|
8.0 |
2015 |
Ennu Ninte Moideen |
R.S. Vimal, W, C, M, M |
|
8.0 |
2012 |
Ho![Color (HD); AUDIO: Dolby Digital Color (HD)](icons/q-rgb.png) |
Rock Bottom Creek |
Steve Balewicz, M.C. Nowell, W, M |
|
8.0 |
2012 |
CR![Color; Color](icons/q-rgb.png) |
Trailer Park Jesus |
Sean Gerowin, W, C |
|
8.0 |
2009 |
C![Color; Color](icons/q-rgb.png) |
Rough Around the Edges |
Jim Dickinson, W, W, C, C |
|
8.0 |
2008 |
RD![Color; Aspect: 1.85:1; Video (HDTV); HDV; AUDIO: Dolby Digital Color](icons/h-rgb.png) |
Cherry Blossoms |
Doris Dörrie, W, C, M «Kirschblüten - Hanami» |
|
8.0 |
2008 |
CD![Color; Aspect: 1.85:1; 16 mm Digital; Digital Intermediate (master format) HD 1080i (source format) Super 16 (source format); Arriflex 416 Arriflex D-20; AUDIO: Dolby Digital Color](icons/d-rgb.png) |
Dean Spanley |
Toa Fraser, W, W, C, M |
|
8.0 |
2005 |
![Color; Color](icons/q-rgb.png) |
Heaven's Neighbors |
Jeff Kennedy, W, C, M |
|
8.0 |
2005 |
D![Color; Aspect: 1.85:1; 35 mm (Kodak); Arriflex Cameras and Lenses; AUDIO: Dolby Digital Color](icons/rgb.png) |
The Cave of the Yellow Dog |
Byambasuren Davaa, W, W, ++, C, M «Die Höhle des gelben Hundes» |
|
8.0 |
2005 |
D![Color; Color](icons/q-rgb.png) |
The Civilization of Maxwell Bright |
David Beaird, W, C, M |
|
8.0 |
2005 |
D![Color; Aspect: 1.78:1; Video (HDTV) Color](icons/h-rgb.png) |
You Are Alone |
Gorman Bechard, W, W, C |
|
8.0 |
2004 |
DFanR![Color; Aspect: 1.85:1; 35 mm (Kodak Vision2 50D 5201, Vision2 200T 5217, Vision2 500T 5218); Digital Intermediate (2K) (master format) Spherical (source format); Arriflex 535B, Zeiss and Angenieux Lenses; AUDIO: Dolby Digital Color](icons/rgb.png) |
Be with You |
Nobuhiro Doi, W, W, C, M «Ima, ai ni yukimasu» |
|
8.0 |
2004 |
D![Color; AUDIO: Dolby Digital Color](icons/q-rgb.png) |
Yesterday |
Darrell Roodt, W, C, M |
|
8.0 |
2002 |
C |
Hacks |
Glenn Rockowitz, W, C, M |
|
8.0 |
2002 |
DF![Color; Aspect: 1.78:1; Video; DV; Sony DV Cameras; AUDIO: Stereo Color](icons/v-rgb.png) |
Manito |
Eric Eason, W, C, M |
|
8.0 |
2002 |
CDSp![Color; AUDIO: Dolby Color](icons/q-rgb.png) |
Pingu-Pongu |
Fumihiko Sori, W, W, C |
|
8.0 |
1999 |
D![Color; Aspect: 1.85:1; 35 mm; AUDIO: Dolby Color](icons/rgb.png) |
The Book of Stars |
Michael Miner, W, C, M |
|
8.0 |
1996 |
DW![Color; Aspect: 1.85:1; 35 mm (Eastman EXR 200T 5293); AUDIO: Dolby Color](icons/rgb.png) |
Prisoner of the Mountains |
Sergey Bodrov, W, W, ++, C, M «Kavkazskiy plennik» |
|
8.0 |
1994 |
AdDF![Color (Technicolor); Aspect: 1.85:1; 35 mm; AUDIO: Dolby Color (Technicolor)](icons/rgb.png) |
War of the Buttons |
John Roberts, W, W, C, M |
|
8.0 |
1991 |
D![Color; Aspect: 1.85:1; 35 mm; AUDIO: Dolby Color](icons/rgb.png) |
Close to Eden |
Nikita Mikhalkov, W, ++, C, M «Urga» |
|
8.0 |
1990 |
D![Color; Aspect: 1.85:1; 35 mm; Panavision Cameras and Lenses; AUDIO: Dolby Color](icons/rgb.png) |
Men Don't Leave |
Paul Brickman, W, ++, C, M |
|
8.0 |
1988 |
CDR![Color; Aspect: 1.85:1; 35 mm; AUDIO: Dolby Color](icons/rgb.png) |
Some Girls |
Michael Hoffman, W, C, M |
|
8.0 |
1987 |
D![Color; Aspect: 1.85:1; 35 mm; AUDIO: Mono Color](icons/rgb.png) |
A Month in the Country |
Pat O'Connor, W, W, C, M |
|
8.0 |
1985 |
BCrD![Color (Technicolor); Aspect: 1.66:1; 35 mm; AUDIO: Stereo Color (Technicolor)](icons/rgb.png) |
Dance with a Stranger |
Mike Newell, W, C, M |
|
8.0 |
1983 |
AdD![Color (Fujicolor); Aspect: 1.85:1; 35 mm (Fuji); AUDIO: Dolby Color (Fujicolor)](icons/rgb.png) |
Antarctica |
Koreyoshi Kurahara, W, W, ++, C, M «Nankyoku monogatari» |
|
8.0 |
1979 |
ACW![Color (Eastmancolor); 35 mm; Lenses and Panaflex Camera by Panavision® (as Lenses and Panaflex camera by Panavision ®); AUDIO: Mono Color (Eastmancolor)](icons/rgb.png) |
The Odd Angry Shot |
Tom Jeffrey, W, W, C, M |
|
8.0 |
1975 |
BDH![Color (Eastmancolor); Aspect: 1.66:1; 35 mm; AUDIO: Mono Color (Eastmancolor)](icons/rgb.png) |
The Story of Adele H |
François Truffaut, W, W, ++, C «L'histoire d'Adèle H» |
|
8.0 |
1967 |
AdD![Color (Eastmancolor); Aspect: 2.35:1; 35 mm (2-perf); Techniscope; AUDIO: Mono Color (Eastmancolor)](icons/rgb.png) |
The Last Adventure |
Robert Enrico, W, W, ++, C, M «Les aventuriers» |
|
8.0 |
1966 |
Cr![Color; Aspect: 2.35:1; 35 mm; Shawscope; AUDIO: Mono Color](icons/rgb.png) |
Come Drink with Me |
King Hu, W, W, C, M «Da zui xia» |
|
8.0 |
1965 |
Guide |
Vijay Anand, W, W, ++, C, M |
|
8.0 |
1962 |
DR![Black and White; 35 mm; AUDIO: Mono (Westrex Recording System) Black and White](icons/bw.png) |
A Kind of Loving |
John Schlesinger, W, W, ++, C, M |
|
8.0 |
1962 |
D![Color; Aspect: 1.37:1; 35 mm; AUDIO: Mono Color](icons/rgb.png) |
An Autumn Afternoon |
Yasujirô Ozu, W, W, C, M «Sanma no aji» |
|
8.0 |
1962 |
DC![Black and White; Aspect: 1.85:1; 35 mm; (anamorphic); Arriflex II C; AUDIO: Mono Black and White](icons/bw.png) |
The Easy Life |
Dino Risi, W, W, ++, C, M «Il sorpasso» |
|
8.0 |
1961 |
D![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono Black and White](icons/bw.png) |
Accattone |
Pier Paolo Pasolini, W, ++, C |
|
8.0 |
1958 |
D![Black and White; 35 mm; AUDIO: AGA Sound System Black and White](icons/bw.png) |
The Magician |
Ingmar Bergman, W, C, M «Ansiktet» |
|
8.0 |
1955 |
BDMc![Color (Eastman Color); Aspect: 2.55:1; 35 mm; CinemaScope; AUDIO: 4-Track Stereo (Western Electric Sound System) Color (Eastman Color)](icons/rgb.png) |
Interrupted Melody |
Curtis Bernhardt, W, W, ++, C, C, M, M |
|
8.0 |
1945 |
BDRW![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (RCA Sound System) Black and White](icons/bw.png) |
Pride of the Marines |
Delmer Daves, W, W, ++, C, M |
|
8.0 |
1940 |
BDH![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (RCA Victor System) Black and White](icons/bw.png) |
Abe Lincoln in Illinois |
John Cromwell, W, ++, C, M |
|
8.0 |
1935 |
CR![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Noiseless Recording) Black and White](icons/bw.png) |
Ruggles of Red Gap |
Leo McCarey, W, W, ++, C |
|
8.0 |
1927 |
CrDR![Black and White; Silent](icons/bw.png) |
Underworld |
Josef von Sternberg, ++, W, W, ++, C, M |
|
8.0 |
1926 |
CR![Black and White; Silent](icons/bw.png) |
Ella Cinders |
Alfred E. Green, W, W, ++, C |
|
8.0 |
1926 |
DR![Black and White; Silent](icons/bw.png) |
La bohème |
King Vidor, W, W, ++, C, M, M |
|
7.9 |
2010 |
Anima and Persona |
Thiagarajan Kumararaja, W, C, M «Aaranya Kaandam» |
|
7.9 |
2009 |
CR![Color; Aspect: 2.35:1; DVC Pro HD; Panasonic AJ-HDX900 w/ Cine Lenses Panasonic HDX-900 Color](icons/d-rgb.png) |
Friends (With Benefits) |
Gorman Bechard, W, W, C, M, M |
|
7.9 |
2006 |
CrD![Color; Aspect: 1.85:1; 35 mm (Kodak); Panavision Cameras and Lenses; AUDIO: Dolby Digital Color](icons/rgb.png) |
Out of the Blue |
Robert Sarkies, W, W, ++, C, M |
|
7.9 |
2004 |
RCD![Color; Color](icons/q-rgb.png) |
Chinese Eye |
Yasmin Ahmad, W, C «Sepet» |
|
7.9 |
2003 |
Silent Waters |
Sabiha Sumar, W, W, C, M, M «Khamosh Pani: Silent Waters» |
|
7.9 |
2003 |
Three Walls |
Nagesh Kukunoor, W, C, M, M «3 Deewarein (3 Walls)» |
|
7.9 |
2002 |
DR![Color; Aspect: 1.85:1; 35 mm; AUDIO: Dolby Digital Color](icons/rgb.png) |
Oasis |
Chang-dong Lee, W, C, M |
|
7.9 |
2001 |
D![Color; Aspect: 1.85:1; 35 mm (Eastman EXR 100T 5248, Kodak Vision 500T 5279); AUDIO: Stereo Color](icons/rgb.png) |
To the Left of the Father |
Luiz Fernando Carvalho, W, W, C, M «Lavoura Arcaica» |
|
7.9 |
2000 |
D![Color; 35 mm; AUDIO: Ultra Stereo Color](icons/rgb.png) |
Diamond Men |
Dan Cohen, W, C, M |
|
7.9 |
1998 |
DR![Color; 35 mm Color](icons/rgb.png) |
Christmas in August |
Jin-ho Hur, W, W, ++, C «Palwolui Christmas» |
|
7.9 |
1997 |
ADHT![Color; AUDIO: Dolby SR Color](icons/q-rgb.png) |
Four Days in September |
Bruno Barreto, W, W, C, M «O Que É Isso, Companheiro?» |
|
7.9 |
1997 |
DR![Color (Technicolor); AUDIO: Dolby Digital Color (Technicolor)](icons/q-rgb.png) |
Niagara, Niagara |
Bob Gosse, W, C, M, M, M |
|
7.9 |
1997 |
CD![Color; Aspect: 1.85:1; Clairmont Cameras; AUDIO: Dolby Digital, SDDS Color](icons/q-rgb.png) |
Soul Food |
George Tillman Jr., W, C, M, M |
|
7.9 |
1995 |
CrD![Color; Aspect: 1.85:1; 35 mm (Eastman EXR 50D 5245, EXR 500T 5298); Arriflex 35-III, Panavision Primo Lenses Panavision Panaflex Platinum, Panavision Primo Lenses; AUDIO: Dolby Color](icons/rgb.png) |
Cyclo |
Tran Anh Hung, W, C, C, M «Xich lo» |
|
7.9 |
1994 |
DM![Color; 35 mm; AUDIO: Dolby Color](icons/rgb.png) |
Rampo |
Rintaro Mayuzumi, Kazuyoshi Okuyama, W, W, ++, C, M |
|
7.9 |
1994 |
Ho![Color; Aspect: 1.85:1; 35 mm; AUDIO: Mono Color](icons/rgb.png) |
Yeuk saat |
Hin Sing 'Billy' Tang, W, C |
|
7.9 |
1993 |
BDH |
The Gospel According to Matthew |
Regardt van den Bergh, W «The Visual Bible: Matthew» |
|
7.9 |
1992 |
DR![Color (Technicolor); Panaflex Camera and Lenses by Panavision; AUDIO: Dolby Color (Technicolor)](icons/q-rgb.png) |
That Night |
Craig Bolotin, W, W, C, M |
|
7.9 |
1989 |
Maine Pyar Kiya |
Sooraj R. Barjatya, W, W, ++, C, M |
|
7.9 |
1987 |
DF![Color; Aspect: 1.85:1; 35 mm; AUDIO: Mono Color](icons/rgb.png) |
Hachi-ko |
Seijirô Kôyama, W, C, M «Hachikô monogatari» |
|
7.9 |
1986 |
DFan![Color; Aspect: 1.85:1; 35 mm; Panavision Cameras and Lenses; AUDIO: Dolby Color](icons/rgb.png) |
The Boy Who Could Fly |
Nick Castle, W, C, C, M |
|
7.9 |
1983 |
AD![Color; Aspect: 2.35:1; 35 mm; (anamorphic); AUDIO: Mono Color](icons/rgb.png) |
Duel to Death |
Siu-Tung Ching, W, W, ++, C, C «Xian si jue» |
|
7.9 |
1980 |
BDMcR![Color (Technicolor); Aspect: 1.85:1; 35 mm; AUDIO: Dolby Color (Technicolor)](icons/rgb.png) |
The Idolmaker |
Taylor Hackford, W, C, M |
|
7.9 |
1975 |
D![Color (Eastmancolor); Aspect: 1.85:1; AUDIO: Mono Color (Eastmancolor)](icons/q-rgb.png) |
The Man in the Glass Booth |
Arthur Hiller, W, ++, C |
|
7.9 |
1972 |
AD![Color; Aspect: 2.35:1; 35 mm; Tohoscope; AUDIO: Mono Color](icons/rgb.png) |
Lone Wolf and Cub: Sword of Vengeance |
Kenji Misumi, W, ++, C, M «Kozure ôkami: Ko wo kashi ude kashi tsukamatsuru» |
|
7.9 |
1972 |
C![Color (Technicolor); Aspect: 2.35:1; 35 mm; Panavision (anamorphic); AUDIO: Mono Color (Technicolor)](icons/rgb.png) |
The Public Eye |
Carol Reed, W, C, M «Follow Me!» |
|
7.9 |
1971 |
D![Black and White; Aspect: 1.66:1; 35 mm; AUDIO: Mono Black and White](icons/bw.png) |
King Lear |
Peter Brook, W, W, C |
|
7.9 |
1969 |
CD![Color; 35 mm; AUDIO: Mono Color](icons/rgb.png) |
Me, Natalie |
Fred Coe, W, W, ++, C, M |
|
7.9 |
1967 |
AAdSf![Color; Aspect: 1.33:1; 35 mm; AUDIO: Mono Color](icons/rgb.png) |
"Star Trek" Errand of Mercy |
John Newland, W, W, C, M |
|
7.9 |
1965 |
D![Color (Eastmancolor); Aspect: 1.66:1; 35 mm; AUDIO: Mono Color (Eastmancolor)](icons/rgb.png) |
Le Bonheur |
Agnès Varda, W, C, C, M «Le bonheur» |
|
7.9 |
1957 |
Pyaasa |
Guru Dutt, W, C, M |
|
7.9 |
1952 |
CDR![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono, Mono (Western Electric Recording) Black and White](icons/bw.png) |
The White Sheik |
Federico Fellini, W, W, ++, C, C, M «Lo sceicco bianco» |
|
7.9 |
1950 |
CrDN![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (RCA Sound System) Black and White](icons/bw.png) |
The Breaking Point |
Michael Curtiz, W, W, C, M, M |
|
7.9 |
1949 |
DW![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Recording) Black and White](icons/bw.png) |
Home of the Brave |
Mark Robson, W, W, C, M |
|
7.9 |
1948 |
CR![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Recording) Black and White](icons/bw.png) |
Miss Tatlock's Millions |
Richard Haydn, W, W, ++, C, M |
|
7.9 |
1935 |
C![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Noiseless Recording) Black and White](icons/bw.png) |
Man on the Flying Trapeze |
Clyde Bruckman, ++, W, W, ++, C |
|
7.9 |
1920 |
AdWe![Black and White (color toned); Silent](icons/rgb-bw.png) |
The Mark of Zorro |
Fred Niblo, W, ++, C, C, M, M |
|
7.8 |
2015 |
D![Color; Aspect: 2.35:1; Arri Alexa Color](icons/d-rgb.png) |
The Second Mother |
Anna Muylaert, W, C, M «Que Horas Ela Volta?» |
|
7.8 |
2014 |
D![Color; Color](icons/q-rgb.png) |
Produce |
Chris Dowling, W, C, M |
|
7.8 |
2013 |
C |
It's Not You, It's Me |
Nathan Ives, W, C, M |
|
7.8 |
2013 |
CD![Color; Color](icons/q-rgb.png) |
Still Life |
Uberto Pasolini, W, C, M |
|
7.8 |
2012 |
CDR![Color; Aspect: 2.35:1; AUDIO: Dolby Digital Color](icons/q-rgb.png) |
Transatlantic Coffee |
Erik Peter Carlson, W, C, M, M, M++ |
|
7.8 |
2010 |
D![Color; 16 mm (Kodak Vision2 50D 7201, Vision3 250D 7207, Vision3 500T 7219); Super 16; Arriflex Cameras Color](icons/rgb.png) |
Third Star |
Hattie Dalton, W, C, M |
|
7.8 |
2009 |
T![Color; Color](icons/q-rgb.png) |
I.C.U. |
Aash Aaron, W, C, M |
|
7.8 |
2008 |
Mumbai Meri Jaan |
Nishikant Kamat, W, W, C, M |
|
7.8 |
2007 |
AdCD![Color; Aspect: 1.85:1; 35 mm (Kodak) Super 16; Digital Intermediate (master format) Spherical (source format); Aaton XTR; AUDIO: Dolby Digital Color](icons/rgb.png) |
Lucky Miles |
Michael James Rowland, W, W, C, M |
|
7.8 |
2006 |
C![Color; Video; DV Color](icons/v-rgb.png) |
Last Stop for Paul |
Neil Mandt, W, C, M |
|
7.8 |
2006 |
C![Color; Aspect: 1.85:1; 16 mm; Super 16; AUDIO: Dolby Color](icons/rgb.png) |
The Big Bad Swim |
Ishai Setton, W, C, M |
|
7.8 |
2004 |
CD![Color; AUDIO: Dolby Digital Color](icons/q-rgb.png) |
Adam & Paul |
Lenny Abrahamson, W, C, M, M |
|
7.8 |
2004 |
C![Color; Aspect: 1.85:1; Video (HDTV); DVC Pro HD; Panasonic Varicam AJ-HDC27V (with Pro35mm Adaptor) Color](icons/h-rgb.png) |
Knots |
Greg Lombardo, W, W, C, M |
|
7.8 |
2001 |
CDR![Color; 35 mm; AUDIO: Dolby SR Color](icons/rgb.png) |
All About You |
Christine Swanson, W, C, C, M, M |
|
7.8 |
2000 |
CR![Color; Color](icons/q-rgb.png) |
Chump Change |
Stephen Burrows, W, C, M |
|
7.8 |
2000 |
Hera Pheri |
Priyadarshan, W, W, ++, C, M |
|
7.8 |
1994 |
CDR![Color; Aspect: 1.66:1; 16 mm; Super 16; AUDIO: Dolby Color](icons/rgb.png) |
Vanya on 42nd Street |
Louis Malle, W, W, ++, C, M |
|
7.8 |
1993 |
CD![Color; Aspect: 1.85:1; 35 mm; Panavision Cameras and Lenses; AUDIO: Dolby Color](icons/rgb.png) |
Lost in Yonkers |
Martha Coolidge, W, C, C, M |
|
7.8 |
1992 |
BDF![Color (Eastmancolor); Aspect: 1.85:1; 35 mm; AUDIO: Dolby Color (Eastmancolor)](icons/rgb.png) |
The Long Day Closes |
Terence Davies, W, C, M, M |
|
7.8 |
1991 |
CD![Color; 35 mm; AUDIO: Ultra Stereo Color](icons/rgb.png) |
Rubin and Ed |
Trent Harris, W, C, M |
|
7.8 |
1990 |
CrD![Color; Aspect: 1.37:1; 16 mm (some scenes) 35 mm; AUDIO: Mono Color](icons/rgb.png) |
Close-Up |
Abbas Kiarostami, W, C «Nema-ye Nazdik» |
|
7.8 |
1990 |
AdBD![Color (Eastmancolor); Aspect: 1.85:1; 35 mm; AUDIO: Dolby Color (Eastmancolor)](icons/rgb.png) |
My Father's Glory |
Yves Robert, W, W, ++, C, C, C++, M «La gloire de mon père» |
|
7.8 |
1990 |
CD![Color (Eastmancolor); Aspect: 1.66:1; 35 mm; AUDIO: Mono Color (Eastmancolor)](icons/rgb.png) |
Tatie Danielle |
Étienne Chatiliez, W, ++, C, M, M |
|
7.8 |
1987 |
D![Color; Aspect: 1.85:1; 35 mm (Agfa XT 320, Eastman 400T 5294); AUDIO: Stereo Color](icons/rgb.png) |
The Glass Menagerie |
Paul Newman, W, C, M |
|
7.8 |
1986 |
CCr![Color; Aspect: 1.85:1; 35 mm; AUDIO: Mono Color](icons/rgb.png) |
Malcolm |
Nadia Tass, W, C, M |
|
7.8 |
1985 |
DR![Color (Technicolor); Aspect: 1.85:1; 35 mm; AUDIO: Mono Color (Technicolor)](icons/rgb.png) |
The Shooting Party |
Alan Bridges, W, W, C, M |
|
7.8 |
1982 |
AD![Color; Aspect: 2.35:1; 35 mm; Shawscope; AUDIO: Mono Color](icons/rgb.png) |
Five Element Ninja |
Cheh Chang, W, W, C, M, M «Ren zhe wu di» |
|
7.8 |
1976 |
D![Color (Eastmancolor); Aspect: 1.66:1; 35 mm; AUDIO: Mono Color (Eastmancolor)](icons/rgb.png) |
Cria Cuervos |
Carlos Saura, W, C, M, M «Cría cuervos» |
|
7.8 |
1976 |
D![Color; Aspect: 1.85:1; 35 mm; AUDIO: Mono Color](icons/rgb.png) |
Lifeguard |
Daniel Petrie, W, C, M |
|
7.8 |
1972 |
CD![Color (Technicolor); Aspect: 1.85:1; 35 mm; AUDIO: Mono (Westrex Recording System) Color (Technicolor)](icons/rgb.png) |
Play It As It Lays |
Frank Perry, W, ++, C |
|
7.8 |
1972 |
D![Color; Aspect: 1.85:1; 35 mm; AUDIO: Mono (Westrex Recording System) Color](icons/rgb.png) |
The Effect of Gamma Rays on Man-in-the-Moon Marigolds |
Paul Newman, W, W, C, M |
|
7.8 |
1964 |
CD![Black and White; 35 mm; AUDIO: Mono Black and White](icons/bw.png) |
Seduced and Abandoned |
Pietro Germi, W, W, ++, C, M «Sedotta e abbandonata» |
|
7.8 |
1962 |
D![Black and White; Aspect: 1.85:1; 35 mm; AUDIO: Mono Black and White](icons/bw.png) |
The L-Shaped Room |
Bryan Forbes, W, W, C |
|
7.8 |
1961 |
DW![Black and White; Aspect: 1.66:1; 35 mm; AUDIO: Mono (Westrex Recording System) Black and White](icons/bw.png) |
The Outsider |
Delbert Mann, W, W, C, M |
|
7.8 |
1960 |
C![Black and White; Aspect: 1.66:1; 35 mm; AUDIO: Mono (RCA Sound Recording) Black and White](icons/bw.png) |
School for Scoundrels |
Robert Hamer, ++, W, W, ++, C, M |
|
7.8 |
1960 |
D![Black and White; Aspect: 2.35:1; 35 mm; Tohoscope; AUDIO: Mono (Perspecta Sound encoding) (Western Electric Recording) Black and White](icons/bw.png) |
When a Woman Ascends the Stairs |
Mikio Naruse, W, C, M «Onna ga kaidan wo agaru toki» |
|
7.8 |
1952 |
D![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono Black and White](icons/bw.png) |
Flavor of Green Tea Over Rice |
Yasujirô Ozu, W, W, C, M «Ochazuke no aji» |
|
7.8 |
1951 |
DFanR![Black and White, Color (Technicolor); Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Recording) Black and White, Color (Technicolor)](icons/rgb-bw.png) |
I'll Never Forget You |
Roy Ward Baker, W, W, ++, C, M «The House in the Square» |
|
7.8 |
1947 |
WeFan![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Recording) Black and White](icons/bw.png) |
Heaven Only Knows |
Albert S. Rogell, W, W, ++, C, M |
|
7.8 |
1928 |
ACF![Black and White; Silent](icons/bw.png) |
Speedy |
Ted Wilde, W, W, ++, C, M, M |
|
7.7 |
2014 |
Manam |
Vikram K. Kumar, W, W, ++, C, M |
|
7.7 |
2013 |
D![Color; Aspect: 2.35:1; 35 mm (Fuji); Techniscope Color](icons/rgb.png) |
Decoding Annie Parker |
Steven Bernstein, W, W, ++, C, M |
|
7.7 |
2010 |
Ho![Color; Aspect: 2.35:1; Panasonic AG-HVX200; AUDIO: Dolby SR Color](icons/q-rgb.png) |
Last Breath |
Ty Jones, W, C, M |
|
7.7 |
2009 |
Magadheera |
S.S. Rajamouli, W, W, ++, C, M |
|
7.7 |
2008 |
D![Color; Aspect: 1.78:1; 35 mm; AUDIO: Dolby SR Color](icons/rgb.png) |
The Song of Sparrows |
Majid Majidi, W, W, C, M «Avaze gonjeshk-ha» |
|
7.7 |
2007 |
DFanMcR![Color; Aspect: 2.35:1; 35 mm (Kodak Vision2 500T 5218); Digital Intermediate (2K) (master format) Super 35 (source format); Arricam LT, Zeiss and Angenieux Lenses Arricam ST, Zeiss and Angenieux Lenses Arriflex 435 Xtreme, Zeiss and Angenieux Lenses Arriflex 535B, Zeiss and Angenieux Lenses; AUDIO: Dolby Digital Color](icons/rgb.png) |
Secret |
Jay Chou, W, W, C, M, M «Bu neng shuo de. mi mi» |
|
7.7 |
2005 |
CD![Color; Digital; AUDIO: Dolby Digital Color](icons/d-rgb.png) |
All That I Need |
James Hergott, W, C, M, M |
|
7.7 |
2005 |
Apaharan |
Prakash Jha, W, ++, C, M |
|
7.7 |
2004 |
DR![Color; AUDIO: Dolby Digital Color](icons/q-rgb.png) |
Brides |
Pantelis Voulgaris, W, C, M «Nyfes» |
|
7.7 |
2003 |
HoT![Color; Aspect: 1.85:1; 16 mm; Super 16; Arriflex Cameras; AUDIO: Dolby Digital Color](icons/rgb.png) |
Little Erin Merryweather |
David Morwick, ++, W, C, M |
|
7.7 |
2002 |
D![Color; Aspect: 1.66:1; 35 mm; AUDIO: Dolby Color](icons/rgb.png) |
Broken Wings |
Nir Bergman, W, C, M «Knafayim Shvurot» |
|
7.7 |
2002 |
CD![Color; AUDIO: Dolby Color](icons/q-rgb.png) |
Philanthropy |
Nae Caranfil, W, C, M «Filantropica» |
|
7.7 |
2002 |
Saathiya |
Shaad Ali, W, W, C, M |
|
7.7 |
2000 |
DMlR![Color; Aspect: 1.85:1; 35 mm; AUDIO: Dolby Digital Color](icons/rgb.png) |
Chunhyang |
Kwon-taek Im, W, W, ++, C, M «Chunhyangdyun» |
|
7.7 |
2000 |
DR![Color; 35 mm; AUDIO: Dolby Color](icons/rgb.png) |
Suzhou River |
Ye Lou, W, C, M «Suzhou he» |
|
7.7 |
1999 |
CCrM![Color; Aspect: 1.85:1; 35 mm; Arriflex 535; AUDIO: Dolby Digital Color](icons/rgb.png) |
Herod's Law |
Luis Estrada, W, ++, C, M «La ley de Herodes» |
|
7.7 |
1998 |
CD![Color; Aspect: 1.85:1; 35 mm; AUDIO: Dolby Digital Color](icons/rgb.png) |
Don't Tell Anyone |
Francisco J. Lombardi, W, W, C «No se lo digas a nadie» |
|
7.7 |
1997 |
D![Color; Aspect: 1.66:1; AUDIO: Dolby Color](icons/q-rgb.png) |
Martin (Hache) |
Adolfo Aristarain, W, W, C, M «Martín (Hache)» |
|
7.7 |
1996 |
CD![Color (Technicolor); Aspect: 1.85:1; 35 mm; Arriflex BL II; AUDIO: Dolby, Dolby SR Color (Technicolor)](icons/rgb.png) |
Drifting Clouds |
Aki Kaurismäki, W, C, M «Kauas pilvet karkaavat» |
|
7.7 |
1995 |
AdDRW![Color; Aspect: 2.35:1; 35 mm; Technovision (anamorphic); Technovision Cameras and Lenses; AUDIO: DTS, Dolby Digital Color](icons/rgb.png) |
The Horseman on the Roof |
Jean-Paul Rappeneau, W, W, ++, C, M «Le hussard sur le toit» |
|
7.7 |
1994 |
CrD![Black and White, Color; Aspect: 1.85:1; 35 mm; AUDIO: Mono Black and White, Color](icons/rgb-bw.png) |
Fun |
Rafal Zielinski, W, C, M |
|
7.7 |
1993 |
CD![Color; Aspect: 1.85:1; 35 mm; AUDIO: Ultra Stereo Color](icons/rgb.png) |
Strawberry and Chocolate |
Tomás Gutiérrez Alea, Juan Carlos Tabío, W, W, ++, C, M «Fresa y chocolate» |
|
7.7 |
1992 |
DR![Color; Aspect: 1.85:1; 35 mm; AUDIO: Dolby Color](icons/rgb.png) |
Gas, Food Lodging |
Allison Anders, W, W, C, M |
|
7.7 |
1991 |
R? |
A Scene at the Sea |
Takeshi Kitano, W, C, M «Ano natsu, ichiban shizukana umi» |
|
7.7 |
1990 |
DH![Color; Aspect: 1.85:1; 35 mm; Panavision Cameras and Lenses; AUDIO: Dolby Color](icons/rgb.png) |
The Long Walk Home |
Richard Pearce, W, ++, C, M |
|
7.7 |
1990 |
CDHW![Black and White, Color (Eastmancolor); Aspect: 1.66:1; 35 mm; AUDIO: Mono Black and White, Color (Eastmancolor)](icons/rgb-bw.png) |
The Nasty Girl |
Michael Verhoeven, W, C, M, M, M++ «Das schreckliche Mädchen» |
|
7.7 |
1988 |
CrD![Color; Aspect: 1.37:1; 35 mm; AUDIO: Dolby Color](icons/rgb.png) |
Ghosts... of the Civil Dead |
John Hillcoat, W, W, ++, C, C, M, M, M |
|
7.7 |
1988 |
CRAd![Color; Aspect: 1.85:1; 35 mm; AUDIO: Dolby Color](icons/rgb.png) |
Moon Over Parador |
Paul Mazursky, W, W, ++, C, M |
|
7.7 |
1987 |
AdAD![Color; Aspect: 2.20:1; 65 mm; Super Panavision 70 (anamorphic); AUDIO: Dolby (35 mm prints), 70 mm 6-Track (70 mm prints) Color](icons/rgb.png) |
Pathfinder |
Nils Gaup, W, C, M, M, M «Ofelas» |
|
7.7 |
1985 |
CCrDT![Color; 35 mm; AUDIO: Dolby Color](icons/rgb.png) |
Trouble in Mind |
Alan Rudolph, W, C, M |
|
7.7 |
1985 |
AdCD![Color; Aspect: 1.78:1; 35 mm; AUDIO: Stereo Color](icons/rgb.png) |
Water |
Dick Clement, W, W, ++, C, M |
|
7.7 |
1982 |
BDWe![Color; 35 mm; Panavision Lenses; AUDIO: Mono Color](icons/rgb.png) |
The Grey Fox |
Phillip Borsos, W, C, M |
|
7.7 |
1982 |
D![Black and White; Aspect: 1.66:1; 35 mm; AUDIO: Mono Black and White](icons/bw.png) |
Veronika Voss |
Rainer Werner Fassbinder, W, W, ++, C, M «Die Sehnsucht der Veronika Voss» |
|
7.7 |
1981 |
D![Color (Eastmancolor); Aspect: 1.66:1; 35 mm; AUDIO: Mono Color (Eastmancolor)](icons/rgb.png) |
Mephisto |
István Szabó, W, W, ++, C, M |
|
7.7 |
1972 |
C![Color (Eastmancolor); Aspect: 1.33:1; 35 mm; AUDIO: Mono Color (Eastmancolor)](icons/rgb.png) |
Where Does It Hurt? |
Rod Amateau, W, W, ++, C, M |
|
7.7 |
1971 |
CDMc![Color; Aspect: 1.85:1; 35 mm; AUDIO: Mono (Westrex Recording System) Color](icons/rgb.png) |
Taking Off |
Milos Forman, W, W, ++, C |
|
7.7 |
1966 |
CrD![Black and White; Aspect: 1.66:1; 35 mm; AUDIO: Mono Black and White](icons/bw.png) |
Le Deuxieme Souffle |
Jean-Pierre Melville, W, ++, C, M «Le deuxième souffle» |
|
7.7 |
1962 |
Sf![Color; Color](icons/q-rgb.png) |
Planeta Bur |
Pavel Klushantsev, W, W, C, M, M |
|
7.7 |
1960 |
D![Black and White; Aspect: 1.66:1; 35 mm; AUDIO: Mono (Westrex Recording System) Black and White](icons/bw.png) |
The Entertainer |
Tony Richardson, W, W, ++, C, M |
|
7.7 |
1958 |
CCr![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono Black and White](icons/bw.png) |
Big Deal on Madonna Street |
Mario Monicelli, W, W, ++, C, M «I soliti ignoti» |
|
7.7 |
1955 |
CD![Black and White; Aspect: 1.37:1; 35 mm (Kodak); AUDIO: Mono (RCA Sound) Black and White](icons/bw.png) |
Il bidone |
Federico Fellini, W, W, ++, C, M |
|
7.7 |
1954 |
C![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Recording) Black and White](icons/bw.png) |
The Belles of St. Trinian's |
Frank Launder, W, W, ++, C, M |
|
7.7 |
1954 |
ACrDT![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Sound System) Black and White](icons/bw.png) |
Touchez Pas au Grisbi |
Jacques Becker, W, W, ++, C, M «Touchez pas au grisbi» |
|
7.7 |
1954 |
D![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono Black and White](icons/bw.png) |
Twenty-Four Eyes |
Keisuke Kinoshita, W, W, C, M «Nijûshi no hitomi» |
|
7.7 |
1953 |
D![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (RCA High Fidelity) Black and White](icons/bw.png) |
El |
Luis Buñuel, W, W, ++, C, M |
|
7.7 |
1951 |
CFan![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Recording) Black and White](icons/bw.png) |
You Never Can Tell |
Lou Breslow, W, ++, C, M |
|
7.7 |
1949 |
CrNMT![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Recording) Black and White](icons/bw.png) |
The Hidden Room |
Edward Dmytryk, W, C, M «Obsession» |
|
7.7 |
1947 |
DR![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono Black and White](icons/bw.png) |
One Wonderful Sunday |
Akira Kurosawa, W, W, C, M «Subarashiki nichiyôbi» |
|
7.7 |
1945 |
DH![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Mirrophonic Recording) Black and White](icons/bw.png) |
Kitty |
Mitchell Leisen, W, W, ++, C, M |
|
7.7 |
1944 |
RD![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (RCA Sound System) Black and White](icons/bw.png) |
The Very Thought of You |
Delmer Daves, W, W, ++, C, M |
|
7.7 |
1941 |
AdCDW![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Mirrophonic Sound System) (at D & P Studios Denham England) Black and White](icons/bw.png) |
'Pimpernel' Smith |
Leslie Howard, W, W, ++, C, M |
|
7.7 |
1941 |
CR![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (RCA Sound System) Black and White](icons/bw.png) |
The Strawberry Blonde |
Raoul Walsh, W, W, ++, C, M |
|
7.7 |
1937 |
D![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono Black and White](icons/bw.png) |
Confession |
Joe May, W, W, ++, C, M |
|
7.7 |
1935 |
MlR![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Sound System) Black and White](icons/bw.png) |
Broadway Melody of 1936 |
Roy Del Ruth, ++, W, W, ++, C |
|
7.7 |
1934 |
C![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Noiseless Recording) Black and White](icons/bw.png) |
The Old Fashioned Way |
William Beaudine, W, W, ++, C, M |
|
7.7 |
1932 |
CD![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Noiseless Recording) Black and White](icons/bw.png) |
If I Had a Million |
James Cruze, H. Bruce Humberstone, ++, W, W, ++, C, C, C++, M |
|
7.7 |
1927 |
DR![Black and White; Silent](icons/bw.png) |
7th Heaven |
Frank Borzage, W, W, ++, C, C, M, M, M |
|
7.7 |
1926 |
D![Black and White; Silent](icons/bw.png) |
Sparrows |
William Beaudine, ++, W, W, ++, C, C, C |