|
8.0 |
2012 |
Nanban |
S. Shankar, W, W, ++, C, M |
|
8.0 |
2010 |
I Am 24 |
Saurabh Shukla, C |
|
8.0 |
2009 |
CDR![Color; Color](icons/q-rgb.png) |
Castaway on the Moon |
Hey-jun Lee, W, C, M «Kimssi pyoryugi» |
|
8.0 |
2008 |
D![Color; AUDIO: Dolby Digital Color](icons/q-rgb.png) |
Live Fast, Die Young |
Timothy A. Chey, W, C |
|
8.0 |
2006 |
The Companion |
Rituparno Ghosh, W, C, M, M «Dosar» |
|
8.0 |
2005 |
Faltu |
Anjan Das, W, C |
|
8.0 |
2005 |
![Color; Color](icons/q-rgb.png) |
Our Burden Is Light |
Denise Coates, W, C, M |
|
8.0 |
2002 |
Saanjhbatir Roopkathara |
Anjan Das, W, W, C, M |
|
8.0 |
2000 |
D![Color; Aspect: 1.85:1; 35 mm; AUDIO: Dolby SR Color](icons/rgb.png) |
Tully |
Hilary Birmingham, W, W, ++, C, M |
|
8.0 |
1998 |
Satya |
Ram Gopal Varma, W, W, ++, C, C, M, M |
|
8.0 |
1998 |
TCrD![Color; Aspect: 1.85:1; 35 mm (Kodak); AUDIO: Dolby Digital Color](icons/rgb.png) |
The Interview |
Craig Monahan, W, W, C, M |
|
8.0 |
1996 |
CDR![Color; Aspect: 1.85:1; 35 mm; AUDIO: Dolby Color](icons/rgb.png) |
Beautiful Thing |
Hettie Macdonald, W, C, M |
|
8.0 |
1993 |
DH![Color; Aspect: 2.35:1; 35 mm; Super 35; Panavision Cameras and Lenses; AUDIO: Dolby SR Color](icons/rgb.png) |
King of the Hill |
Steven Soderbergh, W, W, C, M |
|
8.0 |
1991 |
CD![Color; Aspect: 1.85:1; 35 mm; Panavision Cameras and Lenses; AUDIO: Dolby Color](icons/rgb.png) |
29th Street |
George Gallo, W, W, ++, C, M |
|
8.0 |
1983 |
DMc![Color; Aspect: 1.85:1; Lenses and Panaflex Camera by Panavision; AUDIO: Stereo Color](icons/q-rgb.png) |
Tender Mercies |
Bruce Beresford, W, C, M |
|
8.0 |
1982 |
C![Color (Metrocolor); Aspect: 1.85:1; 35 mm; Panaflex Camera and Lenses by Panavision; AUDIO: Mono Color (Metrocolor)](icons/rgb.png) |
My Favorite Year |
Richard Benjamin, W, W, ++, C, M |
|
8.0 |
1981 |
AAdDHW![Color (Fujicolor); Aspect: 1.85:1; 35 mm (Fuji A 250T 8518); AUDIO: Dolby Digital (director's cut), Dolby (original release), SDDS (director's cut) Color (Fujicolor)](icons/rgb.png) |
Das Boot |
Wolfgang Petersen, W, W, C, M |
|
8.0 |
1978 |
DW![Color; Aspect: 1.85:1; 35 mm; AUDIO: Mono Color](icons/rgb.png) |
Go Tell the Spartans |
Ted Post, W, W, C, M |
|
8.0 |
1972 |
DFHMl![Color (Eastmancolor); Aspect: 2.35:1; 35 mm; Panavision (anamorphic); AUDIO: Mono Color (Eastmancolor)](icons/rgb.png) |
1776 |
Peter H. Hunt, W, W, ++, C, M |
|
8.0 |
1971 |
DR![Color (Eastmancolor); Aspect: 1.85:1; 35 mm; AUDIO: Mono Color (Eastmancolor)](icons/rgb.png) |
Melody |
Waris Hussein, W, C |
|
8.0 |
1969 |
CrDHMT![Color (Eastmancolor); Aspect: 1.66:1; 35 mm; AUDIO: Mono Color (Eastmancolor)](icons/rgb.png) |
Z |
Costa-Gavras, W, W, ++, C, M |
|
8.0 |
1965 |
WD![Black and White; Aspect: 1.85:1; 35 mm; AUDIO: Mono (RCA Sound Recording) Black and White](icons/bw.png) |
King Rat |
Bryan Forbes, W, W, C, M |
|
8.0 |
1961 |
D![Black and White; Aspect: 1.85:1; AUDIO: Mono (RCA Sound Recording) Black and White](icons/bw.png) |
A Raisin in the Sun |
Daniel Petrie, W, C, M |
|
8.0 |
1960 |
CrDT![Black and White; Aspect: 1.66:1; 35 mm; AUDIO: Mono (Western Electric Sound System) Black and White](icons/bw.png) |
Le Trou |
Jacques Becker, W, W, ++, C, M «Le trou» |
|
8.0 |
1957 |
D![Black and White; Aspect: 1.66:1; 35 mm; AUDIO: Mono (RCA Sound Recording) Black and White](icons/bw.png) |
The D.I. |
Jack Webb, W, C, M |
|
8.0 |
1956 |
DTW![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Sound System) Black and White](icons/bw.png) |
A Man Escaped |
Robert Bresson, W, W, C «Un condamné à mort s'est échappé ou Le vent souffle où il veut» |
|
8.0 |
1953 |
DMlR![Color (Technicolor); Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Sound System) Color (Technicolor)](icons/rgb.png) |
Lili |
Charles Walters, W, W, C, M |
|
8.0 |
1953 |
DW![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (RCA Sound System) Black and White](icons/bw.png) |
The Cruel Sea |
Charles Frend, W, W, C, M |
|
8.0 |
1948 |
DF![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (RCA Sound System) Black and White](icons/bw.png) |
I Remember Mama |
George Stevens, W, W, ++, C, M |
|
8.0 |
1941 |
BD![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (RCA Sound System) Black and White](icons/bw.png) |
One Foot in Heaven |
Irving Rapper, W, W, C, M |
|
8.0 |
1935 |
DHR![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Sound System) Black and White](icons/bw.png) |
A Tale of Two Cities |
Jack Conway, ++, W, W, ++, C, M |
|
8.0 |
1931 |
CDR![Black and White; Silent](icons/bw.png) |
City Lights |
Charles Chaplin, W, ++, C, C, M |
|
8.0 |
1928 |
DRWe![Black and White; Silent](icons/bw.png) |
The Wind |
Victor Sjöström, W, W, C, M, M |
|
7.9 |
2012 |
Shahid |
Hansal Mehta, W, W, ++, C, M |
|
7.9 |
2010 |
ACHoMlMRT![Color; Aspect: 1.78:1; AUDIO: Stereo Color](icons/q-rgb.png) |
Zombie Beach |
Mukesh Asopa, W, W, ++, M |
|
7.9 |
2009 |
DR![Color, Color (Super 16mm); 16 mm Super 16; AUDIO: Dolby Color, Color (Super 16mm)](icons/rgb.png) |
Undertow |
Javier Fuentes-León, W, C, M «Contracorriente» |
|
7.9 |
2007 |
Like Stars on Earth |
Aamir Khan, ++, W, C, M, M, M «Taare Zameen Par» |
|
7.9 |
2007 |
D![Color; AUDIO: Dolby Digital Color](icons/q-rgb.png) |
The Last Lear |
Rituparno Ghosh, W, W, ++, C, M, M, M |
|
7.9 |
2006 |
C![Color; Aspect: 1.85:1; 16 mm (Kodak); Super 16; AUDIO: Dolby Digital Color](icons/rgb.png) |
Two Tickets to Paradise |
D.B. Sweeney, W, W, C, M |
|
7.9 |
2005 |
CDR![Color; Aspect: 1.85:1; AUDIO: Dolby, Dolby Digital Color](icons/q-rgb.png) |
David & Layla |
J.J. Alani, W, C, M, M |
|
7.9 |
2004 |
BD![Color; Aspect: 1.85:1; 35 mm; AUDIO: Dolby Digital Color](icons/rgb.png) |
Machuca |
Andrés Wood, W, W, ++, C, M, M |
|
7.9 |
2004 |
Rok Sako To Rok Lo |
Arindam Chowdhuri, W, C, M, M |
|
7.9 |
2002 |
DR![Color; Aspect: 1.85:1; 35 mm (Kodak Vision 200T 5274, Vision 500T 5279); Arriflex Cameras; AUDIO: Dolby Digital Color](icons/rgb.png) |
The Twilight Samurai |
Yôji Yamada, W, W, ++, C, M «Tasogare Seibei» |
|
7.9 |
2000 |
D![Black and White, Color; Aspect: 2.35:1; 35 mm (Eastman Double-X 5222, Kodak Vision 320T 5277); Panavision (anamorphic); AUDIO: DTS Black and White, Color](icons/rgb-bw.png) |
Eureka |
Shinji Aoyama, W, C, M, M |
|
7.9 |
1999 |
DF![Color; Aspect: 1.85:1; 35 mm Color](icons/rgb.png) |
The Color of Paradise |
Majid Majidi, W, C, M «Rang-e khoda» |
|
7.9 |
1996 |
DFanR![Color; Aspect: 1.33:1; 35 mm; AUDIO: Dolby Color](icons/rgb.png) |
Lilies |
John Greyson, W, C, M «Lilies - Les feluettes» |
|
7.9 |
1996 |
D![Color; Aspect: 1.66:1; AUDIO: Stereo Color](icons/q-rgb.png) |
Ponette |
Jacques Doillon, W, W, C, M |
|
7.9 |
1995 |
DR![Color; Aspect: 2.35:1; 35 mm; Panavision (anamorphic); AUDIO: Dolby Color](icons/rgb.png) |
Love Letter |
Shunji Iwai, W, C, M |
|
7.9 |
1994 |
DW![Color (Eastmancolor); Aspect: 1.85:1; 35 mm (Eastman); Technovision Cameras and Lenses; AUDIO: Dolby SR Color (Eastmancolor)](icons/rgb.png) |
Before the Rain |
Milcho Manchevski, W, C, M, M, M |
|
7.9 |
1994 |
DFFan![Color; Aspect: 1.85:1; 35 mm (Eastman EXR 50D 5245, EXR 200T 5293); AUDIO: Dolby (Stereo) Color](icons/rgb.png) |
The Secret of Roan Inish |
John Sayles, W, W, C, M |
|
7.9 |
1994 |
DW![Color; Aspect: 1.85:1; 35 mm; AUDIO: Dolby, Dolby SR Color](icons/rgb.png) |
To Live |
Yimou Zhang, W, W, ++, C, M «Huozhe» |
|
7.9 |
1990 |
BCDHR![Color; Aspect: 1.66:1; 35 mm; Panavision Cameras and Lenses; AUDIO: Dolby, LC-Concept Digital Sound Color](icons/rgb.png) |
Cyrano de Bergerac |
Jean-Paul Rappeneau, W, W, ++, C, M |
|
7.9 |
1986 |
D![Color (Eastmancolor); Aspect: 2.35:1; 35 mm; Technovision; AUDIO: Dolby Color (Eastmancolor)](icons/rgb.png) |
Jean de Florette |
Claude Berri, W, W, ++, C, M |
|
7.9 |
1986 |
CDSf![Color; Color](icons/q-rgb.png) |
Kin-dza-dza! |
Georgiy Daneliya, W, W, C, M |
|
7.9 |
1986 |
AdD![Color (Technicolor); Aspect: 1.85:1; 35 mm; Panaflex Cameras and Lenses by Panavision; AUDIO: Mono Color (Technicolor)](icons/rgb.png) |
Stand by Me |
Rob Reiner, W, W, ++, C, M |
|
7.9 |
1980 |
CDR![Color; Aspect: 1.85:1; 35 mm; Panavision Cameras and Lenses; AUDIO: Mono Color](icons/rgb.png) |
Fatso |
Anne Bancroft, W, C, M |
|
7.9 |
1975 |
CDW![Color (Technicolor); Aspect: 1.66:1; 35 mm; AUDIO: Mono Color (Technicolor)](icons/rgb.png) |
Seven Beauties |
Lina Wertmüller, W, C, M «Pasqualino Settebellezze» |
|
7.9 |
1972 |
CR![Color (Technicolor); Aspect: 1.85:1; 35 mm; Panavision Cameras and Lenses; AUDIO: Mono Color (Technicolor)](icons/rgb.png) |
What's Up, Doc? |
Peter Bogdanovich, W, W, ++, C, M |
|
7.9 |
1970 |
D![Color (Technicolor); Aspect: 1.85:1; 35 mm; AUDIO: Mono Color (Technicolor)](icons/rgb.png) |
The Boys in the Band |
William Friedkin, W, C |
|
7.9 |
1966 |
AdWe![Color (Technicolor); Aspect: 2.35:1; 35 mm (2-perf); Techniscope (as Techniscope ®); AUDIO: Mono Color (Technicolor)](icons/rgb.png) |
The Good, the Bad and the Ugly |
Sergio Leone, W, W, ++, C, M «Il buono, il brutto, il cattivo» |
|
7.9 |
1962 |
BD![Black and White; Aspect: 1.66:1; AUDIO: Mono Black and White](icons/bw.png) |
The Miracle Worker |
Arthur Penn, W, ++, C, M |
|
7.9 |
1962 |
CMlR![Color (Technicolor); Aspect: 2.35:1; 35 mm (horizontal); Technirama; AUDIO: 4-Track Stereo (RCA Sound Recording) Color (Technicolor)](icons/rgb.png) |
The Music Man |
Morton DaCosta, W, W, ++, C, M |
|
7.9 |
1961 |
D![Black and White; Aspect: 1.66:1; 35 mm; AUDIO: Mono (Westrex Recording System) Black and White](icons/bw.png) |
Whistle Down the Wind |
Bryan Forbes, W, W, ++, C, M |
|
7.9 |
1960 |
DR![Color (Technicolor); Aspect: 1.66:1; 35 mm; AUDIO: Mono (Westrex Recording System) Color (Technicolor)](icons/rgb.png) |
Tunes of Glory |
Ronald Neame, W, C, M |
|
7.9 |
1955 |
Pather Panchali |
Satyajit Ray, W, W, C, M |
|
7.9 |
1949 |
D![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono Black and White](icons/bw.png) |
Late Spring |
Yasujirô Ozu, W, W, ++, C, M «Banshun» |
|
7.9 |
1939 |
CR![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Mirrophonic Recording) Black and White](icons/bw.png) |
Midnight |
Mitchell Leisen, W, W, ++, C, M |
|
7.9 |
1924 |
DT![Black and White, Color (tinted); Silent](icons/rgb-bw.png) |
He Who Gets Slapped |
Victor Sjöström, W, W, ++, C, M |
|
7.9 |
1924 |
AdFFanR![Black and White (tinted); Silent](icons/bw.png) |
The Thief of Bagdad |
Raoul Walsh, W, W, ++, C, M |
|
7.8 |
2010 |
CrDM![Color; Aspect: 1.78:1; HDCAM; AUDIO: Dolby Digital Color](icons/h-rgb.png) |
"Sherlock" A Study in Pink |
Paul McGuigan, W, W, ++, C, M, M |
|
7.8 |
2010 |
CFR![Color; Red One Camera Color](icons/d-rgb.png) |
Bicycle Bride |
Hassan Zee, W, C, C, C |
|
7.8 |
2003 |
BD![Color; Aspect: 1.85:1; Video (HDTV); HDTV (1080p/24); Sony CineAlta HDW-F900, Panavision Primo Lenses; AUDIO: Dolby Digital Color](icons/h-rgb.png) |
Baadasssss! |
Mario Van Peebles, W, W, ++, C, M «How to Get the Man's Foot Outta Your Ass» |
|
7.8 |
2003 |
DR![Color; Aspect: 2.35:1; 35 mm; Super 35; AUDIO: Dolby Digital Color](icons/rgb.png) |
Facing Windows |
Ferzan Ozpetek, W, W, C, M «La finestra di fronte» |
|
7.8 |
1999 |
RD![Color; Aspect: 1.85:1; 35 mm (Kodak); Moviecam Compact Cameras; AUDIO: Dolby Digital Color](icons/rgb.png) |
Gloomy Sunday |
Rolf Schübel, W, W, ++, C, M, M «Gloomy Sunday - Ein Lied von Liebe und Tod» |
|
7.8 |
1999 |
D![Color; Aspect: 1.85:1; AUDIO: Dolby Color](icons/q-rgb.png) |
Spring Forward |
Tom Gilroy, W, C, M |
|
7.8 |
1998 |
AdCDF![Color (Technicolor); Aspect: 1.85:1; 35 mm; AUDIO: DTS, Dolby Digital, SDDS Color (Technicolor)](icons/rgb.png) |
Paulie |
John Roberts, W, C, M |
|
7.8 |
1997 |
RD![Color; Aspect: 2.35:1; 35 mm (Kodak); Panavision (anamorphic); Panavision Cameras and Lenses; AUDIO: Dolby Color](icons/rgb.png) |
Firelight |
William Nicholson, W, C, M |
|
7.8 |
1997 |
D![Color; AUDIO: Dolby Digital Color](icons/q-rgb.png) |
My Life in Pink |
Alain Berliner, W, W, C, M, M «Ma vie en rose» |
|
7.8 |
1996 |
CDMcR![Color; Aspect: 1.85:1; 35 mm; AUDIO: Dolby SR Color](icons/rgb.png) |
Shall We Dance? |
Masayuki Suo, W, C, M «Shall we dansu?» |
|
7.8 |
1996 |
BDR![Color; Aspect: 2.35:1; 35 mm (Eastman EXR 500T 5296, EXR 500T 5298); Clairmont-Scope; Arriflex Cameras and Lenses; AUDIO: Dolby Color](icons/rgb.png) |
The Whole Wide World |
Dan Ireland, W, W, C, M |
|
7.8 |
1994 |
CrD![Color (Technicolor); Aspect: 1.85:1; 35 mm (Eastman EXR 100T 5248, EXR 200T 5293); Arriflex 35 BL4S, Zeiss Standard Speed and Super Speed Lenses Moviecam Compact, Zeiss Standard Speed and Super Speed Lenses; AUDIO: Dolby Digital Color (Technicolor)](icons/rgb.png) |
The Shawshank Redemption |
Frank Darabont, W, W, C, M |
|
7.8 |
1994 |
DMR![Color (Eastmancolor); Aspect: 1.85:1; 35 mm; AUDIO: Dolby, Dolby SR Color (Eastmancolor)](icons/rgb.png) |
Three Colors: Red |
Krzysztof Kieslowski, W, W, C, M «Trois couleurs: Rouge» |
|
7.8 |
1993 |
BDR![Color (Eastmancolor); Aspect: 2.35:1; 35 mm (Kodak); Panavision (anamorphic); Panavision Cameras and Lenses; AUDIO: Dolby Color (Eastmancolor)](icons/rgb.png) |
Shadowlands |
Richard Attenborough, W, C, M |
|
7.8 |
1992 |
C![Color; Aspect: 1.85:1; 35 mm; AUDIO: Dolby Color](icons/rgb.png) |
Brain Donors |
Dennis Dugan, W, W, ++, C, M |
|
7.8 |
1992 |
DMl![Color (Technicolor); Aspect: 2.35:1; 35 mm (Eastman EXR 100T 5248, EXR 500T 5296, 250D 5297); Panavision (anamorphic); AUDIO: Dolby SR Color (Technicolor)](icons/rgb.png) |
Newsies |
Kenny Ortega, W, W, C, M |
|
7.8 |
1991 |
DR![Color; AUDIO: Dolby SR Color](icons/q-rgb.png) |
Flirting |
John Duigan, W, C |
|
7.8 |
1990 |
Agneepath |
Mukul Anand, W, W, ++, C, M, M |
|
7.8 |
1987 |
ACFanRT![Color; Aspect: 1.85:1; 35 mm; AUDIO: Mono Color](icons/rgb.png) |
A Chinese Ghost Story |
Siu-Tung Ching, W, W, C, C, C++, M, M «Sien nui yau wan» |
|
7.8 |
1981 |
CDR![Color; Aspect: 1.85:1; 35 mm; AUDIO: Mono Color](icons/rgb.png) |
Gregory's Girl |
Bill Forsyth, W, C, M |
|
7.8 |
1981 |
AAd![Color; Aspect: 2.20:1; 35 mm (Eastman 100T 5247); Panavision (anamorphic); Panavision Cameras and Lenses; AUDIO: 70 mm 6-Track (70 mm prints), Dolby (35 mm prints) Color](icons/rgb.png) |
Raiders of the Lost Ark |
Steven Spielberg, W, W, ++, C, M |
|
7.8 |
1979 |
D![Color (Technicolor); Aspect: 1.66:1; 35 mm; AUDIO: Stereo Color (Technicolor)](icons/rgb.png) |
The Wanderers |
Philip Kaufman, W, W, ++, C |
|
7.8 |
1976 |
DSp![Color (Technicolor); Aspect: 1.33:1; 35 mm; Panaflex Camera and Lenses by Panavision; AUDIO: Mono Color (Technicolor)](icons/rgb.png) |
Rocky |
John G. Avildsen, W, C, M |
|
7.8 |
1974 |
CrD![Color (Eastmancolor); Aspect: 1.85:1; 35 mm; AUDIO: Mono Color (Eastmancolor)](icons/rgb.png) |
The Gambler |
Karel Reisz, W, C, M |
|
7.8 |
1965 |
DW![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono Black and White](icons/bw.png) |
The Shop on Main Street |
Ján Kadár, Elmar Klos, W, ++, C, M «Obchod na korze» |
|
7.8 |
1964 |
TWA![Black and White; Aspect: 1.66:1; 35 mm; AUDIO: Mono (Westrex Recording System) Black and White](icons/bw.png) |
The Train |
John Frankenheimer, ++, W, W, ++, C, C, M |
|
7.8 |
1960 |
DR![Color; Aspect: 2.35:1; 35 mm; CinemaScope; AUDIO: Mono (Westrex Recording System), 4-Track Stereo Color](icons/rgb.png) |
Wild River |
Elia Kazan, W, W, ++, C, M |
|
7.8 |
1959 |
D![Color (Technicolor); Aspect: 1.78:1; 35 mm; AUDIO: Mono (RCA Sound Recording) Color (Technicolor)](icons/rgb.png) |
The Nun's Story |
Fred Zinnemann, W, W, C, M |
|
7.8 |
1954 |
CDR![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Recording) Black and White](icons/bw.png) |
Hobson's Choice |
David Lean, W, W, ++, C, M |
|
7.8 |
1949 |
DR![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Recording) Black and White](icons/bw.png) |
The Heiress |
William Wyler, W, W, ++, C, M |
|
7.8 |
1945 |
D![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Recording) Black and White](icons/bw.png) |
A Tree Grows in Brooklyn |
Elia Kazan, W, W, ++, C, M |
|
7.8 |
1943 |
CrDMT![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Wide Range Noiseless Recording) Black and White](icons/bw.png) |
Le Corbeau: The Raven |
Henri-Georges Clouzot, W, W, ++, C, M «Le corbeau» |
|
7.8 |
1939 |
CDR![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (RCA Victor System) Black and White](icons/bw.png) |
Love Affair |
Leo McCarey, W, W, ++, C, M |
|
7.8 |
1938 |
CDR![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Wide Range System) Black and White](icons/bw.png) |
Pygmalion |
Anthony Asquith, Leslie Howard, W, ++, C, M |
|
7.8 |
1928 |
BDH![Black and White; Silent](icons/bw.png) |
The Passion of Joan of Arc |
Carl Theodor Dreyer, W, W, C, M, M «La passion de Jeanne d'Arc» |
|
7.7 |
2015 |
Fly Away Solo |
Neeraj Ghaywan, W, C, M, M «Masaan» |
|
7.7 |
2014 |
DR![Color; Color](icons/q-rgb.png) |
Old Fashioned |
Rik Swartzwelder, W, C, M |
|
7.7 |
2014 |
T![Color; Color](icons/q-rgb.png) |
The Legend of DarkHorse County |
Shawn Welling, W, W, C, C, C |
|
7.7 |
2013 |
Lucia |
Pawan Kumar, W, ++, C, M |
|
7.7 |
2012 |
C![Color; Color](icons/q-rgb.png) |
Putzel |
Jason Chaet, W, ++, C |
|
7.7 |
2008 |
Mithya |
Rajat Kapoor, W, W, ++, C, M, M, M++ |
|
7.7 |
2007 |
D![Color; Aspect: 1.85:1; 16 mm (Fuji Super F-64D 8622, Eterna 500T 8673); Digital Intermediate (2K) (master format) Super 16 (source format); Arriflex 416, Zeiss Master Prime Lenses; AUDIO: Dolby Digital Color](icons/rgb.png) |
Boy A |
John Crowley, W, W, C, M |
|
7.7 |
2006 |
Khosla's Nest |
Dibakar Banerjee, W, C, M, M «Khosla Ka Ghosla!» |
|
7.7 |
2005 |
AdCDM![Black and White, Color; Aspect: 1.33:1; AUDIO: Stereo, 4-Track Stereo Black and White, Color](icons/rgb-bw.png) |
American Dream? |
Alex Harz, Tom Kennedy, W, W, C, C, M, M «?» |
|
7.7 |
2004 |
DW![Color; Aspect: 1.85:1; 35 mm; AUDIO: Dolby, Dolby Digital Color](icons/rgb.png) |
Turtles Can Fly |
Bahman Ghobadi, W, C, M «Lakposhtha parvaz mikonand» |
|
7.7 |
1999 |
CD![Color; Aspect: 1.85:1; 35 mm Color](icons/rgb.png) |
Shower |
Yang Zhang, W, W, ++, C, M «Xizao» |
|
7.7 |
1999 |
D![Color; Aspect: 1.85:1; 35 mm (Eastman EXR 100T 5248, EXR 500T 5298); AUDIO: Dolby Color](icons/rgb.png) |
Three Seasons |
Tony Bui, W, ++, C, M |
|
7.7 |
1998 |
D![Color; Aspect: 2.35:1; 35 mm (Kodak Vision 500T 5279); Super 35; Moviecam Cameras Panaflex Cameras; AUDIO: Dolby SR Color](icons/rgb.png) |
Central Station |
Walter Salles, W, W, ++, C, M, M «Central do Brasil» |
|
7.7 |
1998 |
BD![Color; Aspect: 2.35:1; 35 mm; Super 35; AUDIO: Dolby Digital Color](icons/rgb.png) |
Finding Graceland |
David Winkler, W, W, ++, C, M |
|
7.7 |
1997 |
ACrCD![Color (Eastmancolor); Aspect: 2.35:1; 35 mm; Panavision (anamorphic); AUDIO: Dolby SR Color (Eastmancolor)](icons/rgb.png) |
Knockin' on Heaven's Door |
Thomas Jahn, W, ++, C, M, M, M |
|
7.7 |
1997 |
DFanM![Color (Technicolor); Aspect: 1.85:1; 35 mm; AUDIO: Dolby Digital Color (Technicolor)](icons/rgb.png) |
Photographing Fairies |
Nick Willing, W, W, ++, C, M |
|
7.7 |
1996 |
CDMc![Black and White, Color; Aspect: 1.85:1; AUDIO: Dolby SR Black and White, Color](icons/rgb-bw.png) |
Hard Core Logo |
Bruce McDonald, W, W, C, M |
|
7.7 |
1995 |
RD![Color; Aspect: 1.85:1; 35 mm (Eastman Kodak); AUDIO: Dolby Digital Color](icons/rgb.png) |
Persuasion |
Roger Michell, W, W, C, M |
|
7.7 |
1994 |
AC![Color; Aspect: 2.35:1; 35 mm; Digital Intermediate (remastered version) Panavision (anamorphic); Panavision Cameras and Lenses; AUDIO: SDDS (US version), Mono (original version), Dolby Digital (US version), DTS (US version) Color](icons/rgb.png) |
The Legend of Drunken Master |
Chia-Liang Liu, ++, W, W, ++, C, C, C++, M, M «Jui kuen II» |
|
7.7 |
1991 |
D![Color; Panaflex Cameras; AUDIO: Dolby Color](icons/q-rgb.png) |
Enchanted April |
Mike Newell, W, W, C, M |
|
7.7 |
1991 |
D![Color; Aspect: 1.85:1; AUDIO: Stereo Color](icons/q-rgb.png) |
Proof |
Jocelyn Moorhouse, W, C, M |
|
7.7 |
1991 |
ASfT![Color; Aspect: 2.20:1; 35 mm (Eastman EXR 50D 5245, EXR 500T 5296, 250D 5297); Super 35; Arriflex Cameras and Lenses; AUDIO: 70 mm 6-Track (analog 70 mm prints), CDS (digital 35 mm and 70 mm prints), Dolby SR (analog 35 mm prints) Color](icons/rgb.png) |
Terminator 2: Judgment Day |
James Cameron, W, W, C, M |
|
7.7 |
1989 |
D![Color; Aspect: 1.85:1; 35 mm; AUDIO: Dolby Color](icons/rgb.png) |
Jesus of Montreal |
Denys Arcand, W, C, M, M, M «Jésus de Montréal» |
|
7.7 |
1989 |
CA![Color (Technicolor); Aspect: 1.85:1; 35 mm; Panavision Cameras and Lenses; AUDIO: Dolby Color (Technicolor)](icons/rgb.png) |
Let It Ride |
Joe Pytka, W, W, C, M |
|
7.7 |
1989 |
DR![Color; Aspect: 1.85:1; 35 mm; AUDIO: Mono Color](icons/rgb.png) |
Longtime Companion |
Norman René, W, C, M |
|
7.7 |
1989 |
CDR![Color (Technicolor); Aspect: 1.85:1; 35 mm; Panavision Cameras and Lenses; AUDIO: Dolby Color (Technicolor)](icons/rgb.png) |
Shirley Valentine |
Lewis Gilbert, W, C, M |
|
7.7 |
1988 |
AT![Color; Aspect: 2.20:1; 35 mm (Eastman 400T 5295) 65 mm (special effects) (Eastman 125T 5247, 400T 5295); Panavision (anamorphic); Panavision Cameras and Lenses; AUDIO: 70 mm 6-Track (70 mm prints), Dolby (35 mm prints) Color](icons/rgb.png) |
Die Hard |
John McTiernan, W, W, ++, C, M |
|
7.7 |
1987 |
DR![Color (Technicolor); Aspect: 1.66:1; 35 mm; AUDIO: Dolby Color (Technicolor)](icons/rgb.png) |
Maurice |
James Ivory, W, W, ++, C, M |
|
7.7 |
1986 |
D![Color (Eastmancolor); Aspect: 2.35:1; 35 mm (Kodak); Technovision (anamorphic); Technovision Cameras and Lenses; AUDIO: Dolby Color (Eastmancolor)](icons/rgb.png) |
Manon of the Spring |
Claude Berri, W, W, ++, C, M «Manon des sources» |
|
7.7 |
1985 |
CDR![Color; Aspect: 1.85:1; 35 mm; AUDIO: Mono Color](icons/rgb.png) |
Heaven Help Us |
Michael Dinner, W, C, M |
|
7.7 |
1985 |
AdCFMc![Color (Technicolor); Aspect: 1.85:1; 35 mm; Panavision Cameras and Lenses; AUDIO: Dolby Color (Technicolor)](icons/rgb.png) |
Sesame Street Presents: Follow that Bird |
Ken Kwapis, W, W, C, M, M |
|
7.7 |
1980 |
DHW![Color (Eastmancolor); Aspect: 1.85:1; 35 mm; Panaflex Camera and Lenses by Panavision; AUDIO: Mono Color (Eastmancolor)](icons/rgb.png) |
Breaker Morant |
Bruce Beresford, W, W, ++, C «'Breaker' Morant» |
|
7.7 |
1980 |
BD![Black and White; Aspect: 2.35:1; 35 mm (Eastman Plus-X 5231); Panavision (anamorphic); Panavision Cameras and Lenses; AUDIO: Dolby Black and White](icons/bw.png) |
The Elephant Man |
David Lynch, W, W, ++, C, M |
|
7.7 |
1975 |
D![Color (Metrocolor); Aspect: 2.35:1; 35 mm; Panavision (anamorphic); AUDIO: Mono Color (Metrocolor)](icons/rgb.png) |
Hard Times |
Walter Hill, W, W, ++, C, M |
|
7.7 |
1975 |
AdHoT![Color; Aspect: 2.35:1; 35 mm (Eastman 100T 5254); Panavision (anamorphic); Arriflex 35-III, Panavision C-Series Lenses (some shots) Panavision Panaflex, Panavision C-Series Lenses; AUDIO: Mono (Westrex Recording System), Dolby Digital (Dolby 5.1), DTS (DTS 5.1), Dolby Surround 7.1 (DTS HD Master Audio) Color](icons/rgb.png) |
Jaws |
Steven Spielberg, W, W, ++, C, M |
|
7.7 |
1974 |
CrD![Color (Technicolor); Aspect: 1.85:1; 35 mm; Mitchell BNCR, Bausch & Lomb Super Baltar and Kowa Cine Prominar Lenses; AUDIO: Mono Color (Technicolor)](icons/rgb.png) |
The Godfather: Part II |
Francis Ford Coppola, W, W, ++, C, M |
|
7.7 |
1969 |
D![Color; Aspect: 1.66:1; 35 mm; AUDIO: Mono Color](icons/rgb.png) |
Kes |
Ken Loach, W, ++, C, M |
|
7.7 |
1966 |
DF![Color (Technicolor); Aspect: 1.66:1; 35 mm; AUDIO: Mono (RCA Sound Recording) Color (Technicolor)](icons/rgb.png) |
Follow Me, Boys! |
Norman Tokar, W, W, C, M |
|
7.7 |
1963 |
WD![Black and White; Aspect: 2.35:1; 35 mm; Panavision (anamorphic) (as Panavision®); AUDIO: 4-Track Stereo (Westrex Recording System), Mono (Westrex Recording System) Black and White](icons/bw.png) |
The Victors |
Carl Foreman, W, W, C, M |
|
7.7 |
1962 |
D![Black and White; Aspect: 2.35:1; 35 mm; Shochiku Grandscope (anamorphic); AUDIO: Mono Black and White](icons/bw.png) |
Harakiri |
Masaki Kobayashi, W, W, ++, C, M «Seppuku» |
|
7.7 |
1960 |
HoMT![Black and White; Aspect: 1.37:1; 35 mm; Mitchell BNC; AUDIO: Mono (Westrex Recording System) Black and White](icons/bw.png) |
Psycho |
Alfred Hitchcock, W, W, C, M |
|
7.7 |
1960 |
D![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono Black and White](icons/bw.png) |
The Virgin Spring |
Ingmar Bergman, W, C, M «Jungfrukällan» |
|
7.7 |
1959 |
DRW![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono Black and White](icons/bw.png) |
Ballad of a Soldier |
Grigoriy Chukhray, W, W, C, C, M «Ballada o soldate» |
|
7.7 |
1959 |
CrDT![Black and White; Aspect: 1.66:1; 35 mm; AUDIO: Mono (RCA Sound Recording) Black and White](icons/bw.png) |
Tiger Bay |
J. Lee Thompson, W, W, ++, C, M |
|
7.7 |
1957 |
D![Black and White; Aspect: 1.66:1; 35 mm; AUDIO: Mono Black and White](icons/bw.png) |
12 Angry Men |
Sidney Lumet, W, C, M |
|
7.7 |
1957 |
D![Black and White; Aspect: 1.33:1; 35 mm; AUDIO: Mono (Western Electric Recording) Black and White](icons/bw.png) |
Nights of Cabiria |
Federico Fellini, W, W, ++, C, C, M «Le notti di Cabiria» |
|
7.7 |
1957 |
D![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Recording), Mono (Perspecta Sound encoding) Black and White](icons/bw.png) |
Throne of Blood |
Akira Kurosawa, W, W, ++, C, M «Kumonosu-jô» |
|
7.7 |
1956 |
D![Black and White; 35 mm; AUDIO: Mono Black and White](icons/bw.png) |
Patterns |
Fielder Cook, W, C |
|
7.7 |
1954 |
D![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Recording) Black and White](icons/bw.png) |
La Strada |
Federico Fellini, W, W, ++, C, C, M «La strada» |
|
7.7 |
1954 |
D![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono Black and White](icons/bw.png) |
Sansho the Bailiff |
Kenji Mizoguchi, W, W, ++, C, M, M, M «Sanshô dayû» |
|
7.7 |
1953 |
DFanM![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Recording) Black and White](icons/bw.png) |
Ugetsu |
Kenji Mizoguchi, W, W, ++, C, M, M, M «Ugetsu monogatari» |
|
7.7 |
1947 |
CDFanR![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono, Mono (Western Electric Recording) Black and White](icons/bw.png) |
The Bishop's Wife |
Henry Koster, W, W, ++, C, M |
|
7.7 |
1946 |
CFanRT![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Recording) Black and White](icons/bw.png) |
The Time of Their Lives |
Charles Barton, W, W, ++, C, M, M, M |
|
7.7 |
1939 |
AAdDW![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Mirrophonic Recording) Black and White](icons/bw.png) |
Beau Geste |
William A. Wellman, W, W, C, C, M |
|
7.7 |
1939 |
CDFan![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Sound System) Black and White](icons/bw.png) |
On Borrowed Time |
Harold S. Bucquet, W, W, ++, C, M |
|
7.7 |
1937 |
AdDF![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Sound System) Black and White](icons/bw.png) |
Captains Courageous |
Victor Fleming, W, W, ++, C, M |
|
7.7 |
1937 |
DMlR![Black and White (Sepiatone); Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Sound System) Black and White (Sepiatone)](icons/bw.png) |
Maytime |
Robert Z. Leonard, W, W, ++, C |
|
7.7 |
1936 |
CD![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Noiseless Recording Sound System) Black and White](icons/bw.png) |
Modern Times |
Charles Chaplin, W, C, C, M |