|
7.3 |
2015 |
DR![Color; Color](icons/q-rgb.png) |
Brooklyn |
John Crowley, W, ++, C, M |
|
7.3 |
2015 |
CDW![Color; Aspect: 2.35:1; 35 mm; Digital Intermediate (2K) (master format); Arriflex 435, Panavision Primo Lenses Panavision Panaflex Millennium XL2, Panavision Primo Lenses; AUDIO: Dolby Digital Color](icons/rgb.png) |
Little Boy |
Alejandro Monteverde, W, W, C, M, M |
|
7.3 |
2014 |
Na Maloom Afraad |
Nabeel Qureshi, C, M |
|
7.3 |
2014 |
CDR![Color; Color](icons/q-rgb.png) |
Sam & Amira |
Sean Mullin, W, C, M |
|
7.3 |
2014 |
DR![Color (35 mm version); Aspect: 2.35:1; Red Epic, Cooke S4 Lenses Color (35 mm version)](icons/d-rgb.png) |
The Way He Looks |
Daniel Ribeiro, W, C «Hoje Eu Quero Voltar Sozinho» |
|
7.3 |
2012 |
Eega |
S.S. Rajamouli, J.V.V. Sathyanarayana, W, W, ++, C, M |
|
7.3 |
2007 |
Jab We Met |
Imtiaz Ali, W, C, M, M, M |
|
7.3 |
2007 |
DRSp![Color; Aspect: 1.85:1; 16 mm; Spherical Super 16; Aaton XTR Prod; AUDIO: Mono Color](icons/rgb.png) |
Shelter |
Jonah Markowitz, W, C, M |
|
7.3 |
2007 |
BD![Color; Aspect: 1.85:1; 35 mm (Kodak Vision 500T 5279, Fuji Eterna 250D 8563); Digital Intermediate (2K) (master format) (some scenes) Spherical (source format); Arriflex 435, Zeiss Super Speed, Arri Shift & Tilt and Lensbaby Lenses; AUDIO: DTS, Dolby Digital Color](icons/rgb.png) |
The Diving Bell and the Butterfly |
Julian Schnabel, W, W, C, M «Le scaphandre et le papillon» |
|
7.3 |
2007 |
D![Color; Aspect: 1.85:1; 35 mm (Fuji); Digital Intermediate (source format) Spherical (master format); AUDIO: Dolby Digital EX Color](icons/rgb.png) |
The Edge of Heaven |
Fatih Akin, W, C, M «Auf der anderen Seite» |
|
7.3 |
2006 |
DT![Color; Aspect: 2.35:1; 35 mm (Kodak Vision2 250D 5205, Vision2 500T 5218); Hawk Scope (anamorphic); Arriflex 535B, Hawk C- and V-Series Lenses; AUDIO: Dolby Digital Color](icons/rgb.png) |
The Lives of Others |
Florian Henckel von Donnersmarck, W, C, M, M «Das Leben der Anderen» |
|
7.3 |
2004 |
DR![Color; Aspect: 1.85:1; 35 mm; AUDIO: Dolby Digital Color](icons/rgb.png) |
Head-On |
Fatih Akin, W, C, M, M «Gegen die Wand» |
|
7.3 |
2002 |
RCDMc![Color; Aspect: 1.85:1; 35 mm (Kodak); Panavision Cameras and Lenses; AUDIO: Dolby Digital Color](icons/rgb.png) |
Brown Sugar |
Rick Famuyiwa, W, ++, C, C, M |
|
7.3 |
2000 |
CrDR![Color (Technicolor); Aspect: 1.85:1; 35 mm (Kodak); AUDIO: Dolby Digital Color (Technicolor)](icons/rgb.png) |
Dinner Rush |
Bob Giraldi, W, W, C, M |
|
7.3 |
1999 |
CD![Color (Technicolor); Aspect: 1.85:1; AUDIO: Dolby Color (Technicolor)](icons/q-rgb.png) |
A Room for Romeo Brass |
Shane Meadows, W, W, C, M |
|
7.3 |
1999 |
C![Color; Color](icons/q-rgb.png) |
New Waterford Girl |
Allan Moyle, W, C, M, M, M |
|
7.3 |
1998 |
DR![Color; Aspect: 1.85:1; 35 mm (Kodak); AUDIO: Dolby Digital Color](icons/rgb.png) |
My Name Is Joe |
Ken Loach, W, C, M |
|
7.3 |
1998 |
DW![Color; Aspect: 2.35:1; 35 mm; Super 35; AUDIO: Dolby Digital Color](icons/rgb.png) |
Savior |
Predrag Antonijevic, W, C, M |
|
7.3 |
1997 |
D![Color; Aspect: 1.85:1; 35 mm; AUDIO: Dolby SR Color](icons/rgb.png) |
The Thief |
Pavel Chukhray, W, C, M «Vor» |
|
7.3 |
1996 |
DMR![Color; Aspect: 2.35:1; 35 mm; Super 35; Panavision Cameras and Lenses; AUDIO: Dolby, Dolby Digital Color](icons/rgb.png) |
Lone Star |
John Sayles, W, C, M |
|
7.3 |
1995 |
AdFFan![Color; Aspect: 1.85:1; 35 mm; Panaflex Camera and Lenses by Panavision; AUDIO: DTS, Dolby SR, DTS-Stereo Color](icons/rgb.png) |
Babe |
Chris Noonan, W, W, ++, C, M |
|
7.3 |
1995 |
DW![Color (Metrocolor); Aspect: 1.66:1; 35 mm (Kodak); AUDIO: Dolby Digital Color (Metrocolor)](icons/rgb.png) |
Land and Freedom |
Ken Loach, W, C, M |
|
7.3 |
1994 |
AD![Color; Aspect: 1.85:1; 35 mm (Eastman); Arriflex 35 BL4, Zeiss and Angenieux Lenses Arriflex 35 III, Zeiss and Angenieux Lenses; AUDIO: Mono Color](icons/rgb.png) |
Fist of Legend |
Gordon Chan, W, W, C, M, M «Jing wu ying xiong» |
|
7.3 |
1994 |
CD![Color; Aspect: 1.85:1; 35 mm; AUDIO: Dolby Color](icons/rgb.png) |
The Sum of Us |
Geoff Burton, Kevin Dowling, W, C, M |
|
7.3 |
1993 |
DMcRW![Black and White (some scenes), Color; Aspect: 1.85:1; 35 mm; Arriflex 535; AUDIO: Dolby Black and White (some scenes), Color](icons/rgb-bw.png) |
Farewell My Concubine |
Kaige Chen, W, ++, C, M «Ba wang bie ji» |
|
7.3 |
1993 |
DFFan![Color (Technicolor); Aspect: 1.85:1; 35 mm (Eastman EXR 200T 5293); Panavision Cameras and Lenses; AUDIO: Dolby SR Color (Technicolor)](icons/rgb.png) |
The Secret Garden |
Agnieszka Holland, W, W, C, M |
|
7.3 |
1993 |
D![Color; Aspect: 1.85:1; 35 mm; Panavision Cameras and Lenses; AUDIO: Dolby, Dolby SR Color](icons/rgb.png) |
What's Eating Gilbert Grape |
Lasse Hallström, W, C, M, M |
|
7.3 |
1992 |
AAdRW![Color; Aspect: 2.20:1; 35 mm (Agfa XT 320, Eastman EXR 100T 5248, EXR 500T 5296); Panavision (anamorphic); Panavision Panaflex Platinum, Panavision Primo Lenses; AUDIO: 70 mm 6-Track (70 mm prints), Dolby (35 mm prints) Color](icons/rgb.png) |
The Last of the Mohicans |
Michael Mann, W, W, ++, C, M, M |
|
7.3 |
1990 |
BD![Color (Technicolor); Aspect: 1.85:1; 35 mm; Panaflex Camera and Lenses by Panavision; AUDIO: Dolby Color (Technicolor)](icons/rgb.png) |
Awakenings |
Penny Marshall, W, W, C, M |
|
7.3 |
1990 |
AdDHM![Color (Rankcolor); Aspect: 1.85:1; 35 mm; AUDIO: 70 mm 6-Track (70 mm prints), Dolby (35 mm prints) Color (Rankcolor)](icons/rgb.png) |
Mountains of the Moon |
Bob Rafelson, W, ++, C, M |
|
7.3 |
1990 |
CD![Color; Aspect: 1.85:1; 35 mm (Eastman EXR 500T 5296); AUDIO: Mono Color](icons/rgb.png) |
Trust |
Hal Hartley, W, C, M, M |
|
7.3 |
1987 |
ACrSf![Color; Aspect: 1.85:1; 35 mm; Arriflex 35 BL, Zeiss Super Speed Lenses; AUDIO: Dolby SR (35 mm prints), 70 mm 6-Track (70 mm prints), DTS (special edition) Color](icons/rgb.png) |
RoboCop |
Paul Verhoeven, W, W, C, C, M |
|
7.3 |
1986 |
CCr![Color; Aspect: 1.85:1; 35 mm; Arriflex Cameras and Lenses; AUDIO: Dolby Color](icons/rgb.png) |
Ruthless People |
Jim Abrahams, David Zucker, ++, W, W, C, M |
|
7.3 |
1985 |
ADW![Color; Aspect: 1.85:1; 35 mm; Panaflex Cameras and Lenses by Panavision; AUDIO: Dolby (35 mm prints), 70 mm 6-Track (70 mm prints) Color](icons/rgb.png) |
Ran |
Akira Kurosawa, W, W, ++, C, C, C, M |
|
7.3 |
1984 |
DMW![Color (Metrocolor); Aspect: 1.85:1; 35 mm (Eastman 125T 5247, 400T 5294); Panavision Cameras and Lenses; AUDIO: Dolby Color (Metrocolor)](icons/rgb.png) |
A Soldier's Story |
Norman Jewison, W, C, M |
|
7.3 |
1984 |
D![Color (Technicolor); Aspect: 1.85:1; 35 mm; Panaflex Camera and Lenses by Panavision; AUDIO: Mono Color (Technicolor)](icons/rgb.png) |
Places in the Heart |
Robert Benton, W, C, M |
|
7.3 |
1981 |
BDHW![Black and White (archive footage), Black and White, Color (Eastmancolor); Aspect: 2.35:1; 35 mm (Eastman 100T 5247); Panavision (anamorphic); AUDIO: Dolby Black and White (archive footage), Black and White, Color (Eastmancolor)](icons/rgb-bw.png) |
Lion of the Desert |
Moustapha Akkad, W, W, ++, C, M |
|
7.3 |
1980 |
ACCrMc![Color (Technicolor); Aspect: 1.33:1; 35 mm; Panaflex Camera and Lenses by Panavision; AUDIO: 4-Track Stereo (magnetic prints), Mono (optical prints) Color (Technicolor)](icons/rgb.png) |
The Blues Brothers |
John Landis, W, W, C |
|
7.3 |
1979 |
CR![Color (Technicolor); Aspect: 2.35:1; 35 mm; Panavision (anamorphic); AUDIO: Stereo Color (Technicolor)](icons/rgb.png) |
A Little Romance |
George Roy Hill, W, W, ++, C, M |
|
7.3 |
1978 |
AC![Color; Aspect: 2.35:1; 35 mm; (anamorphic); AUDIO: Mono Color](icons/rgb.png) |
Snake in the Eagle's Shadow |
Woo-ping Yuen, W, W, ++, C, M «Se ying diu sau» |
|
7.3 |
1978 |
CrD![Color (Technicolor); Aspect: 1.85:1; 35 mm; Panavision Cameras and Lenses; AUDIO: Mono Color (Technicolor)](icons/rgb.png) |
Straight Time |
Ulu Grosbard, ++, W, W, ++, C, M |
|
7.3 |
1977 |
CDR![Color (Eastmancolor); Aspect: 1.66:1; 35 mm; Panavision Cameras and Lenses; AUDIO: Mono Color (Eastmancolor)](icons/rgb.png) |
That Obscure Object of Desire |
Luis Buñuel, W, W, ++, C «Cet obscur objet du désir» |
|
7.3 |
1977 |
D![Color; Aspect: 1.37:1; 35 mm; AUDIO: Mono Color](icons/rgb.png) |
The Duellists |
Ridley Scott, W, W, C, M |
|
7.3 |
1976 |
AdFFanMlR![Color (Technicolor); Aspect: 2.35:1; 35 mm; Panavision (anamorphic) (as Panavision®); AUDIO: Mono, 4-Track Stereo Color (Technicolor)](icons/rgb.png) |
The Slipper and the Rose: The Story of Cinderella |
Bryan Forbes, W, W, ++, C, M |
|
7.3 |
1975 |
AdDW![Color (Technicolor); Aspect: 1.85:1; 35 mm; Cameras and Lenses by Panavision (as Cameras and Lenses by Panavision®); AUDIO: Mono Color (Technicolor)](icons/rgb.png) |
Operation: Daybreak |
Lewis Gilbert, W, W, C, M |
|
7.3 |
1975 |
AAd![Color (Technicolor); Aspect: 2.35:1; 35 mm; Panavision (anamorphic) (as Panavision®); AUDIO: 4-Track Stereo Color (Technicolor)](icons/rgb.png) |
The Man Who Would Be King |
John Huston, W, W, ++, C, M |
|
7.3 |
1974 |
AdCDR![Color; Aspect: 1.85:1; 35 mm; AUDIO: Mono (Westrex Recording System) Color](icons/rgb.png) |
Harry and Tonto |
Paul Mazursky, W, W, C, M |
|
7.3 |
1969 |
CWe![Color (Technicolor); Aspect: 1.85:1; 35 mm; AUDIO: Mono Color (Technicolor)](icons/rgb.png) |
Support Your Local Sheriff! |
Burt Kennedy, W, C, M |
|
7.3 |
1968 |
AdMSf![Color; Aspect: 2.35:1; 35 mm; Panavision (anamorphic) (as Panavision®); AUDIO: 4-Track Stereo (Westrex Recording System) Color](icons/rgb.png) |
Planet of the Apes |
Franklin J. Schaffner, W, W, ++, C, M |
|
7.3 |
1968 |
CR![Color (Technicolor); Aspect: 2.35:1; 35 mm; Panavision (filmed in); AUDIO: Mono Color (Technicolor)](icons/rgb.png) |
The Odd Couple |
Gene Saks, W, C, M |
|
7.3 |
1967 |
CrD![Black and White; Aspect: 1.85:1; 35 mm; AUDIO: Mono Black and White](icons/bw.png) |
The Incident |
Larry Peerce, W, C, M, M |
|
7.3 |
1967 |
CSfT![Color (Technicolor); Aspect: 2.35:1; 35 mm; Panavision (anamorphic); AUDIO: Mono Color (Technicolor)](icons/rgb.png) |
The President's Analyst |
Theodore J. Flicker, W, C, M, M |
|
7.3 |
1966 |
CDW![Black and White; Aspect: 1.33:1; 35 mm; AUDIO: Mono Black and White](icons/bw.png) |
Closely Watched Trains |
Jirí Menzel, W, ++, C, M «Ostre sledované vlaky» |
|
7.3 |
1966 |
AD![Black and White; Aspect: 2.35:1; 35 mm; Tohoscope; AUDIO: Mono Black and White](icons/bw.png) |
The Sword of Doom |
Kihachi Okamoto, W, W, C, M «Dai-bosatsu tôge» |
|
7.3 |
1966 |
C![Color; Aspect: 1.85:1; 35 mm; AUDIO: Mono Color](icons/rgb.png) |
The Trouble with Angels |
Ida Lupino, W, W, C, M |
|
7.3 |
1964 |
BDH![Color (Technicolor) (as Technicolor®); Aspect: 2.20:1; 35 mm; Panavision (anamorphic) (as Panavision ®); AUDIO: 70 mm 6-Track (Westrex Recording System), Mono (Westrex Recording System) Color (Technicolor) (as Technicolor®)](icons/rgb.png) |
Becket |
Peter Glenville, W, W, ++, C, M |
|
7.3 |
1964 |
AdDTW![Black and White; Aspect: 1.85:1; 35 mm; AUDIO: Mono (RCA Sound Recording) Black and White](icons/bw.png) |
Fail-Safe |
Sidney Lumet, W, W, ++, C |
|
7.3 |
1964 |
DMlR![Color (Eastmancolor); Aspect: 1.66:1; 35 mm; AUDIO: Dolby SR (restored version) (1992), Mono Color (Eastmancolor)](icons/rgb.png) |
The Umbrellas of Cherbourg |
Jacques Demy, W, C, M «Les parapluies de Cherbourg» |
|
7.3 |
1962 |
D![Black and White; Aspect: 1.78:1; 35 mm; AUDIO: Mono Black and White](icons/bw.png) |
Phaedra |
Jules Dassin, W, W, ++, C, M |
|
7.3 |
1962 |
D![Black and White; Aspect: 1.85:1; 35 mm; AUDIO: Mono Black and White](icons/bw.png) |
The Intruder |
Roger Corman, W, C, M |
|
7.3 |
1962 |
D![Black and White; Aspect: 1.37:1; 35 mm; Mitchell Cameras; AUDIO: Mono Black and White](icons/bw.png) |
Vivre Sa Vie |
Jean-Luc Godard, W, W, ++, C, M «Vivre sa vie: Film en douze tableaux» |
|
7.3 |
1962 |
DHoT![Black and White; Aspect: 1.33:1; 35 mm; AUDIO: Mono (RCA Sound Recording) Black and White](icons/bw.png) |
What Ever Happened to Baby Jane? |
Robert Aldrich, W, W, C, M |
|
7.3 |
1961 |
DSp![Black and White; Aspect: 2.35:1; 35 mm; CinemaScope; AUDIO: Mono (Westrex Recording System) Black and White](icons/bw.png) |
The Hustler |
Robert Rossen, W, W, ++, C, M |
|
7.3 |
1959 |
AdFFan![Color (Technicolor); Aspect: 1.75:1; 35 mm; AUDIO: Mono (RCA Sound Recording) Color (Technicolor)](icons/rgb.png) |
Darby O'Gill and the Little People |
Robert Stevenson, W, W, C, M |
|
7.3 |
1959 |
CR![Color (Eastmancolor); Aspect: 2.35:1; 35 mm; CinemaScope; AUDIO: Mono (Westrex Recording System) Color (Eastmancolor)](icons/rgb.png) |
Pillow Talk |
Michael Gordon, W, W, ++, C, M |
|
7.3 |
1958 |
CrDT![Black and White; Aspect: 1.66:1; 35 mm; AUDIO: Mono (Western Electric Sound System) Black and White](icons/bw.png) |
Elevator to the Gallows |
Louis Malle, W, W, ++, C, M «Ascenseur pour l'échafaud» |
|
7.3 |
1958 |
BDW![Color; Aspect: 2.35:1; 35 mm; CinemaScope; Bausch & Lomb Lenses; AUDIO: 4-Track Stereo (Westrex Recording System) Color](icons/rgb.png) |
The Inn of the Sixth Happiness |
Mark Robson, W, W, C, M |
|
7.3 |
1957 |
DW![Black and White; Aspect: 1.66:1; 35 mm; AUDIO: Mono Black and White](icons/bw.png) |
Paths of Glory |
Stanley Kubrick, W, W, ++, C, M |
|
7.3 |
1956 |
DMcW![Black and White; Aspect: 1.33:1; 35 mm; AUDIO: Mono Black and White](icons/bw.png) |
The Burmese Harp |
Kon Ichikawa, W, W, C, M «Biruma no tategoto» |
|
7.3 |
1955 |
CrDT![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Sound System) Black and White](icons/bw.png) |
Rififi |
Jules Dassin, W, W, ++, C, M «Du rififi chez les hommes» |
|
7.3 |
1954 |
DR![Black and White; Aspect: 1.66:1; 35 mm; AUDIO: Mono (Western Electric Sound System) Black and White](icons/bw.png) |
Executive Suite |
Robert Wise, W, W, C |
|
7.3 |
1954 |
CrD![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Recording) Black and White](icons/bw.png) |
On the Waterfront |
Elia Kazan, W, ++, C, M |
|
7.3 |
1952 |
D![Black and White; Aspect: 1.37:1; 35 mm (DuPont/Gevaert); AUDIO: Mono (RCA Sound System) Black and White](icons/bw.png) |
Umberto D. |
Vittorio De Sica, W, C, M |
|
7.3 |
1951 |
DSfT![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Recording) Black and White](icons/bw.png) |
The Day the Earth Stood Still |
Robert Wise, W, W, C, M |
|
7.3 |
1948 |
CrDT![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Recording) Black and White](icons/bw.png) |
Drunken Angel |
Akira Kurosawa, W, W, C, M «Yoidore tenshi» |
|
7.3 |
1948 |
AAdDWe![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (RCA Sound System) Black and White](icons/bw.png) |
The Treasure of the Sierra Madre |
John Huston, W, W, C, M |
|
7.3 |
1943 |
DR![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono Black and White](icons/bw.png) |
Day of Wrath |
Carl Theodor Dreyer, ++, C, M «Vredens dag» |
|
7.3 |
1943 |
CrDWe![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Recording) Black and White](icons/bw.png) |
The Ox-Bow Incident |
William A. Wellman, W, W, C, M |
|
7.3 |
1939 |
CWe![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Noiseless Recording) Black and White](icons/bw.png) |
Destry Rides Again |
George Marshall, W, W, ++, C, M |
|
7.3 |
1939 |
AdFFanMl![Black and White (Sepiatone), Color (Technicolor); Aspect: 1.37:1; 35 mm; Metroscope (1955 re-release) Spherical; Technicolor Three-Strip Camera; AUDIO: Mono (Western Electric Sound System: The Voice of Action), Dolby Digital (2005 re-issue) Black and White (Sepiatone), Color (Technicolor)](icons/rgb-bw.png) |
The Wizard of Oz |
Victor Fleming, ++, W, W, ++, C |
|
7.3 |
1937 |
DR![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Noiseless Recording) Black and White](icons/bw.png) |
Make Way for Tomorrow |
Leo McCarey, W, W, ++, C, M, M |
|
7.3 |
1937 |
CrDR![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (R.C.A. Photophone) Black and White](icons/bw.png) |
Pépé le Moko |
Julien Duvivier, W, ++, C, C, M, M |
|
7.3 |
1937 |
ADR![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Mirrophonic Recording) Black and White](icons/bw.png) |
The Hurricane |
John Ford, ++, W, W, ++, C, M |
|
7.3 |
1936 |
DR![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Wide Range Noiseless Recording) Black and White](icons/bw.png) |
Dodsworth |
William Wyler, W, W, ++, C, M |
|
7.3 |
1936 |
CD![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Noiseless Recording) Black and White](icons/bw.png) |
Mr. Deeds Goes to Town |
Frank Capra, W, W, C, M |
|
7.3 |
1935 |
AAd![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono Black and White](icons/bw.png) |
Captain Blood |
Michael Curtiz, W, W, C, C, M |
|
7.3 |
1935 |
AdDH![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Sound System) Black and White](icons/bw.png) |
Mutiny on the Bounty |
Frank Lloyd, W, W, ++, C, C, C, M |
|
7.3 |
1935 |
CMlR![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (RCA Victor System) Black and White](icons/bw.png) |
Top Hat |
Mark Sandrich, W, W, ++, C |
|
7.3 |
1933 |
BDHR![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Sound System) Black and White](icons/bw.png) |
Queen Christina |
Rouben Mamoulian, W, W, ++, C, M |
|
7.3 |
1932 |
DR![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Sound System) Black and White](icons/bw.png) |
Red Dust |
[ Victor Fleming ], W, W, ++, C, C |
|
7.3 |
1928 |
DHRW![Black and White; Silent](icons/bw.png) |
The Last Command |
Josef von Sternberg, W, W, ++, C, M |
|
7.3 |
1926 |
DFanHo![Black and White; Silent](icons/bw.png) |
Faust |
F.W. Murnau, W, W, ++, C, M, M, M++ «Faust - Eine deutsche Volkssage» |
|
7.3 |
1919 |
C![Black and White; Silent](icons/bw.png) |
Don't Change Your Husband |
Cecil B. DeMille, W, C |
|
7.2 |
2015 |
Jawani Phir Nahi Ani |
Nadeem Baig, W, C |
|
7.2 |
2014 |
![Color; 35 mm (Kodak) Color](icons/rgb.png) |
Mommy |
Xavier Dolan, W, C, M |
|
7.2 |
2013 |
CD![Color; Aspect: 1.85:1; Arri Alexa; AUDIO: D-Cinema 48kHz 5.1 Color](icons/d-rgb.png) |
Instructions Not Included |
Eugenio Derbez, W, W, ++, C, C, M «No se Aceptan Devoluciones» |
|
7.2 |
2013 |
D![Color; Color](icons/q-rgb.png) |
Short Term 12 |
Destin Cretton, W, C, M |
|
7.2 |
2013 |
CR![Color; Aspect: 1.78:1; Red One Camera Color](icons/q-rgb.png) |
Unicorn City |
Bryan Lefler, W, W, ++, C, M |
|
7.2 |
2012 |
D![Color; Arri Alexa, Zeiss Master Prime Lenses Color](icons/d-rgb.png) |
Still Mine |
Michael McGowan, W, C, M, M, M |
|
7.2 |
2011 |
D![Color; Aspect: 1.85:1; 35 mm (Fuji Eterna 500T 8573, Eterna 400T 8583); Aaton 35 III, Zeiss Lenses Aaton Camera; AUDIO: Dolby SR Color](icons/rgb.png) |
A Separation |
Asghar Farhadi, W, C, M «Jodaeiye Nader az Simin» |
|
7.2 |
2011 |
CD![Color; Aspect: 2.35:1; 35 mm; Digital Intermediate (2K) (master format) Super 35 (source format); AUDIO: Dolby Digital Color](icons/rgb.png) |
Monsieur Lazhar |
Philippe Falardeau, W, C, M |
|
7.2 |
2011 |
BCD![Color; Aspect: 1.85:1; 35 mm (Fuji Eterna Vivid 250D 8546); Digital Intermediate (2K) (master format) Super 35 (3-perf) (source format); Aaton Penelope, Panavision Primo Lenses Arri Alexa, Panavision Primo Lenses (some night scenes) Arriflex 435, Panavision Primo Lenses; AUDIO: Dolby Digital Color](icons/rgb.png) |
The Intouchables |
Olivier Nakache, Eric Toledano, W, W, C, M «Intouchables» |
|
7.2 |
2007 |
Manorama Six Feet Under |
Navdeep Singh, W, W, ++, C, M |
|
7.2 |
2007 |
D![Color; Aspect: 1.85:1; Video (HDTV); HDV; AUDIO: Dolby Digital Color](icons/h-rgb.png) |
The Class |
Ilmar Raag, W, W, ++, C, M, M, M «Klass» |
|
7.2 |
2007 |
D![Color; Aspect: 1.85:1; 35 mm (Kodak); Digital Intermediate (master format) Spherical (source format); AUDIO: Dolby Digital Color](icons/rgb.png) |
XXY |
Lucía Puenzo, W, W, C, M, M |
|
7.2 |
2005 |
HoT![Color; Aspect: 1.78:1 Color](icons/q-rgb.png) |
"Masters of Horror" John Carpenter's Cigarette Burns |
John Carpenter, W, W, ++, C, M |
|
7.2 |
2005 |
AdDF![Color; Aspect: 1.85:1; 35 mm; AUDIO: DTS, Dolby Digital, SDDS Color](icons/rgb.png) |
Duma |
Carroll Ballard, W, W, ++, C, M, M |
|
7.2 |
2005 |
D![Color; Aspect: 2.35:1; 35 mm (Kodak Vision2 500T 5218, Vision 250D 5246); Super 35; Arricam LT, Zeiss Ultra Prime Lenses; AUDIO: Dolby Digital, DTS Color](icons/rgb.png) |
Live and Become |
Radu Mihaileanu, W, W, C, M «Va, vis et deviens» |
|
7.2 |
2005 |
CD![Color; Aspect: 1.85:1; Video (HDTV); HDV; AUDIO: Dolby Digital Color](icons/h-rgb.png) |
Mrs Palfrey at The Claremont |
Dan Ireland, W, W, ++, C, M |
|
7.2 |
2005 |
BCrDH![Black and White (some scenes), Color; Aspect: 1.85:1; 16 mm; AUDIO: Dolby Digital Black and White (some scenes), Color](icons/rgb-bw.png) |
Pierrepoint: The Last Hangman |
Adrian Shergold, W, W, C, M «The Last Hangman» |
|
7.2 |
2004 |
CD![Color; Aspect: 1.85:1; 16 mm; Super 16; AUDIO: Dolby Digital Color](icons/rgb.png) |
King of the Corner |
Peter Riegert, W, W, C, M |
|
7.2 |
2004 |
CD![Color; Aspect: 2.35:1; 35 mm; (anamorphic); AUDIO: Dolby Digital Color](icons/rgb.png) |
Rory O'Shea Was Here |
Damien O'Donnell, W, W, C, M «Inside I'm Dancing» |
|
7.2 |
2004 |
CD![Color; Aspect: 1.78:1; 16 mm (Eastman Kodak); Super 16; Aaton Camera Color](icons/rgb.png) |
Simon |
Eddy Terstall, W, C, M |
|
7.2 |
2003 |
CD![Color (Technicolor); Aspect: 2.35:1; 35 mm; AUDIO: Dolby Digital Color (Technicolor)](icons/rgb.png) |
A Touch of Spice |
Tassos Boulmetis, W, C, M «Politiki kouzina» |
|
7.2 |
2002 |
D![Color; Aspect: 1.85:1; 35 mm (Kodak); AUDIO: Dolby Digital Color](icons/rgb.png) |
The Magdalene Sisters |
Peter Mullan, W, C, M |
|
7.2 |
2000 |
DRSp![Color; Aspect: 1.85:1; 35 mm; AUDIO: Dolby Digital, SDDS, DTS Color](icons/rgb.png) |
Love & Basketball |
Gina Prince-Bythewood, W, C, M |
|
7.2 |
2000 |
CD![Color; Aspect: 1.85:1; 35 mm (Kodak); Panavision Cameras and Lenses; AUDIO: DTS, Dolby Digital, SDDS Color](icons/rgb.png) |
The Dish |
Rob Sitch, W, W, ++, C, M |
|
7.2 |
2000 |
CDR![Color; Aspect: 2.35:1; 35 mm (Fuji Super F-500T 8572); Super 35; Arriflex 535B, Cooke S4 Lenses; AUDIO: Dolby Digital, DTS Color](icons/rgb.png) |
The Taste of Others |
Agnès Jaoui, W, W, C, M «Le goût des autres» |
|
7.2 |
1999 |
DMcW![Color; Aspect: 2.35:1; 35 mm; Panavision (anamorphic); AUDIO: Dolby Digital Color](icons/rgb.png) |
Butterfly |
José Luis Cuerda, W, W, ++, C, M «La lengua de las mariposas» |
|
7.2 |
1999 |
D![Color; Aspect: 1.85:1; 16 mm; AUDIO: Dolby SR Color](icons/rgb.png) |
Not One Less |
Yimou Zhang, W, C, M «Yi ge dou bu neng shao» |
|
7.2 |
1999 |
CDR![Color; Aspect: 1.85:1; 35 mm; AUDIO: Dolby Digital Color](icons/rgb.png) |
The Wood |
Rick Famuyiwa, W, W, ++, C, M |
|
7.2 |
1997 |
CD![Color; Aspect: 1.85:1; 35 mm; AUDIO: Dolby Digital Color](icons/rgb.png) |
Twin Town |
Kevin Allen, W, W, C, M |
|
7.2 |
1996 |
AdDF![Color; Aspect: 1.85:1; 35 mm (Eastman EXR 50D 5245, EXR 100T 5248, EXR 200T 5293, EXR 500T 5298); Panavision Cameras and Lenses; AUDIO: SDDS (8 channels), Dolby Digital Color](icons/rgb.png) |
Fly Away Home |
Carroll Ballard, W, W, ++, C, M |
|
7.2 |
1994 |
DH![Color; Aspect: 1.66:1; 35 mm; AUDIO: Dolby SR Color](icons/rgb.png) |
Burnt by the Sun |
Nikita Mikhalkov, W, ++, C, M «Utomlyonnye solntsem» |
|
7.2 |
1994 |
D![Color; Aspect: 1.85:1; 35 mm (Eastman); Panavision Cameras and Lenses; AUDIO: DTS, DTS-Stereo, Dolby SR Color](icons/rgb.png) |
The War |
Jon Avnet, W, C, M |
|
7.2 |
1993 |
ACrD![Color; Aspect: 1.85:1; 35 mm; Arriflex Cameras; AUDIO: DTS (US version), Dolby Digital (US version), Mono (original release), SDDS (US version) Color](icons/rgb.png) |
Iron Monkey |
Woo-ping Yuen, W, W, ++, C, C, M, M, M «Siu nin Wong Fei Hung ji: Tit Ma Lau» |
|
7.2 |
1993 |
CDR![Color (Technicolor); Aspect: 1.85:1; 35 mm; Ariflex 535 Camera, Zeiss Lenses; AUDIO: Dolby Color (Technicolor)](icons/rgb.png) |
Much Ado About Nothing |
Kenneth Branagh, W, W, C, M |
|
7.2 |
1993 |
BD![Color (Technicolor); Aspect: 2.35:1; 35 mm (Agfa XT 320); Panavision (anamorphic); Lenses and Panaflex Camera by Panavision; AUDIO: Dolby Color (Technicolor)](icons/rgb.png) |
This Boy's Life |
Michael Caton-Jones, W, W, C, M |
|
7.2 |
1992 |
DSp![Color; Aspect: 1.85:1; 35 mm; Panavision Cameras and Lenses; AUDIO: Dolby Color](icons/rgb.png) |
Diggstown |
Michael Ritchie, W, W, C, M |
|
7.2 |
1991 |
DW![Black and White, Color (Pathécolor); Aspect: 2.35:1; 35 mm; Panavision (anamorphic); AUDIO: Dolby SR Black and White, Color (Pathécolor)](icons/rgb-bw.png) |
Europa |
Lars von Trier, W, W, C, C, C, M |
|
7.2 |
1991 |
CDW![Color (Technicolor); AUDIO: Dolby Color (Technicolor)](icons/q-rgb.png) |
Mediterraneo |
Gabriele Salvatores, W, C, M, M |
|
7.2 |
1990 |
CDR![Color; Aspect: 2.35:1; 35 mm; Panavision (anamorphic); AUDIO: Mono Color](icons/rgb.png) |
The Hairdresser's Husband |
Patrice Leconte, W, W, C, M «Le mari de la coiffeuse» |
|
7.2 |
1989 |
ABDHRW![Color (Technicolor); Aspect: 1.85:1; 35 mm; Lenses and Panaflex Cameras by Panavision; AUDIO: Dolby Color (Technicolor)](icons/rgb.png) |
Henry V |
Kenneth Branagh, W, W, C, M |
|
7.2 |
1988 |
CrDR![Black and White; Aspect: 1.33:1; 35 mm; AUDIO: Mono Black and White](icons/bw.png) |
Damnation |
Béla Tarr, W, W, C, M «Kárhozat» |
|
7.2 |
1988 |
DHSp![Color; Aspect: 1.85:1; 35 mm; AUDIO: Mono Color](icons/rgb.png) |
Eight Men Out |
John Sayles, W, W, C, M |
|
7.2 |
1987 |
BDW![Color; Aspect: 1.66:1; 35 mm; AUDIO: Dolby Color](icons/rgb.png) |
Au Revoir Les Enfants |
Louis Malle, W, C «Au revoir les enfants» |
|
7.2 |
1985 |
C![Color (Technicolor); Aspect: 1.85:1; 35 mm; Panaflex Camera and Lenses by Panavision; AUDIO: Dolby Color (Technicolor)](icons/rgb.png) |
Fandango |
Kevin Reynolds, W, C, M |
|
7.2 |
1983 |
CrDT![Color (Astrocolor); Aspect: 1.85:1; 35 mm; Lenses and Panaflex Camera by Panavision; AUDIO: Dolby Color (Astrocolor)](icons/rgb.png) |
Bad Boys |
Rick Rosenthal, W, C, C, M |
|
7.2 |
1982 |
DHMT![Color (Technicolor); Aspect: 1.85:1; 35 mm; Panaflex Camera and Lenses by Panavision; AUDIO: Mono Color (Technicolor)](icons/rgb.png) |
Missing |
Costa-Gavras, W, W, ++, C, M |
|
7.2 |
1981 |
CrDT![Color (Technicolor); Aspect: 1.85:1; 35 mm; Panaflex Camera and Lenses by Panavision; AUDIO: Mono Color (Technicolor)](icons/rgb.png) |
Prince of the City |
Sidney Lumet, W, W, ++, C, M |
|
7.2 |
1980 |
C![Color (Metrocolor); Aspect: 1.85:1; 35 mm; Lenses and Panaflex Camera by Panavision; AUDIO: 4-Track Stereo Color (Metrocolor)](icons/rgb.png) |
Airplane! |
Jim Abrahams, David Zucker, ++, W, W, ++, C, M |
|
7.2 |
1979 |
HoSf![Color; Aspect: 2.20:1; 35 mm (Eastman 100T 5247); Panavision (anamorphic); AUDIO: 70 mm 6-Track (70 mm prints), Dolby (as Dolby Stereo) Color](icons/rgb.png) |
Alien |
Ridley Scott, W, W, ++, C, M |
|
7.2 |
1979 |
CDSp![Color; Aspect: 1.85:1; 35 mm; AUDIO: Mono Color](icons/rgb.png) |
Breaking Away |
Peter Yates, W, C |
|
7.2 |
1979 |
C![Color (Eastmancolor); Aspect: 1.85:1; 35 mm; Arriflex Cameras and Lenses; AUDIO: Dolby Color (Eastmancolor)](icons/rgb.png) |
Life of Brian |
Terry Jones, W, W, ++, C, M |
|
7.2 |
1979 |
BDR![Color (Eastmancolor); Aspect: 1.85:1; 35 mm; Panaflex Camera and Lenses by Panavision; AUDIO: Mono Color (Eastmancolor)](icons/rgb.png) |
My Brilliant Career |
Gillian Armstrong, W, W, C, M |
|
7.2 |
1979 |
CrD![Color (Eastmancolor); Aspect: 1.37:1; 35 mm; AUDIO: Mono Color (Eastmancolor)](icons/rgb.png) |
Scum |
Alan Clarke, W, C |
|
7.2 |
1973 |
CDR![Black and White, Color (Eastmancolor); Aspect: 1.66:1; 35 mm; Panavision (anamorphic); AUDIO: Mono Black and White, Color (Eastmancolor)](icons/rgb-bw.png) |
Day for Night |
François Truffaut, W, W, ++, C, M «La nuit américaine» |
|
7.2 |
1971 |
DW![Color (Eastmancolor) (uncredited); Aspect: 2.35:1; 35 mm; Panavision (anamorphic) (as Panavision®); AUDIO: Mono Color (Eastmancolor) (uncredited)](icons/rgb.png) |
Murphy's War |
Peter Yates, W, W, C |
|
7.2 |
1971 |
AdDW![Color (Eastmancolor); Aspect: 2.35:1; 65 mm; Todd-AO; AUDIO: 70 mm 6-Track (70 mm prints), Mono (35 mm prints) Color (Eastmancolor)](icons/rgb.png) |
The Last Valley |
James Clavell, W, W, C, C, M |
|
7.2 |
1968 |
AdWe![Color (Technicolor); Aspect: 2.35:1; 35 mm (2-perf); Techniscope; AUDIO: Mono Color (Technicolor)](icons/rgb.png) |
Once Upon a Time in the West |
Sergio Leone, W, W, ++, C, M «C'era una volta il West» |
|
7.2 |
1965 |
CDR![Black and White; Aspect: 1.66:1; 35 mm; AUDIO: Mono (RCA) Black and White](icons/bw.png) |
A Thousand Clowns |
Fred Coe, W, C, M |
|
7.2 |
1965 |
We![Color (Technicolor); Aspect: 2.35:1; 35 mm; Techniscope; AUDIO: Mono Color (Technicolor)](icons/rgb.png) |
For a Few Dollars More |
Sergio Leone, W, W, ++, C, M «Per qualche dollaro in più» |
|
7.2 |
1965 |
DT![Black and White; Aspect: 1.85:1; 35 mm; AUDIO: Mono (Westrex Recording System) Black and White](icons/bw.png) |
The Bedford Incident |
James B. Harris, W, W, C, M |
|
7.2 |
1964 |
CrDT![Black and White; Aspect: 1.66:1; 35 mm; AUDIO: Mono Black and White](icons/bw.png) |
Seance on a Wet Afternoon |
Bryan Forbes, W, W, C, M |
|
7.2 |
1964 |
DRT![Black and White; Aspect: 1.85:1; 35 mm; AUDIO: Mono (Westrex Recording System) Black and White](icons/bw.png) |
Seven Days in May |
John Frankenheimer, W, W, ++, C, M |
|
7.2 |
1963 |
D![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (AGA Sound System) Black and White](icons/bw.png) |
The Silence |
Ingmar Bergman, W, C, M «Tystnaden» |
|
7.2 |
1963 |
D![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono Black and White](icons/bw.png) |
Winter Light |
Ingmar Bergman, W, C «Nattvardsgästerna» |
|
7.2 |
1962 |
CD![Black and White; Aspect: 1.85:1; 35 mm; AUDIO: Mono (RCA Sound Recording) Black and White](icons/bw.png) |
Days of Wine and Roses |
Blake Edwards, W, C, M |
|
7.2 |
1960 |
CrDT![Black and White; Aspect: 2.35:1; 35 mm; Tohoscope (anamorphic); AUDIO: Perspecta Stereo (Westrex Recording System) Black and White](icons/bw.png) |
The Bad Sleep Well |
Akira Kurosawa, W, W, ++, C, M «Warui yatsu hodo yoku nemuru» |
|
7.2 |
1959 |
DW![Black and White; Aspect: 2.35:1; 35 mm; Daieiscope; AUDIO: Mono Black and White](icons/bw.png) |
Fires on the Plain |
Kon Ichikawa, W, W, C, C, M «Nobi» |
|
7.2 |
1959 |
AAdCrMT![Color (Technicolor); Aspect: 1.66:1; 35 mm (horizontal); VistaVision; Mitchell VistaVision Cameras; AUDIO: Mono (Westrex Recording System), Dolby SR, Dolby Digital Color (Technicolor)](icons/rgb.png) |
North by Northwest |
Alfred Hitchcock, W, C, M |
|
7.2 |
1959 |
DMlR![Color (Technicolor); Aspect: 2.20:1; 65 mm; Todd-AO; AUDIO: 70 mm 6-Track (70 mm prints), Stereo Color (Technicolor)](icons/rgb.png) |
Porgy and Bess |
Otto Preminger, ++, W, ++, C |
|
7.2 |
1959 |
DR![Black and White; Aspect: 1.66:1; 35 mm; AUDIO: Mono (Westrex Recording System) Black and White](icons/bw.png) |
Room at the Top |
Jack Clayton, W, W, ++, C, M |
|
7.2 |
1958 |
C![Black and White; Aspect: 1.85:1; 35 mm; AUDIO: Mono (RCA Sound Recording) Black and White](icons/bw.png) |
No Time for Sergeants |
Mervyn LeRoy, W, W, ++, C, M |
|
7.2 |
1958 |
DRWe![Color (Technicolor); Aspect: 2.35:1; 35 mm; Technirama; AUDIO: Mono (Westrex Recording System) Color (Technicolor)](icons/rgb.png) |
The Big Country |
William Wyler, W, W, ++, C, M |
|
7.2 |
1957 |
DFR![Color (Technicolor); Aspect: 1.85:1; 35 mm; AUDIO: Mono (RCA Sound Recording) Color (Technicolor)](icons/rgb.png) |
All Mine to Give |
Allen Reisner, W, W, ++, C, M |
|
7.2 |
1957 |
DN![Black and White; Aspect: 1.66:1; 35 mm; AUDIO: Mono (Westrex Recording System) Black and White](icons/bw.png) |
Sweet Smell of Success |
Alexander Mackendrick, W, W, ++, C, M |
|
7.2 |
1955 |
HoMT![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (A.R.T.E.C.) Black and White](icons/bw.png) |
Diabolique |
Henri-Georges Clouzot, W, W, ++, C, M «Les diaboliques» |
|
7.2 |
1954 |
AD![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono, Stereo (re-release prints) Black and White](icons/bw.png) |
Seven Samurai |
Akira Kurosawa, W, W, ++, C, M «Shichinin no samurai» |
|
7.2 |
1953 |
CrNT![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Recording) Black and White](icons/bw.png) |
The Big Heat |
Fritz Lang, W, W, C, M |
|
7.2 |
1952 |
DR![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Dolby (re-release), Mono (RCA Sound System) Black and White](icons/bw.png) |
Othello |
Orson Welles, W, ++, C, C, C++, M, M «The Tragedy of Othello: The Moor of Venice» |
|
7.2 |
1951 |
DW![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Recording) Black and White](icons/bw.png) |
Decision Before Dawn |
Anatole Litvak, W, W, ++, C, M |
|
7.2 |
1951 |
DW![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Sound System) Black and White](icons/bw.png) |
The Red Badge of Courage |
John Huston, W, W, ++, C, M |
|
7.2 |
1950 |
D![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Recording) Black and White](icons/bw.png) |
All About Eve |
Joseph L. Mankiewicz, W, ++, C, M |
|
7.2 |
1950 |
CD![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Recording) Black and White](icons/bw.png) |
Harvey |
Henry Koster, W, ++, C, M |
|
7.2 |
1950 |
CrND![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Sound System) Black and White](icons/bw.png) |
The Asphalt Jungle |
John Huston, W, W, ++, C, M |
|
7.2 |
1949 |
DR![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Recording) Black and White](icons/bw.png) |
A Letter to Three Wives |
Joseph L. Mankiewicz, W, W, ++, C, M |
|
7.2 |
1949 |
CCr![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (RCA Sound System) Black and White](icons/bw.png) |
Kind Hearts and Coronets |
Robert Hamer, W, W, ++, C, M |
|
7.2 |
1949 |
CrDNT![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono Black and White](icons/bw.png) |
Stray Dog |
Akira Kurosawa, W, W, C, M «Nora inu» |
|
7.2 |
1948 |
CrD![Black and White; Aspect: 1.37:1; 35 mm; Arriflex II C; AUDIO: Mono Black and White](icons/bw.png) |
Bicycle Thieves |
Vittorio De Sica, W, W, ++, C, M «Ladri di biciclette» |
|
7.2 |
1948 |
D![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (RCA Sound System) Black and White](icons/bw.png) |
Germany Year Zero |
Roberto Rossellini, W, ++, C, M «Germania, anno zero» |
|
7.2 |
1945 |
DW![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Recording) Black and White](icons/bw.png) |
Rome, Open City |
Roberto Rossellini, W, W, ++, C, M «Roma, città aperta» |
|
7.2 |
1945 |
HoT![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (RCA Sound System) Black and White](icons/bw.png) |
The Body Snatcher |
Robert Wise, W, W, ++, C, M |
|
7.2 |
1944 |
BDHW![Color (Technicolor); Aspect: 1.85:1; 35 mm; SuperScope (1950's cropped widescreen version) Spherical; AUDIO: Mono Color (Technicolor)](icons/rgb.png) |
Henry V |
Laurence Olivier, W, ++, C, C, M «The Chronicle History of King Henry the Fift with His Battell Fought at Agincourt in France» |
|
7.2 |
1944 |
DFSp![Color (Technicolor); Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Sound System) Color (Technicolor)](icons/rgb.png) |
National Velvet |
Clarence Brown, W, W, ++, C, M |
|
7.2 |
1943 |
DRW![Color (Technicolor); Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Microphonic Recording) Color (Technicolor)](icons/rgb.png) |
The Life and Death of Colonel Blimp |
Michael Powell, Emeric Pressburger, W, W, C, M |
|
7.2 |
1942 |
DR![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (RCA Sound System) Black and White](icons/bw.png) |
Now, Voyager |
Irving Rapper, W, W, C, M |
|
7.2 |
1940 |
CCrMT![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (RCA High Fidelity Recording) Black and White](icons/bw.png) |
Charlie Chan at the Wax Museum |
Lynn Shores, W, W, C, M |
|
7.2 |
1940 |
C![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Mirrophonic Recording) Black and White](icons/bw.png) |
The Bank Dick |
Edward F. Cline, W, ++, C, M |
|
7.2 |
1940 |
CrDNM![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (RCA Sound System) Black and White](icons/bw.png) |
The Letter |
William Wyler, W, W, C, M |
|
7.2 |
1940 |
AAdRWe![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Mirrophonic Recording) Black and White](icons/bw.png) |
The Mark of Zorro |
Rouben Mamoulian, W, W, ++, C, M, M, M++ |
|
7.2 |
1940 |
D![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Sound System) Black and White](icons/bw.png) |
The Mortal Storm |
Frank Borzage, W, W, ++, C, C, C, M, M, M |
|
7.2 |
1940 |
CDR![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Sound System) Black and White](icons/bw.png) |
The Shop Around the Corner |
Ernst Lubitsch, W, W, ++, C, M |
|
7.2 |
1939 |
CCrHoMT![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (RCA High Fidelity Recording) Black and White](icons/bw.png) |
Charlie Chan at Treasure Island |
Norman Foster, W, W, C, M |
|
7.2 |
1939 |
DR![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (RCA Victor System) Black and White](icons/bw.png) |
In Name Only |
John Cromwell, W, W, C, M |
|
7.2 |
1939 |
CR![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Sound System) Black and White](icons/bw.png) |
Ninotchka |
Ernst Lubitsch, W, W, ++, C, M |
|
7.2 |
1939 |
D![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono, Mono (Western Electric Mirrophonic Recording) Black and White](icons/bw.png) |
Of Mice and Men |
Lewis Milestone, W, W, C, M |
|
7.2 |
1939 |
CD![Black and White, Color (Technicolor); Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Sound System) Black and White, Color (Technicolor)](icons/rgb-bw.png) |
The Women |
George Cukor, W, W, ++, C, C, M, M |
|
7.2 |
1937 |
CD![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (RCA Victor System) Black and White](icons/bw.png) |
Stage Door |
Gregory La Cava, W, W, ++, C, M |
|
7.2 |
1936 |
CCrM![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Sound System) Black and White](icons/bw.png) |
After the Thin Man |
W.S. Van Dyke, W, W, ++, C, M, M |
|
7.2 |
1934 |
AAd![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Sound System) Black and White](icons/bw.png) |
Tarzan and His Mate |
Cedric Gibbons, ++, W, W, ++, C, C |
|
7.2 |
1929 |
D![Black and White; Silent](icons/bw.png) |
Diary of a Lost Girl |
Georg Wilhelm Pabst, W, W, C, C, M «Tagebuch einer Verlorenen» |
|
7.2 |
1920 |
DR![Black and White; Silent](icons/bw.png) |
Way Down East |
D.W. Griffith, W, W, ++, C, C, C++, M, M |