|
7.3 |
2015 |
DR![Color; Color](icons/q-rgb.png) |
Brooklyn |
John Crowley, W, ++, C, M |
|
7.3 |
2015 |
CDW![Color; Aspect: 2.35:1; 35 mm; Digital Intermediate (2K) (master format); Arriflex 435, Panavision Primo Lenses Panavision Panaflex Millennium XL2, Panavision Primo Lenses; AUDIO: Dolby Digital Color](icons/rgb.png) |
Little Boy |
Alejandro Monteverde, W, W, C, M, M |
|
7.3 |
2014 |
AnSCDFR![Color; Aspect: 2.39:1 Color](icons/q-rgb.png) |
Feast |
Patrick Osborne, W, W, ++ |
|
7.3 |
2014 |
Na Maloom Afraad |
Nabeel Qureshi, C, M |
|
7.3 |
2014 |
CDR![Color; Color](icons/q-rgb.png) |
Sam & Amira |
Sean Mullin, W, C, M |
|
7.3 |
2014 |
DR![Color (35 mm version); Aspect: 2.35:1; Red Epic, Cooke S4 Lenses Color (35 mm version)](icons/d-rgb.png) |
The Way He Looks |
Daniel Ribeiro, W, C «Hoje Eu Quero Voltar Sozinho» |
|
7.3 |
2012 |
Eega |
S.S. Rajamouli, J.V.V. Sathyanarayana, W, W, ++, C, M |
|
7.3 |
2012 |
Do![Color; Canon 5D Mark II Panasonic AG-HPX170 Color](icons/d-rgb.png) |
Side by Side |
Christopher Kenneally, W, C, M, M |
|
7.3 |
2007 |
Jab We Met |
Imtiaz Ali, W, C, M, M, M |
|
7.3 |
2007 |
SD![Color; Color](icons/q-rgb.png) |
Otousan no tabako |
Shohei Shiozaki, W, C, M |
|
7.3 |
2007 |
DRSp![Color; Aspect: 1.85:1; 16 mm; Spherical Super 16; Aaton XTR Prod; AUDIO: Mono Color](icons/rgb.png) |
Shelter |
Jonah Markowitz, W, C, M |
|
7.3 |
2007 |
BD![Color; Aspect: 1.85:1; 35 mm (Kodak Vision 500T 5279, Fuji Eterna 250D 8563); Digital Intermediate (2K) (master format) (some scenes) Spherical (source format); Arriflex 435, Zeiss Super Speed, Arri Shift & Tilt and Lensbaby Lenses; AUDIO: DTS, Dolby Digital Color](icons/rgb.png) |
The Diving Bell and the Butterfly |
Julian Schnabel, W, W, C, M «Le scaphandre et le papillon» |
|
7.3 |
2007 |
D![Color; Aspect: 1.85:1; 35 mm (Fuji); Digital Intermediate (source format) Spherical (master format); AUDIO: Dolby Digital EX Color](icons/rgb.png) |
The Edge of Heaven |
Fatih Akin, W, C, M «Auf der anderen Seite» |
|
7.3 |
2006 |
![TV](icons/tv_icon.png) ![TV](icons/tv_icon.png) Do![Color; AUDIO: Dolby Digital Color](icons/q-rgb.png) |
"When the Levees Broke: A Requiem in Four Acts" |
[ Spike Lee ], C, M TV series 2006- |
|
7.3 |
2006 |
DT![Color; Aspect: 2.35:1; 35 mm (Kodak Vision2 250D 5205, Vision2 500T 5218); Hawk Scope (anamorphic); Arriflex 535B, Hawk C- and V-Series Lenses; AUDIO: Dolby Digital Color](icons/rgb.png) |
The Lives of Others |
Florian Henckel von Donnersmarck, W, C, M, M «Das Leben der Anderen» |
|
7.3 |
2005 |
![TV](icons/tv_icon.png) ![TV](icons/tv_icon.png) AnACD![Color; Aspect: 1.78:1; Digital; AUDIO: Stereo Color](icons/d-rgb.png) |
"The Boondocks" |
[ Seung Eun Kim, Sung-hoon Kim, D++ ], [ W, W, W++ ], M, M, M TV series 2005- |
|
7.3 |
2004 |
![TV](icons/tv_icon.png) ![TV](icons/tv_icon.png) ACrDMT![Color; Aspect: 1.78:1; 35 mm (Kodak Vision 200T 5274, Vision 500T 5279) Video (HD); HDCAM SR (1080p/24) (season 6-) Super 35 (3-perf) (seasons 1-5); Arri Alexa, Cooke S4 and Angenieux Optimo Lenses (Season 9) Arricam LT, Cooke S4 and Angenieux Optimo Lenses Arricam ST, Cooke S4 and Angenieux Optimo Lenses Arriflex 435, Cooke S4 and Angenieux Optimo Lenses Clairmont Cameras and Lenses Sony CineAlta F35, Cooke S4 and Angenieux Optimo Lenses; AUDIO: Dolby Digital Color](icons/rgb.png) |
"CSI: NY" |
[ Rob Bailey, Alex Zakrzewski, D++ ], [ W, W, W++ ], C, C, C++, M TV series 2004-2013 |
|
7.3 |
2004 |
DR![Color; Aspect: 1.85:1; 35 mm; AUDIO: Dolby Digital Color](icons/rgb.png) |
Head-On |
Fatih Akin, W, C, M, M «Gegen die Wand» |
|
7.3 |
2003 |
![TV](icons/tv_icon.png) ![TV](icons/tv_icon.png) CDFan![Color; Aspect: 1.78:1; 35 mm; AUDIO: Dolby Digital Color](icons/rgb.png) |
"Dead Like Me" |
[ David Grossman, James Whitmore Jr., D++ ], [ W, W, W++ ], C, C, M, M TV series 2003-2004 |
|
7.3 |
2003 |
We![Color; Aspect: 1.33:1; AUDIO: Stereo Color](icons/q-rgb.png) |
Monte Walsh |
Simon Wincer, W, W, ++, C, M TV |
|
7.3 |
2003 |
DoSp![Color; Aspect: 1.85:1; 16 mm Video (HDTV); HDCAM (video segments) Super 16 (film segments); AUDIO: Dolby Digital Color](icons/rgb.png) |
Step Into Liquid |
Dana Brown, W, C, M |
|
7.3 |
2002 |
![TV](icons/tv_icon.png) ![TV](icons/tv_icon.png) C![Color; Aspect: 1.33:1; AUDIO: Stereo Color](icons/q-rgb.png) |
"Still Standing" |
[ Andrew D. Weyman, Gerry Cohen, D++ ], [ W, W, W++ ], C, M TV series 2002-2006 |
|
7.3 |
2002 |
RCDMc![Color; Aspect: 1.85:1; 35 mm (Kodak); Panavision Cameras and Lenses; AUDIO: Dolby Digital Color](icons/rgb.png) |
Brown Sugar |
Rick Famuyiwa, W, ++, C, C, M |
|
7.3 |
2002 |
CS |
Terry Tate, Office Linebacker |
Rawson Marshall Thurber, W, C, M |
|
7.3 |
2000 |
![TV](icons/tv_icon.png) ![TV](icons/tv_icon.png) ADMSf![Color; Aspect: 1.33:1; AUDIO: Dolby Color](icons/q-rgb.png) |
"Dark Angel" |
[ Jeff Woolnough, Thomas J. Wright, D++ ], [ W, W, W++ ], C, C, M, M TV series 2000-2002 |
|
7.3 |
2000 |
CrDR![Color (Technicolor); Aspect: 1.85:1; 35 mm (Kodak); AUDIO: Dolby Digital Color (Technicolor)](icons/rgb.png) |
Dinner Rush |
Bob Giraldi, W, W, C, M |
|
7.3 |
2000 |
DoBHMc![Color; Aspect: 1.85:1; AUDIO: Dolby SR Color](icons/q-rgb.png) |
The Filth and the Fury |
Julien Temple |
|
7.3 |
1999 |
![TV](icons/tv_icon.png) ![TV](icons/tv_icon.png) AnAAdFFanSfT![Color; AUDIO: Dolby Color](icons/q-rgb.png) |
"Digimon: Digital Monsters" |
Wendee Lee, Jeff Nimoy, ++, W, M, M, M++ TV series 1999-2003 |
|
7.3 |
1999 |
CD![Color (Technicolor); Aspect: 1.85:1; AUDIO: Dolby Color (Technicolor)](icons/q-rgb.png) |
A Room for Romeo Brass |
Shane Meadows, W, W, C, M |
|
7.3 |
1999 |
C![Color; Color](icons/q-rgb.png) |
New Waterford Girl |
Allan Moyle, W, C, M, M, M |
|
7.3 |
1998 |
![TV](icons/tv_icon.png) ![TV](icons/tv_icon.png) CR![Color; Aspect: 1.33:1; AUDIO: Stereo Color](icons/q-rgb.png) |
"That '70s Show" |
[ David Trainer ], [ W, W, W++ ], C, M, M TV series 1998-2006 |
|
7.3 |
1998 |
DR![Color; Aspect: 1.85:1; 35 mm (Kodak); AUDIO: Dolby Digital Color](icons/rgb.png) |
My Name Is Joe |
Ken Loach, W, C, M |
|
7.3 |
1998 |
DW![Color; Aspect: 2.35:1; 35 mm; Super 35; AUDIO: Dolby Digital Color](icons/rgb.png) |
Savior |
Predrag Antonijevic, W, C, M |
|
7.3 |
1997 |
![TV](icons/tv_icon.png) ![TV](icons/tv_icon.png) AnCD![Color; Aspect: 1.33:1; AUDIO: Dolby Color](icons/q-rgb.png) |
"King of the Hill" |
[ Klay Hall, Tricia Garcia, D++ ], [ W, W, W++ ], C, M, M, M++ TV series 1997-2010 |
|
7.3 |
1997 |
AnCFFanMl![Color; Aspect: 1.33:1; 35 mm; AUDIO: DTS, Dolby Digital Color](icons/rgb.png) |
Cats Don't Dance |
Mark Dindal, W, W, ++, M |
|
7.3 |
1997 |
D![Color; Aspect: 1.85:1; 35 mm; AUDIO: Dolby SR Color](icons/rgb.png) |
The Thief |
Pavel Chukhray, W, C, M «Vor» |
|
7.3 |
1996 |
DMR![Color; Aspect: 2.35:1; 35 mm; Super 35; Panavision Cameras and Lenses; AUDIO: Dolby, Dolby Digital Color](icons/rgb.png) |
Lone Star |
John Sayles, W, C, M |
|
7.3 |
1995 |
![TV](icons/tv_icon.png) ![TV](icons/tv_icon.png) DSf![Color; Aspect: 1.33:1; AUDIO: Dolby Color](icons/q-rgb.png) |
"Space: Above and Beyond" |
[ Thomas J. Wright, Charles Martin Smith, D++ ], [ W, W, W++ ], C, C, M TV series 1995-1996 |
|
7.3 |
1995 |
AdFFan![Color; Aspect: 1.85:1; 35 mm; Panaflex Camera and Lenses by Panavision; AUDIO: DTS, Dolby SR, DTS-Stereo Color](icons/rgb.png) |
Babe |
Chris Noonan, W, W, ++, C, M |
|
7.3 |
1995 |
BCrDHT![Color (DeLuxe), Color; Aspect: 1.33:1; 35 mm; AUDIO: Dolby Color (DeLuxe), Color](icons/rgb.png) |
Citizen X |
Chris Gerolmo, W, W, C, M TV |
|
7.3 |
1995 |
DW![Color (Metrocolor); Aspect: 1.66:1; 35 mm (Kodak); AUDIO: Dolby Digital Color (Metrocolor)](icons/rgb.png) |
Land and Freedom |
Ken Loach, W, C, M |
|
7.3 |
1994 |
![TV](icons/tv_icon.png) ![TV](icons/tv_icon.png) D![Color; Aspect: 1.78:1; Redcode RAW 35 mm; HDCAM SR (1080p/24) (master format) (2000-) Super 35 (also 3-perf) (source format); Red One Camera (final 7 episodes only); AUDIO: Dolby Color](icons/d-rgb.png) |
"ER" |
[ Christopher Chulack, Jonathan Kaplan, D++ ], [ W, W, W++ ], C, C, C++, M, M TV series 1994-2009 |
|
7.3 |
1994 |
AD![Color; Aspect: 1.85:1; 35 mm (Eastman); Arriflex 35 BL4, Zeiss and Angenieux Lenses Arriflex 35 III, Zeiss and Angenieux Lenses; AUDIO: Mono Color](icons/rgb.png) |
Fist of Legend |
Gordon Chan, W, W, C, M, M «Jing wu ying xiong» |
|
7.3 |
1994 |
DoDSp![Color; Aspect: 1.33:1; Video (NTSC); Betacam SP (source format) D1 (master format); AUDIO: Ultra Stereo Color](icons/v-rgb.png) |
Hoop Dreams |
Steve James, W, W, C, M |
|
7.3 |
1994 |
CD![Color; Aspect: 1.85:1; 35 mm; AUDIO: Dolby Color](icons/rgb.png) |
The Sum of Us |
Geoff Burton, Kevin Dowling, W, C, M |
|
7.3 |
1993 |
DMcRW![Black and White (some scenes), Color; Aspect: 1.85:1; 35 mm; Arriflex 535; AUDIO: Dolby Black and White (some scenes), Color](icons/rgb-bw.png) |
Farewell My Concubine |
Kaige Chen, W, ++, C, M «Ba wang bie ji» |
|
7.3 |
1993 |
DFFan![Color (Technicolor); Aspect: 1.85:1; 35 mm (Eastman EXR 200T 5293); Panavision Cameras and Lenses; AUDIO: Dolby SR Color (Technicolor)](icons/rgb.png) |
The Secret Garden |
Agnieszka Holland, W, W, C, M |
|
7.3 |
1993 |
D![Color; Aspect: 1.85:1; 35 mm; Panavision Cameras and Lenses; AUDIO: Dolby, Dolby SR Color](icons/rgb.png) |
What's Eating Gilbert Grape |
Lasse Hallström, W, C, M, M |
|
7.3 |
1992 |
D![Color; Aspect: 1.33:1; 35 mm; AUDIO: Stereo Color](icons/rgb.png) |
Doing Time on Maple Drive |
Ken Olin, W, C, M TV |
|
7.3 |
1992 |
HoMR![Color; Aspect: 1.33:1; Video; Digital Video; AUDIO: Stereo Color](icons/v-rgb.png) |
Ghostwatch |
Lesley Manning, W, M TV |
|
7.3 |
1992 |
AAdRW![Color; Aspect: 2.20:1; 35 mm (Agfa XT 320, Eastman EXR 100T 5248, EXR 500T 5296); Panavision (anamorphic); Panavision Panaflex Platinum, Panavision Primo Lenses; AUDIO: 70 mm 6-Track (70 mm prints), Dolby (35 mm prints) Color](icons/rgb.png) |
The Last of the Mohicans |
Michael Mann, W, W, ++, C, M, M |
|
7.3 |
1990 |
BD![Color (Technicolor); Aspect: 1.85:1; 35 mm; Panaflex Camera and Lenses by Panavision; AUDIO: Dolby Color (Technicolor)](icons/rgb.png) |
Awakenings |
Penny Marshall, W, W, C, M |
|
7.3 |
1990 |
AdDHM![Color (Rankcolor); Aspect: 1.85:1; 35 mm; AUDIO: 70 mm 6-Track (70 mm prints), Dolby (35 mm prints) Color (Rankcolor)](icons/rgb.png) |
Mountains of the Moon |
Bob Rafelson, W, ++, C, M |
|
7.3 |
1990 |
CD![Color; Aspect: 1.85:1; 35 mm (Eastman EXR 500T 5296); AUDIO: Mono Color](icons/rgb.png) |
Trust |
Hal Hartley, W, C, M, M |
|
7.3 |
1989 |
![TV](icons/tv_icon.png) ![TV](icons/tv_icon.png) AnAAdFanSfT![Color; Aspect: 1.78:1 Color](icons/q-rgb.png) |
"Dragon Ball Z" |
[ Daisuke Nishio ], W, W, ++, M, M, M++ TV series 1989-2003 |
|
7.3 |
1989 |
AnSAdCF![Color; Aspect: 1.33:1; AUDIO: Mono Color](icons/q-rgb.png) |
A Grand Day Out |
Nick Park, W, C, M |
|
7.3 |
1988 |
![TV](icons/tv_icon.png) D![Color; Aspect: 1.33:1; 35 mm; AUDIO: Mono Color](icons/rgb.png) |
"The Decalogue" |
[ Krzysztof Kieslowski ], [ W, W ], C, C, M «"Dekalog"» TV mini-series 1988- |
|
7.3 |
1987 |
ACrSf![Color; Aspect: 1.85:1; 35 mm; Arriflex 35 BL, Zeiss Super Speed Lenses; AUDIO: Dolby SR (35 mm prints), 70 mm 6-Track (70 mm prints), DTS (special edition) Color](icons/rgb.png) |
RoboCop |
Paul Verhoeven, W, W, C, C, M |
|
7.3 |
1986 |
AnAAdFFanR![Color; Aspect: 1.85:1; 35 mm; AUDIO: Dolby Color](icons/rgb.png) |
Castle in the Sky |
Hayao Miyazaki, W, C, M «Tenkû no shiro Rapyuta» |
|
7.3 |
1986 |
CCr![Color; Aspect: 1.85:1; 35 mm; Arriflex Cameras and Lenses; AUDIO: Dolby Color](icons/rgb.png) |
Ruthless People |
Jim Abrahams, David Zucker, ++, W, W, C, M |
|
7.3 |
1985 |
ADW![Color; Aspect: 1.85:1; 35 mm; Panaflex Cameras and Lenses by Panavision; AUDIO: Dolby (35 mm prints), 70 mm 6-Track (70 mm prints) Color](icons/rgb.png) |
Ran |
Akira Kurosawa, W, W, ++, C, C, C, M |
|
7.3 |
1984 |
DMW![Color (Metrocolor); Aspect: 1.85:1; 35 mm (Eastman 125T 5247, 400T 5294); Panavision Cameras and Lenses; AUDIO: Dolby Color (Metrocolor)](icons/rgb.png) |
A Soldier's Story |
Norman Jewison, W, C, M |
|
7.3 |
1984 |
D![Color (Technicolor); Aspect: 1.85:1; 35 mm; Panaflex Camera and Lenses by Panavision; AUDIO: Mono Color (Technicolor)](icons/rgb.png) |
Places in the Heart |
Robert Benton, W, C, M |
|
7.3 |
1983 |
AnMcSf![Color; Aspect: 1.85:1; 35 mm; AUDIO: Dolby Color](icons/rgb.png) |
Rock & Rule |
Clive A. Smith, W, W, ++, C, M |
|
7.3 |
1982 |
Do![Color; Aspect: 1.33:1; AUDIO: Mono Color](icons/q-rgb.png) |
Burden of Dreams |
Les Blank, W, C |
|
7.3 |
1981 |
BDHW![Black and White (archive footage), Black and White, Color (Eastmancolor); Aspect: 2.35:1; 35 mm (Eastman 100T 5247); Panavision (anamorphic); AUDIO: Dolby Black and White (archive footage), Black and White, Color (Eastmancolor)](icons/rgb-bw.png) |
Lion of the Desert |
Moustapha Akkad, W, W, ++, C, M |
|
7.3 |
1980 |
ACCrMc![Color (Technicolor); Aspect: 1.33:1; 35 mm; Panaflex Camera and Lenses by Panavision; AUDIO: 4-Track Stereo (magnetic prints), Mono (optical prints) Color (Technicolor)](icons/rgb.png) |
The Blues Brothers |
John Landis, W, W, C |
|
7.3 |
1979 |
CR![Color (Technicolor); Aspect: 2.35:1; 35 mm; Panavision (anamorphic); AUDIO: Stereo Color (Technicolor)](icons/rgb.png) |
A Little Romance |
George Roy Hill, W, W, ++, C, M |
|
7.3 |
1979 |
AnAdFFan![Color; Aspect: 1.85:1; 35 mm; AUDIO: Mono Color](icons/rgb.png) |
Lupin the Third: The Castle of Cagliostro |
Hayao Miyazaki, W, W, ++, C, M «Rupan sansei: Kariosutoro no shiro» |
|
7.3 |
1978 |
AC![Color; Aspect: 2.35:1; 35 mm; (anamorphic); AUDIO: Mono Color](icons/rgb.png) |
Snake in the Eagle's Shadow |
Woo-ping Yuen, W, W, ++, C, M «Se ying diu sau» |
|
7.3 |
1978 |
CrD![Color (Technicolor); Aspect: 1.85:1; 35 mm; Panavision Cameras and Lenses; AUDIO: Mono Color (Technicolor)](icons/rgb.png) |
Straight Time |
Ulu Grosbard, ++, W, W, ++, C, M |
|
7.3 |
1977 |
CDR![Color (Eastmancolor); Aspect: 1.66:1; 35 mm; Panavision Cameras and Lenses; AUDIO: Mono Color (Eastmancolor)](icons/rgb.png) |
That Obscure Object of Desire |
Luis Buñuel, W, W, ++, C «Cet obscur objet du désir» |
|
7.3 |
1977 |
D![Color; Aspect: 1.37:1; 35 mm; AUDIO: Mono Color](icons/rgb.png) |
The Duellists |
Ridley Scott, W, W, C, M |
|
7.3 |
1976 |
AdFFanMlR![Color (Technicolor); Aspect: 2.35:1; 35 mm; Panavision (anamorphic) (as Panavision®); AUDIO: Mono, 4-Track Stereo Color (Technicolor)](icons/rgb.png) |
The Slipper and the Rose: The Story of Cinderella |
Bryan Forbes, W, W, ++, C, M |
|
7.3 |
1975 |
AdDW![Color (Technicolor); Aspect: 1.85:1; 35 mm; Cameras and Lenses by Panavision (as Cameras and Lenses by Panavision®); AUDIO: Mono Color (Technicolor)](icons/rgb.png) |
Operation: Daybreak |
Lewis Gilbert, W, W, C, M |
|
7.3 |
1975 |
AAd![Color (Technicolor); Aspect: 2.35:1; 35 mm; Panavision (anamorphic) (as Panavision®); AUDIO: 4-Track Stereo Color (Technicolor)](icons/rgb.png) |
The Man Who Would Be King |
John Huston, W, W, ++, C, M |
|
7.3 |
1974 |
AdCDR![Color; Aspect: 1.85:1; 35 mm; AUDIO: Mono (Westrex Recording System) Color](icons/rgb.png) |
Harry and Tonto |
Paul Mazursky, W, W, C, M |
|
7.3 |
1969 |
CWe![Color (Technicolor); Aspect: 1.85:1; 35 mm; AUDIO: Mono Color (Technicolor)](icons/rgb.png) |
Support Your Local Sheriff! |
Burt Kennedy, W, C, M |
|
7.3 |
1968 |
AdMSf![Color; Aspect: 2.35:1; 35 mm; Panavision (anamorphic) (as Panavision®); AUDIO: 4-Track Stereo (Westrex Recording System) Color](icons/rgb.png) |
Planet of the Apes |
Franklin J. Schaffner, W, W, ++, C, M |
|
7.3 |
1968 |
CR![Color (Technicolor); Aspect: 2.35:1; 35 mm; Panavision (filmed in); AUDIO: Mono Color (Technicolor)](icons/rgb.png) |
The Odd Couple |
Gene Saks, W, C, M |
|
7.3 |
1967 |
DoMc![Black and White; Aspect: 1.37:1; 16 mm; AUDIO: Mono Black and White](icons/bw.png) |
Dont Look Back |
D.A. Pennebaker, W, C, C, C++ |
|
7.3 |
1967 |
CrD![Black and White; Aspect: 1.85:1; 35 mm; AUDIO: Mono Black and White](icons/bw.png) |
The Incident |
Larry Peerce, W, C, M, M |
|
7.3 |
1967 |
CSfT![Color (Technicolor); Aspect: 2.35:1; 35 mm; Panavision (anamorphic); AUDIO: Mono Color (Technicolor)](icons/rgb.png) |
The President's Analyst |
Theodore J. Flicker, W, C, M, M |
|
7.3 |
1966 |
CDW![Black and White; Aspect: 1.33:1; 35 mm; AUDIO: Mono Black and White](icons/bw.png) |
Closely Watched Trains |
Jirí Menzel, W, ++, C, M «Ostre sledované vlaky» |
|
7.3 |
1966 |
AD![Black and White; Aspect: 2.35:1; 35 mm; Tohoscope; AUDIO: Mono Black and White](icons/bw.png) |
The Sword of Doom |
Kihachi Okamoto, W, W, C, M «Dai-bosatsu tôge» |
|
7.3 |
1966 |
C![Color; Aspect: 1.85:1; 35 mm; AUDIO: Mono Color](icons/rgb.png) |
The Trouble with Angels |
Ida Lupino, W, W, C, M |
|
7.3 |
1964 |
BDH![Color (Technicolor) (as Technicolor®); Aspect: 2.20:1; 35 mm; Panavision (anamorphic) (as Panavision ®); AUDIO: 70 mm 6-Track (Westrex Recording System), Mono (Westrex Recording System) Color (Technicolor) (as Technicolor®)](icons/rgb.png) |
Becket |
Peter Glenville, W, W, ++, C, M |
|
7.3 |
1964 |
AdDTW![Black and White; Aspect: 1.85:1; 35 mm; AUDIO: Mono (RCA Sound Recording) Black and White](icons/bw.png) |
Fail-Safe |
Sidney Lumet, W, W, ++, C |
|
7.3 |
1964 |
DMlR![Color (Eastmancolor); Aspect: 1.66:1; 35 mm; AUDIO: Dolby SR (restored version) (1992), Mono Color (Eastmancolor)](icons/rgb.png) |
The Umbrellas of Cherbourg |
Jacques Demy, W, C, M «Les parapluies de Cherbourg» |
|
7.3 |
1962 |
D![Black and White; Aspect: 1.78:1; 35 mm; AUDIO: Mono Black and White](icons/bw.png) |
Phaedra |
Jules Dassin, W, W, ++, C, M |
|
7.3 |
1962 |
D![Black and White; Aspect: 1.85:1; 35 mm; AUDIO: Mono Black and White](icons/bw.png) |
The Intruder |
Roger Corman, W, C, M |
|
7.3 |
1962 |
D![Black and White; Aspect: 1.37:1; 35 mm; Mitchell Cameras; AUDIO: Mono Black and White](icons/bw.png) |
Vivre Sa Vie |
Jean-Luc Godard, W, W, ++, C, M «Vivre sa vie: Film en douze tableaux» |
|
7.3 |
1962 |
DHoT![Black and White; Aspect: 1.33:1; 35 mm; AUDIO: Mono (RCA Sound Recording) Black and White](icons/bw.png) |
What Ever Happened to Baby Jane? |
Robert Aldrich, W, W, C, M |
|
7.3 |
1961 |
DSp![Black and White; Aspect: 2.35:1; 35 mm; CinemaScope; AUDIO: Mono (Westrex Recording System) Black and White](icons/bw.png) |
The Hustler |
Robert Rossen, W, W, ++, C, M |
|
7.3 |
1959 |
AdFFan![Color (Technicolor); Aspect: 1.75:1; 35 mm; AUDIO: Mono (RCA Sound Recording) Color (Technicolor)](icons/rgb.png) |
Darby O'Gill and the Little People |
Robert Stevenson, W, W, C, M |
|
7.3 |
1959 |
CR![Color (Eastmancolor); Aspect: 2.35:1; 35 mm; CinemaScope; AUDIO: Mono (Westrex Recording System) Color (Eastmancolor)](icons/rgb.png) |
Pillow Talk |
Michael Gordon, W, W, ++, C, M |
|
7.3 |
1958 |
CrDT![Black and White; Aspect: 1.66:1; 35 mm; AUDIO: Mono (Western Electric Sound System) Black and White](icons/bw.png) |
Elevator to the Gallows |
Louis Malle, W, W, ++, C, M «Ascenseur pour l'échafaud» |
|
7.3 |
1958 |
BDW![Color; Aspect: 2.35:1; 35 mm; CinemaScope; Bausch & Lomb Lenses; AUDIO: 4-Track Stereo (Westrex Recording System) Color](icons/rgb.png) |
The Inn of the Sixth Happiness |
Mark Robson, W, W, C, M |
|
7.3 |
1957 |
DW![Black and White; Aspect: 1.66:1; 35 mm; AUDIO: Mono Black and White](icons/bw.png) |
Paths of Glory |
Stanley Kubrick, W, W, ++, C, M |
|
7.3 |
1956 |
DMcW![Black and White; Aspect: 1.33:1; 35 mm; AUDIO: Mono Black and White](icons/bw.png) |
The Burmese Harp |
Kon Ichikawa, W, W, C, M «Biruma no tategoto» |
|
7.3 |
1955 |
CrDT![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Sound System) Black and White](icons/bw.png) |
Rififi |
Jules Dassin, W, W, ++, C, M «Du rififi chez les hommes» |
|
7.3 |
1954 |
DR![Black and White; Aspect: 1.66:1; 35 mm; AUDIO: Mono (Western Electric Sound System) Black and White](icons/bw.png) |
Executive Suite |
Robert Wise, W, W, C |
|
7.3 |
1954 |
CrD![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Recording) Black and White](icons/bw.png) |
On the Waterfront |
Elia Kazan, W, ++, C, M |
|
7.3 |
1952 |
D![Black and White; Aspect: 1.37:1; 35 mm (DuPont/Gevaert); AUDIO: Mono (RCA Sound System) Black and White](icons/bw.png) |
Umberto D. |
Vittorio De Sica, W, C, M |
|
7.3 |
1951 |
DSfT![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Recording) Black and White](icons/bw.png) |
The Day the Earth Stood Still |
Robert Wise, W, W, C, M |
|
7.3 |
1948 |
CrDT![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Recording) Black and White](icons/bw.png) |
Drunken Angel |
Akira Kurosawa, W, W, C, M «Yoidore tenshi» |
|
7.3 |
1948 |
AAdDWe![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (RCA Sound System) Black and White](icons/bw.png) |
The Treasure of the Sierra Madre |
John Huston, W, W, C, M |
|
7.3 |
1946 |
AnFMc![Color (Technicolor); Aspect: 1.37:1; 35 mm; AUDIO: Mono (RCA Sound System) Color (Technicolor)](icons/rgb.png) |
Song of the South |
Harve Foster, Wilfred Jackson, W, W, ++, C, M, M |
|
7.3 |
1943 |
DR![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono Black and White](icons/bw.png) |
Day of Wrath |
Carl Theodor Dreyer, ++, C, M «Vredens dag» |
|
7.3 |
1943 |
CrDWe![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Recording) Black and White](icons/bw.png) |
The Ox-Bow Incident |
William A. Wellman, W, W, C, M |
|
7.3 |
1939 |
CWe![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Noiseless Recording) Black and White](icons/bw.png) |
Destry Rides Again |
George Marshall, W, W, ++, C, M |
|
7.3 |
1939 |
AdFFanMl![Black and White (Sepiatone), Color (Technicolor); Aspect: 1.37:1; 35 mm; Metroscope (1955 re-release) Spherical; Technicolor Three-Strip Camera; AUDIO: Mono (Western Electric Sound System: The Voice of Action), Dolby Digital (2005 re-issue) Black and White (Sepiatone), Color (Technicolor)](icons/rgb-bw.png) |
The Wizard of Oz |
Victor Fleming, ++, W, W, ++, C |
|
7.3 |
1937 |
DR![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Noiseless Recording) Black and White](icons/bw.png) |
Make Way for Tomorrow |
Leo McCarey, W, W, ++, C, M, M |
|
7.3 |
1937 |
CrDR![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (R.C.A. Photophone) Black and White](icons/bw.png) |
Pépé le Moko |
Julien Duvivier, W, ++, C, C, M, M |
|
7.3 |
1937 |
ADR![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Mirrophonic Recording) Black and White](icons/bw.png) |
The Hurricane |
John Ford, ++, W, W, ++, C, M |
|
7.3 |
1936 |
DR![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Wide Range Noiseless Recording) Black and White](icons/bw.png) |
Dodsworth |
William Wyler, W, W, ++, C, M |
|
7.3 |
1936 |
CD![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Noiseless Recording) Black and White](icons/bw.png) |
Mr. Deeds Goes to Town |
Frank Capra, W, W, C, M |
|
7.3 |
1935 |
AAd![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono Black and White](icons/bw.png) |
Captain Blood |
Michael Curtiz, W, W, C, C, M |
|
7.3 |
1935 |
AdDH![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Sound System) Black and White](icons/bw.png) |
Mutiny on the Bounty |
Frank Lloyd, W, W, ++, C, C, C, M |
|
7.3 |
1935 |
CMlR![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (RCA Victor System) Black and White](icons/bw.png) |
Top Hat |
Mark Sandrich, W, W, ++, C |
|
7.3 |
1933 |
BDHR![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Sound System) Black and White](icons/bw.png) |
Queen Christina |
Rouben Mamoulian, W, W, ++, C, M |
|
7.3 |
1932 |
DR![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Sound System) Black and White](icons/bw.png) |
Red Dust |
[ Victor Fleming ], W, W, ++, C, C |
|
7.3 |
1929 |
Do![Black and White; Silent](icons/bw.png) |
Man with a Movie Camera |
Dziga Vertov, W, C, C, M, M, M++ «Chelovek s kino-apparatom» |
|
7.3 |
1928 |
DHRW![Black and White; Silent](icons/bw.png) |
The Last Command |
Josef von Sternberg, W, W, ++, C, M |
|
7.3 |
1926 |
DFanHo![Black and White; Silent](icons/bw.png) |
Faust |
F.W. Murnau, W, W, ++, C, M, M, M++ «Faust - Eine deutsche Volkssage» |
|
7.3 |
1926 |
AnAdFanR![Black and White (tinted and toned); Silent](icons/bw.png) |
The Adventures of Prince Achmed |
Lotte Reiniger, ++, ++, C, M «Die Abenteuer des Prinzen Achmed» |
|
7.3 |
1919 |
C![Black and White; Silent](icons/bw.png) |
Don't Change Your Husband |
Cecil B. DeMille, W, C |
|
7.3 |
1896 |
DoS![Black and White; Silent](icons/bw.png) |
Arrival of a Train at La Ciotat |
Auguste Lumière, Louis Lumière, C «L'arrivée d'un train à La Ciotat» |
|
7.2 |
2015 |
Jawani Phir Nahi Ani |
Nadeem Baig, W, C |
|
7.2 |
2014 |
![Color; 35 mm (Kodak) Color](icons/rgb.png) |
Mommy |
Xavier Dolan, W, C, M |
|
7.2 |
2013 |
![TV](icons/tv_icon.png) ![TV](icons/tv_icon.png) Cr![Color; Color](icons/q-rgb.png) |
"Wentworth" |
[ Kevin Carlin, Tori Garrett, D++ ], [ W, W, W++ ], C, M TV series 2013- |
|
7.2 |
2013 |
CD![Color; Aspect: 1.85:1; Arri Alexa; AUDIO: D-Cinema 48kHz 5.1 Color](icons/d-rgb.png) |
Instructions Not Included |
Eugenio Derbez, W, W, ++, C, C, M «No se Aceptan Devoluciones» |
|
7.2 |
2013 |
D![Color; Color](icons/q-rgb.png) |
Short Term 12 |
Destin Cretton, W, C, M |
|
7.2 |
2013 |
CR![Color; Aspect: 1.78:1; Red One Camera Color](icons/q-rgb.png) |
Unicorn City |
Bryan Lefler, W, W, ++, C, M |
|
7.2 |
2012 |
AnA![Color; Aspect: 1.78:1; Video Color](icons/v-rgb.png) |
Batman: The Dark Knight Returns, Part 1 |
Jay Oliva, W, W, ++, M TV |
|
7.2 |
2012 |
AnSCFR![Black and White, Color; Aspect: 1.85:1; Digital; Digital Intermediate (2K) (master format) Digital (source format); AUDIO: SDDS, Datasat, Dolby Digital Black and White, Color](icons/rgb-bw.png) |
Paperman |
John Kahrs, W, W, M |
|
7.2 |
2012 |
D![Color; Arri Alexa, Zeiss Master Prime Lenses Color](icons/d-rgb.png) |
Still Mine |
Michael McGowan, W, C, M, M, M |
|
7.2 |
2011 |
D![Color; Aspect: 1.85:1; 35 mm (Fuji Eterna 500T 8573, Eterna 400T 8583); Aaton 35 III, Zeiss Lenses Aaton Camera; AUDIO: Dolby SR Color](icons/rgb.png) |
A Separation |
Asghar Farhadi, W, C, M «Jodaeiye Nader az Simin» |
|
7.2 |
2011 |
CD![Color; Aspect: 2.35:1; 35 mm; Digital Intermediate (2K) (master format) Super 35 (source format); AUDIO: Dolby Digital Color](icons/rgb.png) |
Monsieur Lazhar |
Philippe Falardeau, W, C, M |
|
7.2 |
2011 |
BCD![Color; Aspect: 1.85:1; 35 mm (Fuji Eterna Vivid 250D 8546); Digital Intermediate (2K) (master format) Super 35 (3-perf) (source format); Aaton Penelope, Panavision Primo Lenses Arri Alexa, Panavision Primo Lenses (some night scenes) Arriflex 435, Panavision Primo Lenses; AUDIO: Dolby Digital Color](icons/rgb.png) |
The Intouchables |
Olivier Nakache, Eric Toledano, W, W, C, M «Intouchables» |
|
7.2 |
2010 |
![TV](icons/tv_icon.png) ![TV](icons/tv_icon.png) AnAAdDSf![Color; Color](icons/q-rgb.png) |
"Young Justice" |
[ Jay Oliva, Michael Chang ], [ W, W, W++ ], M, M, M TV series 2010- |
|
7.2 |
2010 |
AnACrT![Color; Color](icons/q-rgb.png) |
Batman: Under the Red Hood |
Brandon Vietti, W, W, M TV |
|
7.2 |
2008 |
![TV](icons/tv_icon.png) ![TV](icons/tv_icon.png) C![Color; AUDIO: Stereo Color](icons/q-rgb.png) |
"The Inbetweeners" |
[ Ben Palmer, Gordon Anderson ], [ W, W ], C, C, C TV series 2008-2010 |
|
7.2 |
2007 |
Manorama Six Feet Under |
Navdeep Singh, W, W, ++, C, M |
|
7.2 |
2007 |
DoCrW![Color; Aspect: 1.85:1; Video (HDTV); AUDIO: Dolby Digital Color](icons/h-rgb.png) |
Taxi to the Dark Side |
Alex Gibney, W, C, C, M |
|
7.2 |
2007 |
D![Color; Aspect: 1.85:1; Video (HDTV); HDV; AUDIO: Dolby Digital Color](icons/h-rgb.png) |
The Class |
Ilmar Raag, W, W, ++, C, M, M, M «Klass» |
|
7.2 |
2007 |
D![Color; Aspect: 1.85:1; 35 mm (Kodak); Digital Intermediate (master format) Spherical (source format); AUDIO: Dolby Digital Color](icons/rgb.png) |
XXY |
Lucía Puenzo, W, W, C, M, M |
|
7.2 |
2006 |
AnSFSf![Color; Aspect: 1.85:1; Digital; AUDIO: Dolby Digital Color](icons/d-rgb.png) |
Lifted |
Gary Rydstrom, W, W, ++, M |
|
7.2 |
2005 |
HoT![Color; Aspect: 1.78:1 Color](icons/q-rgb.png) |
"Masters of Horror" John Carpenter's Cigarette Burns |
John Carpenter, W, W, ++, C, M |
|
7.2 |
2005 |
AdDF![Color; Aspect: 1.85:1; 35 mm; AUDIO: DTS, Dolby Digital, SDDS Color](icons/rgb.png) |
Duma |
Carroll Ballard, W, W, ++, C, M, M |
|
7.2 |
2005 |
D![Color; Aspect: 2.35:1; 35 mm (Kodak Vision2 500T 5218, Vision 250D 5246); Super 35; Arricam LT, Zeiss Ultra Prime Lenses; AUDIO: Dolby Digital, DTS Color](icons/rgb.png) |
Live and Become |
Radu Mihaileanu, W, W, C, M «Va, vis et deviens» |
|
7.2 |
2005 |
CD![Color; Aspect: 1.85:1; Video (HDTV); HDV; AUDIO: Dolby Digital Color](icons/h-rgb.png) |
Mrs Palfrey at The Claremont |
Dan Ireland, W, W, ++, C, M |
|
7.2 |
2005 |
BCrDH![Black and White (some scenes), Color; Aspect: 1.85:1; 16 mm; AUDIO: Dolby Digital Black and White (some scenes), Color](icons/rgb-bw.png) |
Pierrepoint: The Last Hangman |
Adrian Shergold, W, W, C, M «The Last Hangman» |
|
7.2 |
2004 |
![TV](icons/tv_icon.png) ![TV](icons/tv_icon.png) CrD![Color; Aspect: 1.78:1; 16 mm; Super 16 Color](icons/rgb.png) |
"Veronica Mars" |
[ John T. Kretchmer, Nick Marck, D++ ], [ W, W, W++ ], C, C, M TV series 2004-2007 |
|
7.2 |
2004 |
CD![Color; Aspect: 1.85:1; 16 mm; Super 16; AUDIO: Dolby Digital Color](icons/rgb.png) |
King of the Corner |
Peter Riegert, W, W, C, M |
|
7.2 |
2004 |
CD![Color; Aspect: 2.35:1; 35 mm; (anamorphic); AUDIO: Dolby Digital Color](icons/rgb.png) |
Rory O'Shea Was Here |
Damien O'Donnell, W, W, C, M «Inside I'm Dancing» |
|
7.2 |
2004 |
CD![Color; Aspect: 1.78:1; 16 mm (Eastman Kodak); Super 16; Aaton Camera Color](icons/rgb.png) |
Simon |
Eddy Terstall, W, C, M |
|
7.2 |
2004 |
DFan![Color; Aspect: 1.33:1; AUDIO: Stereo Color](icons/q-rgb.png) |
The Five People You Meet in Heaven |
Lloyd Kramer, W, C, M TV |
|
7.2 |
2003 |
CD![Color (Technicolor); Aspect: 2.35:1; 35 mm; AUDIO: Dolby Digital Color (Technicolor)](icons/rgb.png) |
A Touch of Spice |
Tassos Boulmetis, W, C, M «Politiki kouzina» |
|
7.2 |
2002 |
D![Color; Aspect: 1.85:1; 35 mm (Kodak); AUDIO: Dolby Digital Color](icons/rgb.png) |
The Magdalene Sisters |
Peter Mullan, W, C, M |
|
7.2 |
2001 |
DoB![Black and White, Color; AUDIO: Stereo Black and White, Color](icons/rgb-bw.png) |
Stanley Kubrick: A Life in Pictures |
Jan Harlan, C |
|
7.2 |
2000 |
DRSp![Color; Aspect: 1.85:1; 35 mm; AUDIO: Dolby Digital, SDDS, DTS Color](icons/rgb.png) |
Love & Basketball |
Gina Prince-Bythewood, W, C, M |
|
7.2 |
2000 |
CD![Color; Aspect: 1.85:1; 35 mm (Kodak); Panavision Cameras and Lenses; AUDIO: DTS, Dolby Digital, SDDS Color](icons/rgb.png) |
The Dish |
Rob Sitch, W, W, ++, C, M |
|
7.2 |
2000 |
CDR![Color; Aspect: 2.35:1; 35 mm (Fuji Super F-500T 8572); Super 35; Arriflex 535B, Cooke S4 Lenses; AUDIO: Dolby Digital, DTS Color](icons/rgb.png) |
The Taste of Others |
Agnès Jaoui, W, W, C, M «Le goût des autres» |
|
7.2 |
1999 |
DMcW![Color; Aspect: 2.35:1; 35 mm; Panavision (anamorphic); AUDIO: Dolby Digital Color](icons/rgb.png) |
Butterfly |
José Luis Cuerda, W, W, ++, C, M «La lengua de las mariposas» |
|
7.2 |
1999 |
DoB![Black and White (archive footage), Color; Aspect: 1.66:1; 35 mm; AUDIO: Dolby SR Black and White (archive footage), Color](icons/rgb-bw.png) |
My Best Fiend - Klaus Kinski |
Werner Herzog, C, M «Mein liebster Feind - Klaus Kinski» |
|
7.2 |
1999 |
D![Color; Aspect: 1.85:1; 16 mm; AUDIO: Dolby SR Color](icons/rgb.png) |
Not One Less |
Yimou Zhang, W, C, M «Yi ge dou bu neng shao» |
|
7.2 |
1999 |
CDR![Color; Aspect: 1.85:1; 35 mm; AUDIO: Dolby Digital Color](icons/rgb.png) |
The Wood |
Rick Famuyiwa, W, W, ++, C, M |
|
7.2 |
1997 |
DHoT![Color; Aspect: 1.33:1; 35 mm; Panavision Cameras and Lenses; AUDIO: Stereo Color](icons/rgb.png) |
Intensity |
Yves Simoneau, W, W, C, M TV |
|
7.2 |
1997 |
AnAdFan![Color; Aspect: 1.85:1; 35 mm; AUDIO: Dolby Digital (English-language version), Dolby Color](icons/rgb.png) |
Princess Mononoke |
Hayao Miyazaki, W, C, M «Mononoke-hime» |
|
7.2 |
1997 |
CD![Color; Aspect: 1.85:1; 35 mm; AUDIO: Dolby Digital Color](icons/rgb.png) |
Twin Town |
Kevin Allen, W, W, C, M |
|
7.2 |
1996 |
AdDF![Color; Aspect: 1.85:1; 35 mm (Eastman EXR 50D 5245, EXR 100T 5248, EXR 200T 5293, EXR 500T 5298); Panavision Cameras and Lenses; AUDIO: SDDS (8 channels), Dolby Digital Color](icons/rgb.png) |
Fly Away Home |
Carroll Ballard, W, W, ++, C, M |
|
7.2 |
1994 |
DH![Color; Aspect: 1.66:1; 35 mm; AUDIO: Dolby SR Color](icons/rgb.png) |
Burnt by the Sun |
Nikita Mikhalkov, W, ++, C, M «Utomlyonnye solntsem» |
|
7.2 |
1994 |
AnMT![Color; Aspect: 1.85:1; 35 mm; AUDIO: Dolby SR Color](icons/rgb.png) |
Felidae |
Michael Schaack, W, W, ++, M |
|
7.2 |
1994 |
D![Color; Aspect: 1.85:1; 35 mm (Eastman); Panavision Cameras and Lenses; AUDIO: DTS, DTS-Stereo, Dolby SR Color](icons/rgb.png) |
The War |
Jon Avnet, W, C, M |
|
7.2 |
1993 |
ACrD![Color; Aspect: 1.85:1; 35 mm; Arriflex Cameras; AUDIO: DTS (US version), Dolby Digital (US version), Mono (original release), SDDS (US version) Color](icons/rgb.png) |
Iron Monkey |
Woo-ping Yuen, W, W, ++, C, C, M, M, M «Siu nin Wong Fei Hung ji: Tit Ma Lau» |
|
7.2 |
1993 |
CDR![Color (Technicolor); Aspect: 1.85:1; 35 mm; Ariflex 535 Camera, Zeiss Lenses; AUDIO: Dolby Color (Technicolor)](icons/rgb.png) |
Much Ado About Nothing |
Kenneth Branagh, W, W, C, M |
|
7.2 |
1993 |
BD![Color (Technicolor); Aspect: 2.35:1; 35 mm (Agfa XT 320); Panavision (anamorphic); Lenses and Panaflex Camera by Panavision; AUDIO: Dolby Color (Technicolor)](icons/rgb.png) |
This Boy's Life |
Michael Caton-Jones, W, W, C, M |
|
7.2 |
1992 |
DSp![Color; Aspect: 1.85:1; 35 mm; Panavision Cameras and Lenses; AUDIO: Dolby Color](icons/rgb.png) |
Diggstown |
Michael Ritchie, W, W, C, M |
|
7.2 |
1991 |
DW![Black and White, Color (Pathécolor); Aspect: 2.35:1; 35 mm; Panavision (anamorphic); AUDIO: Dolby SR Black and White, Color (Pathécolor)](icons/rgb-bw.png) |
Europa |
Lars von Trier, W, W, C, C, C, M |
|
7.2 |
1991 |
CDW![Color (Technicolor); AUDIO: Dolby Color (Technicolor)](icons/q-rgb.png) |
Mediterraneo |
Gabriele Salvatores, W, C, M, M |
|
7.2 |
1991 |
AnDR![Color; Aspect: 1.85:1; 35 mm; AUDIO: Dolby Color](icons/rgb.png) |
Only Yesterday |
Isao Takahata, W, M «Omohide poro poro» |
|
7.2 |
1990 |
CDR![Color; Aspect: 2.35:1; 35 mm; Panavision (anamorphic); AUDIO: Mono Color](icons/rgb.png) |
The Hairdresser's Husband |
Patrice Leconte, W, W, C, M «Le mari de la coiffeuse» |
|
7.2 |
1989 |
ABDHRW![Color (Technicolor); Aspect: 1.85:1; 35 mm; Lenses and Panaflex Cameras by Panavision; AUDIO: Dolby Color (Technicolor)](icons/rgb.png) |
Henry V |
Kenneth Branagh, W, W, C, M |
|
7.2 |
1989 |
AnAdFFan![Color; Aspect: 1.85:1; 35 mm; AUDIO: Dolby Color](icons/rgb.png) |
Kiki's Delivery Service |
Hayao Miyazaki, W, W, C, M «Majo no takkyûbin» |
|
7.2 |
1988 |
CrDR![Black and White; Aspect: 1.33:1; 35 mm; AUDIO: Mono Black and White](icons/bw.png) |
Damnation |
Béla Tarr, W, W, C, M «Kárhozat» |
|
7.2 |
1988 |
DHSp![Color; Aspect: 1.85:1; 35 mm; AUDIO: Mono Color](icons/rgb.png) |
Eight Men Out |
John Sayles, W, W, C, M |
|
7.2 |
1988 |
AnFFan![Color; Aspect: 1.85:1; 35 mm; Spherical (hard-matted); AUDIO: Dolby (Stereo) Color](icons/rgb.png) |
My Neighbor Totoro |
Hayao Miyazaki, W, C, M «Tonari no Totoro» |
|
7.2 |
1987 |
BDW![Color; Aspect: 1.66:1; 35 mm; AUDIO: Dolby Color](icons/rgb.png) |
Au Revoir Les Enfants |
Louis Malle, W, C «Au revoir les enfants» |
|
7.2 |
1985 |
C![Color (Technicolor); Aspect: 1.85:1; 35 mm; Panaflex Camera and Lenses by Panavision; AUDIO: Dolby Color (Technicolor)](icons/rgb.png) |
Fandango |
Kevin Reynolds, W, C, M |
|
7.2 |
1983 |
CrDT![Color (Astrocolor); Aspect: 1.85:1; 35 mm; Lenses and Panaflex Camera by Panavision; AUDIO: Dolby Color (Astrocolor)](icons/rgb.png) |
Bad Boys |
Rick Rosenthal, W, C, C, M |
|
7.2 |
1982 |
DHMT![Color (Technicolor); Aspect: 1.85:1; 35 mm; Panaflex Camera and Lenses by Panavision; AUDIO: Mono Color (Technicolor)](icons/rgb.png) |
Missing |
Costa-Gavras, W, W, ++, C, M |
|
7.2 |
1981 |
CrDT![Color (Technicolor); Aspect: 1.85:1; 35 mm; Panaflex Camera and Lenses by Panavision; AUDIO: Mono Color (Technicolor)](icons/rgb.png) |
Prince of the City |
Sidney Lumet, W, W, ++, C, M |
|
7.2 |
1980 |
C![Color (Metrocolor); Aspect: 1.85:1; 35 mm; Lenses and Panaflex Camera by Panavision; AUDIO: 4-Track Stereo Color (Metrocolor)](icons/rgb.png) |
Airplane! |
Jim Abrahams, David Zucker, ++, W, W, ++, C, M |
|
7.2 |
1979 |
HoSf![Color; Aspect: 2.20:1; 35 mm (Eastman 100T 5247); Panavision (anamorphic); AUDIO: 70 mm 6-Track (70 mm prints), Dolby (as Dolby Stereo) Color](icons/rgb.png) |
Alien |
Ridley Scott, W, W, ++, C, M |
|
7.2 |
1979 |
CDSp![Color; Aspect: 1.85:1; 35 mm; AUDIO: Mono Color](icons/rgb.png) |
Breaking Away |
Peter Yates, W, C |
|
7.2 |
1979 |
C![Color (Eastmancolor); Aspect: 1.85:1; 35 mm; Arriflex Cameras and Lenses; AUDIO: Dolby Color (Eastmancolor)](icons/rgb.png) |
Life of Brian |
Terry Jones, W, W, ++, C, M |
|
7.2 |
1979 |
BDR![Color (Eastmancolor); Aspect: 1.85:1; 35 mm; Panaflex Camera and Lenses by Panavision; AUDIO: Mono Color (Eastmancolor)](icons/rgb.png) |
My Brilliant Career |
Gillian Armstrong, W, W, C, M |
|
7.2 |
1979 |
CrD![Color (Eastmancolor); Aspect: 1.37:1; 35 mm; AUDIO: Mono Color (Eastmancolor)](icons/rgb.png) |
Scum |
Alan Clarke, W, C |
|
7.2 |
1974 |
Sf![Color; Aspect: 1.33:1; 35 mm; AUDIO: Mono Color](icons/rgb.png) |
Where Have All the People Gone |
John Llewellyn Moxey, W, W, ++, C, M TV |
|
7.2 |
1973 |
CDR![Black and White, Color (Eastmancolor); Aspect: 1.66:1; 35 mm; Panavision (anamorphic); AUDIO: Mono Black and White, Color (Eastmancolor)](icons/rgb-bw.png) |
Day for Night |
François Truffaut, W, W, ++, C, M «La nuit américaine» |
|
7.2 |
1971 |
DW![Color (Eastmancolor) (uncredited); Aspect: 2.35:1; 35 mm; Panavision (anamorphic) (as Panavision®); AUDIO: Mono Color (Eastmancolor) (uncredited)](icons/rgb.png) |
Murphy's War |
Peter Yates, W, W, C |
|
7.2 |
1971 |
AdDW![Color (Eastmancolor); Aspect: 2.35:1; 65 mm; Todd-AO; AUDIO: 70 mm 6-Track (70 mm prints), Mono (35 mm prints) Color (Eastmancolor)](icons/rgb.png) |
The Last Valley |
James Clavell, W, W, C, C, M |
|
7.2 |
1968 |
AdWe![Color (Technicolor); Aspect: 2.35:1; 35 mm (2-perf); Techniscope; AUDIO: Mono Color (Technicolor)](icons/rgb.png) |
Once Upon a Time in the West |
Sergio Leone, W, W, ++, C, M «C'era una volta il West» |
|
7.2 |
1965 |
CDR![Black and White; Aspect: 1.66:1; 35 mm; AUDIO: Mono (RCA) Black and White](icons/bw.png) |
A Thousand Clowns |
Fred Coe, W, C, M |
|
7.2 |
1965 |
We![Color (Technicolor); Aspect: 2.35:1; 35 mm; Techniscope; AUDIO: Mono Color (Technicolor)](icons/rgb.png) |
For a Few Dollars More |
Sergio Leone, W, W, ++, C, M «Per qualche dollaro in più» |
|
7.2 |
1965 |
DT![Black and White; Aspect: 1.85:1; 35 mm; AUDIO: Mono (Westrex Recording System) Black and White](icons/bw.png) |
The Bedford Incident |
James B. Harris, W, W, C, M |
|
7.2 |
1964 |
![TV](icons/tv_icon.png) ![TV](icons/tv_icon.png) CFFan![Black and White (1964-1966), Color (1966-1972); AUDIO: Mono Black and White (1964-1966), Color (1966-1972)](icons/rgb-bw.png) |
"Bewitched" |
[ William Asher, Richard Michaels, D++ ], [ W, W, W++ ], C, C, C++, M, M, M TV series 1964-1972 |
|
7.2 |
1964 |
![TV](icons/tv_icon.png) ![TV](icons/tv_icon.png) CF![Black and White (1964-1965), Color (1965-1967); 35 mm; AUDIO: Mono Black and White (1964-1965), Color (1965-1967)](icons/rgb-bw.png) |
"Gilligan's Island" |
[ Jack Arnold, Leslie Goodwins, D++ ], [ W, W, W++ ], C, M, M, M TV series 1964-1967 |
|
7.2 |
1964 |
CrDT![Black and White; Aspect: 1.66:1; 35 mm; AUDIO: Mono Black and White](icons/bw.png) |
Seance on a Wet Afternoon |
Bryan Forbes, W, W, C, M |
|
7.2 |
1964 |
DRT![Black and White; Aspect: 1.85:1; 35 mm; AUDIO: Mono (Westrex Recording System) Black and White](icons/bw.png) |
Seven Days in May |
John Frankenheimer, W, W, ++, C, M |
|
7.2 |
1963 |
D![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (AGA Sound System) Black and White](icons/bw.png) |
The Silence |
Ingmar Bergman, W, C, M «Tystnaden» |
|
7.2 |
1963 |
D![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono Black and White](icons/bw.png) |
Winter Light |
Ingmar Bergman, W, C «Nattvardsgästerna» |
|
7.2 |
1962 |
CD![Black and White; Aspect: 1.85:1; 35 mm; AUDIO: Mono (RCA Sound Recording) Black and White](icons/bw.png) |
Days of Wine and Roses |
Blake Edwards, W, C, M |
|
7.2 |
1962 |
AnCDFFanMl![Color; Aspect: 1.33:1; 35 mm; AUDIO: Mono Color](icons/rgb.png) |
Mister Magoo's Christmas Carol |
Abe Levitow, W, W, M TV |
|
7.2 |
1960 |
CrDT![Black and White; Aspect: 2.35:1; 35 mm; Tohoscope (anamorphic); AUDIO: Perspecta Stereo (Westrex Recording System) Black and White](icons/bw.png) |
The Bad Sleep Well |
Akira Kurosawa, W, W, ++, C, M «Warui yatsu hodo yoku nemuru» |
|
7.2 |
1959 |
DW![Black and White; Aspect: 2.35:1; 35 mm; Daieiscope; AUDIO: Mono Black and White](icons/bw.png) |
Fires on the Plain |
Kon Ichikawa, W, W, C, C, M «Nobi» |
|
7.2 |
1959 |
AAdCrMT![Color (Technicolor); Aspect: 1.66:1; 35 mm (horizontal); VistaVision; Mitchell VistaVision Cameras; AUDIO: Mono (Westrex Recording System), Dolby SR, Dolby Digital Color (Technicolor)](icons/rgb.png) |
North by Northwest |
Alfred Hitchcock, W, C, M |
|
7.2 |
1959 |
DMlR![Color (Technicolor); Aspect: 2.20:1; 65 mm; Todd-AO; AUDIO: 70 mm 6-Track (70 mm prints), Stereo Color (Technicolor)](icons/rgb.png) |
Porgy and Bess |
Otto Preminger, ++, W, ++, C |
|
7.2 |
1959 |
DR![Black and White; Aspect: 1.66:1; 35 mm; AUDIO: Mono (Westrex Recording System) Black and White](icons/bw.png) |
Room at the Top |
Jack Clayton, W, W, ++, C, M |
|
7.2 |
1958 |
C![Black and White; Aspect: 1.85:1; 35 mm; AUDIO: Mono (RCA Sound Recording) Black and White](icons/bw.png) |
No Time for Sergeants |
Mervyn LeRoy, W, W, ++, C, M |
|
7.2 |
1958 |
DRWe![Color (Technicolor); Aspect: 2.35:1; 35 mm; Technirama; AUDIO: Mono (Westrex Recording System) Color (Technicolor)](icons/rgb.png) |
The Big Country |
William Wyler, W, W, ++, C, M |
|
7.2 |
1957 |
DFR![Color (Technicolor); Aspect: 1.85:1; 35 mm; AUDIO: Mono (RCA Sound Recording) Color (Technicolor)](icons/rgb.png) |
All Mine to Give |
Allen Reisner, W, W, ++, C, M |
|
7.2 |
1957 |
DN![Black and White; Aspect: 1.66:1; 35 mm; AUDIO: Mono (Westrex Recording System) Black and White](icons/bw.png) |
Sweet Smell of Success |
Alexander Mackendrick, W, W, ++, C, M |
|
7.2 |
1956 |
FFanS![Color (Technicolor); Aspect: 1.37:1; 35 mm; AUDIO: Mono Color (Technicolor)](icons/rgb.png) |
The Red Balloon |
Albert Lamorisse, W, C, M «Le ballon rouge» |
|
7.2 |
1955 |
HoMT![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (A.R.T.E.C.) Black and White](icons/bw.png) |
Diabolique |
Henri-Georges Clouzot, W, W, ++, C, M «Les diaboliques» |
|
7.2 |
1955 |
AnAdCR![Color (Technicolor); Aspect: 2.55:1; 35 mm; CinemaScope (CinemaScope version) Spherical (spherical version); AUDIO: 4-Track Stereo (RCA Sound Recording) (magnetic prints), Mono (optical prints), Dolby (1986 re-issue print) (as Dolby Stereo) Color (Technicolor)](icons/rgb.png) |
Lady and the Tramp |
Clyde Geronimi, Wilfred Jackson, ++, W, W, ++, M |
|
7.2 |
1954 |
AD![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono, Stereo (re-release prints) Black and White](icons/bw.png) |
Seven Samurai |
Akira Kurosawa, W, W, ++, C, M «Shichinin no samurai» |
|
7.2 |
1953 |
CrNT![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Recording) Black and White](icons/bw.png) |
The Big Heat |
Fritz Lang, W, W, C, M |
|
7.2 |
1952 |
DR![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Dolby (re-release), Mono (RCA Sound System) Black and White](icons/bw.png) |
Othello |
Orson Welles, W, ++, C, C, C++, M, M «The Tragedy of Othello: The Moor of Venice» |
|
7.2 |
1951 |
DW![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Recording) Black and White](icons/bw.png) |
Decision Before Dawn |
Anatole Litvak, W, W, ++, C, M |
|
7.2 |
1951 |
DW![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Sound System) Black and White](icons/bw.png) |
The Red Badge of Courage |
John Huston, W, W, ++, C, M |
|
7.2 |
1950 |
D![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Recording) Black and White](icons/bw.png) |
All About Eve |
Joseph L. Mankiewicz, W, ++, C, M |
|
7.2 |
1950 |
CD![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Recording) Black and White](icons/bw.png) |
Harvey |
Henry Koster, W, ++, C, M |
|
7.2 |
1950 |
CrND![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Sound System) Black and White](icons/bw.png) |
The Asphalt Jungle |
John Huston, W, W, ++, C, M |
|
7.2 |
1949 |
DR![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Recording) Black and White](icons/bw.png) |
A Letter to Three Wives |
Joseph L. Mankiewicz, W, W, ++, C, M |
|
7.2 |
1949 |
CCr![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (RCA Sound System) Black and White](icons/bw.png) |
Kind Hearts and Coronets |
Robert Hamer, W, W, ++, C, M |
|
7.2 |
1949 |
CrDNT![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono Black and White](icons/bw.png) |
Stray Dog |
Akira Kurosawa, W, W, C, M «Nora inu» |
|
7.2 |
1948 |
CrD![Black and White; Aspect: 1.37:1; 35 mm; Arriflex II C; AUDIO: Mono Black and White](icons/bw.png) |
Bicycle Thieves |
Vittorio De Sica, W, W, ++, C, M «Ladri di biciclette» |
|
7.2 |
1948 |
D![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (RCA Sound System) Black and White](icons/bw.png) |
Germany Year Zero |
Roberto Rossellini, W, ++, C, M «Germania, anno zero» |
|
7.2 |
1945 |
DW![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Recording) Black and White](icons/bw.png) |
Rome, Open City |
Roberto Rossellini, W, W, ++, C, M «Roma, città aperta» |
|
7.2 |
1945 |
HoT![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (RCA Sound System) Black and White](icons/bw.png) |
The Body Snatcher |
Robert Wise, W, W, ++, C, M |
|
7.2 |
1944 |
BDHW![Color (Technicolor); Aspect: 1.85:1; 35 mm; SuperScope (1950's cropped widescreen version) Spherical; AUDIO: Mono Color (Technicolor)](icons/rgb.png) |
Henry V |
Laurence Olivier, W, ++, C, C, M «The Chronicle History of King Henry the Fift with His Battell Fought at Agincourt in France» |
|
7.2 |
1944 |
DFSp![Color (Technicolor); Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Sound System) Color (Technicolor)](icons/rgb.png) |
National Velvet |
Clarence Brown, W, W, ++, C, M |
|
7.2 |
1943 |
DRW![Color (Technicolor); Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Microphonic Recording) Color (Technicolor)](icons/rgb.png) |
The Life and Death of Colonel Blimp |
Michael Powell, Emeric Pressburger, W, W, C, M |
|
7.2 |
1942 |
DR![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (RCA Sound System) Black and White](icons/bw.png) |
Now, Voyager |
Irving Rapper, W, W, C, M |
|
7.2 |
1940 |
CCrMT![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (RCA High Fidelity Recording) Black and White](icons/bw.png) |
Charlie Chan at the Wax Museum |
Lynn Shores, W, W, C, M |
|
7.2 |
1940 |
AnAdDFFanMc![Color (Technicolor); Aspect: 1.33:1; 35 mm; AUDIO: Mono (RCA Victor High Fidelity Sound System) Color (Technicolor)](icons/rgb.png) |
Pinocchio |
Norman Ferguson, T. Hee, ++, W, W, ++, M, M |
|
7.2 |
1940 |
C![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Mirrophonic Recording) Black and White](icons/bw.png) |
The Bank Dick |
Edward F. Cline, W, ++, C, M |
|
7.2 |
1940 |
CrDNM![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (RCA Sound System) Black and White](icons/bw.png) |
The Letter |
William Wyler, W, W, C, M |
|
7.2 |
1940 |
AAdRWe![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Mirrophonic Recording) Black and White](icons/bw.png) |
The Mark of Zorro |
Rouben Mamoulian, W, W, ++, C, M, M, M++ |
|
7.2 |
1940 |
D![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Sound System) Black and White](icons/bw.png) |
The Mortal Storm |
Frank Borzage, W, W, ++, C, C, C, M, M, M |
|
7.2 |
1940 |
CDR![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Sound System) Black and White](icons/bw.png) |
The Shop Around the Corner |
Ernst Lubitsch, W, W, ++, C, M |
|
7.2 |
1939 |
CCrHoMT![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (RCA High Fidelity Recording) Black and White](icons/bw.png) |
Charlie Chan at Treasure Island |
Norman Foster, W, W, C, M |
|
7.2 |
1939 |
DR![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (RCA Victor System) Black and White](icons/bw.png) |
In Name Only |
John Cromwell, W, W, C, M |
|
7.2 |
1939 |
CR![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Sound System) Black and White](icons/bw.png) |
Ninotchka |
Ernst Lubitsch, W, W, ++, C, M |
|
7.2 |
1939 |
D![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono, Mono (Western Electric Mirrophonic Recording) Black and White](icons/bw.png) |
Of Mice and Men |
Lewis Milestone, W, W, C, M |
|
7.2 |
1939 |
CD![Black and White, Color (Technicolor); Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Sound System) Black and White, Color (Technicolor)](icons/rgb-bw.png) |
The Women |
George Cukor, W, W, ++, C, C, M, M |
|
7.2 |
1937 |
CD![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (RCA Victor System) Black and White](icons/bw.png) |
Stage Door |
Gregory La Cava, W, W, ++, C, M |
|
7.2 |
1936 |
CCrM![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Sound System) Black and White](icons/bw.png) |
After the Thin Man |
W.S. Van Dyke, W, W, ++, C, M, M |
|
7.2 |
1936 |
CS![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Noiseless Recording) Black and White](icons/bw.png) |
Disorder in the Court |
Jack White, W, C |
|
7.2 |
1934 |
AAd![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Sound System) Black and White](icons/bw.png) |
Tarzan and His Mate |
Cedric Gibbons, ++, W, W, ++, C, C |
|
7.2 |
1929 |
D![Black and White; Silent](icons/bw.png) |
Diary of a Lost Girl |
Georg Wilhelm Pabst, W, W, C, C, M «Tagebuch einer Verlorenen» |
|
7.2 |
1920 |
DR![Black and White; Silent](icons/bw.png) |
Way Down East |
D.W. Griffith, W, W, ++, C, C, C++, M, M |