|
7.3 |
2015 |
Naanum Rowdydhaan |
Vignesh Shivan, W, C, M |
|
7.3 |
2014 |
D![Color; Aspect: 2.39:1; ARRIRAW; (anamorphic); Arri Alexa Studio, Hawk V-Lite Lenses Color](icons/d-rgb.png) |
Before I Disappear |
Shawn Christensen, W, C, M |
|
7.3 |
2014 |
AnDF![Color; Aspect: 1.85:1; Codex Phantom RAW; ARRIRAW (2.8K) (dual-strip 3-D) (source format) Digital Intermediate (2K) (master format); Arri Alexa M, Zeiss Master Prime, Fujinon Premier and Angenieux Optimo Lenses Phantom Flex, Zeiss Master Prime Lenses (high-speed shots) Red Epic, Zeiss Master Prime, Fujinon Premier and Angenieux Optimo Lenses (some scenes); AUDIO: Dolby Digital, Datasat Color](icons/d-rgb.png) |
Stand by Me Doraemon |
Tony Oliver, Ryuichi Yagi, ++, W, W, M |
|
7.3 |
2014 |
CD![Color; Color](icons/q-rgb.png) |
The Road Within |
Gren Wells, W, C, M, M |
|
7.3 |
2014 |
CCrD![Color; Aspect: 1.85:1; Digital Intermediate; Canon C-300; AUDIO: D-Cinema 48kHz 5.1 Color](icons/d-rgb.png) |
Trailer Park Boys: Don't Legalize It |
Mike Clattenburg, W, W, C |
|
7.3 |
2013 |
Do![Color; Color](icons/q-rgb.png) |
The Kingdom of Dreams and Madness |
Mami Sunada, C, M «Yume to kyôki no ohkoku» |
|
7.3 |
2012 |
DR![Color; Aspect: 2.35:1; SxS Pro; Digital Intermediate (2K) (master format) ProRes 4:4:4 (1080/24p) (source format); Arri Alexa, Cooke S4 Lenses Color](icons/d-rgb.png) |
Architecture 101 |
Yong-Joo Lee, W, C, M «Geon-chook-hak-gae-ron» |
|
7.3 |
2012 |
Ee Adutha Kaalath |
Arun Kumar, W, C, M |
|
7.3 |
2012 |
SASfTW![Color; Color](icons/q-rgb.png) |
Ghost Recon: Alpha |
François Alaux, Hervé de Crécy, W, W, ++, C, M |
|
7.3 |
2010 |
DR![Color; Color](icons/q-rgb.png) |
Good Night Good Morning |
Sudhish Kamath, W, W, C |
|
7.3 |
2010 |
DoBFan![Color; Aspect: 1.85:1 Color](icons/q-rgb.png) |
Marwencol |
Jeff Malmberg, C, C, C++, M |
|
7.3 |
2010 |
DoBFHNe![Color; Color](icons/q-rgb.png) |
My Perestroika |
Robin Hessman, C, M |
|
7.3 |
2010 |
CFan![Color; Color](icons/q-rgb.png) |
Skeletons |
Nick Whitfield, W, C, M |
|
7.3 |
2009 |
AnADSf? |
Evangelion: 2.0 You Can (Not) Advance |
Masayuki, Kazuya Tsurumaki, ++, W, M «Evangerion shin gekijôban: Ha» |
|
7.3 |
2009 |
D![Color; Aspect: 2.35:1; 35 mm (Kodak Vision2 250D 5205, Vision2 500T 5218); Digital Intermediate (master format) Super 35 (source format); AUDIO: DTS, Dolby Digital Color](icons/rgb.png) |
Rapt |
Lucas Belvaux, W, C, M |
|
7.3 |
2008 |
BD![Color; Aspect: 2.35:1; 35 mm; Digital Intermediate; AUDIO: Dolby Digital Color](icons/rgb.png) |
Skin |
Anthony Fabian, W, W, ++, C, C, C, M |
|
7.3 |
2007 |
D![Color; Aspect: 1.66:1; 35 mm; AUDIO: Dolby Digital Color](icons/rgb.png) |
Blind Mountain |
Yang Li, W, C «Mang shan» |
|
7.3 |
2006 |
DR![Color; Aspect: 2.35:1; 35 mm; AUDIO: Dolby Digital Color](icons/rgb.png) |
Eternal Summer |
Leste Chen, W, W, C, M «Sheng xia guang nian» |
|
7.3 |
2006 |
CrDM![Color; AUDIO: Stereo Color](icons/q-rgb.png) |
Jesse Stone: Night Passage |
Robert Harmon, W, W, C, M TV |
|
7.3 |
2005 |
CR![Color; 16 mm; AUDIO: Digitrac Digital Audio System Color](icons/rgb.png) |
Love, Ludlow |
Adrienne Weiss, W, C, M, M |
|
7.3 |
2005 |
CD![Color; Color](icons/q-rgb.png) |
The Blossoming of Maximo Oliveros |
Auraeus Solito, W, C, M «Ang pagdadalaga ni Maximo Oliveros» |
|
7.3 |
2005 |
DoSp![Color; Aspect: 1.85:1; Video; Digital Video; AUDIO: Dolby Digital Color](icons/v-rgb.png) |
The Heart of the Game |
Ward Serrill, W, C, M |
|
7.3 |
2005 |
CCrDH![Color; Aspect: 2.35:1; 35 mm; Super 35; AUDIO: Dolby Digital Color](icons/rgb.png) |
The President's Last Bang |
Sang-soo Im, W, C, M «Geuddae geusaramdeul» |
|
7.3 |
2004 |
CDSp![Color; Aspect: 2.35:1; 35 mm; Super 35; AUDIO: Dolby Digital Color](icons/rgb.png) |
Avellaneda's Moon |
Juan José Campanella, W, W, ++, C, M «Luna de Avellaneda» |
|
7.3 |
2003 |
AnSfS![Color; Color](icons/q-rgb.png) |
Beyond |
Kôji Morimoto, W |
|
7.3 |
2001 |
C![Color; Color](icons/q-rgb.png) |
Killer Bud |
Karl T. Hirsch, W, W, C, M |
|
7.3 |
2001 |
SHoM![Color; Aspect: 1.85:1; Arriflex SR II Cinema Products CP-16; AUDIO: Dolby Digital Color](icons/q-rgb.png) |
The Tunnel |
Ramzi Abed, W, W, C, M |
|
7.3 |
2001 |
MlD![Black and White, Color; 35 mm; AUDIO: DTS, Dolby Digital EX Black and White, Color](icons/rgb-bw.png) |
Tosca |
Benoît Jacquot, W, W, ++, C |
|
7.3 |
2000 |
![TV](icons/tv_icon.png) ![TV](icons/tv_icon.png) AnC![Color; Color](icons/q-rgb.png) |
"Sheep in the Big City" |
[ Mo Willems, Tom Warburton, D++ ], [ W, W, W++ ], M TV series 2000- |
|
7.3 |
2000 |
D![Color; AUDIO: Dolby Color](icons/q-rgb.png) |
Dirty Pictures |
Frank Pierson, W, C, M TV |
|
7.3 |
2000 |
D![Color; Color](icons/q-rgb.png) |
They Shoot Movies, Don't They? ...The Making of 'Mirage' |
Frank Gallagher, W, W, C, M, M TV |
|
7.3 |
1999 |
C![Color; Color](icons/q-rgb.png) |
A Wake in Providence |
Rosario Roveto Jr., W, W, ++, C, M |
|
7.3 |
1999 |
CrD![Color; Aspect: 1.33:1; AUDIO: Stereo Color](icons/q-rgb.png) |
Our Guys: Outrage at Glen Ridge |
Guy Ferland, W, W, C, M, M TV |
|
7.3 |
1999 |
CDHR![Color; Color](icons/q-rgb.png) |
Propaganda |
Sinan Çetin, W, W, C, M |
|
7.3 |
1999 |
CrDM![Color; Aspect: 1.33:1; AUDIO: Stereo Color](icons/q-rgb.png) |
Spenser: Small Vices |
Robert Markowitz, W, C, M TV |
|
7.3 |
1999 |
AnDFanSfR![Color; Color](icons/q-rgb.png) |
Tenchi Muyô! In Love 2: Haruka naru omoi |
Hiroshi Negishi, W, W, C, M |
|
7.3 |
1999 |
CD![Color; AUDIO: Dolby Color](icons/q-rgb.png) |
Undercover Angel |
Bryan Michael Stoller, W, C, M |
|
7.3 |
1999 |
CrD![Color; Color](icons/q-rgb.png) |
Witness Protection |
Richard Pearce, W, W, ++, C, M TV |
|
7.3 |
1998 |
TCr![Color; AUDIO: Stereo Color](icons/q-rgb.png) |
Random Encounter |
Douglas Jackson, W, C, M |
|
7.3 |
1998 |
CFan![Color; Aspect: 1.33:1; AUDIO: Stereo Color](icons/q-rgb.png) |
Sabrina Goes to Rome |
Tibor Takács, W, W, ++, C, M TV |
|
7.3 |
1998 |
C![Color; 35 mm; AUDIO: Dolby Color](icons/rgb.png) |
With Friends Like These... |
Philip Frank Messina, W, C, M |
|
7.3 |
1997 |
AnAdFMl![Color; AUDIO: Stereo Color](icons/q-rgb.png) |
The Land Before Time V: The Mysterious Island |
Charles Grosvenor, W, W, ++, M TV |
|
7.3 |
1996 |
![TV](icons/tv_icon.png) D![Color; AUDIO: Stereo Color](icons/q-rgb.png) |
"The Tenant of Wildfell Hall" |
[ Mike Barker ], [ W, W ], C, M TV mini-series 1996- |
|
7.3 |
1995 |
CDHR![Color; Aspect: 1.85:1; 35 mm; AUDIO: Dolby Color](icons/rgb.png) |
Stonewall |
Nigel Finch, W, W, C, M |
|
7.3 |
1993 |
DR![Color; Aspect: 2.35:1; 35 mm; Panavision (anamorphic); AUDIO: Dolby SR Color](icons/rgb.png) |
Germinal |
Claude Berri, W, W, ++, C, M |
|
7.3 |
1993 |
CD![Color; Aspect: 1.85:1; AUDIO: Dolby SR Color](icons/q-rgb.png) |
Yankee Zulu |
Gray Hofmeyr, W, W, ++, C, M, M |
|
7.3 |
1992 |
D![Color; Color](icons/q-rgb.png) |
School's Out |
Kit Hood, W, C, M TV |
|
7.3 |
1990 |
DHoRT![Color; Aspect: 1.85:1; 35 mm; Panaflex Cameras and Lenses by Panavision; AUDIO: Dolby Color](icons/rgb.png) |
Lisa |
Gary Sherman, W, W, C, M |
|
7.3 |
1990 |
CHoMl![Color; AUDIO: Ultra Stereo Color](icons/q-rgb.png) |
Rockula |
Luca Bercovici, W, W, ++, C, M, M |
|
7.3 |
1989 |
ARSfC![Color (Technicolor); Aspect: 1.85:1; 35 mm; AUDIO: Mono Color (Technicolor)](icons/rgb.png) |
Ji dong ji xia |
Clarence Fok Yiu-leung, W, W, C |
|
7.3 |
1988 |
![TV](icons/tv_icon.png) D![Color; AUDIO: Stereo Color](icons/q-rgb.png) |
"A Very British Coup" |
[ Mick Jackson ], [ W, W ], C, M TV mini-series 1988- |
|
7.3 |
1988 |
AnCFHo![Color (Technicolor); Aspect: 1.33:1; 35 mm; AUDIO: Mono Color (Technicolor)](icons/rgb.png) |
Daffy Duck's Quackbusters |
Greg Ford, Friz Freleng, ++, W, W, ++, M, M, M++ |
|
7.3 |
1986 |
A![Color; Aspect: 1.85:1; 35 mm; AUDIO: Mono Color](icons/rgb.png) |
Above the Law |
Corey Yuen, W, W, C, M «Zhi fa xian feng» |
|
7.3 |
1986 |
CA![Color; Aspect: 1.85:1; 35 mm; Arriflex Cameras; AUDIO: Mono Color](icons/rgb.png) |
Peking Opera Blues |
Hark Tsui, W, C, M «Do ma daan» |
|
7.3 |
1986 |
AnSfC![Color; Aspect: 1.37:1; 35 mm; AUDIO: Dolby Color](icons/rgb.png) |
Purojekuto A-ko |
Katsuhiko Nishijima, W, W, ++, C, M, M, M |
|
7.3 |
1982 |
CHo![Color; 35 mm; AUDIO: Mono Color](icons/rgb.png) |
Wacko |
Greydon Clark, W, W, ++, C, M |
|
7.3 |
1979 |
We![Color (Eastmancolor); Aspect: 2.35:1; 35 mm; Panavision (anamorphic); AUDIO: Mono Color (Eastmancolor)](icons/rgb.png) |
Eagle's Wing |
Anthony Harvey, W, W, C, M |
|
7.3 |
1979 |
AC![Color; Aspect: 2.35:1; 35 mm; (anamorphic); AUDIO: Mono Color](icons/rgb.png) |
Magnificent Butcher |
Sammo Hung Kam-Bo, Woo-ping Yuen, W, W, C, M «Lin Shi Rong» |
|
7.3 |
1979 |
C![Color; Aspect: 1.85:1; 35 mm; Panaflex Cameras and Lenses by Panavision; AUDIO: Mono Color](icons/rgb.png) |
Real Life |
Albert Brooks, W, W, ++, C, M |
|
7.3 |
1977 |
![TV](icons/tv_icon.png) ![TV](icons/tv_icon.png) AdSf![Color (Metrocolor); Aspect: 1.33:1; 35 mm; AUDIO: Mono Color (Metrocolor)](icons/rgb.png) |
"Logan's Run" |
[ Paul Krasny, Irving J. Moore ], [ W, W, W++ ], C, M, M, M TV series 1977-1978 |
|
7.3 |
1977 |
AD![Color; Aspect: 2.35:1; 35 mm; Shawscope; AUDIO: Mono Color](icons/rgb.png) |
Executioners from Shaolin |
Chia-Liang Liu, W, C, M «Hong Xi Guan» |
|
7.3 |
1975 |
D![Color (Orwocolor); Aspect: 1.66:1; 35 mm; AUDIO: Mono, Dolby Digital (re-release) Color (Orwocolor)](icons/rgb.png) |
The Promised Land |
Andrzej Wajda, W, W, C, C, C, M «Ziemia obiecana» |
|
7.3 |
1975 |
C![Color (Eastmancolor); Aspect: 1.85:1; 35 mm; AUDIO: Mono Color (Eastmancolor)](icons/rgb.png) |
White Collar Blues |
Luciano Salce, W, W, ++, C, M, M, M «Fantozzi» |
|
7.3 |
1973 |
CrDT![Color; Aspect: 1.33:1; 35 mm; AUDIO: Mono Color](icons/rgb.png) |
Outrage |
Richard T. Heffron, W, C, M TV |
|
7.3 |
1973 |
SfT![Color (Technicolor); Aspect: 1.85:1; 35 mm; AUDIO: Mono Color (Technicolor)](icons/rgb.png) |
The Last Days of Man on Earth |
Robert Fuest, W, W, C, M, M «The Final Programme» |
|
7.3 |
1973 |
ADCr![Color; Aspect: 1.85:1; 35 mm; AUDIO: Mono Color](icons/rgb.png) |
The Spook Who Sat by the Door |
Ivan Dixon, W, W, ++, C, M |
|
7.3 |
1972 |
DHoT![Color (Technicolor); 35 mm; AUDIO: Mono (Westrex Recording System) Color (Technicolor)](icons/rgb.png) |
You'll Like My Mother |
Lamont Johnson, W, W, C, C, M |
|
7.3 |
1971 |
CrTHo![Color (Eastmancolor); 35 mm; AUDIO: Mono Color (Eastmancolor)](icons/rgb.png) |
The Night Visitor |
Laslo Benedek, W, W, C, M |
|
7.3 |
1970 |
CrD![Color (Eastmancolor); Aspect: 1.66:1; 35 mm; AUDIO: Mono Color (Eastmancolor)](icons/rgb.png) |
Borsalino |
Jacques Deray, W, W, ++, C, M |
|
7.3 |
1968 |
AnFanFAAdD![Color (Eastmancolor); Aspect: 2.35:1; 35 mm; Toeiscope; AUDIO: Mono Color (Eastmancolor)](icons/rgb.png) |
Taiyou no ouji Horusu no daibouken |
Isao Takahata, W, C, M |
|
7.3 |
1966 |
DRW![Black and White; Aspect: 2.35:1; 35 mm; Daieiscope; AUDIO: Mono (Westrex Recording System) Black and White](icons/bw.png) |
Red Angel |
Yasuzô Masumura, W, W, C, M «Akai tenshi» |
|
7.3 |
1966 |
AdWe![Color (Technicolor); Aspect: 2.35:1; 35 mm; Techniscope; AUDIO: Mono Color (Technicolor)](icons/rgb.png) |
The Night of the Grizzly |
Joseph Pevney, W, C, C, M |
|
7.3 |
1966 |
AnSF![Color (Technicolor); 35 mm; AUDIO: Mono (RCA Sound Recording) Color (Technicolor)](icons/rgb.png) |
Winnie the Pooh and the Honey Tree |
Wolfgang Reitherman, W, W, ++, M |
|
7.3 |
1965 |
![TV](icons/tv_icon.png) ![TV](icons/tv_icon.png) C![Color; Aspect: 1.33:1; 35 mm; AUDIO: Mono Color](icons/rgb.png) |
"Hank" |
Allen Baron, Leslie H. Martinson, W, W TV series 1965-1966 |
|
7.3 |
1965 |
AD![Black and White; Aspect: 2.35:1; 35 mm; Shochiku Grandscope; AUDIO: Mono Black and White](icons/bw.png) |
Sword of the Beast |
Hideo Gosha, W, W, C, M «Kedamono no ken» |
|
7.3 |
1964 |
DoSB![Black and White; Aspect: 1.33:1; 16 mm; Arriflex 16 ST; AUDIO: Mono Black and White](icons/bw.png) |
Seven Up! |
Paul Almond TV |
|
7.3 |
1963 |
CrDR![Black and White; Aspect: 2.35:1; 35 mm; Dyaliscope; AUDIO: Mono (Westrex Recording System) Black and White](icons/bw.png) |
Any Number Can Win |
Henri Verneuil, W, W, ++, C, M «Mélodie en sous-sol» |
|
7.3 |
1953 |
BDHR![Color (Technicolor); Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Sound System) Color (Technicolor)](icons/rgb.png) |
Young Bess |
George Sidney, W, W, ++, C, M |
|
7.3 |
1951 |
We![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono Black and White](icons/bw.png) |
Little Big Horn |
Charles Marquis Warren, W, W, C, M |
|
7.3 |
1950 |
FAnSC![Color (Technicolor); Aspect: 1.37:1; 35 mm; AUDIO: Mono Color (Technicolor)](icons/rgb.png) |
8 Ball Bunny |
Chuck Jones, W, M |
|
7.3 |
1949 |
FRAnSC![Color (Technicolor); Aspect: 1.37:1; 35 mm; AUDIO: Mono Color (Technicolor)](icons/rgb.png) |
For Scent-imental Reasons |
Chuck Jones, W, M |
|
7.3 |
1949 |
BDRSp![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Sound System) Black and White](icons/bw.png) |
The Stratton Story |
Sam Wood, W, W, ++, C, M |
|
7.3 |
1948 |
FAnSCSf![Color (Technicolor); Aspect: 1.37:1; 35 mm; AUDIO: Mono Color (Technicolor)](icons/rgb.png) |
Haredevil Hare |
Chuck Jones, W, M |
|
7.3 |
1937 |
D![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Sound System) Black and White](icons/bw.png) |
Madame X |
Sam Wood, ++, W, W, C, M |
|
7.3 |
1936 |
CMlF![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Noiseless Recording) Black and White](icons/bw.png) |
Captain January |
David Butler, W, W, ++, C, M |
|
7.3 |
1933 |
AnSMlFC![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Noiseless Recording) Black and White](icons/bw.png) |
Popeye the Sailor |
Dave Fleischer, ++ |
|
7.3 |
1932 |
CS![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Sound System) Black and White](icons/bw.png) |
Any Old Port! |
James W. Horne, W, C |
|
7.3 |
1932 |
DW![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (RCA Photophone) Black and White](icons/bw.png) |
Wooden Crosses |
Raymond Bernard, W, W, ++, C, C «Les croix de bois» |
|
7.3 |
1930 |
CSCrM![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Sound System) (A Victor Recording) Black and White](icons/bw.png) |
The Laurel-Hardy Murder Case |
James Parrott, W, ++, C, C |
|
7.3 |
1929 |
CSF![Black and White; Silent](icons/bw.png) |
Liberty |
Leo McCarey, W, W, C |
|
7.3 |
1928 |
CS![Black and White; Silent](icons/bw.png) |
The Finishing Touch |
Clyde Bruckman, Leo McCarey, W, ++, C |
|
7.3 |
1928 |
SCMc![Black and White; Silent](icons/bw.png) |
You're Darn Tootin' |
Edgar Kennedy, W, C, M |
|
7.3 |
1927 |
SC![Black and White; Silent](icons/bw.png) |
The Battle of the Century |
Clyde Bruckman, W, ++, C |
|
7.3 |
1926 |
C![Black and White; Silent](icons/bw.png) |
Battling Butler |
Buster Keaton, W, W, ++, C, C, M |
|
7.3 |
1925 |
SCHoSf![Black and White; Silent](icons/bw.png) |
Dr. Pyckle and Mr. Pryde |
Scott Pembroke, Joe Rock, W, C |
|
7.3 |
1924 |
DR![Black and White; Silent](icons/bw.png) |
Michael |
Carl Theodor Dreyer, W, W, ++, C, C, M «Mikaël» |
|
7.3 |
1922 |
D![Black and White; Silent](icons/bw.png) |
Der brennende Acker |
F.W. Murnau, W, W, ++, C, C, M |
|
7.3 |
1920 |
CSFWe![Black and White; Silent](icons/bw.png) |
An Eastern Westerner |
Hal Roach, W, W, C, M |
|
7.2 |
2015 |
DoADW![Color; Aspect: 2.35:1 Color](icons/q-rgb.png) |
Cartel Land |
Matthew Heineman, C, C, M, M |
|
7.2 |
2014 |
Do![Color; Color](icons/q-rgb.png) |
And the Oscar Goes To... |
Rob Epstein, Jeffrey Friedman, W, W, ++, C, M TV |
|
7.2 |
2013 |
DT![Color; Color](icons/q-rgb.png) |
Bethlehem |
Yuval Adler, W, W, C, M |
|
7.2 |
2013 |
AnS![Color, Black and White; Color, Black and White](icons/rgb-bw.png) |
Get a Horse! |
Lauren MacMullan, M |
|
7.2 |
2013 |
AnS![Color; Aspect: 1.85:1 Color](icons/q-rgb.png) |
The Blue Umbrella |
Saschka Unseld, M |
|
7.2 |
2012 |
D![Color; Aspect: 2.35:1; 35 mm (Kodak Vision3 250D 5207, Vision3 500T 5219) Codex; Digital Intermediate (2K) (master format) Super 35 (source format); Arri Alexa, Zeiss Master Prime and Angenieux Optimo Lenses Arricam LT, Zeiss Master Prime and Angenieux Optimo Lenses Arriflex 435 Xtreme, Zeiss Master Prime and Angenieux Optimo Lenses; AUDIO: Dolby Digital Color](icons/rgb.png) |
Back to 1942 |
Xiaogang Feng, W, C, M «Yi jiu si er» |
|
7.2 |
2012 |
DT![Color; Color](icons/q-rgb.png) |
Poklosie |
Wladyslaw Pasikowski, W, C |
|
7.2 |
2012 |
D![Color; Aspect: 2.35:1 Color](icons/q-rgb.png) |
The Falls |
Jon Garcia, W, C, M, M |
|
7.2 |
2010 |
![TV](icons/tv_icon.png) ![TV](icons/tv_icon.png) DF![Color; Color](icons/q-rgb.png) |
"Dance Academy" |
[ Ian Watson, Ian Gilmour, D++ ], [ W, W, W++ ], C, M, M, M TV series 2010- |
|
7.2 |
2010 |
SW![Color (HD); Aspect: 2.35:1 Color (HD)](icons/q-rgb.png) |
Porcelain Unicorn |
Keegan Wilcox, W, C, M |
|
7.2 |
2009 |
![TV](icons/tv_icon.png) ![TV](icons/tv_icon.png) T![Color; Color](icons/q-rgb.png) |
"Marble Hornets" |
Troy Wagner, W, W, ++, C, C, C++ TV series 2009- |
|
7.2 |
2009 |
D![Color; AUDIO: Dolby SR Color](icons/q-rgb.png) |
A Boy Called Dad |
Brian Percival, W, C, M, M |
|
7.2 |
2009 |
CR![Color; DV; Panavision Genesis; AUDIO: Mono Color](icons/d-rgb.png) |
My Fake Fiance |
Gil Junger, W, C, M TV |
|
7.2 |
2009 |
D![Color; 35 mm (Fuji Eterna 500T 8573, Eterna 400T 8583) Color](icons/rgb.png) |
The Unloved |
Samantha Morton, W, W, C TV |
|
7.2 |
2008 |
![TV](icons/tv_icon.png) ![TV](icons/tv_icon.png) Do![Color; Aspect: 1.85:1; AUDIO: Stereo Color](icons/q-rgb.png) |
"Departures" |
[ Andre Dupuis ], C, M TV series 2008- |
|
7.2 |
2007 |
DFFan![Color; Aspect: 2.35:1; 35 mm; AUDIO: Dolby Digital Color](icons/rgb.png) |
Christmas Story |
Juha Wuolijoki, W, W, ++, C, M «Joulutarina» |
|
7.2 |
2007 |
AD![Color; Aspect: 2.35:1; 16 mm (Kodak Vision2 50D 7201, Vision2 250D 7205, Vision2 100T 7212, Vision2 200T 7217, Vision2 500T 7218); Super 16; Arriflex 16 SR3 HS, Zeiss Super Speed and Angenieux HR Lenses; AUDIO: Dolby SR Color](icons/rgb.png) |
Fighter |
Natasha Arthy, W, W, ++, C, M |
|
7.2 |
2007 |
D![Color; AUDIO: Dolby Digital Color](icons/q-rgb.png) |
Kings |
Tom Collins, W, W, C, M |
|
7.2 |
2007 |
D![Color; Aspect: 1.85:1; 35 mm; AUDIO: Dolby Digital Color](icons/rgb.png) |
The Valley of Light |
Brent Shields, W, W, C, M TV |
|
7.2 |
2006 |
CrDT![Color; Aspect: 1.85:1 Color](icons/q-rgb.png) |
Angosto |
Jorge Sánchez-Cabezudo, W, C, M «La noche de los girasoles» |
|
7.2 |
2006 |
AnAAdSf![Color; Color](icons/q-rgb.png) |
Ghost in the Shell: Solid State Society |
Kenji Kamiyama, W, W, ++, C, M «Kôkaku kidôtai: Stand Alone Complex Solid State Society» TV |
|
7.2 |
2005 |
DR![Color; Aspect: 1.85:1; 35 mm; AUDIO: Dolby SR Color](icons/rgb.png) |
April Snow |
Jin-ho Hur, W, W, ++, C, M «Oechul» |
|
7.2 |
2005 |
F![Color; 35 mm Color](icons/rgb.png) |
Come Away Home |
Doug McKeon, W, W, ++, C, M |
|
7.2 |
2004 |
![TV](icons/tv_icon.png) ![TV](icons/tv_icon.png) CR![Color; Color](icons/q-rgb.png) |
"Full House" |
Min-soo Pyo «"Pool ha-woo-seu"» TV series 2004- |
|
7.2 |
2004 |
![TV](icons/tv_icon.png) ![TV](icons/tv_icon.png) AnDSf![Color; Color](icons/q-rgb.png) |
"The Count of Monte Cristo" |
Mahiro Maeda, W, W, ++, M «"Gankutsu-ô"» TV series 2004- |
|
7.2 |
2004 |
Aitraaz |
Abbas Alibhai Burmawalla, Mastan Alibhai Burmawalla, W, ++, C, M, M, M |
|
7.2 |
2004 |
D![Color; Aspect: 2.35:1; 35 mm (Kodak); Panavision (anamorphic); Panavision Cameras and Lenses; AUDIO: Dolby Digital Color](icons/rgb.png) |
Red Dust |
Tom Hooper, W, W, C, M |
|
7.2 |
2003 |
![Color; Aspect: 1.33:1; Live; AUDIO: Stereo Color](icons/v-rgb.png) |
The 75th Annual Academy Awards |
Louis J. Horvitz, Penelope Spheeris, W, W, ++ TV |
|
7.2 |
2002 |
![TV](icons/tv_icon.png) ![TV](icons/tv_icon.png) AnCF![Color; Aspect: 1.78:1; AUDIO: Dolby Digital Color](icons/q-rgb.png) |
"Mr. Bean: The Animated Series" |
[ Alexei Alexeev, Richard Purdum, Miklós Varga ], [ W, W, W++ ], M TV series 2002- |
|
7.2 |
2002 |
![TV](icons/tv_icon.png) ![TV](icons/tv_icon.png) AAdFanHoAn![Color; Color](icons/q-rgb.png) |
"Witch Hunter Robin" |
[ Masato Miyoshi, Shuko Murase, Yoshiyuki Takei ], [ W, W, W++ ], C, C, M TV series 2002-2003 |
|
7.2 |
2002 |
CD![Color; 16 mm; Super 16; AUDIO: Dolby Color](icons/rgb.png) |
The Flats |
Kelly Requa, Tyler Requa, W, W, C, M |
|
7.2 |
2001 |
![TV](icons/tv_icon.png) DW![Color; Color](icons/q-rgb.png) |
"Changi" |
[ Kate Woods ], W, C, M TV mini-series 2001- |
|
7.2 |
2001 |
CRD![Color; Aspect: 2.35:1; 35 mm; AUDIO: Dolby Color](icons/rgb.png) |
Possible Loves |
Sandra Werneck, W, W, C, M «Amores Possíveis» |
|
7.2 |
2000 |
![TV](icons/tv_icon.png) DH![Color; Aspect: 1.66:1; AUDIO: Stereo Color](icons/q-rgb.png) |
"Les Misérables" |
[ Josée Dayan ], [ W, W ], C, M «"Les misérables"» TV mini-series 2000- |
|
7.2 |
2000 |
DHW![Black and White; 16 mm; Betacam SP (master format) Spherical (source format); AUDIO: Stereo Black and White](icons/bw.png) |
La commune (Paris, 1871) |
Peter Watkins, W, W, C |
|
7.2 |
2000 |
CCrFanTA![Color; Aspect: 1.85:1; AUDIO: Mono Color](icons/q-rgb.png) |
Monday |
Hiroyuki Tanaka, W, C, M |
|
7.2 |
1999 |
![TV](icons/tv_icon.png) DSf![Color; AUDIO: Stereo Color](icons/q-rgb.png) |
"The Last Train" |
[ Stuart Orme, Alex Pillai ], [ W ], C, M TV mini-series 1999- |
|
7.2 |
1999 |
SACDSf![Color; Color](icons/q-rgb.png) |
Heat Vision and Jack |
Ben Stiller, W, W, C TV |
|
7.2 |
1999 |
DFanHoMT![Color; Aspect: 1.85:1; 35 mm; AUDIO: Dolby SR Color](icons/rgb.png) |
Sôseiji |
Shin'ya Tsukamoto, W, W, C, M |
|
7.2 |
1998 |
DR![Color; Aspect: 1.33:1; AUDIO: Stereo Color](icons/q-rgb.png) |
David and Lisa |
Lloyd Kramer, W, W, ++, C, M TV |
|
7.2 |
1998 |
D![Color (Eastmancolor); Aspect: 1.85:1; 35 mm; AUDIO: Dolby SR Color (Eastmancolor)](icons/rgb.png) |
Praise |
John Curran, W, C, M, M, M |
|
7.2 |
1997 |
![TV](icons/tv_icon.png) DR![Color; AUDIO: Stereo Color](icons/q-rgb.png) |
"Reckless" |
[ David Richards, Sarah Harding ], [ W ], C, M, M TV mini-series 1997- |
|
7.2 |
1997 |
DW![Color; AUDIO: Dolby Color](icons/q-rgb.png) |
The Island on Bird Street |
Søren Kragh-Jacobsen, W, W, ++, C, M |
|
7.2 |
1996 |
D![Color; Aspect: 1.33:1; 35 mm; AUDIO: Stereo Color](icons/rgb.png) |
Homecoming |
Mark Jean, W, W, ++, C, M TV |
|
7.2 |
1995 |
DFan![Color; Aspect: 1.33:1; 35 mm; Panavision Cameras and Lenses; AUDIO: Stereo Color](icons/rgb.png) |
The Christmas Box |
Marcus Cole, W, W, C, M TV |
|
7.2 |
1995 |
CrD![Color (Eastmancolor); Aspect: 1.85:1; 35 mm; Arriflex 535; AUDIO: Dolby SR Color (Eastmancolor)](icons/rgb.png) |
The Deathmaker |
Romuald Karmakar, W, W, C «Der Totmacher» |
|
7.2 |
1994 |
CrCD![Color; Aspect: 1.85:1; 35 mm; Panavision Cameras and Lenses; AUDIO: Dolby Color](icons/rgb.png) |
Jimmy Hollywood |
Barry Levinson, W, C, M |
|
7.2 |
1992 |
CrDM![Color; Aspect: 1.33:1; AUDIO: Stereo Color](icons/q-rgb.png) |
The Mirror Crack'd |
Norman Stone, W, W, C TV |
|
7.2 |
1990 |
AAdCF![Color; Aspect: 1.33:1; 35 mm; AUDIO: Stereo Color](icons/rgb.png) |
Camp Cucamonga |
Roger Duchowny, W, W, ++, C, M TV |
|
7.2 |
1990 |
ACDSp![Color; Color](icons/q-rgb.png) |
WrestleMania VI |
TV |
|
7.2 |
1988 |
DF![Color; Aspect: 1.33:1; 35 mm; AUDIO: Stereo Color](icons/rgb.png) |
On Our Own |
Lyman Dayton, W, ++, C, M, M |
|
7.2 |
1987 |
CrDM![Color; Aspect: 1.33:1; 35 mm; AUDIO: Stereo Color](icons/rgb.png) |
Agatha Christie's Miss Marple: Sleeping Murder |
John Davies, W, ++, C, M TV |
|
7.2 |
1986 |
![TV](icons/tv_icon.png) ![TV](icons/tv_icon.png) CrDM![Color; Aspect: 1.33:1; 35 mm; AUDIO: Mono Color](icons/rgb.png) |
"Matlock" |
[ Christopher Hibler, Harvey S. Laidman, D++ ], [ W, W, W++ ], C, C, C, M, M, M++ TV series 1986-1995 |
|
7.2 |
1985 |
![TV](icons/tv_icon.png) ![TV](icons/tv_icon.png) AnAdCFFanT![Color; Aspect: 1.33:1; 35 mm; AUDIO: Mono Color](icons/rgb.png) |
"The 13 Ghosts of Scooby-Doo" |
[ Arthur Davis, Oscar Dufau, D++ ], [ W, W, W++ ], M TV series 1985-1986 |
|
7.2 |
1985 |
BDH![Color (Eastmancolor); Aspect: 1.85:1; 35 mm; Arriflex Cameras; AUDIO: Mono Color (Eastmancolor)](icons/rgb.png) |
Colonel Redl |
István Szabó, W, W, ++, C, M «Oberst Redl» |
|
7.2 |
1984 |
CD![Color (Technicolor); Aspect: 1.85:1; 35 mm; Panaflex Camera and Lenses by Panavision; AUDIO: Dolby Color (Technicolor)](icons/rgb.png) |
The Wild Life |
Art Linson, W, C, M, M |
|
7.2 |
1983 |
![TV](icons/tv_icon.png) ![TV](icons/tv_icon.png) M![Color; Aspect: 1.33:1; AUDIO: Mono Color](icons/q-rgb.png) |
"Philip Marlowe, Private Eye" |
Peter R. Hunt, [ W, W, W++ ], C, C, C, M, M TV series 1983-1986 |
|
7.2 |
1982 |
D![Color (Metrocolor); Aspect: 1.33:1; 35 mm; Panavision Cameras and Lenses; AUDIO: Mono Color (Metrocolor)](icons/rgb.png) |
Desperate Lives |
Robert Michael Lewis, W, C, M TV |
|
7.2 |
1980 |
DMc![Color; Aspect: 1.78:1; 35 mm; AUDIO: Dolby Color](icons/rgb.png) |
Rude Boy |
Jack Hazan, David Mingay, W, W, C, M, M |
|
7.2 |
1980 |
CDSp![Color; Aspect: 1.85:1; 35 mm; Panavision Cameras and Lenses; AUDIO: Mono Color](icons/rgb.png) |
The Club |
Bruce Beresford, W, C, M |
|
7.2 |
1980 |
![Color; Aspect: 1.33:1; AUDIO: Mono Color](icons/q-rgb.png) |
The Tempest |
John Gorrie, W, M TV |
|
7.2 |
1979 |
DW![Color; Aspect: 1.33:1; 35 mm; AUDIO: Mono Color](icons/rgb.png) |
Friendly Fire |
David Greene, W, W, C, M TV |
|
7.2 |
1977 |
![TV](icons/tv_icon.png) ![TV](icons/tv_icon.png) FM![Color (Technicolor); Aspect: 1.33:1; 35 mm 35 mm; Spherical Spherical; AUDIO: Mono, Mono Color (Technicolor)](icons/rgb.png) |
"The Hardy Boys/Nancy Drew Mysteries" |
[ Joseph Pevney, Steven Hilliard Stern, D++ ], [ W, W, W++ ], C, C, C++, M, M TV series 1977-1979 |
|
7.2 |
1977 |
DoMc![Color; Color](icons/q-rgb.png) |
Elvis in Concert |
Dwight Hemion, W TV |
|
7.2 |
1976 |
C![Color (Technicolor); Aspect: 1.66:1; 35 mm; Lenses and Panaflex Camera by Panavision; AUDIO: Mono Color (Technicolor)](icons/rgb.png) |
Drive-In |
Rod Amateau, W, C |
|
7.2 |
1975 |
CrD![Color; Aspect: 1.75:1; 35 mm; AUDIO: Mono Color](icons/rgb.png) |
The Lost Honor of Katharina Blum |
Volker Schlöndorff, Margarethe von Trotta, W, W, ++, C, M «Die verlorene Ehre der Katharina Blum» |
|
7.2 |
1972 |
FMFan![Color (Eastmancolor); Aspect: 1.85:1; 35 mm; AUDIO: Mono Color (Eastmancolor)](icons/rgb.png) |
The Amazing Mr. Blunden |
Lionel Jeffries, W, W, C, M |
|
7.2 |
1971 |
CrD![Color (Eastmancolor); 35 mm; AUDIO: Mono Color (Eastmancolor)](icons/rgb.png) |
Just Before Nightfall |
Claude Chabrol, W, W, C, M «Juste avant la nuit» |
|
7.2 |
1970 |
DA![Color (Metrocolor); Aspect: 2.35:1; 35 mm; Panavision (anamorphic); AUDIO: Mono Color (Metrocolor)](icons/rgb.png) |
...tick... tick... tick... |
Ralph Nelson, W, C, M |
|
7.2 |
1970 |
DHoMT![Color; Aspect: 1.33:1; Video; Video; AUDIO: Mono Color](icons/v-rgb.png) |
An Evening of Edgar Allan Poe |
Kenneth Johnson, W, W, ++, M |
|
7.2 |
1969 |
D![Color (Eastmancolor); Aspect: 1.85:1; 35 mm; AUDIO: Mono Color (Eastmancolor)](icons/rgb.png) |
Pigpen |
Pier Paolo Pasolini, W, C, C, C, M «Porcile» |
|
7.2 |
1967 |
AnCFR![Color; Aspect: 1.33:1; 35 mm; AUDIO: Mono Color](icons/rgb.png) |
You're in Love, Charlie Brown |
Bill Melendez, W, M TV |
|
7.2 |
1960 |
DW![Black and White (archive footage), Black and White; Aspect: 1.85:1; 35 mm; AUDIO: Mono Black and White (archive footage), Black and White](icons/bw.png) |
Conspiracy of Hearts |
Ralph Thomas, W, W, ++, C, M |
|
7.2 |
1960 |
CrDRT![Black and White; Aspect: 1.66:1; 35 mm; AUDIO: Mono (Western Electric-Optiphone) Black and White](icons/bw.png) |
The Big Risk |
Claude Sautet, W, W, ++, C, M «Classe tous risques» |
|
7.2 |
1959 |
AAd![Color (Eastmancolor); Aspect: 1.85:1; 35 mm; AUDIO: Mono (Westrex Recording System) Color (Eastmancolor)](icons/rgb.png) |
Tarzan's Greatest Adventure |
John Guillermin, W, W, ++, C, M |
|
7.2 |
1959 |
FanHoM![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono Black and White](icons/bw.png) |
The Black Pit of Dr. M |
Fernando Méndez, W, C, M «Misterios de ultratumba» |
|
7.2 |
1958 |
DHRW![Black and White; 35 mm; AUDIO: Mono (Westrex Recording System) Black and White](icons/bw.png) |
A Tale of Two Cities |
Ralph Thomas, W, W, C, M |
|
7.2 |
1958 |
C![Color (Technicolor); Aspect: 1.85:1; 35 mm (horizontal); VistaVision; AUDIO: Mono (Westrex Recording System) Color (Technicolor)](icons/rgb.png) |
Rock-a-Bye Baby |
Frank Tashlin, W, W, C, M |
|
7.2 |
1953 |
CFMlR![Color (Technicolor); Aspect: 1.37:1; 35 mm; AUDIO: Mono (RCA Sound System) Color (Technicolor)](icons/rgb.png) |
By the Light of the Silvery Moon |
David Butler, W, W, ++, C |
|
7.2 |
1953 |
DF![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono Black and White](icons/bw.png) |
White Mane |
Albert Lamorisse, W, W, ++, C, M «Crin blanc: Le cheval sauvage» |
|
7.2 |
1952 |
DRW![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono Black and White](icons/bw.png) |
Breaking the Sound Barrier |
David Lean, W, C, M «The Sound Barrier» |
|
7.2 |
1951 |
DoSSp![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono Black and White](icons/bw.png) |
Day of the Fight |
Stanley Kubrick, W, C, C, M |
|
7.2 |
1951 |
BDR![Color (Technicolor); Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Recording) Color (Technicolor)](icons/rgb.png) |
I'd Climb the Highest Mountain |
Henry King, W, W, ++, C, M |
|
7.2 |
1950 |
CrDR![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric) Black and White](icons/bw.png) |
Story of a Love Affair |
Michelangelo Antonioni, W, ++, C, M «Cronaca di un amore» |
|
7.2 |
1949 |
AnFSC![Color (Technicolor); Aspect: 1.37:1; 35 mm; AUDIO: Mono Color (Technicolor)](icons/rgb.png) |
Rabbit Hood |
Chuck Jones, W, M |
|
7.2 |
1949 |
MlR![Color (Technicolor); Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Sound System) Color (Technicolor)](icons/rgb.png) |
That Midnight Kiss |
Norman Taurog, W, W, C, M, M |
|
7.2 |
1948 |
CMlR![Color (Technicolor); Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Recording) Color (Technicolor)](icons/rgb.png) |
The Emperor Waltz |
Billy Wilder, W, W, C, M |
|
7.2 |
1948 |
D![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono Black and White](icons/bw.png) |
Yoru no onnatachi |
Kenji Mizoguchi, W, W, C, M |
|
7.2 |
1946 |
We![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Sound System) Black and White](icons/bw.png) |
Bad Bascomb |
S. Sylvan Simon, W, W, ++, C, M |
|
7.2 |
1946 |
DF![Color (Technicolor); Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Mirrophonic Recording) Color (Technicolor)](icons/rgb.png) |
Smoky |
Louis King, W, W, ++, C, M |
|
7.2 |
1945 |
CD![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (RCA Sound System) Black and White](icons/bw.png) |
Roughly Speaking |
Michael Curtiz, W, ++, C, M |
|
7.2 |
1945 |
SDF![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (RCA Sound System) Black and White](icons/bw.png) |
Star in the Night |
Don Siegel, W, W, C, M |
|
7.2 |
1944 |
D![Color (Technicolor); Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Sound System) Color (Technicolor)](icons/rgb.png) |
An American Romance |
King Vidor, W, W, ++, C, M, M |
|
7.2 |
1936 |
CMRT![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Noiseless Recording) Black and White](icons/bw.png) |
The Princess Comes Across |
William K. Howard, W, W, ++, C, M |
|
7.2 |
1932 |
CS![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Sound System) Black and White](icons/bw.png) |
Their First Mistake |
George Marshall, ++, C |
|
7.2 |
1931 |
SC![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Sound System) Black and White](icons/bw.png) |
Beau Hunks |
James W. Horne, W, C, C, M |
|
7.2 |
1928 |
CrD![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Vitaphone) Black and White](icons/bw.png) |
Lights of New York |
Bryan Foy, W, W, C |
|
7.2 |
1925 |
CWe![Black and White; Silent](icons/bw.png) |
Go West |
Buster Keaton, W, W, ++, C, C, M |
|
7.2 |
1925 |
DC![Black and White; Silent](icons/bw.png) |
Little Annie Rooney |
William Beaudine, W, W, ++, C, C, M, M |
|
7.2 |
1922 |
DR![Black and White (tinted); Silent](icons/bw.png) |
Down to the Sea in Ships |
Elmer Clifton, W, C, C, M |
|
7.2 |
1921 |
D![Black and White; Silent](icons/bw.png) |
The Conquering Power |
Rex Ingram, W, W, C |
|
7.2 |
1916 |
CS![Black and White; Silent](icons/bw.png) |
The Rink |
[ Charles Chaplin ], ++, C, C, M |