|
|
8.6 |
2006 |
![TV](icons/tv_icon.png) ![TV](icons/tv_icon.png) Do![Color; Aspect: 1.78:1 Color](icons/q-rgb.png) |
"Planet Earth" |
[ Alastair Fothergill ], [ W, W ], C, C, C++, M, M TV series 2006- |
|
6.2 |
2010 |
![TV](icons/tv_icon.png) ![TV](icons/tv_icon.png) CrDM![Color; Aspect: 1.78:1; HDCAM (season 1) SxS Pro (season 2); Digital Intermediate (2K) (master format) HDCAM (1080p) (source format) ProRes 4:4:4 (1080p) (source format); Arri Alexa, Cooke S4 and Zeiss Super Speed Lenses (season 2) Sony CineAlta F35 (season 1); AUDIO: Dolby Digital Color](icons/h-rgb.png) |
"Sherlock" |
[ Paul McGuigan ], [ W, W, W++ ], C, C, M, M TV series 2010- |
|
7.3 |
1988 |
![TV](icons/tv_icon.png) D![Color; Aspect: 1.33:1; 35 mm; AUDIO: Mono Color](icons/rgb.png) |
"The Decalogue" |
[ Krzysztof Kieslowski ], [ W, W ], C, C, M «"Dekalog"» TV mini-series 1988- |
|
6.2 |
1972 |
CrD![Color (Technicolor); Aspect: 1.85:1; 35 mm (Eastman 100T 5254); Mitchell BNCR, Bausch & Lomb Super Baltar Lenses; AUDIO: DTS (re-release), Mono Color (Technicolor)](icons/rgb.png) |
The Godfather |
Francis Ford Coppola, W, W, ++, C, M |
|
9.5 |
1995 |
![TV](icons/tv_icon.png) RD![Color; Aspect: 1.66:1; 16 mm; Super 16; AUDIO: Dolby Color](icons/rgb.png) |
"Pride and Prejudice" |
[ Simon Langton ], [ W, W ], C, M TV mini-series 1995- |
|
9.4 |
1969 |
![TV](icons/tv_icon.png) ![TV](icons/tv_icon.png) CMc![Color; Aspect: 1.33:1; 16 mm (exteriors and locations) Video (studio shots); Arriflex 16 mm Cameras; AUDIO: Mono, Stereo Color](icons/rgb.png) |
"Monty Python's Flying Circus" |
[ Ian MacNaughton, John Howard Davies ], [ W, W, W++ ], C, C, C++, M TV series 1969-1974 |
|
5.2 |
1994 |
CrDT![Color; Aspect: 2.35:1; 35 mm (Eastman EXR 50D 5245); Panavision (anamorphic); Panavision Cameras and Lenses; AUDIO: Dolby Digital Color](icons/rgb.png) |
Pulp Fiction |
Quentin Tarantino, W, W, ++, C |
|
8.6 |
1989 |
![TV](icons/tv_icon.png) AdDWe![Color; Aspect: 1.33:1; AUDIO: Mono Color](icons/q-rgb.png) |
"Lonesome Dove" |
[ Simon Wincer ], [ W, W ], C, M TV mini-series 1989- |
|
9.6 |
1979 |
CFan![Color; AUDIO: Mono Color](icons/q-rgb.png) |
Tot samyy Myunkhgauzen |
Mark Zakharov, W, C, M TV |
|
7.5 |
2002 |
CrD![Color; Aspect: 1.85:1; 16 mm (Eastman EXR 50D 7245, Kodak Vision 250D 7246, Vision 200T 7274, Vision 500T 7279) 35 mm (Eastman EXR 50D 5245, Kodak Vision 250D 5246, Vision 200T 5274, Vision 500T 5279); Digital Intermediate (2K) (master format) Super 16 (source format) Super 35 (source format); Aaton 35-III, Zeiss Super Speed Lenses Aaton A-Minima, Zeiss Super Speed and Angenieux HR Lenses Aaton XTR Prod, Zeiss Super Speed and Angenieux HR Lenses; AUDIO: Dolby Digital, SDDS Color](icons/rgb.png) |
City of God |
Fernando Meirelles, Kátia Lund, W, W, C, M, M «Cidade de Deus» |
|
8.4 |
1990 |
![TV](icons/tv_icon.png) ![TV](icons/tv_icon.png) C![Color; AUDIO: Stereo, Mono (season 1-2) Color](icons/q-rgb.png) |
"Jeeves and Wooster" |
[ Ferdinand Fairfax, Simon Langton, Robert Young ], [ W, W ], C, C, M TV series 1990-1993 |
|
7.1 |
1975 |
D![Color; Aspect: 1.85:1; 35 mm (Eastman 100T 5254); AUDIO: Mono Color](icons/rgb.png) |
One Flew Over the Cuckoo's Nest |
Milos Forman, W, W, ++, C, M |
|
8.8 |
1967 |
![TV](icons/tv_icon.png) ![TV](icons/tv_icon.png) ADMSf![Color; Aspect: 1.33:1; 35 mm; AUDIO: Mono, Dolby Digital (DVD Release) Color](icons/rgb.png) |
"The Prisoner" |
[ Patrick McGoohan, Pat Jackson, D++ ], [ W, W, W++ ], C, M, M TV series 1967-1968 |
|
8.1 |
2005 |
![TV](icons/tv_icon.png) D![Color; Aspect: 1.78:1; Video (HDTV); HDCAM; Sony HDW-750; AUDIO: Stereo Color](icons/h-rgb.png) |
"Bleak House" |
[ Justin Chadwick, Susanna White ], [ W, W ], C, M TV mini-series 2005- |
|
5.8 |
1995 |
CrMT![Color (Technicolor); Aspect: 2.35:1; 35 mm; Super 35; Panavision Cameras and Lenses; AUDIO: Dolby Digital Color (Technicolor)](icons/rgb.png) |
The Usual Suspects |
Bryan Singer, W, C, M |
|
7.4 |
1994 |
CrDT![Color (Technicolor); Aspect: 2.35:1; 35 mm (Eastman EXR 200T 5293, EXR 500T 5296); Technovision (anamorphic); Arriflex 35 BL4, Technovision/Zeiss Super Speed and Angenieux HR Lenses Arriflex 35-III, Technovision/Zeiss Super Speed and Angenieux HR Lenses; AUDIO: Dolby Digital, SDDS (8 channels) Color (Technicolor)](icons/rgb.png) |
Léon: The Professional |
Luc Besson, W, C, M «Léon» |
|
6.4 |
1992 |
DoW![Color; Aspect: 2.20:1; 65 mm (Eastman EXR 100T 5248, EXR 500T 5296); Todd-AO; Mitchell AP-65, Hasselblad, Mamiya, Pentax and Schneider Lenses; AUDIO: 70 mm 6-Track (70 mm prints), Dolby SR (35 mm prints) Color](icons/rgb.png) |
Baraka |
Ron Fricke, W, W, ++, C, M |
|
? |
2008 |
An![Color; Color](icons/q-rgb.png) |
Kolibelnye mira |
Elizaveta Skvortsova, W, W |
|
7.1 |
2003 |
DR![Color; Aspect: 1.85:1; Super 16; Arriflex SR 3 Advanced; AUDIO: Dolby Digital Color](icons/q-rgb.png) |
The Best of Youth |
Marco Tullio Giordana, W, W, C «La meglio gioventù» |
|
7.9 |
1988 |
AnDW![Color (Technicolor); Aspect: 1.85:1; 35 mm; AUDIO: Mono, Dolby (as Dolby Stereo) (theatrical print) Color (Technicolor)](icons/rgb.png) |
Grave of the Fireflies |
Isao Takahata, W, W, C, M «Hotaru no haka» |
|
5.7 |
1979 |
DW![Color; Aspect: 2.00:1; 16 mm (newsreel scenes) 35 mm (Eastman 100T 5247); Technovision (anamorphic); Arriflex 16 ST (newsreel scenes) Arriflex 35 BL, Technovision/Cooke Lenses Mitchell BNCR, Technovision/Cooke Lenses; AUDIO: 70 mm 6-Track (70 mm prints), Dolby Digital (Redux version), Dolby (35 mm prints), DTS (Redux version) Color](icons/rgb.png) |
Apocalypse Now |
Francis Ford Coppola, W, W, ++, C, M, M |
|
9.1 |
1975 |
CR![Color; Aspect: 1.37:1; 35 mm; Arriflex Cameras and Lenses Color](icons/rgb.png) |
Ironiya sudby, ili S legkim parom! |
Eldar Ryazanov, W, W, C, M TV |
|
7.4 |
1973 |
![TV](icons/tv_icon.png) D![Color (Eastmancolor); 16 mm; AUDIO: Mono Color (Eastmancolor)](icons/rgb.png) |
"Scenes from a Marriage" |
[ Ingmar Bergman ], [ W ], C «"Scener ur ett äktenskap"» TV mini-series 1973- |
|
6.2 |
1964 |
CSfW![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Westrex Recording System) Black and White](icons/bw.png) |
Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb |
Stanley Kubrick, W, W, ++, C, M |
|
7.5 |
1950 |
DN![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Recording) Black and White](icons/bw.png) |
Sunset Blvd. |
Billy Wilder, W, W, ++, C, M |
|
8.8 |
2003 |
![TV](icons/tv_icon.png) D![Color; Color](icons/q-rgb.png) |
"Idiot" |
Vladimir Bortko, W, W, C, M TV mini-series 2003- |
|
6.2 |
2001 |
CR![Black and White, Color (Duboicolor); Aspect: 2.35:1; 35 mm (Kodak Vision 250D 5246, Vision 320T 5277); Digital Intermediate (2K) (master format) Super 35 (source format); Arriflex 435 ES, Zeiss Ultra Prime Lenses Arriflex 535, Zeiss Ultra Prime Lenses; AUDIO: DTS, Dolby Digital Black and White, Color (Duboicolor)](icons/rgb-bw.png) |
Amélie |
Jean-Pierre Jeunet, W, W, ++, C, M «Le fabuleux destin d'Amélie Poulain» |
|
8.5 |
1993 |
AnSCCrF![Color; Aspect: 1.37:1; 16 mm; AUDIO: Dolby (as Dolby Stereo) Color](icons/rgb.png) |
The Wrong Trousers |
Nick Park, W, W, ++, M |
|
5.6 |
1992 |
CrT![Color (Eastmancolor); Aspect: 2.35:1; 35 mm (Eastman EXR 50D 5245); Super 35; PanArri 35-III, Panavision Primo Lenses Panavision Panaflex X, Panavision Primo Lenses Panavision Panaflex Gold, Panavision Primo and Canon Lenses; AUDIO: Dolby Color (Eastmancolor)](icons/rgb.png) |
Reservoir Dogs |
Quentin Tarantino, W, W, ++, C |
|
6.3 |
1962 |
SDRSf![Black and White; Aspect: 1.66:1; 35 mm; Arriflex Cameras Pentax 24 x 36; AUDIO: Mono Black and White](icons/bw.png) |
La Jetée |
Chris Marker, W, C, C «La jetée» |
|
6.4 |
1962 |
CrDM![Black and White; Aspect: 1.85:1; 35 mm; AUDIO: Mono (Westrex Recording System) Black and White](icons/bw.png) |
To Kill a Mockingbird |
Robert Mulligan, W, W, C, M |
|
7.2 |
1959 |
AAdCrMT![Color (Technicolor); Aspect: 1.66:1; 35 mm (horizontal); VistaVision; Mitchell VistaVision Cameras; AUDIO: Mono (Westrex Recording System), Dolby SR, Dolby Digital Color (Technicolor)](icons/rgb.png) |
North by Northwest |
Alfred Hitchcock, W, C, M |
|
7.4 |
1957 |
DM![Black and White; Aspect: 1.66:1; 35 mm; AUDIO: Mono (Westrex Recording System) Black and White](icons/bw.png) |
Witness for the Prosecution |
Billy Wilder, W, W, ++, C, M |
|
7.4 |
1944 |
CrDNT![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Mirrophonic Recording) Black and White](icons/bw.png) |
Double Indemnity |
Billy Wilder, W, W, ++, C, M |
|
8.0 |
1995 |
AnSCCrF![Color; Aspect: 1.66:1; 16 mm; AUDIO: Stereo (as Dolby Stereo) Color](icons/rgb.png) |
A Close Shave |
Nick Park, W, W, C, M |
|
7.4 |
1984 |
BDMc![Color (Technicolor); Aspect: 2.20:1; 35 mm (Eastman 250T 5293); Panavision (anamorphic); Panavision Cameras and Lenses; AUDIO: 70 mm 6-Track (70 mm prints), Dolby Digital (director's cut), Dolby (35 mm prints) Color (Technicolor)](icons/rgb.png) |
Amadeus |
Milos Forman, W, C |
|
8.2 |
1982 |
AnSCF![Color; Color](icons/q-rgb.png) |
Zhil-byl pyos |
Eduard Nazarov, W, C |
|
7.4 |
1975 |
AnSDFFanM![Color; Aspect: 1.33:1; AUDIO: Mono Color](icons/q-rgb.png) |
Hedgehog in the Fog |
Yuriy Norshteyn, W, C, M «Yozhik v tumane» |
|
8.6 |
1974 |
CDo![Color; Aspect: 2.35:1; 35 mm; Panavision (anamorphic); AUDIO: Mono Color](icons/rgb.png) |
Beautiful People |
Jamie Uys, W, C «Animals Are Beautiful People» |
|
8.2 |
1969 |
AnSF![Color; Aspect: 1.33:1; AUDIO: Mono Color](icons/q-rgb.png) |
Winnie Pooh |
Fyodor Khitruk, W, W, ++, C, M «Vinni-Pukh» |
|
7.6 |
1965 |
D![Black and White; Aspect: 2.35:1; 35 mm; Tohoscope (anamorphic); AUDIO: 4-Track Stereo Black and White](icons/bw.png) |
Red Beard |
Akira Kurosawa, W, W, ++, C, C, M «Akahige» |
|
7.4 |
1961 |
C![Black and White; Aspect: 1.85:1; 35 mm; AUDIO: Mono (Westrex Co. System) Black and White](icons/bw.png) |
Divorce Italian Style |
Pietro Germi, W, W, ++, C, C, M «Divorzio all'italiana» |
|
7.5 |
1960 |
CDR![Black and White; Aspect: 2.35:1; 35 mm; Panavision (anamorphic); AUDIO: Mono (Westrex Recording System) Black and White](icons/bw.png) |
The Apartment |
Billy Wilder, W, W, C, M |
|
7.1 |
1959 |
C![Black and White; Aspect: 1.66:1; 35 mm; AUDIO: Mono (Westrex Recording System) Black and White](icons/bw.png) |
Some Like It Hot |
Billy Wilder, W, W, ++, C, M |
|
7.2 |
1950 |
D![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Recording) Black and White](icons/bw.png) |
All About Eve |
Joseph L. Mankiewicz, W, ++, C, M |
|
6.9 |
2009 |
AnCD![Black and White, Color; Aspect: 1.85:1; AUDIO: Dolby Digital Black and White, Color](icons/rgb-bw.png) |
Mary and Max |
Adam Elliot, W, C, M |
|
8.2 |
2001 |
D![Color; Aspect: 1.85:1; 35 mm (Kodak); Panavision Cameras and Lenses; AUDIO: Dolby Digital Color](icons/rgb.png) |
Wit |
Mike Nichols, W, W, ++, C, M TV |
|
7.9 |
1999 |
DF![Color; Aspect: 1.85:1; 35 mm Color](icons/rgb.png) |
The Color of Paradise |
Majid Majidi, W, C, M «Rang-e khoda» |
|
5.6 |
1999 |
DMT![Color (Technicolor); Aspect: 1.85:1; 35 mm (Eastman); Panavision Cameras and Lenses; AUDIO: DTS, Dolby Digital, SDDS Color (Technicolor)](icons/rgb.png) |
The Sixth Sense |
M. Night Shyamalan, W, C, M |
|
6.0 |
1998 |
CrT![Color; Aspect: 1.85:1; 16 mm; Super 16; Photosonics Camera; AUDIO: Dolby Digital Color](icons/rgb.png) |
Lock, Stock and Two Smoking Barrels |
Guy Ritchie, W, C, M, M |
|
3.6 |
1996 |
CrDT![Color; Aspect: 1.85:1; 35 mm (Eastman EXR 200T 5293); Arriflex 35 BL4, Zeiss Standard Speed Lenses; AUDIO: Dolby Digital Color](icons/rgb.png) |
Fargo |
Joel Coen, ++, W, W, C, M |
|
7.1 |
1996 |
CrD![Color; Aspect: 1.85:1; 35 mm (Eastman EXR 200T 5293); Aaton 35-III, Zeiss Standard Speed Lenses Arriflex 35 BL4, Zeiss Standard Speed Lenses; AUDIO: Dolby Digital Color](icons/rgb.png) |
Trainspotting |
Danny Boyle, W, W, C |
|
7.7 |
1980 |
BD![Black and White; Aspect: 2.35:1; 35 mm (Eastman Plus-X 5231); Panavision (anamorphic); Panavision Cameras and Lenses; AUDIO: Dolby Black and White](icons/bw.png) |
The Elephant Man |
David Lynch, W, W, ++, C, M |
|
5.5 |
1978 |
DW![Color (Technicolor); Aspect: 2.35:1; 35 mm; Panavision (anamorphic); Panavision Cameras and Lenses; AUDIO: 70 mm 6-Track (70 mm prints), Dolby (35 mm prints) Color (Technicolor)](icons/rgb.png) |
The Deer Hunter |
Michael Cimino, W, W, ++, C, M |
|
6.6 |
1975 |
BD![Black and White, Color; Aspect: 1.37:1; 16 mm 8 mm 35 mm (Kodak); Mitchell BNCR Arriflex Cameras; AUDIO: Mono Black and White, Color](icons/rgb-bw.png) |
The Mirror |
Andrei Tarkovsky, W, W, ++, C, M «Zerkalo» |
|
? |
1970 |
AnSFMl![Color; Color](icons/q-rgb.png) |
Katerok |
Inessa Kovalevskaya, W, C, M TV |
|
7.0 |
1967 |
CrD![Color (Technicolor); Aspect: 2.35:1; 35 mm; Panavision (anamorphic); Panavision Lenses; AUDIO: Mono Color (Technicolor)](icons/rgb.png) |
Cool Hand Luke |
Stuart Rosenberg, W, W, ++, C, M |
|
6.2 |
1957 |
AdDW![Color (Technicolor); Aspect: 2.35:1; 35 mm; CinemaScope; AUDIO: 70 mm 6-Track (70 mm prints) (RCA Sound Recording), Mono (35 mm prints) (RCA Sound Recording), 4-Track Stereo (Linear PCM) Color (Technicolor)](icons/rgb.png) |
The Bridge on the River Kwai |
David Lean, W, ++, C, M |
|
7.2 |
1955 |
HoMT![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (A.R.T.E.C.) Black and White](icons/bw.png) |
Diabolique |
Henri-Georges Clouzot, W, W, ++, C, M «Les diaboliques» |
|
7.5 |
1951 |
DN![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Recording) Black and White](icons/bw.png) |
Ace in the Hole |
Billy Wilder, W, W, ++, C, M |
|
7.2 |
1949 |
CCr![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (RCA Sound System) Black and White](icons/bw.png) |
Kind Hearts and Coronets |
Robert Hamer, W, W, ++, C, M |
|
6.8 |
2007 |
ACrDT![Color; Aspect: 1.85:1; 35 mm (Kodak); Digital Intermediate (master format) Spherical (source format); Panavision Cameras and Lenses; AUDIO: Dolby Digital Color](icons/rgb.png) |
Elite Squad |
José Padilha, W, W, ++, C, M «Tropa de Elite» |
|
2.2 |
2003 |
CrD![Color; Aspect: 2.35:1; Video (PAL) (some scenes) Video (HDTV); DVCAM (some scenes) HDTV (1080p/24); Sony DSR-PD150P (some scenes) Sony HDW-F900, Canon Zoom Lens; AUDIO: Dolby Digital Color](icons/v-rgb.png) |
Dogville |
Lars von Trier, W, C |
|
6.5 |
2003 |
D![Color; Aspect: 1.85:1; 35 mm; AUDIO: Dolby Digital Color](icons/rgb.png) |
Spring, Summer, Fall, Winter... and Spring |
Ki-duk Kim, W, C, M «Bom yeoreum gaeul gyeoul geurigo bom» |
|
6.8 |
2001 |
AnAdCFFan![Color; Aspect: 1.85:1; Digital; Digital Intermediate (2K) (master format) Digital (source format); AUDIO: SDDS, Dolby Digital, DTS Color](icons/d-rgb.png) |
Monsters, Inc. |
Pete Docter, David Silverman, ++, W, W, ++, M |
|
5.8 |
2000 |
DR![Color; Aspect: 1.66:1; 35 mm (Kodak Vision 500T 5279, Vision 800T 5289); Arriflex 35 BL4, Zeiss Lenses Arriflex 535, Zeiss Lenses; AUDIO: Dolby Digital Color](icons/rgb.png) |
In the Mood for Love |
Kar Wai Wong, W, C, C, C, M, M «Fa yeung nin wa» |
|
6.5 |
2000 |
DMcR![Color; Aspect: 1.85:1; AUDIO: Dolby Color](icons/q-rgb.png) |
Yi Yi |
Edward Yang, W, C, M «Yi yi» |
|
6.5 |
1998 |
CDSf![Color; Aspect: 1.85:1; 35 mm (Eastman EXR 100T 5248, Kodak Vision 500T 5279, EXR 200T 5293); Panavision Panaflex Platinum, Panavision Primo Lenses; AUDIO: DTS, Dolby Digital Color](icons/rgb.png) |
The Truman Show |
Peter Weir, W, C, M |
|
7.6 |
1993 |
CDFanR![Color (Technicolor); Aspect: 1.85:1; 35 mm; Panavision Cameras and Lenses; AUDIO: Dolby SR (as Dolby Stereo) Color (Technicolor)](icons/rgb.png) |
Groundhog Day |
Harold Ramis, W, W, ++, C, M |
|
7.0 |
1987 |
AdCFFanR![Color; Aspect: 1.85:1; 35 mm; J-D-C Cameras and Lenses; AUDIO: Dolby Color](icons/rgb.png) |
The Princess Bride |
Rob Reiner, W, C, M |
|
4.9 |
1987 |
FanDR![Color (Eastmancolor), Black and White (partly); Aspect: 1.37:1; 35 mm (Eastman Kodak); Arriflex 35 BL4; AUDIO: Dolby Color (Eastmancolor), Black and White (partly)](icons/rgb-bw.png) |
Wings of Desire |
Wim Wenders, W, W, ++, C, M «Der Himmel über Berlin» |
|
7.9 |
1986 |
AdD![Color (Technicolor); Aspect: 1.85:1; 35 mm; Panaflex Cameras and Lenses by Panavision; AUDIO: Mono Color (Technicolor)](icons/rgb.png) |
Stand by Me |
Rob Reiner, W, W, ++, C, M |
|
4.9 |
1984 |
D![Color; Aspect: 1.66:1; 35 mm; AUDIO: Mono Color](icons/rgb.png) |
Paris, Texas |
Wim Wenders, W, W, C, M |
|
6.7 |
1982 |
BDH![Black and White, Color (Technicolor); Aspect: 2.20:1; 35 mm; Panavision (anamorphic); Panavision Cameras and Lenses; AUDIO: Dolby (35 mm prints) (as Dolby Stereo), 70 mm 6-Track (70 mm prints) Black and White, Color (Technicolor)](icons/rgb-bw.png) |
Gandhi |
Richard Attenborough, W, C, C, M |
|
7.2 |
1979 |
CDR![Color; 35 mm; AUDIO: Mono Color](icons/rgb.png) |
Osenniy marafon |
Georgiy Daneliya, W, C, M |
|
6.7 |
1979 |
AnS![Color; Aspect: 1.37:1; AUDIO: Mono Color](icons/q-rgb.png) |
Tale of Tales |
Yuriy Norshteyn, W, W, C, M «Skazka skazok» |
|
7.8 |
1976 |
D![Color (Eastmancolor); Aspect: 1.66:1; 35 mm; AUDIO: Mono Color (Eastmancolor)](icons/rgb.png) |
Cria Cuervos |
Carlos Saura, W, C, M, M «Cría cuervos» |
|
6.0 |
1972 |
MT![Color; Aspect: 1.85:1; 35 mm; AUDIO: Mono (Westrex Recording System) Color](icons/rgb.png) |
Sleuth |
Joseph L. Mankiewicz, W, C, M |
|
6.9 |
1970 |
CrT![Color (Eastmancolor); Aspect: 1.66:1; 35 mm (Eastman 100T 5254); AUDIO: Mono Color (Eastmancolor)](icons/rgb.png) |
Le Cercle Rouge |
Jean-Pierre Melville, W, C, M «Le cercle rouge» |
|
9.8 |
1969 |
D![Color (Eastmancolor); Aspect: 2.35:1; 35 mm; Agascope; AUDIO: Mono Color (Eastmancolor)](icons/rgb.png) |
The Boys of Paul Street |
Zoltán Fábri, W, W, ++, C, M «A Pál utcai fiúk» |
|
6.0 |
1967 |
CrDMT![Color (Eastmancolor); Aspect: 1.85:1; 35 mm; AUDIO: Mono Color (Eastmancolor)](icons/rgb.png) |
Le Samouraï |
Jean-Pierre Melville, W, W, ++, C, M «Le samouraï» |
|
7.3 |
1961 |
DSp![Black and White; Aspect: 2.35:1; 35 mm; CinemaScope; AUDIO: Mono (Westrex Recording System) Black and White](icons/bw.png) |
The Hustler |
Robert Rossen, W, W, ++, C, M |
|
6.6 |
1955 |
D![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono Black and White](icons/bw.png) |
Ordet |
Carl Theodor Dreyer, W, ++, C, M |
|
4.4 |
1955 |
DNT![Black and White; Aspect: 1.66:1; 35 mm; AUDIO: Mono (Western Electric Recording) Black and White](icons/bw.png) |
The Night of the Hunter |
Charles Laughton, ++, W, W, ++, C, M |
|
7.4 |
1953 |
CDR![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Recording) Black and White](icons/bw.png) |
Roman Holiday |
William Wyler, W, W, ++, C, C, M |
|
7.2 |
1950 |
CD![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Recording) Black and White](icons/bw.png) |
Harvey |
Henry Koster, W, ++, C, M |
|
6.8 |
1945 |
RD![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Recording) Black and White](icons/bw.png) |
Brief Encounter |
David Lean, ++, C |
|
6.4 |
1944 |
CCrRT![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (RCA Sound System) Black and White](icons/bw.png) |
Arsenic and Old Lace |
Frank Capra, W, W, ++, C, M |
|
4.4 |
2004 |
DR![Color; Aspect: 1.85:1; 35 mm (Kodak) (Fuji); Panavision Cameras and Lenses; AUDIO: DTS, Dolby Digital, SDDS Color](icons/rgb.png) |
Before Sunset |
Richard Linklater, W, W, ++, C |
|
6.8 |
2002 |
![TV](icons/tv_icon.png) ![TV](icons/tv_icon.png) CDMCr![Color; Aspect: 1.78:1; 35 mm; HDCAM SR (master format) Super 35 (3-perf) (source format); Panavision Panaflex Platinum, Panavision Primo Lenses; AUDIO: Stereo Color](icons/rgb.png) |
"Monk" |
[ Randall Zisk, Jerry Levine, D++ ], [ W, W, W++ ], C, C, C++, M, M TV series 2002-2009 |
|
5.8 |
2002 |
CDR![Black and White, Color; Aspect: 2.35:1; 35 mm (Kodak); Panavision (anamorphic); Panavision Cameras and Lenses; AUDIO: Dolby Digital Black and White, Color](icons/rgb-bw.png) |
Talk to Her |
Pedro Almodóvar, W, C, M «Hable con ella» |
|
7.0 |
2001 |
DW![Color; Aspect: 2.35:1; 35 mm (Fuji Super F-250T 8552, Super F-500T 8572); Super 35; Aaton 35-III, Cooke S4 and Canon Lenses Arriflex 35 BL4S, Cooke S4 and Canon Lenses; AUDIO: Dolby SR Color](icons/rgb.png) |
No Man's Land |
Danis Tanovic, W, C, M |
|
6.8 |
2001 |
Do![Color; Aspect: 1.85:1; 35 mm (Eastman EXR 50D 5245, Kodak Vision 250D 5246); Aaton 35 III Eclair Cameras Panavision Cameras and Lenses Technovision Cameras; AUDIO: DTS-ES, Dolby Digital EX Color](icons/rgb.png) |
Winged Migration |
Jacques Perrin, Jacques Cluzaud, ++, W, W, ++, C, C, C++, M «Le peuple migrateur» |
|
9.6 |
1998 |
McDo![Black and White, Color; Black and White, Color](icons/rgb-bw.png) |
Richter: The Enigma |
Bruno Monsaingeon TV |
|
7.5 |
1994 |
CrD![Color (Eastmancolor); Aspect: 1.85:1; 35 mm (Eastman); AUDIO: Dolby, Dolby SR Color (Eastmancolor)](icons/rgb.png) |
Once Were Warriors |
Lee Tamahori, W, W, C, M, M |
|
6.9 |
1993 |
AnFFanMl![Color (Technicolor); Aspect: 1.85:1; 35 mm (Eastman EXR 100T 5248); Disney Digital 3-D (re-release version) Spherical; AUDIO: Dolby Digital Color (Technicolor)](icons/rgb.png) |
The Nightmare Before Christmas |
Henry Selick, W, W, ++, C, M |
|
6.5 |
1993 |
CrT![Color; Aspect: 2.35:1; 35 mm (Eastman); Panavision (anamorphic); Panavision Cameras and Lenses; AUDIO: Dolby SR, Dolby Color](icons/rgb.png) |
True Romance |
Tony Scott, W, ++, C, M |
|
7.5 |
1990 |
DFanR![Color; Aspect: 1.85:1; 35 mm (Eastman EXR 50D 5245); Panavision Cameras and Lenses; AUDIO: 70 mm 6-Track (analog 70 mm prints), CDS (digital 70 mm prints), Dolby SR (35 mm prints), CDS (digital 35 mm prints) Color](icons/rgb.png) |
Edward Scissorhands |
Tim Burton, W, W, ++, C, M |
|
5.3 |
1985 |
DFanSf![Color (Technicolor); Aspect: 1.85:1; 35 mm (Kodak); J-D-C Cameras; AUDIO: Dolby Color (Technicolor)](icons/rgb.png) |
Brazil |
Terry Gilliam, W, W, ++, C, M |
|
6.4 |
1979 |
DC![Color (Technicolor); Aspect: 1.85:1; 35 mm; Panaflex Cameras and Lenses by Panavision; AUDIO: Mono Color (Technicolor)](icons/rgb.png) |
Being There |
Hal Ashby, W, ++, C, M |
|
6.6 |
1978 |
DR![Color (Metrocolor); Aspect: 1.85:1; 35 mm; Panaflex Camera and Lenses by Panavision; AUDIO: Dolby (35 mm prints), 70 mm 6-Track (70 mm prints) Color (Metrocolor)](icons/rgb.png) |
Days of Heaven |
Terrence Malick, W, C, M |
|
7.3 |
1977 |
CDR![Color (Eastmancolor); Aspect: 1.66:1; 35 mm; Panavision Cameras and Lenses; AUDIO: Mono Color (Eastmancolor)](icons/rgb.png) |
That Obscure Object of Desire |
Luis Buñuel, W, W, ++, C «Cet obscur objet du désir» |
|
6.1 |
1971 |
CD![Color (Technicolor); Aspect: 1.85:1; 35 mm; AUDIO: Mono Color (Technicolor)](icons/rgb.png) |
Harold and Maude |
Hal Ashby, W, C |
|
8.2 |
1966 |
CW![Color (Eastmancolor); Aspect: 2.35:1; 35 mm (Eastman); Panavision (anamorphic); Panavision Lenses; AUDIO: Mono (Westrex Recording System) Color (Eastmancolor)](icons/rgb.png) |
La Grande Vadrouille |
Gérard Oury, W, W, ++, C, C, M «La grande vadrouille» |
|
6.7 |
1964 |
FanHo![Color (Eastmancolor); Aspect: 2.35:1; 35 mm; Tohoscope; AUDIO: Mono (Western Electric Recording) Color (Eastmancolor)](icons/rgb.png) |
Kwaidan |
Masaki Kobayashi, W, W, C, M «Kaidan» |
|
7.8 |
1964 |
CD![Black and White; 35 mm; AUDIO: Mono Black and White](icons/bw.png) |
Seduced and Abandoned |
Pietro Germi, W, W, ++, C, M «Sedotta e abbandonata» |
|
6.3 |
1963 |
CS![Black and White; Aspect: 1.33:1; AUDIO: Mono Black and White](icons/bw.png) |
Der 90. Geburtstag oder Dinner for One |
Heinz Dunkhase, ++ TV |
|
5.2 |
1960 |
CrD![Black and White; Aspect: 1.37:1; 35 mm; Arriflex Cameras; AUDIO: Mono Black and White](icons/bw.png) |
Breathless |
Jean-Luc Godard, W, ++, C, M «À bout de souffle» |
|
7.4 |
1946 |
D![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (RCA Photophone System) Black and White](icons/bw.png) |
Shoeshine |
Vittorio De Sica, W, W, ++, C, M «Sciuscià (Ragazzi)» |
|
6.9 |
1938 |
CMT![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono Black and White](icons/bw.png) |
The Lady Vanishes |
Alfred Hitchcock, W, W, ++, C, M, M |
|
7.6 |
2002 |
DWC![Color; Aspect: 1.85:1; 35 mm; AUDIO: Dolby Digital Color](icons/rgb.png) |
The Cuckoo |
Aleksandr Rogozhkin, W, C, M «Kukushka» |
|
3.6 |
2000 |
AAdDFanR![Color (Technicolor); Aspect: 2.35:1; 35 mm (Eastman EXR 50D 5245, Kodak Vision 250D 5246, Vision 320T 5277); Super 35; Arriflex 435 ES, Zeiss Lenses Moviecam Compact, Zeiss Lenses; AUDIO: Dolby Digital Color (Technicolor)](icons/rgb.png) |
Crouching Tiger, Hidden Dragon |
Ang Lee, W, W, ++, C, M «Wo hu cang long» |
|
6.3 |
1999 |
D![Color (Eastmancolor); Aspect: 2.35:1; 35 mm; Panavision (anamorphic); Panavision Cameras and Lenses; AUDIO: Dolby Digital Color (Eastmancolor)](icons/rgb.png) |
All About My Mother |
Pedro Almodóvar, W, C, M «Todo sobre mi madre» |
|
6.8 |
1996 |
Do![Color; Aspect: 1.66:1; AUDIO: Dolby Digital Color](icons/q-rgb.png) |
Microcosmos |
Claude Nuridsany, Marie Pérennou, W, W, C, M «Microcosmos: Le peuple de l'herbe» |
|
3.7 |
1993 |
D![Color; Aspect: 1.66:1; 35 mm; AUDIO: Dolby Color](icons/rgb.png) |
Naked |
Mike Leigh, W, C, M |
|
8.3 |
1992 |
![TV](icons/tv_icon.png) ![TV](icons/tv_icon.png) CrDM![Color; AUDIO: Dolby Color](icons/q-rgb.png) |
"A Touch of Frost" |
[ Roger Bamford, Paul Harrison, D++ ], [ W, W, W++ ], C, C, M, M, M TV series 1992- |
|
5.7 |
1991 |
DFanMcR![Color; Aspect: 1.66:1; 35 mm (Kodak); Moviecam Cameras; AUDIO: Dolby SR Color](icons/rgb.png) |
The Double Life of Veronique |
Krzysztof Kieslowski, W, W, C, M «La double vie de Véronique» |
|
8.1 |
1985 |
C![Color; Aspect: 1.37:1; 35 mm; Panavision Cameras and Lenses; AUDIO: Dolby Color](icons/rgb.png) |
Tampopo |
Jûzô Itami, W, C, M |
|
7.7 |
1980 |
DHW![Color (Eastmancolor); Aspect: 1.85:1; 35 mm; Panaflex Camera and Lenses by Panavision; AUDIO: Mono Color (Eastmancolor)](icons/rgb.png) |
Breaker Morant |
Bruce Beresford, W, W, ++, C «'Breaker' Morant» |
|
7.5 |
1977 |
DR![Color (Eastmancolor); Aspect: 1.66:1; 35 mm; AUDIO: Mono Color (Eastmancolor)](icons/rgb.png) |
The Lacemaker |
Claude Goretta, W, W, ++, C, M «La dentellière» |
|
7.3 |
1975 |
AAd![Color (Technicolor); Aspect: 2.35:1; 35 mm; Panavision (anamorphic) (as Panavision®); AUDIO: 4-Track Stereo Color (Technicolor)](icons/rgb.png) |
The Man Who Would Be King |
John Huston, W, W, ++, C, M |
|
5.6 |
1974 |
DMT![Color (Technicolor); Aspect: 1.37:1; 35 mm; AUDIO: Mono, Dolby Digital (restored version) Color (Technicolor)](icons/rgb.png) |
The Conversation |
Francis Ford Coppola, W, C, C, M |
|
6.4 |
1974 |
BD![Color (Eastmancolor); Aspect: 1.66:1; 8 mm 35 mm; AUDIO: Mono Color (Eastmancolor)](icons/rgb.png) |
The Enigma of Kaspar Hauser |
Werner Herzog, W, ++, C «Jeder für sich und Gott gegen alle» |
|
6.5 |
1973 |
CDFanMc![Color (Eastmancolor); Aspect: 1.85:1; 35 mm; AUDIO: Mono Color (Eastmancolor)](icons/rgb.png) |
O Lucky Man! |
Lindsay Anderson, W, C, M |
|
6.3 |
1972 |
DMl![Color (Technicolor); Aspect: 1.85:1; 35 mm; AUDIO: 4-Track Stereo, Dolby Digital (DVD version) Color (Technicolor)](icons/rgb.png) |
Cabaret |
Bob Fosse, W, W, ++, C, M, M |
|
6.7 |
1969 |
D![Black and White, Color; Aspect: 1.85:1; 35 mm; AUDIO: Mono, Dolby Digital (DVD Release) Black and White, Color](icons/rgb-bw.png) |
Midnight Cowboy |
John Schlesinger, W, W, C, M |
|
7.0 |
1969 |
D![Black and White, Color; Aspect: 2.35:1; 35 mm; Panavision (anamorphic); AUDIO: 4-Track Stereo Black and White, Color](icons/rgb-bw.png) |
They Shoot Horses, Don't They? |
Sydney Pollack, W, W, ++, C, M |
|
6.6 |
1967 |
CrDHoT![Color (Technicolor); Aspect: 1.85:1; 35 mm; AUDIO: Mono Color (Technicolor)](icons/rgb.png) |
Wait Until Dark |
Terence Young, W, W, ++, C, M |
|
5.3 |
1958 |
C![Color (Eastmancolor); Aspect: 1.37:1; 35 mm; AUDIO: Mono Color (Eastmancolor)](icons/rgb.png) |
Mon Oncle |
Jacques Tati, W, W, ++, C, M, M, M «Mon oncle» |
|
8.0 |
1952 |
CD![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (RCA Sound System) Black and White](icons/bw.png) |
Bellissima |
Luchino Visconti, W, W, ++, C, C |
|
7.5 |
1947 |
CDFFan![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Recording) Black and White](icons/bw.png) |
Miracle on 34th Street |
George Seaton, W, W, C, C, M |
|
6.7 |
1944 |
CrDNMT![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Sound System) Black and White](icons/bw.png) |
Gaslight |
George Cukor, W, W, ++, C, M |
|
7.0 |
2006 |
D![Color; Aspect: 1.85:1; 35 mm (Kodak Vision2 500T 5218, Vision 250D 5246, Vision 200T 5274, Vision 500T 5279); AUDIO: Dolby Digital Color](icons/rgb.png) |
Red Like the Sky |
Cristiano Bortone, W, W, ++, C, M «Rosso come il cielo» |
|
? |
2005 |
D![Color; AUDIO: Dolby Digital Color](icons/q-rgb.png) |
Na Verkhney Maslovke |
Konstantin Khudyakov, W, W, ++ |
|
? |
2004 |
AnSCF![Color; Color](icons/q-rgb.png) |
Burevestnik |
Aleksey Turkus, W, W, ++, M, M TV |
|
7.5 |
2004 |
FanMRT![Black and White, Color; Aspect: 1.85:1 Black and White, Color](icons/rgb-bw.png) |
Survive Style 5+ |
Gen Sekiguchi, W, C, M |
|
5.0 |
2003 |
AnC![Color; Aspect: 1.66:1; Video; AUDIO: Dolby Digital Color](icons/v-rgb.png) |
The Triplets of Belleville |
Sylvain Chomet, W, M «Les triplettes de Belleville» |
|
7.0 |
2000 |
CDW![Color; Aspect: 1.85:1; AUDIO: Dolby Digital Color](icons/q-rgb.png) |
Divided We Fall |
Jan Hrebejk, W, W, ++, C, M «Musíme si pomáhat» |
|
4.8 |
2000 |
CAdCrMc![Color; Aspect: 2.35:1; 35 mm (Eastman EXR 100T 5248, Kodak Vision 500T 5279, EXR 200T 5293); Digital Intermediate (2K) (master format) Super 35 (source format); Arriflex 535B, Cooke S4 Lenses; AUDIO: DTS, Dolby Digital, SDDS Color](icons/rgb.png) |
O Brother, Where Art Thou? |
Joel Coen, ++, W, W, ++, C, M |
|
4.9 |
1998 |
DMcMl![Color; Aspect: 1.78:1; 35 mm (Kodak); AUDIO: Dolby Digital Color](icons/rgb.png) |
"Great Performances" Cats |
David Mallet, W, C |
|
2.1 |
1998 |
CD![Color; Aspect: 1.85:1; 35 mm (Kodak); Panavision Cameras and Lenses; AUDIO: Dolby Color](icons/rgb.png) |
Happiness |
Todd Solondz, W, C, M |
|
6.8 |
1998 |
ASfT![Black and White, Color; Aspect: 1.85:1; 35 mm (Eastman EXR 100T 5248, EXR 200T 5293) Video (selected scenes); Arriflex 535; AUDIO: Dolby Digital Black and White, Color](icons/rgb-bw.png) |
Run Lola Run |
Tom Tykwer, W, C, M, M, M «Lola rennt» |
|
6.9 |
1993 |
AAdCrMT![Color; Aspect: 1.85:1; 35 mm (also horizontal); Spherical VistaVision (effects shots); Panavision Cameras and Lenses; AUDIO: Dolby (as Dolby Stereo) Color](icons/rgb.png) |
The Fugitive |
Andrew Davis, W, W, ++, C, M |
|
6.7 |
1991 |
CD![Color; Aspect: 1.85:1; 35 mm (Eastman EXR 500T 5296); Arriflex 35 BL3, Zeiss Super Speed Lenses; AUDIO: Dolby Color](icons/rgb.png) |
Night on Earth |
Jim Jarmusch, W, C, M |
|
7.3 |
1989 |
AnSAdCF![Color; Aspect: 1.33:1; AUDIO: Mono Color](icons/q-rgb.png) |
A Grand Day Out |
Nick Park, W, C, M |
|
? |
1981 |
AnSM![Color; Color](icons/q-rgb.png) |
Khalif-aist |
Valeriy Ugarov, W, W, ++, C, M TV |
|
7.7 |
1981 |
D![Color (Eastmancolor); Aspect: 1.66:1; 35 mm; AUDIO: Mono Color (Eastmancolor)](icons/rgb.png) |
Mephisto |
István Szabó, W, W, ++, C, M |
|
6.9 |
1981 |
ACrDT![Color; Aspect: 1.66:1; 35 mm (Kodak); Panavision Cameras and Lenses; AUDIO: Mono Color](icons/rgb.png) |
The Professional |
Georges Lautner, W, W, ++, C, M «Le professionnel» |
|
7.2 |
1980 |
C![Color (Metrocolor); Aspect: 1.85:1; 35 mm; Lenses and Panaflex Camera by Panavision; AUDIO: 4-Track Stereo Color (Metrocolor)](icons/rgb.png) |
Airplane! |
Jim Abrahams, David Zucker, ++, W, W, ++, C, M |
|
8.3 |
1980 |
CDR![Black and White (archive footage), Color (Eastmancolor); Aspect: 1.66:1; AUDIO: Mono Black and White (archive footage), Color (Eastmancolor)](icons/rgb-bw.png) |
Mon oncle d'Amérique |
Alain Resnais, W, W, C, M |
|
6.6 |
1979 |
DFanMcMl![Color (Technicolor); Aspect: 1.85:1; 35 mm; Lenses and Panaflex Camera by Panavision; AUDIO: Dolby Color (Technicolor)](icons/rgb.png) |
All That Jazz |
Bob Fosse, W, W, C, M |
|
10.0 |
1976 |
DW![Color (Eastmancolor); Aspect: 1.37:1; 35 mm; Arriflex Cameras; AUDIO: Mono Color (Eastmancolor)](icons/rgb.png) |
The Fifth Seal |
Zoltán Fábri, W, W, C, M «Az ötödik pecsét» |
|
6.8 |
1975 |
CW![Color; Aspect: 1.33:1; 35 mm; Panavision Cameras and Lenses; AUDIO: Mono Color](icons/rgb.png) |
Love and Death |
Woody Allen, W, C |
|
8.0 |
1975 |
DTW![Color (Eastmancolor); Aspect: 1.85:1; 35 mm; AUDIO: Mono Color (Eastmancolor)](icons/rgb.png) |
The Old Gun |
Robert Enrico, W, W, ++, C, M «Le vieux fusil» |
|
? |
1972 |
FC![Color; AUDIO: Mono Color](icons/q-rgb.png) |
Vnimanie, cherepakha! |
Rolan Bykov, W, W, C, M |
|
7.9 |
1972 |
CR![Color (Technicolor); Aspect: 1.85:1; 35 mm; Panavision Cameras and Lenses; AUDIO: Mono Color (Technicolor)](icons/rgb.png) |
What's Up, Doc? |
Peter Bogdanovich, W, W, ++, C, M |
|
7.7 |
1969 |
D![Color; Aspect: 1.66:1; 35 mm; AUDIO: Mono Color](icons/rgb.png) |
Kes |
Ken Loach, W, ++, C, M |
|
6.9 |
1965 |
CRD![Black and White; Aspect: 1.37:1; AUDIO: Mono Black and White](icons/bw.png) |
Loves of a Blonde |
Milos Forman, W, ++, C, M «Lásky jedné plavovlásky» |
|
6.3 |
1964 |
D![Black and White; Aspect: 1.85:1; 35 mm; AUDIO: Mono (Westrex Recording System) Black and White](icons/bw.png) |
The Night of the Iguana |
John Huston, W, W, ++, C, M |
|
6.8 |
1955 |
CCr![Color (Technicolor); Aspect: 1.37:1; 35 mm; AUDIO: Mono (RCA Sound Recording) Color (Technicolor)](icons/rgb.png) |
The Ladykillers |
Alexander Mackendrick, W, ++, C, M |
|
10.0 |
1947 |
CFFanMlR![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono Black and White](icons/bw.png) |
Zolushka |
Nadezhda Kosheverova, Mikhail Shapiro, W, C, M |
|
8.0 |
2004 |
CAnS![Color; Aspect: 1.85:1; Digital; Digital; AUDIO: Dolby Digital Color](icons/d-rgb.png) |
Fallen Art |
Tomasz Baginski, W, M «Sztuka spadania» |
|
6.4 |
2004 |
CRMcDW![Color; Aspect: 1.85:1; AUDIO: DTS, Dolby Digital Color](icons/q-rgb.png) |
Life is a Miracle |
Emir Kusturica, W, W, C, M, M «Zivot je cudo» |
|
5.5 |
2004 |
DT![Color; Aspect: 2.35:1; 35 mm (Kodak Vision 500T 5279); Digital Intermediate (2K) (master format) Super 35 (source format); Arriflex 35 BL4, Zeiss and Canon Lenses Arriflex 435, Zeiss and Canon Lenses Arriflex 535, Zeiss and Canon Lenses; AUDIO: Dolby Digital, DTS Color](icons/rgb.png) |
The Machinist |
Brad Anderson, W, C, M |
|
6.6 |
2003 |
CDR![Black and White (archive footage), Color; Aspect: 1.85:1; 35 mm (Kodak) 8 mm (some scenes); Moviecam Cameras; AUDIO: Dolby Digital Black and White (archive footage), Color](icons/rgb-bw.png) |
Good Bye Lenin! |
Wolfgang Becker, W, W, ++, C, M |
|
? |
2002 |
AnS![Color; Color](icons/q-rgb.png) |
Podozhdi, pozhaluy |
Elizaveta Skvortsova, M, M |
|
8.5 |
1998 |
CCrD![Color; Color](icons/q-rgb.png) |
Strana glukhikh |
Valeriy Todorovskiy, W, W, ++, C, M |
|
4.2 |
1997 |
AAdSf![Color (Technicolor); Aspect: 2.35:1; 35 mm (Eastman EXR 50D 5245, EXR 100T 5248, EXR 200T 5293); Super 35; Arriflex 35 IIC, Zeiss Standard Speed and Super Speed Lenses Arriflex 35 IIIC, Zeiss Standard Speed and Super Speed Lenses Arriflex 435, Zeiss Standard Speed and Super Speed Lenses Arriflex 535B, Zeiss Standard Speed and Super Speed Lenses Bell & Howell Eyemo; AUDIO: SDDS, Dolby Digital Color (Technicolor)](icons/rgb.png) |
The Fifth Element |
Luc Besson, W, ++, C, M |
|
5.4 |
1995 |
DFanWe![Black and White; Aspect: 1.85:1; 35 mm; Moviecam and Arriflex Cameras; AUDIO: Dolby, Dolby SR Black and White](icons/bw.png) |
Dead Man |
Jim Jarmusch, W, C, M |
|
7.0 |
1995 |
DR![Color (Technicolor); Aspect: 1.85:1; 35 mm; AUDIO: Dolby SR, SDDS (8 channels), Dolby Digital Color (Technicolor)](icons/rgb.png) |
Sense and Sensibility |
Ang Lee, W, W, C, M |
|
5.8 |
1995 |
AdFanSf![Color; Aspect: 1.85:1; 35 mm (Eastman EXR 100T 5248, EXR 200T 5293); Technovision Cameras; AUDIO: DTS, Dolby SR Color](icons/rgb.png) |
The City of Lost Children |
Marc Caro, Jean-Pierre Jeunet, W, W, ++, C, M «La cité des enfants perdus» |
|
7.5 |
1994 |
CrT![Color; Aspect: 2.35:1; 35 mm; Panavision (anamorphic); AUDIO: Stereo, Dolby SR Color](icons/rgb.png) |
A Pure Formality |
Giuseppe Tornatore, W, ++, C, M «Una pura formalità» |
|
3.8 |
1993 |
CD![Color; Aspect: 2.20:1; 35 mm (Agfa XT 100, XTS 400); Super 35; Camera and Lenses by Panavision; AUDIO: Dolby (as Dolby Stereo), 70 mm 6-Track (70 mm prints) Color](icons/rgb.png) |
Short Cuts |
Robert Altman, W, W, ++, C, M |
|
6.7 |
1991 |
CFanSf![Color; Aspect: 1.66:1; 35 mm (Kodak); Technovision Cameras; AUDIO: Dolby Color](icons/rgb.png) |
Delicatessen |
Marc Caro, Jean-Pierre Jeunet, W, W, ++, C, M |
|
6.5 |
1990 |
CD![Color (Technicolor); Aspect: 1.85:1; 35 mm; Panavision Cameras, Primo Lenses; AUDIO: Dolby Digital Color (Technicolor)](icons/rgb.png) |
Rosencrantz & Guildenstern Are Dead |
Tom Stoppard, W, ++, C, M |
|
7.0 |
1988 |
DW![Black and White; Aspect: 2.35:1; 35 mm; Sovscope; AUDIO: Mono Black and White](icons/bw.png) |
The Commissar |
Aleksandr Askoldov, W, W, C, M «Komissar» |
|
7.8 |
1982 |
RDA![Color; Aspect: 1.33:1; AUDIO: Mono Color](icons/q-rgb.png) |
The Scarlet Pimpernel |
Clive Donner, W, W, C, M TV |
|
7.3 |
1979 |
CCr![Color (Eastmancolor); Panavision; AUDIO: Mono Color (Eastmancolor)](icons/q-rgb.png) |
Buffet Froid |
Bertrand Blier, W, C, M «Buffet froid» |
|
? |
1979 |
CD![Color; Color](icons/q-rgb.png) |
Fantazii Faryateva |
Ilya Averbakh, W, W, C, M TV |
|
? |
1977 |
CMlR |
Truffaldino iz Bergamo |
Vladimir Vorobyov, W, W, ++, C, M TV |
|
? |
1977 |
DR![Color; Aspect: 2.35:1; 35 mm; Sovscope; AUDIO: Mono Color](icons/rgb.png) |
V chetverg i bolshe nikogda |
Anatoli Efros, W, C |
|
8.8 |
1976 |
CD![Color (Technicolor); 35 mm; AUDIO: Mono Color (Technicolor)](icons/rgb.png) |
Ugly, Dirty and Bad |
Ettore Scola, W, W, ++, C, M «Brutti, sporchi e cattivi» |
|
3.8 |
1966 |
DMT![Color (Metrocolor); Aspect: 1.85:1; 35 mm; AUDIO: Mono Color (Metrocolor)](icons/rgb.png) |
Blow-Up |
Michelangelo Antonioni, W, W, ++, C, M «Blowup» |
|
8.1 |
1952 |
CD![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Sound) Black and White](icons/bw.png) |
Le Plaisir |
Max Ophüls, W, W, ++, C, C, M «Le plaisir» |
|
5.8 |
2000 |
DMR![Color; Aspect: 2.35:1; 35 mm (Kodak); Super 35; Panavision Cameras and Lenses; AUDIO: Dolby Digital Color](icons/rgb.png) |
The Princess and the Warrior |
Tom Tykwer, W, C, M, M, M «Der Krieger und die Kaiserin» |
|
4.0 |
1999 |
D![Color; Aspect: 1.66:1; 16 mm; Super 16; AUDIO: Dolby SR Color](icons/rgb.png) |
Rosetta |
Jean-Pierre Dardenne, Luc Dardenne, W, W, C, M |
|
8.0 |
1991 |
D![Color; Aspect: 1.85:1; 35 mm; AUDIO: Dolby Color](icons/rgb.png) |
Close to Eden |
Nikita Mikhalkov, W, ++, C, M «Urga» |
|
5.8 |
1988 |
CCr![Color (Technicolor); Aspect: 1.37:1; 35 mm (Agfa XT); Panaflex Camera and Lenses by Panavision; AUDIO: Mono Color (Technicolor)](icons/rgb.png) |
A Fish Called Wanda |
Charles Crichton, ++, W, W, ++, C, M |
|
10.0 |
1980 |
CDHMlR![Color; Aspect: 1.37:1; 35 mm; Arriflex Cameras and Lenses Color](icons/rgb.png) |
Say a Word for the Poor Hussar |
Eldar Ryazanov, W, W, C, M «O bednom gusare zamolvite slovo» TV |
|
9.1 |
1979 |
DR![Black and White, Color (Sovcolor); Aspect: 1.37:1; 35 mm; AUDIO: Mono Black and White, Color (Sovcolor)](icons/rgb-bw.png) |
Five Evenings |
Nikita Mikhalkov, W, W, ++, C, M «Pyat vecherov» |
|
7.5 |
1976 |
CCr![Color (Technicolor); Aspect: 1.85:1; 35 mm; AUDIO: Mono Color (Technicolor)](icons/rgb.png) |
High Rollers |
Sergio Corbucci, W, W, ++, C, M «Bluff storia di truffe e di imbroglioni» |
|
9.5 |
1975 |
C![Color; AUDIO: Mono Color](icons/q-rgb.png) |
Hello, I'm Your Aunt! |
Viktor Titov, W, W, C, M «Zdravstvuyte, ya vasha tyotya!» TV |
|
? |
1972 |
FC![Color; AUDIO: Mono Color](icons/q-rgb.png) |
Tochka, tochka, zapyataya... |
Aleksandr Mitta, W, W, C, M |
|
? |
1969 |
AnSF![Color (Sovcolor); Color (Sovcolor)](icons/q-rgb.png) |
Krokodil Gena |
Roman Kachanov, W, W, C, M |
|
8.1 |
1967 |
C![Color (Eastmancolor); Aspect: 2.35:1; 35 mm; Franscope; AUDIO: Mono Color (Eastmancolor)](icons/rgb.png) |
Oscar |
Edouard Molinaro, W, W, ++, C, M, M |
|
6.8 |
1966 |
CCrR![Color; Aspect: 2.35:1; 35 mm; Panavision (anamorphic) (as Panavision ®); AUDIO: Mono (Westrex Recording System) Color](icons/rgb.png) |
How to Steal a Million |
William Wyler, W, W, C, M |
|
6.0 |
1966 |
DS![Black and White; 35 mm; AUDIO: Mono Black and White](icons/bw.png) |
Patriotism |
Masaki Dômoto, Yukio Mishima, W, C «Yûkoku» |
|
5.1 |
1963 |
AAdCCr![Color (Technicolor); Aspect: 2.76:1; 65 mm; Ultra Panavision 70 (anamorphic); AUDIO: 4-Track Stereo (Westrex Recording System) (35mm prints), 70 mm 6-Track (Westrex Recording System) (70 mm prints) Color (Technicolor)](icons/rgb.png) |
It's a Mad Mad Mad Mad World |
Stanley Kramer, W, W, C, M |
|
6.7 |
1961 |
AAdDW![Black and White (archive footage), Color (Eastmancolor); Aspect: 2.20:1; 35 mm (Eastman 50T 5250); CinemaScope (anamorphic); AUDIO: 4-Track Stereo (35 mm magnetic prints), 70 mm 6-Track (70 mm prints) (Japan theatrical release), Mono (35 mm optical prints), Dolby (Restored version) Black and White (archive footage), Color (Eastmancolor)](icons/rgb-bw.png) |
The Guns of Navarone |
J. Lee Thompson, ++, W, W, C, M |
|
6.0 |
1946 |
CrDNMRT![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Sound System) Black and White](icons/bw.png) |
The Postman Always Rings Twice |
Tay Garnett, W, W, ++, C, M |
|
7.9 |
2007 |
DFanSf![Black and White; 16 mm; Super 16; AUDIO: Dolby Digital Black and White](icons/bw.png) |
La antena |
Esteban Sapir, W, C, M |
|
6.4 |
1998 |
D![Color; Aspect: 1.66:1; 16 mm; Super 16; AUDIO: Dolby SR Color](icons/rgb.png) |
The Dreamlife of Angels |
Erick Zonca, W, W, ++, C, C, M «La vie rêvée des anges» |
|
? |
1998 |
DW![Color; 35 mm Color](icons/rgb.png) |
Vremya tantsora |
Vadim Abdrashitov, W, C, C, M |
|
5.1 |
1995 |
CD![Color; Aspect: 1.85:1; 35 mm; AUDIO: Dolby Color](icons/rgb.png) |
Welcome to the Dollhouse |
Todd Solondz, W, C, M |
|
6.2 |
1994 |
C![Color (Technicolor); Aspect: 1.85:1; 35 mm; Panaflex Cameras and Lenses by Panavision; AUDIO: Mono Color (Technicolor)](icons/rgb.png) |
Bullets Over Broadway |
Woody Allen, W, W, C |
|
7.0 |
1992 |
CCr![Color; Aspect: 1.85:1; 35 mm; Panavision Cameras and Lenses; AUDIO: Dolby SR Color](icons/rgb.png) |
My Cousin Vinny |
Jonathan Lynn, W, C, M |
|
5.8 |
1991 |
BDMcR![Color; Video; AUDIO: Dolby Color](icons/v-rgb.png) |
All the Mornings of the World |
Alain Corneau, W, W, ++, C, M «Tous les matins du monde» |
|
7.7 |
1989 |
D![Color; Aspect: 1.85:1; 35 mm; AUDIO: Dolby Color](icons/rgb.png) |
Jesus of Montreal |
Denys Arcand, W, C, M, M, M «Jésus de Montréal» |
|
6.5 |
1988 |
CFan![Color (Technicolor); Aspect: 1.85:1; 35 mm (Eastman 125T 5247, 400T 5295); Panaflex Camera and Lenses by Panavision; AUDIO: Dolby Color (Technicolor)](icons/rgb.png) |
Beetlejuice |
Tim Burton, W, W, ++, C, M «Beetle Juice» |
|
10.0 |
1987 |
D![Color; Color](icons/q-rgb.png) |
Peremena uchasti |
Kira Muratova, W, W, C |
|
6.4 |
1982 |
FAnFan![Color; Aspect: 1.85:1; 35 mm; AUDIO: Dolby Color](icons/rgb.png) |
The Last Unicorn |
Jules Bass, Arthur Rankin Jr., W, M |
|
10.0 |
1981 |
![Color; 35 mm; AUDIO: Mono Color](icons/rgb.png) |
Motsurave |
Irakli Kvirikadze, W, C, M |
|
? |
1976 |
AnSF![Color; Color](icons/q-rgb.png) |
38 popugaev |
Ivan Ufimtsev, W, C, M |
|
6.1 |
1976 |
CMTCr![Color (Metrocolor); Aspect: 1.33:1; 35 mm; Panaflex Camera and Lenses by Panavision; AUDIO: Mono Color (Metrocolor)](icons/rgb.png) |
Murder by Death |
Robert Moore, W, C, M |
|
8.7 |
1976 |
C![Color (Eastmancolor); Panavision; AUDIO: Mono Color (Eastmancolor)](icons/q-rgb.png) |
The Toy |
Francis Veber, W, C, M «Le jouet» |
|
6.3 |
1975 |
DMRT![Color (Technicolor); Aspect: 2.35:1; 35 mm (Eastman 100T 5254); Panavision (anamorphic); Panavision Cameras and Lenses; AUDIO: Mono Color (Technicolor)](icons/rgb.png) |
Three Days of the Condor |
Sydney Pollack, W, W, ++, C, M |
|
? |
1972 |
F![Black and White; Black and White](icons/bw.png) |
Okh, uzh eta Nastya! |
Yuri Pobedonostsev, W, C, C, M |
|
8.9 |
1969 |
AnAdCFFanR![Color (Eastmancolor); Aspect: 2.35:1; 35 mm; Toeiscope; AUDIO: Mono Color (Eastmancolor)](icons/rgb.png) |
Puss in Boots |
Kimio Yabuki, W, W, ++, M «Nagagutsu o haita neko» |
|
7.2 |
1940 |
AnAdDFFanMc![Color (Technicolor); Aspect: 1.33:1; 35 mm; AUDIO: Mono (RCA Victor High Fidelity Sound System) Color (Technicolor)](icons/rgb.png) |
Pinocchio |
Norman Ferguson, T. Hee, ++, W, W, ++, M, M |
|
6.5 |
1935 |
DoW![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Tobis-Klangfilm) Black and White](icons/bw.png) |
Triumph of the Will |
Leni Riefenstahl, W, W, ++, C, C, C++, M «Triumph des Willens» |
|
7.2 |
2003 |
DR![Color; Aspect: 1.75:1; AUDIO: DTS, Dolby Digital Color](icons/q-rgb.png) |
The Stroll |
Aleksey Uchitel, W, C, C «Progulka» |
|
8.0 |
2000 |
DMc![Color; AUDIO: Dolby Digital Color](icons/q-rgb.png) |
Tonic Dominant |
Lina Chamie, W, C «Tônica Dominante» |
|
5.9 |
1997 |
ACCrRT![Color; Aspect: 1.85:1; 35 mm (Eastman); AUDIO: Dolby Digital, SDDS Color](icons/rgb.png) |
Grosse Pointe Blank |
George Armitage, W, ++, C |
|
7.9 |
1995 |
CrD![Color; Aspect: 1.85:1; 35 mm (Eastman EXR 50D 5245, EXR 500T 5298); Arriflex 35-III, Panavision Primo Lenses Panavision Panaflex Platinum, Panavision Primo Lenses; AUDIO: Dolby Color](icons/rgb.png) |
Cyclo |
Tran Anh Hung, W, C, C, M «Xich lo» |
|
6.0 |
1990 |
ADT![Color (Eastmancolor); Aspect: 2.35:1; 35 mm; Technovision (anamorphic); AUDIO: Dolby Color (Eastmancolor)](icons/rgb.png) |
La Femme Nikita |
Luc Besson, W, C, M «Nikita» |
|
8.1 |
1989 |
DW![Color; Aspect: 2.35:1; 35 mm; Panavision (anamorphic); AUDIO: Dolby Color](icons/rgb.png) |
Life and Nothing But |
Bertrand Tavernier, W, W, ++, C, M «La vie et rien d'autre» |
|
6.6 |
1986 |
DR![Color (Fujicolor); Aspect: 1.66:1; 35 mm; AUDIO: Mono Color (Fujicolor)](icons/rgb.png) |
Betty Blue |
Jean-Jacques Beineix, W, W, C, M «37°2 le matin» |
|
6.8 |
1986 |
AdFFanMl![Color; Aspect: 2.20:1; 35 mm; J-D-C Scope (anamorphic); AUDIO: Dolby Color](icons/rgb.png) |
Labyrinth |
Jim Henson, W, W, ++, C, M |
|
6.2 |
1985 |
D![Color (Metrocolor); Aspect: 1.85:1; 35 mm; AUDIO: Mono Color (Metrocolor)](icons/rgb.png) |
Kiss of the Spider Woman |
Hector Babenco, W, W, C, M, M |
|
9.6 |
1983 |
HMl![Color (Fujicolor); 35 mm; AUDIO: Mono Color (Fujicolor)](icons/rgb.png) |
Le Bal |
Ettore Scola, W, W, ++, C, M «Le bal» |
|
8.9 |
1982 |
CMlRSf![Color; Color](icons/q-rgb.png) |
Charodei |
Konstantin Bromberg, W, ++, C, M TV |
|
? |
1982 |
AnS![Color; Aspect: 1.33:1 Color](icons/q-rgb.png) |
Karandash i lastik |
Elena Gavrilko, W |
|
7.5 |
1982 |
BCrDHMR![Color (Fujicolor); Aspect: 1.66:1; 35 mm; AUDIO: Mono Color (Fujicolor)](icons/rgb.png) |
The Return of Martin Guerre |
Daniel Vigne, W, W, ++, C, M «Le retour de Martin Guerre» |
|
6.7 |
1982 |
CDR![Color (Technicolor); Aspect: 2.35:1; 35 mm (Eastman 250T 5293); Panavision (anamorphic); Panaflex Lenses and Cameras by Panavision; AUDIO: Mono Color (Technicolor)](icons/rgb.png) |
Tootsie |
Sydney Pollack, W, W, ++, C, M |
|
5.2 |
1981 |
T![Color (Eastmancolor); Aspect: 1.66:1; 35 mm; Panaflex Cameras and Lenses by Panavision; AUDIO: Mono Color (Eastmancolor)](icons/rgb.png) |
Diva |
Jean-Jacques Beineix, W, W, ++, C, M |
|
5.3 |
1979 |
DTCr![Color (Metrocolor); Aspect: 1.85:1; 35 mm; Panaflex Camera and Lenses by Panavision; AUDIO: Mono Color (Metrocolor)](icons/rgb.png) |
...And Justice for All. |
Norman Jewison, W, W, C, M |
|
9.5 |
1976 |
AnSFMl![Color; Color](icons/q-rgb.png) |
Goluboy shchenok |
Efim Gamburg, W, W, C, M |
|
3.8 |
1974 |
CD![Color (Eastmancolor); Aspect: 1.66:1; 35 mm; AUDIO: Mono Color (Eastmancolor)](icons/rgb.png) |
Going Places |
Bertrand Blier, W, ++, C, M «Les valseuses» |
|
8.4 |
1973 |
C![Color (Eastmancolor); Aspect: 1.66:1; 35 mm Spherical; AUDIO: Mono Color (Eastmancolor)](icons/rgb.png) |
The Mad Adventures of 'Rabbi' Jacob |
Gérard Oury, W, W, ++, C, M «Les aventures de Rabbi Jacob» |
|
6.6 |
1971 |
DR![Color (Technicolor); Aspect: 1.85:1; 35 mm; AUDIO: Mono Color (Technicolor)](icons/rgb.png) |
The Go-Between |
Joseph Losey, W, W, ++, C, M |
|
7.1 |
1952 |
|
Fan-Fan the Tulip |
«Fanfan la Tulipe» |
|
8.0 |
2008 |
CD![Color; Aspect: 1.85:1; 16 mm Digital; Digital Intermediate (master format) HD 1080i (source format) Super 16 (source format); Arriflex 416 Arriflex D-20; AUDIO: Dolby Digital Color](icons/d-rgb.png) |
Dean Spanley |
Toa Fraser, W, W, C, M |
|
5.9 |
2008 |
AAdC![Color, Black and White; Aspect: 2.35:1; 35 mm (Kodak); Digital Intermediate (2K) (master format) Super 35 (source format); Arricam LT, Zeiss Master Prime and Angenieux Optimo Lenses Arriflex 435 Advanced, Zeiss Master Prime and Angenieux Optimo Lenses; AUDIO: Dolby Digital EX Color, Black and White](icons/rgb-bw.png) |
The Good, the Bad, the Weird |
Kim Jee-Woon, W, W, C, C, M, M «Joheunnom nabbeunnom isanghannom» |
|
8.5 |
2007 |
CDFan![Color; Aspect: 1.85:1; 35 mm (Kodak); Super 35 (anamorphic); Arriflex Cameras (35 mm); AUDIO: Dolby Digital Color](icons/rgb.png) |
Mermaid |
Anna Melikyan, W, C, M «Rusalka» |
|
5.5 |
2003 |
BCrD![Color; Aspect: 1.85:1; 35 mm (Kodak Vision2 500T 5218, Vision 200T 5274); Panavision Cameras and Lenses; AUDIO: DTS, Dolby Digital Color](icons/rgb.png) |
Monster |
Patty Jenkins, W, C, M |
|
9.5 |
2000 |
AnSCFSf![Color; Aspect: 1.66:1; AUDIO: Dolby SR Color](icons/q-rgb.png) |
Au bout du monde |
Konstantin Bronzit, W, C |
|
7.2 |
2000 |
CDR![Color; Aspect: 2.35:1; 35 mm (Fuji Super F-500T 8572); Super 35; Arriflex 535B, Cooke S4 Lenses; AUDIO: Dolby Digital, DTS Color](icons/rgb.png) |
The Taste of Others |
Agnès Jaoui, W, W, C, M «Le goût des autres» |
|
6.1 |
1999 |
CDMc![Color; Aspect: 1.85:1; 35 mm; Panavision Cameras and Lenses; AUDIO: Dolby Digital (Mono) Color](icons/rgb.png) |
Sweet and Lowdown |
Woody Allen, W, C |
|
8.9 |
1998 |
D![Color; Aspect: 1.33:1; 35 mm (Kodak Vision 500T 5279, Eastman EXR 200T 5293); Panavision Cameras and Lenses Color](icons/rgb.png) |
Always Outnumbered |
Michael Apted, W, C, M TV |
|
6.6 |
1993 |
FanDMR![Black and White, Color; Aspect: 1.85:1; 35 mm; AUDIO: Dolby Black and White, Color](icons/rgb-bw.png) |
Faraway, So Close! |
Wim Wenders, W, W, ++, C, M, M «In weiter Ferne, so nah!» |
|
7.2 |
1990 |
CDR![Color; Aspect: 2.35:1; 35 mm; Panavision (anamorphic); AUDIO: Mono Color](icons/rgb.png) |
The Hairdresser's Husband |
Patrice Leconte, W, W, C, M «Le mari de la coiffeuse» |
|
6.2 |
1988 |
CCr![Color; Aspect: 1.37:1; 35 mm; Arriflex Cameras; AUDIO: Dolby SR Color](icons/rgb.png) |
Dirty Rotten Scoundrels |
Frank Oz, W, W, ++, C, M |
|
? |
1988 |
D![Color; 35 mm; AUDIO: Mono Color](icons/rgb.png) |
Vy chyo, starichyo? |
Iosif Kheifits, W, W, C, M |
|
6.8 |
1980 |
AC![Color; Aspect: 2.35:1; 35 mm (2-perf); Techniscope; AUDIO: Mono Color](icons/rgb.png) |
The Gods Must Be Crazy |
Jamie Uys, W, C, C, C, M |
|
6.6 |
1978 |
DMc![Color (Technicolor); Aspect: 1.37:1; 35 mm; AUDIO: Mono Color (Technicolor)](icons/rgb.png) |
Orchestra Rehearsal |
Federico Fellini, W, ++, C, M «Prova d'orchestra» |
|
7.0 |
1978 |
DoS![Black and White; Silent](icons/bw.png) |
Ten Minutes Older |
Herz Frank, W, C «Par desmit minutem vecaks» |
|
7.2 |
1976 |
C![Color (Eastmancolor); Aspect: 2.35:1; 35 mm; Panavision (anamorphic); AUDIO: Mono Color (Eastmancolor)](icons/rgb.png) |
The Wing and the Thigh |
Claude Zidi, W, W, C, C, M «L'aile ou la cuisse» |
|
9.0 |
1976 |
D![Color; 35 mm; AUDIO: Mono Color](icons/rgb.png) |
The Wishing Tree |
Tengiz Abuladze, W, W, ++, C, M, M «Natvris khe» |
|
7.2 |
1972 |
CM![Color (Eastmancolor); Aspect: 1.66:1; 35 mm; AUDIO: Mono Color (Eastmancolor)](icons/rgb.png) |
The Tall Blond Man with One Black Shoe |
Yves Robert, W, W, C, M «Le grand blond avec une chaussure noire» |
|
10.0 |
1971 |
D![Color (Eastmancolor); Aspect: 1.66:1; 35 mm; Arriflex Cameras; AUDIO: Mono Color (Eastmancolor)](icons/rgb.png) |
Sinbad |
Zoltán Huszárik, W, W, ++, C, M «Szindbád» |
|
8.6 |
1970 |
CD![Black and White; 35 mm; AUDIO: Mono Black and White](icons/bw.png) |
Once Upon a Time There Was a Singing Blackbird |
Otar Iosseliani, W, W, ++, C, M «Iko shashvi mgalobeli» |
|
5.0 |
1967 |
CHo![Color; Aspect: 2.35:1; 35 mm; Panavision (anamorphic); Panavision Lenses; AUDIO: Mono (RCA Sound Recording) Color](icons/rgb.png) |
The Fearless Vampire Killers |
Roman Polanski, W, W, C, M «Dance of the Vampires» |
|
9.5 |
1966 |
C![Black and White; Aspect: 1.75:1; 35 mm; AUDIO: Mono Black and White](icons/bw.png) |
The Birds, the Bees and the Italians |
Pietro Germi, W, W, ++, C, M «Signore & signori» |
|
? |
1965 |
AnS![Color; 35 mm; AUDIO: Mono Color](icons/rgb.png) |
Kanikuly Bonifatsiya |
Fyodor Khitruk, W, W, C, M |
|
9.0 |
1965 |
C![Black and White; Aspect: 2.35:1; 35 mm; Sovscope Black and White](icons/bw.png) |
Pokhozhdeniya zubnogo vracha |
Elem Klimov, W, C, M |
|
7.9 |
1965 |
CCr![Color (Eastmancolor); Aspect: 2.35:1; 35 mm; Franscope (anamorphic); AUDIO: Mono (Westrex Recording System) Color (Eastmancolor)](icons/rgb.png) |
The Sucker |
Gérard Oury, W, W, ++, C, M «Le corniaud» |
|
7.5 |
1964 |
AAdCR![Color (Eastmancolor); Aspect: 1.66:1; 35 mm; AUDIO: Mono Color (Eastmancolor)](icons/rgb.png) |
That Man from Rio |
Philippe de Broca, W, W, ++, C, M «L'homme de Rio» |
|
4.6 |
1957 |
CRD![Black and White; Aspect: 1.85:1; AUDIO: Mono (Westrex Recording System) Black and White](icons/bw.png) |
Love in the Afternoon |
Billy Wilder, W, W, ++, C |
|
6.9 |
1951 |
DT![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Recording) Black and White](icons/bw.png) |
No Highway in the Sky |
Henry Koster, W, W, ++, C, M «No Highway» |
|
6.8 |
2008 |
CrDT![Color; Aspect: 2.35:1; 35 mm (Fuji Eterna 500T 8573); Digital Intermediate (2K) (master format) Hawk Scope (anamorphic) (source format); Hawk Anamorphic Lenses; AUDIO: DTS, Dolby SR (Digital) Color](icons/rgb.png) |
Anything for Her |
Fred Cavayé, W, W, ++, C, M «Pour elle» |
|
7.2 |
2008 |
DMlR![Color; Aspect: 2.35:1; 35 mm; AUDIO: Dolby Digital EX Color](icons/rgb.png) |
Hipsters |
Valeriy Todorovskiy, W, W, C, M «Stilyagi» |
|
7.7 |
2007 |
AnS![Color; Color](icons/q-rgb.png) |
Lavatory Lovestory |
Konstantin Bronzit, W, M «Ubornaya istoriya - lyubovnaya istoriya» |
|
5.4 |
2001 |
DR![Color; Aspect: 2.35:1; Video; HDCAM (1080p) (24p); Sony HDW-F900; AUDIO: Dolby Digital Color](icons/v-rgb.png) |
Sex and Lucia |
Julio Medem, W, C, M «Lucía y el sexo» |
|
7.1 |
1998 |
CDH![Color; Aspect: 1.66:1; 35 mm Color](icons/rgb.png) |
Pro urodov i lyudey |
Aleksey Balabanov, W, C |
|
5.8 |
1994 |
AT![Color; Aspect: 2.20:1; 35 mm (also horizontal) (Eastman EXR 50D 5245, EXR 200T 5293, EXR 500T 5296); Super 35 VistaVision (special effects); Arriflex 35 BL4, Zeiss and Cooke Lenses Arriflex 35 IIC, Zeiss Lenses Arriflex 35-III, Zeiss and Cooke Lenses Beaumont VistaVision Camera Bell & Howell Eyemo Moviecam Compact, Zeiss Lenses; AUDIO: 70 mm 6-Track (70 mm prints), Dolby Digital (35 mm prints), DTS Color](icons/rgb.png) |
True Lies |
James Cameron, W, W, ++, C, M |
|
6.7 |
1992 |
D![Color (Technicolor); Aspect: 1.85:1; 35 mm; AUDIO: Dolby SR Color (Technicolor)](icons/rgb.png) |
Lorenzo's Oil |
George Miller, W, W, C |
|
6.9 |
1990 |
DFanMcR![Color; Aspect: 1.33:1; 35 mm; AUDIO: Dolby Color](icons/rgb.png) |
Truly Madly Deeply |
Anthony Minghella, W, C, M |
|
7.8 |
1984 |
CCr![Color (Eastmancolor); Aspect: 1.66:1; 35 mm; AUDIO: Mono Color (Eastmancolor)](icons/rgb.png) |
My New Partner |
Claude Zidi, W, W, ++, C, M «Les ripoux» |
|
5.9 |
1975 |
DR![Color (Eastmancolor); Aspect: 1.66:1; 35 mm; AUDIO: Mono Color (Eastmancolor)](icons/rgb.png) |
That Most Important Thing: Love |
Andrzej Zulawski, W, ++, C, M «L'important c'est d'aimer» |
|
8.7 |
1971 |
C![Color (Eastmancolor); Aspect: 1.33:1; 35 mm; AUDIO: Mono Color (Eastmancolor)](icons/rgb.png) |
The Gazebo |
Jean Girault, W, W, ++, C, M «Jo» |
|
? |
1970 |
FC![Color; Color](icons/q-rgb.png) |
Priklyucheniya zhyoltogo chemodanchika |
Ilya Frez, W, W, C, M |
|
6.1 |
1970 |
MT![Color (Eastmancolor); Aspect: 2.35:1; 35 mm (2-perf); Cromoscope; AUDIO: Mono Color (Eastmancolor)](icons/rgb.png) |
The Bird with the Crystal Plumage |
Dario Argento, W, ++, C, M «L'uccello dalle piume di cristallo» |
|
6.5 |
1965 |
AAdCFMlRSp![Color (Technicolor); Aspect: 2.20:1; 35 mm; Panavision (anamorphic) (wrongly advertised as Super Panavision 70); AUDIO: Stereo (RCA Sound System), 70 mm 6-Track (70 mm prints) Color (Technicolor)](icons/rgb.png) |
The Great Race |
Blake Edwards, W, W, ++, C, M |
|
8.5 |
1951 |
CD![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono Black and White](icons/bw.png) |
Guardie e ladri |
Mario Monicelli, Steno, W, W, ++, C, M |
|
5.9 |
1932 |
D![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Noiseless Recording) Black and White](icons/bw.png) |
Blonde Venus |
Josef von Sternberg, W, W, ++, C, M, M, M++ |
|
7.5 |
2008 |
D![Color; Aspect: 1.85:1; 35 mm; Arricam LT, Zeiss Master Prime Lenses; AUDIO: Dolby Digital Color](icons/rgb.png) |
Lorna's Silence |
Jean-Pierre Dardenne, Luc Dardenne, W, W, C «Le silence de Lorna» |
|
? |
2007 |
C![Color; Color](icons/q-rgb.png) |
Den vyborov |
Oleg Fomin, W, W, ++, C, M, M |
|
5.3 |
2005 |
CDFanR![Black and White; Aspect: 2.35:1; 35 mm (Kodak Vision2 250D 5205, Vision2 500T 5218, Eastman EXR 50D 5245); Digital Intermediate (2K) (master format) Super 35 (source format); Arricam LT, Cooke S4 and Angenieux Optimo Lenses Arricam ST, Cooke S4 and Angenieux Optimo Lenses; AUDIO: Dolby Digital EX, DTS-ES Black and White](icons/bw.png) |
Angel-A |
Luc Besson, W, C, M |
|
4.8 |
2003 |
CD![Color; 35 mm; AUDIO: Dolby Color](icons/rgb.png) |
Fear and Trembling |
Alain Corneau, W, W, C «Stupeur et tremblements» |
|
7.0 |
2003 |
CCr![Color; Aspect: 2.35:1; 35 mm; Technovision; Technovision Cameras; AUDIO: Dolby Digital Color](icons/rgb.png) |
Ruby & Quentin |
Francis Veber, W, W, C, M «Tais-toi!» |
|
3.7 |
2002 |
CrDRT![Color; Aspect: 1.85:1; 35 mm (Kodak); Panavision Cameras and Lenses; AUDIO: Dolby Digital Color](icons/rgb.png) |
Heaven |
Tom Tykwer, W, W, ++, C |
|
1.8 |
2001 |
AdDSf![Color (Technicolor); Aspect: 1.85:1; 35 mm (Kodak Vision 500T 5279, Eastman EXR 200T 5293); Panavision Cameras, Zeiss Lenses; AUDIO: DTS-ES, Dolby Digital EX, SDDS Color (Technicolor)](icons/rgb.png) |
A.I. Artificial Intelligence |
Steven Spielberg, W, W, ++, C, M «Artificial Intelligence: AI» |
|
5.8 |
1997 |
DRT![Color; Aspect: 2.35:1; 35 mm; Super 35; AUDIO: Dolby Color](icons/rgb.png) |
Winter Sleepers |
Tom Tykwer, W, ++, C, M, M, M «Winterschläfer» |
|
4.4 |
1994 |
CR![Color (Eastmancolor); Aspect: 1.66:1; 35 mm; J-D-C Cameras; AUDIO: Dolby Digital, Dolby SR Color (Eastmancolor)](icons/rgb.png) |
Four Weddings and a Funeral |
Mike Newell, W, C, M |
|
7.7 |
1973 |
C![Color (Eastmancolor); Aspect: 1.66:1; AUDIO: Mono Color (Eastmancolor)](icons/q-rgb.png) |
L'emmerdeur |
Edouard Molinaro, W, C, M, M |
|
7.7 |
1973 |
ACFanR![Color (Eastmancolor); Aspect: 1.66:1; 35 mm; Panavision Cameras and Lenses; AUDIO: Mono Color (Eastmancolor)](icons/rgb.png) |
Le magnifique |
Philippe de Broca, W, W, ++, C, M |
|
6.7 |
1973 |
DR![Color; Aspect: 1.85:1; 35 mm; AUDIO: Mono Color](icons/rgb.png) |
Turkish Delight |
Paul Verhoeven, W, W, C, M «Turks fruit» |
|
8.5 |
1972 |
D![Color (Eastmancolor); 35 mm; AUDIO: Mono Color (Eastmancolor)](icons/rgb.png) |
Indian Summer |
Valerio Zurlini, W, W, ++, C, M «La prima notte di quiete» |
|
10.0 |
1971 |
D![Black and White; Black and White](icons/bw.png) |
Dolgie provody |
Kira Muratova, W, C, M |
|
9.4 |
1970 |
CDR![Black and White; Aspect: 2.35:1; 35 mm; Sovscope; AUDIO: Mono Black and White](icons/bw.png) |
Nachalo |
Gleb Panfilov, W, W, C, M |
|
9.7 |
1969 |
D![Color (Sovcolor); AUDIO: Mono Color (Sovcolor)](icons/q-rgb.png) |
Ne goryuy |
Georgiy Daneliya, W, W, C, M |
|
9.0 |
1967 |
D![Black and White; Black and White](icons/bw.png) |
Vedreba |
Tengiz Abuladze, W, W, ++, C, M |
|
7.8 |
2009 |
B![Color; Aspect: 1.85:1; 35 mm; AUDIO: Dolby Digital Color](icons/rgb.png) |
Room and a Half |
Andrey Khrzhanovskiy, W, W, C «Poltory komnaty ili sentimentalnoe puteshestvie na rodinu» |
|
2.9 |
2008 |
CD![Color; Aspect: 2.35:1; 35 mm (Fuji Eterna Vivid 160T 8543, Eterna 500T 8573) Video (Car Scenes); Digital Intermediate (master format) Super 35 (source format); Arriflex Cameras and Lenses; AUDIO: DTS, Dolby Digital Color](icons/rgb.png) |
Happy-Go-Lucky |
Mike Leigh, W, C, M |
|
6.4 |
2001 |
R![Color; Color](icons/q-rgb.png) |
Come Look at Me |
Mikhail Agranovich, Oleg Yankovskiy, W, C, M «Prikhodi na menya posmotret» |
|
6.6 |
1999 |
CD![Color; Aspect: 1.66:1; 35 mm; AUDIO: Dolby Digital Color](icons/rgb.png) |
Luna Papa |
Bakhtyar Khudojnazarov, W, W, C, C, C++, M |
|
3.3 |
1994 |
CCrDT![Color; Aspect: 1.66:1; 35 mm (Fuji F-125T 8530, F-250T 8550, F-500T 8570); Panavision Panaflex Gold, Panavision Primo Lenses; AUDIO: Dolby, Dolby SR Color](icons/rgb.png) |
Amateur |
Hal Hartley, W, C, M, M |
|
7.8 |
1986 |
CCr![Color (Eastmancolor); 35 mm; AUDIO: Stereo Color (Eastmancolor)](icons/rgb.png) |
Fugitives |
Francis Veber, W, C, M «Les fugitifs» |
|
5.7 |
1981 |
AdCFFanSf![Color (Technicolor); Aspect: 1.85:1; 35 mm; AUDIO: Dolby Color (Technicolor)](icons/rgb.png) |
Time Bandits |
Terry Gilliam, W, W, C, M |
|
? |
1976 |
DMlC![Color; 35 mm; AUDIO: Mono Color](icons/rgb.png) |
Heavenly Swallows |
Leonid Kvinikhidze, W, W, ++, C, M, M «Nebesnye lastochki» |
|
? |
1974 |
FMl![Color; Aspect: 2.20:1; 70 mm; Sovscope 70 (VarioScope); AUDIO: Mono (35 mm prints), 70 mm 6-Track Color](icons/rgb.png) |
Avtomobil, skripka i sobaka Klyaksa |
Rolan Bykov, W, C, M |
|
6.5 |
1968 |
C![Color (Technicolor); 35 mm; AUDIO: Mono Color (Technicolor)](icons/rgb.png) |
The Girl with a Pistol |
Mario Monicelli, W, W, ++, C, M «La ragazza con la pistola» |
|
6.5 |
1965 |
AdC![Color; Aspect: 2.35:1; 65 mm; Todd-AO; AUDIO: 4-Track Stereo (35 mm prints), 70 mm 6-Track (Westrex Recording System) (70 mm prints) Color](icons/rgb.png) |
Those Magnificent Men in Their Flying Machines or How I Flew from London to Paris in 25 hours 11 minutes |
Ken Annakin, W, W, C, M |
|
6.2 |
1953 |
FFanMcR![Color (Technicolor); Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Recording) Color (Technicolor)](icons/rgb.png) |
The 5,000 Fingers of Dr. T. |
Roy Rowland, W, W, ++, C, M, M, M |
|
6.0 |
2009 |
D![Color; AUDIO: Dolby Digital Color](icons/q-rgb.png) |
Bury Me Behind the Baseboard |
Sergei Snezhkin, W, W, C, M «Pokhoronite menya za plintusom» |
|
6.1 |
2008 |
D![Color; Aspect: 1.85:1; 35 mm (Kodak Vision2 100T 5212, Vision2 500T 5218); Digital Intermediate (2K) (master format) Super 35 (3-perf) (source format); Aaton 35-III, Zeiss Standard Speed Lenses Arriflex 535B, Zeiss Standard Speed Lenses; AUDIO: DTS, Dolby Digital Color](icons/rgb.png) |
Home |
Ursula Meier, W, W, ++, C |
|
7.0 |
2004 |
AnS![Black and White; Black and White](icons/bw.png) |
Wind Along the Coast |
Ivan Maksimov, W «Veter vdol berega» |
|
9.0 |
2000 |
Life Is Beautiful |
Fazil, W, M |
|
6.6 |
1996 |
CCrDT![Color; Aspect: 1.85:1; 35 mm (Eastman); Panavision Cameras and Lenses; AUDIO: Dolby Color](icons/rgb.png) |
Freeway |
Matthew Bright, W, C, M |
|
1.5 |
1996 |
AAdSfT![Color; Aspect: 2.20:1; 35 mm (Eastman EXR 100T 5248, EXR 200T 5293, EXR 500T 5298); Super 35; Clairmont Cameras Panavision Cameras and Lenses; AUDIO: DTS 70 mm (70 mm print), DTS (35 mm prints), Dolby Digital (35 mm prints), SDDS (35 mm prints) Color](icons/rgb.png) |
Independence Day |
Roland Emmerich, W, W, C, M |
|
4.7 |
1992 |
MT![Color (Technicolor); Aspect: 2.35:1; 35 mm (Eastman EXR 500T 5296); Panavision (anamorphic); Panavision Panaflex Platinum, Panavision Primo Lenses; AUDIO: Dolby SR, LC-Concept Digital Sound (France) Color (Technicolor)](icons/rgb.png) |
Basic Instinct |
Paul Verhoeven, W, C, M |
|
7.9 |
1983 |
CCr![Color (Eastmancolor); Aspect: 1.66:1; AUDIO: Mono Color (Eastmancolor)](icons/q-rgb.png) |
Les compères |
Francis Veber, W, C, M |
|
9.0 |
1981 |
DR![Color (Technicolor); 35 mm; AUDIO: Mono Color (Technicolor)](icons/rgb.png) |
Lady of the Camelias |
Mauro Bolognini, W, W, ++, C, M «La storia vera della signora dalle camelie» |
|
10.0 |
1980 |
D![Black and White, Color (Eastmancolor); Aspect: 1.66:1; 35 mm; Arriflex Cameras; AUDIO: Mono Black and White, Color (Eastmancolor)](icons/rgb-bw.png) |
Csontváry |
Zoltán Huszárik, W, W, ++, C, M |
|
7.1 |
1978 |
CMcR![Color (Technicolor); Aspect: 1.85:1; 35 mm; AUDIO: Mono Color (Technicolor)](icons/rgb.png) |
I Wanna Hold Your Hand |
Robert Zemeckis, W, W, C |
|
8.2 |
1971 |
CCr![Color (Eastmancolor); 35 mm; AUDIO: Mono Color (Eastmancolor)](icons/rgb.png) |
The Olsen Gang in Jutland |
Erik Balling, W, W, C, M «Olsen-banden i Jylland» |
|
4.6 |
1968 |
CFFanMlSf![Color (Technicolor); Aspect: 2.20:1; 65 mm; Super Panavision 70; AUDIO: 70 mm 6-Track Color (Technicolor)](icons/rgb.png) |
Chitty Chitty Bang Bang |
Ken Hughes, W, W, ++, C, M |
|
7.0 |
1959 |
AAd![Color; Aspect: 2.35:1; 35 mm; Dyaliscope; AUDIO: Mono Color](icons/rgb.png) |
Le Bossu |
André Hunebelle, W, W, ++, C, M «Le bossu» |
|
6.3 |
2010 |
BCrDSp![Color; Aspect: 2.35:1; 35 mm; Digital Intermediate (master format) Super 35 (source format); AUDIO: Dolby Color](icons/rgb.png) |
The Robber |
Benjamin Heisenberg, W, W, ++, C, M «Der Räuber» |
|
7.0 |
2010 |
AnFMl![Color; Color](icons/q-rgb.png) |
The Ugly Duckling |
Garri Bardin, W, W, C, M «Gadkiy utyonok» |
|
7.5 |
2008 |
DR![Color; Aspect: 2.35:1; 35 mm; Arricam LT, Cooke S4 Lenses; AUDIO: Dolby Digital Color](icons/rgb.png) |
Love Me No More |
Jean Becker, W, W, ++, C, M, M «Deux jours à tuer» |
|
8.5 |
2008 |
D![Color; AUDIO: Dolby Digital Color](icons/q-rgb.png) |
The Gift to Stalin |
Rustem Abdrashitov, W, C, M «Podarok Stalinu» |
|
5.7 |
2004 |
CDMcR![Color; Aspect: 2.35:1; 35 mm (Kodak); Super 35; AUDIO: DTS, Dolby Digital Color](icons/rgb.png) |
Look at Me |
Agnès Jaoui, W, W, C, M «Comme une image» |
|
5.1 |
2001 |
D![Color; AUDIO: Dolby Digital Color](icons/q-rgb.png) |
Taurus |
Aleksandr Sokurov, W, C, M «Telets» |
|
7.5 |
1999 |
D![Color; AUDIO: Dolby Color](icons/q-rgb.png) |
Karnaval |
Thomas Vincent, W, W, C, C, C, M |
|
5.2 |
1999 |
D![Color; Aspect: 1.66:1; AUDIO: Dolby SR Color](icons/q-rgb.png) |
Moloch |
Aleksandr Sokurov, W, W, C, C «Molokh» |
|
7.2 |
1996 |
AdDF![Color; Aspect: 1.85:1; 35 mm (Eastman EXR 50D 5245, EXR 100T 5248, EXR 200T 5293, EXR 500T 5298); Panavision Cameras and Lenses; AUDIO: SDDS (8 channels), Dolby Digital Color](icons/rgb.png) |
Fly Away Home |
Carroll Ballard, W, W, ++, C, M |
|
9.1 |
1996 |
CD![Color; Aspect: 1.85:1; 35 mm; AUDIO: Dolby Color](icons/rgb.png) |
The Dress |
Alex van Warmerdam, W, C, M «De jurk» |
|
5.5 |
1991 |
CFanHo![Color; Aspect: 1.85:1; 35 mm; Panavision Camera and Lenses; AUDIO: Dolby SR Color](icons/rgb.png) |
The Addams Family |
Barry Sonnenfeld, W, W, ++, C, M |
|
6.7 |
1989 |
C![Color; Aspect: 1.66:1; AUDIO: Mono Color](icons/q-rgb.png) |
The Gods Must Be Crazy II |
Jamie Uys, W, C, M |
|
6.6 |
1982 |
DR![Color; Aspect: 1.85:1; 35 mm; AUDIO: Stereo Color](icons/rgb.png) |
Identification of a Woman |
Michelangelo Antonioni, W, ++, C, M «Identificazione di una donna» |
|
4.7 |
1977 |
ASfT![Color; Aspect: 2.20:1; 35 mm; Panavision (anamorphic) (as Panavision®); Panavision Cameras and Lenses; AUDIO: 4-Track Stereo (35 mm magnetic prints), 70 mm 6-Track (70 mm prints), Mono (35 mm optical prints) Color](icons/rgb.png) |
Capricorn One |
Peter Hyams, W, C, M |
|
5.6 |
1976 |
CT![Color (Technicolor); Aspect: 1.85:1; 35 mm; AUDIO: Mono (Westrex Recording System) Color (Technicolor)](icons/rgb.png) |
Family Plot |
Alfred Hitchcock, W, W, C, M |
|
5.8 |
1972 |
C![Black and White, Color; Aspect: 1.85:1; Video (some scenes) 35 mm; Video (some scenes) Spherical; Panavision Camera and Lenses; AUDIO: Mono Black and White, Color](icons/rgb-bw.png) |
Everything You Always Wanted to Know About Sex * But Were Afraid to Ask |
Woody Allen, W, W, C, M |
|
? |
1968 |
FFan![Color; Aspect: 2.35:1; 35 mm; Sovscope; AUDIO: Mono Color](icons/rgb.png) |
Staraya, staraya skazka |
Nadezhda Kosheverova, W, W, ++, C, M |
|
? |
1967 |
DR![Black and White; AUDIO: Mono Black and White](icons/bw.png) |
Korotkie vstrechi |
Kira Muratova, W, W, C, M |
|
6.0 |
1966 |
CCr![Color (Eastmancolor); Aspect: 2.35:1; 35 mm; Techniscope; Eclair Cameflex; AUDIO: Mono Color (Eastmancolor)](icons/rgb.png) |
Let's Not Get Angry |
Georges Lautner, W, W, ++, C, M «Ne nous fâchons pas» |
|
7.1 |
1962 |
ACAdD![Color (Eastmancolor); Aspect: 2.35:1; 35 mm; Dyaliscope; AUDIO: Mono Color (Eastmancolor)](icons/rgb.png) |
Cartouche |
Philippe de Broca, W, W, ++, C, M |
|
5.4 |
2009 |
CrDMRT![Color; Aspect: 2.35:1; 35 mm (Fuji Eterna 250T 8553, Eterna 250D 8563); AUDIO: Dolby Digital Color](icons/rgb.png) |
The Double Hour |
Giuseppe Capotondi, W, W, ++, C, M «La doppia ora» |
|
10.0 |
2002 |
D![Color; AUDIO: Dolby Digital Color](icons/q-rgb.png) |
Prevrashchenie |
Valeri Fokin, W, W, ++, C, M |
|
5.7 |
2002 |
D![Color; AUDIO: Dolby Digital Color](icons/q-rgb.png) |
The Lover |
Valeriy Todorovskiy, W, C, M «Lyubovnik» |
|
7.9 |
1989 |
CD![Color (Eastmancolor); Aspect: 2.35:1; 35 mm; Panavision (anamorphic); AUDIO: Dolby Color (Eastmancolor)](icons/rgb.png) |
Too Beautiful for You |
Bertrand Blier, W, C «Trop belle pour toi» |
|
6.7 |
1977 |
ACR![Color (Eastmancolor); Aspect: 2.35:1; 35 mm; Panavision (anamorphic); AUDIO: Mono Color (Eastmancolor)](icons/rgb.png) |
L'animal |
Claude Zidi, W, ++, C, M |
|
? |
2009 |
D![Color; Aspect: 1.66:1; AUDIO: Dolby Digital Color](icons/q-rgb.png) |
Melody for a Street Organ |
Kira Muratova, W, W, ++, C, M, M «Melodiya dlya sharmanki» |
|
8.3 |
2009 |
DFFanM![Color; Aspect: 1.78:1; Video (HDTV); Digital Intermediate (master format) HDV (source format); Arriflex D-21; AUDIO: Dolby Digital Color](icons/h-rgb.png) |
Skellig: The Owl Man |
Annabel Jankel, W, W, C, M «Skellig» TV |
|
6.4 |
1993 |
CFan![Color; Aspect: 1.37:1; 35 mm; Panavision Cameras and Lenses; AUDIO: Dolby Digital Color](icons/rgb.png) |
Addams Family Values |
Barry Sonnenfeld, W, W, C, M |
|
7.1 |
1974 |
C![Color; Aspect: 1.85:1; 35 mm; AUDIO: Mono Color](icons/rgb.png) |
The Return of the Tall Blond Man with One Black Shoe |
Yves Robert, W, W, C, M «Le retour du grand blond» |
|
7.4 |
1971 |
CD![Color (Technicolor); Aspect: 1.85:1; 35 mm; AUDIO: Mono Color (Technicolor)](icons/rgb.png) |
Bless the Beasts & Children |
Stanley Kramer, W, W, C, M, M |
|
8.1 |
1971 |
AAdCR![Color (Eastmancolor); 35 mm; AUDIO: Mono Color (Eastmancolor)](icons/rgb.png) |
Les mariés de l'an deux |
Jean-Paul Rappeneau, W, ++, C, M |
|
10.0 |
1959 |
RC![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono Black and White](icons/bw.png) |
A Man Goes Through the Wall |
Ladislao Vajda, W, W, ++, C, M «Ein Mann geht durch die Wand» |
|
10.0 |
1937 |
CCrR![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Tobis-Klangfilm) Black and White](icons/bw.png) |
Two Merry Adventurers |
Karl Hartl, W, W, C, M «Der Mann, der Sherlock Holmes war» |
|
8.0 |
2008 |
![TV](icons/tv_icon.png) ![TV](icons/tv_icon.png) D![Color; Color](icons/q-rgb.png) |
"Ottsy i deti" |
Dunya Smirnova, W, W, ++, C, M, M TV series 2008- |
|
8.0 |
1989 |
CR![Color; 35 mm Color](icons/rgb.png) |
Chyornaya roza - emblema pechali, krasnaya roza - emblema lyubvi |
Sergey Solovyov, W, C, M |
|
6.1 |
1988 |
C![Color (Eastmancolor); Aspect: 2.35:1; 35 mm; Panavision (anamorphic); AUDIO: Mono Color (Eastmancolor)](icons/rgb.png) |
À gauche en sortant de l'ascenseur |
Edouard Molinaro, W, C, M |
|
6.5 |
1976 |
ACrT![Color (Eastmancolor); Aspect: 1.66:1; Panavision; AUDIO: Mono Color (Eastmancolor)](icons/q-rgb.png) |
Hunter Will Get You |
Philippe Labro, W, W, ++, C, M «L'alpagueur» |
|
5.4 |
1989 |
CDR![Color (Technicolor); Aspect: 1.85:1; 35 mm (Eastman 400T 5294, 400T 5295, 250D 5297); AUDIO: Mono Color (Technicolor)](icons/rgb.png) |
New York Stories |
Woody Allen, Francis Ford Coppola, ++, W, W, ++, C, C, C, M |
|
7.9 |
1970 |
C![Color (Eastmancolor); AUDIO: Mono Color (Eastmancolor)](icons/q-rgb.png) |
Happy He Who Like Ulysses |
Henri Colpi, W, W, ++, C, M «Heureux qui comme Ulysse..» |
|
5.7 |
1991 |
DFanMR![Color; 35 mm; AUDIO: Mono Color](icons/rgb.png) |
Malina |
Werner Schroeter, W, W, ++, C, M |
|
? |
1987 |
MlC![Color; Aspect: 1.37:1; 65 mm; Stereo 70 (single-strip 3-D); AUDIO: 70 mm 6-Track Color](icons/rgb.png) |
Ona s metloy, on v chyornoy shlyape |
Vitali Makarov, W, C, M |
|
7.0 |
1984 |
DR![Color; Aspect: 1.85:1; 35 mm; AUDIO: Mono Color](icons/rgb.png) |
Maria's Lovers |
Andrey Konchalovskiy, W, W, ++, C, M |
|
7.2 |
1984 |
DR![Color; Aspect: 1.66:1; 35 mm; AUDIO: Mono Color](icons/rgb.png) |
Swann in Love |
Volker Schlöndorff, W, W, ++, C, M, M, M++ «Un amour de Swann» |
|
7.0 |
1974 |
FanHoT![Color (Eastmancolor); 35 mm; AUDIO: Mono Color (Eastmancolor)](icons/rgb.png) |
Successive Slidings of Pleasure |
Alain Robbe-Grillet, W, C, M «Glissements progressifs du plaisir» |
|
8.4 |
1965 |
C![Color (Eastmancolor); 35 mm; AUDIO: Mono Color (Eastmancolor)](icons/rgb.png) |
Slå først, Frede! |
Erik Balling, W, W, ++, C, C, M |
|
6.1 |
1933 |
Do![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Tobis-Klangfilm) Black and White](icons/bw.png) |
Victory of the Faith |
Leni Riefenstahl, C, C, C++, M «Der Sieg des Glaubens» |
|
? |
1983 |
CR![Color; Color](icons/q-rgb.png) |
Blondinka za uglom |
Vladimir Bortko, W, C, C, M |
|
6.2 |
1983 |
ACrDT![Color (Eastmancolor); Panavision; Panaflex Cameras and Lenses by Panavision Color (Eastmancolor)](icons/q-rgb.png) |
Le marginal |
Jacques Deray, W, W, ++, C, M |
|
8.5 |
1975 |
C![Color (Eastmancolor); Aspect: 2.35:1; 35 mm; Panavision (anamorphic); AUDIO: Mono Color (Eastmancolor)](icons/rgb.png) |
La course à l'échalote |
Claude Zidi, W, W, ++, C, M |
|
8.5 |
1971 |
CCr![Color (Eastmancolor); 35 mm; AUDIO: Mono Color (Eastmancolor)](icons/rgb.png) |
There Was Once a Cop |
Georges Lautner, W, W, ++, C, M «Il était une fois un flic..» |
|
6.0 |
1960 |
AAd![Color (Eastmancolor); Aspect: 2.35:1; 35 mm; Dyaliscope; AUDIO: Mono Color (Eastmancolor)](icons/rgb.png) |
Captain Blood |
André Hunebelle, W, W, ++, C, M «Le capitan» |
|
7.2 |
1916 |
Ad![Black and White; Silent](icons/bw.png) |
Judex |
Louis Feuillade, W, W, C, C, M |
|
7.6 |
2006 |
C![Color; Aspect: 1.85:1; 35 mm (Kodak Vision2 200T 5217, Vision2 500T 5218); Panavision Panaflex Platinum, Panavision Primo Lenses; AUDIO: Mono Color](icons/rgb.png) |
Jardins en automne |
Otar Iosseliani, W, C, M |
|
9.5 |
2004 |
![TV](icons/tv_icon.png) ![TV](icons/tv_icon.png) DRW![Color; Aspect: 1.78:1; AUDIO: Mono Color](icons/q-rgb.png) |
"Deti Arbata" |
Andrey Eshpay, W, W, ++, C, M TV series 2004- |
|
4.7 |
1986 |
AdCF![Color (Eastmancolor); Aspect: 2.20:1; 35 mm (Kodak); Panavision (anamorphic); Panavision Cameras and Lenses; AUDIO: 70 mm 6-Track (70 mm prints), Dolby (35 mm prints) Color (Eastmancolor)](icons/rgb.png) |
Pirates |
Roman Polanski, W, W, ++, C, M |
|
8.5 |
1975 |
C![Color (Eastmancolor); 35 mm; AUDIO: Mono Color (Eastmancolor)](icons/rgb.png) |
Pas de problème! |
Georges Lautner, W, W, ++, C, M |
|
? |
1973 |
C |
La belle affaire |
Jacques Besnard, W, W, ++, C |
|
7.9 |
1970 |
CMl![Color (Eastmancolor); Aspect: 2.35:1; 35 mm; Franscope; AUDIO: Mono Color (Eastmancolor)](icons/rgb.png) |
L'homme orchestre |
Serge Korber, W, W, ++, C, M |
|
2.0 |
1985 |
DMc![Color (Technicolor); Aspect: 2.35:1; 35 mm; Super 35; Panavision Cameras and Lenses; AUDIO: 70 mm 6-Track (70 mm prints), Dolby (35 mm prints) Color (Technicolor)](icons/rgb.png) |
A Chorus Line |
Richard Attenborough, W, W, ++, C |
|
5.6 |
1966 |
C![Color (Eastmancolor); 35 mm; AUDIO: Mono Color (Eastmancolor)](icons/rgb.png) |
Relax Freddie |
Erik Balling, W, W, ++, C, C, M «Slap af, Frede!» |
|
5.6 |
1961 |
AAd![Color (Eastmancolor); Aspect: 2.35:1; 35 mm; Dyaliscope; AUDIO: Mono Color (Eastmancolor)](icons/rgb.png) |
Captain Fracasse |
Pierre Gaspard-Huit, W, W, ++, C, M «Le capitaine Fracasse» |
|
4.0 |
1962 |
AAd![Color (Eastmancolor); Aspect: 2.35:1; 35 mm; Dyaliscope; AUDIO: Mono Color (Eastmancolor)](icons/rgb.png) |
Les mystères de Paris |
André Hunebelle, W, W, ++, C, C, M |
|
9.0 |
2002 |
DFanR![Color; Aspect: 1.85:1; AUDIO: Dolby Digital Color](icons/q-rgb.png) |
The Virgin of Lust |
Arturo Ripstein, W, W, C, M, M «La virgen de la lujuria» |
|
? |
2006 |
SD![Color; Color](icons/q-rgb.png) |
Devochka dura |
Zoya Kireeva, W, M |
|
? |
1987 |
CF![Color; Color](icons/q-rgb.png) |
Kuvyrok cherez golovu |
Eduard Gavrilov, W, W, C, M |
|
6.0 |
1972 |
SSf![Black and White; Black and White](icons/bw.png) |
Matematik i chyort |
Semion Lipovich Raytburt, W, W, C |
|
2.0 |
1937 |
DS![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono Black and White](icons/bw.png) |
How to Undress in Front of Your Husband |
Dwain Esper, W, C |
|
? |
1968 |
AnSF![Color; Color](icons/q-rgb.png) |
Ostorozhno, shchuka! |
Mikhail Kamenetskiy, Ivan Ufimtsev, W, C, M |