavision (anamorphic); Panavision Lenses; AUDIO: Mono Color (Technicolor)](icons/rgb.png) |
Cool Hand Luke |
Stuart Rosenberg, W, W, ++, P, M |
|
7.0 |
1967 |
CrDH![Black and White; Aspect: 2.35:1; 35 mm; Panavision (anamorphic); AUDIO: Mono (release prints), 3 Channel Stereo (original mix) Black and White](icons/bw.png) |
In Cold Blood |
Richard Brooks, W, W, P, M |
|
7.0 |
1967 |
CrDMT![Color; Aspect: 1.85:1; 35 mm; AUDIO: Mono (Westrex Sound) Color](icons/rgb.png) |
In the Heat of the Night |
Norman Jewison, W, W, P, M |
|
7.0 |
1965 |
DSfW![Black and White; Aspect: 1.37:1; 16 mm; AUDIO: Mono Black and White](icons/bw.png) |
The War Game |
Peter Watkins, W, P, P |
|
7.0 |
1962 |
AdBDHW![Color (Technicolor); Aspect: 2.20:1; 65 mm (Eastman); Super Panavision 70; Panavision Lenses; AUDIO: 70 mm 6-Track (RCA Sound Recording) (70 mm prints), Mono (35 mm prints) (original version), 4-Track Stereo (magnetic prints) (35 mm) (original version) Color (Technicolor)](icons/rgb.png) |
Lawrence of Arabia |
David Lean, W, W, ++, P, M |
|
7.0 |
1962 |
DSp![Black and White; Aspect: 1.66:1; 35 mm; AUDIO: Mono (Westrex Recording System) Black and White](icons/bw.png) |
The Loneliness of the Long Distance Runner |
Tony Richardson, W, P, M |
|
7.0 |
1962 |
DMRSfTW![Black and White; Aspect: 1.85:1; 35 mm; AUDIO: Mono (Westrex Recording System), Dolby SR, Dolby Digital Black and White](icons/bw.png) |
The Manchurian Candidate |
John Frankenheimer, W, W, ++, P, M |
|
7.0 |
1960 |
AdBDH![Color (Technicolor); Aspect: 2.20:1; 35 mm (horizontal); Super Technirama 70 (anamorphic); Panavision Lenses; AUDIO: 70 mm 6-Track (70 mm prints), Mono (Westrex Recording System) (35 mm prints, original release) Color (Technicolor)](icons/rgb.png) |
Spartacus |
Stanley Kubrick, W, W, ++, P, M |
|
7.0 |
1959 |
CrD![Black and White; Aspect: 2.35:1; 35 mm; Dyaliscope; Chevereau Cameras; AUDIO: Mono Black and White](icons/bw.png) |
The 400 Blows |
François Truffaut, W, W, ++, P, M «Les quatre cents coups» |
|
7.0 |
1957 |
D![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono Black and White](icons/bw.png) |
Wild Strawberries |
Ingmar Bergman, W, P, M, M «Smultronstället» |
|
7.0 |
1955 |
CR![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono Black and White](icons/bw.png) |
Smiles of a Summer Night |
Ingmar Bergman, W, P, M «Sommarnattens leende» |
|
7.0 |
1955 |
D![Black and White; Aspect: 1.85:1; 35 mm; AUDIO: Mono (RCA Sound Recording) Black and White](icons/bw.png) |
The Man with the Golden Arm |
Otto Preminger, W, W, ++, P, M |
|
7.0 |
1953 |
DWe![Color (Technicolor); Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Recording) Color (Technicolor)](icons/rgb.png) |
Shane |
George Stevens, W, W, ++, P, M |
|
7.0 |
1953 |
CMlR![Color (Technicolor); Aspect: 1.37:1; 35 mm; AUDIO: Mono )Western Electric Sound System) Color (Technicolor)](icons/rgb.png) |
The Band Wagon |
Vincente Minnelli, W, W, ++, P, P, M, M, M |
|
7.0 |
1952 |
DW![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric System) Black and White](icons/bw.png) |
Forbidden Games |
René Clément, W, ++, P, M «Jeux interdits» |
|
7.0 |
1952 |
BDHWWe![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Recording) Black and White](icons/bw.png) |
Viva Zapata! |
Elia Kazan, W, ++, P, M |
|
7.0 |
1951 |
D![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (RCA Sound System) Black and White](icons/bw.png) |
A Streetcar Named Desire |
Elia Kazan, W, W, ++, P, M |
|
7.0 |
1950 |
DWe![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Recording) Black and White](icons/bw.png) |
The Gunfighter |
Henry King, W, W, ++, P, M |
|
7.0 |
1942 |
CW![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Mirrophonic Recording) Black and White](icons/bw.png) |
To Be or Not to Be |
Ernst Lubitsch, W, W, ++, P, M |
|
7.0 |
1942 |
BDMl![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (RCA Sound System) Black and White](icons/bw.png) |
Yankee Doodle Dandy |
Michael Curtiz, W, W, ++, P, M, M, M |
|
7.0 |
1939 |
DR![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Sound System) Black and White](icons/bw.png) |
Goodbye, Mr. Chips |
Sam Wood, ++, W, W, ++, P |
|
7.0 |
1937 |
CrD![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Mirrophonic Recording) Black and White](icons/bw.png) |
Dead End |
William Wyler, W, W, P, M |
|
7.0 |
1936 |
DR![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Sound System) Black and White](icons/bw.png) |
Camille |
George Cukor, W, W, ++, P, P, M |
|
7.0 |
1936 |
RC![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Noiseless Recording Electric) Black and White](icons/bw.png) |
My Man Godfrey |
Gregory La Cava, W, W, ++, P, M, M |
|
6.9 |
1994 |
DoB![Color; Aspect: 1.37:1; 16 mm (Eastman EXR 100T 7248, EXR 500T 7296); Aaton LTR 54, Angenieux Zoom Lenses; AUDIO: Mono Color](icons/rgb.png) |
Crumb |
Terry Zwigoff, P, M |
|
6.9 |
1991 |
D![Color; Aspect: 1.85:1; 35 mm; AUDIO: Dolby Color](icons/rgb.png) |
Raise the Red Lantern |
Yimou Zhang, W, W, P, P, M, M «Da hong deng long gao gao gua» |
|
6.9 |
1991 |
CDFan![Color (Technicolor); Aspect: 1.85:1; 35 mm; Super 35; Panaflex Cameras; AUDIO: Dolby Color (Technicolor)](icons/rgb.png) |
The Fisher King |
Terry Gilliam, W, P, M |
|
6.9 |
1991 |
CrDT![Color (Eastmancolor); Aspect: 1.85:1; 35 mm; Panaflex Camera and Lenses by Panavision; AUDIO: Dolby SR Color (Eastmancolor)](icons/rgb.png) |
The Silence of the Lambs |
Jonathan Demme, W, W, P, M |
|
6.9 |
1990 |
D![Color (Eastmancolor); Aspect: 1.37:1; 35 mm; AUDIO: Dolby Color (Eastmancolor)](icons/rgb.png) |
Ju Dou |
Fengliang Yang, Yimou Zhang, W, P, P, M, M |
|
6.9 |
1982 |
CD![Color; Aspect: 1.85:1; 35 mm; Arriflex Cameras; AUDIO: Mono Color](icons/rgb.png) |
The King of Comedy |
Martin Scorsese, W, P |
|
6.9 |
1980 |
CrDR![Color; Aspect: 1.85:1; 35 mm; Panaflex Camera and Lenses by Panavision; AUDIO: Mono Color](icons/rgb.png) |
Atlantic City |
Louis Malle, W, P, M |
|
6.9 |
1979 |
DCR![Black and White, Color (Eastmancolor); Aspect: 1.66:1; 35 mm; AUDIO: Mono Black and White, Color (Eastmancolor)](icons/rgb-bw.png) |
Love on the Run |
François Truffaut, W, W, ++, P, M «L'amour en fuite» |
|
6.9 |
1979 |
AT![Color; Aspect: 1.78:1; 35 mm; Lenses and Panaflex Cameras by Panavision; AUDIO: Mono Color](icons/rgb.png) |
The Warriors |
Walter Hill, W, W, ++, P, M |
|
6.9 |
1977 |
CDR![Black and White, Color (Eastmancolor); Aspect: 1.66:1; 35 mm (Eastman 100T 5247); Arriflex 35 BL, Zeiss Super Speed Lenses; AUDIO: Mono Black and White, Color (Eastmancolor)](icons/rgb-bw.png) |
The Man Who Loved Women |
François Truffaut, W, W, ++, P «L'homme qui aimait les femmes» |
|
6.9 |
1975 |
CFanMcR![Color (Eastmancolor); Aspect: 1.37:1; 16 mm; AUDIO: Stereo Color (Eastmancolor)](icons/rgb.png) |
The Magic Flute |
[ Ingmar Bergman ], W, W, ++, P «Trollflöjten» TV |
|
6.9 |
1974 |
C![Black and White; Aspect: 1.85:1; 35 mm; AUDIO: Mono (Westrex Recording System) Black and White](icons/bw.png) |
Young Frankenstein |
Mel Brooks, W, W, ++, P, M |
|
6.9 |
1973 |
CD![Color (Technicolor); Aspect: 1.85:1; 35 mm (Eastman 100T 5254); AUDIO: Mono Color (Technicolor)](icons/rgb.png) |
Amarcord |
Federico Fellini, W, W, ++, P, M |
|
6.9 |
1971 |
ACrT![Color; Aspect: 2.35:1; 35 mm; Panavision (anamorphic); Panavision Lenses; AUDIO: Mono Color](icons/rgb.png) |
Dirty Harry |
Don Siegel, W, W, ++, P, M |
|
6.9 |
1971 |
RD![Color (Eastmancolor); Aspect: 1.66:1; 35 mm; AUDIO: Mono Color (Eastmancolor)](icons/rgb.png) |
Two English Girls |
François Truffaut, W, W, ++, P, M «Les deux Anglaises et le continent» |
|
6.9 |
1970 |
BDHW![Color; Aspect: 2.20:1; 65 mm; Dimension 150; AUDIO: 70 mm 6-Track (70 mm prints) (Westrex Recording System), Mono (35 mm prints), DTS 70 mm (70 mm re-release) Color](icons/rgb.png) |
Patton |
Franklin J. Schaffner, W, W, ++, P, M |
|
6.9 |
1964 |
AAdCrT![Color (Technicolor); Aspect: 1.37:1; 35 mm; AUDIO: Mono (Westrex Recording System) Color (Technicolor)](icons/rgb.png) |
Goldfinger |
Guy Hamilton, W, W, ++, P, M |
|
6.9 |
1964 |
D![Black and White; Aspect: 1.85:1; 35 mm; AUDIO: Mono Black and White](icons/bw.png) |
The Pawnbroker |
Sidney Lumet, W, W, ++, P, M |
|
6.9 |
1960 |
D![Color (Eastman Color); Aspect: 1.66:1; 35 mm; AUDIO: Mono (Westrex Recording System) Color (Eastman Color)](icons/rgb.png) |
Elmer Gantry |
Richard Brooks, W, W, P, M |
|
6.9 |
1960 |
DM![Black and White; Aspect: 1.75:1; 35 mm; AUDIO: Mono Black and White](icons/bw.png) |
L'avventura |
Michelangelo Antonioni, W, ++, P, M |
|
6.9 |
1960 |
DR![Black and White; Aspect: 1.66:1; 35 mm; AUDIO: Mono Black and White](icons/bw.png) |
Saturday Night and Sunday Morning |
Karel Reisz, W, P, M |
|
6.9 |
1959 |
C![Black and White; Aspect: 1.66:1; 35 mm; AUDIO: Mono (Western Electric Recording) Black and White](icons/bw.png) |
I'm All Right Jack |
John Boulting, W, W, ++, P, M |
|
6.9 |
1954 |
CrMT![Color (WarnerColor); Aspect: 1.85:1; 35 mm; StereoVision 3-D (re-release version) WarnerVision (dual-strip 3-D); Warner All-Media; AUDIO: Mono (RCA Sound System) Color (WarnerColor)](icons/rgb.png) |
Dial M for Murder |
Alfred Hitchcock, W, P, M |
|
6.9 |
1950 |
CrD![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Recording) Black and White](icons/bw.png) |
Rashomon |
Akira Kurosawa, W, W, ++, P, M «Rashômon» |
|
6.9 |
1949 |
NMT![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Recording) Black and White](icons/bw.png) |
The Third Man |
Carol Reed, W, ++, P, M |
|
6.9 |
1948 |
D![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (RCA Sound System) Black and White](icons/bw.png) |
La terra trema |
Luchino Visconti, ++, P, M «La terra trema: Episodio del mare» |
|
6.9 |
1948 |
AAdRWe![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Recording) Black and White](icons/bw.png) |
Red River |
Howard Hawks, Arthur Rosson, W, W, ++, P, M |
|
6.9 |
1947 |
CCrD![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (RCA Sound System) Black and White](icons/bw.png) |
Monsieur Verdoux |
Charles Chaplin, W, W, P, P, M |
|
6.9 |
1946 |
BDR![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Recording) Black and White](icons/bw.png) |
Anna and the King of Siam |
John Cromwell, W, W, ++, P, M |
|
6.9 |
1944 |
DNMR![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Recording) Black and White](icons/bw.png) |
Laura |
Otto Preminger, W, W, ++, P, P, M |
|
6.9 |
1942 |
BDFRSp![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Mirrophonic Recording) Black and White](icons/bw.png) |
The Pride of the Yankees |
Sam Wood, W, W, ++, P, M |
|
6.9 |
1941 |
AnFMl![Color (Technicolor); Aspect: 1.37:1; 35 mm; AUDIO: Mono (RCA Sound System) Color (Technicolor)](icons/rgb.png) |
Dumbo |
Samuel Armstrong, Norman Ferguson, ++, W, W, ++, M, M |
|
6.9 |
1941 |
C![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Mirrophonic Recording) Black and White](icons/bw.png) |
Major Barbara |
Gabriel Pascal, ++, W, ++, P, M |
|
6.9 |
1940 |
AdFFan![Color (Technicolor); Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Mirrophonic Recording) Color (Technicolor)](icons/rgb.png) |
The Thief of Bagdad |
Ludwig Berger, Michael Powell, ++, W, W, M |
|
6.9 |
1938 |
CMT![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono Black and White](icons/bw.png) |
The Lady Vanishes |
Alfred Hitchcock, W, W, ++, P, M, M |
|
6.9 |
1937 |
D![Color (Technicolor); Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Sound System Noiseless Recording) Color (Technicolor)](icons/rgb.png) |
A Star Is Born |
William A. Wellman, ++, W, W, ++, P, M |
|
6.9 |
1937 |
CR![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Mirrophonic Recording) Black and White](icons/bw.png) |
The Awful Truth |
Leo McCarey, W, W, ++, P |
|
6.9 |
1933 |
AdFanHo![Black and White; Aspect: 1.37:1; 35 mm; Mitchell Camera; AUDIO: Mono (RCA Photophone System) Black and White](icons/bw.png) |
King Kong |
[ Merian C. Cooper, Ernest B. Schoedsack ], W, W, ++, P, P, P++, M |
|
6.8 |
2001 |
AnAdCFFan![Color; Aspect: 1.85:1; Digital; Digital Intermediate (2K) (master format) Digital (source format); AUDIO: SDDS, Dolby Digital, DTS Color](icons/d-rgb.png) |
Monsters, Inc. |
Pete Docter, David Silverman, ++, W, W, ++, M |
|
6.8 |
2001 |
AnAdFFan![Color; Aspect: 1.85:1; Digital; Digital Intermediate (2K) (master format) Digital (source format); AUDIO: DTS-ES, Dolby Digital EX, Dolby (English-language version), Dolby Digital (English-language version) Color](icons/d-rgb.png) |
Spirited Away |
Hayao Miyazaki, W, P, M «Sen to Chihiro no kamikakushi» |
|
6.8 |
1997 |
BCrDT![Color (Technicolor); Aspect: 2.35:1; 35 mm; Super 35; Panavision Cameras and Lenses; AUDIO: SDDS, Dolby Digital Color (Technicolor)](icons/rgb.png) |
Donnie Brasco |
Mike Newell, W, W, ++, P, M |
|
6.8 |
1994 |
DR![Color (Technicolor); Aspect: 1.85:1; 35 mm; Panavision Cameras and Lenses; AUDIO: Dolby SR, SDDS, Dolby Digital Color (Technicolor)](icons/rgb.png) |
Little Women |
Gillian Armstrong, W, W, P, M |
|
6.8 |
1992 |
AnAdCFFanMlR![Color (Technicolor); Aspect: 1.66:1; 35 mm; AUDIO: Dolby SR (as Dolby Stereo) Color (Technicolor)](icons/rgb.png) |
Aladdin |
Ron Clements, John Musker, W, W, ++, M |
|
6.8 |
1989 |
CrD![Color; Aspect: 1.85:1; 35 mm; Panaflex Camera and Lenses by Panavision; AUDIO: Ultra Stereo Color](icons/rgb.png) |
Drugstore Cowboy |
Gus Van Sant, W, W, ++, P, M |
|
6.8 |
1988 |
DR![Color; Aspect: 1.66:1; AUDIO: Mono Color](icons/q-rgb.png) |
Little Vera |
Vasili Pichul, W, P, M «Malenkaya Vera» |
|
6.8 |
1987 |
CD![Color (Technicolor); Aspect: 1.37:1; 35 mm; AUDIO: Dolby Color (Technicolor)](icons/rgb.png) |
Moonstruck |
Norman Jewison, W, P, M |
|
6.8 |
1985 |
CFanR![Black and White, Color; Aspect: 1.85:1; 35 mm; Panaflex Cameras and Lenses by Panavision; AUDIO: Mono Black and White, Color](icons/rgb-bw.png) |
The Purple Rose of Cairo |
Woody Allen, W, P, M |
|
6.8 |
1984 |
Ho![Color; Aspect: 1.85:1; 35 mm; AUDIO: Mono Color](icons/rgb.png) |
A Nightmare on Elm Street |
Wes Craven, W, P, M |
|
6.8 |
1982 |
CDR![Color; Aspect: 1.33:1; 35 mm; AUDIO: Mono Color](icons/rgb.png) |
A Good Marriage |
Eric Rohmer, W, P, M, M «Le beau mariage» |
|
6.8 |
1982 |
D![Color (Technicolor); Aspect: 1.85:1; 35 mm; Panaflex Camera and Lenses by Panavision; AUDIO: Mono Color (Technicolor)](icons/rgb.png) |
The Verdict |
Sidney Lumet, W, W, ++, P, M |
|
6.8 |
1979 |
D![Color (Technicolor); Aspect: 1.85:1; 35 mm; Panaflex Camera and Lenses by Panavision; AUDIO: Mono Color (Technicolor)](icons/rgb.png) |
Kramer vs. Kramer |
Robert Benton, W, W, P |
|
6.8 |
1975 |
CW![Color; Aspect: 1.33:1; 35 mm; Panavision Cameras and Lenses; AUDIO: Mono Color](icons/rgb.png) |
Love and Death |
Woody Allen, W, P |
|
6.8 |
1974 |
CrD![Color (Eastmancolor); Aspect: 1.66:1; 35 mm; AUDIO: Mono Color (Eastmancolor)](icons/rgb.png) |
The Clockmaker of St. Paul |
Bertrand Tavernier, W, W, ++, P, M «L'horloger de Saint-Paul» |
|
6.8 |
1973 |
CrDT![Color (Technicolor); Aspect: 1.37:1; 35 mm; Panavision (spherical) (as Panavision®); AUDIO: Mono (Westrex Recording System) Color (Technicolor)](icons/rgb.png) |
Charley Varrick |
Don Siegel, W, W, ++, P, M |
|
6.8 |
1972 |
DSp![Color (Technicolor); Aspect: 1.85:1; 35 mm; Panavision Cameras and Lenses; AUDIO: Stereo Color (Technicolor)](icons/rgb.png) |
Fat City |
John Huston, W, P |
|
6.8 |
1972 |
AdWe![Color (Technicolor); Aspect: 1.85:1; 35 mm; AUDIO: Mono (Westrex Recording System) Color (Technicolor)](icons/rgb.png) |
Ulzana's Raid |
Robert Aldrich, W, P, M |
|
6.8 |
1970 |
DHW![Color (Eastmancolor); Aspect: 1.85:1; 35 mm; AUDIO: Mono Color (Eastmancolor)](icons/rgb.png) |
The Garden of the Finzi-Continis |
Vittorio De Sica, W, W, ++, P, M «Il giardino dei Finzi Contini» |
|
6.8 |
1969 |
D![Black and White, Color; Aspect: 1.85:1; 35 mm; AUDIO: Mono, Dolby Digital (DVD Release) Black and White, Color](icons/rgb-bw.png) |
Midnight Cowboy |
John Schlesinger, W, W, P, M |
|
6.8 |
1967 |
BCrD![Color (Technicolor); Aspect: 1.78:1; 35 mm; AUDIO: Mono Color (Technicolor)](icons/rgb.png) |
Bonnie and Clyde |
Arthur Penn, W, W, ++, P, M |
|
6.8 |
1965 |
CRD![Black and White; Aspect: 1.37:1; AUDIO: Mono Black and White](icons/bw.png) |
Loves of a Blonde |
Milos Forman, W, ++, P, M «Lásky jedné plavovlásky» |
|
6.8 |
1965 |
BDFMlR![Color; Aspect: 2.35:1; 65 mm; Todd-AO (produced on); MCS-70 (Modern Cinema Systems) (aerial views); AUDIO: 70 mm 6-Track (70 mm prints), Mono (Westrex Recording System) (35 mm prints), Stereo (some 35 mm prints), DTS 70 mm (70mm re-release) Color](icons/rgb.png) |
The Sound of Music |
Robert Wise, W, W, ++, P, M |
|
6.8 |
1963 |
CDR![Black and White; Aspect: 2.35:1; 35 mm; CinemaScope; AUDIO: Mono (Westrex Recording System) Black and White](icons/bw.png) |
Billy Liar |
John Schlesinger, W, W, ++, P, M |
|
6.8 |
1962 |
AdDRWe![Color (Metrocolor); Aspect: 2.35:1; 35 mm; CinemaScope; AUDIO: Mono (Westrex Recording System) Color (Metrocolor)](icons/rgb.png) |
Ride the High Country |
Sam Peckinpah, W, ++, P, M |
|
6.8 |
1959 |
AAdDHR![Color (Technicolor); Aspect: 2.76:1; 65 mm; MGM Camera 65 (anamorphic); Panavision Lenses; AUDIO: 70 mm 6-Track (70 mm prints) (Westrex Recording System), Dolby (1993 re-release) Color (Technicolor)](icons/rgb.png) |
Ben-Hur |
William Wyler, W, W, ++, P, M |
|
6.8 |
1958 |
D![Color (Metrocolor); Aspect: 1.85:1; 35 mm; AUDIO: Mono (Perspecta Sound) (Westrex Recording System) Color (Metrocolor)](icons/rgb.png) |
Cat on a Hot Tin Roof |
Richard Brooks, W, W, ++, P, M |
|
6.8 |
1955 |
CDR![Black and White; Aspect: 1.85:1; 35 mm (horizontal); VistaVision; AUDIO: Mono (Western Electric Recording) Black and White](icons/bw.png) |
The Rose Tattoo |
Daniel Mann, W, W, ++, P, M |
|
6.8 |
1954 |
MT![Color (Eastmancolor) (negative), Color (Technicolor) (prints); Aspect: 1.66:1; 35 mm (Eastman 25T 5248); Mitchell BNC; AUDIO: Mono (Western Electric Recording) Color (Eastmancolor) (negative), Color (Technicolor) (prints)](icons/rgb.png) |
Rear Window |
Alfred Hitchcock, W, W, P, M |
|
6.8 |
1950 |
CDR![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Recording) Black and White](icons/bw.png) |
Born Yesterday |
George Cukor, W, W, ++, P, M |
|
6.8 |
1948 |
DMcR![Color (Technicolor); Aspect: 1.37:1; 35 mm; Technicolor Three-Strip Camera; AUDIO: Mono (Western Electric Recording) Color (Technicolor)](icons/rgb.png) |
The Red Shoes |
Michael Powell, Emeric Pressburger, W, W, ++, P, M |
|
6.8 |
1947 |
CrDNM![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (RCA Sound System) Black and White](icons/bw.png) |
Crossfire |
Edward Dmytryk, W, W, P, M |
|
6.8 |
1947 |
C![Color (Technicolor); Aspect: 1.37:1; 35 mm; AUDIO: Mono (RCA Sound System) Color (Technicolor)](icons/rgb.png) |
Life with Father |
Michael Curtiz, W, W, ++, P, P, M |
|
6.8 |
1945 |
RD![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Recording) Black and White](icons/bw.png) |
Brief Encounter |
David Lean, ++, P |
|
6.8 |
1944 |
CrDNMT![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Sound System) Black and White](icons/bw.png) |
Gaslight |
George Cukor, W, W, ++, P, M |
|
6.8 |
1944 |
AdRTW![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (RCA Sound System) Black and White](icons/bw.png) |
To Have and Have Not |
Howard Hawks, W, W, ++, P, M |
|
6.8 |
1941 |
AdCDR![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Mirrophonic Recording) Black and White](icons/bw.png) |
Sullivan's Travels |
Preston Sturges, W, P, M, M |
|
6.8 |
1941 |
DR![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Mirrophonic Recording) Black and White](icons/bw.png) |
The Little Foxes |
William Wyler, W, ++, P, M |
|
6.8 |
1941 |
CrDNM![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (RCA Sound System) Black and White](icons/bw.png) |
The Maltese Falcon |
John Huston, W, W, P, M |
|
6.8 |
1940 |
CDR![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Mirrophonic Recording) Black and White](icons/bw.png) |
His Girl Friday |
Howard Hawks, W, W, ++, P, M, M |
|
6.8 |
1940 |
CDW![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (RCA Sound System) Black and White](icons/bw.png) |
The Great Dictator |
Charles Chaplin, W, P, P, M, M |
|
6.8 |
1940 |
CR![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Sound System) Black and White](icons/bw.png) |
The Philadelphia Story |
George Cukor, W, W, ++, P, M |
|
6.8 |
1939 |
DR![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono Black and White](icons/bw.png) |
Dark Victory |
Edmund Goulding, W, W, ++, P, M |
|
6.8 |
1938 |
CCr![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono Black and White](icons/bw.png) |
A Slight Case of Murder |
Lloyd Bacon, W, W, ++, P |
|
6.8 |
1931 |
CMl![Black and White; Aspect: 1.20:1; 35 mm; AUDIO: Mono Black and White](icons/bw.png) |
À Nous la Liberté |
René Clair, W, P, M «À nous la liberté» |
|
6.7 |
2002 |
BDHW![Black and White (archive footage), Color; Aspect: 1.85:1; 35 mm; Arricam LT Arricam ST; AUDIO: DTS, Dolby Digital Black and White (archive footage), Color](icons/rgb-bw.png) |
The Pianist |
Roman Polanski, W, W, P, M |
|
6.7 |
2000 |
Do![Color; Aspect: 1.33:1; Video; DV; Sony DV Camera Color](icons/v-rgb.png) |
The Gleaners & I |
Agnès Varda, W, P, P, P++, M, M «Les glaneurs et la glaneuse» |
|
6.7 |
1996 |
D![Color; Aspect: 1.85:1; 35 mm; Panavision Cameras and Lenses; AUDIO: DTS, Dolby Color](icons/rgb.png) |
Big Night |
Campbell Scott, Stanley Tucci, W, W, P, M |
|
6.7 |
1996 |
CD![Color; Aspect: 1.85:1; 35 mm (Kodak); Panavision Cameras and Lenses; AUDIO: Dolby SR Color](icons/rgb.png) |
Mother |
Albert Brooks, W, W, P, M |
|
6.7 |
1995 |
DH![Color (DeLuxe); Aspect: 1.78:1; 35 mm (also horizontal) (Eastman EXR 200T 5293, EXR 500T 5298); IMAX DMR (2002 re-release) Super 35 VistaVision (special effects); Panavision Panaflex Cameras, Panavision Primo Lenses; AUDIO: DTS-Stereo, DTS, IMAX 6-Track (IMAX version), Dolby SR Color (DeLuxe)](icons/rgb.png) |
Apollo 13 |
Ron Howard, W, W, ++, P, M |
|
6.7 |
1993 |
BDHW![Black and White, Color; Aspect: 1.85:1; 35 mm (Eastman Double-X 5222, Plus-X 5231, EXR 500T 5296); Arriflex 35 III Arriflex 535B Arriflex 535; AUDIO: DTS, DTS-Stereo Black and White, Color](icons/rgb-bw.png) |
Schindler's List |
Steven Spielberg, W, W, P, M |
|
6.7 |
1990 |
CD![Color (Metrocolor); Aspect: 1.66:1; AUDIO: Dolby Color (Metrocolor)](icons/q-rgb.png) |
Life Is Sweet |
Mike Leigh, W, P, M |
|
6.7 |
1989 |
CD![Color (Technicolor); Aspect: 1.85:1; 35 mm; Lenses and Panaglide Camera by Panavision; AUDIO: Dolby, Dolby Digital (DVD version) Color (Technicolor)](icons/rgb.png) |
Driving Miss Daisy |
Bruce Beresford, W, P, M |
|
6.7 |
1988 |
DR![Color (Eastmancolor); Aspect: 1.85:1; 35 mm (Eastman 125T 5247, 400T 5295); Moviecam SuperAmerica; AUDIO: Dolby Color (Eastmancolor)](icons/rgb.png) |
Dangerous Liaisons |
Stephen Frears, W, W, ++, P, M |
|
6.7 |
1986 |
ADW![Color; Aspect: 1.85:1; 35 mm; J-D-C Cameras; AUDIO: Stereo (Dolby Stereo) Color](icons/rgb.png) |
Platoon |
Oliver Stone, W, P, M |
|
6.7 |
1984 |
ACCrDT![Color (Technicolor); Aspect: 1.85:1; 35 mm; Panaflex Cameras and Lenses by Panavision; AUDIO: Dolby Color (Technicolor)](icons/rgb.png) |
Beverly Hills Cop |
Martin Brest, W, W, ++, P, M |
|
6.7 |
1976 |
DHMT![Color (Technicolor); Aspect: 1.37:1; 35 mm; AUDIO: Mono Color (Technicolor)](icons/rgb.png) |
All the President's Men |
Alan J. Pakula, W, W, ++, P, M |
|
6.7 |
1976 |
We![Color; Aspect: 2.35:1; 35 mm (Eastman 100T 5254); Panavision (anamorphic); AUDIO: Mono Color](icons/rgb.png) |
The Outlaw Josey Wales |
Clint Eastwood, W, W, ++, P, M |
|
6.7 |
1976 |
DWe![Black and White, Color (Technicolor); Aspect: 1.85:1; 35 mm; AUDIO: Mono Black and White, Color (Technicolor)](icons/rgb-bw.png) |
The Shootist |
Don Siegel, W, W, ++, P, M |
|
6.7 |
1974 |
D![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono Black and White](icons/bw.png) |
Effi Briest |
Rainer Werner Fassbinder, W, W, P, P «Fontane Effi Briest» |
|
6.7 |
1973 |
DSp![Color; Aspect: 2.35:1; 35 mm; Panavision (anamorphic); AUDIO: Mono (Westrex Recording System) Color](icons/rgb.png) |
The Last American Hero |
Lamont Johnson, W, W, ++, P, M |
|
6.7 |
1971 |
CrT![Color (Metrocolor); Aspect: 1.85:1; 35 mm; AUDIO: Mono Color (Metrocolor)](icons/rgb.png) |
Get Carter |
Mike Hodges, W, W, P, M |
|
6.7 |
1970 |
D![Color (Eastmancolor); Aspect: 1.66:1; 35 mm; AUDIO: Mono Color (Eastmancolor)](icons/rgb.png) |
Tristana |
Luis Buñuel, W, W, ++, P |
|
6.7 |
1969 |
CrD![Color (Eastmancolor); Aspect: 1.66:1; 35 mm; AUDIO: Mono Color (Eastmancolor)](icons/rgb.png) |
The Unfaithful Wife |
Claude Chabrol, W, P, M «La femme infidèle» |
|
6.7 |
1967 |
CDR![Color (Technicolor); Aspect: 2.35:1; 35 mm; Panavision (anamorphic); Panavision Cameras and Lenses; AUDIO: 4-Track Stereo (Westrex Recording System), Mono (35 mm optical prints) Color (Technicolor)](icons/rgb.png) |
The Graduate |
Mike Nichols, W, W, ++, P |
|
6.7 |
1964 |
CM![Color; Aspect: 2.35:1; 35 mm; Panavision (anamorphic); AUDIO: Mono (Westrex Recording System) Color](icons/rgb.png) |
A Shot in the Dark |
Blake Edwards, W, W, ++, P, M |
|
6.7 |
1964 |
CFFanMl![Color (Technicolor); Aspect: 1.66:1; 35 mm; AUDIO: Stereo (RCA Sound Recording) Color (Technicolor)](icons/rgb.png) |
Mary Poppins |
Robert Stevenson, W, W, ++, P, M |
|
6.7 |
1956 |
DMlR![Color; Aspect: 2.00:1; 55 mm; Grandeur 70 ( 1961 70 mm version) CinemaScope 55; Bausch & Lomb Lenses Fox 4x55; AUDIO: 4-Track Stereo (Westrex Recording System), 70 mm 6-Track (70 mm re-release), 6-Track Stereo (1956 roadshow version) Color](icons/rgb.png) |
The King and I |
Walter Lang, W, W, ++, P, M |
|
6.7 |
1955 |
CrDWe![Color (Eastmancolor); Aspect: 2.55:1; 35 mm; CinemaScope; AUDIO: Mono (35 mm optical prints) (Western Electric Sound System), 4-Track Stereo (35 mm magnetic prints) Color (Eastmancolor)](icons/rgb.png) |
Bad Day at Black Rock |
John Sturges, W, W, ++, P, M |
|
6.7 |
1954 |
CDMlR![Color (Ansco); Aspect: 2.20:1; 35 mm; CinemaScope Spherical (alternate spherical version); AUDIO: 4-Track Stereo (Western Electric Sound System) (magnetic prints), 70 mm 6-Track (Australia) (1968 re-release), Mono (optical prints) Color (Ansco)](icons/rgb.png) |
Seven Brides for Seven Brothers |
Stanley Donen, W, W, ++, P, M, M, M |
|
6.7 |
1953 |
C![Color (Technicolor); Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Recording) Color (Technicolor)](icons/rgb.png) |
Genevieve |
Henry Cornelius, W, P, M |
|
6.7 |
1953 |
CrNT![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Recording) Black and White](icons/bw.png) |
Pickup on South Street |
Samuel Fuller, W, W, P, M |
|
6.7 |
1953 |
DR![Black and White; Aspect: 1.37:1; AUDIO: Mono (Western Electric Sound System) Black and White](icons/bw.png) |
The Earrings of Madame de... |
Max Ophüls, W, W, ++, P, M, M «Madame de..» |
|
6.7 |
1953 |
D![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono Black and White](icons/bw.png) |
Tokyo Story |
Yasujirô Ozu, W, W, P, M «Tôkyô monogatari» |
|
6.7 |
1952 |
CDR![Color (Technicolor); Aspect: 1.37:1; 35 mm; Mitchell Cameras; AUDIO: Mono (RCA Sound System) Color (Technicolor)](icons/rgb.png) |
The Quiet Man |
John Ford, W, W, ++, P, M |
|
6.7 |
1951 |
CrNT![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (RCA Sound System) Black and White](icons/bw.png) |
Strangers on a Train |
Alfred Hitchcock, W, W, ++, P, M |
|
6.7 |
1951 |
CCr![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (RCA Sound System) Black and White](icons/bw.png) |
The Lavender Hill Mob |
Charles Crichton, W, P, M |
|
6.7 |
1948 |
CDR![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Recording) Black and White](icons/bw.png) |
A Foreign Affair |
Billy Wilder, W, W, ++, P, M |
|
6.7 |
1948 |
CrNR![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (RCA Sound System) Black and White](icons/bw.png) |
They Live by Night |
Nicholas Ray, W, W, ++, P, M, M |
|
6.7 |
1946 |
DFanRW![Black and White (Dye-Monochrome), Color (Technicolor); Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Recording) Black and White (Dye-Monochrome), Color (Technicolor)](icons/rgb-bw.png) |
Stairway to Heaven |
Michael Powell, Emeric Pressburger, W, W, P, M «A Matter of Life and Death» |
|
6.7 |
1945 |
BDW![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Mirrophonic Recording) Black and White](icons/bw.png) |
Story of G.I. Joe |
William A. Wellman, W, W, ++, P, M, M |
|
6.7 |
1944 |
CW![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Mirrophonic Recording) Black and White](icons/bw.png) |
Hail the Conquering Hero |
Preston Sturges, W, P, M |
|
6.7 |
1943 |
ADW![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Mirrophonic Recording) Black and White](icons/bw.png) |
Sahara |
Zoltan Korda, W, W, ++, P, M |
|
6.7 |
1943 |
T![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Recording) Black and White](icons/bw.png) |
Shadow of a Doubt |
Alfred Hitchcock, W, W, ++, P, M |
|
6.7 |
1942 |
AnDF![Color (Technicolor); Aspect: 1.37:1; 35 mm; AUDIO: Mono (RCA Sound Recording) Color (Technicolor)](icons/rgb.png) |
Bambi |
James Algar, Samuel Armstrong, ++, W, W, ++, M, M |
|
6.7 |
1941 |
CR![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Mirrophonic Recording) Black and White](icons/bw.png) |
Ball of Fire |
Howard Hawks, W, W, ++, P, M |
|
6.7 |
1935 |
AdDR![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Sound System) Black and White](icons/bw.png) |
David Copperfield |
George Cukor, W, W, ++, P, M, M «The Personal History, Adventures, Experience, & Observation of David Copperfield the Younger» |
|
6.7 |
1933 |
DFR![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (RCA Victor System) Black and White](icons/bw.png) |
Little Women |
George Cukor, W, W, ++, P, M |
|
6.7 |
1931 |
HoSf![Black and White; Aspect: 1.37:1; 35 mm; Mitchell Standard; AUDIO: Mono (Western Electric Sound System) Black and White](icons/bw.png) |
Frankenstein |
James Whale, W, W, ++, P, P, M |
|
6.7 |
1931 |
CrD![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Brunswick Radios Used Exclusively) Black and White](icons/bw.png) |
The Public Enemy |
William A. Wellman, W, W, ++, P |
|
6.6 |
1998 |
D![Color; Aspect: 1.33:1; Video (PAL); Sony PC-7E Camera; AUDIO: Dolby Color](icons/v-rgb.png) |
The Celebration |
[ Thomas Vinterberg ], W, W, ++, P, M «Festen» |
|
6.6 |
1994 |
BCDH![Color (Technicolor); Aspect: 1.85:1; 35 mm; AUDIO: SDDS (8 channels), Dolby SR Color (Technicolor)](icons/rgb.png) |
The Madness of King George |
Nicholas Hytner, W, P |
|
6.6 |
1992 |
CDSp![Color; Aspect: 2.35:1; 35 mm (Eastman EXR 100T 5248, EXR 500T 5296); Panavision (anamorphic); Panavision Cameras and Lenses; AUDIO: Dolby Color](icons/rgb.png) |
A League of Their Own |
Penny Marshall, W, W, ++, P, M |
|
6.6 |
1992 |
CD![Color; Aspect: 1.85:1; 16 mm; Super 16; AUDIO: Dolby Color](icons/rgb.png) |
The Story of Qiu Ju |
Yimou Zhang, W, W, P, P, P, M «Qiu Ju da guan si» |
|
6.6 |
1988 |
CD![Color; Aspect: 1.85:1; 35 mm (Eastman 125T 5247, 250D 5297, Fuji AX 500T 8514); Arriflex 35 BL4, Zeiss Lenses; AUDIO: Mono Color](icons/rgb.png) |
Heathers |
Michael Lehmann, W, P, M |
|
6.6 |
1988 |
AnCCrFFan![Color; Aspect: 1.85:1; 35 mm (also horizontal) (Agfa XT 320, Eastman 125T 5247, 400T 5294, 250D 5297); Spherical VistaVision (effects shots); Panaflex Cameras and Lenses by Panavision VistaFlex Cameras; AUDIO: 70 mm 6-Track (70 mm prints), Dolby (35 mm prints) Color](icons/rgb.png) |
Who Framed Roger Rabbit |
Robert Zemeckis, W, W, ++, P, M |
|
6.6 |
1986 |
CrDR![Color (Technicolor); Aspect: 1.85:1; 35 mm; AUDIO: Mono Color (Technicolor)](icons/rgb.png) |
Mona Lisa |
Neil Jordan, W, W, P, M |
|
6.6 |
1983 |
D![Color (Rankcolor); Aspect: 1.85:1; 35 mm; J-D-C Cameras and Lenses; AUDIO: Mono Color (Rankcolor)](icons/rgb.png) |
The Dresser |
Peter Yates, W, P, M |
|
6.6 |
1982 |
BDH![Black and White, Color (Technicolor); Aspect: 2.20:1; 35 mm; Panavision (anamorphic); Panavision Cameras and Lenses; AUDIO: Dolby (35 mm prints) (as Dolby Stereo), 70 mm 6-Track (70 mm prints) Black and White, Color (Technicolor)](icons/rgb-bw.png) |
Gandhi |
Richard Attenborough, W, P, P, M |
|
6.6 |
1982 |
CDR![Color (Technicolor); Aspect: 2.35:1; 35 mm (Eastman 250T 5293); Panavision (anamorphic); Panaflex Lenses and Cameras by Panavision; AUDIO: Mono Color (Technicolor)](icons/rgb.png) |
Tootsie |
Sydney Pollack, W, W, ++, P, M |
|
6.6 |
1981 |
AdDHW![Color (Eastmancolor); Aspect: 2.35:1; 35 mm (Eastman 125T 5247); Panavision (anamorphic); Panavision Cameras and Lenses; AUDIO: Mono Color (Eastmancolor)](icons/rgb.png) |
Gallipoli |
Peter Weir, W, W, ++, P |
|
6.6 |
1979 |
D![Color; Aspect: 2.35:1; 35 mm; Panavision (anamorphic); AUDIO: Stereo Color](icons/rgb.png) |
Norma Rae |
Martin Ritt, W, W, P, M |
|
6.6 |
1978 |
HoSf![Color (Technicolor); Aspect: 1.85:1; 35 mm; Arriflex 2C Arriflex 35 BL I; AUDIO: 4-Track Stereo (German prints), Mono Color (Technicolor)](icons/rgb.png) |
Dawn of the Dead |
George A. Romero, W, P, M, M, M++ |
|
6.6 |
1978 |
DR![Color (Metrocolor); Aspect: 1.85:1; 35 mm; Panaflex Camera and Lenses by Panavision; AUDIO: Dolby (35 mm prints), 70 mm 6-Track (70 mm prints) Color (Metrocolor)](icons/rgb.png) |
Days of Heaven |
Terrence Malick, W, P, M |
|
6.6 |
1974 |
DR![Color (Technicolor); Aspect: 1.85:1; 35 mm; Panavision Cameras and Lenses; AUDIO: Mono Color (Technicolor)](icons/rgb.png) |
Alice Doesn't Live Here Anymore |
Martin Scorsese, W, P |
|
6.6 |
1973 |
CD![Color (Technicolor); Aspect: 2.35:1; 35 mm; Techniscope; AUDIO: 4-Track Stereo Color (Technicolor)](icons/rgb.png) |
American Graffiti |
George Lucas, W, W, ++, P, P |
|
6.6 |
1973 |
CrD![Color; Aspect: 1.85:1; 35 mm; AUDIO: Mono Color](icons/rgb.png) |
Badlands |
Terrence Malick, W, P, P, P, M |
|
6.6 |
1973 |
CSf![Color; Aspect: 1.85:1; 35 mm; Panavision Camera and Lenses; AUDIO: Mono Color](icons/rgb.png) |
Sleeper |
Woody Allen, W, W, P, M |
|
6.6 |
1972 |
CR![Color (TVC); Aspect: 1.85:1; 35 mm; AUDIO: Mono Color (TVC)](icons/rgb.png) |
The Heartbreak Kid |
Elaine May, W, W, P, M |
|
6.6 |
1971 |
DR![Color (Technicolor); Aspect: 1.85:1; 35 mm; AUDIO: Mono Color (Technicolor)](icons/rgb.png) |
The Go-Between |
Joseph Losey, W, W, ++, P, M |
|
6.6 |
1969 |
We![Color (Technicolor); Aspect: 2.20:1; 35 mm; Panavision (anamorphic); AUDIO: 70 mm 6-Track (70 mm prints), DTS (1995 re-release), Dolby Digital (1995 re-release), Mono (35 mm prints), SDDS (1995 re-release) Color (Technicolor)](icons/rgb.png) |
The Wild Bunch |
Sam Peckinpah, W, W, ++, P, M |
|
6.6 |
1969 |
DR![Color; Aspect: 1.85:1; 35 mm; AUDIO: Mono Color](icons/rgb.png) |
Women in Love |
Ken Russell, W, W, P, M |
|
6.6 |
1963 |
DH![Color (Technicolor); Aspect: 2.20:1; 35 mm (horizontal); Super Technirama 70 (advertised as CinemaScope in the USA); AUDIO: Mono (Westrex Recording System) Color (Technicolor)](icons/rgb.png) |
The Leopard |
Luchino Visconti, W, W, ++, P, M «Il gattopardo» |
|
6.6 |
1962 |
D![Black and White; Aspect: 1.85:1; 35 mm; AUDIO: Mono Black and White](icons/bw.png) |
Long Day's Journey Into Night |
Sidney Lumet, W, P, M |
|
6.6 |
1959 |
DR![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Recording) Black and White](icons/bw.png) |
Les liaisons dangereuses |
Roger Vadim, W, W, ++, P, M, M, M |
|
6.6 |
1958 |
DW![Black and White; Aspect: 1.66:1; 35 mm; AUDIO: Mono Black and White](icons/bw.png) |
Ashes and Diamonds |
Andrzej Wajda, W, ++, P, M, M «Popiól i diament» |
|
6.6 |
1956 |
Cr![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono Black and White](icons/bw.png) |
Bob le Flambeur |
Jean-Pierre Melville, W, ++, P, P, M, M «Bob le flambeur» |
|
6.6 |
1955 |
DR![Color (Eastmancolor and Technicolor); Aspect: 2.00:1; 35 mm; AUDIO: Mono (Western Electric Recording) Color (Eastmancolor and Technicolor)](icons/rgb.png) |
All That Heaven Allows |
Douglas Sirk, W, W, ++, P, M |
|
6.6 |
1949 |
DWe![Color (Technicolor); Aspect: 1.37:1; 35 mm; AUDIO: Mono (RCA Sound System) Color (Technicolor)](icons/rgb.png) |
She Wore a Yellow Ribbon |
John Ford, W, W, ++, P, M |
|
6.6 |
1948 |
C![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Recording) Black and White](icons/bw.png) |
Sitting Pretty |
Walter Lang, W, W, P, M |
|
6.6 |
1948 |
CrDNMT![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Recording) Black and White](icons/bw.png) |
The Big Clock |
John Farrow, W, W, P, P, M |
|
6.6 |
1946 |
DRT![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (RCA Sound System) Black and White](icons/bw.png) |
Notorious |
Alfred Hitchcock, W, ++, P, M |
|
6.6 |
1946 |
WD![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono Black and White](icons/bw.png) |
Paisan |
Roberto Rossellini, W, W, ++, P, M «Paisà» |
|
6.6 |
1940 |
DMT![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Noiseless Recording) Black and White](icons/bw.png) |
Rebecca |
Alfred Hitchcock, W, W, ++, P, M |
|
6.6 |
1938 |
DR![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono, Mono (Western Electric Sound System) Black and White](icons/bw.png) |
Three Comrades |
Frank Borzage, W, W, ++, P, P, M |
|
6.6 |
1935 |
D![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Noiseless Recording) Black and White](icons/bw.png) |
The Scoundrel |
Ben Hecht, Charles MacArthur, W, W, P |
|
6.5 |
2000 |
DMcR![Color; Aspect: 1.85:1; AUDIO: Dolby Color](icons/q-rgb.png) |
Yi Yi |
Edward Yang, W, P, M «Yi yi» |
|
6.5 |
1999 |
BD![Color; Aspect: 2.35:1; 35 mm (Kodak Vision 200T 5274, Vision 500T 5279); Panavision (anamorphic); Panavision Panaflex Gold II, Panavision C-Series Lenses; AUDIO: Dolby Digital Color](icons/rgb.png) |
The Straight Story |
David Lynch, W, W, P, M |
|
6.5 |
1995 |
CrD![Color; Aspect: 1.85:1; 35 mm (Eastman EXR 200T 5293); Arriflex Cameras and Lenses; AUDIO: Dolby Digital Color](icons/rgb.png) |
Dead Man Walking |
Tim Robbins, W, W, P, M |
|
6.5 |
1994 |
BCDR![Color (Eastmancolor); Aspect: 1.66:1; 35 mm; AUDIO: Dolby, Dolby SR Color (Eastmancolor)](icons/rgb.png) |
Il Postino: The Postman |
Michael Radford, W, W, ++, P, M «Il postino» |
|
6.5 |
1994 |
CD![Color; Aspect: 1.85:1; Arriflex Cameras and Lenses; AUDIO: Dolby SR Color](icons/q-rgb.png) |
Nobody's Fool |
Robert Benton, W, W, P, M |
|
6.5 |
1992 |
DR![Color; Aspect: 1.85:1; 35 mm; Lenses and Panaflex Camera by Panavision; AUDIO: Dolby SR (Mono) Color](icons/rgb.png) |
Husbands and Wives |
Woody Allen, W, P |
|
6.5 |
1991 |
Do![Color; Aspect: 1.37:1; 35 mm; AUDIO: Stereo Color](icons/rgb.png) |
Hearts of Darkness: A Filmmaker's Apocalypse |
Fax Bahr, George Hickenlooper, ++, W, W, P, P, P++, M |
|
6.5 |
1990 |
DHW![Color (Eastmancolor); Aspect: 1.66:1; 35 mm; AUDIO: Mono Color (Eastmancolor)](icons/rgb.png) |
Europa Europa |
Agnieszka Holland, W, W, ++, P, M |
|
6.5 |
1989 |
D![Color; Aspect: 1.85:1; 35 mm (Agfa XT 320); Panaflex Camera and Lenses by Panavision; AUDIO: Dolby Color](icons/rgb.png) |
Sex, Lies, and Videotape |
Steven Soderbergh, W, P, M |
|
6.5 |
1988 |
CD![Color (Eastmancolor); Aspect: 1.85:1; 35 mm; AUDIO: Mono Color (Eastmancolor)](icons/rgb.png) |
High Hopes |
Mike Leigh, W, P, M |
|
6.5 |
1988 |
CCr![Color; Aspect: 1.33:1; 35 mm; AUDIO: Dolby Color](icons/rgb.png) |
Marusa no onna 2 |
Jûzô Itami, W, P, M |
|
6.5 |
1987 |
C![Color; Aspect: 1.85:1; 35 mm (Kodak); Panavision Cameras and Lenses; AUDIO: Dolby Color](icons/rgb.png) |
Raising Arizona |
Joel Coen, ++, W, W, P, M |
|
6.5 |
1984 |
AdDRSf![Color (Metrocolor); Aspect: 2.20:1; 35 mm; Panavision (anamorphic); Lenses and Panaflex Cameras by Panavision; AUDIO: 70 mm 6-Track (70 mm prints), Dolby (35 mm prints) Color (Metrocolor)](icons/rgb.png) |
Starman |
John Carpenter, W, W, ++, P, M |
|
6.5 |
1982 |
DFanM![Color (Eastmancolor); Aspect: 1.66:1; 35 mm; Arriflex 35 BL; AUDIO: Mono Color (Eastmancolor)](icons/rgb.png) |
Fanny and Alexander |
Ingmar Bergman, W, P, M «Fanny och Alexander» |
|
6.5 |
1979 |
CrDMc![Color (Eastmancolor) (uncredited); Aspect: 1.85:1; 35 mm; AUDIO: Dolby (Dolby Stereo) Color (Eastmancolor) (uncredited)](icons/rgb.png) |
Quadrophenia |
Franc Roddam, W, W, ++, P |
|
6.5 |
1979 |
DW![Color (Fujicolor); Aspect: 1.66:1; 35 mm; AUDIO: Mono Color (Fujicolor)](icons/rgb.png) |
The Marriage of Maria Braun |
Rainer Werner Fassbinder, W, W, ++, P, M «Die Ehe der Maria Braun» |
|
6.5 |
1973 |
DSp![Color; Aspect: 1.85:1; 35 mm; AUDIO: Mono Color](icons/rgb.png) |
Bang the Drum Slowly |
John D. Hancock, W, P, M |
|
6.5 |
1972 |
CDFan![Color (Eastmancolor); Aspect: 1.66:1; 35 mm; Panavision Cameras and Lenses; AUDIO: Mono Color (Eastmancolor)](icons/rgb.png) |
The Discreet Charm of the Bourgeoisie |
Luis Buñuel, W, W, P «Le charme discret de la bourgeoisie» |
|
6.5 |
1970 |
T![Color (Eastmancolor); Aspect: 1.85:1; 35 mm; AUDIO: Mono Color (Eastmancolor)](icons/rgb.png) |
Le Boucher |
Claude Chabrol, W, P, M «Le boucher» |
|
6.5 |
1969 |
AdBCrWe![Color, Black and White (Sepiatone); Aspect: 2.35:1; 35 mm; Panavision (anamorphic) (as Panavision®); Panavision Cameras and Lenses; AUDIO: Mono (Westrex Recording System) Color, Black and White (Sepiatone)](icons/rgb-bw.png) |
Butch Cassidy and the Sundance Kid |
George Roy Hill, W, P, M |
|
6.5 |
1966 |
CR![Black and White; Aspect: 2.35:1; 35 mm; Panavision (anamorphic); AUDIO: Mono (Westrex Recording System) Black and White](icons/bw.png) |
The Fortune Cookie |
Billy Wilder, W, W, P, M |
|
6.5 |
1964 |
DMlR![Color (Technicolor); Aspect: 2.20:1; 65 mm (Eastman 50T 5251); Super Panavision 70; AUDIO: 4-Track Stereo (35 mm magnetic prints), DTS (re-release), Dolby Digital (re-release), Mono (16 mm prints), Mono (35 mm optical prints), 70 mm 6-Track (RCA Sound Recording) (70 mm prints) Color (Technicolor)](icons/rgb.png) |
My Fair Lady |
George Cukor, W, W, ++, P, M |
|
6.5 |
1962 |
CrDM![Black and White; Aspect: 1.85:1; 35 mm; AUDIO: Mono (Westrex Recording System) Black and White](icons/bw.png) |
To Kill a Mockingbird |
Robert Mulligan, W, W, P, M |
|
6.5 |
1961 |
D![Black and White; Aspect: 1.66:1; 35 mm; AUDIO: Mono (RCA Sound Recording) Black and White](icons/bw.png) |
A Taste of Honey |
Tony Richardson, W, ++, P, M |
|
6.5 |
1961 |
CR![Color (Eastmancolor); Aspect: 1.85:1; 35 mm; AUDIO: Mono (Westrex Recording System) Color (Eastmancolor)](icons/rgb.png) |
Lover Come Back |
Delbert Mann, W, W, P, M |
|
6.5 |
1961 |
D![Black and White; Aspect: 1.66:1; 35 mm; AUDIO: Mono (Klangfilm-Magnetocord) Black and White](icons/bw.png) |
Viridiana |
Luis Buñuel, W, W, ++, P, M |
|
6.5 |
1960 |
CDR![Black and White; Aspect: 1.66:1; 35 mm; AUDIO: Mono Black and White](icons/bw.png) |
Never on Sunday |
Jules Dassin, W, P, M «Pote tin Kyriaki» |
|
6.5 |
1960 |
CrDT![Black and White (Dyaliscope); Aspect: 2.35:1; 35 mm; Dyaliscope; AUDIO: Mono Black and White (Dyaliscope)](icons/bw.png) |
Shoot the Piano Player |
François Truffaut, W, W, ++, P, M «Tirez sur le pianiste» |
|
6.5 |
1958 |
HoSf![Color; Aspect: 2.35:1; 35 mm; CinemaScope (anamorphic); Bausch & Lomb Lenses; AUDIO: 4-Track Stereo (Westrex Recording System) Color](icons/rgb.png) |
The Fly |
Kurt Neumann, W, W, P, M |
|
6.5 |
1958 |
D![Black and White; Aspect: 2.35:1; 35 mm; Dyaliscope; Chevereau Cameras; AUDIO: Mono Black and White](icons/bw.png) |
The Lovers |
Louis Malle, W, ++, P «Les amants» |
|
6.5 |
1955 |
MlRWe![Color (Technicolor); Aspect: 2.20:1; 35 mm (24 fps) 65 mm (30 fps); CinemaScope (24 fps) (35 mm version) Todd-AO (30 fps) (70 mm version); AUDIO: 4-Track Stereo (Western Electric Sound System) (CinemaScope version) (35 mm magnetic prints), 70 mm 6-Track (70 mm prints), Mono (Western Electric Sound System) (35 mm optical prints) Color (Technicolor)](icons/rgb.png) |
Oklahoma! |
Fred Zinnemann, W, W, ++, P |
|
6.5 |
1954 |
DMc![Black and White; Aspect: 1.78:1; 35 mm; AUDIO: Mono (Western Electric Recording) Black and White](icons/bw.png) |
The Country Girl |
George Seaton, W, W, P, M |
|
6.5 |
1953 |
DRW![Black and White (archive footage), Black and White; Aspect: 1.85:1; 35 mm; AUDIO: Mono (Western Electric Recording), 3 Channel Stereo Black and White (archive footage), Black and White](icons/bw.png) |
From Here to Eternity |
Fred Zinnemann, W, W, P, P, M |
|
6.5 |
1952 |
DWe![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Recording) Black and White](icons/bw.png) |
High Noon |
Fred Zinnemann, W, W, P, M |
|
6.5 |
1952 |
BDMcR![Color (Technicolor); Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Recording) Color (Technicolor)](icons/rgb.png) |
Moulin Rouge |
John Huston, W, W, ++, P, M |
|
6.5 |
1951 |
D![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Tobis-Klangfilm) Black and White](icons/bw.png) |
Diary of a Country Priest |
Robert Bresson, W, W, P, M «Journal d'un curé de campagne» |
|
6.5 |
1951 |
AdRW![Color (as Colour by) (Technicolor); Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Recording) Color (as Colour by) (Technicolor)](icons/rgb.png) |
The African Queen |
John Huston, W, W, ++, P, M |
|
6.5 |
1950 |
CR![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Sound System) Black and White](icons/bw.png) |
Father of the Bride |
Vincente Minnelli, W, W, ++, P, M |
|
6.5 |
1945 |
DR![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric) Black and White](icons/bw.png) |
'I Know Where I'm Going!' |
Michael Powell, Emeric Pressburger, W, W, P, M |
|
6.5 |
1945 |
D![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Recording) Black and White](icons/bw.png) |
The Lost Weekend |
Billy Wilder, W, W, ++, P, M |
|
6.5 |
1942 |
CRSp![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Sound System) Black and White](icons/bw.png) |
Woman of the Year |
George Stevens, W, W, ++, P, M |
|
6.5 |
1940 |
D![Black and White; Aspect: 1.37:1; 35 mm; Mitchell Camera; AUDIO: Mono (Western Electric Mirrophonic Recording) Black and White](icons/bw.png) |
The Grapes of Wrath |
John Ford, W, W, P, M |
|
6.5 |
1939 |
DR![Black and White; Aspect: 1.37:1; 35 mm; Mitchell BNC; AUDIO: Mono (Western Electric Mirrophonic Recording) Black and White](icons/bw.png) |
Wuthering Heights |
William Wyler, W, W, ++, P, M |
|
6.5 |
1937 |
DW![Black and White; Aspect: 1.33:1; 35 mm; AUDIO: Mono (Western Electric Sound System) Black and White](icons/bw.png) |
La Grande Illusion |
Jean Renoir, W, W, P, M «La grande illusion» |
|
6.5 |
1937 |
BD![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono Black and White](icons/bw.png) |
The Life of Emile Zola |
William Dieterle, W, W, ++, P, M |
|
6.5 |
1937 |
CrD![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Noiseless Recording Sound System) Black and White](icons/bw.png) |
You Only Live Once |
Fritz Lang, W, W, P, M |
|
6.5 |
1936 |
CMlR![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (RCA Victor System) Black and White](icons/bw.png) |
Swing Time |
George Stevens, W, W, ++, P, M, M |
|
6.5 |
1935 |
CCrMRT![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (British Acoustic Film Full Range Recording System: at Shepherd's Bush London) Black and White](icons/bw.png) |
The 39 Steps |
Alfred Hitchcock, W, W, ++, P, M, M |
|
6.5 |
1933 |
BCDH![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Sound System Noiseless Recording) Black and White](icons/bw.png) |
The Private Life of Henry VIII. |
Alexander Korda, W, W, ++, P, M |
|
6.4 |
1998 |
DR![Color; Aspect: 1.85:1; 35 mm; AUDIO: Ultra Stereo Color](icons/rgb.png) |
High Art |
Lisa Cholodenko, W, P, M, M, M |
|
6.4 |
1998 |
D![Color; Aspect: 1.66:1; 16 mm; Super 16; AUDIO: Dolby SR Color](icons/rgb.png) |
The Dreamlife of Angels |
Erick Zonca, W, W, ++, P, P, M «La vie rêvée des anges» |
|
6.4 |
1996 |
D![Color (Metrocolor); Aspect: 1.85:1; 35 mm (Fuji); Panavision Cameras and Lenses; AUDIO: Dolby SR Color (Metrocolor)](icons/rgb.png) |
Secrets & Lies |
Mike Leigh, W, P, M |
|
6.4 |
1995 |
CR![Color; Aspect: 1.85:1; 35 mm; Panavision Cameras and Lenses; AUDIO: Dolby Digital Color](icons/rgb.png) |
Clueless |
Amy Heckerling, W, P, M |
|
6.4 |
1995 |
CrDT![Color (Eastmancolor); Aspect: 1.66:1; 35 mm; AUDIO: Dolby Digital Color (Eastmancolor)](icons/rgb.png) |
La cérémonie |
Claude Chabrol, W, W, ++, P, M |
|
6.4 |
1989 |
CDR![Color; Aspect: 1.85:1; 35 mm; Panavision Cameras and Lenses; AUDIO: Dolby Color](icons/rgb.png) |
When Harry Met Sally... |
Rob Reiner, W, P |
|
6.4 |
1988 |
CFan![Color (Technicolor); Aspect: 1.85:1; 35 mm (Eastman 125T 5247, 400T 5295); Panaflex Camera and Lenses by Panavision; AUDIO: Dolby Color (Technicolor)](icons/rgb.png) |
Beetlejuice |
Tim Burton, W, W, ++, P, M «Beetle Juice» |
|
6.4 |
1988 |
CCrD![Color; Aspect: 1.66:1; 35 mm; AUDIO: Dolby Color](icons/rgb.png) |
Drowning by Numbers |
Peter Greenaway, W, P, M |
|
6.4 |
1988 |
CDR![Color; Aspect: 1.85:1; 35 mm; AUDIO: Dolby Color](icons/rgb.png) |
Working Girl |
Mike Nichols, W, P |
|
6.4 |
1987 |
DW![Color; Aspect: 1.37:1; 35 mm (Eastman 400T 5294); Arriflex 35 BL, Zeiss Super Speed Lenses Fries Mitchell 35R3, Nikon Lenses; AUDIO: Mono Color](icons/rgb.png) |
Full Metal Jacket |
Stanley Kubrick, W, W, ++, P, M |
|
6.4 |
1986 |
CD![Color (Technicolor); Aspect: 1.85:1; 35 mm; Lenses and Panaflex Camera by Panavision; AUDIO: Mono Color (Technicolor)](icons/rgb.png) |
Hannah and Her Sisters |
Woody Allen, W, P |
|
6.4 |
1980 |
DRW![Color (Fujicolor); Aspect: 1.66:1; 35 mm; AUDIO: Mono Color (Fujicolor)](icons/rgb.png) |
The Last Metro |
François Truffaut, W, W, ++, P, M «Le dernier métro» |
|
6.4 |
1979 |
DC![Color (Technicolor); Aspect: 1.85:1; 35 mm; Panaflex Cameras and Lenses by Panavision; AUDIO: Mono Color (Technicolor)](icons/rgb.png) |
Being There |
Hal Ashby, W, ++, P, M |
|
6.4 |
1977 |
AAdFanSf![Color (Technicolor); Aspect: 2.20:1; 35 mm (also horizontal) (Eastman 100T 5247); Panavision (anamorphic) VistaVision (special effects); Panavision PSR, Panavision C-Series Lenses; AUDIO: 70 mm 6-Track (70 mm prints), Dolby (35 mm prints) Color (Technicolor)](icons/rgb.png) |
Star Wars |
George Lucas, W, P, M |
|
6.4 |
1976 |
CrD![Color (Metrocolor); Aspect: 1.85:1; 35 mm (Eastman 100T 5254); Arriflex 35 BL, Zeiss Super Speed Lenses; AUDIO: Dolby SR (re-release), Stereo Color (Metrocolor)](icons/rgb.png) |
Taxi Driver |
Martin Scorsese, W, P, M |
|
6.4 |
1975 |
DMRT![Color (Technicolor); Aspect: 2.35:1; 35 mm (Eastman 100T 5254); Panavision (anamorphic); Panavision Cameras and Lenses; AUDIO: Mono Color (Technicolor)](icons/rgb.png) |
Three Days of the Condor |
Sydney Pollack, W, W, ++, P, M |
|
6.4 |
1974 |
CWe![Color (Technicolor); Aspect: 2.35:1; 35 mm; Panavision (anamorphic); AUDIO: Mono Color (Technicolor)](icons/rgb.png) |
Blazing Saddles |
Mel Brooks, W, W, ++, P, M |
|
6.4 |
1973 |
BCrD![Color (Technicolor); Aspect: 1.85:1; 35 mm (Eastman 100T 5254); AUDIO: Mono Color (Technicolor)](icons/rgb.png) |
Serpico |
Sidney Lumet, W, W, ++, P, M |
|
6.4 |
1972 |
DMl![Color (Technicolor); Aspect: 1.85:1; 35 mm; AUDIO: 4-Track Stereo, Dolby Digital (DVD version) Color (Technicolor)](icons/rgb.png) |
Cabaret |
Bob Fosse, W, W, ++, P, M, M |
|
6.4 |
1972 |
AdDT![Color (Technicolor); Aspect: 2.20:1; 35 mm; Panavision (anamorphic); Panavision Cameras and Lenses; AUDIO: 70 mm 6-Track (70 mm prints), Mono (35 mm prints) Color (Technicolor)](icons/rgb.png) |
Deliverance |
John Boorman, W, ++, P |
|
6.4 |
1970 |
CDRWe![Color (Technicolor); Aspect: 1.85:1; 35 mm; AUDIO: Mono Color (Technicolor)](icons/rgb.png) |
The Ballad of Cable Hogue |
Sam Peckinpah, W, W, ++, P, M |
|
6.4 |
1969 |
D![Color (Eastmancolor), Black and White (dream sequence); Aspect: 1.66:1; 35 mm; AUDIO: Mono Color (Eastmancolor), Black and White (dream sequence)](icons/rgb-bw.png) |
The Passion of Anna |
Ingmar Bergman, W, P «En passion» |
|
6.4 |
1968 |
DRC![Color (Eastmancolor); Aspect: 1.78:1; 35 mm; AUDIO: Mono Color (Eastmancolor)](icons/rgb.png) |
Stolen Kisses |
François Truffaut, W, W, ++, P, M «Baisers volés» |
|
6.4 |
1967 |
C![Color (Pathécolor); Aspect: 1.37:1; 35 mm; AUDIO: Mono Color (Pathécolor)](icons/rgb.png) |
The Producers |
Mel Brooks, W, P, M |
|
6.4 |
1964 |
CDW![Black and White; Aspect: 1.85:1; 35 mm; AUDIO: Mono (Westrex Recording System), Stereo Black and White](icons/bw.png) |
The Americanization of Emily |
Arthur Hiller, W, W, P, M |
|
6.4 |
1963 |
DSp![Black and White; Aspect: 1.66:1; 35 mm; AUDIO: Mono Black and White](icons/bw.png) |
This Sporting Life |
Lindsay Anderson, W, P, M |
|
6.4 |
1962 |
CDFanM![Black and White; Aspect: 1.33:1; 35 mm; AUDIO: Mono (RCA Sound System) Black and White](icons/bw.png) |
The Exterminating Angel |
Luis Buñuel, W, ++, P, M «El ángel exterminador» |
|
6.4 |
1961 |
DR![Color (Technicolor); Aspect: 1.85:1; 35 mm; AUDIO: Mono (RCA Sound System) Color (Technicolor)](icons/rgb.png) |
Splendor in the Grass |
Elia Kazan, W, P, M |
|
6.4 |
1958 |
CrDT![Black and White; Aspect: 1.66:1; 35 mm; AUDIO: Mono (Westrex Recording System) Black and White](icons/bw.png) |
The Defiant Ones |
Stanley Kramer, W, W, P, M |
|
6.4 |
1951 |
DR![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Recording) Black and White](icons/bw.png) |
A Place in the Sun |
George Stevens, W, W, ++, P, M |
|
6.4 |
1949 |
CCr![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (RCA Sound System) Black and White](icons/bw.png) |
Whisky Galore |
Alexander Mackendrick, W, ++, P, M «Whisky Galore!» |
|
6.4 |
1947 |
D![Color (Technicolor); Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Recording) Color (Technicolor)](icons/rgb.png) |
Black Narcissus |
Michael Powell, Emeric Pressburger, W, W, ++, P, M |
|
6.4 |
1945 |
DW![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Sound System) Black and White](icons/bw.png) |
They Were Expendable |
John Ford, ++, W, W, ++, P, M |
|
6.4 |
1942 |
DRW![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Sound System) Black and White](icons/bw.png) |
Mrs. Miniver |
William Wyler, W, W, ++, P, M |
|
6.4 |
1942 |
RC![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono, Mono (Western Electric Mirrophonic Recording) Black and White](icons/bw.png) |
The Palm Beach Story |
Preston Sturges, W, ++, P, M |
|
6.4 |
1939 |
BD![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Mirrophonic Recording) Black and White](icons/bw.png) |
Young Mr. Lincoln |
John Ford, W, P, P, M |
|
6.3 |
2000 |
AnFC![Color (Technicolor); Aspect: 1.85:1; 35 mm (Fuji Super F-125T 8532); Digital Intermediate (2K) (master format) Spherical (source format); Mitchell BNC, Canon K35, Cooke Cinetal and Varotal Lenses; AUDIO: Dolby Digital EX, SDDS, DTS-ES Color (Technicolor)](icons/rgb.png) |
Chicken Run |
Peter Lord, Nick Park, W, W, ++, P, P, P++, M, M |
|
6.3 |
1999 |
D![Color (Eastmancolor); Aspect: 2.35:1; 35 mm; Panavision (anamorphic); Panavision Cameras and Lenses; AUDIO: Dolby Digital Color (Eastmancolor)](icons/rgb.png) |
All About My Mother |
Pedro Almodóvar, W, P, M «Todo sobre mi madre» |
|
6.3 |
1999 |
BDT![Color; Aspect: 2.35:1; 35 mm (Kodak Vision 250D 5246, Vision 500T 5279); Super 35; Panavision Panaflex Lightweight, Panavision Primo Lenses Panavision Panaflex Gold, Panavision Primo Lenses; AUDIO: DTS, Dolby Digital, SDDS Color](icons/rgb.png) |
The Insider |
Michael Mann, W, W, ++, P, M, M |
|
6.3 |
1989 |
CDR![Color; Aspect: 1.85:1; 35 mm; AUDIO: Dolby SR Color](icons/rgb.png) |
Enemies: A Love Story |
Paul Mazursky, W, W, ++, P, M |
|
6.3 |
1989 |
CDR![Color; Aspect: 1.85:1; 35 mm; Panaflex Cameras and Lenses by Panavision; AUDIO: Dolby Color](icons/rgb.png) |
Say Anything... |
Cameron Crowe, W, P, M, M |
|
6.3 |
1988 |
CD![Color; Aspect: 2.35:1; 35 mm; Super 35; AUDIO: Dolby Color](icons/rgb.png) |
Biloxi Blues |
Mike Nichols, W, P, M |
|
6.3 |
1988 |
DoB![Color; Aspect: 1.33:1; AUDIO: Mono Color](icons/q-rgb.png) |
Hôtel Terminus |
Marcel Ophüls, W, P, P, P++ |
|
6.3 |
1988 |
CD![Color (Eastmancolor); Aspect: 1.85:1; 35 mm (Kodak); Panavision Cameras and Lenses; AUDIO: Ultra Stereo Color (Eastmancolor)](icons/rgb.png) |
Women on the Verge of a Nervous Breakdown |
Pedro Almodóvar, W, P, M «Mujeres al borde de un ataque de nervios» |
|
6.3 |
1979 |
DR![Color (Eastmancolor); Aspect: 2.20:1; 35 mm; Panavision (anamorphic); AUDIO: 70 mm 6-Track (70 mm prints), Dolby (35 mm prints) Color (Eastmancolor)](icons/rgb.png) |
Tess |
Roman Polanski, W, W, ++, P, P, M |
|
6.3 |
1976 |
BDMc![Color; Aspect: 1.85:1; 35 mm (Eastman 100T 5254); Panaflex Camera and Lenses by Panavision; AUDIO: Mono Color](icons/rgb.png) |
Bound for Glory |
Hal Ashby, W, W, P |
|
6.3 |
1975 |
AdDRW![Color (Eastmancolor); Aspect: 1.66:1; 35 mm (Eastman 100T 5254); Arriflex 35 BL Mitchell BNC Cameras Zeiss High Speed Lenses; AUDIO: Mono Color (Eastmancolor)](icons/rgb.png) |
Barry Lyndon |
Stanley Kubrick, W, W, P |
|
6.3 |
1972 |
CDMc![Color; Aspect: 1.78:1; 35 mm; AUDIO: Mono Color](icons/rgb.png) |
The Ruling Class |
Peter Medak, W, P, M |
|
6.3 |
1971 |
CrDRT![Color (Technicolor); Aspect: 1.85:1; 35 mm; Panavision Cameras and Lenses; AUDIO: Mono (Westrex Recording System) Color (Technicolor)](icons/rgb.png) |
Play Misty for Me |
Clint Eastwood, W, W, ++, P, M |
|
6.3 |
1970 |
CDR![Color (Eastmancolor); Aspect: 1.85:1; 35 mm; AUDIO: Mono Color (Eastmancolor)](icons/rgb.png) |
Deep End |
Jerzy Skolimowski, W, W, ++, P |
|
6.3 |
1965 |
DT![Color (Technicolor); Aspect: 2.35:1; 35 mm (2-perf); Techniscope (as Techniscope®); AUDIO: Mono (Westrex Recording System) Color (Technicolor)](icons/rgb.png) |
The Ipcress File |
Sidney J. Furie, W, W, ++, P, M |
|
6.3 |
1962 |
D![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono Black and White](icons/bw.png) |
Knife in the Water |
Roman Polanski, W, W, ++, P, M «Nóz w wodzie» |
|
6.3 |
1962 |
ADHW![Black and White; Aspect: 2.20:1; 35 mm; CinemaScope; AUDIO: 4-Track Stereo (Westrex Recording System), 70 mm 6-Track (70 mm prints) Black and White](icons/bw.png) |
The Longest Day |
Ken Annakin, Andrew Marton, ++, W, ++, P, P, M |
|
6.3 |
1960 |
CrDSp![Black and White; Aspect: 1.66:1; 35 mm; AUDIO: Mono Black and White](icons/bw.png) |
Rocco and His Brothers |
Luchino Visconti, W, W, ++, P, M «Rocco e i suoi fratelli» |
|
6.3 |
1959 |
CrDM![Black and White; Aspect: 1.85:1; 35 mm; AUDIO: Mono (Westrex Recording System) Black and White](icons/bw.png) |
Anatomy of a Murder |
Otto Preminger, W, W, P, M |
|
6.3 |
1957 |
AdDW![Color (Technicolor); Aspect: 2.35:1; 35 mm; CinemaScope; AUDIO: 70 mm 6-Track (70 mm prints) (RCA Sound Recording), Mono (35 mm prints) (RCA Sound Recording), 4-Track Stereo (Linear PCM) Color (Technicolor)](icons/rgb.png) |
The Bridge on the River Kwai |
David Lean, W, ++, P, M |
|
6.3 |
1955 |
BDR![Color (Eastmancolor); Aspect: 2.55:1; 35 mm; Digital Intermediate (restored version) CinemaScope (anamorphic); Bausch & Lomb Lenses Mitchell BNC Cameras; AUDIO: Dolby (Restored version), 4-Track Stereo (Western Electric Sound System) Color (Eastmancolor)](icons/rgb.png) |
Lola Montès |
Max Ophüls, W, W, ++, P, M |
|
6.3 |
1955 |
D![Black and White; Aspect: 1.85:1; 35 mm; AUDIO: Mono (Western Electric Recording) Black and White](icons/bw.png) |
The Prisoner |
Peter Glenville, W, P, M |
|
6.3 |
1952 |
CD![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Recording) Black and White](icons/bw.png) |
The Marrying Kind |
George Cukor, W, W, P, M |
|
6.3 |
1950 |
D![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Recording) Black and White](icons/bw.png) |
The Men |
Fred Zinnemann, W, P, M |
|
6.3 |
1946 |
DWe![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Recording) Black and White](icons/bw.png) |
My Darling Clementine |
John Ford, W, W, ++, P, M |
|
6.3 |
1944 |
FMlR![Color (Technicolor); Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Sound System) Color (Technicolor)](icons/rgb.png) |
Meet Me in St. Louis |
Vincente Minnelli, W, W, ++, P, M, M |
|
6.3 |
1940 |
C![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Mirrophonic Recording) Black and White](icons/bw.png) |
The Great McGinty |
Preston Sturges, W, P, M, M |
|
6.3 |
1939 |
D![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Mirrophonic Recording) Black and White](icons/bw.png) |
Only Angels Have Wings |
Howard Hawks, W, ++, P, M |
|
6.3 |
1936 |
CrDNRT![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Sound System) Black and White](icons/bw.png) |
Fury |
Fritz Lang, W, W, ++, P, M |
|
6.3 |
1934 |
McR![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Noiseless Recording) Black and White](icons/bw.png) |
One Night of Love |
Victor Schertzinger, W, W, ++, P, M, M, M |
|
6.3 |
1931 |
CrD![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Vitaphone) (Western Electric Sound System) Black and White](icons/bw.png) |
Little Caesar |
Mervyn LeRoy, W, W, ++, P |
|
6.2 |
2001 |
CR![Black and White, Color (Duboicolor); Aspect: 2.35:1; 35 mm (Kodak Vision 250D 5246, Vision 320T 5277); Digital Intermediate (2K) (master format) Super 35 (source format); Arriflex 435 ES, Zeiss Ultra Prime Lenses Arriflex 535, Zeiss Ultra Prime Lenses; AUDIO: DTS, Dolby Digital Black and White, Color (Duboicolor)](icons/rgb-bw.png) |
Amélie |
Jean-Pierre Jeunet, W, W, ++, P, M «Le fabuleux destin d'Amélie Poulain» |
|
6.2 |
2000 |
D![Color; Aspect: 1.85:1; 35 mm (Kodak); Panavision Cameras and Lenses; AUDIO: Dolby Digital Color](icons/rgb.png) |
You Can Count on Me |
Kenneth Lonergan, W, P, M |
|
6.2 |
1997 |
CD![Color (Technicolor); Aspect: 1.85:1; 35 mm (Kodak); AUDIO: DTS, Dolby Digital (5.1 surround), SDDS Color (Technicolor)](icons/rgb.png) |
The Butcher Boy |
Neil Jordan, W, W, ++, P, M |
|
6.2 |
1994 |
D![Color; Aspect: 1.66:1; 35 mm; AUDIO: Dolby, Dolby SR Color](icons/rgb.png) |
Wild Reeds |
André Téchiné, W, W, ++, P «Les roseaux sauvages» |
|
6.2 |
1992 |
TCrD![Color; Aspect: 1.37:1; 35 mm; Panavision Cameras and Lenses; AUDIO: Dolby Color](icons/rgb.png) |
One False Move |
Carl Franklin, W, W, P, M, M |
|
6.2 |
1990 |
BDM![Color (Technicolor); Aspect: 1.85:1; 35 mm; Panaflex Camera and Lenses by Panavision; AUDIO: Dolby Color (Technicolor)](icons/rgb.png) |
Reversal of Fortune |
Barbet Schroeder, W, W, P, M |
|
6.2 |
1988 |
CCr![Color; Aspect: 1.37:1; 35 mm; Arriflex Cameras; AUDIO: Dolby SR Color](icons/rgb.png) |
Dirty Rotten Scoundrels |
Frank Oz, W, W, ++, P, M |
|
6.2 |
1987 |
CDR![Color (TVC); Aspect: 1.85:1; 35 mm; AUDIO: Mono Color (TVC)](icons/rgb.png) |
Barfly |
Barbet Schroeder, W, P, M |
|
6.2 |
1986 |
CrD![Color (Metrocolor); Aspect: 1.85:1; 35 mm; AUDIO: Stereo Color (Metrocolor)](icons/rgb.png) |
River's Edge |
Tim Hunter, W, P, M |
|
6.2 |
1985 |
CD![Color (Technicolor); Aspect: 1.85:1; 35 mm; Panaflex Cameras and Lenses by Panavision; AUDIO: Dolby Color (Technicolor)](icons/rgb.png) |
The Breakfast Club |
John Hughes, W, P, M |
|
6.2 |
1981 |
CrDT![Color (Technicolor); Aspect: 1.85:1; 35 mm; Panaflex Cameras and Lenses by Panavision (as Panaflex® Cameras and Lenses by Panavision®); AUDIO: Mono Color (Technicolor)](icons/rgb.png) |
Body Heat |
Lawrence Kasdan, W, P, M |
|
6.2 |
1979 |
WeD![Color; Panavision Cameras and Lenses; AUDIO: Mono Color](icons/q-rgb.png) |
Heartland |
Richard Pearce, W, W, ++, P, M |
|
6.2 |
1974 |
AdCCrD![Color (Technicolor); Aspect: 2.35:1; 35 mm (Eastman 100T 5254); Panavision (anamorphic); Panavision Panaflex; AUDIO: Mono (Westrex Recording System) Color (Technicolor)](icons/rgb.png) |
The Sugarland Express |
Steven Spielberg, W, W, ++, P, M |
|
6.2 |
1972 |
AdDH![Color (Eastmancolor); Aspect: 1.33:1; 35 mm; AUDIO: Mono Color (Eastmancolor)](icons/rgb.png) |
Aguirre: The Wrath of God |
Werner Herzog, W, P, M «Aguirre, der Zorn Gottes» |
|
6.2 |
1972 |
DR![Color (Eastmancolor); Aspect: 1.66:1; 35 mm; AUDIO: Mono Color (Eastmancolor)](icons/rgb.png) |
Cries & Whispers |
Ingmar Bergman, W, P «Viskningar och rop» |
|
6.2 |
1971 |
MT![Color (Technicolor); Aspect: 2.35:1; 35 mm; Panavision (anamorphic) (as Panavision®); Panavision Cameras and Lenses; AUDIO: Mono Color (Technicolor)](icons/rgb.png) |
Klute |
Alan J. Pakula, W, W, P, M |
|
6.2 |
1968 |
D![Black and White, Color (Eastmancolor); Aspect: 1.75:1; 35 mm; AUDIO: Mono Black and White, Color (Eastmancolor)](icons/rgb-bw.png) |
If.... |
Lindsay Anderson, W, ++, P, M |
|
6.2 |
1963 |
D![Black and White; Aspect: 1.66:1; 35 mm; AUDIO: Mono Black and White](icons/bw.png) |
The Servant |
Joseph Losey, W, W, P, M |
|
6.2 |
1957 |
DR![Color (Technicolor); Aspect: 2.35:1; 35 mm (horizontal); Technirama; AUDIO: 4-Track Stereo (RCA Sound Recording) Color (Technicolor)](icons/rgb.png) |
Sayonara |
Joshua Logan, W, W, P, M |
|
6.2 |
1957 |
DFan![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono Black and White](icons/bw.png) |
The Seventh Seal |
Ingmar Bergman, W, P, M «Det sjunde inseglet» |
|
6.2 |
1954 |
DRW![Color (Technicolor); Aspect: 1.85:1; 35 mm; AUDIO: Mono (Western Electric Recording) Color (Technicolor)](icons/rgb.png) |
The Caine Mutiny |
Edward Dmytryk, W, W, ++, P, M |
|
6.2 |
1953 |
CDMlR![Color (Technicolor); Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Recording) Color (Technicolor)](icons/rgb.png) |
Gentlemen Prefer Blondes |
Howard Hawks, W, W, ++, P, M, M, M++ |
|
6.2 |
1952 |
DWe![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (RCA Sound System) Black and White](icons/bw.png) |
The Big Sky |
Howard Hawks, W, W, ++, P, M |
|
6.2 |
1949 |
D![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Recording) Black and White](icons/bw.png) |
All the King's Men |
Robert Rossen, W, W, P, M |
|
6.2 |
1949 |
CMlR![Color (Technicolor); Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Sound System) Color (Technicolor)](icons/rgb.png) |
On the Town |
Stanley Donen, Gene Kelly, W, W, ++, P, M |
|
6.2 |
1946 |
CrNMT![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (RCA Sound System) Black and White](icons/bw.png) |
The Big Sleep |
Howard Hawks, W, W, ++, P, M |
|
6.2 |
1941 |
CrDNT![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (RCA Sound System) Black and White](icons/bw.png) |
High Sierra |
Raoul Walsh, W, W, ++, P, M |
|
6.2 |
1941 |
CR![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Mirrophonic Recording) Black and White](icons/bw.png) |
The Lady Eve |
Preston Sturges, W, W, P, M, M, M++ |
|
6.2 |
1940 |
DW![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Mirrophonic Recording) Black and White](icons/bw.png) |
The Long Voyage Home |
John Ford, W, W, P, M |
|
6.2 |
1939 |
AdWe![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Mirrophonic Recording) Black and White](icons/bw.png) |
Stagecoach |
John Ford, W, W, ++, P, M |
|
6.1 |
2000 |
DT![Color; Aspect: 1.85:1; 35 mm (Kodak Vision 250D 5246, Vision 500T 5279, Vision 800T 5289); Moviecam SL, Zeiss Super Speed and Angenieux HR Lenses; AUDIO: Dolby Digital Color](icons/rgb.png) |
Amores Perros |
Alejandro González Iñárritu, W, P, M «Amores perros» |
|
6.1 |
1996 |
BD![Color; Aspect: 2.35:1; 35 mm; Panavision (anamorphic); Panavision Cameras and Lenses; AUDIO: SDDS, Dolby Digital Color](icons/rgb.png) |
The People vs. Larry Flynt |
Milos Forman, W, W, P, M |
|
6.1 |
1990 |
ADT![Color (Eastmancolor); Aspect: 2.35:1; 35 mm; Technovision (anamorphic); AUDIO: Dolby Color (Eastmancolor)](icons/rgb.png) |
La Femme Nikita |
Luc Besson, W, P, M «Nikita» |
|
6.1 |
1989 |
BDW![Color; Aspect: 2.20:1; 35 mm (Eastman EXR 50D 5245, 125T 5247, 400T 5295, 250D 5297); Panavision (anamorphic); Panavision Cameras and Lenses; AUDIO: 70 mm 6-Track (70 mm prints), Dolby (35 mm prints) Color](icons/rgb.png) |
Born on the Fourth of July |
Oliver Stone, W, W, ++, P, M |
|
6.1 |
1988 |
CrDMcR![Color (Rankcolor); Aspect: 1.85:1; 35 mm (Agfa XT); J-D-C Cameras; AUDIO: Dolby Color (Rankcolor)](icons/rgb.png) |
Stormy Monday |
Mike Figgis, W, P, M |
|
6.1 |
1984 |
DW![Color (Metrocolor); Aspect: 1.85:1; 35 mm; Panaflex Camera and Lenses by Panavision; AUDIO: Dolby Color (Metrocolor)](icons/rgb.png) |
Birdy |
Alan Parker, W, W, ++, P, M |
|
6.1 |
1983 |
BDT![Color (Technicolor); Aspect: 1.85:1; 35 mm; Panaflex Camera and Lenses by Panavision; AUDIO: Mono Color (Technicolor)](icons/rgb.png) |
Silkwood |
Mike Nichols, W, W, P, M |
|
6.1 |
1978 |
DRW![Color; Aspect: 1.85:1; 35 mm; Panavision Cameras and Lenses (Hong Kong sequence); AUDIO: Mono Color](icons/rgb.png) |
Coming Home |
Hal Ashby, W, W, ++, P |
|
6.1 |
1977 |
CrMTD![Color (Eastmancolor); Aspect: 1.85:1; 35 mm; Arriflex Cameras and Lenses; AUDIO: Mono Color (Eastmancolor)](icons/rgb.png) |
The American Friend |
Wim Wenders, W, W, P, M «Der amerikanische Freund» |
|
6.1 |
1972 |
CrD![Color (Technicolor); Aspect: 1.85:1; 35 mm (Eastman 100T 5254); Mitchell BNCR, Bausch & Lomb Super Baltar Lenses; AUDIO: DTS (re-release), Mono Color (Technicolor)](icons/rgb.png) |
The Godfather |
Francis Ford Coppola, W, W, ++, P, M |
|
6.1 |
1971 |
CDR![Color (Technicolor); Aspect: 1.85:1; 35 mm; AUDIO: Mono (Westrex Recording System) Color (Technicolor)](icons/rgb.png) |
Minnie and Moskowitz |
John Cassavetes, W, P, P, P |
|
6.1 |
1970 |
D![Color (Technicolor); Aspect: 1.66:1; 35 mm; AUDIO: Mono Color (Technicolor)](icons/rgb.png) |
The Conformist |
Bernardo Bertolucci, W, W, P, M «Il conformista» |
|
6.1 |
1968 |
AMT![Color (Technicolor); Aspect: 1.85:1; 35 mm; Arriflex Cameras and Lenses; AUDIO: Mono Color (Technicolor)](icons/rgb.png) |
Bullitt |
Peter Yates, W, W, ++, P, M |
|
6.1 |
1964 |
CrD![Black and White; Aspect: 2.35:1; 35 mm; Franscope; AUDIO: Mono Black and White](icons/bw.png) |
Diary of a Chambermaid |
Luis Buñuel, W, W, ++, P «Le journal d'une femme de chambre» |
|
6.1 |
1964 |
CSfW![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Westrex Recording System) Black and White](icons/bw.png) |
Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb |
Stanley Kubrick, W, W, ++, P, M |
|
6.1 |
1961 |
C![Black and White; Aspect: 2.35:1; 35 mm; Panavision (anamorphic); AUDIO: Mono (Westrex Recording System) Black and White](icons/bw.png) |
One, Two, Three |
Billy Wilder, W, W, ++, P, M |
|
6.1 |
1960 |
DW![Black and White; Aspect: 1.66:1; 35 mm; AUDIO: Mono Black and White](icons/bw.png) |
Two Women |
Vittorio De Sica, W, W, ++, P, M «La ciociara» |
|
6.1 |
1959 |
DR![Color (Eastmancolor); Aspect: 1.85:1; 35 mm; AUDIO: Mono, Mono (Westrex Recording System) Color (Eastmancolor)](icons/rgb.png) |
Imitation of Life |
Douglas Sirk, W, W, ++, P, M, M |
|
6.1 |
1958 |
CMlSp![Color (Technicolor); Aspect: 1.85:1; 35 mm; AUDIO: Mono (RCA Sound Recording) Color (Technicolor)](icons/rgb.png) |
Damn Yankees! |
George Abbott, Stanley Donen, W, ++, P |
|
6.1 |
1958 |
MRT![Color (Technicolor); Aspect: 1.50:1; 35 mm (horizontal); Super VistaVision (1996 restoration) VistaVision: Motion Picture High-Fidelity; Mitchell VistaVision Cameras; AUDIO: Mono (Westrex Recording System) Color (Technicolor)](icons/rgb.png) |
Vertigo |
Alfred Hitchcock, W, W, ++, P, M |
|
6.1 |
1955 |
DHW![Color (Technicolor); Aspect: 1.66:1; 35 mm (horizontal); VistaVision; AUDIO: Mono (Western Electric Recording) Color (Technicolor)](icons/rgb.png) |
Richard III |
Laurence Olivier, W, W, ++, P, M |
|
6.1 |
1952 |
DR![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Sound System) Black and White](icons/bw.png) |
The Bad and the Beautiful |
Vincente Minnelli, W, W, P, M |
|
6.1 |
1949 |
CDR![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Sound System) Black and White](icons/bw.png) |
Adam's Rib |
George Cukor, W, W, P, M |
|
6.1 |
1947 |
CR![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (RCA Sound System) Black and White](icons/bw.png) |
The Voice of the Turtle |
Irving Rapper, W, W, ++, P, M |
|
6.1 |
1946 |
CCrNMT![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Recording) Black and White](icons/bw.png) |
Green for Danger |
Sidney Gilliat, W, W, ++, P, M |
|
6.1 |
1945 |
NMRT![Color (Two frames tinted), Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Recording) Color (Two frames tinted), Black and White](icons/rgb-bw.png) |
Spellbound |
Alfred Hitchcock, W, W, ++, P, M |
|
6.1 |
1944 |
CRW![Black and White; Aspect: 1.33:1; 35 mm; AUDIO: Mono (Western Electric Mirrophonic Recording) Black and White](icons/bw.png) |
The Miracle of Morgan's Creek |
Preston Sturges, W, P, M, M |
|
6.0 |
1999 |
BD![Color; Aspect: 1.85:1; 35 mm (Kodak); Panavision Cameras and Lenses; AUDIO: Dolby Digital Color](icons/rgb.png) |
Boys Don't Cry |
Kimberly Peirce, W, W, P, M |
|
6.0 |
1997 |
D![Color; Aspect: 1.85:1; 35 mm (Eastman Kodak); Panavision Cameras and Lenses; AUDIO: Dolby, Dolby SR Color](icons/rgb.png) |
The Apostle |
Robert Duvall, W, P, M |
|
6.0 |
1989 |
CR![Color; Aspect: 1.85:1; 35 mm; AUDIO: Dolby Color](icons/rgb.png) |
True Love |
Nancy Savoca, W, W, P |
|
6.0 |
1988 |
DT![Color; Aspect: 1.66:1; 35 mm; Panavision Cameras and Lenses (uncredited); AUDIO: Dolby Color](icons/rgb.png) |
Dead Ringers |
David Cronenberg, W, W, ++, P, M |
|
6.0 |
1987 |
BDH![Color (Technicolor); Aspect: 2.00:1; 35 mm; Technovision (anamorphic); Arriflex 35 BL, Technovision Anamorphic Lenses; AUDIO: Dolby (35 mm prints), 70 mm 6-Track (70 mm prints) Color (Technicolor)](icons/rgb.png) |
The Last Emperor |
Bernardo Bertolucci, W, W, ++, P, M, M, M |
|
6.0 |
1987 |
D![Color (TVC); Aspect: 1.85:1; 35 mm; Arriflex Cameras; AUDIO: Stereo Color (TVC)](icons/rgb.png) |
The Whales of August |
Lindsay Anderson, W, P, M |
|
6.0 |
1985 |
D![Color (Metrocolor); Aspect: 1.85:1; 35 mm; AUDIO: Mono Color (Metrocolor)](icons/rgb.png) |
Kiss of the Spider Woman |
Hector Babenco, W, W, P, M, M |
|
6.0 |
1978 |
BDMc![Color; Aspect: 1.85:1; 35 mm; AUDIO: 4-Track Stereo Color](icons/rgb.png) |
The Buddy Holly Story |
Steve Rash, W, W, ++, P, M |
|
6.0 |
1975 |
CrMT![Color (Technicolor); Aspect: 1.85:1; 35 mm; AUDIO: Mono Color (Technicolor)](icons/rgb.png) |
Night Moves |
Arthur Penn, W, P, M |
|
6.0 |
1971 |
D![Color; Aspect: 1.66:1; 35 mm; AUDIO: Mono Color](icons/rgb.png) |
Sunday Bloody Sunday |
John Schlesinger, W, ++, P, M |
|
6.0 |
1970 |
D![Black and White; Aspect: 1.66:1; 35 mm; AUDIO: Mono Black and White](icons/bw.png) |
The Wild Child |
François Truffaut, W, W, ++, P «L'enfant sauvage» |
|
6.0 |
1968 |
DHoM![Color (Technicolor); Aspect: 1.85:1; 35 mm (Eastman 50T 5251); AUDIO: Mono Color (Technicolor)](icons/rgb.png) |
Rosemary's Baby |
Roman Polanski, W, W, P, M |
|
6.0 |
1965 |
DRW![Black and White; Aspect: 1.85:1; 35 mm; AUDIO: Stereo Black and White](icons/bw.png) |
Ship of Fools |
Stanley Kramer, W, W, P, M |
|
6.0 |
1956 |
DH![Color; Aspect: 2.55:1; 35 mm; CinemaScope; Bausch & Lomb Lenses; AUDIO: 4-Track Stereo (Westrex Recording System) Color](icons/rgb.png) |
Anastasia |
Anatole Litvak, W, W, ++, P, M |
|
6.0 |
1956 |
We![Color (Technicolor); Aspect: 1.75:1; 35 mm (horizontal); VistaVision (as VistaVision - Motion Picture High-Fidelity); AUDIO: Mono (RCA Sound Recording) Color (Technicolor)](icons/rgb.png) |
The Searchers |
John Ford, W, W, P, M |
|
6.0 |
1955 |
CR![Color; Aspect: 2.55:1; 35 mm; CinemaScope; AUDIO: 4-Track Stereo (Western Electric Recording) Color](icons/rgb.png) |
The Seven Year Itch |
Billy Wilder, W, W, ++, P, M |
|
6.0 |
1955 |
CrMRT![Color (Technicolor); Aspect: 1.85:1; 35 mm (horizontal); VistaVision; AUDIO: Mono (Western Electric Recording) Color (Technicolor)](icons/rgb.png) |
To Catch a Thief |
Alfred Hitchcock, W, W, ++, P, M |
|
6.0 |
1953 |
C![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono Black and White](icons/bw.png) |
Mr. Hulot's Holiday |
Jacques Tati, W, ++, P, P, M «Les vacances de Monsieur Hulot» |
|
6.0 |
1948 |
CrND![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Recording) Black and White](icons/bw.png) |
Force of Evil |
Abraham Polonsky, W, W, ++, P, M |
|
6.0 |
1946 |
CrDNMRT![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Sound System) Black and White](icons/bw.png) |
The Postman Always Rings Twice |
Tay Garnett, W, W, ++, P, M |
|
6.0 |
1942 |
CR![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Mirrophonic Recording) Black and White](icons/bw.png) |
The Major and the Minor |
Billy Wilder, W, W, ++, P, M |
|
6.0 |
1941 |
DF![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Mirrophonic Recording) Black and White](icons/bw.png) |
How Green Was My Valley |
John Ford, W, W, P, M |
|
6.0 |
1941 |
BDHW![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (RCA Sound System) Black and White](icons/bw.png) |
Sergeant York |
Howard Hawks, W, W, ++, P, M |
|
6.0 |
1940 |
CDR![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono Black and White](icons/bw.png) |
The Well-Digger's Daughter |
Marcel Pagnol, W, ++, P, M «La fille du puisatier» |
|
6.0 |
1939 |
CD![Black and White; Aspect: 1.37:1; 35 mm; Kinoptik; AUDIO: Mono (Western Electric) Black and White](icons/bw.png) |
The Rules of the Game |
Jean Renoir, W, W, P, P, P++, M «La règle du jeu» |
|
6.0 |
1937 |
AdDFanM![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Noiseless Recording) Black and White](icons/bw.png) |
Lost Horizon |
Frank Capra, W, W, ++, P, M |
|
6.0 |
1933 |
SCD![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono Black and White](icons/bw.png) |
Zero for Conduct |
Jean Vigo, W, P, M «Zéro de conduite: Jeunes diables au collège» |
|
5.9 |
1991 |
D![Color; Aspect: 1.85:1; 35 mm; AUDIO: Dolby Color](icons/rgb.png) |
Barton Fink |
Joel Coen, ++, W, W, P, M |
|
5.9 |
1987 |
CDR![Color; Aspect: 1.85:1; 35 mm; AUDIO: Dolby Color](icons/rgb.png) |
Broadcast News |
James L. Brooks, W, P, M |
|
5.9 |
1986 |
CrMT![Color; Aspect: 2.35:1; 35 mm (Eastman 125T 5247); J-D-C Scope (anamorphic); Arriflex 35 BL3, J-D-C Lenses; AUDIO: Dolby Color](icons/rgb.png) |
Blue Velvet |
David Lynch, W, P, M |
|
5.9 |
1982 |
DM![Black and White; 16 mm; AUDIO: Mono Black and White](icons/bw.png) |
Chan Is Missing |
Wayne Wang, W, W, P, M |
|
5.9 |
1980 |
CD![Color (Technicolor); Aspect: 1.85:1; Panaflex Cameras and Lenses by Panavision; AUDIO: Stereo Color (Technicolor)](icons/q-rgb.png) |
Melvin and Howard |
Jonathan Demme, W, P, M |
|
5.9 |
1980 |
CrDMT![Color; Aspect: 1.85:1; 35 mm; AUDIO: Mono Color](icons/rgb.png) |
The Long Good Friday |
John Mackenzie, W, P, M |
|
5.9 |
1977 |
CDR![Color; Aspect: 1.37:1; 35 mm (Eastman 100T 5247); Panavision Camera and Lenses; AUDIO: Mono Color](icons/rgb.png) |
Annie Hall |
Woody Allen, W, W, P |
|
5.9 |
1971 |
DWe![Color (Technicolor); Aspect: 2.35:1; 35 mm; Panavision (anamorphic); AUDIO: Mono Color (Technicolor)](icons/rgb.png) |
McCabe & Mrs. Miller |
Robert Altman, W, W, ++, P |
|
5.9 |
1971 |
AdD![Color (Eastmancolor); Aspect: 1.85:1; 35 mm; AUDIO: Mono Color (Eastmancolor)](icons/rgb.png) |
Walkabout |
Nicolas Roeg, W, W, P, M |
|
5.9 |
1967 |
CrDT![Color (Metrocolor); Aspect: 2.35:1; 35 mm (Eastman 50T 5251); Panavision (anamorphic); AUDIO: Mono Color (Metrocolor)](icons/rgb.png) |
Point Blank |
John Boorman, W, W, ++, P, M |
|
5.9 |
1966 |
CDR![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (RCA Sound Recording) Black and White](icons/bw.png) |
Georgy Girl |
Silvio Narizzano, W, ++, P, M |
|
5.9 |
1965 |
DRW![Color (Metrocolor); Aspect: 2.20:1; 35 mm (Eastman 50T 5251); Panavision (anamorphic); Panavision Lenses; AUDIO: 4-Track Stereo (35 mm magnetic prints), 70 mm 6-Track (Westrex Recording System) (70 mm prints), DTS (re-release) (35 mm prints), Mono (35 mm optical prints), 6-Track Stereo (Linear PCM) Color (Metrocolor)](icons/rgb.png) |
Doctor Zhivago |
David Lean, W, W, P, M |
|
5.9 |
1962 |
DR![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (RCA Sound Recording) Black and White](icons/bw.png) |
Lolita |
Stanley Kubrick, W, ++, P, M |
|
5.9 |
1960 |
CD![Black and White; Aspect: 2.35:1; 35 mm; Totalscope; AUDIO: Mono (Western Electric) Black and White](icons/bw.png) |
La Dolce Vita |
Federico Fellini, W, W, ++, P, M «La dolce vita» |
|
5.9 |
1955 |
CDW![Color (Warnercolor); Aspect: 2.55:1; 35 mm; CinemaScope; AUDIO: 4-Track Stereo (RCA Sound Recording) Color (Warnercolor)](icons/rgb.png) |
Mister Roberts |
John Ford, Mervyn LeRoy, ++, W, W, ++, P, M |
|
5.9 |
1955 |
DR![Color (WarnerColor); Aspect: 2.55:1; 35 mm; CinemaScope; AUDIO: Mono (optical prints), 4-Track Stereo (RCA Sound Recording) (magnetic prints), Dolby Digital (DVD version) Color (WarnerColor)](icons/rgb.png) |
Rebel Without a Cause |
Nicholas Ray, W, W, ++, P, M |
|
5.9 |
1953 |
CDW![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Recording) Black and White](icons/bw.png) |
Stalag 17 |
Billy Wilder, W, W, ++, P, M |
|
5.9 |
1952 |
D![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Recording) Black and White](icons/bw.png) |
Come Back, Little Sheba |
Daniel Mann, W, W, P, M |
|
5.9 |
1941 |
DT![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Mirrophonic Recording) Black and White](icons/bw.png) |
Man Hunt |
Fritz Lang, W, W, ++, P, M, M |
|
5.9 |
1941 |
DMT![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (RCA Sound System) Black and White](icons/bw.png) |
Suspicion |
Alfred Hitchcock, W, W, ++, P, M |
|
5.9 |
1933 |
CD![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Sound System) Black and White](icons/bw.png) |
Dinner at Eight |
George Cukor, W, W, ++, P, M |
|
5.8 |
2002 |
CDR![Black and White, Color; Aspect: 2.35:1; 35 mm (Kodak); Panavision (anamorphic); Panavision Cameras and Lenses; AUDIO: Dolby Digital Black and White, Color](icons/rgb-bw.png) |
Talk to Her |
Pedro Almodóvar, W, P, M «Hable con ella» |
|
5.8 |
1995 |
CrMT![Color (Technicolor); Aspect: 2.35:1; 35 mm; Super 35; Panavision Cameras and Lenses; AUDIO: Dolby Digital Color (Technicolor)](icons/rgb.png) |
The Usual Suspects |
Bryan Singer, W, P, M |
|
5.8 |
1994 |
CrTD![Color; Aspect: 1.85:1; 35 mm; Panavision Cameras and Lenses; AUDIO: Ultra Stereo Color](icons/rgb.png) |
The Last Seduction |
John Dahl, W, P, M |
|
5.8 |
1992 |
CCrDMRT![Color; Aspect: 1.85:1; 35 mm; AUDIO: Ultra Stereo Color](icons/rgb.png) |
The Player |
Robert Altman, W, P, M |
|
5.8 |
1992 |
We![Color (Technicolor); Aspect: 2.35:1; 35 mm; Panavision (anamorphic); Panavision Cameras and Lenses; AUDIO: Dolby (as Dolby Stereo) Color (Technicolor)](icons/rgb.png) |
Unforgiven |
Clint Eastwood, W, P, M |
|
5.8 |
1986 |
CCrD![Black and White; Aspect: 1.85:1; 35 mm; Arriflex Cameras; AUDIO: Mono Black and White](icons/bw.png) |
Down by Law |
Jim Jarmusch, W, P, M |
|
5.8 |
1985 |
DR![Color; Aspect: 1.66:1; 35 mm (Fuji A 125T 8511, AX 500T 8514); Arriflex 35 BL3, Zeiss Lenses; AUDIO: Dolby Color](icons/rgb.png) |
A Room with a View |
James Ivory, W, W, P, M |
|
5.8 |
1985 |
CRD![Color; Aspect: 1.85:1; 35 mm (Eastman 125T 5247, 400T 5294); Moviecam SuperAmerica, Canon K35 and Cooke Varotal Lenses; AUDIO: Mono (original release), Mono (DVD Release) Color](icons/rgb.png) |
Desperately Seeking Susan |
Susan Seidelman, W, P, M |
|
5.8 |
1985 |
HoSf![Color; Aspect: 1.85:1; 35 mm; AUDIO: Mono Color](icons/rgb.png) |
Re-Animator |
Stuart Gordon, W, W, ++, P, P, M |
|
5.8 |
1979 |
CDR![Black and White; Aspect: 2.35:1; 35 mm (Eastman Double-X 5222); Panavision (anamorphic); Panavision Cameras and Lenses; AUDIO: Mono Black and White](icons/bw.png) |
Manhattan |
Woody Allen, W, W, P |
|
5.8 |
1979 |
CD![Color; Aspect: 1.85:1; 35 mm; Panavision Cameras and Lenses; AUDIO: Mono Color](icons/rgb.png) |
Wise Blood |
John Huston, W, W, ++, P, M |
|
5.8 |
1972 |
CDWe![Color; Aspect: 2.35:1; 35 mm; Todd-AO 35; AUDIO: Mono Color](icons/rgb.png) |
Junior Bonner |
Sam Peckinpah, W, P, M |
|
5.8 |
1970 |
D![Color; Aspect: 1.85:1; 35 mm (Eastman 100T 5247); Arriflex 35 IIC; AUDIO: Mono Color](icons/rgb.png) |
Five Easy Pieces |
Bob Rafelson, W, ++, P |
|
5.8 |
1967 |
D![Color (Eastmancolor); Aspect: 1.66:1; 35 mm; AUDIO: Mono Color (Eastmancolor)](icons/rgb.png) |
Belle de Jour |
Luis Buñuel, W, W, ++, P «Belle de jour» |
|
5.8 |
1966 |
D![Black and White; Aspect: 1.85:1; 35 mm; AUDIO: Mono Black and White](icons/bw.png) |
Who's Afraid of Virginia Woolf? |
Mike Nichols, W, ++, P, M |
|
5.8 |
1956 |
BD![Color (Metrocolor); Aspect: 2.55:1; 35 mm; CinemaScope; AUDIO: Mono (Perspecta Sound encoding) (35 mm optical prints) (Westrex Recording System), 4-Track Stereo (35 mm magnetic prints) (Westrex Recording System) Color (Metrocolor)](icons/rgb.png) |
Lust for Life |
Vincente Minnelli, ++, W, W, P, P, M |
|
5.8 |
1956 |
DR![Color (Technicolor); Aspect: 2.00:1; 35 mm; AUDIO: Mono (Westrex Recording System) Color (Technicolor)](icons/rgb.png) |
Written on the Wind |
Douglas Sirk, W, W, P, M |
|
5.8 |
1955 |
RD![Color (Technicolor); Aspect: 1.85:1; 35 mm; Technicolor Three-Strip Camera; AUDIO: Mono (Western Electric Recording) Color (Technicolor)](icons/rgb.png) |
Summertime |
David Lean, W, W, ++, P, M |
|
5.8 |
1953 |
CDR![Color (Technicolor); Aspect: 2.55:1; 35 mm; CinemaScope; AUDIO: 4-Track Stereo (Western Electric Recording) Color (Technicolor)](icons/rgb.png) |
How to Marry a Millionaire |
Jean Negulesco, W, W, ++, P, M |
|
5.8 |
1940 |
AnFFanMc![Color (Technicolor); Aspect: 1.37:1; 35 mm; Spherical SuperScope (1956 re-release); AUDIO: 3 Channel Stereo (RCA Sound System) Color (Technicolor)](icons/rgb.png) |
Fantasia |
[ James Algar, Samuel Armstrong, D++ ], W, W, ++, P |
|
5.8 |
1939 |
DRW![Color (Technicolor); Aspect: 1.37:1; 35 mm; Bausch & Lomb Lenses Mitchell Cameras; AUDIO: Mono (Western Electric Sound System) Color (Technicolor)](icons/rgb.png) |
Gone with the Wind |
Victor Fleming, ++, W, W, ++, P, P, M |
|
5.7 |
2001 |
DFan![Color; Aspect: 1.78:1; Video (NTSC, anamorphic 16 : 9); Digital Betacam; AUDIO: Dolby Digital Color](icons/v-rgb.png) |
Atanarjuat: The Fast Runner |
Zacharias Kunuk, W, W, ++, P, M «Atanarjuat» |
|
5.7 |
1999 |
Do![Color; 35 mm; AUDIO: Stereo Color](icons/rgb.png) |
American Movie |
Chris Smith, P, M |
|
5.7 |
1999 |
CDW![Color; 35 mm; AUDIO: Dolby Digital Color](icons/rgb.png) |
Beautiful People |
Jasmin Dizdar, W, P, M |
|
5.7 |
1991 |
CD![Color; Aspect: 2.35:1; 35 mm; Panavision (anamorphic); AUDIO: Dolby Color](icons/rgb.png) |
The Adjuster |
Atom Egoyan, W, P, M |
|
5.7 |
1989 |
C![Color; Aspect: 1.85:1; 35 mm (Eastman 400T 5295, EXR 500T 5296); Panavision Panaflex Gold II, Panavision Primo Lenses; AUDIO: Dolby SR Color](icons/rgb.png) |
The War of the Roses |
Danny DeVito, W, W, P, M |
|
5.7 |
1983 |
AdDHSf![Color (Technicolor); Aspect: 1.85:1; 35 mm; Panaflex Camera and Lenses by Panavision; AUDIO: 70 mm 6-Track (70 mm prints), Dolby (35 mm prints) Color (Technicolor)](icons/rgb.png) |
The Right Stuff |
Philip Kaufman, W, W, P, M |
|
5.7 |
1979 |
DW![Color; Aspect: 2.00:1; 16 mm (newsreel scenes) 35 mm (Eastman 100T 5247); Technovision (anamorphic); Arriflex 16 ST (newsreel scenes) Arriflex 35 BL, Technovision/Cooke Lenses Mitchell BNCR, Technovision/Cooke Lenses; AUDIO: 70 mm 6-Track (70 mm prints), Dolby Digital (Redux version), Dolby (35 mm prints), DTS (Redux version) Color](icons/rgb.png) |
Apocalypse Now |
Francis Ford Coppola, W, W, ++, P, M, M |
|
5.7 |
1971 |
D![Color (Technicolor); Aspect: 2.35:1; 35 mm; Panavision (anamorphic); AUDIO: Mono Color (Technicolor)](icons/rgb.png) |
Carnal Knowledge |
Mike Nichols, W, P |
|
5.7 |
1971 |
AT![Color (Metrocolor); Aspect: 1.85:1; 35 mm; Panavision Cameras and Lenses; AUDIO: Mono Color (Metrocolor)](icons/rgb.png) |
Shaft |
Gordon Parks, W, W, ++, P, M, M |
|
5.7 |
1971 |
D![Black and White; Aspect: 1.85:1; 35 mm; AUDIO: Mono Black and White](icons/bw.png) |
The Last Picture Show |
Peter Bogdanovich, W, W, ++, P, M, M, M++ |
|
5.7 |
1970 |
CW![Color (Technicolor); Aspect: 2.35:1; 35 mm; Panavision (anamorphic); Panavision Cameras and Lenses; AUDIO: Mono Color (Technicolor)](icons/rgb.png) |
Catch-22 |
Mike Nichols, W, W, P |
|
5.7 |
1970 |
CD![Color (Eastmancolor); Aspect: 1.85:1; 35 mm; AUDIO: Mono Color (Eastmancolor)](icons/rgb.png) |
Loving |
Irvin Kershner, W, W, P, M |
|
5.7 |
1969 |
AdWeD![Color (Technicolor); Aspect: 1.85:1; 35 mm; AUDIO: Mono Color (Technicolor)](icons/rgb.png) |
True Grit |
Henry Hathaway, W, W, P, M |
|
5.7 |
1966 |
DMT![Black and White; Aspect: 1.37:1; AUDIO: AGA Sound System Black and White](icons/bw.png) |
Persona |
Ingmar Bergman, W, P, M |
|
5.7 |
1964 |
CD![Color; Aspect: 2.35:1; 35 mm; Panavision (anamorphic); AUDIO: Mono (Westrex Recording System) Color](icons/rgb.png) |
The World of Henry Orient |
George Roy Hill, W, W, ++, P, P, M |
|
5.7 |
1963 |
DM![Black and White, Color (Technicolor); Aspect: 1.75:1; 16 mm (fantasy sequences) 35 mm; AUDIO: Mono Black and White, Color (Technicolor)](icons/rgb-bw.png) |
Shock Corridor |
Samuel Fuller, W, P, P, M |
|
5.7 |
1963 |
HoT![Color (Technicolor); Aspect: 1.37:1; 35 mm; AUDIO: Mono (Westrex Recording System) (uncredited) Color (Technicolor)](icons/rgb.png) |
The Birds |
Alfred Hitchcock, W, W, P |
|
5.7 |
1956 |
DRWe![Color (Warnercolor); Aspect: 1.66:1; 35 mm; AUDIO: Mono (RCA Sound Recording) Color (Warnercolor)](icons/rgb.png) |
Giant |
George Stevens, W, W, ++, P, M |
|
5.7 |
1944 |
CDMcMl![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Mirrophonic Recording) Black and White](icons/bw.png) |
Going My Way |
Leo McCarey, W, W, ++, P, P, M |
|
5.7 |
1943 |
AdDHRW![Color (Technicolor); Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Mirrophonic Recording) Color (Technicolor)](icons/rgb.png) |
For Whom the Bell Tolls |
Sam Wood, W, W, ++, P, M |
|
5.7 |
1939 |
AdW![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (RCA Victor System) Black and White](icons/bw.png) |
Gunga Din |
George Stevens, W, W, ++, P, M |
|
5.7 |
1935 |
D![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (RCA Victor System) Black and White](icons/bw.png) |
The Informer |
John Ford, W, W, P, M |
|
5.6 |
1992 |
CrT![Color (Eastmancolor); Aspect: 2.35:1; 35 mm (Eastman EXR 50D 5245); Super 35; PanArri 35-III, Panavision Primo Lenses Panavision Panaflex X, Panavision Primo Lenses Panavision Panaflex Gold, Panavision Primo and Canon Lenses; AUDIO: Dolby Color (Eastmancolor)](icons/rgb.png) |
Reservoir Dogs |
Quentin Tarantino, W, W, ++, P |
|
5.6 |
1990 |
AAdSf![Color (Technicolor); Aspect: 1.85:1; 35 mm (also horizontal) (Eastman 125T 5247, 400T 5295); Spherical VistaVision (visual effects); Arriflex Cameras, Zeiss Lenses; AUDIO: 70 mm 6-Track (70 mm prints), Dolby SR (35 mm prints) Color (Technicolor)](icons/rgb.png) |
Total Recall |
Paul Verhoeven, W, W, ++, P, M |
|
5.6 |
1987 |
DHW![Color (Technicolor); Aspect: 1.85:1; 35 mm (Eastman 125T 5247, 400T 5294, 250D 5297); Arriflex 35 III, Ultra Speed MKII and Cooke Lenses Panavision Panaflex Gold, Panavision Primo, Ultra Speed MKII and Cooke Lenses; AUDIO: 70 mm 6-Track (70 mm prints), Dolby (35 mm prints) Color (Technicolor)](icons/rgb.png) |
Empire of the Sun |
Steven Spielberg, W, W, ++, P, M |
|
5.6 |
1986 |
DR![Color; Aspect: 1.37:1; 16 mm; AUDIO: Mono Color](icons/rgb.png) |
Summer |
Eric Rohmer, W, W, P, M «Le rayon vert» |
|
5.6 |
1982 |
Ho![Color (Metrocolor); Aspect: 2.20:1; 35 mm (Eastman 100T 5247); J-D-C Scope (anamorphic); Ultracam 35, Cooke Xtal Express Lenses; AUDIO: Dolby (35 mm prints) (as Dolby Stereo), 70 mm 6-Track (70 mm prints) Color (Metrocolor)](icons/rgb.png) |
Poltergeist |
Tobe Hooper, W, W, ++, P, M |
|
5.6 |
1978 |
DW![Color (Technicolor); Aspect: 2.35:1; 35 mm; Panavision (anamorphic); Panavision Cameras and Lenses; AUDIO: 70 mm 6-Track (70 mm prints), Dolby (35 mm prints) Color (Technicolor)](icons/rgb.png) |
The Deer Hunter |
Michael Cimino, W, W, ++, P, M |
|
5.6 |
1972 |
CrT![Color (Technicolor); Aspect: 1.85:1; 35 mm; AUDIO: Mono (Westrex Recording System) Color (Technicolor)](icons/rgb.png) |
Frenzy |
Alfred Hitchcock, W, W, P, P, M |
|
5.6 |
1969 |
CD![Color (Eastmancolor); Aspect: 1.85:1; 35 mm; Wescam; AUDIO: Mono Color (Eastmancolor)](icons/rgb.png) |
Bob & Carol & Ted & Alice |
Paul Mazursky, W, W, P, M |
|
5.6 |
1969 |
DFan![Color (DeLuxe); Aspect: 2.35:1; 35 mm; Panavision (anamorphic); AUDIO: Mono Color (DeLuxe)](icons/rgb.png) |
Fellini Satyricon |
Federico Fellini, W, W, ++, P, M, M, M++ «Fellini - Satyricon» |
|
5.6 |
1961 |
D![Black and White; Aspect: 1.66:1; 35 mm; AUDIO: Mono (Westrex Recording System) Black and White](icons/bw.png) |
The Misfits |
John Huston, W, P, M |
|
5.6 |
1959 |
CDMcR![Color (Eastmancolor); Aspect: 1.37:1; 35 mm; AUDIO: 70 mm 6-Track (70 mm prints), Mono (35 mm prints) Color (Eastmancolor)](icons/rgb.png) |
Black Orpheus |
Marcel Camus, W, W, ++, P, M, M «Orfeu Negro» |
|
5.6 |
1957 |
CMlR![Color (Metrocolor); Aspect: 2.35:1; 35 mm; CinemaScope; AUDIO: 4-Track Stereo, Perspecta Stereo (Westrex Recording System) Color (Metrocolor)](icons/rgb.png) |
Silk Stockings |
Rouben Mamoulian, W, W, ++, P, M |
|
5.6 |
1954 |
DMlR![Color; Aspect: 2.55:1; 35 mm; CinemaScope; AUDIO: 4-Track Stereo (Western Electric Recording) (magnetic prints), Mono (optical prints) Color](icons/rgb.png) |
Carmen Jones |
Otto Preminger, W, W, ++, P |
|
5.6 |
1945 |
MT![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (RCA Sound System) Black and White](icons/bw.png) |
The Spiral Staircase |
Robert Siodmak, W, W, P, M |
|
5.6 |
1938 |
ADHW![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono Black and White](icons/bw.png) |
Alexander Nevsky |
Sergei M. Eisenstein, Dmitri Vasilyev, W, W, P, M «Aleksandr Nevskiy» |
|
5.6 |
1934 |
DR![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono Black and White](icons/bw.png) |
L'Atalante |
Jean Vigo, W, W, ++, P, P, P, M |
|
5.6 |
1930 |
DR![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric System) Black and White](icons/bw.png) |
Anna Christie |
Clarence Brown, W, W, P, M |
|
5.5 |
2001 |
AnAdCFFan![Color (Technicolor); Aspect: 1.85:1; Digital; Digital; AUDIO: DTS, Dolby Digital, SDDS Color (Technicolor)](icons/d-rgb.png) |
Shrek |
Andrew Adamson, Vicky Jenson, W, W, ++, M, M |
|
5.5 |
1992 |
CrDRT![Color (Eastmancolor); Aspect: 2.35:1; 35 mm (Eastman Kodak); Panavision (anamorphic); AUDIO: Dolby SR Color (Eastmancolor)](icons/rgb.png) |
The Crying Game |
Neil Jordan, W, P, M |
|
5.5 |
1990 |
CrD![Color (Technicolor); Aspect: 1.85:1; 35 mm; AUDIO: Dolby Color (Technicolor)](icons/rgb.png) |
Internal Affairs |
Mike Figgis, W, P, M, M, M |
|
5.5 |
1988 |
D![Color; Aspect: 1.66:1; 35 mm; AUDIO: Stereo Color](icons/rgb.png) |
Chocolat |
Claire Denis, W, W, P, M |
|
5.5 |
1986 |
DSp![Color; Aspect: 1.85:1; 35 mm (Eastman 400T 5294); Arriflex Cameras and Lenses; AUDIO: 70 mm 6-Track (70 mm prints), Dolby SR (35 mm prints) Color](icons/rgb.png) |
The Color of Money |
Martin Scorsese, W, W, P |
|
5.5 |
1984 |
AdDH![Color (Technicolor); Aspect: 1.66:1; 35 mm; Panavision Camera (filmed with) (as Panavision); AUDIO: Dolby Color (Technicolor)](icons/rgb.png) |
A Passage to India |
David Lean, W, ++, P, M |
|
5.5 |
1982 |
DRW![Color (Metrocolor); Aspect: 2.35:1; 35 mm; Panavision (anamorphic); AUDIO: Mono Color (Metrocolor)](icons/rgb.png) |
The Year of Living Dangerously |
Peter Weir, W, W, ++, P, M |
|
5.5 |
1981 |
DHSp![Color; Aspect: 1.85:1; 35 mm; AUDIO: Dolby Color](icons/rgb.png) |
Chariots of Fire |
Hugh Hudson, W, P, M |
|
5.5 |
1974 |
DMT![Color (Technicolor); Aspect: 1.37:1; 35 mm; AUDIO: Mono, Dolby Digital (restored version) Color (Technicolor)](icons/rgb.png) |
The Conversation |
Francis Ford Coppola, W, P, P, M |
|
5.5 |
1970 |
DR![Color (Eastmancolor); Aspect: 1.37:1; 16 mm; AUDIO: Mono Color (Eastmancolor)](icons/rgb.png) |
Claire's Knee |
Eric Rohmer, W, P «Le genou de Claire» |
|
5.5 |
1964 |
AdCCrT![Color (Technicolor); Aspect: 1.66:1; 35 mm; AUDIO: Mono (Westrex Recording System) Color (Technicolor)](icons/rgb.png) |
Topkapi |
Jules Dassin, W, W, P, M |
|
5.5 |
1959 |
D![Black and White; Aspect: 1.66:1; 35 mm; AUDIO: Mono Black and White](icons/bw.png) |
Look Back in Anger |
Tony Richardson, W, W, ++, P, M |
|
5.5 |
1948 |
D![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Recording) Black and White](icons/bw.png) |
Hamlet |
Laurence Olivier, W, ++, P, M |
|
5.5 |
1943 |
D![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (RCA Sound System) Black and White](icons/bw.png) |
Watch on the Rhine |
Herman Shumlin, ++, W, W, ++, P, P, M |
|
5.5 |
1942 |
CR![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (RCA Sound System) Black and White](icons/bw.png) |
The Man Who Came to Dinner |
William Keighley, W, W, ++, P, M |
|
5.5 |
1936 |
DR![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Sound System) Black and White](icons/bw.png) |
Romeo and Juliet |
George Cukor, W, W, P, M |
|
5.5 |
1932 |
DR![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Sound System) Black and White](icons/bw.png) |
Grand Hotel |
Edmund Goulding, W, W, ++, P, M |
|
5.5 |
1931 |
Ho![Black and White (tinted); Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Sound System) Black and White (tinted)](icons/bw.png) |
Dracula |
Tod Browning, ++, W, W, ++, P, M |
|
5.4 |
1998 |
BCrDT![Black and White; Aspect: 2.35:1; 35 mm; Super 35; AUDIO: Dolby Digital Black and White](icons/bw.png) |
The General |
John Boorman, W, W, P, M |
|
5.4 |
1990 |
D![Color (Technicolor); Aspect: 1.85:1; 35 mm; Panavision Cameras and Lenses; AUDIO: Dolby Color (Technicolor)](icons/rgb.png) |
Mr. & Mrs. Bridge |
James Ivory, W, W, P, M |
|
5.4 |
1983 |
HoSf![Color; Aspect: 1.85:1; 35 mm; Panaflex Camera and Lenses by Panavision; AUDIO: Mono Color](icons/rgb.png) |
Videodrome |
David Cronenberg, W, P, M |
|
5.4 |
1978 |
CDR![Color (Eastmancolor); Aspect: 1.66:1; 35 mm; AUDIO: Mono Color (Eastmancolor)](icons/rgb.png) |
Get Out Your Handkerchiefs |
Bertrand Blier, W, P, M «Préparez vos mouchoirs» |
|
5.4 |
1968 |
DR![Color (Technicolor); Aspect: 1.37:1; 35 mm; AUDIO: Mono (RCA Sound Recording) Color (Technicolor)](icons/rgb.png) |
Petulia |
Richard Lester, W, W, ++, P, M |
|
5.4 |
1968 |
CrDM![Color (Eastmancolor); Aspect: 1.66:1; 35 mm; AUDIO: Mono Color (Eastmancolor)](icons/rgb.png) |
The Bride Wore Black |
François Truffaut, W, W, ++, P, M «La mariée était en noir» |
|
5.4 |
1965 |
DR![Black and White; Aspect: 1.66:1; 35 mm; AUDIO: Mono Black and White](icons/bw.png) |
Darling |
John Schlesinger, W, ++, P, M |
|
5.4 |
1965 |
CDFan![Color (Technicolor); Aspect: 1.85:1; 35 mm; AUDIO: Mono Color (Technicolor)](icons/rgb.png) |
Juliet of the Spirits |
Federico Fellini, W, W, ++, P, M «Giulietta degli spiriti» |
|
5.4 |
1965 |
HoT![Black and White; Aspect: 1.66:1; 35 mm; AUDIO: Mono (Westrex Recording System) Black and White](icons/bw.png) |
Repulsion |
Roman Polanski, W, W, ++, P, M |
|
5.4 |
1963 |
DFan![Black and White; Aspect: 1.85:1; 35 mm; Arriflex II C; AUDIO: Mono Black and White](icons/bw.png) |
8½ |
Federico Fellini, W, W, ++, P, M |
|
5.4 |
1961 |
CrDMlR![Color (Technicolor); Aspect: 2.20:1; 65 mm; Super Panavision 70; AUDIO: 4-Track Stereo (35 mm magnetic prints), 70 mm 6-Track (Westrex Recording System) (70 mm prints), Mono (35 mm optical prints) Color (Technicolor)](icons/rgb.png) |
West Side Story |
Jerome Robbins, Robert Wise, W, W, ++, P, M, M |
|
5.4 |
1959 |
DSf![Black and White; Aspect: 1.66:1; 35 mm; AUDIO: Mono (Westrex Recording System) Black and White](icons/bw.png) |
On the Beach |
Stanley Kramer, W, W, P, M |
|
5.4 |
1956 |
AdDH![Color (Technicolor); Aspect: 1.85:1; 35 mm (horizontal); Super VistaVision (1989 re-release) VistaVision; Mitchell VistaVision Cameras; AUDIO: Dolby Digital (1998 re-release), Dolby (1989 re-release), Mono (35 mm prints), 70 mm 6-Track (Western Electric Recording) Color (Technicolor)](icons/rgb.png) |
The Ten Commandments |
Cecil B. DeMille, W, W, ++, P, M |
|
5.4 |
1954 |
We![Color (Trucolor); Aspect: 1.37:1; 35 mm; AUDIO: Mono (RCA Sound System) Color (Trucolor)](icons/rgb.png) |
Johnny Guitar |
Nicholas Ray, W, W, ++, P, M |
|
5.3 |
1987 |
DT![Color (Technicolor); Aspect: 1.85:1; 35 mm; Lenses and Panaflex Camera by Panavision; AUDIO: Dolby, Dolby Digital (5.1 surround) Color (Technicolor)](icons/rgb.png) |
Fatal Attraction |
Adrian Lyne, W, P, M |
|
5.3 |
1986 |
CD![Color; Aspect: 2.35:1; 35 mm; Panavision (anamorphic); AUDIO: Dolby Color](icons/rgb.png) |
That's Life! |
Blake Edwards, W, W, P, M |
|
5.3 |
1960 |
CrD![Black and White; Aspect: 1.37:1; 35 mm; Arriflex Cameras; AUDIO: Mono Black and White](icons/bw.png) |
Breathless |
Jean-Luc Godard, W, ++, P, M «À bout de souffle» |
|
5.3 |
1940 |
D![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Mirrophonic Recording) Black and White](icons/bw.png) |
Our Town |
Sam Wood, W, ++, P, M |
|
5.3 |
1933 |
CMl![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Noiseless Recording) Black and White](icons/bw.png) |
Duck Soup |
Leo McCarey, W, W, ++, P, M |
|
5.2 |
1997 |
CD![Color; Aspect: 1.66:1; AUDIO: Dolby Color](icons/q-rgb.png) |
Henry Fool |
Hal Hartley, ++, P, M |
|
5.2 |
1997 |
CDMc![Color; Aspect: 1.85:1; 35 mm (Kodak); Moviecam Cameras; AUDIO: Dolby Digital Color](icons/rgb.png) |
The Full Monty |
Peter Cattaneo, W, P, M |
|
5.2 |
1989 |
D![Color; Aspect: 1.85:1; 35 mm; Arriflex Cameras and Lenses; AUDIO: Dolby SR Color](icons/rgb.png) |
Do the Right Thing |
Spike Lee, W, P, M |
|
5.2 |
1987 |
D![Color; Aspect: 1.85:1; 35 mm (Eastman 125T 5247, 400T 5294); Moviecam SuperAmerica, Zeiss Lenses; AUDIO: Dolby Color](icons/rgb.png) |
The Dead |
John Huston, W, W, P, M |
|
5.2 |
1985 |
DFanSf![Color (Technicolor); Aspect: 1.85:1; 35 mm (Kodak); J-D-C Cameras; AUDIO: Dolby Color (Technicolor)](icons/rgb.png) |
Brazil |
Terry Gilliam, W, W, ++, P, M |
|
5.2 |
1982 |
CD![Color (Metrocolor); Aspect: 1.85:1; 35 mm; Panaflex Camera and Lenses by Panavision; AUDIO: Mono Color (Metrocolor)](icons/rgb.png) |
Diner |
Barry Levinson, W, P, M, M |
|
5.2 |
1980 |
BDSp![Black and White, Color; Aspect: 1.85:1; 35 mm (Eastman Double-X 5222, Plus-X 5231); Arriflex 35 BL, Zeiss Super Speed Lenses; AUDIO: Dolby Black and White, Color](icons/rgb-bw.png) |
Raging Bull |
Martin Scorsese, W, W, ++, P |
|
5.2 |
1979 |
AAdT![Color (Eastmancolor); Aspect: 2.35:1; 35 mm (Eastman 100T 5247); Todd-AO 35 (anamorphic); Arriflex 35 BL, Todd-AO Lenses; AUDIO: Mono Color (Eastmancolor)](icons/rgb.png) |
Mad Max |
George Miller, W, W, ++, P, M |
|
5.2 |
1977 |
AdDSf![Color (Metrocolor); Aspect: 2.20:1; 35 mm (Eastman 100T 5247) 65 mm (Eastman 100T 5254); Panavision (anamorphic) Super Panavision 70 (special effects); Panavision Cameras and Lenses; AUDIO: 70 mm 6-Track (70 mm prints), Dolby (35 mm prints) Color (Metrocolor)](icons/rgb.png) |
Close Encounters of the Third Kind |
Steven Spielberg, W, ++, P, M |
|
5.2 |
1974 |
T![Color (Technicolor); Aspect: 2.35:1; 35 mm; Panavision (anamorphic); AUDIO: Mono Color (Technicolor)](icons/rgb.png) |
The Parallax View |
Alan J. Pakula, W, W, ++, P, M |
|
5.2 |
1969 |
CDMlRWe![Color (Technicolor); Aspect: 2.20:1; 35 mm; Panavision (anamorphic); AUDIO: 4-Track Stereo (35 mm prints), 70 mm 6-Track (70 mm prints) Color (Technicolor)](icons/rgb.png) |
Paint Your Wagon |
Joshua Logan, W, ++, P |
|
5.2 |
1967 |
C![Color (Eastmancolor); Aspect: 1.85:1; 65 mm; Mitchell Camera; AUDIO: 4-Track Stereo (35 mm prints), 70 mm 6-Track (70 mm prints), DTS 70 mm (70 mm prints) (restored version), Mono (35 mm prints) Color (Eastmancolor)](icons/rgb.png) |
Playtime |
Jacques Tati, W, W, ++, P, P, M |
|
5.2 |
1967 |
ADW![Color (Metrocolor); Aspect: 1.75:1; 35 mm; AUDIO: Stereo, 70 mm 6-Track (70 mm prints) Color (Metrocolor)](icons/rgb.png) |
The Dirty Dozen |
Robert Aldrich, W, W, ++, P, M |
|
5.2 |
1958 |
C![Color (Eastmancolor); Aspect: 1.37:1; 35 mm; AUDIO: Mono Color (Eastmancolor)](icons/rgb.png) |
Mon Oncle |
Jacques Tati, W, W, ++, P, M, M, M «Mon oncle» |
|
5.2 |
1957 |
DMcMl![Black and White; Aspect: 2.35:1; 35 mm; CinemaScope; Panavision Lenses; AUDIO: Mono (Perspecta Sound encoding) (Westrex Recording System) Black and White](icons/bw.png) |
Jailhouse Rock |
Richard Thorpe, W, W, P, M |
|
5.2 |
1956 |
D![Black and White; 35 mm; AUDIO: Mono (RCA Sound System), Stereo Black and White](icons/bw.png) |
Baby Doll |
Elia Kazan, W, P, M |
|
5.2 |
1955 |
DR![Color (WarnerColor); Aspect: 2.55:1; 35 mm; CinemaScope; AUDIO: Mono (Perspecta Sound encoding) (35 mm optical prints), 4-Track Stereo (35 mm magnetic prints) (RCA Sound Recording) Color (WarnerColor)](icons/rgb.png) |
East of Eden |
Elia Kazan, W, W, P, M |
|
5.2 |
1952 |
DFR![Color (Technicolor); Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Recording) Color (Technicolor)](icons/rgb.png) |
The Greatest Show on Earth |
Cecil B. DeMille, W, W, ++, P, M |
|
5.2 |
1951 |
MlR![Color (Technicolor); Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Sound System) Color (Technicolor)](icons/rgb.png) |
An American in Paris |
Vincente Minnelli, W, P, M |
|
5.2 |
1937 |
DR![Black and White (Sepiatone); Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Sound System) Black and White (Sepiatone)](icons/bw.png) |
The Good Earth |
Sidney Franklin, ++, W, W, ++, P, M |
|
5.1 |
1995 |
CD![Color; Aspect: 1.85:1; 35 mm; AUDIO: Dolby Color](icons/rgb.png) |
Welcome to the Dollhouse |
Todd Solondz, W, P, M |
|
5.1 |
1994 |
CrDT![Color; Aspect: 2.35:1; 35 mm (Eastman EXR 50D 5245); Panavision (anamorphic); Panavision Cameras and Lenses; AUDIO: Dolby Digital Color](icons/rgb.png) |
Pulp Fiction |
Quentin Tarantino, W, W, ++, P |
|
5.1 |
1992 |
DR![Color; Aspect: 1.85:1; 35 mm; AUDIO: Dolby Color](icons/rgb.png) |
Like Water for Chocolate |
Alfonso Arau, W, P, P, M «Como agua para chocolate» |
|
5.1 |
1991 |
DR![Color (Alphacine); Aspect: 1.78:1; 35 mm; AUDIO: Ultra Stereo, Dolby SR Color (Alphacine)](icons/rgb.png) |
My Own Private Idaho |
Gus Van Sant, W, W, P, P, M |
|
5.1 |
1990 |
CrDT![Color; Aspect: 1.85:1; 35 mm; Panavision Cameras and Lenses; AUDIO: Dolby Color](icons/rgb.png) |
The Grifters |
Stephen Frears, W, W, P, M |
|
5.1 |
1989 |
Do![Color; Aspect: 1.66:1; 16 mm; AUDIO: Mono Color](icons/rgb.png) |
Roger & Me |
Michael Moore, W, P, P, P++ |
|
5.1 |
1981 |
DRT![Color; Aspect: 1.85:1; 35 mm; Lenses and Panaflex Camera by Panavision; AUDIO: Mono Color](icons/rgb.png) |
Absence of Malice |
Sydney Pollack, W, ++, P, M |
|
5.1 |
1973 |
HoT![Color (Metrocolor); Aspect: 1.37:1; 35 mm; AUDIO: 70 mm 6-Track (1979 re-release), DTS-ES (director's cut), Dolby Digital EX (director's cut), Mono (original release), SDDS (director's cut) Color (Metrocolor)](icons/rgb.png) |
The Exorcist |
William Friedkin, W, P, M |
|
5.1 |
1973 |
CrDTM![Color (Technicolor); Aspect: 2.35:1; 35 mm; Panavision (anamorphic); Panavision Lenses; AUDIO: Mono Color (Technicolor)](icons/rgb.png) |
The Long Goodbye |
Robert Altman, W, W, P, M |
|
5.1 |
1971 |
CrDSf![Black and White, Color (Warnercolor) (uncredited); Aspect: 1.66:1; 35 mm; Newman Sinclair Arriflex 35 IIC; AUDIO: Dolby Digital (re-issue), Mono Black and White, Color (Warnercolor) (uncredited)](icons/rgb-bw.png) |
A Clockwork Orange |
Stanley Kubrick, W, W, P |
|
5.1 |
1968 |
BCDMlR![Color (Technicolor); Aspect: 2.20:1; 35 mm; Panavision (anamorphic) (as Panavision®); AUDIO: 70 mm 6-Track (70 mm prints), 4-Track Stereo (35 mm magnetic prints), Dolby SR (35mm restored version), Dolby Digital (35mm restored version), SDDS (35mm restored version), DTS (35mm restored version) Color (Technicolor)](icons/rgb.png) |
Funny Girl |
William Wyler, W, ++, P, M |
|
5.1 |
1958 |
CrNT![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Westrex Recording System) Black and White](icons/bw.png) |
Touch of Evil |
Orson Welles, W, W, ++, P, M |
|
5.1 |
1957 |
RCMl![Color (Technicolor); Aspect: 1.85:1; 35 mm (horizontal); VistaVision; AUDIO: Mono (Westrex Recording System), Mono Color (Technicolor)](icons/rgb.png) |
Funny Face |
Stanley Donen, W, P |
|
5.1 |
1956 |
CMc![Color; Aspect: 2.35:1; 35 mm; CinemaScope; Bausch & Lomb Lenses; AUDIO: 4-Track Stereo (Westrex Recording System) Color](icons/rgb.png) |
The Girl Can't Help It |
Frank Tashlin, W, W, ++, P, M, M |
|
5.1 |
1955 |
CMlR![Color (Eastmancolor); Aspect: 2.55:1; 35 mm (Eastman Kodak); CinemaScope; AUDIO: Mono (Western Electric Sound System), 4-Track Stereo Color (Eastmancolor)](icons/rgb.png) |
The Tender Trap |
Charles Walters, W, W, ++, P, M |
|
5.1 |
1934 |
CR![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Noiseless Recording) Black and White](icons/bw.png) |
Twentieth Century |
Howard Hawks, W, W, ++, P |
|
5.1 |
1927 |
DMcR![Black and White; Aspect: 1.33:1; 35 mm; AUDIO: Mono (Vitaphone) Black and White](icons/bw.png) |
The Jazz Singer |
Alan Crosland, W, W, ++, P, M |
|
5.0 |
1997 |
D![Color; Aspect: 2.35:1; 16 mm (70s porno) 35 mm Video (NTSC) (80s porno); Panavision (anamorphic); Panavision Panaflex Gold, Panavision C-Series Lenses; AUDIO: Dolby Digital, SDDS Color](icons/rgb.png) |
Boogie Nights |
Paul Thomas Anderson, W, P, M |
|
5.0 |
1997 |
Do![Black and White, Color; 35 mm; Interrotron; AUDIO: Dolby Digital Black and White, Color](icons/rgb-bw.png) |
Fast, Cheap & Out of Control |
Errol Morris, P, M |
|
5.0 |
1997 |
D![Color; Aspect: 1.66:1; 35 mm; AUDIO: Stereo Color](icons/rgb.png) |
Taste of Cherry |
Abbas Kiarostami, W, P «Ta'm e guilass» |
|
5.0 |
1987 |
FanDR![Color (Eastmancolor), Black and White (partly); Aspect: 1.37:1; 35 mm (Eastman Kodak); Arriflex 35 BL4; AUDIO: Dolby Color (Eastmancolor), Black and White (partly)](icons/rgb-bw.png) |
Wings of Desire |
Wim Wenders, W, W, ++, P, M «Der Himmel über Berlin» |
|
5.0 |
1982 |
AdFFanSf![Color; Aspect: 1.85:1; 35 mm (Eastman 100T 5247); Panavision Cameras and Lenses; AUDIO: Dolby (35 mm prints) Color](icons/rgb.png) |
E.T. the Extra-Terrestrial |
Steven Spielberg, W, P, M |
|
5.0 |
1981 |
T![Color (Eastmancolor); Aspect: 1.66:1; 35 mm; Panaflex Cameras and Lenses by Panavision; AUDIO: Mono Color (Eastmancolor)](icons/rgb.png) |
Diva |
Jean-Jacques Beineix, W, W, ++, P, M |
|
5.0 |
1978 |
CR![Color (Technicolor); Aspect: 1.85:1; 35 mm; Lenses and Panaflex Camera by Panavision; AUDIO: Mono (Todd-AO) Color (Technicolor)](icons/rgb.png) |
Animal House |
John Landis, W, W, ++, P, M |
|
5.0 |
1977 |
DMc![Color; Aspect: 1.85:1; 35 mm; Panaflex Camera and Lenses by Panavision; AUDIO: Dolby Color](icons/rgb.png) |
Saturday Night Fever |
John Badham, W, W, P, M, M, M |
|
5.0 |
1973 |
CrD![Color (Technicolor); Aspect: 1.85:1; 35 mm; AUDIO: Mono Color (Technicolor)](icons/rgb.png) |
Mean Streets |
Martin Scorsese, W, W, ++, P |
|
5.0 |
1971 |
ACrT![Color; Aspect: 1.85:1; 35 mm (Eastman 100T 5254); Arriflex Cameras and Lenses; AUDIO: Mono (Westrex Recording System), 4-Track Stereo (Westrex Recording System) Color](icons/rgb.png) |
The French Connection |
William Friedkin, W, W, ++, P, M |
|
5.0 |
1970 |
D![Color (Eastmancolor); Aspect: 1.33:1; 16 mm; AUDIO: Mono Color (Eastmancolor)](icons/rgb.png) |
The Little Theatre of Jean Renoir |
Jean Renoir, W, P, M, M «Le petit théâtre de Jean Renoir» TV |
|
5.0 |
1969 |
DWe![Color (Technicolor); Aspect: 2.35:1; 35 mm; Panavision (anamorphic); AUDIO: Mono (Westrex Recording System) Color (Technicolor)](icons/rgb.png) |
Tell Them Willie Boy Is Here |
Abraham Polonsky, W, W, P, M |
|
5.0 |
1965 |
ADW![Black and White (archive footage), Color (Metrocolor); Aspect: 2.20:1; 35 mm; Panavision (anamorphic) (as Panavision®); AUDIO: 70 mm 6-Track (70 mm prints) (Westrex Recording System), Mono (35 mm prints) (Westrex Recording System) Black and White (archive footage), Color (Metrocolor)](icons/rgb-bw.png) |
Operation Crossbow |
Michael Anderson, W, W, ++, P, M |
|
5.0 |
1958 |
MlRW![Color (Technicolor); Aspect: 2.35:1; 65 mm; Todd-AO (70 mm version); Todd-AO Camera; AUDIO: 4-Track Stereo (35 mm mag-optical prints), Mono (35 mm optical prints), 70 mm 6-Track (Westrex Recording System) (70 mm prints) Color (Technicolor)](icons/rgb.png) |
South Pacific |
Joshua Logan, W, W, ++, P, M |
|
5.0 |
1933 |
DRW![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric System) Black and White](icons/bw.png) |
Cavalcade |
Frank Lloyd, W, W, ++, P, M, M, M++ |
|
5.0 |
1930 |
CD![Black and White; Aspect: 1.20:1; 35 mm; AUDIO: Mono (Tobis-Klangfilm) Black and White](icons/bw.png) |
L'Age d'Or |
Luis Buñuel, W, W, ++, P, M, M «L'âge d'or» |
|
4.9 |
1998 |
CDR![Color; Aspect: 2.35:1; 35 mm (Kodak Vision 200T 5274, Vision 500T 5279); Super 35; Arriflex 535B, Zeiss Variable Prime Lenses; AUDIO: Dolby Digital Color](icons/rgb.png) |
Shakespeare in Love |
John Madden, W, W, P, M |
|
4.9 |
1991 |
AdCrDT![Color; Aspect: 2.35:1; 35 mm (Eastman); Panavision (anamorphic); Panavision Cameras and Lenses; AUDIO: Dolby Color](icons/rgb.png) |
Thelma & Louise |
Ridley Scott, W, P, M |
|
4.9 |
1987 |
D![Color (Technicolor); Aspect: 1.85:1; 35 mm (Eastman 125T 5247, 400T 5294); Arriflex 35 BL3; AUDIO: Dolby Color (Technicolor)](icons/rgb.png) |
Hope and Glory |
John Boorman, W, P, M |
|
4.9 |
1984 |
CD![Black and White; Aspect: 1.85:1; 35 mm; Arriflex Cameras; AUDIO: Mono Black and White](icons/bw.png) |
Stranger Than Paradise |
Jim Jarmusch, W, P, M |
|
4.9 |
1981 |
BD![Color; Aspect: 1.66:1; 16 mm; AUDIO: Mono Color](icons/rgb.png) |
My Dinner with Andre |
Louis Malle, W, W, P, M |
|
4.9 |
1980 |
MT![Color (Technicolor); Aspect: 2.35:1; 35 mm; Panavision (anamorphic); Panavision Cameras and Lenses; AUDIO: Mono Color (Technicolor)](icons/rgb.png) |
Dressed to Kill |
Brian De Palma, W, P, M |
|
4.9 |
1979 |
CDMl![Color (Technicolor); Aspect: 1.85:1; 35 mm; Panaflex Camera and Lenses by Panavision; AUDIO: 70 mm 6-Track (70 mm prints), Dolby (35 mm prints) Color (Technicolor)](icons/rgb.png) |
Hair |
Milos Forman, W, W, ++, P, P, P, M |
|
4.9 |
1979 |
DW![Black and White, Color (Eastmancolor); Aspect: 2.20:1; 35 mm; Arriflex Cameras and Lenses; AUDIO: Mono (35 mm prints), 70 mm 6-Track (70 mm prints) Black and White, Color (Eastmancolor)](icons/rgb-bw.png) |
The Tin Drum |
Volker Schlöndorff, W, W, ++, P, M «Die Blechtrommel» |
|
4.9 |
1971 |
DT![Color (Eastmancolor) (uncredited), Black and White (opening credits); Aspect: 1.85:1; 35 mm; AUDIO: Mono Color (Eastmancolor) (uncredited), Black and White (opening credits)](icons/rgb-bw.png) |
Straw Dogs |
Sam Peckinpah, W, W, ++, P, M |
|
4.9 |
1960 |
DH![Black and White; Aspect: 1.66:1; 35 mm; AUDIO: Mono (Westrex Recording System) Black and White](icons/bw.png) |
Inherit the Wind |
Stanley Kramer, W, W, ++, P, M |
|
4.9 |
1959 |
DMT![Black and White; Aspect: 1.85:1; 35 mm; AUDIO: Mono (Westrex Recording System) Black and White](icons/bw.png) |
Suddenly, Last Summer |
Joseph L. Mankiewicz, W, W, ++, P, M, M |
|
4.9 |
1958 |
BCrDN![Black and White; Aspect: 1.66:1; 35 mm; AUDIO: Mono (Westrex Recording System) Black and White](icons/bw.png) |
I Want to Live! |
Robert Wise, W, W, ++, P, M |
|
4.8 |
1996 |
CDRSp![Color; Aspect: 1.85:1; 35 mm; Panaflex Cameras and Lenses by Panavision; AUDIO: SDDS, Dolby, DTS-Stereo, Dolby Digital Color](icons/rgb.png) |
Jerry Maguire |
Cameron Crowe, W, P |
|
4.8 |
1992 |
DR![Color (Technicolor); Aspect: 2.20:1; 35 mm; Super 35; AUDIO: 70 mm 6-Track (70 mm prints), Dolby (35 mm prints) Color (Technicolor)](icons/rgb.png) |
Howards End |
James Ivory, W, W, P, M |
|
4.8 |
1985 |
C![Color (Technicolor); Aspect: 1.85:1; 35 mm (Eastman 400T 5294); Panavision Panaflex Gold, Panavision Ultra Speed MKII and Cooke Lenses; AUDIO: Stereo Color (Technicolor)](icons/rgb.png) |
Lost in America |
Albert Brooks, W, W, P, M |
|
4.8 |
1983 |
CD![Color (Technicolor); Aspect: 1.85:1; 35 mm; AUDIO: Dolby Color (Technicolor)](icons/rgb.png) |
Risky Business |
Paul Brickman, W, P, P, M |
|
4.8 |
1980 |
HoM![Color; Aspect: 1.37:1; 35 mm (Eastman 100T 5247); Arriflex 35 BL, Zeiss Super Speed Lenses; AUDIO: Mono Color](icons/rgb.png) |
The Shining |
Stanley Kubrick, W, W, ++, P, M, M |
|
4.8 |
1969 |
D![Color (Eastmancolor); Aspect: 1.66:1; 35 mm; AUDIO: Mono (Westrex Recording System) Color (Eastmancolor)](icons/rgb.png) |
The Damned |
Luchino Visconti, W, W, ++, P, P, M «La caduta degli dei (Götterdämmerung)» |
|
4.8 |
1966 |
CDFan![Black and White; 35 mm; AUDIO: Mono Black and White](icons/bw.png) |
Morgan! |
Karel Reisz, W, P, M «Morgan: A Suitable Case for Treatment» |
|
4.8 |
1957 |
CRD![Black and White; Aspect: 1.85:1; AUDIO: Mono (Westrex Recording System) Black and White](icons/bw.png) |
Love in the Afternoon |
Billy Wilder, W, W, ++, P |
|
4.8 |
1955 |
CM![Color (Technicolor); Aspect: 1.50:1; 35 mm (horizontal); VistaVision: Motion Picture High-Fidelity; AUDIO: Mono (Western Electric Recording) Color (Technicolor)](icons/rgb.png) |
The Trouble with Harry |
Alfred Hitchcock, W, W, P, M |
|
4.8 |
1947 |
DH![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (RCA Sound System) Black and White](icons/bw.png) |
The Fugitive |
John Ford, ++, W, W, P, M |
|
4.8 |
1938 |
CR![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (RCA Victor System) Black and White](icons/bw.png) |
Bringing Up Baby |
Howard Hawks, W, W, ++, P, M |
|
4.7 |
2002 |
DHW![Color; Aspect: 1.85:1; 16 mm; Super 16; AUDIO: Dolby Digital Color](icons/rgb.png) |
Bloody Sunday |
Paul Greengrass, W, P, M |
|
4.7 |
2000 |
BD![Color (Technicolor); Aspect: 1.85:1; 35 mm (Kodak Vision 200T 5274, Vision 800T 5289); Arriflex 35 BL4S, Zeiss Super Speed Lenses Arriflex 535, Zeiss Super Speed Lenses; AUDIO: Dolby Digital Color (Technicolor)](icons/rgb.png) |
Before Night Falls |
Julian Schnabel, W, W, ++, P, P, M |
|
4.7 |
1999 |
DR![Color; Aspect: 2.35:1; 35 mm (Kodak Vision 250D 5246, Vision 320T 5277, Vision 500T 5279); Super 35; Moviecam Compact, Cooke S4 Lenses; AUDIO: Dolby Digital, SDDS Color](icons/rgb.png) |
The Cider House Rules |
Lasse Hallström, W, P, M |
|
4.7 |
1989 |
T![Color; Aspect: 2.35:1; 35 mm; Panavision (anamorphic); Panavision Cameras and Lenses; AUDIO: Dolby SR Color](icons/rgb.png) |
Dead Calm |
Phillip Noyce, W, W, P, M |
|
4.7 |
1988 |
CCr![Color; Aspect: 1.85:1; 35 mm (Eastman 125T 5247, 400T 5294); AUDIO: Dolby SR Color](icons/rgb.png) |
Married to the Mob |
Jonathan Demme, W, W, P, M |
|
4.7 |
1983 |
CrD![Color (Eastmancolor); Aspect: 1.66:1; 35 mm; AUDIO: Mono Color (Eastmancolor)](icons/rgb.png) |
L'argent |
Robert Bresson, W, W, P, P |
|
4.7 |
1962 |
DR![Black and White; Aspect: 2.35:1; 35 mm; Franscope; Chevereau Cameras; AUDIO: Mono Black and White](icons/bw.png) |
Jules and Jim |
François Truffaut, W, W, ++, P, M «Jules et Jim» |
|
4.7 |
1944 |
BDHMcR![Color (Technicolor), Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Recording) Color (Technicolor), Black and White](icons/rgb-bw.png) |
Wilson |
Henry King, W, P, P, M |
|
4.6 |
2001 |
CrD![Black and White; Aspect: 1.85:1; 35 mm (Kodak Vision 320T 5277); Super 35; Arriflex 535B, Cooke S4 Lenses; AUDIO: DTS, Dolby Digital, SDDS Black and White](icons/bw.png) |
The Man Who Wasn't There |
Joel Coen, ++, W, W, P, M |
|
4.6 |
1983 |
CD![Color (Metrocolor); Aspect: 1.85:1; 35 mm; Lenses and Panaflex Cameras by Panavision; AUDIO: Mono Color (Metrocolor)](icons/rgb.png) |
Terms of Endearment |
James L. Brooks, W, W, P, M |
|
4.6 |
1970 |
CWD![Color; Aspect: 2.35:1; 35 mm; Panavision (anamorphic); AUDIO: Mono (Westrex Recording System) Color](icons/rgb.png) |
MASH |
Robert Altman, W, W, P, M |
|
4.6 |
1963 |
CCr![Color (Technicolor); Aspect: 2.20:1; 35 mm (horizontal); Super Technirama 70; AUDIO: 4-Track Stereo (Westrex Recording System) Color (Technicolor)](icons/rgb.png) |
The Pink Panther |
Blake Edwards, W, W, P, M |
|
4.5 |
1997 |
DMT![Color; Aspect: 1.85:1; 35 mm (Fuji Super F-125T 8532, Super F-500T 8572); Panavision Panaflex Gold II, Panavision Primo Lenses; AUDIO: Dolby Color](icons/rgb.png) |
Affliction |
Paul Schrader, W, W, P, M |
|
4.5 |
1996 |
DR![Color (Eastmancolor); Aspect: 2.35:1; 35 mm (Eastman EXR 200T 5293, EXR 500T 5298); D1 (master format) Super 35 (source format); Moviecam Compact, Zeiss Lenses; AUDIO: Dolby Digital Color (Eastmancolor)](icons/rgb.png) |
Breaking the Waves |
Lars von Trier, W, W, ++, P |
|
4.5 |
1987 |
CrMT![Color; Aspect: 1.85:1; 35 mm; Panaflex Cameras and Lenses by Panavision; AUDIO: Mono Color](icons/rgb.png) |
House of Games |
David Mamet, W, W, ++, P, M |
|
4.5 |
1985 |
CCrDR![Color; Aspect: 1.85:1; 35 mm; Lenses and Panaflex Camera by Panavision; AUDIO: Dolby Color](icons/rgb.png) |
Prizzi's Honor |
John Huston, W, ++, P, M |
|
4.5 |
1979 |
CR![Color (Metrocolor); Aspect: 2.35:1; 35 mm; Panavision (anamorphic); AUDIO: Stereo Color (Metrocolor)](icons/rgb.png) |
10 |
Blake Edwards, W, P, M |
|
4.5 |
1976 |
DH![Color (Technicolor); Aspect: 1.66:1; 35 mm; AUDIO: Mono Color (Technicolor)](icons/rgb.png) |
1900 |
Bernardo Bertolucci, W, W, ++, P, M «Novecento» |
|
4.5 |
1963 |
D![Color (Technicolor); Aspect: 2.35:1; 35 mm; Franscope; Mitchell Camera; AUDIO: Mono Color (Technicolor)](icons/rgb.png) |
Contempt |
Jean-Luc Godard, W, ++, P, M, M «Le mépris» |
|
4.4 |
2001 |
CD![Color; Aspect: 1.85:1; 35 mm (Kodak); Panavision Cameras and Lenses; AUDIO: DTS, Dolby Digital Color](icons/rgb.png) |
Ghost World |
Terry Zwigoff, W, ++, P, M |
|
4.3 |
1998 |
ADW![Color (Technicolor); Aspect: 1.85:1; 35 mm (Eastman EXR 200T 5293); Moviecam SL, Panavision Ultra Speed MKII Lenses Panavision Panaflex Platinum, Panavision Ultra Speed MKII Lenses Panavision Panastar, Panavision Ultra Speed MKII Lenses; AUDIO: DTS, Dolby Digital, SDDS Color (Technicolor)](icons/rgb.png) |
Saving Private Ryan |
Steven Spielberg, W, P, M |
|
4.3 |
1990 |
CD![Color; Aspect: 1.85:1; Super 16; Arriflex Cameras and Lenses; AUDIO: Stereo Color](icons/q-rgb.png) |
Metropolitan |
Whit Stillman, W, P, M, M |
|
4.3 |
1972 |
D![Color (Eastmancolor); Aspect: 1.85:1; 35 mm; Panavision Cameras and Lenses; AUDIO: Mono Color (Eastmancolor)](icons/rgb.png) |
The King of Marvin Gardens |
Bob Rafelson, W, W, ++, P |
|
4.3 |
1968 |
D![Black and White; Aspect: 1.66:1; 16 mm; Eclair NPR; AUDIO: Mono Black and White](icons/bw.png) |
Faces |
John Cassavetes, W, P, P, P |
|
4.3 |
1959 |
DRW![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono Black and White](icons/bw.png) |
Hiroshima, mon amour |
Alain Resnais, W, P, P, M, M |
|
4.2 |
1997 |
D![Color; Aspect: 2.35:1; 35 mm (Eastman EXR 100T 5248, Kodak Vision 500T 5279); Panavision (anamorphic); Panavision Panaflex Gold II, Panavision E-Series Lenses; AUDIO: Dolby Digital Color](icons/rgb.png) |
The Sweet Hereafter |
Atom Egoyan, W, W, P, M |
|
4.2 |
1985 |
CDR![Color; Aspect: 1.66:1; 16 mm 35 mm; AUDIO: Mono Color](icons/rgb.png) |
My Beautiful Laundrette |
Stephen Frears, W, P, M |
|
4.2 |
1973 |
DR![Color (Eastmancolor); Aspect: 2.35:1; 35 mm; Panavision (anamorphic) (as Panavision®); AUDIO: Mono Color (Eastmancolor)](icons/rgb.png) |
The Way We Were |
Sydney Pollack, W, ++, P, M |
|
4.2 |
1954 |
AAdDT![Color (WarnerColor); Aspect: 2.55:1; 35 mm; CinemaScope; AUDIO: 4-Track Stereo, Mono (RCA Sound System) Color (WarnerColor)](icons/rgb.png) |
The High and the Mighty |
William A. Wellman, W, P, M |
|
4.2 |
1941 |
DM![Black and White; Aspect: 1.37:1; 35 mm; Mitchell BNC; AUDIO: Mono (RCA Sound System) Black and White](icons/bw.png) |
Citizen Kane |
Orson Welles, W, W, ++, P, M |
|
4.2 |
1940 |
DR![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Sound System) Black and White](icons/bw.png) |
Pride and Prejudice |
Robert Z. Leonard, W, W, ++, P, M |
|
4.1 |
2002 |
D![Color; Aspect: 1.85:1; 35 mm (Kodak Vision 500T 5279, Eastman EXR 200T 5293); Moviecam Compact, Cooke S3 and S4 Lenses; AUDIO: Dolby Digital Color](icons/rgb.png) |
Far from Heaven |
Todd Haynes, W, P, M |
|
4.1 |
2001 |
CDR![Color; Aspect: 1.85:1; Video; HDTV (1080p/24); AUDIO: Dolby Digital Color](icons/v-rgb.png) |
Lovely & Amazing |
Nicole Holofcener, W, P, M |
|
4.1 |
1995 |
DR![Color; Aspect: 1.66:1; 16 mm (Eastman EXR 200T 7293, EXR 500T 7298); Super 16; Panavision Cameras and Lenses; AUDIO: Dolby, Dolby SR Color](icons/rgb.png) |
Leaving Las Vegas |
Mike Figgis, W, W, P, M |
|
4.1 |
1985 |
DoB![Color; 35 mm; AUDIO: Mono Color](icons/rgb.png) |
Sherman's March |
Ross McElwee, W, P |
|
4.1 |
1984 |
CCrSf![Color; Aspect: 1.85:1; 35 mm; AUDIO: Mono Color](icons/rgb.png) |
Repo Man |
Alex Cox, W, P, M, M |
|
4.1 |
1969 |
T![Color (Technicolor); Aspect: 1.85:1; 35 mm; AUDIO: Mono (Westrex Recording System) Color (Technicolor)](icons/rgb.png) |
Topaz |
Alfred Hitchcock, W, W, P, M |
|
4.1 |
1955 |
DNT![Black and White; Aspect: 1.66:1; 35 mm; AUDIO: Mono (Western Electric Recording) Black and White](icons/bw.png) |
The Night of the Hunter |
Charles Laughton, ++, W, W, ++, P, M |
|
4.0 |
2000 |
CrD![Color; Aspect: 2.35:1; 35 mm (Kodak); Super 35; Arriflex Cameras and Lenses; AUDIO: Dolby Digital Color](icons/rgb.png) |
Sexy Beast |
Jonathan Glazer, W, W, ++, P, M |
|
4.0 |
1963 |
AdCR![Color; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Westrex Recording System), Dolby (restored version) Color](icons/rgb.png) |
Tom Jones |
Tony Richardson, W, W, P, M |
|
4.0 |
1945 |
DW![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Recording) Black and White](icons/bw.png) |
A Walk in the Sun |
Lewis Milestone, W, W, P, M |
|
3.9 |
2002 |
CCrD![Color; Aspect: 1.85:1; 35 mm (Kodak Vision 250D 5246, Vision 320T 5277, Vision Expression 500T 5284); Panavision Panaflex Millennium XL, Panavision Primo Lenses; AUDIO: DTS, Dolby Digital, SDDS Color](icons/rgb.png) |
Adaptation. |
Spike Jonze, W, W, ++, P, M |
|
3.9 |
1998 |
C![Color; Aspect: 1.85:1; 35 mm; AUDIO: Dolby SR Color](icons/rgb.png) |
The Opposite of Sex |
Don Roos, W, P, M |
|
3.9 |
1958 |
CMlR![Color (Metrocolor); Aspect: 2.35:1; 35 mm; CinemaScope; AUDIO: 4-Track Stereo (Westrex Recording System), Perspecta Stereo, Mono Color (Metrocolor)](icons/rgb.png) |
Gigi |
Vincente Minnelli, W, W, P, P, M, M |
|
3.8 |
1988 |
CRSp![Color; Aspect: 1.85:1; 35 mm; Panavision Camera and Lenses; AUDIO: Dolby Color](icons/rgb.png) |
Bull Durham |
Ron Shelton, W, P, M |
|
3.8 |
1975 |
DMc![Color (Metrocolor); Aspect: 2.35:1; 35 mm; Panavision (anamorphic); AUDIO: 4-Track Stereo (magnetic prints) Color (Metrocolor)](icons/rgb.png) |
Nashville |
Robert Altman, W, P, M, M, M++ |
|
3.8 |
1972 |
DR![Color (Technicolor); Aspect: 1.75:1; 35 mm; AUDIO: Mono Color (Technicolor)](icons/rgb.png) |
Last Tango in Paris |
Bernardo Bertolucci, W, ++, P, M «Ultimo tango a Parigi» |
|
3.8 |
1969 |
CD![Color; Aspect: 1.85:1; 35 mm; AUDIO: Mono Color](icons/rgb.png) |
Alice's Restaurant |
Arthur Penn, W, W, ++, P, M |
|
3.8 |
1966 |
DMT![Color (Metrocolor); Aspect: 1.85:1; 35 mm; AUDIO: Mono Color (Metrocolor)](icons/rgb.png) |
Blow-Up |
Michelangelo Antonioni, W, W, ++, P, M «Blowup» |
|
3.7 |
2002 |
CD![Color; Aspect: 1.85:1; 35 mm (Eastman EXR 50D 5245, Kodak Vision 200T 5274); Panavision Panaflex Gold II, Panavision Primo Lenses; AUDIO: DTS, Dolby Digital, SDDS Color](icons/rgb.png) |
About Schmidt |
Alexander Payne, W, W, ++, P, M |
|
3.7 |
1998 |
CD![Color (Technicolor); Aspect: 2.35:1; 35 mm (Eastman); Panavision (anamorphic); Panavision Cameras and Lenses; AUDIO: DTS, Dolby Digital, SDDS Color (Technicolor)](icons/rgb.png) |
Rushmore |
Wes Anderson, W, W, P, M |
|
3.7 |
1971 |
DFan![Color (Technicolor); Aspect: 2.35:1; 35 mm; Panavision (anamorphic); AUDIO: Mono Color (Technicolor)](icons/rgb.png) |
Death in Venice |
Luchino Visconti, W, W, ++, P, M «Morte a Venezia» |
|
3.6 |
2001 |
D![Color; Aspect: 1.85:1; 35 mm (Kodak); AUDIO: Dolby Digital Color](icons/rgb.png) |
Y Tu Mamá También |
Alfonso Cuarón, W, W, P «Y tu mamá también» |
|
3.6 |
1996 |
CrDT![Color; Aspect: 1.85:1; 35 mm (Eastman EXR 200T 5293); Arriflex 35 BL4, Zeiss Standard Speed Lenses; AUDIO: Dolby Digital Color](icons/rgb.png) |
Fargo |
Joel Coen, ++, W, W, P, M |
|
3.6 |
1988 |
D![Color (Technicolor); Aspect: 1.85:1; 35 mm; Arriflex Cameras and Lenses; AUDIO: 70 mm 6-Track (70 mm prints), Dolby (35 mm prints) Color (Technicolor)](icons/rgb.png) |
The Last Temptation of Christ |
Martin Scorsese, W, W, P, M |
|
3.6 |
1986 |
BDMc![Color; Aspect: 1.85:1; 35 mm; AUDIO: Dolby Color](icons/rgb.png) |
Sid and Nancy |
Alex Cox, W, W, P, M |
|
3.6 |
1978 |
D![Color (Metrocolor); Aspect: 1.85:1; 35 mm; Arriflex Cameras; AUDIO: Mono Color (Metrocolor)](icons/rgb.png) |
Pretty Baby |
Louis Malle, W, ++, P |
|
3.5 |
1983 |
CD![Color (Metrocolor); Aspect: 1.85:1; 35 mm; Panavision Cameras and Lenses; AUDIO: Mono Color (Metrocolor)](icons/rgb.png) |
The Big Chill |
Lawrence Kasdan, W, W, P |
|
3.5 |
1978 |
CR![Color; Aspect: 1.85:1; 35 mm; Lenses and Panaflex Camera by Panavision; AUDIO: Mono Color](icons/rgb.png) |
California Suite |
Herbert Ross, W, P, M |
|
3.5 |
1967 |
AdCDFanMlR![Color (Technicolor); Aspect: 2.20:1; 35 mm; Panavision (anamorphic) (as Panavision®); AUDIO: 4-Track Stereo (35 mm prints), 70 mm 6-Track (70 mm prints) Color (Technicolor)](icons/rgb.png) |
Camelot |
Joshua Logan, W, W, ++, P, M |
|
3.3 |
2002 |
CCrMl![Black and White, Color; Aspect: 1.85:1; 35 mm (Kodak Vision 200T 5274, Vision 500T 5279); Arricam LT, Cooke S4 Lenses Arricam ST, Cooke S4 Lenses; AUDIO: DTS, Dolby Digital, SDDS Black and White, Color](icons/rgb-bw.png) |
Chicago |
Rob Marshall, W, W, ++, P, M |
|
3.3 |
2001 |
CD![Color; Aspect: 1.37:1; 35 mm; AUDIO: Dolby Digital Color](icons/rgb.png) |
Storytelling |
Todd Solondz, W, P, M |
|
3.3 |
2000 |
CrDT![Color; Aspect: 1.85:1; 35 mm (Kodak Vision 320T 5277, Vision 800T 5289); Digital Intermediate (master format) (some scenes) Spherical (source format); Panavision Panaflex Millennium XL, Panavision Primo Lenses; AUDIO: DTS, Dolby Digital, SDDS Color](icons/rgb.png) |
Traffic |
Steven Soderbergh, W, W, P, M |
|
3.3 |
1988 |
DR![Color (Technicolor); Aspect: 1.85:1; Panavision Camera and Lenses; AUDIO: Stereo Color (Technicolor)](icons/q-rgb.png) |
The Unbearable Lightness of Being |
Philip Kaufman, W, W, ++, P, M |
|
3.3 |
1980 |
ADW![Black and White, Color (Metrocolor); Aspect: 1.85:1; 35 mm; Arriflex Cameras; AUDIO: Dolby Digital (reconstruction), Dolby (original release) Black and White, Color (Metrocolor)](icons/rgb-bw.png) |
The Big Red One |
Samuel Fuller, W, P, M |
|
3.2 |
1999 |
CFan![Color (Technicolor); Aspect: 1.85:1; 35 mm (Kodak Vision 320T 5277, Vision 500T 5279); Moviecam Compact, Cooke S4 Lenses Moviecam SL, Cooke S4 Lenses; AUDIO: Dolby Digital Color (Technicolor)](icons/rgb.png) |
Being John Malkovich |
Spike Jonze, W, P, M |
|
3.2 |
1956 |
CDR![Color; Aspect: 2.55:1; 35 mm; CinemaScope; Bausch & Lomb Lenses; AUDIO: 4-Track Stereo (Westrex Recording System) Color](icons/rgb.png) |
Bus Stop |
Joshua Logan, W, W, P, M, M |
|
3.0 |
2002 |
CrDH![Color; Aspect: 2.35:1; 35 mm (Eastman EXR 50D 5245, Kodak Vision 320T 5277, Vision 500T 5279); Super 35; Arriflex 435, Cooke, Angenieux and Zeiss Lenses Arriflex 535, Cooke, Angenieux and Zeiss Lenses Arriflex 535B, Cooke, Angenieux and Zeiss Lenses; AUDIO: DTS, Dolby Digital, SDDS Color](icons/rgb.png) |
Gangs of New York |
Martin Scorsese, W, ++, P, M |
|
3.0 |
1996 |
DRT![Black and White, Color; Aspect: 1.75:1; 35 mm (Eastman EXR 500T 5296, 250D 5297, EXR 500T 5298); Super 35; Arriflex 35 BL4; AUDIO: Dolby, Dolby SR Black and White, Color](icons/rgb-bw.png) |
The Pillow Book |
Peter Greenaway, W, W, ++, P |
|
2.8 |
1991 |
DM![Color; Aspect: 1.85:1; 35 mm; AUDIO: Dolby Color](icons/rgb.png) |
The Rapture |
Michael Tolkin, W, P, M |
|
2.4 |
2001 |
DM![Color (Technicolor); Aspect: 2.35:1; 35 mm (Kodak Vision Expression 500T 5284); Super 35; Panavision Panaflex Platinum, Panavision Primo Lenses; AUDIO: DTS, Dolby Digital, SDDS Color (Technicolor)](icons/rgb.png) |
Gosford Park |
Robert Altman, W, W, ++, P, M |
|
2.4 |
1993 |
DR![Color (Eastmancolor); Aspect: 1.85:1; 35 mm; Arriflex Cameras and Lenses; AUDIO: Dolby Color (Eastmancolor)](icons/rgb.png) |
The Piano |
Jane Campion, W, P, M |
|
2.3 |
2002 |
D![Color; Aspect: 1.85:1; 35 mm (Kodak Vision 200T 5274, Vision 320T 5277, Vision 500T 5279); Panavision Panaflex Millennium, Panavision Primo Lenses; AUDIO: DTS, Dolby Digital Color](icons/rgb.png) |
The Hours |
Stephen Daldry, W, W, P, M |
|
2.3 |
1981 |
BDHR![Color; Aspect: 1.85:1; 35 mm; Technovision Cameras and Lenses; AUDIO: Mono Color](icons/rgb.png) |
Reds |
Warren Beatty, W, W, P, M |
|
2.3 |
1968 |
AdMSf![Color (Technicolor); Aspect: 2.20:1; 65 mm (Eastman 50T 5251); Cinerama Super Panavision 70; Panavision Cameras and Lenses; AUDIO: 4-Track Stereo (35 mm magnetic prints), 70 mm 6-Track (70 mm prints), DTS 70 mm (2001 re-release) Color (Technicolor)](icons/rgb.png) |
2001: A Space Odyssey |
Stanley Kubrick, W, W, ++, P |
|
2.1 |
2001 |
CrD![Color (CFI); Aspect: 2.35:1; 35 mm (Kodak Vision 250D 5246, Vision 500T 5279, Vision 800T 5289); Super 35; Moviecam Compact, Zeiss and Angenieux Lenses Moviecam SL, Zeiss and Angenieux Lenses; AUDIO: Dolby Digital Color (CFI)](icons/rgb.png) |
In the Bedroom |
Todd Field, W, W, ++, P, M |
|
2.1 |
1998 |
CD![Color; Aspect: 1.85:1; 35 mm (Kodak); Panavision Cameras and Lenses; AUDIO: Dolby Color](icons/rgb.png) |
Happiness |
Todd Solondz, W, P, M |
|
2.1 |
1971 |
CrDT![Color; Aspect: 1.37:1; 16 mm; AUDIO: Mono Color](icons/rgb.png) |
Sweet Sweetback's Baadasssss Song |
Melvin Van Peebles, W, P, M, M |
|
2.1 |
1967 |
CD![Color (Eastmancolor); Aspect: 1.66:1; 35 mm; AUDIO: Mono Color (Eastmancolor)](icons/rgb.png) |
Weekend |
Jean-Luc Godard, W, ++, P, M «Week End» |
|
2.0 |
2000 |
DRT![Black and White, Color; Aspect: 1.85:1; 16 mm 35 mm; Super 16; AUDIO: Dolby Digital Black and White, Color](icons/rgb-bw.png) |
Hamlet |
Michael Almereyda, W, W, P, M |
|
1.8 |
2001 |
AdDSf![Color (Technicolor); Aspect: 1.85:1; 35 mm (Kodak Vision 500T 5279, Eastman EXR 200T 5293); Panavision Cameras, Zeiss Lenses; AUDIO: DTS-ES, Dolby Digital EX, SDDS Color (Technicolor)](icons/rgb.png) |
A.I. Artificial Intelligence |
Steven Spielberg, W, W, ++, P, M «Artificial Intelligence: AI» |
|
1.8 |
1996 |
DRW![Color; Aspect: 1.85:1; 35 mm (Eastman EXR 500T 5298); Panavision Panaflex Gold, Panavision Primo Lenses Panavision Panaflex Platinum, Panavision Primo Lenses; AUDIO: Dolby Digital Color](icons/rgb.png) |
The English Patient |
Anthony Minghella, W, W, P, M |
|
1.7 |
2001 |
AnD![Color; Aspect: 1.85:1; Video; DV (source format) Digital Intermediate (master format); Sony DCR-TRV900; AUDIO: Dolby Digital Color](icons/v-rgb.png) |
Waking Life |
Richard Linklater, W, P, P, M |
|
1.4 |
2001 |
DMT![Color; Aspect: 1.85:1; 35 mm (Kodak); AUDIO: Dolby Digital Color](icons/rgb.png) |
Mulholland Dr. |
David Lynch, W, P, M |
|
1.4 |
1998 |
DW![Color; Aspect: 2.35:1; 35 mm (Eastman EXR 100T 5248, Kodak Vision 500T 5279); Panavision (anamorphic); Arriflex 35 III, Panavision Primo Lenses Panavision Panaflex Gold, Panavision Primo Lenses Panavision Panaflex Platinum, Panavision Primo and C-Series Lenses Panavision Panastar, Panavision Primo Lenses; AUDIO: DTS, Dolby Digital Color](icons/rgb.png) |
The Thin Red Line |
Terrence Malick, W, W, P, M |
|
? |
1976 |
DoW![Black and White, Color (Eastmancolor); 16 mm; AUDIO: Mono Black and White, Color (Eastmancolor)](icons/rgb-bw.png) |
The Memory of Justice |
Marcel Ophüls, W, P |
|
? |
1953 |
CR![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (RCA Sound System) Black and White](icons/bw.png) |
Bread, Love and Dreams |
Luigi Comencini, W, W, ++, P, M «Pane, amore e fantasia» |
|
? |
1932 |
S![Black and White; 35 mm; AUDIO: Mono Black and White](icons/bw.png) |
Dr. Jekyll and Mr. Hyde |
William Vance, W |