|
7.6 |
2013 |
D![Color; SxS Pro; Arri Alexa, Cooke S4 and Angenieux Optimo Lenses Color](icons/d-rgb.png) |
The Inevitable Defeat of Mister and Pete |
George Tillman Jr., W, C, M, M |
|
7.6 |
2010 |
CCrD![Color (Technicolor); Aspect: 2.35:1; AUDIO: Dolby Digital Color (Technicolor)](icons/q-rgb.png) |
El Narco |
Luis Estrada, W, ++, C, M «El infierno» |
|
7.6 |
2010 |
DA![Color; Aspect: 2.35:1; 35 mm; Digital Intermediate (2K) (master format) Super 35 (source format); Arricam LT, Zeiss Master Prime Lenses; AUDIO: Dolby Color](icons/rgb.png) |
King of Devil's Island |
Marius Holst, W, W, ++, C, M «Kongen av Bastøy» |
|
7.6 |
2010 |
C![Black and White, Color; Aspect: 1.85:1; 35 mm Super 16 Super 8; AUDIO: Dolby Digital Black and White, Color](icons/rgb-bw.png) |
The Names of Love |
Michel Leclerc, W, W, C, M, M «Le nom des gens» |
|
7.6 |
2009 |
DMRT![Color; Aspect: 1.78:1; HD 720p; JVC GY-HD200U (Illinois unit) Panasonic AG-HPX500 (second unit) Panasonic AG-HVX200 (principal photography); AUDIO: Dolby Digital Color](icons/h-rgb.png) |
One Hour Fantasy Girl |
Edgar Michael Bravo, W, C, M |
|
7.6 |
2007 |
C![Color; Aspect: 1.78:1 Color](icons/q-rgb.png) |
Confusions of an Unmarried Couple |
Brett M. Butler, Jason G. Butler, W, M |
|
7.6 |
2006 |
D![Color; Color](icons/q-rgb.png) |
Destiny |
Zeki Demirkubuz, W, C, M «Kader» |
|
7.6 |
2005 |
DR![Color; Aspect: 2.35:1; 35 mm (Kodak); Panavision (anamorphic); Panavision Cameras and Lenses; AUDIO: Dolby Digital Color](icons/rgb.png) |
Aurora Borealis |
James C.E. Burke, W, C, M |
|
7.6 |
2005 |
BDSp![Color; Aspect: 2.35:1; 35 mm (Kodak Vision 500T 5279, Eastman EXR 200T 5293); Super 35 (3-perf) (source format) Digital Intermediate (master format); Arriflex 235, Cooke Lenses Arriflex 535, Cooke Lenses Color](icons/rgb.png) |
The Rocket: The Legend of Rocket Richard |
Charles Binamé, W, C, M «Maurice Richard» |
|
7.6 |
2004 |
CD![Color; Aspect: 2.35:1; 35 mm; Panavision; AUDIO: Dolby Digital Color](icons/rgb.png) |
Mickybo and Me |
Terry Loane, W, W, C, M |
|
7.6 |
2003 |
CrD![Color; Aspect: 1.85:1; 16 mm; Super 16; AUDIO: Dolby Digital Color](icons/rgb.png) |
Blind Shaft |
Yang Li, W, C, M «Mang jing» |
|
7.6 |
2003 |
ADF![Color; Aspect: 1.85:1; 35 mm; Arriflex Cameras Panavision Cameras and Lenses; AUDIO: Dolby Digital Color](icons/rgb.png) |
The Road Home |
Drew Johnson, W, W, C, M |
|
7.6 |
2003 |
CR![Color; Aspect: 1.66:1; AUDIO: Stereo Color](icons/q-rgb.png) |
Why We Had to Kill Bitch |
John-Paul Nickel, W, C, M, M, M |
|
7.6 |
2001 |
AAdC![Color; Aspect: 2.35:1; 35 mm; Super 35; AUDIO: Stereo Color](icons/rgb.png) |
Let's Get Skase |
Matthew George, W, W, C, M |
|
7.6 |
2001 |
DT![Color; Color](icons/q-rgb.png) |
Treed Murray |
William Phillips, W, C, M |
|
7.6 |
2000 |
DMT![Color; Aspect: 1.85:1; 35 mm; AUDIO: Dolby Digital Color](icons/rgb.png) |
Auggie Rose |
Matthew Tabak, W, C, M, M |
|
7.6 |
2000 |
D![Color; Aspect: 1.85:1; AUDIO: Mono Color](icons/q-rgb.png) |
The Circle |
Jafar Panahi, W, W, C «Dayereh» |
|
7.6 |
1999 |
HoRW![Color; Aspect: 1.85:1; 35 mm; AUDIO: Dolby Digital Color](icons/rgb.png) |
Nang-Nak |
Nonzee Nimibutr, W, C, M, M «Nang nak» |
|
7.6 |
1998 |
D![Color; Aspect: 1.75:1; 35 mm (Eastman EXR 100T 5248, EXR 200T 5293); Arriflex 35 BL4S, Zeiss Super Speed and Angenieux HR Lenses; AUDIO: Dolby SR Color](icons/rgb.png) |
Eternity and a Day |
Theodoros Angelopoulos, W, W, ++, C, C, M «Mia aioniotita kai mia mera» |
|
7.6 |
1998 |
CD![Color; AUDIO: Dolby Color](icons/q-rgb.png) |
God Said, 'Ha!' |
Julia Sweeney, W, C, M |
|
7.6 |
1998 |
AdCDFan |
The Bird People in China |
Takashi Miike, W, W, C, M «Chûgoku no chôjin» |
|
7.6 |
1997 |
CrD![Color; Aspect: 1.85:1; 35 mm Color](icons/rgb.png) |
Eye of God |
Tim Blake Nelson, W, C, M |
|
7.6 |
1997 |
D![Color (Technicolor); AUDIO: Dolby Color (Technicolor)](icons/q-rgb.png) |
Men with Guns |
John Sayles, W, C, M |
|
7.6 |
1997 |
DMR![Color (Technicolor); Aspect: 2.35:1; 35 mm; Super 35; AUDIO: Dolby SR, SDDS Color (Technicolor)](icons/rgb.png) |
Swept from the Sea |
Beeban Kidron, W, W, C, M |
|
7.6 |
1996 |
CD![Color; Aspect: 2.35:1; 35 mm; Panavision (anamorphic); Panavision Camera and Lenses; AUDIO: DTS Color](icons/rgb.png) |
A Family Thing |
Richard Pearce, W, W, C, M |
|
7.6 |
1996 |
CDMcR![Color; Color](icons/q-rgb.png) |
Cosi |
Mark Joffe, W, C, M |
|
7.6 |
1996 |
CD![Color; Aspect: 1.85:1; 35 mm; AUDIO: Stereo, Dolby SR Color](icons/rgb.png) |
The Eighth Day |
Jaco Van Dormael, W, C, M «Le huitième jour» |
|
7.6 |
1992 |
CDR![Color; Aspect: 1.37:1; 16 mm; AUDIO: Mono Color](icons/rgb.png) |
Careful |
Guy Maddin, W, W, ++, C, M |
|
7.6 |
1992 |
CrDRT![Color; Aspect: 2.35:1; 35 mm; Super 35; Panavision Cameras and Lenses; AUDIO: Dolby Color](icons/rgb.png) |
The Public Eye |
Howard Franklin, W, C, M |
|
7.6 |
1991 |
DTWe![Color; Aspect: 2.35:1; 35 mm; Panavision (anamorphic); AUDIO: Dolby Color](icons/rgb.png) |
Clearcut |
Ryszard Bugajski, W, W, C, M |
|
7.6 |
1991 |
D![Color; Aspect: 1.85:1; 35 mm; AUDIO: Dolby Color](icons/rgb.png) |
Where the Day Takes You |
Marc Rocco, W, W, ++, C, M |
|
7.6 |
1988 |
D![Color; Aspect: 1.85:1; 35 mm; Panavision Cameras and Lenses; AUDIO: Dolby Color](icons/rgb.png) |
Dominick and Eugene |
Robert M. Young, W, W, ++, C, M |
|
7.6 |
1987 |
DF![Color; Aspect: 1.66:1 Color](icons/q-rgb.png) |
Where is the Friend's Home? |
Abbas Kiarostami, W, C, M «Khane-ye doust kodjast?» |
|
7.6 |
1983 |
CMc![Color; Aspect: 1.85:1; 35 mm; Panavision Cameras and Lenses; AUDIO: Dolby Color](icons/rgb.png) |
Get Crazy |
Allan Arkush, W, W, ++, C, M |
|
7.6 |
1977 |
D![Color (Technicolor); 35 mm; AUDIO: Mono Color (Technicolor)](icons/rgb.png) |
A Special Day |
Ettore Scola, W, W, ++, C, M «Una giornata particolare» |
|
7.6 |
1977 |
D![Color (Eastmancolor); 35 mm; AUDIO: Mono Color (Eastmancolor)](icons/rgb.png) |
Providence |
Alain Resnais, W, C, M |
|
7.6 |
1975 |
CDR![Color; Aspect: 1.33:1; 35 mm; AUDIO: Mono Color](icons/rgb.png) |
Cooley High |
Michael Schultz, W, C, M |
|
7.6 |
1974 |
D![Black and White; Aspect: 1.37:1; 16 mm; AUDIO: Mono Black and White](icons/bw.png) |
Alice in the Cities |
Wim Wenders, W, W, C, M «Alice in den Städten» |
|
7.6 |
1974 |
ACrT![Color (Eastmancolor); Aspect: 2.35:1; 35 mm (2-perf); Techniscope; AUDIO: Mono Color (Eastmancolor)](icons/rgb.png) |
Almost Human |
Umberto Lenzi, W, C, M «Milano odia: la polizia non può sparare» |
|
7.6 |
1974 |
DA![Color (Technicolor); Aspect: 1.66:1; 35 mm; Panavision Cameras and Lenses; AUDIO: Mono Color (Technicolor)](icons/rgb.png) |
Macon County Line |
Richard Compton, W, ++, C, M |
|
7.6 |
1970 |
DR![Color (Metrocolor); Aspect: 1.85:1; 35 mm; AUDIO: Mono Color (Metrocolor)](icons/rgb.png) |
The Strawberry Statement |
Stuart Hagmann, W, W, C, M |
|
7.6 |
1969 |
AdDT![Color (Technicolor); Aspect: 2.35:1; 35 mm; Techniscope; AUDIO: Mono Color (Technicolor)](icons/rgb.png) |
Dirkie |
Jamie Uys, W, C, C, M, M, M++ |
|
7.6 |
1969 |
DHW![Color (Technicolor); 35 mm; AUDIO: Mono (Westrex Recording System) Color (Technicolor)](icons/rgb.png) |
Fraulein Doktor |
Alberto Lattuada, W, W, ++, C, M «Fräulein Doktor» |
|
7.6 |
1969 |
CDW![Color (Technicolor); Aspect: 2.35:1; 35 mm; Panavision (anamorphic); AUDIO: Mono Color (Technicolor)](icons/rgb.png) |
The Secret of Santa Vittoria |
Stanley Kramer, W, W, ++, C, M |
|
7.6 |
1964 |
C![Color (Eastmancolor); Aspect: 1.85:1; 35 mm; AUDIO: Mono (Westrex Recording System) Color (Eastmancolor)](icons/rgb.png) |
Bedtime Story |
Ralph Levy, W, W, C, M |
|
7.6 |
1959 |
CD![Color; Aspect: 1.37:1; 35 mm; AUDIO: Mono Color](icons/rgb.png) |
Good Morning |
Yasujirô Ozu, W, W, C, M «Ohayô» |
|
7.6 |
1955 |
D![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono Black and White](icons/bw.png) |
I Live in Fear |
Akira Kurosawa, W, W, ++, C, M «Ikimono no kiroku» |
|
7.6 |
1954 |
CMlDR![Color (Technicolor); Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Sound System) Color (Technicolor)](icons/rgb.png) |
French Cancan |
Jean Renoir, W, W, C, M |
|
7.6 |
1954 |
AAdBDH![Color (Eastmancolor); Aspect: 1.33:1; 35 mm; AUDIO: Mono Color (Eastmancolor)](icons/rgb.png) |
Samurai I: Musashi Miyamoto |
Hiroshi Inagaki, W, W, ++, C, M «Miyamoto Musashi» |
|
7.6 |
1945 |
C![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Recording) Black and White](icons/bw.png) |
Murder, He Says |
George Marshall, W, W, C, M |
|
7.6 |
1941 |
ADH![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono Black and White](icons/bw.png) |
The 47 Ronin |
Kenji Mizoguchi, W, W, ++, C, M «Genroku Chûshingura» |
|
7.6 |
1929 |
CMlR![Black and White; Aspect: 1.20:1; 35 mm; AUDIO: Mono (Western Electric Sound System) Black and White](icons/bw.png) |
The Love Parade |
Ernst Lubitsch, W, W, ++, C, M, M, M++ |
|
7.6 |
1920 |
CrDHo![Black and White; Silent](icons/bw.png) |
The Penalty |
Wallace Worsley, W, ++, C |
|
7.5 |
2014 |
C![Color; Aspect: 1.85:1; AUDIO: Dolby SR Color](icons/q-rgb.png) |
The Bélier Family |
Eric Lartigau, W, W, ++, C, M, M «La famille Bélier» |
|
7.5 |
2013 |
Paradesi |
Bala, W, W, C, M |
|
7.5 |
2012 |
CrMT![Color; ProRes 4:2:2 HD; Canon 7D and Canon lenses Sony PMW-F3, Cooke S4 and Angenieux Optimo Lenses Color](icons/q-rgb.png) |
Last Hours in Suburbia |
John Stimpson, W, C, M |
|
7.5 |
2011 |
ACrT![Color; Aspect: 2.35:1; AUDIO: DTS, Dolby Digital Color](icons/q-rgb.png) |
The Prey |
Eric Valette, W, W, C, M «La proie» |
|
7.5 |
2008 |
BD![Color; Aspect: 1.85:1; 16 mm; Digital Intermediate (master format) Super 16 (source format); Aaton Cameras; AUDIO: Dolby Digital Color](icons/rgb.png) |
Everlasting Moments |
Jan Troell, W, W, ++, C, C, M «Maria Larssons eviga ögonblick» |
|
7.5 |
2008 |
D![Color; Aspect: 1.85:1; 35 mm; Arricam LT, Zeiss Master Prime Lenses; AUDIO: Dolby Digital Color](icons/rgb.png) |
Lorna's Silence |
Jean-Pierre Dardenne, Luc Dardenne, W, W, C «Le silence de Lorna» |
|
7.5 |
2008 |
AAdCFFan![Color (HDCAM); Aspect: 1.85:1; DVC Pro HD; Panasonic Varicam Color (HDCAM)](icons/d-rgb.png) |
The Gamers: Dorkness Rising |
Matt Vancil, W, C, M, M |
|
7.5 |
2007 |
DHW![Color; Aspect: 2.35:1; 16mm/35mm; Digital Intermediate (master format) Spherical (source format); AUDIO: Dolby Digital Color](icons/rgb.png) |
Shake Hands with the Devil |
Roger Spottiswoode, W, W, C, M |
|
7.5 |
2007 |
DMR![Color; Aspect: 1.85:1; AUDIO: Dolby Digital Color](icons/q-rgb.png) |
The Love of Siam |
Chookiat Sakveerakul, W, C, M «Rak haeng Siam» |
|
7.5 |
2006 |
D![Color; Aspect: 1.85:1; 35 mm (Fuji); Digital Intermediate (master format) Spherical (source format); Panavision Cameras and Lenses; AUDIO: Dolby Digital Color](icons/rgb.png) |
Canvas |
Joseph Greco, W, C, M |
|
7.5 |
2006 |
D![Color; AUDIO: Dolby Digital Color](icons/q-rgb.png) |
Grbavica: The Land of My Dreams |
Jasmila Zbanic, W, C, M «Grbavica» |
|
7.5 |
2005 |
C![Color; Aspect: 1.85:1; 35 mm; AUDIO: Dolby Digital Color](icons/rgb.png) |
Checking Out |
Jeff Hare, W, W, C, M |
|
7.5 |
2005 |
CrD![Color; Aspect: 1.85:1; 35 mm (Kodak Vision2 Expression 500T 5229); Moviecam Compact; AUDIO: Dolby Digital Color](icons/rgb.png) |
Le petit lieutenant |
Xavier Beauvois, W, W, ++, C |
|
7.5 |
2005 |
Main, Meri Patni... Aur Woh! |
Chandan Arora, W, W, ++, C, M, M, M |
|
7.5 |
2005 |
DW![Black and White, Color; Aspect: 2.35:1; 35 mm; Super 35; AUDIO: Dolby Digital Black and White, Color](icons/rgb-bw.png) |
Mother of Mine |
Klaus Härö, W, W, ++, C, M «Äideistä parhain» |
|
7.5 |
2005 |
DR![Color; AUDIO: Mono Color](icons/q-rgb.png) |
Neo Ned |
Van Fischer, W, C, M, M |
|
7.5 |
2005 |
CD![Color; Aspect: 1.85:1; Video; DV; AUDIO: Dolby Digital Color](icons/v-rgb.png) |
One Last Thing... |
Alex Steyermark, W, C, M |
|
7.5 |
2005 |
Socha Na Tha |
Imtiaz Ali, W, C, M |
|
7.5 |
2004 |
FanMRT![Black and White, Color; Aspect: 1.85:1 Black and White, Color](icons/rgb-bw.png) |
Survive Style 5+ |
Gen Sekiguchi, W, C, M |
|
7.5 |
2004 |
DCMc![Color; Aspect: 1.85:1; 35 mm (Fuji Super F-500T 8572); Arriflex 535, Zeiss Ultra Prime and Angenieux Optimo Lenses; AUDIO: Dolby Digital Color](icons/rgb.png) |
Swing Girls |
Shinobu Yaguchi, W, W, C, M, M «Suwingu gâruzu» |
|
7.5 |
2003 |
D![Color; 35 mm; AUDIO: Dolby Digital Color](icons/rgb.png) |
The Mudge Boy |
Michael Burke, W, C, M |
|
7.5 |
2002 |
D![Color; Aspect: 1.85:1; 35 mm; Arriflex Cameras, Cooke S4 Lenses; AUDIO: Dolby Digital Color](icons/rgb.png) |
EvenHand |
Joseph Pierson, W, C, M |
|
7.5 |
2001 |
CD![Color; Aspect: 1.85:1; 16 mm; Super 16; AUDIO: Dolby Color](icons/rgb.png) |
Lawless Heart |
Tom Hunsinger, Neil Hunter, W, W, C, M |
|
7.5 |
1998 |
D![Color; 35 mm (Eastman); Panavision Panaflex Gold II; AUDIO: Dolby Digital Color](icons/rgb.png) |
The Grandfather |
José Luis Garci, W, W, ++, C, M «El abuelo» |
|
7.5 |
1998 |
CCr![Color; Aspect: 1.85:1; 35 mm (Kodak); AUDIO: Dolby Digital Color](icons/rgb.png) |
Torrente, el brazo tonto de la ley |
Santiago Segura, W, C, M |
|
7.5 |
1997 |
CCrD? |
Six Ways to Sunday |
Adam Bernstein, W, W, ++, C, M |
|
7.5 |
1996 |
D![Color; Aspect: 1.85:1; 35 mm (Eastman EXR 100T 5248, EXR 500T 5296); Arriflex 535B, Zeiss and Angenieux Lenses; AUDIO: Dolby Color](icons/rgb.png) |
Kids Return |
Takeshi Kitano, W, C, M «Kizzu ritân» |
|
7.5 |
1994 |
D![Color (Technicolor); Aspect: 1.85:1; 35 mm; AUDIO: Dolby Color (Technicolor)](icons/rgb.png) |
Second Best |
Chris Menges, W, C, M |
|
7.5 |
1993 |
BD![Color; Aspect: 1.66:1; 35 mm; AUDIO: Dolby Color](icons/rgb.png) |
A Home of Our Own |
Tony Bill, W, C, M |
|
7.5 |
1993 |
Darr |
Yash Chopra, W, ++, C, M, M |
|
7.5 |
1993 |
CDMcMR![Color; Aspect: 1.66:1; 35 mm; AUDIO: Ultra Stereo Color](icons/rgb.png) |
The Red Squirrel |
Julio Medem, W, C, M, M «La ardilla roja» |
|
7.5 |
1992 |
Jo Jeeta Wohi Sikandar |
Mansoor Khan, W, W, ++, C, M, M |
|
7.5 |
1991 |
CCrR![Color; 35 mm; AUDIO: Mono Color](icons/rgb.png) |
Johnny Stecchino |
Roberto Benigni, W, W, C, M |
|
7.5 |
1989 |
DHW![Black and White; Aspect: 1.85:1; 35 mm; AUDIO: Dolby SR Black and White](icons/bw.png) |
Black Rain |
Shôhei Imamura, W, W, ++, C, M «Kuroi ame» |
|
7.5 |
1989 |
DFFan![Color; Aspect: 1.85:1; 35 mm; Arriflex Cameras; AUDIO: Dolby SR Color](icons/rgb.png) |
Prancer |
John D. Hancock, W, C, M |
|
7.5 |
1983 |
BDH![Color; Aspect: 1.66:1; 35 mm; AUDIO: Mono Color](icons/rgb.png) |
Danton |
Andrzej Wajda, W, W, ++, C, M |
|
7.5 |
1982 |
BCrDHMR![Color (Fujicolor); Aspect: 1.66:1; 35 mm; AUDIO: Mono Color (Fujicolor)](icons/rgb.png) |
The Return of Martin Guerre |
Daniel Vigne, W, W, ++, C, M «Le retour de Martin Guerre» |
|
7.5 |
1981 |
AC![Color; Aspect: 2.35:1; 35 mm; (anamorphic); AUDIO: Mono Color](icons/rgb.png) |
The Prodigal Son |
Sammo Hung Kam-Bo, W, W, ++, C, M, M «Bai ga jai» |
|
7.5 |
1980 |
CDR![Color (Sovcolor); Aspect: 1.37:1; 35 mm; AUDIO: Mono Color (Sovcolor)](icons/rgb.png) |
Moscow Does Not Believe in Tears |
Vladimir Menshov, W, W, C, M «Moskva slezam ne verit» |
|
7.5 |
1980 |
AdD![Color (Technicolor); Aspect: 2.35:1; 35 mm; Panavision (anamorphic); AUDIO: Stereo Color (Technicolor)](icons/rgb.png) |
The Earthling |
Peter Collinson, W, C, M, M |
|
7.5 |
1979 |
D![Color; Aspect: 1.33:1; 35 mm; AUDIO: Mono Color](icons/rgb.png) |
Camera Buff |
Krzysztof Kieslowski, W, ++, C, C, C++, M «Amator» |
|
7.5 |
1977 |
D![Color; Aspect: 1.33:1; AUDIO: Mono Color](icons/q-rgb.png) |
"Play for Today" Abigail's Party |
Mike Leigh, W |
|
7.5 |
1977 |
DW![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono Black and White](icons/bw.png) |
The Ascent |
Larisa Shepitko, W, W, ++, C, C, M «Voskhozhdeniye» |
|
7.5 |
1975 |
C![Color; Aspect: 1.85:1; 35 mm; Panavision Cameras and Lenses; AUDIO: Mono Color](icons/rgb.png) |
Smile |
Michael Ritchie, W, C |
|
7.5 |
1973 |
D![Color (Eastmancolor); Aspect: 1.85:1; 35 mm; AUDIO: Mono Color (Eastmancolor)](icons/rgb.png) |
The Iceman Cometh |
John Frankenheimer, W, W, C |
|
7.5 |
1972 |
DTCr![Color; Aspect: 2.35:1; 35 mm; Toeiscope; AUDIO: Mono Color](icons/rgb.png) |
Female Convict Scorpion Jailhouse 41 |
Shunya Ito, W, M «Joshuu sasori: Dai-41 zakkyo-bô» |
|
7.5 |
1970 |
CCrD![Color (Eastmancolor); 35 mm; AUDIO: Mono Color (Eastmancolor)](icons/rgb.png) |
Something for Everyone |
Harold Prince, W, W, C, M |
|
7.5 |
1969 |
CSf![Color (Eastmancolor); Aspect: 1.85:1; 35 mm; AUDIO: Mono Color (Eastmancolor)](icons/rgb.png) |
Hello Down There |
Jack Arnold, Ricou Browning, W, W, ++, C, M |
|
7.5 |
1964 |
AAdCR![Color (Eastmancolor); Aspect: 1.66:1; 35 mm; AUDIO: Mono Color (Eastmancolor)](icons/rgb.png) |
That Man from Rio |
Philippe de Broca, W, W, ++, C, M «L'homme de Rio» |
|
7.5 |
1962 |
AAdD![Black and White; Aspect: 2.35:1; 35 mm; Daieiscope; AUDIO: Mono Black and White](icons/bw.png) |
The Tale of Zatoichi |
Kenji Misumi, W, W, C, M «Zatôichi monogatari» |
|
7.5 |
1961 |
DRW![Black and White; 35 mm; AUDIO: Mono (Westrex Recording System) Black and White](icons/bw.png) |
Bridge to the Sun |
Etienne Périer, W, W, C, C, C, M |
|
7.5 |
1960 |
D![Black and White; Aspect: 2.35:1; 35 mm; Tohoscope; AUDIO: Mono Black and White](icons/bw.png) |
The Naked Island |
Kaneto Shindô, W, C, M «Hadaka no shima» |
|
7.5 |
1957 |
Mother India |
Mehboob Khan, W, W, C, M |
|
7.5 |
1956 |
D![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono Black and White](icons/bw.png) |
Street of Shame |
Kenji Mizoguchi, W, W, C, M «Akasen chitai» |
|
7.5 |
1955 |
T![Black and White; Aspect: 1.66:1; 35 mm; AUDIO: Mono (RCA Sound System) Black and White](icons/bw.png) |
The Night My Number Came Up |
Leslie Norman, W, W, C, M |
|
7.5 |
1953 |
D![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Recording) Black and White](icons/bw.png) |
Man on a Tightrope |
Elia Kazan, W, W, C, M |
|
7.5 |
1950 |
BH![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric) Black and White](icons/bw.png) |
The Flowers of St. Francis |
Roberto Rossellini, W, W, ++, C, M «Francesco, giullare di Dio» |
|
7.5 |
1946 |
CM![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono, Mono (RCA Sound System) Black and White](icons/bw.png) |
Home, Sweet Homicide |
Lloyd Bacon, W, W, C, M |
|
7.5 |
1943 |
CAdFan![Color (Agfacolor); Aspect: 1.37:1; 35 mm; AUDIO: Mono Color (Agfacolor)](icons/rgb.png) |
The Adventures of Baron Munchausen |
Josef von Báky, W, ++, C, C, M «Münchhausen» |
|
7.5 |
1935 |
DMl![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Sound System) Black and White](icons/bw.png) |
Naughty Marietta |
[ Robert Z. Leonard, W.S. Van Dyke ], W, W, ++, C |
|
7.5 |
1934 |
AAdDHRT![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Sound System) Black and White](icons/bw.png) |
The Count of Monte Cristo |
Rowland V. Lee, W, W, ++, C, M |
|
7.5 |
1930 |
D![Black and White; Aspect: 1.33:1; 35 mm; AUDIO: Mono Black and White](icons/bw.png) |
Beauty Prize |
Augusto Genina, W, W, C, C, M «Prix de beauté (Miss Europe)» |
|
7.5 |
1930 |
DR![Black and White; Silent](icons/bw.png) |
City Girl |
F.W. Murnau, W, W, ++, C, M, M |
|
7.5 |
1929 |
DMl![Black and White; Aspect: 1.20:1; 35 mm; AUDIO: Mono Black and White](icons/bw.png) |
Applause |
Rouben Mamoulian, W, W, C |
|
7.5 |
1928 |
D![Black and White; Silent](icons/bw.png) |
Sadie Thompson |
Raoul Walsh, W, W, ++, C, C, C |
|
7.5 |
1926 |
CDRW![Black and White; Silent](icons/bw.png) |
Tell It to the Marines |
George W. Hill, W, W, C, M |
|
7.5 |
1926 |
AdD![Black and White; Silent](icons/bw.png) |
The Son of the Sheik |
George Fitzmaurice, W, W, ++, C, M, M |
|
7.5 |
1925 |
D![Black and White; Silent](icons/bw.png) |
Strike |
Sergei M. Eisenstein, W, W, ++, C, C, C «Stachka» |
|
7.5 |
1925 |
CFSp![Black and White, Color (tinted); Silent](icons/rgb-bw.png) |
The Freshman |
Fred C. Newmeyer, Sam Taylor, W, W, ++, C, M, M |
|
7.4 |
2014 |
D![Color; Color](icons/q-rgb.png) |
Lilting |
Hong Khaou, W, C, M |
|
7.4 |
2014 |
O21 |
Jamshed Mahmood Raza, ++, W, W, ++, C, M |
|
7.4 |
2013 |
CD![Color; Aspect: 2.35:1; Redcode RAW; Digital Intermediate (2K) (master format) Redcode RAW (4.5K) (source format); Red One Camera (MX sensor) Color](icons/d-rgb.png) |
Miracle in Cell No.7 |
Lee Hwan-Kyung, W, W, ++, C |
|
7.4 |
2013 |
D![Color; Aspect: 1.78:1; Canon 5D Mark II Color](icons/d-rgb.png) |
Phantom |
Jonathan Soler, W, C |
|
7.4 |
2013 |
D![Color; AUDIO: Dolby Digital Color](icons/q-rgb.png) |
The Caribbean Heist |
Max Sainvil, W |
|
7.4 |
2011 |
ADHW![Color; Aspect: 1.78:1; Redcode RAW; Digital Intermediate (2K) (master format) Redcode RAW (4.5K) (source format); Red One MX, Red Pro Prime Lenses; AUDIO: DTS Color](icons/d-rgb.png) |
Memorial Day |
Samuel Fischer, W, W, ++, C, M |
|
7.4 |
2011 |
DHTW![Color; Color](icons/q-rgb.png) |
Return to the Hiding Place |
Peter C. Spencer, Josiah Spencer, W, W, C, M |
|
7.4 |
2011 |
The Bodyguard |
Siddique, W, C, M «Kaavalan» |
|
7.4 |
2010 |
CD![Color; Aspect: 2.35:1; 35 mm (Kodak Vision3 250D 5207, Vision3 500T 5219); Digital Intermediate (master format) Super 35 (3-perf) (source format); Arricam LT, Cooke S4 Lenses; AUDIO: DTS, Dolby Digital Color](icons/rgb.png) |
My Afternoons with Margueritte |
Jean Becker, W, W, ++, C, M «La tête en friche» |
|
7.4 |
2009 |
D![Color; Color](icons/q-rgb.png) |
Entre nos |
Gloria La Morte, Paola Mendoza, W, W, C, M |
|
7.4 |
2005 |
AdCDF![Color; Aspect: 2.35:1; 35 mm (Kodak); Digital Intermediate (master format) Super 35 (source format); Panavision Cameras and Lenses; AUDIO: DTS, Dolby Digital Color](icons/rgb.png) |
Lassie |
Charles Sturridge, W, W, C, M |
|
7.4 |
2005 |
DHT![Color; Color](icons/q-rgb.png) |
The King and the Clown |
Joon-ik Lee, W, W, C, M «Wang-ui namja» |
|
7.4 |
2003 |
D![Color; 35 mm; AUDIO: Dolby Digital Color](icons/rgb.png) |
Blind Flight |
John Furse, W, C, M |
|
7.4 |
2003 |
DR![Color; 35 mm; AUDIO: Dolby Digital Color](icons/rgb.png) |
Take My Eyes |
Icíar Bollaín, W, W, C, M «Te doy mis ojos» |
|
7.4 |
2002 |
RD![Color; Aspect: 1.85:1; 35 mm (Kodak Vision 500T 5263, Vision 320T 5277); Arriflex 535B, Zeiss and Angenieux Lenses; AUDIO: Dolby Digital Color](icons/rgb.png) |
The Sea Is Watching |
Kei Kumai, W, W, ++, C, M «Umi wa miteita» |
|
7.4 |
2002 |
DRW![Black and White, Color; Aspect: 1.85:1; 35 mm (Kodak); AUDIO: Dolby Digital Black and White, Color](icons/rgb-bw.png) |
Twin Sisters |
Ben Sombogaart, W, W, C, M «De tweeling» |
|
7.4 |
2000 |
CRD![Color; Aspect: 2.35:1; 35 mm; Super 35; AUDIO: Dolby Digital Color](icons/rgb.png) |
Bossa Nova |
Bruno Barreto, W, W, ++, C, M |
|
7.4 |
2000 |
CR![Color; Color](icons/q-rgb.png) |
Luminarias |
José Luis Valenzuela, W, C, M, M |
|
7.4 |
1999 |
C![Color; Aspect: 1.85:1; 35 mm; AUDIO: DTS, Dolby Digital, SDDS Color](icons/rgb.png) |
The Big Tease |
Kevin Allen, W, W, C, M |
|
7.4 |
1998 |
CrD![Color; 35 mm; Panavision Cameras and Lenses; AUDIO: Dolby Color](icons/rgb.png) |
Gunshy |
Jeff Celentano, W, C, M |
|
7.4 |
1998 |
C![Color; Aspect: 1.85:1; 35 mm; AUDIO: Dolby SR Color](icons/rgb.png) |
Relax... It's Just Sex |
P.J. Castellaneta, W, C, M |
|
7.4 |
1998 |
AAdC![Black and White; Aspect: 1.85:1 Black and White](icons/bw.png) |
Samurai Fiction |
Hiroyuki Nakano, W, W, C, M «SF: Episode One» |
|
7.4 |
1998 |
DR![Color; Aspect: 2.35:1; 35 mm (Kodak Vision 250D 5246, Vision 500T 5279); Super 35; Aaton 35-III, Zeiss Super Speed and Canon Lenses Moviecam Compact, Zeiss Super Speed and Canon Lenses; AUDIO: DTS-Stereo Color](icons/rgb.png) |
Under the Sun |
Colin Nutley, W, W, ++, C «Under solen» |
|
7.4 |
1997 |
CD![Color; Aspect: 1.85:1; AUDIO: Dolby Digital Color](icons/q-rgb.png) |
Dream with the Fishes |
Finn Taylor, W, W, ++, C, M |
|
7.4 |
1996 |
D![Color; Aspect: 1.66:1; 16 mm (Kodak); Super 16; AUDIO: Dolby Color](icons/rgb.png) |
La promesse |
Jean-Pierre Dardenne, Luc Dardenne, W, W, C, M, M |
|
7.4 |
1994 |
CFSp![Color (Technicolor); Aspect: 1.85:1; 35 mm; Panavision Cameras and Lenses; AUDIO: Dolby, DTS, SDDS (8 channels) Color (Technicolor)](icons/rgb.png) |
Little Big League |
Andrew Scheinman, W, ++, C, M |
|
7.4 |
1994 |
C![Color (Eastmancolor); Aspect: 1.85:1; 35 mm; AUDIO: Dolby SR, Dolby Color (Eastmancolor)](icons/rgb.png) |
Maybe... Maybe Not |
Sönke Wortmann, W, W, C, M «Der bewegte Mann» |
|
7.4 |
1994 |
CDHMR![Color (Technicolor); Aspect: 1.85:1; 35 mm; Panavision Cameras and Lenses; AUDIO: Dolby Color (Technicolor)](icons/rgb.png) |
Princess Caraboo |
Michael Austin, W, W, C, M |
|
7.4 |
1993 |
DRWe![Color (Technicolor); Aspect: 1.85:1; Panavision Cameras and Lenses; AUDIO: Dolby Color (Technicolor)](icons/q-rgb.png) |
The Ballad of Little Jo |
Maggie Greenwald, W, C, M |
|
7.4 |
1993 |
C![Color; Aspect: 1.85:1; 35 mm Super 16; AUDIO: Stereo, Dolby (DVD version) (as Dolby Surround) Color](icons/rgb.png) |
The Making of '...And God Spoke' |
Arthur Borman, W, W, ++, C, M |
|
7.4 |
1993 |
BDMc![Color; AUDIO: Stereo Color](icons/q-rgb.png) |
Thirty Two Short Films About Glenn Gould |
François Girard, W, W, ++, C |
|
7.4 |
1992 |
CD![Color (Eastmancolor); 35 mm; AUDIO: Dolby SR Color (Eastmancolor)](icons/rgb.png) |
Just Like a Woman |
Christopher Monger, W, W, C, M |
|
7.4 |
1992 |
D![Color; Aspect: 1.85:1; AUDIO: Mono Color](icons/q-rgb.png) |
Laws of Gravity |
Nick Gomez, W, C |
|
7.4 |
1992 |
C![Color; Aspect: 2.35:1; 35 mm; (anamorphic); AUDIO: Dolby SR Color](icons/rgb.png) |
Schtonk! |
Helmut Dietl, W, W, ++, C, M |
|
7.4 |
1991 |
CHoSf![Color; Aspect: 1.78:1; 35 mm; AUDIO: Mono Color](icons/rgb.png) |
There's Nothing Out There |
Rolfe Kanefsky, W, C, M |
|
7.4 |
1989 |
CMc![Color (Eastmancolor); Aspect: 1.85:1; AUDIO: Dolby Color (Eastmancolor)](icons/q-rgb.png) |
Leningrad Cowboys Go America |
Aki Kaurismäki, W, W, ++, C, M |
|
7.4 |
1989 |
BD![Color; 35 mm; AUDIO: Dolby Color](icons/rgb.png) |
Romero |
John Duigan, W, C, M |
|
7.4 |
1988 |
BDHR![Color (Fujicolor); Aspect: 2.35:1; 35 mm; Panavision (anamorphic); AUDIO: Dolby SR Color (Fujicolor)](icons/rgb.png) |
Camille Claudel |
Bruno Nuytten, W, W, ++, C, M |
|
7.4 |
1977 |
D![Color (Metrocolor); Aspect: 1.85:1; 35 mm; AUDIO: Mono Color (Metrocolor)](icons/rgb.png) |
Opening Night |
John Cassavetes, W, C, M |
|
7.4 |
1976 |
ACrDT![Color (Eastmancolor); Aspect: 1.66:1; 35 mm; AUDIO: Mono Color (Eastmancolor)](icons/rgb.png) |
Man on the Roof |
Bo Widerberg, W, W, ++, C, C, M «Mannen på taket» |
|
7.4 |
1974 |
CD![Color (Metrocolor); Aspect: 2.35:1; 35 mm; Panavision (anamorphic); AUDIO: Mono Color (Metrocolor)](icons/rgb.png) |
California Split |
Robert Altman, W, C |
|
7.4 |
1974 |
D![Color; Aspect: 2.35:1; 35 mm; Panavision (anamorphic); AUDIO: Mono (Westrex Recording System) Color](icons/rgb.png) |
Conrack |
Martin Ritt, W, W, ++, C, M |
|
7.4 |
1974 |
AC![Color (Eastmancolor); Aspect: 1.85:1; 35 mm; AUDIO: Mono Color (Eastmancolor)](icons/rgb.png) |
Watch Out, We're Mad |
Marcello Fondato, W, W, ++, C, M, M «...altrimenti ci arrabbiamo!» |
|
7.4 |
1973 |
DR![Black and White; Aspect: 1.37:1; 16 mm; AUDIO: Mono Black and White](icons/bw.png) |
The Mother and the Whore |
Jean Eustache, W, C «La maman et la putain» |
|
7.4 |
1970 |
D![Color (Technicolor); 35 mm; AUDIO: Mono Color (Technicolor)](icons/rgb.png) |
I Never Sang for My Father |
Gilbert Cates, W, C, C, M, M |
|
7.4 |
1969 |
CD![Color (Technicolor); Aspect: 1.85:1; 35 mm; AUDIO: Mono Color (Technicolor)](icons/rgb.png) |
The Sterile Cuckoo |
Alan J. Pakula, W, W, C, M |
|
7.4 |
1967 |
DHR![Black and White; Aspect: 2.35:1; 35 mm; (anamorphic); AUDIO: Mono Black and White](icons/bw.png) |
Marketa Lazarová |
Frantisek Vlácil, W, W, ++, C, M |
|
7.4 |
1965 |
AdD![Color; Aspect: 2.35:1; 35 mm; CinemaScope; AUDIO: Mono (Westrex Recording System) Color](icons/rgb.png) |
A High Wind in Jamaica |
Alexander Mackendrick, W, W, ++, C, M |
|
7.4 |
1965 |
TD![Color (Technicolor); Aspect: 1.85:1; 35 mm; AUDIO: Mono (Westrex Recording System) Color (Technicolor)](icons/rgb.png) |
Moment to Moment |
Mervyn LeRoy, W, W, C, M |
|
7.4 |
1964 |
CDR![Color (Eastmancolor); 35 mm; AUDIO: Mono Color (Eastmancolor)](icons/rgb.png) |
Marriage Italian Style |
Vittorio De Sica, W, W, ++, C, M «Matrimonio all'italiana» |
|
7.4 |
1955 |
D![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono Black and White](icons/bw.png) |
Death of a Cyclist |
Juan Antonio Bardem, W, W, C, M «Muerte de un ciclista» |
|
7.4 |
1954 |
DHRW![Color (Technicolor); Aspect: 1.66:1; 35 mm; AUDIO: Mono (Western Electric Sound System) Color (Technicolor)](icons/rgb.png) |
Senso |
Luchino Visconti, W, W, ++, C, C |
|
7.4 |
1953 |
DHR![Color (Eastmancolor); Aspect: 1.37:1; 35 mm (Eastman 25T 5248); AUDIO: Mono (Western Electric Recording) Color (Eastmancolor)](icons/rgb.png) |
Gate of Hell |
Teinosuke Kinugasa, W, W, ++, C, M «Jigokumon» |
|
7.4 |
1950 |
CR![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (RCA Sound System) Black and White](icons/bw.png) |
Champagne for Caesar |
Richard Whorf, W, W, C, M |
|
7.4 |
1950 |
D![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono Black and White](icons/bw.png) |
Scandal |
Akira Kurosawa, W, W, C, M «Shûbun» |
|
7.4 |
1947 |
CrDMc![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Variable Density) Black and White](icons/bw.png) |
Quai des Orfèvres |
Henri-Georges Clouzot, W, W, ++, C, M |
|
7.4 |
1947 |
C![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (RCA Sound System) Black and White](icons/bw.png) |
The Farmer's Daughter |
H.C. Potter, W, W, ++, C, M |
|
7.4 |
1946 |
D![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (RCA Photophone System) Black and White](icons/bw.png) |
Shoeshine |
Vittorio De Sica, W, W, ++, C, M «Sciuscià (Ragazzi)» |
|
7.4 |
1946 |
DR![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Recording) Black and White](icons/bw.png) |
To Each His Own |
Mitchell Leisen, W, W, ++, C, M |
|
7.4 |
1944 |
D![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Recording) Black and White](icons/bw.png) |
The Keys of the Kingdom |
John M. Stahl, W, W, ++, C, M |
|
7.4 |
1943 |
AdDF![Color (Technicolor); Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Sound System) Color (Technicolor)](icons/rgb.png) |
Lassie Come Home |
Fred M. Wilcox, W, W, C, C, M |
|
7.4 |
1943 |
CrDR![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono Black and White](icons/bw.png) |
Ossessione |
Luchino Visconti, W, W, ++, C, C, M |
|
7.4 |
1939 |
CrDRT![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Wide Range Sound System) Black and White](icons/bw.png) |
Daybreak |
Marcel Carné, W, W, C, C, C++, M «Le jour se lève» |
|
7.4 |
1933 |
DR![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono Black and White](icons/bw.png) |
Employees' Entrance |
Roy Del Ruth, W, W, C |
|
7.4 |
1932 |
CMlR![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Sound System) Black and White](icons/bw.png) |
The Kid from Spain |
Leo McCarey, W, W, ++, C, M |
|
7.4 |
1930 |
CMl![Color (2-strip Technicolor); Aspect: 1.37:1; AUDIO: Mono (Western Electric Sound System) Color (2-strip Technicolor)](icons/q-rgb.png) |
Whoopee! |
Thornton Freeland, W, W, ++, C, C, C |
|
7.4 |
1929 |
CDRSf![Black and White; Silent](icons/bw.png) |
By Rocket to the Moon |
Fritz Lang, W, W, ++, C, C, C++, M, M «Frau im Mond» |
|
7.4 |
1927 |
CDFR![Black and White; Silent](icons/bw.png) |
The Kid Brother |
Ted Wilde, J.A. Howe, ++, W, W, ++, C, M, M |
|
7.4 |
1925 |
ACDHR![Black and White; Silent](icons/bw.png) |
The Eagle |
Clarence Brown, W, W, ++, C, C, M, M, M |
|
7.4 |
1922 |
AdRF![Black and White; Silent](icons/bw.png) |
Robin Hood |
Allan Dwan, W, ++, C, C, M |