|
8.0 |
2012 |
CDR![Color; Aspect: 1.85:1; 35 mm (Fuji Super F-64D 8522, Eterna 400T 8583); Digital Intermediate (2K) (master format) Super 35 (3-perf) (source format) Color](icons/rgb.png) |
Day of the Flowers |
John Roberts, W, C, M |
|
8.0 |
2012 |
DH![Color; Aspect: 2.35:1; Redcode RAW; Digital Intermediate (2K) (master format) Redcode RAW (4.5K) (source format); Red One Camera (MX sensor); AUDIO: Dolby Digital Color](icons/d-rgb.png) |
Masquerade |
Chang-min Choo, W, W, C, M, M «Gwanghae, Wangyidoen namja» |
|
8.0 |
2012 |
D![Color; AUDIO: Dolby Digital Color](icons/q-rgb.png) |
The Other Son |
Lorraine Levy, W, W, ++, C «Le fils de l'autre» |
|
8.0 |
2011 |
D![Color; Color](icons/q-rgb.png) |
Shuffle |
Kurt Kuenne, W, C, M |
|
8.0 |
2010 |
AdCDHRSp![Color; Aspect: 1.78:1; AUDIO: Dolby Digital Color](icons/q-rgb.png) |
Montevideo: Taste of a Dream |
Dragan Bjelogrlic, W, W, ++, C, M «Montevideo, Bog te video!» |
|
8.0 |
2006 |
BD![Color; Aspect: 1.85:1; Arriflex 16SR 3 Arriflex Cameras Color](icons/q-rgb.png) |
The Bondage |
Eric Allen Bell, W, C, M «Bondage» |
|
8.0 |
2004 |
DF![Color; Aspect: 1.85:1; Video (HDTV); HDTV (1080p/24); AUDIO: Dolby Digital Color](icons/h-rgb.png) |
Benji: Off the Leash! |
Joe Camp, W, C, M |
|
8.0 |
2003 |
CDR![Color; AUDIO: Dolby Digital Color](icons/q-rgb.png) |
An American Reunion |
Jim Fitzpatrick, W, C, M |
|
8.0 |
2003 |
AdCR![Color; Color](icons/q-rgb.png) |
Rice Girl |
Michael Fischa, W, C |
|
8.0 |
2001 |
CDM![Color; 35 mm; AUDIO: Stereo Color](icons/rgb.png) |
Almost Salinas |
Terry Green, W, C, M |
|
8.0 |
2001 |
CDF![Color; Aspect: 1.66:1; 35 mm (Kodak Vision 200T 5274, Vision 500T 5279, Vision Expression 500T 5284, Vision 800T 5289); Moviecam Compact, Zeiss Super Speed and Angenieux HR Lenses; AUDIO: Dolby Digital Color](icons/rgb.png) |
Autumn Spring |
Vladimír Michálek, W, C, M «Babí léto» |
|
8.0 |
2001 |
Tum Bin...: Love Will Find a Way |
Anubhav Sinha, W, W, C, M, M, M |
|
8.0 |
1999 |
CR![Color; Aspect: 1.85:1; 35 mm; AUDIO: Dolby Color](icons/rgb.png) |
Sun Alley |
Leander Haußmann, W, W, ++, C, M, M «Sonnenallee» |
|
8.0 |
1996 |
|
American Job |
Chris Smith, W, W, ++, C |
|
8.0 |
1993 |
Kabhi Haan Kabhi Naa |
Kundan Shah, W, W, ++, C, M, M |
|
8.0 |
1991 |
CDR![Color (Eastmancolor); Aspect: 1.85:1; 35 mm; AUDIO: Dolby Color (Eastmancolor)](icons/rgb.png) |
High Heels |
Pedro Almodóvar, W, C, M «Tacones lejanos» |
|
8.0 |
1983 |
Ardh Satya |
Govind Nihalani, W, W, ++, C, M |
|
8.0 |
1981 |
CDR![Color; Aspect: 1.66:1; 35 mm; AUDIO: Dolby Color](icons/rgb.png) |
Do You Remember Dolly Bell? |
Emir Kusturica, W, W, C, C, M «Sjecas Li Se, Dolly Bell» |
|
8.0 |
1979 |
CD![Color; 35 mm; AUDIO: Mono Color](icons/rgb.png) |
French Postcards |
Willard Huyck, W, W, C, M |
|
8.0 |
1977 |
D![Color; Aspect: 1.85:1; 35 mm; AUDIO: Mono Color](icons/rgb.png) |
Short Eyes |
Robert M. Young, W, C, M |
|
8.0 |
1969 |
CDHoT![Black and White; Aspect: 1.66:1; 35 mm; AUDIO: Mono Black and White](icons/bw.png) |
The Cremator |
Juraj Herz, W, ++, C, M «Spalovac mrtvol» |
|
8.0 |
1962 |
CCrD![Black and White; Aspect: 1.85:1; 35 mm; AUDIO: Mono (Westrex Recording System) Black and White](icons/bw.png) |
Mafioso |
Alberto Lattuada, W, W, ++, C, M |
|
8.0 |
1960 |
D![Black and White; Aspect: 1.66:1; 35 mm; AUDIO: Mono (Westrex Recording System) Black and White](icons/bw.png) |
The Angry Silence |
Guy Green, W, W, ++, C, M |
|
8.0 |
1959 |
D![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono Black and White](icons/bw.png) |
Nazarin |
Luis Buñuel, W, W, ++, C, M «Nazarín» |
|
8.0 |
1959 |
DHW![Black and White; Aspect: 2.35:1; 35 mm; Shochiku Grandscope; AUDIO: Mono Black and White](icons/bw.png) |
The Human Condition I: No Greater Love |
Masaki Kobayashi, W, W, ++, C, M «Ningen no jôken» |
|
8.0 |
1958 |
CrTD![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono Black and White](icons/bw.png) |
It Happened in Broad Daylight |
Ladislao Vajda, W, ++, C, M «Es geschah am hellichten Tag» |
|
8.0 |
1950 |
C![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono Black and White](icons/bw.png) |
The Happiest Days of Your Life |
Frank Launder, W, W, C, M |
|
7.9 |
2015 |
Papanasam |
Jeethu Joseph, W, W, C, M |
|
7.9 |
2014 |
CD![Color; AUDIO: Dolby Digital (Frantz Emile) Color](icons/q-rgb.png) |
Against the Jab |
Patrick Jerome, W, C, M, M, M |
|
7.9 |
2014 |
Punjab 1984 |
Anurag Singh, W, W, C, M, M |
|
7.9 |
2011 |
T![Color; Aspect: 1.78:1; Digital Intermediate; Panasonic AJ-HPX3000; AUDIO: Dolby SR Color](icons/d-rgb.png) |
Next Door to the Velinsky's |
Darren K. Hawkins, W, W, ++, C, M |
|
7.9 |
2009 |
D![Color; Aspect: 2.35:1; AUDIO: Dolby Digital Color](icons/q-rgb.png) |
Brotherhood |
Nicolo Donato, W, W, C, M «Broderskab» |
|
7.9 |
2009 |
D![Color; Color](icons/q-rgb.png) |
For Love of Amy |
Ted Lange, W, C, M |
|
7.9 |
2008 |
CD![Color; Aspect: 1.85:1; 35 mm; Arriflex Cameras; AUDIO: Dolby Digital Color](icons/rgb.png) |
Mid-August Lunch |
Gianni Di Gregorio, W, W, ++, C, M «Pranzo di ferragosto» |
|
7.9 |
2007 |
Dharm |
Bhavna Talwar, W, W, C |
|
7.9 |
2006 |
CDR![Color; Color](icons/q-rgb.png) |
Premium |
Pete Chatmon, W, C, M |
|
7.9 |
2006 |
D![Color; Aspect: 1.85:1; Video (HDTV); Digital Intermediate (master format) HDCAM (source format); Sony HDW-F900; AUDIO: Dolby Digital Color](icons/h-rgb.png) |
Stephanie Daley |
Hilary Brougher, W, C, M |
|
7.9 |
2004 |
D![Color; 35 mm; AUDIO: Dolby Digital Color](icons/rgb.png) |
Captive |
Gaston Biraben, W, C, C, M «Cautiva» |
|
7.9 |
2004 |
DSp![Color; AUDIO: Dolby Digital Color](icons/q-rgb.png) |
Mickey |
Hugh Wilson, W, M |
|
7.9 |
2004 |
D![Color; Color](icons/q-rgb.png) |
On the Outs |
Lori Silverbush, Michael Skolnik, W, C, M, M |
|
7.9 |
2002 |
CrDT![Color (Technicolor); 35 mm; AUDIO: Dolby SR Color (Technicolor)](icons/rgb.png) |
Red Bear |
Adrián Caetano, W, W, ++, C, M, M «Un oso rojo» |
|
7.9 |
2002 |
D![Color; Aspect: 1.85:1; 8 mm; Super 8; AUDIO: 4-Track Stereo Color](icons/rgb.png) |
Sleep Always |
Rick Palidwor, Mitch Perkins, W, C |
|
7.9 |
2001 |
CD![Color; 35 mm; AUDIO: DTS Color](icons/rgb.png) |
Pauline and Paulette |
Lieven Debrauwer, W, W, C, M «Pauline & Paulette» |
|
7.9 |
2001 |
CD![Color; Aspect: 2.35:1; 35 mm (Kodak Vision 800T 5289); Super 35; Arriflex 35 BL4 Moviecam SL; AUDIO: Dolby Digital Color](icons/rgb.png) |
Vizontele |
Yilmaz Erdogan, Ömer Faruk Sorak, W, C, M, M |
|
7.9 |
2000 |
ACCrFan![Color; AUDIO: DTS Color](icons/q-rgb.png) |
Space Travelers |
Katsuyuki Motohiro, W, W, C, M «Supêsutoraberâzu» |
|
7.9 |
1998 |
CrDT![Color; Aspect: 1.85:1; 35 mm; AUDIO: Dolby SR Color](icons/rgb.png) |
Short Sharp Shock |
Fatih Akin, W, C, M «Kurz und schmerzlos» |
|
7.9 |
1997 |
AdD![Color; Aspect: 1.85:1; 35 mm (Eastman EXR 50D 5245, EXR 200T 5293, EXR 500T 5298); Arriflex 35 BL4, Zeiss Standard Speed, Cooke Cinetal and Nikkor Lenses Arriflex 35-III, Zeiss Standard Speed, Cooke Cinetal and Nikkor Lenses Arriflex 535, Zeiss Standard Speed, Cooke Cinetal and Nikkor Lenses; AUDIO: Dolby Digital Color](icons/rgb.png) |
Passion in the Desert |
Lavinia Currier, W, W, ++, C, M |
|
7.9 |
1996 |
CCrR![Color (Eastmancolor); Aspect: 1.85:1; 35 mm; Arriflex 535; AUDIO: Dolby Digital Color (Eastmancolor)](icons/rgb.png) |
Regular Guys |
Rolf Silber, W, W, C, M «Echte Kerle» |
|
7.9 |
1994 |
D![Color; Aspect: 1.85:1; 35 mm; AUDIO: Dolby Color](icons/rgb.png) |
Dance Me Outside |
Bruce McDonald, W, W, ++, C, M |
|
7.9 |
1991 |
CD![Color (Metrocolor); AUDIO: Mono Color (Metrocolor)](icons/q-rgb.png) |
Hangin' with the Homeboys |
Joseph B. Vasquez, W, C, M |
|
7.9 |
1991 |
The Stranger |
Satyajit Ray, W, ++, C, M «Agantuk» |
|
7.9 |
1984 |
C![Color (Fujicolor); Aspect: 1.85:1; 35 mm; AUDIO: Stereo Color (Fujicolor)](icons/rgb.png) |
The Funeral |
Jûzô Itami, W, C, M «Osôshiki» |
|
7.9 |
1983 |
DR![Color; Aspect: 1.66:1; 35 mm (Kodak); AUDIO: Mono Color](icons/rgb.png) |
El Sur |
Víctor Erice, W, W, C, M «El sur» |
|
7.9 |
1983 |
D![Color; Aspect: 1.85:1; 35 mm; AUDIO: Mono Color](icons/rgb.png) |
Man of Flowers |
Paul Cox, W, W, C |
|
7.9 |
1978 |
Don |
Chandra Barot, W, ++, C, M, M |
|
7.9 |
1978 |
AD![Color; Aspect: 2.35:1; 35 mm; Shawscope; AUDIO: Mono Color](icons/rgb.png) |
Heroes of the East |
Chia-Liang Liu, W, C, M «Zhong hua zhang fu» |
|
7.9 |
1977 |
D![Color (Eastmancolor); Aspect: 1.66:1; 35 mm; AUDIO: Mono Color (Eastmancolor)](icons/rgb.png) |
Iphigenia |
Mihalis Kakogiannis, W, W, C, M «Ifigeneia» |
|
7.9 |
1976 |
DFan![Color (Eastmancolor); Aspect: 1.66:1; 35 mm; AUDIO: Mono Color (Eastmancolor)](icons/rgb.png) |
Face to Face |
Ingmar Bergman, W, C «Ansikte mot ansikte» |
|
7.9 |
1971 |
DF![Color (Eastmancolor); 35 mm; AUDIO: Mono Color (Eastmancolor)](icons/rgb.png) |
Flight of the Doves |
Ralph Nelson, W, W, ++, C, M |
|
7.9 |
1965 |
D![Black and White; Aspect: 1.75:1; 35 mm; AUDIO: Mono Black and White](icons/bw.png) |
Fists in the Pocket |
Marco Bellocchio, W, C, M «I pugni in tasca» |
|
7.9 |
1965 |
DR![Color (Technicolor); Aspect: 2.20:1; 35 mm; Panavision (anamorphic); AUDIO: 70 mm 6-Track, Stereo Color (Technicolor)](icons/rgb.png) |
Othello |
Stuart Burge, W, C, M |
|
7.9 |
1962 |
AdCFanRSfW![Black and White, Color; 35 mm; AUDIO: Mono Black and White, Color](icons/rgb-bw.png) |
Baron Prásil |
Karel Zeman, W, W, ++, C, M |
|
7.9 |
1960 |
DR![Black and White; 35 mm; AUDIO: Mono Black and White](icons/bw.png) |
The Lady with the Dog |
Iosif Kheifits, W, W, C, C, M «Dama s sobachkoj» |
|
7.9 |
1959 |
C![Black and White; Aspect: 1.66:1; 35 mm; AUDIO: Mono (RCA Sound Recording) Black and White](icons/bw.png) |
The Battle of the Sexes |
Charles Crichton, W, W, C, M |
|
7.9 |
1951 |
CDFan![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono, Mono (RCA Sound System) Black and White](icons/bw.png) |
Miracle in Milan |
Vittorio De Sica, W, ++, C, M «Miracolo a Milano» |
|
7.9 |
1951 |
BDMc![Color (Technicolor); Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Sound System) Color (Technicolor)](icons/rgb.png) |
The Great Caruso |
Richard Thorpe, W, ++, C, M |
|
7.9 |
1939 |
AdCCr![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (British Acoustic) Black and White](icons/bw.png) |
Ask a Policeman |
Marcel Varnel, W, W, ++, C, M, M, M |
|
7.9 |
1936 |
CCrD![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono Black and White](icons/bw.png) |
The Crime of Monsieur Lange |
Jean Renoir, W, W, ++, C, M, M «Le crime de Monsieur Lange» |
|
7.9 |
1935 |
CFanHoR![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Noiseless Recording) Black and White](icons/bw.png) |
The Ghost Goes West |
René Clair, W, W, ++, C, M |
|
7.9 |
1934 |
D![Black and White; Silent](icons/bw.png) |
The Goddess |
Yonggang Wu, W, C, M «Shen nu» |
|
7.9 |
1926 |
RWe![Black and White; Silent](icons/bw.png) |
3 Bad Men |
John Ford, W, W, ++, C, M |
|
7.9 |
1924 |
DR![Black and White; Silent](icons/bw.png) |
Gösta Berlings saga |
Mauritz Stiller, W, W, ++, C |
|
7.8 |
2014 |
D![Color; Aspect: 2.35:1; Redcode RAW (5K); Digital Intermediate (master format) Panavision (anamorphic) (source format); Red Epic, Panavision Primo, G-Series and Angenieux HR Lenses Color](icons/d-rgb.png) |
Far from Men |
David Oelhoffen, W, C, M «Loin des hommes» |
|
7.8 |
2014 |
Pisasu |
Myshkin, W, C, M |
|
7.8 |
2013 |
AD![Color; Aspect: 2.35:1; Redcode RAW; Digital Intermediate (2K) (master format) Redcode RAW (source format); Red Epic, Zeiss Master Prime and Angenieux Optimo Lenses; AUDIO: Dolby Digital Color](icons/d-rgb.png) |
Why Don't You Play in Hell? |
Shion Sono, W, C, M «Jigoku de naze warui» |
|
7.8 |
2010 |
CD![Color; Aspect: 2.35:1; Redcode RAW; Digital Intermediate (2K) (master format) Redcode RAW (4K) (source format); Red One Camera, Zeiss Ultra Prime and Angenieux Optimo Lenses Color](icons/d-rgb.png) |
Hello Ghost |
Young-Tak Kim, W, C, M «Hellowoo goseuteu» |
|
7.8 |
2008 |
CD![Color; Color](icons/q-rgb.png) |
Real Time |
Randall Cole, W, C, M |
|
7.8 |
2005 |
D![Color; Aspect: 1.78:1 Color](icons/q-rgb.png) |
Automatic |
Jonathan Walls, W, C, C, M |
|
7.8 |
2005 |
The Blue Umbrella |
Vishal Bhardwaj, W, W, ++, C, M |
|
7.8 |
2004 |
CMR![Color; Aspect: 1.85:1; AUDIO: Dolby Digital Color](icons/q-rgb.png) |
Unconscious |
Joaquín Oristrell, W, W, ++, C, M «Inconscientes» |
|
7.8 |
2002 |
CMl![Color; AUDIO: Dolby Digital, Dolby Digital (2.0), Dolby Digital (5.1 surround) Color](icons/q-rgb.png) |
Yes Nurse! No Nurse! |
Pieter Kramer, W, W, ++, C, M «Ja zuster, nee zuster» |
|
7.8 |
2002 |
![Color; Color](icons/q-rgb.png) |
You Got Nothin' |
Philip Angelotti, W, W, C, C, C, M |
|
7.8 |
1998 |
CR![Color; Color](icons/q-rgb.png) |
The Misadventures of Margaret |
Brian Skeet, W, W, C, M, M |
|
7.8 |
1996 |
D![Color; Aspect: 1.85:1; 35 mm; AUDIO: Dolby Digital Color](icons/rgb.png) |
Sticks & Stones |
Neil Tolkin, W, C, M |
|
7.8 |
1995 |
AdCCrFM![Color; Aspect: 2.35:1; 35 mm; Arriscope (anamorphic) Clairmont-Scope (anamorphic); Arriflex 35-III, Arriscope and Clairmont Lenses Moviecam Compact, Arriscope and Clairmont Lenses; AUDIO: Dolby Digital Color](icons/rgb.png) |
Bushwhacked |
Greg Beeman, W, W, ++, C, M |
|
7.8 |
1993 |
DC![Color; 35 mm; AUDIO: Dolby SR Color](icons/rgb.png) |
Raining Stones |
Ken Loach, W, C, M |
|
7.8 |
1988 |
D![Color; AUDIO: Mono Color](icons/q-rgb.png) |
Medea |
Lars von Trier, W, W, ++, C, M |
|
7.8 |
1983 |
Ho![Color; Aspect: 1.85:1; 35 mm; AUDIO: Mono Color](icons/rgb.png) |
Mo |
Chih-Hung Kuei, W, W, C, C, C, M, M |
|
7.8 |
1979 |
CrDMT![Color; Aspect: 1.66:1; 35 mm; AUDIO: Mono Color](icons/rgb.png) |
I as in Icarus |
Henri Verneuil, W, W, C, M «I... comme Icare» |
|
7.8 |
1979 |
ACCrF![Color (Technicolor); Aspect: 1.85:1; 35 mm; AUDIO: Mono (RCA Photophone Sound Recording) Color (Technicolor)](icons/rgb.png) |
The North Avenue Irregulars |
Bruce Bilson, W, W, C, M |
|
7.8 |
1971 |
C![Black and White, Color; Aspect: 1.85:1; 35 mm; AUDIO: Mono Black and White, Color](icons/rgb-bw.png) |
Made for Each Other |
Robert B. Bean, W, W, C, M |
|
7.8 |
1967 |
DR![Color (Eastmancolor); Aspect: 2.35:1; 35 mm; Techniscope; AUDIO: Mono Color (Eastmancolor)](icons/rgb.png) |
The Wanderer |
Jean-Gabriel Albicocco, W, W, ++, C, M «Le grand Meaulnes» |
|
7.8 |
1959 |
Kaagaz Ke Phool |
Guru Dutt, W, C, M |
|
7.8 |
1952 |
C![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Recording) Black and White](icons/bw.png) |
The Happy Time |
Richard Fleischer, W, W, ++, C, M |
|
7.8 |
1951 |
DN![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (RCA Sound Recording) Black and White](icons/bw.png) |
The Well |
Leo C. Popkin, Russell Rouse, W, W, C, M |
|
7.8 |
1950 |
ND![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Recording) Black and White](icons/bw.png) |
The Sound of Fury |
Cy Endfield, W, ++, C, M |
|
7.8 |
1949 |
D![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Recording) Black and White](icons/bw.png) |
Edward, My Son |
George Cukor, W, W, ++, C, M |
|
7.8 |
1936 |
DR![Color (Technicolor); Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Sound System) Color (Technicolor)](icons/rgb.png) |
The Trail of the Lonesome Pine |
Henry Hathaway, W, W, ++, C, C, M, M |
|
7.8 |
1929 |
AdDHR![Black and White; Silent](icons/bw.png) |
The Iron Mask |
Allan Dwan, W, W, ++, C, C, M, M, M++ |
|
7.8 |
1921 |
D![Black and White; Silent](icons/bw.png) |
Tol'able David |
Henry King, W, W, ++, C, M |
|
7.7 |
2014 |
AdDT![Color; Aspect: 2.35:1; 16 mm (Kodak Vision3 50D 7203, Vision3 250D 7207, Vision3 500T 7219); Digital Intermediate (2K) (master format) Hawk Scope (anamorphic) (source format); Arriflex 416, Hawk V-Lite 16 Lenses; AUDIO: Stereo Color](icons/rgb.png) |
Theeb |
Naji Abu Nowar, W, W, C, M |
|
7.7 |
2013 |
ACrT![Color; Color](icons/q-rgb.png) |
On the Job |
Erik Matti, W, W, C, M |
|
7.7 |
2010 |
BD![Color; Aspect: 2.35:1; 35 mm (Fuji Eterna Vivid 160T 8543, Eterna Vivid 500T 8547); Digital Intermediate (2K) (master format) Techniscope (source format); Aaton Penelope; AUDIO: Dolby Digital Color](icons/rgb.png) |
The First Grader |
Justin Chadwick, W, C, M |
|
7.7 |
2009 |
BD![Color, Color (35 mm version); Aspect: 1.85:1; 35 mm; AUDIO: Dolby Digital Color, Color (35 mm version)](icons/rgb.png) |
Desert Flower |
Sherry Hormann, W, W, ++, C, M |
|
7.7 |
2009 |
D![Color; AUDIO: Dolby Digital Color](icons/q-rgb.png) |
La mission |
Peter Bratt, W, C, M |
|
7.7 |
2007 |
AAdCCr![Color; Aspect: 1.85:1; 35 mm; Panavision Cameras and Lenses; AUDIO: Dolby Digital Color](icons/rgb.png) |
Ladrón que roba a ladrón |
Joe Menendez, W, C, M |
|
7.7 |
2006 |
CD![Color; Video (HDTV); HDTV; Sony CineAlta HDW-F900; AUDIO: Dolby Digital Color](icons/h-rgb.png) |
Two Weeks |
Steve Stockman, W, C, M |
|
7.7 |
2005 |
Athadu |
Trivikram Srinivas, W, C, M |
|
7.7 |
2003 |
CrDT![Color; Color](icons/q-rgb.png) |
Palabras encadenadas |
Laura Mañá, W, W, ++, C, M |
|
7.7 |
2002 |
D![Color; Aspect: 1.85:1; 35 mm; AUDIO: Dolby Digital, SDDS Color](icons/rgb.png) |
Big Girls Don't Cry |
Maria von Heland, W, C, M, M «Große Mädchen weinen nicht» |
|
7.7 |
2002 |
CDR![Color; Color](icons/q-rgb.png) |
Tattoo, a Love Story |
Richard W. Bean, W, W, C, M |
|
7.7 |
2001 |
ACCr![Color (Eastmancolor); Aspect: 1.85:1; AUDIO: Dolby Digital Color (Eastmancolor)](icons/q-rgb.png) |
Torrente 2: Mission in Marbella |
Santiago Segura, W, C, M «Torrente 2: Misión en Marbella» |
|
7.7 |
2000 |
AdC![Color; Aspect: 1.85:1; 35 mm; AUDIO: Dolby Digital Color](icons/rgb.png) |
A Dog's Will |
Guel Arraes, W, W, ++, C, M «O Auto da Compadecida» |
|
7.7 |
2000 |
D![Color; Aspect: 1.66:1; 35 mm; AUDIO: Dolby Digital Color](icons/rgb.png) |
The Town Is Quiet |
Robert Guédiguian, W, W, C «La ville est tranquille» |
|
7.7 |
1999 |
D![Color; AUDIO: Dolby Digital Color](icons/q-rgb.png) |
Garage Olimpo |
Marco Bechis, W, W, ++, C, M |
|
7.7 |
1999 |
CR![Color (Technicolor); 35 mm; AUDIO: Stereo Color (Technicolor)](icons/rgb.png) |
Just One Time |
Lane Janger, W, ++, C, C, M, M |
|
7.7 |
1997 |
DT![Color; 35 mm; AUDIO: Stereo Color](icons/rgb.png) |
Loved |
Erin Dignam, W, C, M |
|
7.7 |
1997 |
CRD![Color; Aspect: 2.35:1; 35 mm (Eastman EXR 200T 5293, EXR 500T 5298); Panavision (anamorphic); Panavision Panaflex Gold II, Panavision C-Series, Cooke and Nikon Lenses Panavision Panaflex Lightweight, Panavision C-Series, Cooke and Nikon Lenses; AUDIO: Dolby Digital, SDDS Color](icons/rgb.png) |
Roseanna's Grave |
Paul Weiland, W, C, M |
|
7.7 |
1995 |
DR![Color; Aspect: 1.85:1; 35 mm; AUDIO: Dolby Digital Color](icons/rgb.png) |
Angel Baby |
Michael Rymer, W, C, M, M, M |
|
7.7 |
1994 |
AAdCFanR![Color; Aspect: 1.85:1; 35 mm; AUDIO: Mono Color](icons/rgb.png) |
A Chinese Odyssey Part One: Pandora's Box |
Jeffrey Lau, W, W, C «Sai yau gei: Dai yat baak ling yat wui ji - Yut gwong bou haap» |
|
7.7 |
1992 |
CrD![Color; Aspect: 1.66:1; 35 mm; AUDIO: Dolby Color](icons/rgb.png) |
The Efficiency Expert |
Mark Joffe, W, W, C, M «Spotswood» |
|
7.7 |
1991 |
Hum |
Mukul Anand, W, W, ++, C, M, M, M++ |
|
7.7 |
1990 |
DFan![Black and White; AUDIO: Dolby SR Black and White](icons/bw.png) |
The Juniper Tree |
Nietzchka Keene, W, C, M |
|
7.7 |
1989 |
DR![Color; Aspect: 1.66:1; 35 mm; AUDIO: Mono Color](icons/rgb.png) |
Coming Out |
Heiner Carow, W, W, C, M |
|
7.7 |
1988 |
CrDR![Color (Eastmancolor); Aspect: 1.85:1; 35 mm (Kodak); Arriflex Cameras; AUDIO: Dolby Color (Eastmancolor)](icons/rgb.png) |
Ariel |
Aki Kaurismäki, W, C, M, M, M++ |
|
7.7 |
1984 |
DR![Color; Aspect: 1.37:1; 35 mm; AUDIO: Mono Color](icons/rgb.png) |
A Cruel Romance |
Eldar Ryazanov, W, W, C, M «Zhestokiy romans» |
|
7.7 |
1984 |
MlSfC![Color; 35 mm; AUDIO: Dolby Color](icons/rgb.png) |
Voyage of the Rock Aliens |
James Fargo, W, W, ++, C, M |
|
7.7 |
1982 |
Shakti |
Ramesh Sippy, W, W, C, M |
|
7.7 |
1981 |
D![Color; Color](icons/q-rgb.png) |
Babylon |
Franco Rosso, W, W, C, M |
|
7.7 |
1980 |
ACFanHo![Color; Aspect: 2.35:1; 35 mm; (anamorphic); AUDIO: Mono Color](icons/rgb.png) |
Spooky Encounters |
Sammo Hung Kam-Bo, W, W, C, C «Gui da gui» |
|
7.7 |
1979 |
D![Color; 35 mm; AUDIO: Mono Color](icons/rgb.png) |
Saint Jack |
Peter Bogdanovich, W, W, ++, C |
|
7.7 |
1973 |
CR![Color; Aspect: 1.85:1; 35 mm; AUDIO: Stereo Color](icons/rgb.png) |
The Thief Who Came to Dinner |
Bud Yorkin, W, W, C, M |
|
7.7 |
1971 |
CH![Color (Eastmancolor); Aspect: 1.66:1; 35 mm; AUDIO: Mono Color (Eastmancolor)](icons/rgb.png) |
Delusions of Grandeur |
Gérard Oury, W, W, ++, C, M «La folie des grandeurs» |
|
7.7 |
1968 |
CD![Color (Technicolor); Aspect: 1.78:1; 35 mm; AUDIO: Mono Color (Technicolor)](icons/rgb.png) |
Bye Bye Braverman |
Sidney Lumet, W, W, C, M |
|
7.7 |
1966 |
DFanHo![Color (Eastmancolor); Aspect: 2.35:1; 35 mm; Daieiscope; AUDIO: Mono (Westrex Recording System) Color (Eastmancolor)](icons/rgb.png) |
Daimajin |
Kimiyoshi Yasuda, W, C, M |
|
7.7 |
1964 |
DR![Color, Black and White; Aspect: 1.85:1; 35 mm; AUDIO: Mono Color, Black and White](icons/rgb-bw.png) |
Before the Revolution |
Bernardo Bertolucci, W, W, C, M «Prima della rivoluzione» |
|
7.7 |
1964 |
Sf![Black and White; 35 mm; AUDIO: Mono Black and White](icons/bw.png) |
Unearthly Stranger |
John Krish, W, W, C, M |
|
7.7 |
1963 |
D![Color (Eastmancolor); Aspect: 1.66:1; 35 mm; Chevereau Cameras; AUDIO: Mono, Dolby Digital Color (Eastmancolor)](icons/rgb.png) |
Muriel, or The Time of Return |
Alain Resnais, W, C, M «Muriel ou Le temps d'un retour» |
|
7.7 |
1963 |
ACrM![Black and White, Color; Aspect: 2.35:1; 35 mm; Nikkatsuscope; AUDIO: Mono (Westrex Recording System) Black and White, Color](icons/rgb-bw.png) |
Youth of the Beast |
Seijun Suzuki, W, W, ++, C, M «Yajû no seishun» |
|
7.7 |
1958 |
CR![Color (Metrocolor); Aspect: 2.35:1; 35 mm; CinemaScope; AUDIO: Perspecta Stereo (Westrex Recording System) Color (Metrocolor)](icons/rgb.png) |
The Reluctant Debutante |
Vincente Minnelli, W, W, ++, C |
|
7.7 |
1949 |
BMc![Color (Technicolor); Aspect: 1.37:1; 35 mm; AUDIO: Mono, Mono (Western Electric Recording) Color (Technicolor)](icons/rgb.png) |
Jolson Sings Again |
Henry Levin, W, C, M |
|
7.7 |
1946 |
DRTW![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono Black and White](icons/bw.png) |
Murderers Among Us |
Wolfgang Staudte, W, ++, C, C, M «Die Mörder sind unter uns» |
|
7.7 |
1934 |
D![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Noiseless Recording) Black and White](icons/bw.png) |
No Greater Glory |
Frank Borzage, W, W, C, M |
|
7.7 |
1934 |
C![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Noiseless Recording) Black and White](icons/bw.png) |
You're Telling Me! |
Erle C. Kenton, W, W, ++, C, M, M |