|
7.6 |
2015 |
DW![Color; Aspect: 2.35:1 Color](icons/q-rgb.png) |
Beasts of No Nation |
Cary Fukunaga, W, W, C, M |
|
7.6 |
2015 |
Drishyam |
Nishikant Kamat, W, W, C, M |
|
7.6 |
2014 |
1 |
Sukumar, W, W, ++, C, M «1 - Nenokkadine» |
|
7.6 |
2011 |
|
Untitled Sarah Palin Documentary |
|
|
7.6 |
2010 |
D![Color (HD), Color; Color (HD), Color](icons/q-rgb.png) |
Deuce of Spades |
Faith Granger, W, C, M |
|
7.6 |
2010 |
CR![Color; Color](icons/q-rgb.png) |
Ricky |
Kevin Wagoner, W, C, M |
|
7.6 |
2008 |
Dasvidaniya |
Shashant Shah, W, W, C, M, M, M++ |
|
7.6 |
2007 |
Johnny Gaddaar |
Sriram Raghavan, W, W, C, M, M, M++ |
|
7.6 |
2004 |
DR![Color; Aspect: 1.85:1; 35 mm (Kodak); Moviecam Cameras; AUDIO: Dolby Digital Color](icons/rgb.png) |
Dear Frankie |
Shona Auerbach, W, C, M |
|
7.6 |
2004 |
CDSp![Color; Aspect: 1.85:1; 35 mm; AUDIO: Dolby Digital Color](icons/rgb.png) |
Saint Ralph |
Michael McGowan, W, C, M |
|
7.6 |
2002 |
D![Color; Aspect: 1.85:1; 35 mm (Kodak); Panavision Cameras and Lenses; AUDIO: DTS, Dolby Digital, SDDS Color](icons/rgb.png) |
Joshua |
Jon Purdy, W, W, ++, C, M |
|
7.6 |
2002 |
CR![Color; Aspect: 1.85:1; 35 mm; Arriflex Cameras Color](icons/rgb.png) |
Now You Know |
Jeff Anderson, W, C, M, M |
|
7.6 |
2002 |
DWC![Color; Aspect: 1.85:1; 35 mm; AUDIO: Dolby Digital Color](icons/rgb.png) |
The Cuckoo |
Aleksandr Rogozhkin, W, C, M «Kukushka» |
|
7.6 |
2001 |
CDMcMl![Color; Aspect: 1.85:1; 35 mm; Panavision Panaflex Millennium XL; AUDIO: DTS, Dolby Digital, SDDS Color](icons/rgb.png) |
Hedwig and the Angry Inch |
John Cameron Mitchell, W, W, ++, C, M |
|
7.6 |
2001 |
BD![Color; Aspect: 2.35:1; 35 mm; Super 35; Arriflex Cameras; AUDIO: Dolby Digital Color](icons/rgb.png) |
Nowhere in Africa |
Caroline Link, W, W, C, M «Nirgendwo in Afrika» |
|
7.6 |
1997 |
D![Color (Technicolor); Aspect: 1.85:1; 35 mm (Eastman EXR 50D 5245, EXR 200T 5293); Moviecam Compact, Zeiss Standard Speed Lenses; AUDIO: Ultra Stereo Color (Technicolor)](icons/rgb.png) |
All Over Me |
Alex Sichel, W, C, M, M |
|
7.6 |
1997 |
CrDM![Color; Aspect: 1.85:1; 35 mm; AUDIO: Dolby Digital Color](icons/rgb.png) |
Character |
Mike van Diem, W, W, ++, C, M «Karakter» |
|
7.6 |
1997 |
C![Color; AUDIO: Dolby Color](icons/q-rgb.png) |
Hav Plenty |
Christopher Scott Cherot, W, C, M, M |
|
7.6 |
1993 |
CDFanR![Color (Technicolor); Aspect: 1.85:1; 35 mm; Panavision Cameras and Lenses; AUDIO: Dolby SR (as Dolby Stereo) Color (Technicolor)](icons/rgb.png) |
Groundhog Day |
Harold Ramis, W, W, ++, C, M |
|
7.6 |
1993 |
BDSp![Color (Technicolor); Aspect: 1.85:1; 35 mm; Lenses and Panaflex Camera by Panavision Panavision Camera and Lenses; AUDIO: Dolby SR, SDDS (8 channels) Color (Technicolor)](icons/rgb.png) |
Rudy |
David Anspaugh, W, C, M |
|
7.6 |
1993 |
DRC![Color; Aspect: 1.85:1; 35 mm (Fuji); Arriflex Cameras, Zeiss Lenses; AUDIO: Dolby Color](icons/rgb.png) |
Untamed Heart |
Tony Bill, W, C, M |
|
7.6 |
1992 |
DRSp![Color; Aspect: 1.85:1; 35 mm; Panavision Cameras and Lenses; AUDIO: Dolby Color](icons/rgb.png) |
The Cutting Edge |
Paul Michael Glaser, W, C, M |
|
7.6 |
1991 |
CrD![Color (DeLuxe); Aspect: 1.85:1; 35 mm; Arriflex Camera and Lenses; AUDIO: Dolby Color (DeLuxe)](icons/rgb.png) |
Boyz n the Hood |
John Singleton, W, C, M |
|
7.6 |
1991 |
CDMc![Color; Aspect: 1.85:1; 35 mm; Panavision Cameras and Lenses; AUDIO: Dolby SR Color](icons/rgb.png) |
The Commitments |
Alan Parker, W, W, ++, C, M |
|
7.6 |
1990 |
BCrDT![Color (Technicolor); Aspect: 1.85:1; 35 mm; Arriflex 35 BL4S, Zeiss Lenses; AUDIO: Dolby SR Color (Technicolor)](icons/rgb.png) |
Goodfellas |
Martin Scorsese, W, ++, C |
|
7.6 |
1988 |
BCMlSf![Color; Aspect: 1.85:1; 35 mm; AUDIO: Mono Color](icons/rgb.png) |
The Wizard of Speed and Time |
Mike Jittlov, W, W, ++, C, M |
|
7.6 |
1985 |
D![Color; Aspect: 1.85:1; 35 mm; AUDIO: Mono Color](icons/rgb.png) |
The Trip to Bountiful |
Peter Masterson, W, C, M |
|
7.6 |
1984 |
ASf![Color; Aspect: 1.85:1; 35 mm (Eastman 250T 5293); AUDIO: Mono, Dolby Color](icons/rgb.png) |
The Terminator |
James Cameron, W, W, ++, C, M |
|
7.6 |
1983 |
AdDT![Color; Aspect: 1.78:1; 35 mm; Arriflex BL; AUDIO: Mono Color](icons/rgb.png) |
El Norte |
Gregory Nava, W, W, C, M, M, M++ |
|
7.6 |
1980 |
D![Color (Technicolor); Aspect: 1.85:1; 35 mm; Lenses and Panaflex Camera by Panavision; AUDIO: Mono Color (Technicolor)](icons/rgb.png) |
Ordinary People |
Robert Redford, W, W, ++, C |
|
7.6 |
1980 |
C![Color (Metrocolor); Aspect: 1.85:1; 35 mm; Lenses and Panaflex Camera by Panavision; AUDIO: Mono Color (Metrocolor)](icons/rgb.png) |
Used Cars |
Robert Zemeckis, W, W, C, M, M |
|
7.6 |
1977 |
DTW![Black and White (archive footage), Color (Eastmancolor); Aspect: 1.85:1; 35 mm; AUDIO: Mono Black and White (archive footage), Color (Eastmancolor)](icons/rgb-bw.png) |
Soldier of Orange |
Paul Verhoeven, W, W, ++, C, M «Soldaat van Oranje» |
|
7.6 |
1972 |
CR![Color (Technicolor); Aspect: 1.85:1; 35 mm (Eastman 100T 5254); Panavision Cameras and Lenses; AUDIO: Mono Color (Technicolor)](icons/rgb.png) |
Play It Again, Sam |
Herbert Ross, W, C, M |
|
7.6 |
1971 |
DR![Color (Technicolor); Aspect: 1.85:1; 35 mm; AUDIO: Mono Color (Technicolor)](icons/rgb.png) |
Friends |
Lewis Gilbert, W, W, ++, C |
|
7.6 |
1971 |
DWe![Color (Technicolor); Aspect: 1.85:1; 35 mm; AUDIO: Mono Color (Technicolor)](icons/rgb.png) |
The Hired Hand |
Peter Fonda, W, C, M |
|
7.6 |
1965 |
D![Black and White; Aspect: 2.35:1; 35 mm; Tohoscope (anamorphic); AUDIO: 4-Track Stereo Black and White](icons/bw.png) |
Red Beard |
Akira Kurosawa, W, W, ++, C, C, M «Akahige» |
|
7.6 |
1965 |
DW![Black and White; Aspect: 1.66:1; 35 mm; AUDIO: Mono (Westrex Recording System) Black and White](icons/bw.png) |
The Hill |
Sidney Lumet, W, ++, C |
|
7.6 |
1964 |
DT![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Westrex Recording System) Black and White](icons/bw.png) |
Woman in the Dunes |
Hiroshi Teshigahara, W, ++, C, M «Suna no onna» |
|
7.6 |
1963 |
CrDMT![Black and White, Color (Eastmancolor) (inserts only); Aspect: 2.35:1; 35 mm; Tohoscope (anamorphic); AUDIO: 4-Track Stereo (Westrex Recording System) Black and White, Color (Eastmancolor) (inserts only)](icons/rgb-bw.png) |
High and Low |
Akira Kurosawa, W, W, ++, C, C, M «Tengoku to jigoku» |
|
7.6 |
1962 |
DT![Color (Technicolor); Aspect: 1.85:1; 35 mm; AUDIO: Mono, Mono (Westrex Recording System) Color (Technicolor)](icons/rgb.png) |
The Counterfeit Traitor |
George Seaton, W, W, C, M |
|
7.6 |
1958 |
ADH![Black and White (archive footage), Black and White; Aspect: 1.66:1; 35 mm; AUDIO: Mono (Westrex Recording System) Black and White (archive footage), Black and White](icons/bw.png) |
A Night to Remember |
Roy Ward Baker, W, W, C, M |
|
7.6 |
1957 |
D![Black and White; Aspect: 1.85:1; 35 mm; AUDIO: Mono (RCA Sound System) Black and White](icons/bw.png) |
A Face in the Crowd |
Elia Kazan, W, C, C, M |
|
7.6 |
1953 |
CD![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono Black and White](icons/bw.png) |
I Vitelloni |
Federico Fellini, W, W, ++, C, C, C, M «I vitelloni» |
|
7.6 |
1950 |
CrDN![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (RCA Sound System) Black and White](icons/bw.png) |
Caged |
John Cromwell, W, ++, C, M |
|
7.6 |
1949 |
CrDNT![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (RCA Sound System) Black and White](icons/bw.png) |
White Heat |
Raoul Walsh, W, W, ++, C, M |
|
7.6 |
1946 |
DFanR![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono, Dolby Digital (1995 opera version) Black and White](icons/bw.png) |
Beauty and the Beast |
Jean Cocteau, ++, W, ++, C, M «La belle et la bête» |
|
7.6 |
1946 |
DFFan![Color, Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (RCA Sound System) Color, Black and White](icons/rgb-bw.png) |
It's a Wonderful Life |
Frank Capra, W, W, ++, C, C, C, M |
|
7.6 |
1942 |
DR![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Sound System) Black and White](icons/bw.png) |
Random Harvest |
Mervyn LeRoy, W, W, ++, C, M |
|
7.6 |
1940 |
DWR![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Sound System) Black and White](icons/bw.png) |
Waterloo Bridge |
Mervyn LeRoy, W, W, ++, C, M |
|
7.6 |
1938 |
AAdR![Color (Technicolor); Aspect: 1.37:1; 35 mm; AUDIO: Mono Color (Technicolor)](icons/rgb.png) |
The Adventures of Robin Hood |
Michael Curtiz, William Keighley, W, W, ++, C, C, M |
|
7.6 |
1937 |
C![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (British Acoustic Film Full Range Recording System) Black and White](icons/bw.png) |
Oh, Mr. Porter! |
Marcel Varnel, W, W, ++, C, M |
|
7.6 |
1937 |
CWe![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Sound System) Black and White](icons/bw.png) |
Way Out West |
James W. Horne, W, W, ++, C, C, M |
|
7.6 |
1928 |
CR![Black and White; Silent](icons/bw.png) |
Show People |
King Vidor, W, W, ++, C, M |
|
7.6 |
1925 |
AdDHR![Color (2-strip Technicolor) (some sequences), Black and White (tinted); Silent](icons/rgb-bw.png) |
Ben-Hur: A Tale of the Christ |
Fred Niblo, ++, W, W, ++, C, C, C++, M, M, M |
|
7.6 |
1925 |
CFR![Black and White, Color (2-strip Technicolor); Silent](icons/rgb-bw.png) |
Seven Chances |
Buster Keaton, W, W, ++, C, C, M |
|
7.6 |
1925 |
DRW![Black and White (with tinted sequences); Silent](icons/bw.png) |
The Big Parade |
King Vidor, ++, W, W, ++, C, C, M, M, M |
|
7.6 |
1921 |
CDF![Black and White; Silent](icons/bw.png) |
The Kid |
Charles Chaplin, W, C, M |
|
7.5 |
2015 |
Moor |
Jami, C, M |
|
7.5 |
2015 |
BDHT![Color; AUDIO: Dolby Digital Color](icons/q-rgb.png) |
Spotlight |
Tom McCarthy, W, W, C, M |
|
7.5 |
2014 |
CrDT![Color; Color](icons/q-rgb.png) |
The Bag Man |
David Grovic, W, W, ++, C, M, M |
|
7.5 |
2014 |
CT![Color; Aspect: 2.35:1 Color](icons/q-rgb.png) |
Wild Tales |
Damián Szifron, W, C, M «Relatos salvajes» |
|
7.5 |
2013 |
DW![Color; Color](icons/q-rgb.png) |
Tangerines |
Zaza Urushadze, W, C «Mandariinid» |
|
7.5 |
2013 |
Ho![Color; Red Epic Color](icons/d-rgb.png) |
Truth or Dare |
Jessica Cameron, W, W, C, M |
|
7.5 |
2010 |
ACrDT![Color; Aspect: 1.85:1; 35 mm (Kodak); Digital Intermediate (master format) Spherical (source format); Aaton Cameras; AUDIO: Dolby Digital Color](icons/rgb.png) |
Elite Squad: The Enemy Within |
José Padilha, W, ++, C, M «Tropa de Elite 2 - O Inimigo Agora É Outro» |
|
7.5 |
2007 |
DR![Color; Aspect: 2.35:1; 35 mm; Super 35 Color](icons/rgb.png) |
Elvis and Anabelle |
Will Geiger, W, C, M |
|
7.5 |
2006 |
Omkara |
Vishal Bhardwaj, W, W, ++, C, M |
|
7.5 |
2005 |
CFR![Color; Aspect: 2.35:1; 35 mm; Super 35; AUDIO: Dolby Digital Color](icons/rgb.png) |
Little Manhattan |
Mark Levin, W, C, M |
|
7.5 |
2002 |
BDR![Color; Aspect: 2.35:1; 35 mm (Kodak); Panavision (anamorphic); AUDIO: Dolby Digital Color](icons/rgb.png) |
Antwone Fisher |
Denzel Washington, W, C, M |
|
7.5 |
2002 |
CrD![Color; Aspect: 1.85:1; 16 mm (Eastman EXR 50D 7245, Kodak Vision 250D 7246, Vision 200T 7274, Vision 500T 7279) 35 mm (Eastman EXR 50D 5245, Kodak Vision 250D 5246, Vision 200T 5274, Vision 500T 5279); Digital Intermediate (2K) (master format) Super 16 (source format) Super 35 (source format); Aaton 35-III, Zeiss Super Speed Lenses Aaton A-Minima, Zeiss Super Speed and Angenieux HR Lenses Aaton XTR Prod, Zeiss Super Speed and Angenieux HR Lenses; AUDIO: Dolby Digital, SDDS Color](icons/rgb.png) |
City of God |
Fernando Meirelles, Kátia Lund, W, W, C, M, M «Cidade de Deus» |
|
7.5 |
2001 |
ADSp![Color; AUDIO: Dolby Color](icons/q-rgb.png) |
Carman: The Champion |
Lee Stanley, W, W, ++, C, M |
|
7.5 |
2001 |
CD![Color; Aspect: 1.85:1; 35 mm; Arriflex Cameras; AUDIO: Dolby Digital Color](icons/rgb.png) |
Son of the Bride |
Juan José Campanella, W, W, C, M «El hijo de la novia» |
|
7.5 |
2000 |
AdCR![Color; Aspect: 1.85:1; 35 mm; AUDIO: Dolby Digital Color](icons/rgb.png) |
In July |
Fatih Akin, W, C, M «Im Juli» |
|
7.5 |
2000 |
D![Color; AUDIO: Dolby Color](icons/q-rgb.png) |
Two Family House |
Raymond De Felitta, W, C, M |
|
7.5 |
1999 |
CDR![Color; Aspect: 1.85:1; 35 mm; Panavision Cameras and Lenses; AUDIO: Dolby Color](icons/rgb.png) |
Gideon |
Claudia Hoover, W, C, M |
|
7.5 |
1999 |
D![Color; Aspect: 2.35:1; 35 mm (Eastman EXR 50D 5245, Kodak Vision 250D 5246, Vision 200T 5274, Vision 500T 5279); Super 35; Panavision Panaflex Gold, Panavision Primo Lenses Panavision Panaflex Platinum, Panavision Primo Lenses; AUDIO: Dolby Digital, DTS-Stereo Color](icons/rgb.png) |
Himalaya |
Eric Valli, W, W, ++, C, C, M «Himalaya - l'enfance d'un chef» |
|
7.5 |
1999 |
DR![Black and White, Color; Aspect: 2.35:1; 35 mm; Panavision (anamorphic); AUDIO: Dolby SR Black and White, Color](icons/rgb-bw.png) |
The Road Home |
Yimou Zhang, W, C, M «Wo de fu qin mu qin» |
|
7.5 |
1998 |
DH![Color; Aspect: 1.85:1; 35 mm; AUDIO: Dolby SR Color](icons/rgb.png) |
La otra conquista |
Salvador Carrasco, W, C, M, M |
|
7.5 |
1998 |
CDR![Color; Aspect: 1.85:1; 16 mm; Super 16; AUDIO: Dolby SR Color](icons/rgb.png) |
Show Me Love |
Lukas Moodysson, W, C «Fucking Åmål» |
|
7.5 |
1998 |
BDSp![Color (Technicolor); Aspect: 2.35:1; 35 mm; Super 35; AUDIO: DTS, Dolby Digital, SDDS Color (Technicolor)](icons/rgb.png) |
Without Limits |
Robert Towne, W, W, C, M |
|
7.5 |
1997 |
DF![Color; Aspect: 1.85:1; 35 mm; AUDIO: Mono Color](icons/rgb.png) |
Children of Heaven |
Majid Majidi, W, C, M «Bacheha-Ye aseman» |
|
7.5 |
1997 |
CrDMT![Color (Technicolor); Aspect: 2.35:1; 35 mm (Kodak Vision 500T 5279, Eastman EXR 200T 5293); Super 35; Panavision Panaflex Gold II, Panavision Primo Lenses Panavision Panaflex Lightweight, Panavision Primo Lenses Panavision Panaflex Platinum, Panavision Primo Lenses; AUDIO: Dolby Digital Color (Technicolor)](icons/rgb.png) |
L.A. Confidential |
Curtis Hanson, W, W, ++, C, M |
|
7.5 |
1994 |
CrT![Color; Aspect: 2.35:1; 35 mm; Panavision (anamorphic); AUDIO: Stereo, Dolby SR Color](icons/rgb.png) |
A Pure Formality |
Giuseppe Tornatore, W, ++, C, M «Una pura formalità» |
|
7.5 |
1994 |
CRD![Color; Aspect: 1.85:1; AUDIO: Dolby, Dolby SR Color](icons/q-rgb.png) |
Eat Drink Man Woman |
Ang Lee, W, W, ++, C, M «Yin shi nan nu» |
|
7.5 |
1994 |
CrD![Color (Eastmancolor); Aspect: 1.85:1; 35 mm (Eastman); AUDIO: Dolby, Dolby SR Color (Eastmancolor)](icons/rgb.png) |
Once Were Warriors |
Lee Tamahori, W, W, C, M, M |
|
7.5 |
1993 |
BDT![Color (Technicolor); Aspect: 1.85:1; 35 mm (Eastman); J-D-C Cameras and Lenses; AUDIO: Dolby, DTS Color (Technicolor)](icons/rgb.png) |
In the Name of the Father |
Jim Sheridan, W, W, ++, C, M |
|
7.5 |
1993 |
ACH![Color; Aspect: 1.85:1; 35 mm; AUDIO: Mono Color](icons/rgb.png) |
The Legend |
Corey Yuen, W, W, ++, C, M, M, M «Fong Sai Yuk» |
|
7.5 |
1993 |
DR![Color (Technicolor); Aspect: 2.20:1; 35 mm (Eastman EXR 200T 5293, EXR 500T 5296); Super 35; Panavision Cameras and Lenses; AUDIO: 70 mm 6-Track (70 mm prints), Dolby SR (35 mm prints), SDDS (35 mm prints) Color (Technicolor)](icons/rgb.png) |
The Remains of the Day |
James Ivory, W, W, C, M |
|
7.5 |
1993 |
CDFSp![Black and White, Color; Aspect: 2.35:1; 35 mm; J-D-C Scope (anamorphic); Moviecam Cameras, Cooke Xtal Express Lenses; AUDIO: Dolby Black and White, Color](icons/rgb-bw.png) |
The Sandlot |
David M. Evans, W, W, C, M |
|
7.5 |
1993 |
BDMc![Color (Eastmancolor); Aspect: 1.85:1; 35 mm; AUDIO: Dolby Digital Color (Eastmancolor)](icons/rgb.png) |
What's Love Got to Do with It |
Brian Gibson, W, W, ++, C, M |
|
7.5 |
1991 |
DRW![Color (Technicolor); Aspect: 1.85:1; 35 mm (Eastman EXR 500T 5296); Arriflex 35 BL4, Cooke Lenses; AUDIO: Dolby Color (Technicolor)](icons/rgb.png) |
Dogfight |
Nancy Savoca, W, C, M |
|
7.5 |
1990 |
DFanR![Color; Aspect: 1.85:1; 35 mm (Eastman EXR 50D 5245); Panavision Cameras and Lenses; AUDIO: 70 mm 6-Track (analog 70 mm prints), CDS (digital 70 mm prints), Dolby SR (35 mm prints), CDS (digital 35 mm prints) Color](icons/rgb.png) |
Edward Scissorhands |
Tim Burton, W, W, ++, C, M |
|
7.5 |
1988 |
CrD![Color; Aspect: 1.66:1; 35 mm; AUDIO: Mono Color](icons/rgb.png) |
A Short Film About Killing |
Krzysztof Kieslowski, W, W, C, M «Krótki film o zabijaniu» |
|
7.5 |
1988 |
D![Color; Aspect: 1.66:1; 35 mm (Kodak); AUDIO: Dolby Color](icons/rgb.png) |
Cinema Paradiso |
Giuseppe Tornatore, W, ++, C, M «Nuovo Cinema Paradiso» |
|
7.5 |
1988 |
Salaam Bombay! |
Mira Nair, W, W, ++, C, M |
|
7.5 |
1987 |
DMcR![Color (Eastmancolor); Aspect: 1.66:1; 35 mm; AUDIO: Dolby Color (Eastmancolor)](icons/rgb.png) |
Babette's Feast |
Gabriel Axel, W, W, C, M «Babettes gæstebud» |
|
7.5 |
1987 |
AAdSf![Color; Aspect: 1.85:1; 35 mm (Eastman 125T 5247, 400T 5294); Arriflex 35-III, Panavision Super Speed Z-Series MKII and Ultra Speed Z-Series MKII Lenses Panavision Panaflex Gold, Panavision Super Speed Z-Series MKII, Ultra Speed Z-Series MKII and Canon Lenses; AUDIO: 70 mm 6-Track (70 mm prints), Dolby (35 mm prints) Color](icons/rgb.png) |
Predator |
John McTiernan, W, W, C, M |
|
7.5 |
1986 |
AAdSfT![Color (Eastmancolor); Aspect: 1.85:1; 35 mm (Eastman 400T 5294, 400T 5295); Arriflex 35-III, Canon K35 Lenses Moviecam SuperAmerica, Canon K35 Lenses; AUDIO: 70 mm 6-Track (70 mm prints), Dolby (35 mm prints) Color (Eastmancolor)](icons/rgb.png) |
Aliens |
James Cameron, W, W, ++, C, M |
|
7.5 |
1985 |
DHW![Black and White (archive footage), Color; Aspect: 1.37:1; 35 mm; AUDIO: Stereo Black and White (archive footage), Color](icons/rgb-bw.png) |
Come and See |
Elem Klimov, W, ++, C, M «Idi i smotri» |
|
7.5 |
1985 |
CWe![Black and White, Color (Metrocolor); Aspect: 1.85:1; 35 mm; Panaflex Camera and Lenses by Panavision; AUDIO: Dolby Black and White, Color (Metrocolor)](icons/rgb-bw.png) |
Rustlers' Rhapsody |
Hugh Wilson, W, C, M |
|
7.5 |
1982 |
HoMSfT![Color; Aspect: 2.20:1; 35 mm (Eastman 100T 5247); Panavision (anamorphic); Panavision Cameras and Lenses; AUDIO: Dolby Stereo (35 mm prints), 70 mm 6-Track (70 mm prints) Color](icons/rgb.png) |
The Thing |
John Carpenter, W, W, C, M |
|
7.5 |
1980 |
DFan![Color (Technicolor); Aspect: 1.85:1; 35 mm; Panaflex Camera and Lenses by Panavision; AUDIO: Mono Color (Technicolor)](icons/rgb.png) |
Resurrection |
Daniel Petrie, W, C, M |
|
7.5 |
1978 |
CrD![Color (Technicolor); Aspect: 1.85:1; 35 mm; Spherical (as Panavision); Panavision Cameras and Lenses; AUDIO: Mono Color (Technicolor)](icons/rgb.png) |
Blue Collar |
Paul Schrader, W, W, ++, C, M |
|
7.5 |
1977 |
CD![Color; Aspect: 1.66:1; 35 mm; AUDIO: Mono Color](icons/rgb.png) |
Stroszek |
Werner Herzog, W, C, M, M |
|
7.5 |
1973 |
CCrD![Black and White; Aspect: 1.85:1; 35 mm; AUDIO: Mono Black and White](icons/bw.png) |
Paper Moon |
Peter Bogdanovich, W, W, C |
|
7.5 |
1969 |
MlW![Color (Technicolor); Aspect: 2.35:1; 35 mm; Panavision (anamorphic); AUDIO: Mono Color (Technicolor)](icons/rgb.png) |
Oh! What a Lovely War |
Richard Attenborough, W, W, ++, C, M |
|
7.5 |
1968 |
AdC![Color (Eastmancolor) (uncredited); Aspect: 1.66:1; 35 mm; AUDIO: Mono Color (Eastmancolor) (uncredited)](icons/rgb.png) |
Carry On... Up the Khyber |
Gerald Thomas, W, ++, C, M |
|
7.5 |
1966 |
BDH![Color (Technicolor); Aspect: 1.66:1; 35 mm; AUDIO: Dolby SR (DVD Release), Mono (Westrex Recording System) Color (Technicolor)](icons/rgb.png) |
A Man for All Seasons |
Fred Zinnemann, W, C, M |
|
7.5 |
1963 |
D![Black and White; Aspect: 2.35:1; 35 mm; Panavision (anamorphic); AUDIO: Mono (Westrex Recording System) Black and White](icons/bw.png) |
Hud |
Martin Ritt, W, W, ++, C, M |
|
7.5 |
1963 |
D![Black and White; Aspect: 1.66:1; 35 mm; AUDIO: Mono Black and White](icons/bw.png) |
The Fire Within |
Louis Malle, W, ++, C «Le feu follet» |
|
7.5 |
1962 |
C![Color; Aspect: 1.85:1; 35 mm; AUDIO: Mono (Westrex Recording System) Color](icons/rgb.png) |
Gigot |
Gene Kelly, W, W, ++, C, M |
|
7.5 |
1961 |
AAd![Black and White; Aspect: 2.35:1; 35 mm; Tohoscope (anamorphic); AUDIO: Perspecta Stereo (Westrex Recording System) Black and White](icons/bw.png) |
Yojimbo |
Akira Kurosawa, W, ++, C, M «Yôjinbô» |
|
7.5 |
1960 |
CDR![Black and White; Aspect: 2.35:1; 35 mm; Panavision (anamorphic); AUDIO: Mono (Westrex Recording System) Black and White](icons/bw.png) |
The Apartment |
Billy Wilder, W, W, C, M |
|
7.5 |
1956 |
DWWe![Color (as De Luxe); Aspect: 1.75:1; 35 mm; AUDIO: Mono (Westrex Recording System) Color (as De Luxe)](icons/rgb.png) |
Friendly Persuasion |
William Wyler, W, ++, C, M |
|
7.5 |
1953 |
CMlWe![Color (Technicolor); Aspect: 1.37:1; 35 mm; AUDIO: Mono (RCA Sound System) Color (Technicolor)](icons/rgb.png) |
Calamity Jane |
David Butler, W, C, M, M |
|
7.5 |
1952 |
DT![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Recording) Black and White](icons/bw.png) |
5 Fingers |
Joseph L. Mankiewicz, W, W, ++, C, M |
|
7.5 |
1951 |
DN![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Recording) Black and White](icons/bw.png) |
Ace in the Hole |
Billy Wilder, W, W, ++, C, M |
|
7.5 |
1950 |
FanDR![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (RCA Sound System) Black and White](icons/bw.png) |
Orpheus |
Jean Cocteau, W, C, M «Orphée» |
|
7.5 |
1950 |
DN![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Recording) Black and White](icons/bw.png) |
Sunset Blvd. |
Billy Wilder, W, W, ++, C, M |
|
7.5 |
1949 |
NSp![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (RCA Sound System) Black and White](icons/bw.png) |
The Set-Up |
Robert Wise, W, W, C |
|
7.5 |
1947 |
CDFFan![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Recording) Black and White](icons/bw.png) |
Miracle on 34th Street |
George Seaton, W, W, C, C, M |
|
7.5 |
1939 |
D![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Mirrophonic Recording) Black and White](icons/bw.png) |
Mr. Smith Goes to Washington |
Frank Capra, W, W, ++, C, M |
|
7.5 |
1937 |
AdDR![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Noiseless Recording) Black and White](icons/bw.png) |
The Prisoner of Zenda |
John Cromwell, ++, W, W, ++, C, C, M |
|
7.5 |
1933 |
CDMl![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono Black and White](icons/bw.png) |
Gold Diggers of 1933 |
Mervyn LeRoy, W, W, ++, C |
|
7.4 |
2012 |
OMG: Oh My God! |
Umesh Shukla, W, W, C, M |
|
7.4 |
2008 |
D![Color; Aspect: 1.85:1; 35 mm (Fuji Eterna 500T 8573); Digital Intermediate (master format) Spherical (source format); Arriflex Cameras; AUDIO: Dolby Digital Color](icons/rgb.png) |
Still Walking |
Hirokazu Koreeda, W, C, M «Aruitemo aruitemo» |
|
7.4 |
2007 |
C![Color; Aspect: 1.78:1; HDCAM; Panavision Cameras and Lenses; AUDIO: Dolby Digital Color](icons/h-rgb.png) |
A Dog's Breakfast |
David Hewlett, W, ++, C, M |
|
7.4 |
2006 |
CDMlM![Color; Aspect: 1.85:1; Digital; Sony HDW-F900; AUDIO: Dolby Digital (5.1 surround) Color](icons/d-rgb.png) |
Memories of Matsuko |
Tetsuya Nakashima, W, W, C, M, M «Kiraware Matsuko no isshô» |
|
7.4 |
2004 |
ADSp![Color; Aspect: 1.85:1; 35 mm; AUDIO: Dolby Digital Color](icons/rgb.png) |
Beautiful Boxer |
Ekachai Uekrongtham, W, W, C, M, M |
|
7.4 |
2004 |
Black Friday |
Anurag Kashyap, W, W, ++, C, M |
|
7.4 |
2004 |
BDHW![Color; Aspect: 1.85:1; 35 mm (Kodak Vision2 500T 5218, Vision 250D 5246); Digital Intermediate (2K) (master format) Super 35 (3-perf) (source format); Arricam LT, Zeiss Ultra Prime Lenses Arricam ST, Zeiss Ultra Prime Lenses Arriflex 435, Zeiss Ultra Prime Lenses; AUDIO: Dolby Digital, DTS Color](icons/rgb.png) |
Downfall |
Oliver Hirschbiegel, W, W, ++, C, M «Der Untergang» |
|
7.4 |
2004 |
Lakshya |
Farhan Akhtar, W, ++, C, M, M, M |
|
7.4 |
2003 |
Munnabhai M.B.B.S. |
Rajkumar Hirani, W, W, ++, C, M |
|
7.4 |
2002 |
CrDT![Color; Aspect: 1.33:1; 35 mm; Super 35; Arriflex Cameras and Lenses Panavision Cameras and Lenses; AUDIO: Dolby Color](icons/rgb.png) |
Bang Bang You're Dead |
Guy Ferland, W, C, M, M |
|
7.4 |
2002 |
D![Color; Color](icons/q-rgb.png) |
Mr. and Mrs. Iyer |
Aparna Sen, W, W, ++, C, M |
|
7.4 |
2000 |
DW![Color; Aspect: 1.66:1; 35 mm; AUDIO: Stereo Color](icons/rgb.png) |
A Time for Drunken Horses |
Bahman Ghobadi, W, C, M «Zamani barayé masti asbha» |
|
7.4 |
2000 |
D![Color; Aspect: 1.85:1; 35 mm; AUDIO: Dolby Digital Color](icons/rgb.png) |
Aberdeen |
Hans Petter Moland, W, W, ++, C, M |
|
7.4 |
1999 |
DHR![Color; Aspect: 1.85:1; 35 mm (Kodak Eastmancolor); Technovision Cameras and Lenses; AUDIO: DTS, Dolby Digital Color](icons/rgb.png) |
Est - Ouest |
Régis Wargnier, W, W, ++, C, M |
|
7.4 |
1999 |
BDF![Color; Aspect: 2.35:1; 35 mm (Eastman); Panavision (anamorphic); Panavision Cameras and Lenses; AUDIO: DTS, Dolby Digital, SDDS Color](icons/rgb.png) |
October Sky |
Joe Johnston, W, W, C, M |
|
7.4 |
1998 |
Dil Se.. |
Mani Ratnam, W, W, ++, C, M |
|
7.4 |
1998 |
CrDT![Color; Aspect: 1.85:1; 35 mm; AUDIO: Stereo Color](icons/rgb.png) |
Monument Ave. |
Ted Demme, W, ++, C, M «Snitch» |
|
7.4 |
1998 |
CDMc![Color; Aspect: 2.35:1; 35 mm; Panavision (anamorphic); AUDIO: Dolby Color](icons/rgb.png) |
SLC Punk! |
James Merendino, W, C |
|
7.4 |
1998 |
CDRW? |
West Beirut |
Ziad Doueiri, W, C, M «West Beyrouth (À l'abri les enfants)» |
|
7.4 |
1998 |
CDF![Color (Technicolor); Aspect: 1.85:1; 35 mm; Panavision Cameras and Lenses; AUDIO: Dolby Digital Color (Technicolor)](icons/rgb.png) |
Wide Awake |
M. Night Shyamalan, W, C, M, M |
|
7.4 |
1997 |
CrDRT![Color; Aspect: 1.85:1; 35 mm (Kodak); Arriflex 35 BL4, Zeiss Prime Lenses; AUDIO: Dolby, Dolby SR Color](icons/rgb.png) |
Fireworks |
Takeshi Kitano, W, C, M «Hana-bi» |
|
7.4 |
1997 |
D![Color (Rankcolor); Aspect: 1.85:1; 35 mm (Kodak); Panavision Cameras and Lenses Ultravision Cameras; AUDIO: Dolby Digital Color (Rankcolor)](icons/rgb.png) |
Lawn Dogs |
John Duigan, W, C, M |
|
7.4 |
1996 |
CR![Color; Aspect: 1.75:1; 35 mm; AUDIO: Dolby Digital Color](icons/rgb.png) |
Different for Girls |
Richard Spence, W, C, M |
|
7.4 |
1994 |
BCD![Black and White; Aspect: 1.85:1; 35 mm; Panavision Cameras and Lenses; AUDIO: Dolby SR Black and White](icons/bw.png) |
Ed Wood |
Tim Burton, W, W, ++, C, M |
|
7.4 |
1994 |
CrDT![Color; Aspect: 1.85:1; 35 mm (Eastman EXR 500T 5296, 250D 5297); Moviecam Compact, Panavision Primo Lenses Panavision Panaflex Gold II, Panavision Primo Lenses; AUDIO: Dolby Color](icons/rgb.png) |
Fresh |
Boaz Yakin, W, C, M |
|
7.4 |
1994 |
CrDT![Color (Technicolor); Aspect: 2.35:1; 35 mm (Eastman EXR 200T 5293, EXR 500T 5296); Technovision (anamorphic); Arriflex 35 BL4, Technovision/Zeiss Super Speed and Angenieux HR Lenses Arriflex 35-III, Technovision/Zeiss Super Speed and Angenieux HR Lenses; AUDIO: Dolby Digital, SDDS (8 channels) Color (Technicolor)](icons/rgb.png) |
Léon: The Professional |
Luc Besson, W, C, M «Léon» |
|
7.4 |
1993 |
D![Color; Aspect: 1.85:1; 35 mm; Arriflex 535 Camera; AUDIO: Dolby, Dolby SR Color](icons/rgb.png) |
Madadayo |
Akira Kurosawa, W, W, ++, C, C, M |
|
7.4 |
1992 |
D![Color; Aspect: 1.85:1; 35 mm; AUDIO: Dolby Color](icons/rgb.png) |
City of Joy |
Roland Joffé, W, W, C, M |
|
7.4 |
1991 |
CrDH![Color; Aspect: 1.85:1; 35 mm (Eastman); Arriflex Cameras and Lenses; AUDIO: Dolby Color](icons/rgb.png) |
Let Him Have It |
Peter Medak, W, W, C, M |
|
7.4 |
1989 |
DHW![Color (Technicolor); Aspect: 1.85:1; 35 mm (Eastman 125T 5247, 400T 5294); Panavision Cameras and Lenses; AUDIO: 70 mm 6-Track (70 mm prints), Dolby SR (35 mm prints) Color (Technicolor)](icons/rgb.png) |
Glory |
Edward Zwick, W, W, ++, C, M |
|
7.4 |
1988 |
AAdCCrT![Color; Aspect: 1.85:1; 35 mm; Panaflex Camera and Lenses by Panavision; AUDIO: Dolby Color](icons/rgb.png) |
Midnight Run |
Martin Brest, W, C, M |
|
7.4 |
1988 |
CDMl![Color; Aspect: 1.85:1; 35 mm (Eastman 125T 5247, 400T 5294); Arriflex 35 BL4, Zeiss Standard Speed, Super Speed, Angenieux HP and Cooke Lenses; AUDIO: Dolby Color](icons/rgb.png) |
School Daze |
Spike Lee, W, C, M |
|
7.4 |
1988 |
ACCrR![Color (Technicolor); Aspect: 1.85:1; 35 mm; Lenses and Panaflex Camera by Panavision; AUDIO: Mono Color (Technicolor)](icons/rgb.png) |
The Naked Gun: From the Files of Police Squad! |
David Zucker, W, W, ++, C, M |
|
7.4 |
1988 |
CCrDFan![Color; Aspect: 1.85:1; AUDIO: Mono Color](icons/q-rgb.png) |
Time of the Gypsies |
Emir Kusturica, W, W, C, M «Dom za vesanje» |
|
7.4 |
1987 |
CD![Color (Eastmancolor); Aspect: 1.85:1; 35 mm (Kodak); AUDIO: Dolby SR Color (Eastmancolor)](icons/rgb.png) |
Bagdad Cafe |
Percy Adlon, W, ++, C, M «Out of Rosenheim» |
|
7.4 |
1985 |
BD![Color (Technicolor); Aspect: 1.85:1; 35 mm; Panavision Cameras and Lenses; AUDIO: Mono Color (Technicolor)](icons/rgb.png) |
Mask |
Peter Bogdanovich, W, C, M |
|
7.4 |
1985 |
ACFan![Color; Aspect: 1.85:1; 35 mm; AUDIO: Mono Color](icons/rgb.png) |
Mr. Vampire |
Ricky Lau, W, W, ++, C, M «Geung si sin sang» |
|
7.4 |
1985 |
DHW![Color (Eastmancolor); Aspect: 1.85:1; 35 mm; AUDIO: Dolby Color (Eastmancolor)](icons/rgb.png) |
The Official Story |
Luis Puenzo, W, W, C, M «La historia oficial» |
|
7.4 |
1984 |
BDMc![Color (Technicolor); Aspect: 2.20:1; 35 mm (Eastman 250T 5293); Panavision (anamorphic); Panavision Cameras and Lenses; AUDIO: 70 mm 6-Track (70 mm prints), Dolby Digital (director's cut), Dolby (35 mm prints) Color (Technicolor)](icons/rgb.png) |
Amadeus |
Milos Forman, W, C |
|
7.4 |
1981 |
BD![Color; Aspect: 1.66:1; 35 mm; AUDIO: Mono Color](icons/rgb.png) |
Christiane F. |
Uli Edel, W, W, ++, C, C, M «Christiane F. - Wir Kinder vom Bahnhof Zoo» |
|
7.4 |
1979 |
AdCFMl![Color (Eastmancolor); Aspect: 1.85:1; 35 mm; AUDIO: Dolby Color (Eastmancolor)](icons/rgb.png) |
The Muppet Movie |
James Frawley, W, W, C, M |
|
7.4 |
1974 |
CrDT![Color; Aspect: 2.35:1; 35 mm; Panavision (anamorphic); Panavision Cameras and Lenses; AUDIO: Mono Color](icons/rgb.png) |
The Taking of Pelham One Two Three |
Joseph Sargent, W, W, C, M |
|
7.4 |
1971 |
BCrDT![Color (Eastmancolor); Aspect: 1.85:1; 35 mm; AUDIO: Mono Color (Eastmancolor)](icons/rgb.png) |
10 Rillington Place |
Richard Fleischer, W, W, C, M |
|
7.4 |
1971 |
CD![Color (Technicolor); Aspect: 1.85:1; 35 mm; AUDIO: Mono Color (Technicolor)](icons/rgb.png) |
Bless the Beasts & Children |
Stanley Kramer, W, W, C, M, M |
|
7.4 |
1968 |
DR![Color (Technicolor); Aspect: 1.66:1; 35 mm; AUDIO: Mono Color (Technicolor)](icons/rgb.png) |
Romeo and Juliet |
Franco Zeffirelli, W, W, ++, C, M |
|
7.4 |
1967 |
DT![Color (Metrocolor); AUDIO: Mono Color (Metrocolor)](icons/q-rgb.png) |
Our Mother's House |
Jack Clayton, W, W, ++, C, M |
|
7.4 |
1967 |
D![Black and White; Aspect: 2.35:1; 35 mm; Tohoscope (anamorphic); AUDIO: Mono Black and White](icons/bw.png) |
Samurai Rebellion |
Masaki Kobayashi, W, W, C, M «Jôi-uchi: Hairyô tsuma shimatsu» |
|
7.4 |
1966 |
AdDRW![Color; Aspect: 2.20:1; 35 mm; Panavision (anamorphic); Panavision Lenses; AUDIO: 70 mm 6-Track (70 mm prints) (Westrex Recording System), Mono (35 mm prints) (Westrex Recording System) Color](icons/rgb.png) |
The Sand Pebbles |
Robert Wise, W, W, C, M |
|
7.4 |
1965 |
DR![Black and White; Aspect: 2.35:1; 35 mm; Panavision (anamorphic); AUDIO: Mono (Westrex Recording System) Black and White](icons/bw.png) |
A Patch of Blue |
Guy Green, W, W, C, M |
|
7.4 |
1964 |
DHo![Black and White; Aspect: 2.35:1; 35 mm; Tohoscope; AUDIO: Mono Black and White](icons/bw.png) |
Onibaba |
Kaneto Shindô, W, C, M |
|
7.4 |
1962 |
ADT![Black and White; Aspect: 2.35:1; 35 mm; Tohoscope (anamorphic); AUDIO: Perspecta Stereo (Westrex Recording System) Black and White](icons/bw.png) |
Sanjuro |
Akira Kurosawa, W, W, ++, C, C, M «Tsubaki Sanjûrô» |
|
7.4 |
1961 |
C![Black and White; Aspect: 1.85:1; 35 mm; AUDIO: Mono (Westrex Co. System) Black and White](icons/bw.png) |
Divorce Italian Style |
Pietro Germi, W, W, ++, C, C, M «Divorzio all'italiana» |
|
7.4 |
1961 |
DHW![Black and White; Aspect: 1.75:1; 35 mm; AUDIO: Mono Black and White](icons/bw.png) |
Judgment at Nuremberg |
Stanley Kramer, W, ++, C, M |
|
7.4 |
1959 |
DW![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono Black and White](icons/bw.png) |
The Bridge |
Bernhard Wicki, W, W, ++, C, M «Die Brücke» |
|
7.4 |
1958 |
DW![Black and White; Aspect: 1.66:1; 35 mm; AUDIO: Mono (RCA Sound Recording) Black and White](icons/bw.png) |
Ice Cold in Alex |
J. Lee Thompson, W, W, ++, C, M |
|
7.4 |
1957 |
DRW![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono Black and White](icons/bw.png) |
The Cranes are Flying |
Mikhail Kalatozov, W, C, M «Letyat zhuravli» |
|
7.4 |
1957 |
DM![Black and White; Aspect: 1.66:1; 35 mm; AUDIO: Mono (Westrex Recording System) Black and White](icons/bw.png) |
Witness for the Prosecution |
Billy Wilder, W, W, ++, C, M |
|
7.4 |
1955 |
AdCFMl![Color (Technicolor); Aspect: 1.85:1; 35 mm (horizontal); VistaVision; VistaVision camera; AUDIO: Mono (Western Electric Recording) Color (Technicolor)](icons/rgb.png) |
The Court Jester |
Melvin Frank, Norman Panama, W, W, C, C, M, M |
|
7.4 |
1953 |
CDR![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Recording) Black and White](icons/bw.png) |
Roman Holiday |
William Wyler, W, W, ++, C, C, M |
|
7.4 |
1952 |
D![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono Black and White](icons/bw.png) |
Ikiru |
Akira Kurosawa, W, W, ++, C, M |
|
7.4 |
1952 |
CMlR![Color (Technicolor), Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Sound System) Color (Technicolor), Black and White](icons/rgb-bw.png) |
Singin' in the Rain |
Stanley Donen, Gene Kelly, W, W, ++, C, M |
|
7.4 |
1951 |
D![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Recording) Black and White](icons/bw.png) |
The Browning Version |
Anthony Asquith, W, C |
|
7.4 |
1950 |
CrD![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (RCA High Fidelity Recording) Black and White](icons/bw.png) |
Los Olvidados |
Luis Buñuel, W, W, ++, C, M, M «Los olvidados» |
|
7.4 |
1949 |
DNT![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Recording) Black and White](icons/bw.png) |
Thieves' Highway |
Jules Dassin, W, C, M, M |
|
7.4 |
1949 |
ADW![Black and White (archive footage), Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Recording) Black and White (archive footage), Black and White](icons/bw.png) |
Twelve O'Clock High |
Henry King, W, W, ++, C, M |
|
7.4 |
1948 |
DW![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono Black and White](icons/bw.png) |
The Search |
Fred Zinnemann, W, W, ++, C, M |
|
7.4 |
1947 |
DNSp![Black and White; Aspect: 1.37:1; 35 mm; Bell & Howell Eyemo (boxing scenes); AUDIO: Mono (Western Electric Recording) Black and White](icons/bw.png) |
Body and Soul |
Robert Rossen, W, C, M |
|
7.4 |
1944 |
CrDNT![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Mirrophonic Recording) Black and White](icons/bw.png) |
Double Indemnity |
Billy Wilder, W, W, ++, C, M |
|
7.4 |
1941 |
C![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Mirrophonic Recording) Black and White](icons/bw.png) |
Hellzapoppin' |
H.C. Potter, W, W, ++, C, M |
|
7.4 |
1938 |
CrDT![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono Black and White](icons/bw.png) |
Angels with Dirty Faces |
Michael Curtiz, W, W, ++, C, M |
|
7.4 |
1937 |
DM![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono Black and White](icons/bw.png) |
They Won't Forget |
[ Mervyn LeRoy ], W, W, ++, C, M |
|
7.4 |
1934 |
C![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Noiseless Recording) Black and White](icons/bw.png) |
It's a Gift |
Norman Z. McLeod, W, W, ++, C, M |
|
7.4 |
1934 |
DHR![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Noiseless Recording) Black and White](icons/bw.png) |
The Scarlet Empress |
Josef von Sternberg, W, W, ++, C |
|
7.4 |
1934 |
CCrM![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Sound System) Black and White](icons/bw.png) |
The Thin Man |
W.S. Van Dyke, W, W, ++, C, M |
|
7.4 |
1933 |
C![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Sound System) Black and White](icons/bw.png) |
Sons of the Desert |
William A. Seiter, W, W, ++, C, M |
|
7.4 |
1930 |
DW![Black and White; Aspect: 1.20:1; 35 mm; AUDIO: Mono (Western Electric Sound System) Black and White](icons/bw.png) |
All Quiet on the Western Front |
Lewis Milestone, W, W, ++, C, C, M, M |
|
7.4 |
1930 |
AdWeR![Black and White; Aspect: 1.20:1; 35 mm (alternate regular version) 70 mm (nitrate); Grandeur (70 mm version) Spherical (35 mm version); AUDIO: Mono (Western Electric System) Black and White](icons/bw.png) |
The Big Trail |
Raoul Walsh, ++, W, ++, C, C, M, M, M++ |
|
7.4 |
1930 |
WDA![Black and White; Aspect: 1.33:1; 35 mm; AUDIO: Vitaphone (Western Electric Sound System) Black and White](icons/bw.png) |
The Dawn Patrol |
Howard Hawks, W, W, ++, C, M |
|
7.4 |
1928 |
ACDFR![Black and White; Silent](icons/bw.png) |
Steamboat Bill, Jr. |
Charles Reisner, ++, W, ++, C, C |
|
7.4 |
1927 |
DH![Black and White, Color (2-strip Technicolor); Silent](icons/rgb-bw.png) |
The King of Kings |
Cecil B. DeMille, W, C, M |
|
7.4 |
1925 |
HoT![Black and White, Color (2-strip Technicolor); Silent](icons/rgb-bw.png) |
The Phantom of the Opera |
Rupert Julian, ++, W, ++, C, C, C, M, M, M++ |
|
7.4 |
1923 |
CF![Black and White; Silent](icons/bw.png) |
Our Hospitality |
John G. Blystone, Buster Keaton, W, W, ++, C, C, M |
|
7.4 |
1921 |
DRW![Black and White; Silent](icons/bw.png) |
The Four Horsemen of the Apocalypse |
Rex Ingram, W, W, C, M, M |