|
7.8 |
1994 |
CrD![Color (Technicolor); Aspect: 1.85:1; 35 mm (Eastman EXR 100T 5248, EXR 200T 5293); Arriflex 35 BL4S, Zeiss Standard Speed and Super Speed Lenses Moviecam Compact, Zeiss Standard Speed and Super Speed Lenses; AUDIO: Dolby Digital Color (Technicolor)](icons/rgb.png) |
The Shawshank Redemption |
Frank Darabont, W, W, C, M |
|
6.6 |
1999 |
![TV](icons/tv_icon.png) ![TV](icons/tv_icon.png) CrD![Color; Aspect: 1.78:1; 35 mm; HDTV (1080p/24) (master format) Super 35 (source format); Panaflex Camera and Lenses by Panavision; AUDIO: Dolby Color](icons/rgb.png) |
"The Sopranos" |
[ Timothy Van Patten, John Patterson, D++ ], [ W, W, W++ ], C, C, M, M TV series 1999-2007 |
|
6.2 |
1972 |
CrD![Color (Technicolor); Aspect: 1.85:1; 35 mm (Eastman 100T 5254); Mitchell BNCR, Bausch & Lomb Super Baltar Lenses; AUDIO: DTS (re-release), Mono Color (Technicolor)](icons/rgb.png) |
The Godfather |
Francis Ford Coppola, W, W, ++, C, M |
|
7.7 |
1974 |
CrD![Color (Technicolor); Aspect: 1.85:1; 35 mm; Mitchell BNCR, Bausch & Lomb Super Baltar and Kowa Cine Prominar Lenses; AUDIO: Mono Color (Technicolor)](icons/rgb.png) |
The Godfather: Part II |
Francis Ford Coppola, W, W, ++, C, M |
|
9.4 |
1969 |
![TV](icons/tv_icon.png) ![TV](icons/tv_icon.png) CMc![Color; Aspect: 1.33:1; 16 mm (exteriors and locations) Video (studio shots); Arriflex 16 mm Cameras; AUDIO: Mono, Stereo Color](icons/rgb.png) |
"Monty Python's Flying Circus" |
[ Ian MacNaughton, John Howard Davies ], [ W, W, W++ ], C, C, C++, M TV series 1969-1974 |
|
5.9 |
2003 |
AAdFan![Color; Aspect: 2.35:1; 35 mm (Eastman EXR 50D 5245, Kodak Vision 500T 5279, EXR 200T 5293, SO214); Digital Intermediate (2K) (master format) Super 35 (source format); Arriflex 35 IIC, Zeiss Ultra Prime and Angenieux Lenses Arriflex 35 III, Zeiss Ultra Prime and Angenieux Lenses Arriflex 435 Advanced, Zeiss Ultra Prime and Angenieux Lenses Arriflex 535B, Zeiss Ultra Prime and Angenieux Lenses Mitchell Cameras, Zeiss Ultra Prime and Angenieux Lenses Moviecam SL, Zeiss Ultra Prime and Angenieux Lenses; AUDIO: DTS-ES, Dolby Digital EX, SDDS Color](icons/rgb.png) |
The Lord of the Rings: The Return of the King |
Peter Jackson, W, W, ++, C, M |
|
5.2 |
1994 |
CrDT![Color; Aspect: 2.35:1; 35 mm (Eastman EXR 50D 5245); Panavision (anamorphic); Panavision Cameras and Lenses; AUDIO: Dolby Digital Color](icons/rgb.png) |
Pulp Fiction |
Quentin Tarantino, W, W, ++, C |
|
6.6 |
1993 |
BDHW![Black and White, Color; Aspect: 1.85:1; 35 mm (Eastman Double-X 5222, Plus-X 5231, EXR 500T 5296); Arriflex 35 III Arriflex 535B Arriflex 535; AUDIO: DTS, DTS-Stereo Black and White, Color](icons/rgb-bw.png) |
Schindler's List |
Steven Spielberg, W, W, C, M |
|
7.9 |
1966 |
AdWe![Color (Technicolor); Aspect: 2.35:1; 35 mm (2-perf); Techniscope (as Techniscope ®); AUDIO: Mono Color (Technicolor)](icons/rgb.png) |
The Good, the Bad and the Ugly |
Sergio Leone, W, W, ++, C, M «Il buono, il brutto, il cattivo» |
|
7.7 |
1957 |
D![Black and White; Aspect: 1.66:1; 35 mm; AUDIO: Mono Black and White](icons/bw.png) |
12 Angry Men |
Sidney Lumet, W, C, M |
|
4.5 |
2001 |
AAdFan![Color; Aspect: 2.35:1; 35 mm (Kodak Vision 200T 5274, Vision 500T 5279, Eastman EXR 200T 5293, SFX 200T); Digital Intermediate (2K) (master format) (some scenes) Super 35 (source format); Arricam ST, Zeiss Ultra Prime Lenses Arriflex 435, Zeiss Ultra Prime Lenses Arriflex 535, Zeiss Ultra Prime Lenses; AUDIO: DTS-ES, Dolby Digital EX, SDDS Color](icons/rgb.png) |
The Lord of the Rings: The Fellowship of the Ring |
Peter Jackson, W, W, ++, C, M |
|
4.5 |
1994 |
DR![Black and White, Color; Aspect: 2.35:1; 35 mm (also horizontal) (Eastman EXR 100T 5248, EXR 500T 5296, 250D 5297); Panavision (anamorphic) VistaVision (visual effects); Panavision Panaflex Platinum, Panavision C- and E-Series Lenses; AUDIO: DTS, Dolby Digital Black and White, Color](icons/rgb-bw.png) |
Forrest Gump |
Robert Zemeckis, W, W, C, M |
|
8.8 |
1980 |
![TV](icons/tv_icon.png) D![Color; Aspect: 1.33:1; 16 mm; AUDIO: Mono Color](icons/rgb.png) |
"Berlin Alexanderplatz" |
[ Rainer Werner Fassbinder ], [ W, W ], C, M TV mini-series 1980- |
|
5.6 |
2002 |
AAdFan![Color; Aspect: 2.35:1; 35 mm (Eastman EXR 50D 5245, Kodak Vision 500T 5279, EXR 200T 5293, SO214); Digital Intermediate (2K) (master format) Super 35 (source format); Arriflex 435, Zeiss Ultra Prime Lenses Arriflex 535, Zeiss Ultra Prime Lenses Mitchell Cameras, Zeiss and Angenieux Lenses Moviecam Compact, Zeiss and Angenieux Lenses; AUDIO: DTS-ES, Dolby Digital EX, SDDS Color](icons/rgb.png) |
The Lord of the Rings: The Two Towers |
Peter Jackson, W, W, ++, C, M |
|
5.5 |
1999 |
AAdSf![Color; Aspect: 2.35:1; 35 mm (also horizontal) (Kodak Vision 200T 5274, Vision 500T 5279, Vision 800T 5289); Super 35 VistaVision (effects shots); Panavision Panaflex Platinum, Panavision Primo Lenses Panavision Panastar, Panavision Primo Lenses Photosonics Camera; AUDIO: DTS, Dolby Digital, SDDS Color](icons/rgb.png) |
The Matrix |
Andy Wachowski, Lana Wachowski, W, W, C, M |
|
7.6 |
1990 |
BCrDT![Color (Technicolor); Aspect: 1.85:1; 35 mm; Arriflex 35 BL4S, Zeiss Lenses; AUDIO: Dolby SR Color (Technicolor)](icons/rgb.png) |
Goodfellas |
Martin Scorsese, W, ++, C |
|
8.7 |
1979 |
![TV](icons/tv_icon.png) DT![Color; Aspect: 1.33:1; 16 mm; AUDIO: Mono Color](icons/rgb.png) |
"Tinker Tailor Soldier Spy" |
John Irvin, W, W, C, M TV mini-series 1979- |
|
6.4 |
1977 |
AAdFanSf![Color (Technicolor); Aspect: 2.20:1; 35 mm (also horizontal) (Eastman 100T 5247); Panavision (anamorphic) VistaVision (special effects); Panavision PSR, Panavision C-Series Lenses; AUDIO: 70 mm 6-Track (70 mm prints), Dolby (35 mm prints) Color (Technicolor)](icons/rgb.png) |
Star Wars |
George Lucas, W, C, M |
|
7.1 |
1975 |
D![Color; Aspect: 1.85:1; 35 mm (Eastman 100T 5254); AUDIO: Mono Color](icons/rgb.png) |
One Flew Over the Cuckoo's Nest |
Milos Forman, W, W, ++, C, M |
|
7.2 |
1954 |
AD![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono, Stereo (re-release prints) Black and White](icons/bw.png) |
Seven Samurai |
Akira Kurosawa, W, W, ++, C, M «Shichinin no samurai» |
|
4.4 |
1998 |
ADW![Color (Technicolor); Aspect: 1.85:1; 35 mm (Eastman EXR 200T 5293); Moviecam SL, Panavision Ultra Speed MKII Lenses Panavision Panaflex Platinum, Panavision Ultra Speed MKII Lenses Panavision Panastar, Panavision Ultra Speed MKII Lenses; AUDIO: DTS, Dolby Digital, SDDS Color (Technicolor)](icons/rgb.png) |
Saving Private Ryan |
Steven Spielberg, W, C, M |
|
5.7 |
1995 |
CrMT![Color; Aspect: 2.35:1; 35 mm (Eastman EXR 50D 5245, EXR 200T 5287, EXR 200T 5293); Super 35; Aaton 35-III, Panavision Primo Lenses Panavision Panaflex Gold, Panavision Primo Lenses; AUDIO: DTS, Dolby Digital Color](icons/rgb.png) |
Se7en |
David Fincher, W, C, M |
|
5.8 |
1995 |
CrMT![Color (Technicolor); Aspect: 2.35:1; 35 mm; Super 35; Panavision Cameras and Lenses; AUDIO: Dolby Digital Color (Technicolor)](icons/rgb.png) |
The Usual Suspects |
Bryan Singer, W, C, M |
|
6.8 |
1991 |
CrDT![Color (Eastmancolor); Aspect: 1.85:1; 35 mm; Panaflex Camera and Lenses by Panavision; AUDIO: Dolby SR Color (Eastmancolor)](icons/rgb.png) |
The Silence of the Lambs |
Jonathan Demme, W, W, C, M |
|
7.2 |
1968 |
AdWe![Color (Technicolor); Aspect: 2.35:1; 35 mm (2-perf); Techniscope; AUDIO: Mono Color (Technicolor)](icons/rgb.png) |
Once Upon a Time in the West |
Sergio Leone, W, W, ++, C, M «C'era una volta il West» |
|
6.8 |
1954 |
MT![Color (Eastmancolor) (negative), Color (Technicolor) (prints); Aspect: 1.66:1; 35 mm (Eastman 25T 5248); Mitchell BNC; AUDIO: Mono (Western Electric Recording) Color (Eastmancolor) (negative), Color (Technicolor) (prints)](icons/rgb.png) |
Rear Window |
Alfred Hitchcock, W, W, C, M |
|
7.6 |
1946 |
DFFan![Color, Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (RCA Sound System) Color, Black and White](icons/rgb-bw.png) |
It's a Wonderful Life |
Frank Capra, W, W, ++, C, C, C, M |
|
7.1 |
1942 |
DRW![Black and White; Aspect: 1.37:1; 35 mm; Mitchell BNC; AUDIO: Mono (RCA Sound System) Black and White](icons/bw.png) |
Casablanca |
Michael Curtiz, W, W, ++, C, M |
|
7.7 |
1936 |
CD![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Noiseless Recording Sound System) Black and White](icons/bw.png) |
Modern Times |
Charles Chaplin, W, C, C, M |
|
8.0 |
1931 |
CDR![Black and White; Silent](icons/bw.png) |
City Lights |
Charles Chaplin, W, ++, C, C, M |
|
7.3 |
2006 |
DT![Color; Aspect: 2.35:1; 35 mm (Kodak Vision2 250D 5205, Vision2 500T 5218); Hawk Scope (anamorphic); Arriflex 535B, Hawk C- and V-Series Lenses; AUDIO: Dolby Digital Color](icons/rgb.png) |
The Lives of Others |
Florian Henckel von Donnersmarck, W, C, M, M «Das Leben der Anderen» |
|
7.1 |
2003 |
DR![Color; Aspect: 1.85:1; Super 16; Arriflex SR 3 Advanced; AUDIO: Dolby Digital Color](icons/q-rgb.png) |
The Best of Youth |
Marco Tullio Giordana, W, W, C «La meglio gioventù» |
|
7.7 |
1991 |
ASfT![Color; Aspect: 2.20:1; 35 mm (Eastman EXR 50D 5245, EXR 500T 5296, 250D 5297); Super 35; Arriflex Cameras and Lenses; AUDIO: 70 mm 6-Track (analog 70 mm prints), CDS (digital 35 mm and 70 mm prints), Dolby SR (analog 35 mm prints) Color](icons/rgb.png) |
Terminator 2: Judgment Day |
James Cameron, W, W, C, M |
|
7.5 |
1988 |
D![Color; Aspect: 1.66:1; 35 mm (Kodak); AUDIO: Dolby Color](icons/rgb.png) |
Cinema Paradiso |
Giuseppe Tornatore, W, ++, C, M «Nuovo Cinema Paradiso» |
|
7.8 |
1981 |
AAd![Color; Aspect: 2.20:1; 35 mm (Eastman 100T 5247); Panavision (anamorphic); Panavision Cameras and Lenses; AUDIO: 70 mm 6-Track (70 mm prints), Dolby (35 mm prints) Color](icons/rgb.png) |
Raiders of the Lost Ark |
Steven Spielberg, W, W, ++, C, M |
|
7.2 |
1979 |
HoSf![Color; Aspect: 2.20:1; 35 mm (Eastman 100T 5247); Panavision (anamorphic); AUDIO: 70 mm 6-Track (70 mm prints), Dolby (as Dolby Stereo) Color](icons/rgb.png) |
Alien |
Ridley Scott, W, W, ++, C, M |
|
5.7 |
1979 |
DW![Color; Aspect: 2.00:1; 16 mm (newsreel scenes) 35 mm (Eastman 100T 5247); Technovision (anamorphic); Arriflex 16 ST (newsreel scenes) Arriflex 35 BL, Technovision/Cooke Lenses Mitchell BNCR, Technovision/Cooke Lenses; AUDIO: 70 mm 6-Track (70 mm prints), Dolby Digital (Redux version), Dolby (35 mm prints), DTS (Redux version) Color](icons/rgb.png) |
Apocalypse Now |
Francis Ford Coppola, W, W, ++, C, M, M |
|
6.2 |
1964 |
CSfW![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Westrex Recording System) Black and White](icons/bw.png) |
Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb |
Stanley Kubrick, W, W, ++, C, M |
|
7.7 |
1960 |
HoMT![Black and White; Aspect: 1.37:1; 35 mm; Mitchell BNC; AUDIO: Mono (Westrex Recording System) Black and White](icons/bw.png) |
Psycho |
Alfred Hitchcock, W, W, C, M |
|
7.3 |
1957 |
DW![Black and White; Aspect: 1.66:1; 35 mm; AUDIO: Mono Black and White](icons/bw.png) |
Paths of Glory |
Stanley Kubrick, W, W, ++, C, M |
|
7.5 |
1950 |
DN![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Recording) Black and White](icons/bw.png) |
Sunset Blvd. |
Billy Wilder, W, W, ++, C, M |
|
6.8 |
1940 |
CDW![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (RCA Sound System) Black and White](icons/bw.png) |
The Great Dictator |
Charles Chaplin, W, C, C, M, M |
|
3.2 |
1999 |
D![Color; Aspect: 2.35:1; 35 mm (Eastman EXR 100T 5248, Kodak Vision 200T 5274, Vision 500T 5279); Super 35; Panavision Panaflex Platinum, Panavision Primo Lenses; AUDIO: DTS, Dolby Digital, SDDS Color](icons/rgb.png) |
American Beauty |
Sam Mendes, W, C, M |
|
7.5 |
1986 |
AAdSfT![Color (Eastmancolor); Aspect: 1.85:1; 35 mm (Eastman 400T 5294, 400T 5295); Arriflex 35-III, Canon K35 Lenses Moviecam SuperAmerica, Canon K35 Lenses; AUDIO: 70 mm 6-Track (70 mm prints), Dolby (35 mm prints) Color (Eastmancolor)](icons/rgb.png) |
Aliens |
James Cameron, W, W, ++, C, M |
|
4.7 |
1980 |
HoM![Color; Aspect: 1.37:1; 35 mm (Eastman 100T 5247); Arriflex 35 BL, Zeiss Super Speed Lenses; AUDIO: Mono Color](icons/rgb.png) |
The Shining |
Stanley Kubrick, W, W, ++, C, M, M |
|
6.3 |
1976 |
CrD![Color (Metrocolor); Aspect: 1.85:1; 35 mm (Eastman 100T 5254); Arriflex 35 BL, Zeiss Super Speed Lenses; AUDIO: Dolby SR (re-release), Stereo Color (Metrocolor)](icons/rgb.png) |
Taxi Driver |
Martin Scorsese, W, C, M |
|
5.1 |
1971 |
CrDSf![Black and White, Color (Warnercolor) (uncredited); Aspect: 1.66:1; 35 mm; Newman Sinclair Arriflex 35 IIC; AUDIO: Dolby Digital (re-issue), Mono Black and White, Color (Warnercolor) (uncredited)](icons/rgb-bw.png) |
A Clockwork Orange |
Stanley Kubrick, W, W, C |
|
9.1 |
1964 |
D![Black and White; Aspect: 2.35:1; 35 mm; Sovscope; AUDIO: 4-Track Stereo Black and White](icons/bw.png) |
Hamlet |
Grigori Kozintsev, W, W, ++, C, M «Gamlet» |
|
6.3 |
1962 |
SDRSf![Black and White; Aspect: 1.66:1; 35 mm; Arriflex Cameras Pentax 24 x 36; AUDIO: Mono Black and White](icons/bw.png) |
La Jetée |
Chris Marker, W, C, C «La jetée» |
|
7.0 |
1962 |
AdBDHW![Color (Technicolor); Aspect: 2.20:1; 65 mm (Eastman); Super Panavision 70; Panavision Lenses; AUDIO: 70 mm 6-Track (RCA Sound Recording) (70 mm prints), Mono (35 mm prints) (original version), 4-Track Stereo (magnetic prints) (35 mm) (original version) Color (Technicolor)](icons/rgb.png) |
Lawrence of Arabia |
David Lean, W, W, ++, C, M |
|
6.4 |
1962 |
CrDM![Black and White; Aspect: 1.85:1; 35 mm; AUDIO: Mono (Westrex Recording System) Black and White](icons/bw.png) |
To Kill a Mockingbird |
Robert Mulligan, W, W, C, M |
|
7.2 |
1959 |
AAdCrMT![Color (Technicolor); Aspect: 1.66:1; 35 mm (horizontal); VistaVision; Mitchell VistaVision Cameras; AUDIO: Mono (Westrex Recording System), Dolby SR, Dolby Digital Color (Technicolor)](icons/rgb.png) |
North by Northwest |
Alfred Hitchcock, W, C, M |
|
6.0 |
1958 |
MRT![Color (Technicolor); Aspect: 1.50:1; 35 mm (horizontal); Super VistaVision (1996 restoration) VistaVision: Motion Picture High-Fidelity; Mitchell VistaVision Cameras; AUDIO: Mono (Westrex Recording System) Color (Technicolor)](icons/rgb.png) |
Vertigo |
Alfred Hitchcock, W, W, ++, C, M |
|
7.7 |
1954 |
D![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono Black and White](icons/bw.png) |
Sansho the Bailiff |
Kenji Mizoguchi, W, W, ++, C, M, M, M «Sanshô dayû» |
|
7.4 |
1952 |
CMlR![Color (Technicolor), Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Sound System) Color (Technicolor), Black and White](icons/rgb-bw.png) |
Singin' in the Rain |
Stanley Donen, Gene Kelly, W, W, ++, C, M |
|
7.2 |
1948 |
CrD![Black and White; Aspect: 1.37:1; 35 mm; Arriflex II C; AUDIO: Mono Black and White](icons/bw.png) |
Bicycle Thieves |
Vittorio De Sica, W, W, ++, C, M «Ladri di biciclette» |
|
7.4 |
1944 |
CrDNT![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Mirrophonic Recording) Black and White](icons/bw.png) |
Double Indemnity |
Billy Wilder, W, W, ++, C, M |
|
4.2 |
1941 |
DM![Black and White; Aspect: 1.37:1; 35 mm; Mitchell BNC; AUDIO: Mono (RCA Sound System) Black and White](icons/bw.png) |
Citizen Kane |
Orson Welles, W, W, ++, C, M |
|
7.0 |
1931 |
CrNT![Black and White; Aspect: 1.20:1; 35 mm; AUDIO: Mono Black and White](icons/bw.png) |
M |
Fritz Lang, W, W, ++, C |
|
7.3 |
1929 |
Do![Black and White; Silent](icons/bw.png) |
Man with a Movie Camera |
Dziga Vertov, W, C, C, M, M, M++ «Chelovek s kino-apparatom» |
|
7.8 |
1928 |
BDH![Black and White; Silent](icons/bw.png) |
The Passion of Joan of Arc |
Carl Theodor Dreyer, W, W, C, M, M «La passion de Jeanne d'Arc» |
|
6.7 |
1927 |
DR![Black and White; Silent](icons/bw.png) |
Sunrise |
F.W. Murnau, W, W, ++, C, C, M, M, M++ «Sunrise: A Song of Two Humans» |
|
6.1 |
2000 |
DM![Black and White; Aspect: 1.66:1; 35 mm; AUDIO: Stereo Black and White](icons/bw.png) |
Werckmeister Harmonies |
Béla Tarr, Ágnes Hranitzky, W, ++, C, C, C++, M «Werckmeister harmóniák» |
|
7.5 |
1997 |
CrDMT![Color (Technicolor); Aspect: 2.35:1; 35 mm (Kodak Vision 500T 5279, Eastman EXR 200T 5293); Super 35; Panavision Panaflex Gold II, Panavision Primo Lenses Panavision Panaflex Lightweight, Panavision Primo Lenses Panavision Panaflex Platinum, Panavision Primo Lenses; AUDIO: Dolby Digital Color (Technicolor)](icons/rgb.png) |
L.A. Confidential |
Curtis Hanson, W, W, ++, C, M |
|
6.4 |
1995 |
ACrDT![Color (Technicolor); Aspect: 2.35:1; 35 mm (Eastman EXR 500T 5298); Panavision (anamorphic); Cine SL 35, Panavision E-Series Lenses Panavision Panaflex Platinum, Panavision Primo, E-Series and Super High Speed Lenses; AUDIO: Dolby Digital, SDDS Color (Technicolor)](icons/rgb.png) |
Heat |
Michael Mann, W, C, M |
|
5.9 |
1992 |
We![Color (Technicolor); Aspect: 2.35:1; 35 mm; Panavision (anamorphic); Panavision Cameras and Lenses; AUDIO: Dolby (as Dolby Stereo) Color (Technicolor)](icons/rgb.png) |
Unforgiven |
Clint Eastwood, W, C, M |
|
7.4 |
1984 |
BDMc![Color (Technicolor); Aspect: 2.20:1; 35 mm (Eastman 250T 5293); Panavision (anamorphic); Panavision Cameras and Lenses; AUDIO: 70 mm 6-Track (70 mm prints), Dolby Digital (director's cut), Dolby (35 mm prints) Color (Technicolor)](icons/rgb.png) |
Amadeus |
Milos Forman, W, C |
|
5.7 |
1983 |
CrDT![Color (Technicolor); Aspect: 2.35:1; 35 mm (Eastman 250T 5293); Panavision (anamorphic); Panavision Cameras and Lenses; AUDIO: 4-Track Stereo Color (Technicolor)](icons/rgb.png) |
Scarface |
Brian De Palma, W, ++, C, M |
|
5.3 |
1980 |
BDSp![Black and White, Color; Aspect: 1.85:1; 35 mm (Eastman Double-X 5222, Plus-X 5231); Arriflex 35 BL, Zeiss Super Speed Lenses; AUDIO: Dolby Black and White, Color](icons/rgb-bw.png) |
Raging Bull |
Martin Scorsese, W, W, ++, C |
|
7.1 |
1978 |
DMc![Color (Eastmancolor); Aspect: 1.66:1; 35 mm; Arriflex 35 BL; AUDIO: Mono Color (Eastmancolor)](icons/rgb.png) |
Autumn Sonata |
Ingmar Bergman, W, C «Höstsonaten» |
|
7.1 |
1974 |
CrDMT![Color (Technicolor); Aspect: 2.35:1; 35 mm (Eastman 100T 5254); Panavision (anamorphic); Panavision Panaflex, Panavision C-Series Lenses; AUDIO: Mono Color (Technicolor)](icons/rgb.png) |
Chinatown |
Roman Polanski, W, ++, C, C, M |
|
6.7 |
1973 |
CCrD![Color (Technicolor); Aspect: 1.85:1; 35 mm; AUDIO: Mono (Westrex Recording System) Color (Technicolor)](icons/rgb.png) |
The Sting |
George Roy Hill, W, C |
|
2.4 |
1968 |
AdMSf![Color (Technicolor); Aspect: 2.20:1; 65 mm (Eastman 50T 5251); Cinerama Super Panavision 70; Panavision Cameras and Lenses; AUDIO: 4-Track Stereo (35 mm magnetic prints), 70 mm 6-Track (70 mm prints), DTS 70 mm (2001 re-release) Color (Technicolor)](icons/rgb.png) |
2001: A Space Odyssey |
Stanley Kubrick, W, W, ++, C |
|
6.9 |
1966 |
BDH![Color (Sovcolor), Black and White; Aspect: 2.35:1; 35 mm; Sovscope (anamorphic); Convas Camera; AUDIO: Mono Color (Sovcolor), Black and White](icons/rgb-bw.png) |
Andrei Rublev |
Andrei Tarkovsky, W, W, C, M «Strasti po Andreyu» |
|
6.2 |
1960 |
CrDSp![Black and White; Aspect: 1.66:1; 35 mm; AUDIO: Mono Black and White](icons/bw.png) |
Rocco and His Brothers |
Luchino Visconti, W, W, ++, C, M «Rocco e i suoi fratelli» |
|
7.5 |
1960 |
CDR![Black and White; Aspect: 2.35:1; 35 mm; Panavision (anamorphic); AUDIO: Mono (Westrex Recording System) Black and White](icons/bw.png) |
The Apartment |
Billy Wilder, W, W, C, M |
|
7.1 |
1959 |
C![Black and White; Aspect: 1.66:1; 35 mm; AUDIO: Mono (Westrex Recording System) Black and White](icons/bw.png) |
Some Like It Hot |
Billy Wilder, W, W, ++, C, M |
|
7.7 |
1957 |
D![Black and White; Aspect: 1.33:1; 35 mm; AUDIO: Mono (Western Electric Recording) Black and White](icons/bw.png) |
Nights of Cabiria |
Federico Fellini, W, W, ++, C, C, M «Le notti di Cabiria» |
|
6.9 |
1957 |
D![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono Black and White](icons/bw.png) |
Wild Strawberries |
Ingmar Bergman, W, C, M, M «Smultronstället» |
|
7.3 |
1954 |
CrD![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Recording) Black and White](icons/bw.png) |
On the Waterfront |
Elia Kazan, W, ++, C, M |
|
6.8 |
1953 |
D![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono Black and White](icons/bw.png) |
Tokyo Story |
Yasujirô Ozu, W, W, C, M «Tôkyô monogatari» |
|
7.4 |
1952 |
D![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono Black and White](icons/bw.png) |
Ikiru |
Akira Kurosawa, W, W, ++, C, M |
|
7.2 |
1950 |
D![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Recording) Black and White](icons/bw.png) |
All About Eve |
Joseph L. Mankiewicz, W, ++, C, M |
|
7.4 |
1950 |
CrD![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (RCA High Fidelity Recording) Black and White](icons/bw.png) |
Los Olvidados |
Luis Buñuel, W, W, ++, C, M, M «Los olvidados» |
|
6.9 |
1950 |
CrD![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Recording) Black and White](icons/bw.png) |
Rashomon |
Akira Kurosawa, W, W, ++, C, M «Rashômon» |
|
7.8 |
1949 |
DR![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Recording) Black and White](icons/bw.png) |
The Heiress |
William Wyler, W, W, ++, C, M |
|
6.7 |
1949 |
NMT![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Recording) Black and White](icons/bw.png) |
The Third Man |
Carol Reed, W, ++, C, M |
|
6.8 |
1948 |
DMcR![Color (Technicolor); Aspect: 1.37:1; 35 mm; Technicolor Three-Strip Camera; AUDIO: Mono (Western Electric Recording) Color (Technicolor)](icons/rgb.png) |
The Red Shoes |
Michael Powell, Emeric Pressburger, W, W, ++, C, M |
|
7.3 |
1948 |
AAdDWe![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (RCA Sound System) Black and White](icons/bw.png) |
The Treasure of the Sierra Madre |
John Huston, W, W, C, M |
|
8.1 |
1945 |
DR![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono Black and White](icons/bw.png) |
Children of Paradise |
Marcel Carné, W, C, M «Les enfants du paradis» |
|
7.5 |
1939 |
D![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Mirrophonic Recording) Black and White](icons/bw.png) |
Mr. Smith Goes to Washington |
Frank Capra, W, W, ++, C, M |
|
7.3 |
1937 |
DR![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Noiseless Recording) Black and White](icons/bw.png) |
Make Way for Tomorrow |
Leo McCarey, W, W, ++, C, M, M |
|
7.6 |
1928 |
CR![Black and White; Silent](icons/bw.png) |
Show People |
King Vidor, W, W, ++, C, M |
|
8.0 |
1928 |
DRWe![Black and White; Silent](icons/bw.png) |
The Wind |
Victor Sjöström, W, W, C, M, M |
|
6.6 |
1927 |
DSf![Black and White; Silent](icons/bw.png) |
Metropolis |
Fritz Lang, W, ++, C, C, C, M, M, M++ |
|
6.9 |
1926 |
AAdCRW![Black and White (Sepiatone); Silent](icons/bw.png) |
The General |
Clyde Bruckman, Buster Keaton, W, W, ++, C, C, M, M, M++ |
|
7.6 |
1925 |
DRW![Black and White (with tinted sequences); Silent](icons/bw.png) |
The Big Parade |
King Vidor, ++, W, W, ++, C, C, M, M, M |
|
7.0 |
1925 |
AdCFRWe![Black and White; Silent](icons/bw.png) |
The Gold Rush |
Charles Chaplin, W, C, M, M, M |
|
6.8 |
1924 |
CFan![Black and White; Silent](icons/bw.png) |
Sherlock Jr. |
Buster Keaton, W, W, ++, C, C, M, M, M++ |
|
8.2 |
1923 |
CRT![Black and White; Silent](icons/bw.png) |
Safety Last! |
Fred C. Newmeyer, Sam Taylor, W, W, ++, C, M, M |
|
5.6 |
1999 |
DMT![Color (Technicolor); Aspect: 1.85:1; 35 mm (Eastman); Panavision Cameras and Lenses; AUDIO: DTS, Dolby Digital, SDDS Color (Technicolor)](icons/rgb.png) |
The Sixth Sense |
M. Night Shyamalan, W, C, M |
|
5.9 |
1998 |
CCr![Color (Technicolor); Aspect: 1.85:1; 35 mm (Kodak); Arriflex 2C (bowling ball POV) Arriflex 535B; AUDIO: DTS, Dolby Digital, SDDS Color (Technicolor)](icons/rgb.png) |
The Big Lebowski |
Joel Coen, ++, W, W, C, M |
|
3.6 |
1996 |
CrDT![Color; Aspect: 1.85:1; 35 mm (Eastman EXR 200T 5293); Arriflex 35 BL4, Zeiss Standard Speed Lenses; AUDIO: Dolby Digital Color](icons/rgb.png) |
Fargo |
Joel Coen, ++, W, W, C, M |
|
5.9 |
1995 |
BCrD![Color (Technicolor); Aspect: 2.35:1; 35 mm (Eastman EXR 100T 5248, EXR 200T 5293); Super 35; Panavision Panaflex Gold, Panavision Primo Lenses Panavision Panaflex Platinum, Panavision Primo Lenses; AUDIO: DTS-Stereo, DTS Color (Technicolor)](icons/rgb.png) |
Casino |
Martin Scorsese, W, ++, C |
|
6.9 |
1991 |
D![Color; Aspect: 1.85:1; 35 mm; AUDIO: Dolby Color](icons/rgb.png) |
Raise the Red Lantern |
Yimou Zhang, W, W, C, C, M, M «Da hong deng long gao gao gua» |
|
7.8 |
1990 |
CrD![Color; Aspect: 1.37:1; 16 mm (some scenes) 35 mm; AUDIO: Mono Color](icons/rgb.png) |
Close-Up |
Abbas Kiarostami, W, C «Nema-ye Nazdik» |
|
9.1 |
1986 |
![TV](icons/tv_icon.png) DMlMT![Color; Aspect: 1.33:1; 16 mm; AUDIO: Mono Color](icons/rgb.png) |
"The Singing Detective" |
[ Jon Amiel ], [ W ], C, M TV mini-series 1986- |
|
6.0 |
1983 |
D![Black and White, Color (Eastmancolor); Aspect: 1.66:1; 35 mm; AUDIO: Mono Black and White, Color (Eastmancolor)](icons/rgb-bw.png) |
Nostalghia |
Andrei Tarkovsky, W, W, C |
|
4.6 |
1982 |
DSfT![Color (Technicolor); Aspect: 2.20:1; 65 mm (special effects) (Eastman 100T 5247) 35 mm (Eastman 100T 5247); Panavision (anamorphic); Panavision Panaflex Gold, Panavision C-Series and Super High Speed Lenses; AUDIO: 70 mm 6-Track (70 mm prints), Dolby Stereo (35 mm prints) Color (Technicolor)](icons/rgb.png) |
Blade Runner |
Ridley Scott, W, W, ++, C, M |
|
2.8 |
1979 |
DSf![Color (Sovcolor), Black and White, Color (Eastmancolor); Aspect: 1.37:1; 35 mm (Eastman); Arriflex Cameras and Lenses; AUDIO: Mono Color (Sovcolor), Black and White, Color (Eastmancolor)](icons/rgb-bw.png) |
Stalker |
Andrei Tarkovsky, W, W, ++, C, C, C, M |
|
5.5 |
1978 |
DW![Color (Technicolor); Aspect: 2.35:1; 35 mm; Panavision (anamorphic); Panavision Cameras and Lenses; AUDIO: 70 mm 6-Track (70 mm prints), Dolby (35 mm prints) Color (Technicolor)](icons/rgb.png) |
The Deer Hunter |
Michael Cimino, W, W, ++, C, M |
|
6.1 |
1974 |
DR![Color; Aspect: 1.37:1; 35 mm; Arriflex Cameras; AUDIO: Mono Color](icons/rgb.png) |
A Woman Under the Influence |
John Cassavetes, W, C, C, M |
|
7.5 |
1973 |
CCrD![Black and White; Aspect: 1.85:1; 35 mm; AUDIO: Mono Black and White](icons/bw.png) |
Paper Moon |
Peter Bogdanovich, W, W, C |
|
7.4 |
1973 |
DR![Black and White; Aspect: 1.37:1; 16 mm; AUDIO: Mono Black and White](icons/bw.png) |
The Mother and the Whore |
Jean Eustache, W, C «La maman et la putain» |
|
6.8 |
1969 |
DW![Color (Eastmancolor); Aspect: 1.85:1; 35 mm (Eastman 50T 5251, 100T 5254); Caméflex Cameras Kinoptik, Cooke Speed Panchro and Angenieux Lenses Mitchell BNC, Cooke Speed Panchro and Angenieux Lenses; AUDIO: Mono, Dolby Digital (2006 restoration) Color (Eastmancolor)](icons/rgb.png) |
Army of Shadows |
Jean-Pierre Melville, W, W, C, C, M «L'armée des ombres» |
|
8.0 |
1969 |
CrDHMT![Color (Eastmancolor); Aspect: 1.66:1; 35 mm; AUDIO: Mono Color (Eastmancolor)](icons/rgb.png) |
Z |
Costa-Gavras, W, W, ++, C, M |
|
5.7 |
1966 |
DMT![Black and White; Aspect: 1.37:1; AUDIO: AGA Sound System Black and White](icons/bw.png) |
Persona |
Ingmar Bergman, W, C, M |
|
7.1 |
1966 |
CrDHW![Black and White; Aspect: 1.85:1; 35 mm; AUDIO: Mono Black and White](icons/bw.png) |
The Battle of Algiers |
Gillo Pontecorvo, W, W, C, M, M «La battaglia di Algeri» |
|
9.0 |
1964 |
Charulata |
Satyajit Ray, W, W, ++, C, M |
|
6.4 |
1962 |
CDFanM![Black and White; Aspect: 1.33:1; 35 mm; AUDIO: Mono (RCA Sound System) Black and White](icons/bw.png) |
The Exterminating Angel |
Luis Buñuel, W, ++, C, M «El ángel exterminador» |
|
7.8 |
1960 |
D![Black and White; Aspect: 2.35:1; 35 mm; Tohoscope; AUDIO: Mono (Perspecta Sound encoding) (Western Electric Recording) Black and White](icons/bw.png) |
When a Woman Ascends the Stairs |
Mikio Naruse, W, C, M «Onna ga kaidan wo agaru toki» |
|
6.9 |
1959 |
CrD![Black and White; Aspect: 2.35:1; 35 mm; Dyaliscope; Chevereau Cameras; AUDIO: Mono Black and White](icons/bw.png) |
The 400 Blows |
François Truffaut, W, W, ++, C, M «Les quatre cents coups» |
|
5.1 |
1958 |
CrNT![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Westrex Recording System) Black and White](icons/bw.png) |
Touch of Evil |
Orson Welles, W, W, ++, C, M |
|
7.6 |
1957 |
D![Black and White; Aspect: 1.85:1; 35 mm; AUDIO: Mono (RCA Sound System) Black and White](icons/bw.png) |
A Face in the Crowd |
Elia Kazan, W, C, C, M |
|
7.2 |
1957 |
DN![Black and White; Aspect: 1.66:1; 35 mm; AUDIO: Mono (Westrex Recording System) Black and White](icons/bw.png) |
Sweet Smell of Success |
Alexander Mackendrick, W, W, ++, C, M |
|
6.2 |
1957 |
AdDW![Color (Technicolor); Aspect: 2.35:1; 35 mm; CinemaScope; AUDIO: 70 mm 6-Track (70 mm prints) (RCA Sound Recording), Mono (35 mm prints) (RCA Sound Recording), 4-Track Stereo (Linear PCM) Color (Technicolor)](icons/rgb.png) |
The Bridge on the River Kwai |
David Lean, W, ++, C, M |
|
6.2 |
1957 |
DFan![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono Black and White](icons/bw.png) |
The Seventh Seal |
Ingmar Bergman, W, C, M «Det sjunde inseglet» |
|
7.7 |
1957 |
D![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Recording), Mono (Perspecta Sound encoding) Black and White](icons/bw.png) |
Throne of Blood |
Akira Kurosawa, W, W, ++, C, M «Kumonosu-jô» |
|
8.0 |
1956 |
DTW![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Sound System) Black and White](icons/bw.png) |
A Man Escaped |
Robert Bresson, W, W, C «Un condamné à mort s'est échappé ou Le vent souffle où il veut» |
|
7.2 |
1955 |
HoMT![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (A.R.T.E.C.) Black and White](icons/bw.png) |
Diabolique |
Henri-Georges Clouzot, W, W, ++, C, M «Les diaboliques» |
|
7.3 |
1955 |
CrDT![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Sound System) Black and White](icons/bw.png) |
Rififi |
Jules Dassin, W, W, ++, C, M «Du rififi chez les hommes» |
|
6.9 |
1954 |
CrMT![Color (WarnerColor); Aspect: 1.85:1; 35 mm; StereoVision 3-D (re-release version) WarnerVision (dual-strip 3-D); Warner All-Media; AUDIO: Mono (RCA Sound System) Color (WarnerColor)](icons/rgb.png) |
Dial M for Murder |
Alfred Hitchcock, W, C, M |
|
7.1 |
1953 |
AdDT![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric) Black and White](icons/bw.png) |
The Wages of Fear |
Henri-Georges Clouzot, W, W, ++, C, M «Le salaire de la peur» |
|
7.7 |
1953 |
DFanM![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Recording) Black and White](icons/bw.png) |
Ugetsu |
Kenji Mizoguchi, W, W, ++, C, M, M, M «Ugetsu monogatari» |
|
7.3 |
1952 |
D![Black and White; Aspect: 1.37:1; 35 mm (DuPont/Gevaert); AUDIO: Mono (RCA Sound System) Black and White](icons/bw.png) |
Umberto D. |
Vittorio De Sica, W, C, M |
|
7.5 |
1951 |
DN![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Recording) Black and White](icons/bw.png) |
Ace in the Hole |
Billy Wilder, W, W, ++, C, M |
|
7.2 |
1949 |
CCr![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (RCA Sound System) Black and White](icons/bw.png) |
Kind Hearts and Coronets |
Robert Hamer, W, W, ++, C, M |
|
7.9 |
1949 |
D![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono Black and White](icons/bw.png) |
Late Spring |
Yasujirô Ozu, W, W, ++, C, M «Banshun» |
|
7.6 |
1949 |
CrDNT![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (RCA Sound System) Black and White](icons/bw.png) |
White Heat |
Raoul Walsh, W, W, ++, C, M |
|
8.0 |
1947 |
AnSCFMc![Color (Technicolor); Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Sound System) Color (Technicolor)](icons/rgb.png) |
The Cat Concerto |
Joseph Barbera, William Hanna, W, W, M |
|
8.2 |
1946 |
DRW![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Recording) Black and White](icons/bw.png) |
The Best Years of Our Lives |
William Wyler, W, W, C, M |
|
7.2 |
1943 |
DRW![Color (Technicolor); Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Microphonic Recording) Color (Technicolor)](icons/rgb.png) |
The Life and Death of Colonel Blimp |
Michael Powell, Emeric Pressburger, W, W, C, M |
|
7.1 |
1942 |
CW![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Mirrophonic Recording) Black and White](icons/bw.png) |
To Be or Not to Be |
Ernst Lubitsch, W, W, ++, C, M |
|
6.5 |
1941 |
DR![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Mirrophonic Recording) Black and White](icons/bw.png) |
The Little Foxes |
William Wyler, W, ++, C, M |
|
6.9 |
1941 |
CrDNM![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (RCA Sound System) Black and White](icons/bw.png) |
The Maltese Falcon |
John Huston, W, W, C, M |
|
6.6 |
1940 |
DMT![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Noiseless Recording) Black and White](icons/bw.png) |
Rebecca |
Alfred Hitchcock, W, W, ++, C, M |
|
5.7 |
1939 |
DRW![Color (Technicolor); Aspect: 1.37:1; 35 mm; Bausch & Lomb Lenses Mitchell Cameras; AUDIO: Mono (Western Electric Sound System) Color (Technicolor)](icons/rgb.png) |
Gone with the Wind |
Victor Fleming, ++, W, W, ++, C, C, M |
|
6.5 |
1937 |
DW![Black and White; Aspect: 1.33:1; 35 mm; AUDIO: Mono (Western Electric Sound System) Black and White](icons/bw.png) |
La Grande Illusion |
Jean Renoir, W, W, C, M «La grande illusion» |
|
7.3 |
1936 |
DR![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Wide Range Noiseless Recording) Black and White](icons/bw.png) |
Dodsworth |
William Wyler, W, W, ++, C, M |
|
7.1 |
1934 |
CR![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Noiseless Recording) Black and White](icons/bw.png) |
It Happened One Night |
Frank Capra, W, W, C, M |
|
7.4 |
1934 |
CCrM![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Sound System) Black and White](icons/bw.png) |
The Thin Man |
W.S. Van Dyke, W, W, ++, C, M |
|
8.2 |
1932 |
CCrR![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Noiseless Recording) Black and White](icons/bw.png) |
Trouble in Paradise |
Ernst Lubitsch, W, W, ++, C, M |
|
2.3 |
2007 |
CrDT![Color; Aspect: 2.35:1; 35 mm (Kodak Vision2 100T 5212, Vision2 200T 5217, Vision2 500T 5218); Digital Intermediate (4K) (master format) Super 35 (source format); Arricam LT, Cooke S4, Zeiss Master Prime and Arri Macro Lenses Arriflex 535B, Cooke S4, Zeiss Master Prime and Arri Macro Lenses; AUDIO: SDDS, Dolby Digital, DTS Color](icons/rgb.png) |
No Country for Old Men |
Ethan Coen, Joel Coen, W, W, ++, C, M |
|
2.5 |
2007 |
D![Color; Aspect: 2.35:1; 35 mm (Kodak Vision2 50D 5201, Vision2 200T 5217); Panavision (anamorphic); Panavision Panaflex Millennium XL, Panavision C-, E-Series, Super High Speed, SP and Pathé Lenses Panavision Panaflex Platinum, Panavision C-, E-Series, Super High Speed and SP Lenses; AUDIO: SDDS, Dolby Digital, DTS Color](icons/rgb.png) |
There Will Be Blood |
Paul Thomas Anderson, W, W, C, M |
|
2.2 |
2003 |
CrD![Color; Aspect: 2.35:1; Video (PAL) (some scenes) Video (HDTV); DVCAM (some scenes) HDTV (1080p/24); Sony DSR-PD150P (some scenes) Sony HDW-F900, Canon Zoom Lens; AUDIO: Dolby Digital Color](icons/v-rgb.png) |
Dogville |
Lars von Trier, W, C |
|
6.5 |
1998 |
CDSf![Color; Aspect: 1.85:1; 35 mm (Eastman EXR 100T 5248, Kodak Vision 500T 5279, EXR 200T 5293); Panavision Panaflex Platinum, Panavision Primo Lenses; AUDIO: DTS, Dolby Digital Color](icons/rgb.png) |
The Truman Show |
Peter Weir, W, C, M |
|
6.7 |
1993 |
AdSf![Color (Eastmancolor); Aspect: 1.85:1; 35 mm (also horizontal) (Eastman EXR 50D 5245, EXR 100T 5248, EXR 500T 5296); Spherical VistaVision (visual effects); Panavision Panaflex Platinum, Panavision Primo and Slant Focus Lenses; AUDIO: Dolby, DTS Color (Eastmancolor)](icons/rgb.png) |
Jurassic Park |
Steven Spielberg, W, ++, C, M |
|
4.9 |
1987 |
FanDR![Color (Eastmancolor), Black and White (partly); Aspect: 1.37:1; 35 mm (Eastman Kodak); Arriflex 35 BL4; AUDIO: Dolby Color (Eastmancolor), Black and White (partly)](icons/rgb-bw.png) |
Wings of Desire |
Wim Wenders, W, W, ++, C, M «Der Himmel über Berlin» |
|
6.7 |
1986 |
ADW![Color; Aspect: 1.85:1; 35 mm; J-D-C Cameras; AUDIO: Stereo (Dolby Stereo) Color](icons/rgb.png) |
Platoon |
Oliver Stone, W, C, M |
|
5.1 |
1986 |
D![Color (Eastmancolor); Aspect: 1.66:1; 35 mm; Arriflex Cameras and Lenses Moviecam Cameras and Lenses; AUDIO: Mono Color (Eastmancolor)](icons/rgb.png) |
The Sacrifice |
Andrei Tarkovsky, W, C «Offret» |
|
4.9 |
1984 |
D![Color; Aspect: 1.66:1; 35 mm; AUDIO: Mono Color](icons/rgb.png) |
Paris, Texas |
Wim Wenders, W, W, C, M |
|
7.6 |
1984 |
ASf![Color; Aspect: 1.85:1; 35 mm (Eastman 250T 5293); AUDIO: Mono, Dolby Color](icons/rgb.png) |
The Terminator |
James Cameron, W, W, ++, C, M |
|
6.2 |
1982 |
DFanM![Color (Eastmancolor); Aspect: 1.66:1; 35 mm; Arriflex 35 BL; AUDIO: Mono Color (Eastmancolor)](icons/rgb.png) |
Fanny and Alexander |
Ingmar Bergman, W, C, M «Fanny och Alexander» |
|
5.7 |
1977 |
CDR![Color; Aspect: 1.37:1; 35 mm (Eastman 100T 5247); Panavision Camera and Lenses; AUDIO: Mono Color](icons/rgb.png) |
Annie Hall |
Woody Allen, W, W, C |
|
7.8 |
1976 |
D![Color (Eastmancolor); Aspect: 1.66:1; 35 mm; AUDIO: Mono Color (Eastmancolor)](icons/rgb.png) |
Cria Cuervos |
Carlos Saura, W, C, M, M «Cría cuervos» |
|
7.0 |
1976 |
D![Color (Metrocolor); Aspect: 1.85:1; 35 mm; AUDIO: Mono Color (Metrocolor)](icons/rgb.png) |
Network |
Sidney Lumet, W, C, M |
|
7.8 |
1976 |
DSp![Color (Technicolor); Aspect: 1.33:1; 35 mm; Panaflex Camera and Lenses by Panavision; AUDIO: Mono Color (Technicolor)](icons/rgb.png) |
Rocky |
John G. Avildsen, W, C, M |
|
6.5 |
1975 |
AdDRW![Color (Eastmancolor); Aspect: 1.66:1; 35 mm (Eastman 100T 5254); Arriflex 35 BL Mitchell BNC Cameras Zeiss High Speed Lenses; AUDIO: Mono Color (Eastmancolor)](icons/rgb.png) |
Barry Lyndon |
Stanley Kubrick, W, W, C |
|
6.9 |
1975 |
CrD![Color (Technicolor); Aspect: 1.33:1; 35 mm; Panavision Cameras and Lenses; AUDIO: Mono Color (Technicolor)](icons/rgb.png) |
Dog Day Afternoon |
Sidney Lumet, W, W, ++, C |
|
7.7 |
1975 |
AdHoT![Color; Aspect: 2.35:1; 35 mm (Eastman 100T 5254); Panavision (anamorphic); Arriflex 35-III, Panavision C-Series Lenses (some shots) Panavision Panaflex, Panavision C-Series Lenses; AUDIO: Mono (Westrex Recording System), Dolby Digital (Dolby 5.1), DTS (DTS 5.1), Dolby Surround 7.1 (DTS HD Master Audio) Color](icons/rgb.png) |
Jaws |
Steven Spielberg, W, W, ++, C, M |
|
6.2 |
1972 |
DR![Color (Eastmancolor); Aspect: 1.66:1; 35 mm; AUDIO: Mono Color (Eastmancolor)](icons/rgb.png) |
Cries & Whispers |
Ingmar Bergman, W, C «Viskningar och rop» |
|
5.8 |
1971 |
D![Black and White; Aspect: 1.85:1; 35 mm; AUDIO: Mono Black and White](icons/bw.png) |
The Last Picture Show |
Peter Bogdanovich, W, W, ++, C, M, M, M++ |
|
5.8 |
1970 |
D![Color (Technicolor); Aspect: 1.66:1; 35 mm; AUDIO: Mono Color (Technicolor)](icons/rgb.png) |
The Conformist |
Bernardo Bertolucci, W, W, C, M «Il conformista» |
|
6.4 |
1969 |
AdBCrWe![Color, Black and White (Sepiatone); Aspect: 2.35:1; 35 mm; Panavision (anamorphic) (as Panavision®); Panavision Cameras and Lenses; AUDIO: Mono (Westrex Recording System) Color, Black and White (Sepiatone)](icons/rgb-bw.png) |
Butch Cassidy and the Sundance Kid |
George Roy Hill, W, C, M |
|
5.8 |
1969 |
DR![Black and White, Color; 35 mm; AUDIO: Mono Black and White, Color](icons/rgb-bw.png) |
L'amour fou |
Jacques Rivette, W, W, C, C, M |
|
6.6 |
1969 |
We![Color (Technicolor); Aspect: 2.20:1; 35 mm; Panavision (anamorphic); AUDIO: 70 mm 6-Track (70 mm prints), DTS (1995 re-release), Dolby Digital (1995 re-release), Mono (35 mm prints), SDDS (1995 re-release) Color (Technicolor)](icons/rgb.png) |
The Wild Bunch |
Sam Peckinpah, W, W, ++, C, M |
|
6.0 |
1967 |
CrDMT![Color (Eastmancolor); Aspect: 1.85:1; 35 mm; AUDIO: Mono Color (Eastmancolor)](icons/rgb.png) |
Le Samouraï |
Jean-Pierre Melville, W, W, ++, C, M «Le samouraï» |
|
5.7 |
1966 |
D![Black and White; Aspect: 1.85:1; 35 mm; AUDIO: Mono Black and White](icons/bw.png) |
Who's Afraid of Virginia Woolf? |
Mike Nichols, W, ++, C, M |
|
5.2 |
1963 |
DFan![Black and White; Aspect: 1.85:1; 35 mm; Arriflex II C; AUDIO: Mono Black and White](icons/bw.png) |
8½ |
Federico Fellini, W, W, ++, C, M |
|
6.6 |
1963 |
DH![Color (Technicolor); Aspect: 2.20:1; 35 mm (horizontal); Super Technirama 70 (advertised as CinemaScope in the USA); AUDIO: Mono (Westrex Recording System) Color (Technicolor)](icons/rgb.png) |
The Leopard |
Luchino Visconti, W, W, ++, C, M «Il gattopardo» |
|
7.0 |
1962 |
DRWe![Black and White; Aspect: 1.85:1; 35 mm; AUDIO: Mono (Westrex Recording System) Black and White](icons/bw.png) |
The Man Who Shot Liberty Valance |
John Ford, W, W, ++, C, M |
|
7.9 |
1962 |
BD![Black and White; Aspect: 1.66:1; AUDIO: Mono Black and White](icons/bw.png) |
The Miracle Worker |
Arthur Penn, W, ++, C, M |
|
7.3 |
1962 |
D![Black and White; Aspect: 1.37:1; 35 mm; Mitchell Cameras; AUDIO: Mono Black and White](icons/bw.png) |
Vivre Sa Vie |
Jean-Luc Godard, W, W, ++, C, M «Vivre sa vie: Film en douze tableaux» |
|
7.3 |
1962 |
DHoT![Black and White; Aspect: 1.33:1; 35 mm; AUDIO: Mono (RCA Sound Recording) Black and White](icons/bw.png) |
What Ever Happened to Baby Jane? |
Robert Aldrich, W, W, C, M |
|
7.3 |
1961 |
DSp![Black and White; Aspect: 2.35:1; 35 mm; CinemaScope; AUDIO: Mono (Westrex Recording System) Black and White](icons/bw.png) |
The Hustler |
Robert Rossen, W, W, ++, C, M |
|
6.0 |
1960 |
CD![Black and White; Aspect: 2.35:1; 35 mm; Totalscope; AUDIO: Mono (Western Electric) Black and White](icons/bw.png) |
La Dolce Vita |
Federico Fellini, W, W, ++, C, M «La dolce vita» |
|
6.3 |
1959 |
CrDM![Black and White; Aspect: 1.85:1; 35 mm; AUDIO: Mono (Westrex Recording System) Black and White](icons/bw.png) |
Anatomy of a Murder |
Otto Preminger, W, W, C, M |
|
6.7 |
1959 |
AAdDHR![Color (Technicolor); Aspect: 2.76:1; 65 mm; MGM Camera 65 (anamorphic); Panavision Lenses; AUDIO: 70 mm 6-Track (70 mm prints) (Westrex Recording System), Dolby (1993 re-release) Color (Technicolor)](icons/rgb.png) |
Ben-Hur |
William Wyler, W, W, ++, C, M |
|
6.8 |
1959 |
We![Color; Aspect: 1.37:1; 35 mm; AUDIO: Mono (RCA Sound Recording) Color](icons/rgb.png) |
Rio Bravo |
Howard Hawks, W, W, ++, C, M |
|
7.3 |
1959 |
The World of Apu |
Satyajit Ray, W, W, C, M «Apur Sansar» |
|
6.7 |
1956 |
CrNT![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (RCA Sound System) Black and White](icons/bw.png) |
The Killing |
Stanley Kubrick, W, W, ++, C, M |
|
4.4 |
1955 |
DNT![Black and White; Aspect: 1.66:1; 35 mm; AUDIO: Mono (Western Electric Recording) Black and White](icons/bw.png) |
The Night of the Hunter |
Charles Laughton, ++, W, W, ++, C, M |
|
7.7 |
1954 |
D![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Recording) Black and White](icons/bw.png) |
La Strada |
Federico Fellini, W, W, ++, C, C, M «La strada» |
|
7.4 |
1953 |
CDR![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Recording) Black and White](icons/bw.png) |
Roman Holiday |
William Wyler, W, W, ++, C, C, M |
|
6.9 |
1953 |
DR![Black and White; Aspect: 1.37:1; AUDIO: Mono (Western Electric Sound System) Black and White](icons/bw.png) |
The Earrings of Madame de... |
Max Ophüls, W, W, ++, C, M, M «Madame de..» |
|
6.6 |
1952 |
DWe![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Recording) Black and White](icons/bw.png) |
High Noon |
Fred Zinnemann, W, W, C, M |
|
7.1 |
1952 |
DMc![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (RCA Sound System) Black and White](icons/bw.png) |
Limelight |
Charles Chaplin, W, C, M |
|
8.2 |
1952 |
D![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono Black and White](icons/bw.png) |
The Life of Oharu |
Kenji Mizoguchi, W, W, ++, C, C, M «Saikaku ichidai onna» |
|
7.0 |
1951 |
D![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (RCA Sound System) Black and White](icons/bw.png) |
A Streetcar Named Desire |
Elia Kazan, W, W, ++, C, M |
|
6.7 |
1951 |
CrNT![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (RCA Sound System) Black and White](icons/bw.png) |
Strangers on a Train |
Alfred Hitchcock, W, W, ++, C, M |
|
7.1 |
1947 |
DNT![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (RCA Sound System) Black and White](icons/bw.png) |
Out of the Past |
Jacques Tourneur, W, ++, C, M |
|
6.5 |
1946 |
DRT![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (RCA Sound System) Black and White](icons/bw.png) |
Notorious |
Alfred Hitchcock, W, ++, C, M |
|
6.4 |
1946 |
DFanRW![Black and White (Dye-Monochrome), Color (Technicolor); Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Recording) Black and White (Dye-Monochrome), Color (Technicolor)](icons/rgb-bw.png) |
Stairway to Heaven |
Michael Powell, Emeric Pressburger, W, W, C, M «A Matter of Life and Death» |
|
6.1 |
1946 |
CrNMT![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (RCA Sound System) Black and White](icons/bw.png) |
The Big Sleep |
Howard Hawks, W, W, ++, C, M |
|
6.8 |
1945 |
RD![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Recording) Black and White](icons/bw.png) |
Brief Encounter |
David Lean, ++, C |
|
7.2 |
1945 |
DW![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Recording) Black and White](icons/bw.png) |
Rome, Open City |
Roberto Rossellini, W, W, ++, C, M «Roma, città aperta» |
|
6.7 |
1944 |
DNMR![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Recording) Black and White](icons/bw.png) |
Laura |
Otto Preminger, W, W, ++, C, C, M |
|
7.3 |
1943 |
CrDWe![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Recording) Black and White](icons/bw.png) |
The Ox-Bow Incident |
William A. Wellman, W, W, C, M |
|
7.2 |
1942 |
DR![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (RCA Sound System) Black and White](icons/bw.png) |
Now, Voyager |
Irving Rapper, W, W, C, M |
|
6.7 |
1941 |
AdCDR![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Mirrophonic Recording) Black and White](icons/bw.png) |
Sullivan's Travels |
Preston Sturges, W, C, M, M |
|
6.4 |
1940 |
D![Black and White; Aspect: 1.37:1; 35 mm; Mitchell Camera; AUDIO: Mono (Western Electric Mirrophonic Recording) Black and White](icons/bw.png) |
The Grapes of Wrath |
John Ford, W, W, C, M |
|
6.8 |
1940 |
CR![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Sound System) Black and White](icons/bw.png) |
The Philadelphia Story |
George Cukor, W, W, ++, C, M |
|
7.2 |
1940 |
CDR![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Sound System) Black and White](icons/bw.png) |
The Shop Around the Corner |
Ernst Lubitsch, W, W, ++, C, M |
|
6.1 |
1939 |
CD![Black and White; Aspect: 1.37:1; 35 mm; Kinoptik; AUDIO: Mono (Western Electric) Black and White](icons/bw.png) |
The Rules of the Game |
Jean Renoir, W, W, C, C, C++, M «La règle du jeu» |
|
7.3 |
1939 |
AdFFanMl![Black and White (Sepiatone), Color (Technicolor); Aspect: 1.37:1; 35 mm; Metroscope (1955 re-release) Spherical; Technicolor Three-Strip Camera; AUDIO: Mono (Western Electric Sound System: The Voice of Action), Dolby Digital (2005 re-issue) Black and White (Sepiatone), Color (Technicolor)](icons/rgb-bw.png) |
The Wizard of Oz |
Victor Fleming, ++, W, W, ++, C |
|
7.0 |
1936 |
RC![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Noiseless Recording Electric) Black and White](icons/bw.png) |
My Man Godfrey |
Gregory La Cava, W, W, ++, C, M, M |
|
7.0 |
1935 |
CMcMl![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Sound System) Black and White](icons/bw.png) |
A Night at the Opera |
Sam Wood, ++, W, W, ++, C, M |
|
7.5 |
1933 |
CDMl![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono Black and White](icons/bw.png) |
Gold Diggers of 1933 |
Mervyn LeRoy, W, W, ++, C |
|
6.9 |
1932 |
CrD![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (original release) Black and White](icons/bw.png) |
I Am a Fugitive from a Chain Gang |
Mervyn LeRoy, W, W, ++, C |
|
8.5 |
1932 |
CD![Black and White; Silent](icons/bw.png) |
I Was Born, But... |
Yasujirô Ozu, W, W, ++, C, M «Otona no miru ehon - Umarete wa mita keredo» |
|
7.6 |
1932 |
CS![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Sound System) Black and White](icons/bw.png) |
The Music Box |
James Parrott, W, C, C, M, M |
|
7.4 |
1930 |
DW![Black and White; Aspect: 1.20:1; 35 mm; AUDIO: Mono (Western Electric Sound System) Black and White](icons/bw.png) |
All Quiet on the Western Front |
Lewis Milestone, W, W, ++, C, C, M, M |
|
8.8 |
1928 |
CDR![Black and White (tinted); Silent](icons/bw.png) |
Lonesome |
Pál Fejös, W, W, ++, C |
|
6.5 |
1927 |
DR![Black and White; Silent](icons/bw.png) |
Flesh and the Devil |
Clarence Brown, W, W, ++, C, M |
|
7.6 |
1925 |
AdDHR![Color (2-strip Technicolor) (some sequences), Black and White (tinted); Silent](icons/rgb-bw.png) |
Ben-Hur: A Tale of the Christ |
Fred Niblo, ++, W, W, ++, C, C, C++, M, M, M |
|
8.2 |
1924 |
D![Black and White; Silent](icons/bw.png) |
The Last Laugh |
F.W. Murnau, W, C, M, M, M++ «Der letzte Mann» |
|
6.6 |
1924 |
AC![Black and White; Silent](icons/bw.png) |
The Navigator |
Donald Crisp, Buster Keaton, W, W, ++, C, C, M, M, M |
|
7.0 |
1920 |
Ho![Black and White (tinted); Silent](icons/bw.png) |
The Cabinet of Dr. Caligari |
Robert Wiene, W, W, C, M, M, M++ «Das Cabinet des Dr. Caligari» |
|
7.2 |
1920 |
DR![Black and White; Silent](icons/bw.png) |
Way Down East |
D.W. Griffith, W, W, ++, C, C, C++, M, M |
|
7.3 |
2007 |
BD![Color; Aspect: 1.85:1; 35 mm (Kodak Vision 500T 5279, Fuji Eterna 250D 8563); Digital Intermediate (2K) (master format) (some scenes) Spherical (source format); Arriflex 435, Zeiss Super Speed, Arri Shift & Tilt and Lensbaby Lenses; AUDIO: DTS, Dolby Digital Color](icons/rgb.png) |
The Diving Bell and the Butterfly |
Julian Schnabel, W, W, C, M «Le scaphandre et le papillon» |
|
4.5 |
2003 |
CrDMT![Color; Aspect: 2.35:1; 35 mm (Kodak Vision 250D 5246, Vision 500T 5279); Panavision (anamorphic); Panavision Panaflex Millennium XL, Panavision C-Series Lenses Panavision Panaflex Platinum, Panavision E-Series Lenses; AUDIO: DTS, Dolby Digital, SDDS Color](icons/rgb.png) |
Mystic River |
Clint Eastwood, W, W, C, M |
|
1.4 |
2001 |
DMT![Color; Aspect: 1.85:1; 35 mm (Kodak); AUDIO: Dolby Digital Color](icons/rgb.png) |
Mulholland Dr. |
David Lynch, W, C, M |
|
2.0 |
1999 |
D![Color; Aspect: 2.35:1; 35 mm (Eastman Double-X 5222, Plus-X 5231, EXR 100T 5248, Kodak Vision 500T 5279); Spherical (partly) Panavision (anamorphic); Pathe Hand Crank Model 1909 (partly) Panavision Cameras and Lenses; AUDIO: Dolby Digital, SDDS, DTS Color](icons/rgb.png) |
Magnolia |
Paul Thomas Anderson, W, C, M |
|
5.3 |
1991 |
DHT![Black and White, Color; Aspect: 1.33:1; 16 mm (partly) 35 mm (partly) 8 mm (partly) Video (partly); Panavision (anamorphic) Spherical Super 8; AUDIO: Dolby SR Black and White, Color](icons/rgb-bw.png) |
JFK |
Oliver Stone, W, W, ++, C, M |
|
6.9 |
1989 |
CD![Color; Aspect: 1.85:1; 35 mm; Lenses and Panaflex Camera by Panavision; AUDIO: Mono Color](icons/rgb.png) |
Crimes and Misdemeanors |
Woody Allen, W, C |
|
6.9 |
1988 |
D![Color; Aspect: 1.85:1; 35 mm (Eastman 400T 5295); Panaflex Camera and Lenses by Panavision Panavision Panaflex Cameras, Panavision Primo Lenses; AUDIO: Dolby SR, Dolby Stereo Color](icons/rgb.png) |
Rain Man |
Barry Levinson, W, W, ++, C, M |
|
5.3 |
1985 |
DFanSf![Color (Technicolor); Aspect: 1.85:1; 35 mm (Kodak); J-D-C Cameras; AUDIO: Dolby Color (Technicolor)](icons/rgb.png) |
Brazil |
Terry Gilliam, W, W, ++, C, M |
|
6.6 |
1978 |
HoSf![Color (Technicolor); Aspect: 1.85:1; 35 mm; Arriflex 2C Arriflex 35 BL I; AUDIO: 4-Track Stereo (German prints), Mono Color (Technicolor)](icons/rgb.png) |
Dawn of the Dead |
George A. Romero, W, C, M, M, M++ |
|
6.6 |
1978 |
DR![Color (Metrocolor); Aspect: 1.85:1; 35 mm; Panaflex Camera and Lenses by Panavision; AUDIO: Dolby (35 mm prints), 70 mm 6-Track (70 mm prints) Color (Metrocolor)](icons/rgb.png) |
Days of Heaven |
Terrence Malick, W, C, M |
|
7.3 |
1978 |
DH![Color (Gevacolor); Aspect: 1.33:1; 35 mm; AUDIO: Mono Color (Gevacolor)](icons/rgb.png) |
The Tree of Wooden Clogs |
Ermanno Olmi, W, C «L'albero degli zoccoli» |
|
7.3 |
1977 |
CDR![Color (Eastmancolor); Aspect: 1.66:1; 35 mm; Panavision Cameras and Lenses; AUDIO: Mono Color (Eastmancolor)](icons/rgb.png) |
That Obscure Object of Desire |
Luis Buñuel, W, W, ++, C «Cet obscur objet du désir» |
|
6.7 |
1976 |
DHMT![Color (Technicolor); Aspect: 1.37:1; 35 mm; AUDIO: Mono Color (Technicolor)](icons/rgb.png) |
All the President's Men |
Alan J. Pakula, W, W, ++, C, M |
|
7.4 |
1975 |
DHW![Color; Aspect: 1.66:1; 35 mm; AUDIO: Stereo Color](icons/rgb.png) |
The Travelling Players |
Theodoros Angelopoulos, W, C, M «O thiasos» |
|
6.9 |
1973 |
CD![Color (Technicolor); Aspect: 1.85:1; 35 mm (Eastman 100T 5254); AUDIO: Mono Color (Technicolor)](icons/rgb.png) |
Amarcord |
Federico Fellini, W, W, ++, C, M |
|
7.2 |
1973 |
CDR![Black and White, Color (Eastmancolor); Aspect: 1.66:1; 35 mm; Panavision (anamorphic); AUDIO: Mono Black and White, Color (Eastmancolor)](icons/rgb-bw.png) |
Day for Night |
François Truffaut, W, W, ++, C, M «La nuit américaine» |
|
5.0 |
1973 |
HoT![Color (Metrocolor); Aspect: 1.37:1; 35 mm; AUDIO: 70 mm 6-Track (1979 re-release), DTS-ES (director's cut), Dolby Digital EX (director's cut), Mono (original release), SDDS (director's cut) Color (Metrocolor)](icons/rgb.png) |
The Exorcist |
William Friedkin, W, C, M |
|
6.0 |
1973 |
DFan![Color (Eastmancolor); Aspect: 1.66:1; AUDIO: Mono Color (Eastmancolor)](icons/q-rgb.png) |
The Spirit of the Beehive |
Víctor Erice, W, ++, C, M «El espíritu de la colmena» |
|
6.0 |
1972 |
AdDH![Color (Eastmancolor); Aspect: 1.33:1; 35 mm; AUDIO: Mono Color (Eastmancolor)](icons/rgb.png) |
Aguirre: The Wrath of God |
Werner Herzog, W, C, M «Aguirre, der Zorn Gottes» |
|
6.5 |
1972 |
CDFan![Color (Eastmancolor); Aspect: 1.66:1; 35 mm; Panavision Cameras and Lenses; AUDIO: Mono Color (Eastmancolor)](icons/rgb.png) |
The Discreet Charm of the Bourgeoisie |
Luis Buñuel, W, W, C «Le charme discret de la bourgeoisie» |
|
7.3 |
1968 |
AdMSf![Color; Aspect: 2.35:1; 35 mm; Panavision (anamorphic) (as Panavision®); AUDIO: 4-Track Stereo (Westrex Recording System) Color](icons/rgb.png) |
Planet of the Apes |
Franklin J. Schaffner, W, W, ++, C, M |
|
5.9 |
1968 |
DHoM![Color (Technicolor); Aspect: 1.85:1; 35 mm (Eastman 50T 5251); AUDIO: Mono Color (Technicolor)](icons/rgb.png) |
Rosemary's Baby |
Roman Polanski, W, W, C, M |
|
6.2 |
1968 |
D![Black and White; 35 mm; AUDIO: Mono Black and White](icons/bw.png) |
Shame |
Ingmar Bergman, W, C «Skammen» |
|
6.9 |
1967 |
CrDMT![Color; Aspect: 1.85:1; 35 mm; AUDIO: Mono (Westrex Sound) Color](icons/rgb.png) |
In the Heat of the Night |
Norman Jewison, W, W, C, M |
|
5.3 |
1967 |
C![Color (Eastmancolor); Aspect: 1.85:1; 65 mm; Mitchell Camera; AUDIO: 4-Track Stereo (35 mm prints), 70 mm 6-Track (70 mm prints), DTS 70 mm (70 mm prints) (restored version), Mono (35 mm prints) Color (Eastmancolor)](icons/rgb.png) |
Playtime |
Jacques Tati, W, W, ++, C, C, M |
|
6.7 |
1967 |
CDR![Color (Technicolor); Aspect: 2.35:1; 35 mm; Panavision (anamorphic); Panavision Cameras and Lenses; AUDIO: 4-Track Stereo (Westrex Recording System), Mono (35 mm optical prints) Color (Technicolor)](icons/rgb.png) |
The Graduate |
Mike Nichols, W, W, ++, C |
|
8.1 |
1965 |
CDW![Black and White; Aspect: 1.66:1; 35 mm; AUDIO: Mono Black and White](icons/bw.png) |
Chimes at Midnight |
Orson Welles, W, W, ++, C, M «Campanadas a medianoche» |
|
5.9 |
1965 |
DRW![Color (Metrocolor); Aspect: 2.20:1; 35 mm (Eastman 50T 5251); Panavision (anamorphic); Panavision Lenses; AUDIO: 4-Track Stereo (35 mm magnetic prints), 70 mm 6-Track (Westrex Recording System) (70 mm prints), DTS (re-release) (35 mm prints), Mono (35 mm optical prints), 6-Track Stereo (Linear PCM) Color (Metrocolor)](icons/rgb.png) |
Doctor Zhivago |
David Lean, W, W, C, M |
|
7.9 |
1965 |
D![Black and White; Aspect: 1.75:1; 35 mm; AUDIO: Mono Black and White](icons/bw.png) |
Fists in the Pocket |
Marco Bellocchio, W, C, M «I pugni in tasca» |
|
6.7 |
1965 |
BDFMlR![Color; Aspect: 2.35:1; 65 mm; Todd-AO (produced on); MCS-70 (Modern Cinema Systems) (aerial views); AUDIO: 70 mm 6-Track (70 mm prints), Mono (Westrex Recording System) (35 mm prints), Stereo (some 35 mm prints), DTS 70 mm (70mm re-release) Color](icons/rgb.png) |
The Sound of Music |
Robert Wise, W, W, ++, C, M |
|
6.9 |
1962 |
DMRSfTW![Black and White; Aspect: 1.85:1; 35 mm; AUDIO: Mono (Westrex Recording System), Dolby SR, Dolby Digital Black and White](icons/bw.png) |
The Manchurian Candidate |
John Frankenheimer, W, W, ++, C, M |
|
4.7 |
1961 |
DMR![Black and White; Aspect: 2.35:1; 35 mm; Dyaliscope; Chevereau Cameras; AUDIO: Mono Black and White](icons/bw.png) |
Last Year at Marienbad |
Alain Resnais, W, C, M «L'année dernière à Marienbad» |
|
5.2 |
1960 |
CrD![Black and White; Aspect: 1.37:1; 35 mm; Arriflex Cameras; AUDIO: Mono Black and White](icons/bw.png) |
Breathless |
Jean-Luc Godard, W, ++, C, M «À bout de souffle» |
|
6.9 |
1960 |
DM![Black and White; Aspect: 1.75:1; 35 mm; AUDIO: Mono Black and White](icons/bw.png) |
L'avventura |
Michelangelo Antonioni, W, ++, C, M |
|
6.9 |
1960 |
AdBDH![Color (Technicolor); Aspect: 2.20:1; 35 mm (horizontal); Super Technirama 70 (anamorphic); Panavision Lenses; AUDIO: 70 mm 6-Track (70 mm prints), Mono (Westrex Recording System) (35 mm prints, original release) Color (Technicolor)](icons/rgb.png) |
Spartacus |
Stanley Kubrick, W, W, ++, C, M |
|
7.2 |
1959 |
DW![Black and White; Aspect: 2.35:1; 35 mm; Daieiscope; AUDIO: Mono Black and White](icons/bw.png) |
Fires on the Plain |
Kon Ichikawa, W, W, C, C, M «Nobi» |
|
4.9 |
1959 |
DRW![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono Black and White](icons/bw.png) |
Hiroshima, mon amour |
Alain Resnais, W, C, C, M, M |
|
7.3 |
1958 |
CrDT![Black and White; Aspect: 1.66:1; 35 mm; AUDIO: Mono (Western Electric Sound System) Black and White](icons/bw.png) |
Elevator to the Gallows |
Louis Malle, W, W, ++, C, M «Ascenseur pour l'échafaud» |
|
6.0 |
1956 |
We![Color (Technicolor); Aspect: 1.75:1; 35 mm (horizontal); VistaVision (as VistaVision - Motion Picture High-Fidelity); AUDIO: Mono (RCA Sound Recording) Color (Technicolor)](icons/rgb.png) |
The Searchers |
John Ford, W, W, C, M |
|
5.2 |
1955 |
DR![Color (WarnerColor); Aspect: 2.55:1; 35 mm; CinemaScope; AUDIO: Mono (Perspecta Sound encoding) (35 mm optical prints), 4-Track Stereo (35 mm magnetic prints) (RCA Sound Recording) Color (WarnerColor)](icons/rgb.png) |
East of Eden |
Elia Kazan, W, W, C, M |
|
8.1 |
1955 |
DR![Black and White; Aspect: 1.33:1; 35 mm; AUDIO: Mono Black and White](icons/bw.png) |
Floating Clouds |
Mikio Naruse, W, W, C, M «Ukigumo» |
|
7.1 |
1955 |
CR![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono Black and White](icons/bw.png) |
Smiles of a Summer Night |
Ingmar Bergman, W, C, M «Sommarnattens leende» |
|
7.6 |
1953 |
CD![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono Black and White](icons/bw.png) |
I Vitelloni |
Federico Fellini, W, W, ++, C, C, C, M «I vitelloni» |
|
7.2 |
1953 |
CrNT![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Recording) Black and White](icons/bw.png) |
The Big Heat |
Fritz Lang, W, W, C, M |
|
6.8 |
1950 |
DNMRT![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Recording) Black and White](icons/bw.png) |
In a Lonely Place |
Nicholas Ray, W, W, ++, C, M |
|
7.1 |
1950 |
CrNSpT![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Recording) Black and White](icons/bw.png) |
Night and the City |
Jules Dassin, W, W, ++, C, M, M |
|
7.5 |
1950 |
FanDR![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (RCA Sound System) Black and White](icons/bw.png) |
Orpheus |
Jean Cocteau, W, C, M «Orphée» |
|
7.1 |
1948 |
DR![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Recording) Black and White](icons/bw.png) |
Letter from an Unknown Woman |
Max Ophüls, W, W, ++, C, M |
|
7.0 |
1948 |
CrDT![Color (Technicolor); Aspect: 1.37:1; 35 mm; Technicolor Three-Strip Camera; AUDIO: Mono (RCA Sound System) Color (Technicolor)](icons/rgb.png) |
Rope |
Alfred Hitchcock, W, W, ++, C, C, M |
|
6.9 |
1947 |
CCrD![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (RCA Sound System) Black and White](icons/bw.png) |
Monsieur Verdoux |
Charles Chaplin, W, W, C, C, M |
|
7.6 |
1946 |
DFanR![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono, Dolby Digital (1995 opera version) Black and White](icons/bw.png) |
Beauty and the Beast |
Jean Cocteau, ++, W, ++, C, M «La belle et la bête» |
|
7.1 |
1946 |
DR![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Recording) Black and White](icons/bw.png) |
Great Expectations |
David Lean, W, W, ++, C, M |
|
7.4 |
1946 |
D![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (RCA Photophone System) Black and White](icons/bw.png) |
Shoeshine |
Vittorio De Sica, W, W, ++, C, M «Sciuscià (Ragazzi)» |
|
7.1 |
1945 |
DNMR![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (RCA Sound System) Black and White](icons/bw.png) |
Mildred Pierce |
Michael Curtiz, W, W, ++, C, M |
|
6.5 |
1945 |
D![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Recording) Black and White](icons/bw.png) |
The Lost Weekend |
Billy Wilder, W, W, ++, C, M |
|
6.1 |
1944 |
CRW![Black and White; Aspect: 1.33:1; 35 mm; AUDIO: Mono (Western Electric Mirrophonic Recording) Black and White](icons/bw.png) |
The Miracle of Morgan's Creek |
Preston Sturges, W, C, M, M |
|
6.8 |
1944 |
AdRTW![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (RCA Sound System) Black and White](icons/bw.png) |
To Have and Have Not |
Howard Hawks, W, W, ++, C, M |
|
6.8 |
1943 |
T![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Recording) Black and White](icons/bw.png) |
Shadow of a Doubt |
Alfred Hitchcock, W, W, ++, C, M |
|
7.0 |
1943 |
CR![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Mirrophonic Recording) Black and White](icons/bw.png) |
The More the Merrier |
George Stevens, W, W, ++, C, M |
|
6.3 |
1941 |
CR![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Mirrophonic Recording) Black and White](icons/bw.png) |
The Lady Eve |
Preston Sturges, W, W, C, M, M, M++ |
|
7.0 |
1940 |
CDR![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Mirrophonic Recording) Black and White](icons/bw.png) |
His Girl Friday |
Howard Hawks, W, W, ++, C, M, M |
|
7.2 |
1939 |
CR![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Sound System) Black and White](icons/bw.png) |
Ninotchka |
Ernst Lubitsch, W, W, ++, C, M |
|
7.2 |
1939 |
CD![Black and White, Color (Technicolor); Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Sound System) Black and White, Color (Technicolor)](icons/rgb-bw.png) |
The Women |
George Cukor, W, W, ++, C, C, M, M |
|
7.4 |
1938 |
CrDT![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono Black and White](icons/bw.png) |
Angels with Dirty Faces |
Michael Curtiz, W, W, ++, C, M |
|
5.4 |
1938 |
CR![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (RCA Victor System) Black and White](icons/bw.png) |
Bringing Up Baby |
Howard Hawks, W, W, ++, C, M |
|
7.6 |
1938 |
AAdR![Color (Technicolor); Aspect: 1.37:1; 35 mm; AUDIO: Mono Color (Technicolor)](icons/rgb.png) |
The Adventures of Robin Hood |
Michael Curtiz, William Keighley, W, W, ++, C, C, M |
|
6.9 |
1938 |
CMT![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono Black and White](icons/bw.png) |
The Lady Vanishes |
Alfred Hitchcock, W, W, ++, C, M, M |
|
5.5 |
1938 |
CR![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (RCA Victor High Fidelity Sound System) Black and White](icons/bw.png) |
You Can't Take It with You |
Frank Capra, W, W, ++, C, M |
|
6.9 |
1937 |
CR![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Mirrophonic Recording) Black and White](icons/bw.png) |
The Awful Truth |
Leo McCarey, W, W, ++, C |
|
7.3 |
1936 |
CD![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Noiseless Recording) Black and White](icons/bw.png) |
Mr. Deeds Goes to Town |
Frank Capra, W, W, C, M |
|
5.5 |
1933 |
CMl![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Noiseless Recording) Black and White](icons/bw.png) |
Duck Soup |
Leo McCarey, W, W, ++, C, M |
|
6.9 |
1933 |
AdFanHo![Black and White; Aspect: 1.37:1; 35 mm; Mitchell Camera; AUDIO: Mono (RCA Photophone System) Black and White](icons/bw.png) |
King Kong |
[ Merian C. Cooper, Ernest B. Schoedsack ], W, W, ++, C, C, C++, M |
|
7.0 |
1932 |
DHoT![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Sound System) Black and White](icons/bw.png) |
Freaks |
Tod Browning, W, ++, C |
|
6.7 |
1931 |
HoSf![Black and White; Aspect: 1.37:1; 35 mm; Mitchell Standard; AUDIO: Mono (Western Electric Sound System) Black and White](icons/bw.png) |
Frankenstein |
James Whale, W, W, ++, C, C, M |
|
7.1 |
1929 |
CrDR![Black and White; Silent](icons/bw.png) |
Pandora's Box |
Georg Wilhelm Pabst, W, W, ++, C, M, M, M «Die Büchse der Pandora» |
|
7.5 |
1928 |
D![Black and White; Silent](icons/bw.png) |
Sadie Thompson |
Raoul Walsh, W, W, ++, C, C, C |
|
7.3 |
1926 |
DFanHo![Black and White; Silent](icons/bw.png) |
Faust |
F.W. Murnau, W, W, ++, C, M, M, M++ «Faust - Eine deutsche Volkssage» |
|
6.2 |
1925 |
DH![Black and White; Silent](icons/bw.png) |
Battleship Potemkin |
Sergei M. Eisenstein, W, ++, C, C, M, M, M++ «Bronenosets Potyomkin» |
|
7.6 |
1925 |
CFR![Black and White, Color (2-strip Technicolor); Silent](icons/rgb-bw.png) |
Seven Chances |
Buster Keaton, W, W, ++, C, C, M |
|
6.7 |
1922 |
Ho![Black and White; Silent](icons/bw.png) |
Nosferatu |
F.W. Murnau, W, ++, C, C, M, M, M++ «Nosferatu, eine Symphonie des Grauens» |
|
7.4 |
1921 |
DRW![Black and White; Silent](icons/bw.png) |
The Four Horsemen of the Apocalypse |
Rex Ingram, W, W, C, M, M |
|
7.3 |
1919 |
AdD![Black and White; Silent](icons/bw.png) |
Male and Female |
Cecil B. DeMille, W, W, C, M |
|
6.0 |
1916 |
DH![Black and White; Silent](icons/bw.png) |
Intolerance: Love's Struggle Throughout the Ages |
D.W. Griffith, W, W, ++, C, M |
|
4.8 |
2007 |
D![Color; Aspect: 2.35:1; 35 mm (Kodak Vision2 200T 5217); Digital Intermediate (2K) (master format) Super 35 (source format); Arriflex 535B, Zeiss Ultra Prime Lenses; AUDIO: Dolby Digital Color](icons/rgb.png) |
4 Months, 3 Weeks and 2 Days |
Cristian Mungiu, W, W, C «4 luni, 3 saptamâni si 2 zile» |
|
5.0 |
1997 |
D![Color; Aspect: 2.35:1; 16 mm (70s porno) 35 mm Video (NTSC) (80s porno); Panavision (anamorphic); Panavision Panaflex Gold, Panavision C-Series Lenses; AUDIO: Dolby Digital, SDDS Color](icons/rgb.png) |
Boogie Nights |
Paul Thomas Anderson, W, C, M |
|
7.4 |
1994 |
BCD![Black and White; Aspect: 1.85:1; 35 mm; Panavision Cameras and Lenses; AUDIO: Dolby SR Black and White](icons/bw.png) |
Ed Wood |
Tim Burton, W, W, ++, C, M |
|
7.5 |
1993 |
DR![Color (Technicolor); Aspect: 2.20:1; 35 mm (Eastman EXR 200T 5293, EXR 500T 5296); Super 35; Panavision Cameras and Lenses; AUDIO: 70 mm 6-Track (70 mm prints), Dolby SR (35 mm prints), SDDS (35 mm prints) Color (Technicolor)](icons/rgb.png) |
The Remains of the Day |
James Ivory, W, W, C, M |
|
5.7 |
1991 |
DFanMcR![Color; Aspect: 1.66:1; 35 mm (Kodak); Moviecam Cameras; AUDIO: Dolby SR Color](icons/rgb.png) |
The Double Life of Veronique |
Krzysztof Kieslowski, W, W, C, M «La double vie de Véronique» |
|
6.9 |
1990 |
CrDT![Color; Aspect: 1.85:1; 35 mm; Panavision Cameras and Lenses; AUDIO: Dolby SR Color](icons/rgb.png) |
Miller's Crossing |
Joel Coen, ++, W, W, ++, C, M |
|
5.2 |
1989 |
D![Color; Aspect: 1.85:1; 35 mm; Arriflex Cameras and Lenses; AUDIO: Dolby SR Color](icons/rgb.png) |
Do the Right Thing |
Spike Lee, W, C, M |
|
5.7 |
1983 |
AdDHSf![Color (Technicolor); Aspect: 1.85:1; 35 mm; Panaflex Camera and Lenses by Panavision; AUDIO: 70 mm 6-Track (70 mm prints), Dolby (35 mm prints) Color (Technicolor)](icons/rgb.png) |
The Right Stuff |
Philip Kaufman, W, W, C, M |
|
5.0 |
1982 |
AdFFanSf![Color; Aspect: 1.85:1; 35 mm (Eastman 100T 5247); Panavision Cameras and Lenses; AUDIO: Dolby (35 mm prints) Color](icons/rgb.png) |
E.T. the Extra-Terrestrial |
Steven Spielberg, W, C, M |
|
6.5 |
1979 |
DW![Color (Fujicolor); Aspect: 1.66:1; 35 mm; AUDIO: Mono Color (Fujicolor)](icons/rgb.png) |
The Marriage of Maria Braun |
Rainer Werner Fassbinder, W, W, ++, C, M «Die Ehe der Maria Braun» |
|
7.1 |
1978 |
HoT![Color (Metrocolor); Aspect: 2.35:1; 35 mm; Panavision (anamorphic); AUDIO: Mono Color (Metrocolor)](icons/rgb.png) |
Halloween |
John Carpenter, W, W, C, M |
|
6.5 |
1977 |
D![Color; Aspect: 2.35:1; 35 mm; Panavision (anamorphic); AUDIO: Mono Color](icons/rgb.png) |
3 Women |
Robert Altman, W, ++, C, M |
|
7.3 |
1975 |
AAd![Color (Technicolor); Aspect: 2.35:1; 35 mm; Panavision (anamorphic) (as Panavision®); AUDIO: 4-Track Stereo Color (Technicolor)](icons/rgb.png) |
The Man Who Would Be King |
John Huston, W, W, ++, C, M |
|
5.6 |
1974 |
DMT![Color (Technicolor); Aspect: 1.37:1; 35 mm; AUDIO: Mono, Dolby Digital (restored version) Color (Technicolor)](icons/rgb.png) |
The Conversation |
Francis Ford Coppola, W, C, C, M |
|
6.4 |
1974 |
BD![Color (Eastmancolor); Aspect: 1.66:1; 8 mm 35 mm; AUDIO: Mono Color (Eastmancolor)](icons/rgb.png) |
The Enigma of Kaspar Hauser |
Werner Herzog, W, ++, C «Jeder für sich und Gott gegen alle» |
|
6.6 |
1973 |
CrD![Color; Aspect: 1.85:1; 35 mm; AUDIO: Mono Color](icons/rgb.png) |
Badlands |
Terrence Malick, W, C, C, C, M |
|
6.3 |
1972 |
DMl![Color (Technicolor); Aspect: 1.85:1; 35 mm; AUDIO: 4-Track Stereo, Dolby Digital (DVD version) Color (Technicolor)](icons/rgb.png) |
Cabaret |
Bob Fosse, W, W, ++, C, M, M |
|
6.7 |
1969 |
D![Black and White, Color; Aspect: 1.85:1; 35 mm; AUDIO: Mono, Dolby Digital (DVD Release) Black and White, Color](icons/rgb-bw.png) |
Midnight Cowboy |
John Schlesinger, W, W, C, M |
|
7.0 |
1969 |
D![Black and White, Color; Aspect: 2.35:1; 35 mm; Panavision (anamorphic); AUDIO: 4-Track Stereo Black and White, Color](icons/rgb-bw.png) |
They Shoot Horses, Don't They? |
Sydney Pollack, W, W, ++, C, M |
|
6.6 |
1967 |
BCrD![Color (Technicolor); Aspect: 1.78:1; 35 mm; AUDIO: Mono Color (Technicolor)](icons/rgb.png) |
Bonnie and Clyde |
Arthur Penn, W, W, ++, C, M |
|
5.2 |
1966 |
CrD![Black and White; Aspect: 1.66:1; 35 mm; AUDIO: Mono Black and White](icons/bw.png) |
Au Hasard Balthazar |
Robert Bresson, W, C, M «Au hasard Balthazar» |
|
6.9 |
1966 |
DW![Black and White; Aspect: 2.35:1; 35 mm; Agascope; Arriflex Cameras; AUDIO: Mono Black and White](icons/bw.png) |
The Round-Up |
Miklós Jancsó, W, C «Szegénylegények» |
|
6.7 |
1964 |
CrD![Black and White, Color; Aspect: 1.37:1; 35 mm; AUDIO: Mono Black and White, Color](icons/rgb-bw.png) |
Band of Outsiders |
Jean-Luc Godard, W, ++, C, M «Bande à part» |
|
6.4 |
1964 |
D![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono Black and White](icons/bw.png) |
I Am Cuba |
Mikhail Kalatozov, W, W, C, M «Soy Cuba» |
|
6.4 |
1964 |
DMlR![Color (Technicolor); Aspect: 2.20:1; 65 mm (Eastman 50T 5251); Super Panavision 70; AUDIO: 4-Track Stereo (35 mm magnetic prints), DTS (re-release), Dolby Digital (re-release), Mono (16 mm prints), Mono (35 mm optical prints), 70 mm 6-Track (RCA Sound Recording) (70 mm prints) Color (Technicolor)](icons/rgb.png) |
My Fair Lady |
George Cukor, W, W, ++, C, M |
|
6.2 |
1963 |
D![Black and White; Aspect: 1.66:1; 35 mm; AUDIO: Mono Black and White](icons/bw.png) |
The Servant |
Joseph Losey, W, W, C, M |
|
7.2 |
1962 |
CD![Black and White; Aspect: 1.85:1; 35 mm; AUDIO: Mono (RCA Sound Recording) Black and White](icons/bw.png) |
Days of Wine and Roses |
Blake Edwards, W, C, M |
|
4.7 |
1962 |
DR![Black and White; Aspect: 2.35:1; 35 mm; Franscope; Chevereau Cameras; AUDIO: Mono Black and White](icons/bw.png) |
Jules and Jim |
François Truffaut, W, W, ++, C, M «Jules et Jim» |
|
6.0 |
1962 |
DR![Black and White; Aspect: 1.85:1; 35 mm; AUDIO: Mono (Westrex) Black and White](icons/bw.png) |
L'eclisse |
Michelangelo Antonioni, W, W, ++, C, M |
|
6.7 |
1962 |
CrT![Black and White; Aspect: 1.66:1; 35 mm; AUDIO: Mono Black and White](icons/bw.png) |
Le Doulos |
Jean-Pierre Melville, W, W, C, M «Le doulos» |
|
6.0 |
1962 |
CrDFanMT![Black and White; Aspect: 1.66:1; 35 mm; AUDIO: Mono (Optiphone) (source format) Black and White](icons/bw.png) |
The Trial |
Orson Welles, W, W, ++, C, M «Le procès» |
|
6.9 |
1961 |
D![Black and White; Aspect: 1.66:1; AUDIO: Mono Black and White](icons/bw.png) |
La Notte |
Michelangelo Antonioni, W, W, ++, C, M «La notte» |
|
6.6 |
1961 |
Ho![Black and White; Aspect: 2.35:1; 35 mm; CinemaScope; Bausch & Lomb Lenses; AUDIO: Mono (Westrex Recording System) Black and White](icons/bw.png) |
The Innocents |
Jack Clayton, W, W, ++, C, M |
|
7.1 |
1959 |
D![Color (Eastmancolor); Aspect: 1.37:1; 35 mm; AUDIO: Mono Color (Eastmancolor)](icons/rgb.png) |
Floating Weeds |
Yasujirô Ozu, W, W, ++, C, M «Ukikusa» |
|
6.1 |
1959 |
DR![Color (Eastmancolor); Aspect: 1.85:1; 35 mm; AUDIO: Mono, Mono (Westrex Recording System) Color (Eastmancolor)](icons/rgb.png) |
Imitation of Life |
Douglas Sirk, W, W, ++, C, M, M |
|
6.2 |
1959 |
CrD![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Westrex Recording System) Black and White](icons/bw.png) |
Pickpocket |
Robert Bresson, W, C |
|
6.6 |
1958 |
DW![Black and White; Aspect: 1.66:1; 35 mm; AUDIO: Mono Black and White](icons/bw.png) |
Ashes and Diamonds |
Andrzej Wajda, W, ++, C, M, M «Popiól i diament» |
|
5.3 |
1956 |
AdDH![Color (Technicolor); Aspect: 1.85:1; 35 mm (horizontal); Super VistaVision (1989 re-release) VistaVision; Mitchell VistaVision Cameras; AUDIO: Dolby Digital (1998 re-release), Dolby (1989 re-release), Mono (35 mm prints), 70 mm 6-Track (Western Electric Recording) Color (Technicolor)](icons/rgb.png) |
The Ten Commandments |
Cecil B. DeMille, W, W, ++, C, M |
|
7.2 |
1952 |
CrDR![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Optiphone) Black and White](icons/bw.png) |
Casque d'Or |
Jacques Becker, W, W, ++, C, M «Casque d'or» |
|
6.8 |
1952 |
DW![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric System) Black and White](icons/bw.png) |
Forbidden Games |
René Clément, W, ++, C, M «Jeux interdits» |
|
6.2 |
1952 |
DR![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Sound System) Black and White](icons/bw.png) |
The Bad and the Beautiful |
Vincente Minnelli, W, W, C, M |
|
6.6 |
1952 |
CDR![Color (Technicolor); Aspect: 1.37:1; 35 mm; Mitchell Cameras; AUDIO: Mono (RCA Sound System) Color (Technicolor)](icons/rgb.png) |
The Quiet Man |
John Ford, W, W, ++, C, M |
|
6.5 |
1951 |
D![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Tobis-Klangfilm) Black and White](icons/bw.png) |
Diary of a Country Priest |
Robert Bresson, W, W, C, M «Journal d'un curé de campagne» |
|
6.5 |
1951 |
AdRW![Color (as Colour by) (Technicolor); Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Recording) Color (as Colour by) (Technicolor)](icons/rgb.png) |
The African Queen |
John Huston, W, W, ++, C, M |
|
7.2 |
1950 |
CrND![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Sound System) Black and White](icons/bw.png) |
The Asphalt Jungle |
John Huston, W, W, ++, C, M |
|
7.2 |
1948 |
D![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (RCA Sound System) Black and White](icons/bw.png) |
Germany Year Zero |
Roberto Rossellini, W, ++, C, M «Germania, anno zero» |
|
5.5 |
1948 |
D![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Recording) Black and White](icons/bw.png) |
Hamlet |
Laurence Olivier, W, ++, C, M |
|
6.8 |
1948 |
CrDNT![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (RCA Sound System) Black and White](icons/bw.png) |
Key Largo |
John Huston, W, W, ++, C, M |
|
6.9 |
1948 |
D![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (RCA Sound System) Black and White](icons/bw.png) |
La terra trema |
Luchino Visconti, ++, C, M «La terra trema: Episodio del mare» |
|
6.9 |
1948 |
DMT![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (RCA Sound System) Black and White](icons/bw.png) |
The Fallen Idol |
Carol Reed, W, ++, C, M |
|
7.0 |
1946 |
CrDNM![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Recording) Black and White](icons/bw.png) |
The Killers |
Robert Siodmak, W, W, ++, C, M |
|
6.5 |
1945 |
DN![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Recording) Black and White](icons/bw.png) |
Scarlet Street |
Fritz Lang, W, W, ++, C, M |
|
6.7 |
1944 |
CrDNMT![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Sound System) Black and White](icons/bw.png) |
Gaslight |
George Cukor, W, W, ++, C, M |
|
7.3 |
1943 |
DR![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono Black and White](icons/bw.png) |
Day of Wrath |
Carl Theodor Dreyer, ++, C, M «Vredens dag» |
|
6.4 |
1942 |
DR![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (RCA Sound System) Black and White](icons/bw.png) |
The Magnificent Ambersons |
Orson Welles, ++, W, W, ++, C, C, C, M |
|
6.7 |
1941 |
CR![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Mirrophonic Recording) Black and White](icons/bw.png) |
Ball of Fire |
Howard Hawks, W, W, ++, C, M |
|
7.2 |
1940 |
D![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Sound System) Black and White](icons/bw.png) |
The Mortal Storm |
Frank Borzage, W, W, ++, C, C, C, M, M, M |
|
7.9 |
1939 |
CR![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Mirrophonic Recording) Black and White](icons/bw.png) |
Midnight |
Mitchell Leisen, W, W, ++, C, M |
|
6.2 |
1939 |
AdWe![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Mirrophonic Recording) Black and White](icons/bw.png) |
Stagecoach |
John Ford, W, W, ++, C, M |
|
6.8 |
1938 |
CR![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Mirrophonic Recording) Black and White](icons/bw.png) |
Holiday |
George Cukor, W, W, ++, C, M |
|
7.8 |
1938 |
CDR![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Wide Range System) Black and White](icons/bw.png) |
Pygmalion |
Anthony Asquith, Leslie Howard, W, ++, C, M |
|
7.2 |
1937 |
CD![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (RCA Victor System) Black and White](icons/bw.png) |
Stage Door |
Gregory La Cava, W, W, ++, C, M |
|
5.2 |
1937 |
DR![Black and White (Sepiatone); Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Sound System) Black and White (Sepiatone)](icons/bw.png) |
The Good Earth |
Sidney Franklin, ++, W, W, ++, C, M |
|
6.4 |
1936 |
CrDNRT![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Sound System) Black and White](icons/bw.png) |
Fury |
Fritz Lang, W, W, ++, C, M |
|
8.0 |
1935 |
DHR![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Sound System) Black and White](icons/bw.png) |
A Tale of Two Cities |
Jack Conway, ++, W, W, ++, C, M |
|
6.7 |
1935 |
HoSf![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Sound System) Black and White](icons/bw.png) |
The Bride of Frankenstein |
James Whale, W, W, ++, C, M «Bride of Frankenstein» |
|
5.6 |
1934 |
DR![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono Black and White](icons/bw.png) |
L'Atalante |
Jean Vigo, W, W, ++, C, C, C, M |
|
5.2 |
1934 |
CR![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Noiseless Recording) Black and White](icons/bw.png) |
Twentieth Century |
Howard Hawks, W, W, ++, C |
|
7.0 |
1933 |
CrFanHo![Black and White; Aspect: 1.20:1; 35 mm; AUDIO: Mono (Tobis-Klangfilm) Black and White](icons/bw.png) |
The Testament of Dr. Mabuse |
Fritz Lang, W, W, ++, C, C, M, M «Das Testament des Dr. Mabuse» |
|
6.3 |
1929 |
D![Black and White; Silent](icons/bw.png) |
Queen Kelly |
Erich von Stroheim, ++, W, W, ++, C, C, C++, M, M |
|
5.8 |
1929 |
SFan![Black and White; Silent](icons/bw.png) |
Un Chien Andalou |
Luis Buñuel, W, W, C, C «Un chien andalou» |
|
8.2 |
1928 |
DR![Black and White; Silent](icons/bw.png) |
The Crowd |
King Vidor, W, W, ++, C, M |
|
7.7 |
1927 |
DR![Black and White; Silent](icons/bw.png) |
7th Heaven |
Frank Borzage, W, W, ++, C, C, M, M, M |
|
6.9 |
1927 |
DHoRT![Black and White; Silent](icons/bw.png) |
The Unknown |
Tod Browning, W, W, ++, C |
|
6.9 |
1924 |
D![Black and White; Silent](icons/bw.png) |
Greed |
Erich von Stroheim, W, W, ++, C, C, M, M, M++ |
|
8.1 |
1924 |
FanDAd![Black and White; Silent](icons/bw.png) |
Siegfried |
Fritz Lang, W, W, C, C, C, M «Die Nibelungen: Siegfried» |
|
7.9 |
1924 |
AdFFanR![Black and White (tinted); Silent](icons/bw.png) |
The Thief of Bagdad |
Raoul Walsh, W, W, ++, C, M |
|
6.8 |
1922 |
CrMT![Black and White; Silent](icons/bw.png) |
Dr. Mabuse: The Gambler |
Fritz Lang, W, W, ++, C, M, M, M «Dr. Mabuse, der Spieler - Ein Bild der Zeit» |
|
7.0 |
1921 |
D![Black and White; Silent](icons/bw.png) |
Orphans of the Storm |
D.W. Griffith, W, W, ++, C, C, C, M, M, M++ |
|
5.0 |
2003 |
AnC![Color; Aspect: 1.66:1; Video; AUDIO: Dolby Digital Color](icons/v-rgb.png) |
The Triplets of Belleville |
Sylvain Chomet, W, M «Les triplettes de Belleville» |
|
3.0 |
1999 |
CFan![Color (Technicolor); Aspect: 1.85:1; 35 mm (Kodak Vision 320T 5277, Vision 500T 5279); Moviecam Compact, Cooke S4 Lenses Moviecam SL, Cooke S4 Lenses; AUDIO: Dolby Digital Color (Technicolor)](icons/rgb.png) |
Being John Malkovich |
Spike Jonze, W, C, M |
|
7.3 |
1992 |
AAdRW![Color; Aspect: 2.20:1; 35 mm (Agfa XT 320, Eastman EXR 100T 5248, EXR 500T 5296); Panavision (anamorphic); Panavision Panaflex Platinum, Panavision Primo Lenses; AUDIO: 70 mm 6-Track (70 mm prints), Dolby (35 mm prints) Color](icons/rgb.png) |
The Last of the Mohicans |
Michael Mann, W, W, ++, C, M, M |
|
4.2 |
1991 |
D![Color (Eastmancolor); Aspect: 1.37:1; 35 mm (Kodak); Moviecam Cameras; AUDIO: Mono Color (Eastmancolor)](icons/rgb.png) |
La belle noiseuse |
Jacques Rivette, W, W, ++, C |
|
5.4 |
1987 |
DHW![Color (Technicolor); Aspect: 1.85:1; 35 mm (Eastman 125T 5247, 400T 5294, 250D 5297); Arriflex 35 III, Ultra Speed MKII and Cooke Lenses Panavision Panaflex Gold, Panavision Primo, Ultra Speed MKII and Cooke Lenses; AUDIO: 70 mm 6-Track (70 mm prints), Dolby (35 mm prints) Color (Technicolor)](icons/rgb.png) |
Empire of the Sun |
Steven Spielberg, W, W, ++, C, M |
|
6.0 |
1987 |
BDH![Color (Technicolor); Aspect: 2.00:1; 35 mm; Technovision (anamorphic); Arriflex 35 BL, Technovision Anamorphic Lenses; AUDIO: Dolby (35 mm prints), 70 mm 6-Track (70 mm prints) Color (Technicolor)](icons/rgb.png) |
The Last Emperor |
Bernardo Bertolucci, W, W, ++, C, M, M, M |
|
5.9 |
1986 |
CrMT![Color; Aspect: 2.35:1; 35 mm (Eastman 125T 5247); J-D-C Scope (anamorphic); Arriflex 35 BL3, J-D-C Lenses; AUDIO: Dolby Color](icons/rgb.png) |
Blue Velvet |
David Lynch, W, C, M |
|
6.9 |
1982 |
CD![Color; Aspect: 1.85:1; 35 mm; Arriflex Cameras; AUDIO: Mono Color](icons/rgb.png) |
The King of Comedy |
Martin Scorsese, W, C |
|
6.8 |
1982 |
D![Color (Technicolor); Aspect: 1.85:1; 35 mm; Panaflex Camera and Lenses by Panavision; AUDIO: Mono Color (Technicolor)](icons/rgb.png) |
The Verdict |
Sidney Lumet, W, W, ++, C, M |
|
7.7 |
1981 |
D![Color (Eastmancolor); Aspect: 1.66:1; 35 mm; AUDIO: Mono Color (Eastmancolor)](icons/rgb.png) |
Mephisto |
István Szabó, W, W, ++, C, M |
|
6.6 |
1979 |
DFanMcMl![Color (Technicolor); Aspect: 1.85:1; 35 mm; Lenses and Panaflex Camera by Panavision; AUDIO: Dolby Color (Technicolor)](icons/rgb.png) |
All That Jazz |
Bob Fosse, W, W, C, M |
|
6.8 |
1979 |
D![Color (Technicolor); Aspect: 1.85:1; 35 mm; Panaflex Camera and Lenses by Panavision; AUDIO: Mono Color (Technicolor)](icons/rgb.png) |
Kramer vs. Kramer |
Robert Benton, W, W, C |
|
7.6 |
1977 |
D![Color (Eastmancolor); 35 mm; AUDIO: Mono Color (Eastmancolor)](icons/rgb.png) |
Providence |
Alain Resnais, W, C, M |
|
3.9 |
1975 |
DMc![Color (Metrocolor); Aspect: 2.35:1; 35 mm; Panavision (anamorphic); AUDIO: 4-Track Stereo (magnetic prints) Color (Metrocolor)](icons/rgb.png) |
Nashville |
Robert Altman, W, C, M, M, M++ |
|
6.1 |
1974 |
CDFanM![Color (Eastmancolor); Aspect: 1.37:1; 16 mm; AUDIO: Mono Color (Eastmancolor)](icons/rgb.png) |
Celine and Julie Go Boating |
Jacques Rivette, W, W, ++, C, M «Céline et Julie vont en bateau - Phantom Ladies Over Paris» |
|
10.0 |
1973 |
Distant Thunder |
Satyajit Ray, W, W, C, M «Ashani Sanket» |
|
6.3 |
1973 |
Do![Color (Eastmancolor); Aspect: 1.66:1; 35 mm; AUDIO: Mono Color (Eastmancolor)](icons/rgb.png) |
F for Fake |
Orson Welles, W, ++, C, M «Vérités et mensonges» |
|
6.4 |
1972 |
AdDT![Color (Technicolor); Aspect: 2.20:1; 35 mm; Panavision (anamorphic); Panavision Cameras and Lenses; AUDIO: 70 mm 6-Track (70 mm prints), Mono (35 mm prints) Color (Technicolor)](icons/rgb.png) |
Deliverance |
John Boorman, W, ++, C |
|
8.4 |
1972 |
BD![Color (Technicolor); Aspect: 1.85:1; 35 mm; AUDIO: Mono Color (Technicolor)](icons/rgb.png) |
Il caso Mattei |
Francesco Rosi, W, W, ++, C, M |
|
7.9 |
1972 |
CR![Color (Technicolor); Aspect: 1.85:1; 35 mm; Panavision Cameras and Lenses; AUDIO: Mono Color (Technicolor)](icons/rgb.png) |
What's Up, Doc? |
Peter Bogdanovich, W, W, ++, C, M |
|
6.9 |
1971 |
ACrT![Color; Aspect: 2.35:1; 35 mm; Panavision (anamorphic); Panavision Lenses; AUDIO: Mono Color](icons/rgb.png) |
Dirty Harry |
Don Siegel, W, W, ++, C, M |
|
5.1 |
1971 |
ACrT![Color; Aspect: 1.85:1; 35 mm (Eastman 100T 5254); Arriflex Cameras and Lenses; AUDIO: Mono (Westrex Recording System), 4-Track Stereo (Westrex Recording System) Color](icons/rgb.png) |
The French Connection |
William Friedkin, W, W, ++, C, M |
|
4.5 |
1968 |
D![Black and White; Aspect: 1.66:1; 16 mm; Eclair NPR; AUDIO: Mono Black and White](icons/bw.png) |
Faces |
John Cassavetes, W, C, C, C |
|
5.8 |
1967 |
D![Color (Eastmancolor); Aspect: 1.66:1; 35 mm; AUDIO: Mono Color (Eastmancolor)](icons/rgb.png) |
Belle de Jour |
Luis Buñuel, W, W, ++, C «Belle de jour» |
|
6.3 |
1967 |
D![Black and White; Aspect: 1.66:1; 35 mm; AUDIO: Mono Black and White](icons/bw.png) |
Mouchette |
Robert Bresson, W, W, C, M |
|
5.3 |
1967 |
ADW![Color (Metrocolor); Aspect: 1.75:1; 35 mm; AUDIO: Stereo, 70 mm 6-Track (70 mm prints) Color (Metrocolor)](icons/rgb.png) |
The Dirty Dozen |
Robert Aldrich, W, W, ++, C, M |
|
6.9 |
1965 |
CRD![Black and White; Aspect: 1.37:1; AUDIO: Mono Black and White](icons/bw.png) |
Loves of a Blonde |
Milos Forman, W, ++, C, M «Lásky jedné plavovlásky» |
|
5.4 |
1965 |
HoT![Black and White; Aspect: 1.66:1; 35 mm; AUDIO: Mono (Westrex Recording System) Black and White](icons/bw.png) |
Repulsion |
Roman Polanski, W, W, ++, C, M |
|
6.9 |
1964 |
AAdCrT![Color (Technicolor); Aspect: 1.37:1; 35 mm; AUDIO: Mono (Westrex Recording System) Color (Technicolor)](icons/rgb.png) |
Goldfinger |
Guy Hamilton, W, W, ++, C, M |
|
6.7 |
1964 |
CFFanMl![Color (Technicolor); Aspect: 1.66:1; 35 mm; AUDIO: Stereo (RCA Sound Recording) Color (Technicolor)](icons/rgb.png) |
Mary Poppins |
Robert Stevenson, W, W, ++, C, M |
|
6.9 |
1964 |
D![Black and White; Aspect: 1.85:1; 35 mm; AUDIO: Mono Black and White](icons/bw.png) |
The Pawnbroker |
Sidney Lumet, W, W, ++, C, M |
|
7.3 |
1964 |
DMlR![Color (Eastmancolor); Aspect: 1.66:1; 35 mm; AUDIO: Dolby SR (restored version) (1992), Mono Color (Eastmancolor)](icons/rgb.png) |
The Umbrellas of Cherbourg |
Jacques Demy, W, C, M «Les parapluies de Cherbourg» |
|
5.7 |
1963 |
HoT![Color (Technicolor); Aspect: 1.37:1; 35 mm; AUDIO: Mono (Westrex Recording System) (uncredited) Color (Technicolor)](icons/rgb.png) |
The Birds |
Alfred Hitchcock, W, W, C |
|
6.7 |
1962 |
D![Black and White; Aspect: 2.35:1; 35 mm; Panavision (anamorphic) (as Panavision®); AUDIO: Mono (Westrex Recording System) Black and White](icons/bw.png) |
Advise & Consent |
Otto Preminger, W, W, C, M |
|
7.1 |
1962 |
T![Black and White; Aspect: 1.85:1; 35 mm; AUDIO: Mono (Westrex Recording System) Black and White](icons/bw.png) |
Cape Fear |
J. Lee Thompson, W, W, C, M |
|
6.6 |
1962 |
D![Black and White; Aspect: 1.85:1; 35 mm; AUDIO: Mono Black and White](icons/bw.png) |
Long Day's Journey Into Night |
Sidney Lumet, W, C, M |
|
6.4 |
1961 |
DR![Color (Technicolor); Aspect: 1.85:1; 35 mm; AUDIO: Mono (RCA Sound System) Color (Technicolor)](icons/rgb.png) |
Splendor in the Grass |
Elia Kazan, W, C, M |
|
6.2 |
1960 |
Ho![Black and White; Aspect: 1.66:1; 35 mm; AUDIO: Mono (Western Electric Recording) Black and White](icons/bw.png) |
Eyes Without a Face |
Georges Franju, W, W, ++, C, M «Les yeux sans visage» |
|
5.1 |
1960 |
HoT![Color (Eastmancolor); Aspect: 1.66:1; 35 mm; AUDIO: Mono (Westrex Recording System) Color (Eastmancolor)](icons/rgb.png) |
Peeping Tom |
Michael Powell, W, C, M |
|
7.0 |
1960 |
CrTD![Color (Eastmancolor); Aspect: 1.66:1; 35 mm; AUDIO: Mono (Westrex Recording System) Color (Eastmancolor)](icons/rgb.png) |
Purple Noon |
René Clément, W, W, ++, C, M «Plein soleil» |
|
7.1 |
1958 |
C![Color (Technicolor); Aspect: 1.66:1; 35 mm; AUDIO: Mono (Westrex Recording System) Color (Technicolor)](icons/rgb.png) |
The Horse's Mouth |
Ronald Neame, W, W, C, M |
|
6.6 |
1956 |
Cr![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono Black and White](icons/bw.png) |
Bob le Flambeur |
Jean-Pierre Melville, W, ++, C, C, M, M «Bob le flambeur» |
|
6.9 |
1956 |
HoSf![Black and White; Aspect: 1.85:1; 35 mm; Spherical SuperScope (as Superscope) (anamorphic); AUDIO: Mono (Perspecta Sound encoding) (Western Electric Recording) Black and White](icons/bw.png) |
Invasion of the Body Snatchers |
Don Siegel, W, W, ++, C, M |
|
6.7 |
1955 |
CrDWe![Color (Eastmancolor); Aspect: 2.55:1; 35 mm; CinemaScope; AUDIO: Mono (35 mm optical prints) (Western Electric Sound System), 4-Track Stereo (35 mm magnetic prints) Color (Eastmancolor)](icons/rgb.png) |
Bad Day at Black Rock |
John Sturges, W, W, ++, C, M |
|
5.9 |
1955 |
DR![Color (WarnerColor); Aspect: 2.55:1; 35 mm; CinemaScope; AUDIO: Mono (optical prints), 4-Track Stereo (RCA Sound Recording) (magnetic prints), Dolby Digital (DVD version) Color (WarnerColor)](icons/rgb.png) |
Rebel Without a Cause |
Nicholas Ray, W, W, ++, C, M |
|
6.1 |
1954 |
DMlR![Color (Technicolor); Aspect: 2.55:1; 35 mm; CinemaScope; AUDIO: 4-Track Stereo (RCA Sound System) (magnetic prints), Mono (optical prints) Color (Technicolor)](icons/rgb.png) |
A Star Is Born |
George Cukor, W, W, ++, C, M |
|
6.6 |
1953 |
DRW![Black and White (archive footage), Black and White; Aspect: 1.85:1; 35 mm; AUDIO: Mono (Western Electric Recording), 3 Channel Stereo Black and White (archive footage), Black and White](icons/bw.png) |
From Here to Eternity |
Fred Zinnemann, W, W, C, C, M |
|
6.7 |
1953 |
CrNT![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Recording) Black and White](icons/bw.png) |
Pickup on South Street |
Samuel Fuller, W, W, C, M |
|
7.2 |
1952 |
DR![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Dolby (re-release), Mono (RCA Sound System) Black and White](icons/bw.png) |
Othello |
Orson Welles, W, ++, C, C, C++, M, M «The Tragedy of Othello: The Moor of Venice» |
|
6.4 |
1951 |
DR![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Recording) Black and White](icons/bw.png) |
A Place in the Sun |
George Stevens, W, W, ++, C, M |
|
6.7 |
1951 |
CCr![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (RCA Sound System) Black and White](icons/bw.png) |
The Lavender Hill Mob |
Charles Crichton, W, C, M |
|
7.1 |
1950 |
We![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Recording) Black and White](icons/bw.png) |
Winchester '73 |
Anthony Mann, W, W, ++, C |
|
7.5 |
1949 |
DRW![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Sound System) Black and White](icons/bw.png) |
Le silence de la mer |
Jean-Pierre Melville, W, W, C, M |
|
7.4 |
1949 |
ADW![Black and White (archive footage), Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Recording) Black and White (archive footage), Black and White](icons/bw.png) |
Twelve O'Clock High |
Henry King, W, W, ++, C, M |
|
7.3 |
1948 |
CrDT![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Recording) Black and White](icons/bw.png) |
Drunken Angel |
Akira Kurosawa, W, W, C, M «Yoidore tenshi» |
|
7.1 |
1948 |
AdCrD![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono Black and White](icons/bw.png) |
Oliver Twist |
David Lean, W, W, ++, C, M |
|
6.6 |
1948 |
DRFanM![Black and White (green and sepia tints for final reel, excluding last shot), Color (Technicolor) (final shot); Aspect: 1.37:1; 35 mm; Magnascope (partly) (original release only) Spherical; AUDIO: Stereo (special stereo mix in final storm scene), Mono (Western Electric Recording) Black and White (green and sepia tints for final reel, excluding last shot), Color (Technicolor) (final shot)](icons/rgb-bw.png) |
Portrait of Jennie |
William Dieterle, W, W, ++, C, C, M |
|
6.8 |
1948 |
AAdRWe![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Recording) Black and White](icons/bw.png) |
Red River |
Howard Hawks, Arthur Rosson, W, W, ++, C, M |
|
7.4 |
1947 |
DNSp![Black and White; Aspect: 1.37:1; 35 mm; Bell & Howell Eyemo (boxing scenes); AUDIO: Mono (Western Electric Recording) Black and White](icons/bw.png) |
Body and Soul |
Robert Rossen, W, C, M |
|
7.1 |
1947 |
CrDNRT![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Recording) Black and White](icons/bw.png) |
Odd Man Out |
Carol Reed, W, ++, C, M |
|
5.8 |
1946 |
DNRT![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Mirrophonic Recording) Black and White](icons/bw.png) |
Gilda |
Charles Vidor, W, W, ++, C, M |
|
6.3 |
1946 |
DWe![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Recording) Black and White](icons/bw.png) |
My Darling Clementine |
John Ford, W, W, ++, C, M |
|
6.7 |
1946 |
WD![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono Black and White](icons/bw.png) |
Paisan |
Roberto Rossellini, W, W, ++, C, M «Paisà» |
|
6.4 |
1945 |
DNT![Color (Technicolor); Aspect: 1.37:1; 35 mm; Technicolor Three-Strip Camera; AUDIO: Mono (Western Electric Mirrophonic Recording) Color (Technicolor)](icons/rgb.png) |
Leave Her to Heaven |
John M. Stahl, W, W, C, M |
|
6.7 |
1944 |
CW![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Mirrophonic Recording) Black and White](icons/bw.png) |
Hail the Conquering Hero |
Preston Sturges, W, C, M |
|
6.1 |
1944 |
DR![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (RCA Sound System) Black and White](icons/bw.png) |
Mr. Skeffington |
Vincent Sherman, W, W, ++, C, M |
|
6.9 |
1944 |
CrDNMT![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (RCA Sound System) Black and White](icons/bw.png) |
The Woman in the Window |
Fritz Lang, W, W, C, M, M, M++ |
|
7.4 |
1943 |
CrDR![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono Black and White](icons/bw.png) |
Ossessione |
Luchino Visconti, W, W, ++, C, C, M |
|
6.4 |
1942 |
RC![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono, Mono (Western Electric Mirrophonic Recording) Black and White](icons/bw.png) |
The Palm Beach Story |
Preston Sturges, W, ++, C, M |
|
7.0 |
1942 |
BDMl![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (RCA Sound System) Black and White](icons/bw.png) |
Yankee Doodle Dandy |
Michael Curtiz, W, W, ++, C, M, M, M |
|
6.0 |
1941 |
DF![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Mirrophonic Recording) Black and White](icons/bw.png) |
How Green Was My Valley |
John Ford, W, W, C, M |
|
5.6 |
1940 |
AnFFanMc![Color (Technicolor); Aspect: 1.37:1; 35 mm; Spherical SuperScope (1956 re-release); AUDIO: 3 Channel Stereo (RCA Sound System) Color (Technicolor)](icons/rgb.png) |
Fantasia |
[ James Algar, Samuel Armstrong, D++ ], W, W, ++, C |
|
7.4 |
1939 |
CrDRT![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Wide Range Sound System) Black and White](icons/bw.png) |
Daybreak |
Marcel Carné, W, W, C, C, C++, M «Le jour se lève» |
|
7.3 |
1939 |
CWe![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Noiseless Recording) Black and White](icons/bw.png) |
Destry Rides Again |
George Marshall, W, W, ++, C, M |
|
7.3 |
1939 |
D![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono Black and White](icons/bw.png) |
The Story of the Last Chrysanthemum |
Kenji Mizoguchi, W, W, ++, C, C, M, M «Zangiku monogatari» |
|
7.1 |
1937 |
CR![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Mirrophonic Recording) Black and White](icons/bw.png) |
Easy Living |
Mitchell Leisen, W, W, C, M, M, M++ |
|
7.3 |
1937 |
CrDR![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (R.C.A. Photophone) Black and White](icons/bw.png) |
Pépé le Moko |
Julien Duvivier, W, ++, C, C, M, M |
|
7.5 |
1937 |
AdDR![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Noiseless Recording) Black and White](icons/bw.png) |
The Prisoner of Zenda |
John Cromwell, ++, W, W, ++, C, C, M |
|
6.2 |
1936 |
SDR![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (RCA Sound System) Black and White](icons/bw.png) |
A Day in the Country |
Jean Renoir, W, W, C, M «Partie de campagne» |
|
7.3 |
1935 |
AdDH![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Sound System) Black and White](icons/bw.png) |
Mutiny on the Bounty |
Frank Lloyd, W, W, ++, C, C, C, M |
|
8.0 |
1935 |
CR![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Noiseless Recording) Black and White](icons/bw.png) |
Ruggles of Red Gap |
Leo McCarey, W, W, ++, C |
|
6.4 |
1935 |
CCrMRT![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (British Acoustic Film Full Range Recording System: at Shepherd's Bush London) Black and White](icons/bw.png) |
The 39 Steps |
Alfred Hitchcock, W, W, ++, C, M, M |
|
7.3 |
1935 |
CMlR![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (RCA Victor System) Black and White](icons/bw.png) |
Top Hat |
Mark Sandrich, W, W, ++, C |
|
7.4 |
1934 |
DHR![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Noiseless Recording) Black and White](icons/bw.png) |
The Scarlet Empress |
Josef von Sternberg, W, W, ++, C |
|
6.0 |
1933 |
CD![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Sound System) Black and White](icons/bw.png) |
Dinner at Eight |
George Cukor, W, W, ++, C, M |
|
8.6 |
1933 |
DR![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Tobis-Klangfilm) Black and White](icons/bw.png) |
Liebelei |
[ Max Ophüls ], ++, C, M |
|
6.3 |
1932 |
CMlR![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Noiseless Recording) Black and White](icons/bw.png) |
Love Me Tonight |
Rouben Mamoulian, W, W, ++, C, M |
|
6.5 |
1932 |
CrDT![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Sound System) Black and White](icons/bw.png) |
Scarface |
Howard Hawks, Richard Rosson, W, W, ++, C, C |
|
7.2 |
1932 |
D![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (RCA Photophone System) Black and White](icons/bw.png) |
What Price Hollywood? |
George Cukor, W, W, ++, C, M |
|
6.6 |
1931 |
CrD![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Brunswick Radios Used Exclusively) Black and White](icons/bw.png) |
The Public Enemy |
William A. Wellman, W, W, ++, C |
|
6.8 |
1930 |
DW![Black and White, Color (Technicolor); Aspect: 1.20:1; 35 mm; Magnascope (partly) Spherical; Akeley Camera; AUDIO: Mono (Western Electric Sound System) Black and White, Color (Technicolor)](icons/rgb-bw.png) |
Hell's Angels |
Howard Hughes, ++, W, W, ++, C, C, C++, M |
|
5.7 |
1930 |
DMc![Black and White; Aspect: 1.20:1; 35 mm; AUDIO: Mono Black and White](icons/bw.png) |
The Blue Angel |
Josef von Sternberg, W, W, ++, C «Der blaue Engel» |
|
7.1 |
1927 |
DRWA![Black and White; Silent](icons/bw.png) |
Wings |
William A. Wellman, ++, W, W, ++, C, M |
|
7.9 |
1924 |
DT![Black and White, Color (tinted); Silent](icons/rgb-bw.png) |
He Who Gets Slapped |
Victor Sjöström, W, W, ++, C, M |
|
7.6 |
1924 |
DAdFan![Black and White; Silent](icons/bw.png) |
Kriemhild's Revenge |
Fritz Lang, W, C, C, M «Die Nibelungen: Kriemhilds Rache» |
|
4.7 |
2007 |
CrMT![Color; Aspect: 1.85:1; 35 mm (Kodak); Digital Intermediate (2K) (master format) Spherical (source format); Arricam LT, Zeiss Master Prime Lenses Arricam ST, Zeiss Master Prime Lenses; AUDIO: Dolby Digital, DTS Color](icons/rgb.png) |
Eastern Promises |
David Cronenberg, W, C, M |
|
4.5 |
2005 |
DR![Color; Aspect: 1.85:1; 35 mm (Kodak Vision2 500T 5218, Eastman EXR 50D 5245, Vision 250D 5246, Vision 500T 5279); Arricam LT, Cooke S4 Lenses Arricam ST, Cooke S4 Lenses; AUDIO: DTS, Dolby Digital Color](icons/rgb.png) |
Brokeback Mountain |
Ang Lee, W, W, ++, C, M |
|
5.9 |
2004 |
CrD![Color; Aspect: 1.85:1; 16 mm (Kodak Vision2 500T 7218); Digital Intermediate (2K) (master format) Super 16 (source format); Aaton XTR Prod, Cooke S4 Lenses; AUDIO: Dolby Digital Color](icons/rgb.png) |
Vera Drake |
Mike Leigh, W, C, M |
|
3.9 |
2002 |
CCrD![Color; Aspect: 1.85:1; 35 mm (Kodak Vision 250D 5246, Vision 320T 5277, Vision Expression 500T 5284); Panavision Panaflex Millennium XL, Panavision Primo Lenses; AUDIO: DTS, Dolby Digital, SDDS Color](icons/rgb.png) |
Adaptation. |
Spike Jonze, W, W, ++, C, M |
|
6.7 |
1997 |
DR![Black and White, Color; Aspect: 1.85:1; 35 mm; AUDIO: Dolby Black and White, Color](icons/rgb-bw.png) |
Happy Together |
Kar Wai Wong, W, C, M «Chun gwong cha sit» |
|
5.0 |
1997 |
D![Color; Aspect: 1.66:1; 35 mm; AUDIO: Stereo Color](icons/rgb.png) |
Taste of Cherry |
Abbas Kiarostami, W, C «Ta'm e guilass» |
|
1.4 |
1997 |
DR![Color; Aspect: 1.78:1; 35 mm (Eastman EXR 50D 5245, Kodak Vision 500T 5279); Super 35 Techniscope (underwater scenes); Panavision Panaflex Gold II, Panavision Primo Lenses Panavision Panaflex Platinum, Panavision Primo Lenses; AUDIO: DTS 70 mm (70 mm prints), DTS, Dolby Digital, SDDS Color](icons/rgb.png) |
Titanic |
James Cameron, W, C, M |
|
5.8 |
1995 |
CrDR![Black and White, Color; Aspect: 1.85:1; 35 mm; AUDIO: Mono Black and White, Color](icons/rgb-bw.png) |
Fallen Angels |
Kar Wai Wong, W, C, M, M «Duo luo tian shi» |
|
3.8 |
1993 |
CD![Color; Aspect: 2.20:1; 35 mm (Agfa XT 100, XTS 400); Super 35; Camera and Lenses by Panavision; AUDIO: Dolby (as Dolby Stereo), 70 mm 6-Track (70 mm prints) Color](icons/rgb.png) |
Short Cuts |
Robert Altman, W, W, ++, C, M |
|
7.1 |
1992 |
BDH![Color; Aspect: 1.85:1; 35 mm (Eastman EXR 50D 5245, EXR 500T 5296, 250D 5297); Super 35; AUDIO: Dolby Digital (35 mm prints), 70 mm 6-Track (70 mm prints) Color](icons/rgb.png) |
Malcolm X |
Spike Lee, W, W, ++, C, M |
|
5.8 |
1992 |
CCrDMRT![Color; Aspect: 1.85:1; 35 mm; AUDIO: Ultra Stereo Color](icons/rgb.png) |
The Player |
Robert Altman, W, C, M |
|
6.7 |
1988 |
DR![Color (Eastmancolor); Aspect: 1.85:1; 35 mm (Eastman 125T 5247, 400T 5295); Moviecam SuperAmerica; AUDIO: Dolby Color (Eastmancolor)](icons/rgb.png) |
Dangerous Liaisons |
Stephen Frears, W, W, ++, C, M |
|
6.6 |
1988 |
AnCCrFFan![Color; Aspect: 1.85:1; 35 mm (also horizontal) (Agfa XT 320, Eastman 125T 5247, 400T 5294, 250D 5297); Spherical VistaVision (effects shots); Panaflex Cameras and Lenses by Panavision VistaFlex Cameras; AUDIO: 70 mm 6-Track (70 mm prints), Dolby (35 mm prints) Color](icons/rgb.png) |
Who Framed Roger Rabbit |
Robert Zemeckis, W, W, ++, C, M |
|
? |
1985 |
![TV](icons/tv_icon.png) ![TV](icons/tv_icon.png) ![Color; Aspect: 1.33:1; AUDIO: Stereo Color](icons/q-rgb.png) |
"Screen Two" |
[ Tristram Powell, Udayan Prasad, D++ ], [ W, W, W++ ], C, C, C++, M, M, M++ TV series 1985-2002 |
|
6.8 |
1982 |
DR![Color (Technicolor); Aspect: 1.85:1; 35 mm; Lenses and Panaflex Camera by Panavision; AUDIO: Mono Color (Technicolor)](icons/rgb.png) |
Sophie's Choice |
Alan J. Pakula, W, W, C, M |
|
7.6 |
1979 |
DoDWe![Black and White; 35 mm; AUDIO: Mono Black and White](icons/bw.png) |
Que Viva Mexico |
Sergei M. Eisenstein, W, W, C «¡Que Viva Mexico! - Da zdravstvuyet Meksika!» |
|
4.7 |
1977 |
AdDSf![Color (Metrocolor); Aspect: 2.20:1; 35 mm (Eastman 100T 5247) 65 mm (Eastman 100T 5254); Panavision (anamorphic) Super Panavision 70 (special effects); Panavision Cameras and Lenses; AUDIO: 70 mm 6-Track (70 mm prints), Dolby (35 mm prints) Color (Metrocolor)](icons/rgb.png) |
Close Encounters of the Third Kind |
Steven Spielberg, W, ++, C, M |
|
5.3 |
1977 |
BDHW![Black and White (archive footage), Color; Aspect: 1.37:1; 35 mm; AUDIO: Mono Black and White (archive footage), Color](icons/rgb-bw.png) |
Hitler: A Film from Germany |
Hans-Jürgen Syberberg, W, C «Hitler - ein Film aus Deutschland» |
|
8.9 |
1976 |
D![Black and White; Aspect: 1.66:1; Arriflex 35 BL, Zeiss Lenses; AUDIO: Mono Black and White](icons/bw.png) |
Kings of the Road |
Wim Wenders, W, C, C, M «Im Lauf der Zeit» |
|
7.1 |
1976 |
CrDMTW![Color (Eastmancolor); Aspect: 1.66:1; 35 mm; AUDIO: Mono Color (Eastmancolor)](icons/rgb.png) |
Mr. Klein |
Joseph Losey, W, W, ++, C, M, M |
|
5.5 |
1975 |
DMRT![Color (Metrocolor); Aspect: 1.85:1; 35 mm; Mitchell Camera; AUDIO: Mono Color (Metrocolor)](icons/rgb.png) |
The Passenger |
Michelangelo Antonioni, W, ++, C, M «Professione: reporter» |
|
5.0 |
1973 |
CrDTM![Color (Technicolor); Aspect: 2.35:1; 35 mm; Panavision (anamorphic); Panavision Lenses; AUDIO: Mono Color (Technicolor)](icons/rgb.png) |
The Long Goodbye |
Robert Altman, W, W, C, M |
|
7.3 |
1972 |
D![Color; Aspect: 1.37:1; 35 mm; AUDIO: Mono Color](icons/rgb.png) |
The Bitter Tears of Petra von Kant |
Rainer Werner Fassbinder, W, C «Die bitteren Tränen der Petra von Kant» |
|
5.9 |
1971 |
DWe![Color (Technicolor); Aspect: 2.35:1; 35 mm; Panavision (anamorphic); AUDIO: Mono Color (Technicolor)](icons/rgb.png) |
McCabe & Mrs. Miller |
Robert Altman, W, W, ++, C |
|
5.9 |
1971 |
AdD![Color (Eastmancolor); Aspect: 1.85:1; 35 mm; AUDIO: Mono Color (Eastmancolor)](icons/rgb.png) |
Walkabout |
Nicolas Roeg, W, W, C, M |
|
5.5 |
1970 |
DR![Color (Eastmancolor); Aspect: 1.37:1; 16 mm; AUDIO: Mono Color (Eastmancolor)](icons/rgb.png) |
Claire's Knee |
Eric Rohmer, W, C «Le genou de Claire» |
|
7.0 |
1970 |
HWe![Color (Technicolor); Aspect: 2.20:1; 35 mm; Panavision (anamorphic); AUDIO: 70 mm 6-Track (Spanish release), Stereo Color (Technicolor)](icons/rgb.png) |
Little Big Man |
Arthur Penn, W, W, C, M |
|
6.2 |
1968 |
D![Black and White, Color (Eastmancolor); Aspect: 1.75:1; 35 mm; AUDIO: Mono Black and White, Color (Eastmancolor)](icons/rgb-bw.png) |
If.... |
Lindsay Anderson, W, ++, C, M |
|
6.3 |
1967 |
C![Color (Pathécolor); Aspect: 1.37:1; 35 mm; AUDIO: Mono Color (Pathécolor)](icons/rgb.png) |
The Producers |
Mel Brooks, W, C, M |
|
3.8 |
1966 |
DMT![Color (Metrocolor); Aspect: 1.85:1; 35 mm; AUDIO: Mono Color (Metrocolor)](icons/rgb.png) |
Blow-Up |
Michelangelo Antonioni, W, W, ++, C, M «Blowup» |
|
3.2 |
1965 |
CCrDMlR![Color (Eastmancolor); Aspect: 2.35:1; 35 mm (2-perf); Techniscope; Arriflex Cameras; AUDIO: Mono Color (Eastmancolor)](icons/rgb.png) |
Pierrot le Fou |
Jean-Luc Godard, W, ++, C, M «Pierrot le fou» |
|
6.6 |
1965 |
D![Black and White; Aspect: 1.85:1; 35 mm; AUDIO: Mono (Westrex Recording System) Black and White](icons/bw.png) |
The Spy Who Came in from the Cold |
Martin Ritt, W, W, ++, C, M |
|
7.0 |
1964 |
CMl![Black and White; Aspect: 1.75:1; 35 mm; AUDIO: Mono (RCA Sound Recording) Black and White](icons/bw.png) |
A Hard Day's Night |
Richard Lester, W, C |
|
4.5 |
1963 |
D![Color (Technicolor); Aspect: 2.35:1; 35 mm; Franscope; Mitchell Camera; AUDIO: Mono Color (Technicolor)](icons/rgb.png) |
Contempt |
Jean-Luc Godard, W, ++, C, M, M «Le mépris» |
|
6.0 |
1962 |
DR![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (RCA Sound Recording) Black and White](icons/bw.png) |
Lolita |
Stanley Kubrick, W, ++, C, M |
|
6.4 |
1960 |
CrDT![Black and White (Dyaliscope); Aspect: 2.35:1; 35 mm; Dyaliscope; AUDIO: Mono Black and White (Dyaliscope)](icons/bw.png) |
Shoot the Piano Player |
François Truffaut, W, W, ++, C, M «Tirez sur le pianiste» |
|
7.2 |
1959 |
DR![Black and White; Aspect: 1.66:1; 35 mm; AUDIO: Mono (Westrex Recording System) Black and White](icons/bw.png) |
Room at the Top |
Jack Clayton, W, W, ++, C, M |
|
7.6 |
1958 |
DRW![Color (Eastmancolor); Aspect: 2.35:1; 35 mm; CinemaScope; AUDIO: Mono (Westrex Recording System), 4-Track Stereo Color (Eastmancolor)](icons/rgb.png) |
A Time to Love and a Time to Die |
Douglas Sirk, W, W, C, M |
|
8.2 |
1958 |
BH![Black and White, Color; Aspect: 1.37:1; 35 mm; AUDIO: Mono Black and White, Color](icons/rgb-bw.png) |
Ivan the Terrible, Part II |
Sergei M. Eisenstein, W, C, C, M «Ivan Groznyy: Skaz vtoroy - Boyarskiy zagovor» |
|
7.1 |
1957 |
DHoSfT![Black and White; Aspect: 1.85:1; 35 mm; AUDIO: Mono (Westrex Recording System) Black and White](icons/bw.png) |
The Incredible Shrinking Man |
Jack Arnold, W, ++, C, M, M, M++ |
|
5.7 |
1956 |
DRWe![Color (Warnercolor); Aspect: 1.66:1; 35 mm; AUDIO: Mono (RCA Sound Recording) Color (Warnercolor)](icons/rgb.png) |
Giant |
George Stevens, W, W, ++, C, M |
|
5.7 |
1955 |
NMT![Black and White; Aspect: 1.66:1; 35 mm; AUDIO: Mono Black and White](icons/bw.png) |
Kiss Me Deadly |
Robert Aldrich, W, W, C, M |
|
5.6 |
1954 |
We![Color (Trucolor); Aspect: 1.37:1; 35 mm; AUDIO: Mono (RCA Sound System) Color (Trucolor)](icons/rgb.png) |
Johnny Guitar |
Nicholas Ray, W, W, ++, C, M |
|
7.0 |
1953 |
D![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono Black and White](icons/bw.png) |
Sawdust and Tinsel |
Ingmar Bergman, ++, C, C, M «Gycklarnas afton» |
|
7.0 |
1953 |
DWe![Color (Technicolor); Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Recording) Color (Technicolor)](icons/rgb.png) |
Shane |
George Stevens, W, W, ++, C, M |
|
5.8 |
1950 |
CrDNRT![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Recording) Black and White](icons/bw.png) |
Gun Crazy |
Joseph H. Lewis, W, W, ++, C, M «Deadly Is the Female» |
|
6.1 |
1950 |
DR![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono Black and White](icons/bw.png) |
La Ronde |
Max Ophüls, W, W, ++, C, M «La ronde» |
|
6.6 |
1948 |
CrDNMT![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Recording) Black and White](icons/bw.png) |
The Naked City |
Jules Dassin, W, W, ++, C, M, M |
|
7.0 |
1948 |
D![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Recording) Black and White](icons/bw.png) |
The Snake Pit |
Anatole Litvak, W, W, ++, C, M |
|
5.7 |
1947 |
CrDNMT![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Recording) Black and White](icons/bw.png) |
The Lady from Shanghai |
[ Orson Welles ], W, W, ++, C, C, C, M |
|
6.5 |
1946 |
DMcR![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (RCA Sound System) Black and White](icons/bw.png) |
Humoresque |
Jean Negulesco, W, W, ++, C |
|
6.5 |
1945 |
DR![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric) Black and White](icons/bw.png) |
'I Know Where I'm Going!' |
Michael Powell, Emeric Pressburger, W, W, C, M |
|
6.0 |
1945 |
NMRT![Color (Two frames tinted), Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Recording) Color (Two frames tinted), Black and White](icons/rgb-bw.png) |
Spellbound |
Alfred Hitchcock, W, W, ++, C, M |
|
6.3 |
1944 |
FMlR![Color (Technicolor); Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Sound System) Color (Technicolor)](icons/rgb.png) |
Meet Me in St. Louis |
Vincente Minnelli, W, W, ++, C, M, M |
|
7.0 |
1942 |
BDRSp![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (RCA Sound System) Black and White](icons/bw.png) |
Gentleman Jim |
Raoul Walsh, W, W, ++, C, M |
|
6.5 |
1941 |
CDR![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (RCA Sound System) Black and White](icons/bw.png) |
Meet John Doe |
Frank Capra, W, W, ++, C, M |
|
7.2 |
1940 |
CrDNM![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (RCA Sound System) Black and White](icons/bw.png) |
The Letter |
William Wyler, W, W, C, M |
|
6.2 |
1939 |
D![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Mirrophonic Recording) Black and White](icons/bw.png) |
Only Angels Have Wings |
Howard Hawks, W, ++, C, M |
|
6.3 |
1939 |
DR![Black and White; Aspect: 1.37:1; 35 mm; Mitchell BNC; AUDIO: Mono (Western Electric Mirrophonic Recording) Black and White](icons/bw.png) |
Wuthering Heights |
William Wyler, W, W, ++, C, M |
|
5.9 |
1939 |
BD![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Mirrophonic Recording) Black and White](icons/bw.png) |
Young Mr. Lincoln |
John Ford, W, C, C, M |
|
5.8 |
1938 |
ADHW![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono Black and White](icons/bw.png) |
Alexander Nevsky |
Sergei M. Eisenstein, Dmitri Vasilyev, W, W, C, M «Aleksandr Nevskiy» |
|
6.9 |
1937 |
D![Color (Technicolor); Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Sound System Noiseless Recording) Color (Technicolor)](icons/rgb.png) |
A Star Is Born |
William A. Wellman, ++, W, W, ++, C, M |
|
7.1 |
1937 |
AnFFanMlR![Color (Technicolor); Aspect: 1.37:1; 35 mm; Bell & Howell 2709; AUDIO: Mono (RCA Victor High Fidelity Sound System) Color (Technicolor)](icons/rgb.png) |
Snow White and the Seven Dwarfs |
William Cottrell, David Hand, ++, W, W, ++, M, M |
|
8.3 |
1936 |
CDMlR![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Noiseless Western Electric Recording) Black and White](icons/bw.png) |
Show Boat |
James Whale, W, W, ++, C |
|
6.3 |
1936 |
CMlR![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (RCA Victor System) Black and White](icons/bw.png) |
Swing Time |
George Stevens, W, W, ++, C, M, M |
|
6.8 |
1933 |
CMlR![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono Black and White](icons/bw.png) |
42nd Street |
Lloyd Bacon, W, W, ++, C |
|
6.2 |
1932 |
Ho![Black and White; Aspect: 1.19:1; 35 mm; AUDIO: Mono (Tobis-Klangfilm) Black and White](icons/bw.png) |
Vampyr |
Carl Theodor Dreyer, W, W, ++, C, C, M |
|
6.9 |
1931 |
DHoSf![Black and White; Aspect: 1.20:1; 35 mm; AUDIO: Mono (Western Electric Noiseless Recording) Black and White](icons/bw.png) |
Dr. Jekyll and Mr. Hyde |
Rouben Mamoulian, W, W, ++, C |
|
8.3 |
1931 |
D![Black and White; Aspect: 1.20:1; 35 mm; AUDIO: Mono (Western Electric Sound System) Black and White](icons/bw.png) |
La Chienne |
Jean Renoir, W, W, ++, C «La chienne» |
|
7.0 |
1931 |
DR![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Sound System) Black and White](icons/bw.png) |
Street Scene |
King Vidor, W, C, C, M |
|
7.0 |
1931 |
DRAd![Black and White; Aspect: 1.20:1; 35 mm; Debrie Model-L; AUDIO: Mono (R.C.A. Photophone System) Black and White](icons/bw.png) |
Tabu: A Story of the South Seas |
F.W. Murnau, W, W, ++, C, C, M, M, M++ |
|
8.0 |
1927 |
CrDR![Black and White; Silent](icons/bw.png) |
Underworld |
Josef von Sternberg, ++, W, W, ++, C, M |
|
7.5 |
1926 |
AdD![Black and White; Silent](icons/bw.png) |
The Son of the Sheik |
George Fitzmaurice, W, W, ++, C, M, M |
|
7.4 |
1925 |
HoT![Black and White, Color (2-strip Technicolor); Silent](icons/rgb-bw.png) |
The Phantom of the Opera |
Rupert Julian, ++, W, ++, C, C, C, M, M, M++ |
|
7.4 |
1922 |
AdRF![Black and White; Silent](icons/bw.png) |
Robin Hood |
Allan Dwan, W, ++, C, C, M |
|
6.3 |
1919 |
DR![Black and White (tinted screen); Silent](icons/bw.png) |
Broken Blossoms or The Yellow Man and the Girl |
D.W. Griffith, W, W, C |
|
8.1 |
2006 |
BCrD![Color; Aspect: 1.85:1; 35 mm; AUDIO: Stereo Color](icons/rgb.png) |
Longford |
Tom Hooper, W, C, M TV |
|
1.5 |
2001 |
DMlR![Black and White, Color; Aspect: 2.35:1; 35 mm (Kodak Vision 500T 5279, SFX 200T); Panavision (anamorphic) Super 35 (visual effects); Panavision Panaflex Millennium, Panavision Primo and C-Series Lenses; AUDIO: DTS, Dolby Digital, SDDS Black and White, Color](icons/rgb-bw.png) |
Moulin Rouge! |
Baz Luhrmann, W, W, C, M |
|
5.1 |
1997 |
D![Color; Aspect: 1.66:1; 35 mm; AUDIO: Dolby SR Color](icons/rgb.png) |
Mother and Son |
Aleksandr Sokurov, W, C, M «Mat i syn» |
|
4.1 |
1995 |
DR![Color; Aspect: 1.66:1; 16 mm (Eastman EXR 200T 7293, EXR 500T 7298); Super 16; Panavision Cameras and Lenses; AUDIO: Dolby, Dolby SR Color](icons/rgb.png) |
Leaving Las Vegas |
Mike Figgis, W, W, C, M |
|
2.3 |
1993 |
DR![Color (Eastmancolor); Aspect: 1.85:1; 35 mm; Arriflex Cameras and Lenses; AUDIO: Dolby Color (Eastmancolor)](icons/rgb.png) |
The Piano |
Jane Campion, W, C, M |
|
6.1 |
1988 |
CD![Color (Eastmancolor); Aspect: 1.85:1; 35 mm (Kodak); Panavision Cameras and Lenses; AUDIO: Ultra Stereo Color (Eastmancolor)](icons/rgb.png) |
Women on the Verge of a Nervous Breakdown |
Pedro Almodóvar, W, C, M «Mujeres al borde de un ataque de nervios» |
|
6.3 |
1987 |
CD![Color; Aspect: 1.85:1; 35 mm; Panaflex Cameras and Lenses by Panavision; AUDIO: Mono Color](icons/rgb.png) |
Radio Days |
Woody Allen, W, C |
|
8.4 |
1984 |
D![Color (Eastmancolor); Aspect: 1.66:1; 35 mm; Panavision Cameras and Lenses; AUDIO: Mono Color (Eastmancolor)](icons/rgb.png) |
A Sunday in the Country |
Bertrand Tavernier, W, W, ++, C «Un dimanche à la campagne» |
|
7.5 |
1981 |
CD![Color (Fujicolor); Aspect: 1.66:1; 35 mm; AUDIO: Mono Color (Fujicolor)](icons/rgb.png) |
Lola |
Rainer Werner Fassbinder, W, W, ++, C, M, M |
|
7.2 |
1981 |
CrDT![Color (Technicolor); Aspect: 1.85:1; 35 mm; Panaflex Camera and Lenses by Panavision; AUDIO: Mono Color (Technicolor)](icons/rgb.png) |
Prince of the City |
Sidney Lumet, W, W, ++, C, M |
|
5.1 |
1975 |
DHoM![Color (Eastmancolor); Aspect: 1.66:1; 35 mm; AUDIO: Mono Color (Eastmancolor)](icons/rgb.png) |
Picnic at Hanging Rock |
Peter Weir, W, W, C |
|
6.1 |
1974 |
ACrDTWe![Color; Aspect: 1.37:1; 35 mm; AUDIO: Mono Color](icons/rgb.png) |
Bring Me the Head of Alfredo Garcia |
Sam Peckinpah, W, W, ++, C, M |
|
7.1 |
1972 |
DR![Color (Eastmancolor); Aspect: 1.37:1; 35 mm; AUDIO: Mono Color (Eastmancolor)](icons/rgb.png) |
Love in the Afternoon |
Eric Rohmer, W, C, M «L'amour l'après-midi» |
|
7.9 |
1971 |
D![Color; Aspect: 2.35:1; 35 mm 35 mm; (anamorphic) Spherical; AUDIO: Mono Color](icons/rgb.png) |
The Ceremony |
Nagisa Ôshima, W, W, ++, C, M «Gishiki» |
|
6.5 |
1970 |
T![Color (Eastmancolor); Aspect: 1.85:1; 35 mm; AUDIO: Mono Color (Eastmancolor)](icons/rgb.png) |
Le Boucher |
Claude Chabrol, W, C, M «Le boucher» |
|
4.5 |
1970 |
CWD![Color; Aspect: 2.35:1; 35 mm; Panavision (anamorphic); AUDIO: Mono (Westrex Recording System) Color](icons/rgb.png) |
MASH |
Robert Altman, W, W, C, M |
|
6.7 |
1970 |
D![Color (Eastmancolor); Aspect: 1.66:1; 35 mm; AUDIO: Mono Color (Eastmancolor)](icons/rgb.png) |
Tristana |
Luis Buñuel, W, W, ++, C |
|
4.8 |
1969 |
D![Color (Eastmancolor); Aspect: 1.66:1; 35 mm; AUDIO: Mono (Westrex Recording System) Color (Eastmancolor)](icons/rgb.png) |
The Damned |
Luchino Visconti, W, W, ++, C, C, M «La caduta degli dei (Götterdämmerung)» |
|
5.2 |
1964 |
D![Black and White; Aspect: 1.66:1; 35 mm; AUDIO: Mono Black and White](icons/bw.png) |
Gertrud |
Carl Theodor Dreyer, W, W, C, C, M |
|
7.1 |
1961 |
DR![Black and White; Aspect: 2.35:1; 35 mm; Franscope; AUDIO: Mono Black and White](icons/bw.png) |
Lola |
Jacques Demy, W, C, M |
|
5.3 |
1961 |
CrDMlR![Color (Technicolor); Aspect: 2.20:1; 65 mm; Super Panavision 70; AUDIO: 4-Track Stereo (35 mm magnetic prints), 70 mm 6-Track (Westrex Recording System) (70 mm prints), Mono (35 mm optical prints) Color (Technicolor)](icons/rgb.png) |
West Side Story |
Jerome Robbins, Robert Wise, W, W, ++, C, M, M |
|
6.4 |
1960 |
DMR![Black and White; Aspect: 1.66:1; 35 mm; AUDIO: Mono Black and White](icons/bw.png) |
The Good Time Girls |
Claude Chabrol, W, W, C, M, M «Les bonnes femmes» |
|
7.8 |
1960 |
DR![Color; Aspect: 2.35:1; 35 mm; CinemaScope; AUDIO: Mono (Westrex Recording System), 4-Track Stereo Color](icons/rgb.png) |
Wild River |
Elia Kazan, W, W, ++, C, M |
|
6.4 |
1957 |
DTWe![Black and White; Aspect: 1.75:1; 35 mm; AUDIO: Mono (Westrex Recording System) Black and White](icons/bw.png) |
3:10 to Yuma |
Delmer Daves, W, W, C, M |
|
6.5 |
1956 |
D![Color; Aspect: 2.55:1; 35 mm; CinemaScope; Bausch & Lomb Lenses; AUDIO: Mono (optical prints) (Westrex Recording System), 4-Track Stereo (magnetic prints) (Westrex Recording System) Color](icons/rgb.png) |
Bigger Than Life |
Nicholas Ray, W, W, ++, C, M |
|
9.6 |
1955 |
DR![Black and White; 35 mm; AUDIO: Mono Black and White](icons/bw.png) |
Stella |
Mihalis Kakogiannis, W, W, C, M |
|
7.4 |
1954 |
DHRW![Color (Technicolor); Aspect: 1.66:1; 35 mm; AUDIO: Mono (Western Electric Sound System) Color (Technicolor)](icons/rgb.png) |
Senso |
Luchino Visconti, W, W, ++, C, C |
|
6.0 |
1953 |
C![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono Black and White](icons/bw.png) |
Mr. Hulot's Holiday |
Jacques Tati, W, ++, C, C, M «Les vacances de Monsieur Hulot» |
|
6.8 |
1953 |
CMlR![Color (Technicolor); Aspect: 1.37:1; 35 mm; AUDIO: Mono )Western Electric Sound System) Color (Technicolor)](icons/rgb.png) |
The Band Wagon |
Vincente Minnelli, W, W, ++, C, C, M, M, M |
|
6.8 |
1952 |
D![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono Black and White](icons/bw.png) |
Europe '51 |
Roberto Rossellini, W, ++, C, M «Europa '51» |
|
7.1 |
1952 |
ADWe![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (RCA Sound System) Black and White](icons/bw.png) |
The Lusty Men |
Nicholas Ray, ++, W, W, ++, C, M |
|
6.0 |
1951 |
DR![Color (Technicolor); Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Recording) Color (Technicolor)](icons/rgb.png) |
The River |
Jean Renoir, W, ++, C, M |
|
6.8 |
1950 |
CDR![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Recording) Black and White](icons/bw.png) |
Born Yesterday |
George Cukor, W, W, ++, C, M |
|
6.0 |
1949 |
CDR![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Sound System) Black and White](icons/bw.png) |
Adam's Rib |
George Cukor, W, W, C, M |
|
6.2 |
1949 |
D![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Recording) Black and White](icons/bw.png) |
All the King's Men |
Robert Rossen, W, W, C, M |
|
6.8 |
1948 |
CHoSf![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Recording) Black and White](icons/bw.png) |
Bud Abbott Lou Costello Meet Frankenstein |
Charles Barton, W, W, ++, C, M |
|
6.7 |
1948 |
We![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Recording) Black and White](icons/bw.png) |
Fort Apache |
John Ford, W, W, C, C, M |
|
8.5 |
1948 |
DR![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (RCA Sound Recording) Black and White](icons/bw.png) |
Maclovia |
Emilio Fernández, W, W, ++, C, M |
|
6.7 |
1948 |
CrNR![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (RCA Sound System) Black and White](icons/bw.png) |
They Live by Night |
Nicholas Ray, W, W, ++, C, M, M |
|
6.1 |
1948 |
CMc![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Recording) Black and White](icons/bw.png) |
Unfaithfully Yours |
Preston Sturges, W, C |
|
7.4 |
1947 |
CrDMc![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Variable Density) Black and White](icons/bw.png) |
Quai des Orfèvres |
Henri-Georges Clouzot, W, W, ++, C, M |
|
6.0 |
1946 |
CrDNMRT![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Sound System) Black and White](icons/bw.png) |
The Postman Always Rings Twice |
Tay Garnett, W, W, ++, C, M |
|
6.9 |
1945 |
DFanHoRT![Black and White, Color (Technicolor); Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Sound System) Black and White, Color (Technicolor)](icons/rgb-bw.png) |
The Picture of Dorian Gray |
Albert Lewin, W, W, C, M |
|
6.8 |
1944 |
BH![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono Black and White](icons/bw.png) |
Ivan the Terrible, Part I |
Sergei M. Eisenstein, W, M «Ivan Groznyy» |
|
6.8 |
1944 |
DRW![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Recording) Black and White](icons/bw.png) |
Since You Went Away |
John Cromwell, ++, W, ++, C, C, C++, M |
|
6.8 |
1942 |
TW![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (RCA Sound System) Black and White](icons/bw.png) |
Went the Day Well? |
Alberto Cavalcanti, W, W, ++, C, M |
|
6.2 |
1941 |
CrDNT![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (RCA Sound System) Black and White](icons/bw.png) |
High Sierra |
Raoul Walsh, W, W, ++, C, M |
|
7.0 |
1940 |
AdFFan![Color (Technicolor); Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Mirrophonic Recording) Color (Technicolor)](icons/rgb.png) |
The Thief of Bagdad |
Ludwig Berger, Michael Powell, ++, W, W, M |
|
6.8 |
1939 |
DR![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono Black and White](icons/bw.png) |
Dark Victory |
Edmund Goulding, W, W, ++, C, M |
|
6.2 |
1938 |
DR![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono Black and White](icons/bw.png) |
Jezebel |
William Wyler, W, W, ++, C, M |
|
7.0 |
1938 |
CrDRT![Black and White; Aspect: 1.33:1; 35 mm; AUDIO: Mono (RCA Photophone System) Black and White](icons/bw.png) |
Port of Shadows |
Marcel Carné, W, W, C, M «Le quai des brumes» |
|
9.6 |
1938 |
CD![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono Black and White](icons/bw.png) |
The Baker's Wife |
Marcel Pagnol, W, ++, C, M «La femme du boulanger» |
|
6.9 |
1936 |
DR![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Sound System) Black and White](icons/bw.png) |
Camille |
George Cukor, W, W, ++, C, C, M |
|
7.9 |
1936 |
CCrD![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono Black and White](icons/bw.png) |
The Crime of Monsieur Lange |
Jean Renoir, W, W, ++, C, M, M «Le crime de Monsieur Lange» |
|
6.0 |
1936 |
CrD![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono Black and White](icons/bw.png) |
The Petrified Forest |
Archie Mayo, W, W, ++, C, M |
|
6.8 |
1935 |
AdDR![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Sound System) Black and White](icons/bw.png) |
David Copperfield |
George Cukor, W, W, ++, C, M, M «The Personal History, Adventures, Experience, & Observation of David Copperfield the Younger» |
|
5.7 |
1935 |
D![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (RCA Victor System) Black and White](icons/bw.png) |
The Informer |
John Ford, W, W, C, M |
|
5.1 |
1934 |
DR![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Noiseless Recording) Black and White](icons/bw.png) |
Imitation of Life |
John M. Stahl, W, W, ++, C, M |
|
7.2 |
1934 |
AAd![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Sound System) Black and White](icons/bw.png) |
Tarzan and His Mate |
Cedric Gibbons, ++, W, W, ++, C, C |
|
6.4 |
1933 |
DR![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono Black and White](icons/bw.png) |
Baby Face |
Alfred E. Green, W, W, ++, C |
|
6.8 |
1932 |
C![Black and White; Aspect: 1.19:1; AUDIO: Mono (Tobis-Klangfilm) Black and White](icons/bw.png) |
Boudu Saved from Drowning |
Jean Renoir, W, ++, C, C «Boudu sauvé des eaux» |
|
8.8 |
1931 |
D![Black and White; Aspect: 1.20:1; 35 mm; AUDIO: Mono (Tobis-Klangfilm) Black and White](icons/bw.png) |
Comradeship |
Georg Wilhelm Pabst, W, W, ++, C, C, M «Kameradschaft» |
|
5.5 |
1931 |
Ho![Black and White (tinted); Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Sound System) Black and White (tinted)](icons/bw.png) |
Dracula |
Tod Browning, ++, W, W, ++, C, M |
|
8.2 |
1931 |
MlC![Black and White; Aspect: 1.20:1; 35 mm; AUDIO: Mono Black and White](icons/bw.png) |
Le Million |
René Clair, W, W, ++, C, C, M, M, M «Le million» |
|
6.9 |
1931 |
DRW![Black and White; Aspect: 1.20:1; 35 mm; AUDIO: Mono (Western Electric Sound System) Black and White](icons/bw.png) |
Waterloo Bridge |
James Whale, W, W, ++, C, M |
|
8.1 |
1930 |
CDR![Black and White; Silent](icons/bw.png) |
People on Sunday |
Curt Siodmak, Robert Siodmak, ++, W, W, ++, C, M, M «Menschen am Sonntag» |
|
7.7 |
1926 |
D![Black and White; Silent](icons/bw.png) |
Sparrows |
William Beaudine, ++, W, W, ++, C, C, C |
|
6.8 |
1926 |
DRWe![Black and White; Silent](icons/bw.png) |
The Winning of Barbara Worth |
Henry King, W, W, ++, C, C, M |
|
7.5 |
1925 |
D![Black and White; Silent](icons/bw.png) |
Strike |
Sergei M. Eisenstein, W, W, ++, C, C, C «Stachka» |
|
7.4 |
1925 |
DR![Black and White; Silent](icons/bw.png) |
The Merry Widow |
Erich von Stroheim, W, W, ++, C, C, C++ |
|
6.0 |
2007 |
CDMc![Color; Aspect: 1.66:1; AUDIO: Dolby Digital Color](icons/q-rgb.png) |
You, the Living |
Roy Andersson, W, C, M «Du levande» |
|
1.9 |
2005 |
CrDT![Color; Aspect: 1.85:1; 35 mm; Digital Intermediate (2K) (master format) Spherical (source format); Panavision Camera and Lenses; AUDIO: DTS, Dolby Digital, SDDS Color](icons/rgb.png) |
A History of Violence |
David Cronenberg, W, W, ++, C, M |
|
4.8 |
2005 |
AdCrDMWe![Color; Aspect: 2.35:1; 35 mm (Fuji Super F-250T 8552, Super F-500T 8572); Super 35; Panavision Panaflex Millennium XL, Panavision Primo Lenses; AUDIO: DTS, Dolby Digital Color](icons/rgb.png) |
The Three Burials of Melquiades Estrada |
Tommy Lee Jones, W, C, M |
|
4.9 |
2003 |
ARWe![Color; Aspect: 2.35:1; 35 mm (Kodak Vision 200T 5274, Vision 500T 5279); Digital Intermediate (2K) (master format) Super 35 (source format); Cine SL 35, Panavision Primo Lenses Panavision Panaflex Millennium XL, Panavision Primo Lenses Panavision Panaflex Platinum, Panavision Primo Lenses; AUDIO: DTS, Dolby Digital, SDDS Color](icons/rgb.png) |
Open Range |
Kevin Costner, W, W, C, M |
|
2.7 |
1981 |
BDHR![Color; Aspect: 1.85:1; 35 mm; Technovision Cameras and Lenses; AUDIO: Mono Color](icons/rgb.png) |
Reds |
Warren Beatty, W, W, C, M |
|
6.8 |
1980 |
CrDR![Color; Aspect: 1.85:1; 35 mm; Panaflex Camera and Lenses by Panavision; AUDIO: Mono Color](icons/rgb.png) |
Atlantic City |
Louis Malle, W, C, M |
|
7.3 |
1977 |
D![Color; Aspect: 1.37:1; 35 mm; AUDIO: Mono Color](icons/rgb.png) |
The Duellists |
Ridley Scott, W, W, C, M |
|
6.5 |
1973 |
CD![Color (Technicolor); Aspect: 2.35:1; 35 mm; Techniscope; AUDIO: 4-Track Stereo Color (Technicolor)](icons/rgb.png) |
American Graffiti |
George Lucas, W, W, ++, C, C |
|
6.8 |
1972 |
DSp![Color (Technicolor); Aspect: 1.85:1; 35 mm; Panavision Cameras and Lenses; AUDIO: Stereo Color (Technicolor)](icons/rgb.png) |
Fat City |
John Huston, W, C |
|
5.5 |
1972 |
CrT![Color (Technicolor); Aspect: 1.85:1; 35 mm; AUDIO: Mono (Westrex Recording System) Color (Technicolor)](icons/rgb.png) |
Frenzy |
Alfred Hitchcock, W, W, C, C, M |
|
3.8 |
1971 |
DFan![Color (Technicolor); Aspect: 2.35:1; 35 mm; Panavision (anamorphic); AUDIO: Mono Color (Technicolor)](icons/rgb.png) |
Death in Venice |
Luchino Visconti, W, W, ++, C, M «Morte a Venezia» |
|
5.8 |
1970 |
D![Color; Aspect: 1.85:1; 35 mm (Eastman 100T 5247); Arriflex 35 IIC; AUDIO: Mono Color](icons/rgb.png) |
Five Easy Pieces |
Bob Rafelson, W, ++, C |
|
6.0 |
1968 |
AMT![Color (Technicolor); Aspect: 1.85:1; 35 mm; Arriflex Cameras and Lenses; AUDIO: Mono Color (Technicolor)](icons/rgb.png) |
Bullitt |
Peter Yates, W, W, ++, C, M |
|
6.5 |
1968 |
HoT![Color (Pathécolor); Aspect: 1.85:1; 35 mm; AUDIO: Mono Color (Pathécolor)](icons/rgb.png) |
Targets |
Peter Bogdanovich, W, W, ++, C |
|
7.7 |
1963 |
D![Color (Eastmancolor); Aspect: 1.66:1; 35 mm; Chevereau Cameras; AUDIO: Mono, Dolby Digital Color (Eastmancolor)](icons/rgb.png) |
Muriel, or The Time of Return |
Alain Resnais, W, C, M «Muriel ou Le temps d'un retour» |
|
7.3 |
1961 |
CrDT![Black and White; Aspect: 1.85:1; 35 mm; AUDIO: Mono (Westrex Recording System) Black and White](icons/bw.png) |
Underworld U.S.A. |
Samuel Fuller, W, ++, C, M |
|
4.8 |
1958 |
DR![Color (Metrocolor); Aspect: 2.35:1; 35 mm; CinemaScope; AUDIO: Mono (Westrex Recording System), 4-Track Stereo Color (Metrocolor)](icons/rgb.png) |
Some Came Running |
Vincente Minnelli, W, W, ++, C, M |
|
6.5 |
1956 |
DWA![Black and White; 35 mm; AUDIO: Mono Black and White](icons/bw.png) |
Attack |
Robert Aldrich, W, W, C, M |
|
5.2 |
1956 |
D![Black and White; 35 mm; AUDIO: Mono (RCA Sound System), Stereo Black and White](icons/bw.png) |
Baby Doll |
Elia Kazan, W, C, M |
|
6.2 |
1956 |
DHoMT![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (RCA Sound Recording) Black and White](icons/bw.png) |
The Bad Seed |
Mervyn LeRoy, W, W, ++, C, M |
|
5.9 |
1956 |
CrD![Black and White; Aspect: 1.66:1; 35 mm; AUDIO: Mono (RCA Sound Recording) Black and White](icons/bw.png) |
The Wrong Man |
Alfred Hitchcock, W, W, ++, C, M |
|
5.8 |
1956 |
DR![Color (Technicolor); Aspect: 2.00:1; 35 mm; AUDIO: Mono (Westrex Recording System) Color (Technicolor)](icons/rgb.png) |
Written on the Wind |
Douglas Sirk, W, W, C, M |
|
6.3 |
1955 |
BDR![Color (Eastmancolor); Aspect: 2.55:1; 35 mm; Digital Intermediate (restored version) CinemaScope (anamorphic); Bausch & Lomb Lenses Mitchell BNC Cameras; AUDIO: Dolby (Restored version), 4-Track Stereo (Western Electric Sound System) Color (Eastmancolor)](icons/rgb.png) |
Lola Montès |
Max Ophüls, W, W, ++, C, M |
|
6.0 |
1955 |
CrDNT![Black and White; Aspect: 1.85:1; 35 mm; AUDIO: Mono (RCA) Black and White](icons/bw.png) |
The Big Combo |
Joseph H. Lewis, W, C, M |
|
7.0 |
1955 |
D![Black and White; Aspect: 1.85:1; 35 mm; AUDIO: Mono (RCA Sound Recording) Black and White](icons/bw.png) |
The Man with the Golden Arm |
Otto Preminger, W, W, ++, C, M |
|
6.0 |
1955 |
CrMRT![Color (Technicolor); Aspect: 1.85:1; 35 mm (horizontal); VistaVision; AUDIO: Mono (Western Electric Recording) Color (Technicolor)](icons/rgb.png) |
To Catch a Thief |
Alfred Hitchcock, W, W, ++, C, M |
|
7.6 |
1954 |
CMlDR![Color (Technicolor); Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Sound System) Color (Technicolor)](icons/rgb.png) |
French Cancan |
Jean Renoir, W, W, C, M |
|
7.1 |
1952 |
BDHWWe![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Recording) Black and White](icons/bw.png) |
Viva Zapata! |
Elia Kazan, W, ++, C, M |
|
6.9 |
1950 |
DN![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Recording) Black and White](icons/bw.png) |
No Man of Her Own |
Mitchell Leisen, W, W, ++, C, M |
|
6.3 |
1949 |
CrDNT![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Recording) Black and White](icons/bw.png) |
Criss Cross |
Robert Siodmak, W, W, ++, C, M |
|
6.9 |
1949 |
DRTW![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Recording) Black and White](icons/bw.png) |
Hour of Glory |
Michael Powell, Emeric Pressburger, W, W, ++, C, M «The Small Back Room» |
|
6.7 |
1948 |
TND![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Sound System) Black and White](icons/bw.png) |
Act of Violence |
Fred Zinnemann, W, W, C, M |
|
6.8 |
1947 |
CrDNT![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Recording) Black and White](icons/bw.png) |
Kiss of Death |
Henry Hathaway, W, W, ++, C, M |
|
6.0 |
1945 |
CrDN![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Sound System) Black and White](icons/bw.png) |
Detour |
Edgar G. Ulmer, W, ++, C, M |
|
6.9 |
1945 |
DR![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Sound System) Black and White](icons/bw.png) |
The Clock |
Vincente Minnelli, ++, W, W, ++, C, M |
|
6.3 |
1943 |
NTW![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Sound System) Black and White](icons/bw.png) |
Hangmen Also Die! |
Fritz Lang, W, W, ++, C, M |
|
7.6 |
1941 |
DR![Black and White; AUDIO: Mono (Western Electric Mirrophonic Recording) Black and White](icons/bw.png) |
Hold Back the Dawn |
Mitchell Leisen, W, W, ++, C, M |
|
5.7 |
1939 |
AdW![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (RCA Victor System) Black and White](icons/bw.png) |
Gunga Din |
George Stevens, W, W, ++, C, M |
|
6.6 |
1938 |
DR![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono, Mono (Western Electric Sound System) Black and White](icons/bw.png) |
Three Comrades |
Frank Borzage, W, W, ++, C, C, M |
|
6.9 |
1937 |
DR![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Noiseless Recording) Black and White](icons/bw.png) |
History Is Made at Night |
Frank Borzage, W, W, ++, C, C, M |
|
6.6 |
1937 |
DR![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Mirrophonic Recording) Black and White](icons/bw.png) |
Stella Dallas |
King Vidor, W, W, ++, C, M |
|
6.3 |
1937 |
CrD![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Noiseless Recording Sound System) Black and White](icons/bw.png) |
You Only Live Once |
Fritz Lang, W, W, C, M |
|
7.3 |
1934 |
MlCR![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Sound System) Black and White](icons/bw.png) |
The Merry Widow |
Ernst Lubitsch, W, W, ++, C |
|
6.3 |
1932 |
AdDR![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Noiseless Recording) Black and White](icons/bw.png) |
Shanghai Express |
Josef von Sternberg, W, W, C, C, M |
|
6.7 |
1930 |
D![Black and White; Silent](icons/bw.png) |
Earth |
Aleksandr Dovzhenko, W, C, M, M, M «Zemlya» |
|
4.7 |
1930 |
CD![Black and White; Aspect: 1.20:1; 35 mm; AUDIO: Mono (Tobis-Klangfilm) Black and White](icons/bw.png) |
L'Age d'Or |
Luis Buñuel, W, W, ++, C, M, M «L'âge d'or» |
|
6.1 |
1927 |
CR![Black and White; Silent](icons/bw.png) |
It |
Clarence G. Badger, ++, W, W, ++, C, M, M, M |
|
3.3 |
2007 |
DHoMlT![Color; Aspect: 1.85:1; 35 mm (Kodak Vision2 200T 5217, Vision2 500T 5218); Digital Intermediate (2K) (master format) Spherical (source format); Panavision Panaflex Millennium XL, Panavision Primo Lenses Panavision Panaflex Platinum, Panavision Primo Lenses; AUDIO: DTS, Dolby Digital, SDDS Color](icons/rgb.png) |
Sweeney Todd: The Demon Barber of Fleet Street |
Tim Burton, W, W, ++, C |
|
5.1 |
2006 |
BD![Color; Aspect: 1.85:1; 16 mm (Kodak) (Blair scenes) 35 mm (Kodak) Video (archive footage); Digital Intermediate (master format) Spherical (source format) Super 16 (source format); Panavision Cameras and Lenses; AUDIO: Dolby Digital Color](icons/rgb.png) |
The Queen |
Stephen Frears, W, C, M |
|
2.9 |
2001 |
DMcT![Color; Aspect: 1.85:1; 35 mm (Kodak Vision 800T 5289); Moviecam Compact, Cooke S4 and Varotal Lenses; AUDIO: Dolby Digital Color](icons/rgb.png) |
The Piano Teacher |
Michael Haneke, W, W, C «La pianiste» |
|
1.8 |
1996 |
DRW![Color; Aspect: 1.85:1; 35 mm (Eastman EXR 500T 5298); Panavision Panaflex Gold, Panavision Primo Lenses Panavision Panaflex Platinum, Panavision Primo Lenses; AUDIO: Dolby Digital Color](icons/rgb.png) |
The English Patient |
Anthony Minghella, W, W, C, M |
|
7.2 |
1993 |
BDW![Color; AUDIO: Mono Color](icons/q-rgb.png) |
The Puppetmaster |
Hsiao-hsien Hou, W, W, ++, C, M, M «Xi meng ren sheng» |
|
4.9 |
1991 |
AdCrDT![Color; Aspect: 2.35:1; 35 mm (Eastman); Panavision (anamorphic); Panavision Cameras and Lenses; AUDIO: Dolby Color](icons/rgb.png) |
Thelma & Louise |
Ridley Scott, W, C, M |
|
8.1 |
1989 |
DW![Color; Aspect: 2.35:1; 35 mm; Panavision (anamorphic); AUDIO: Dolby Color](icons/rgb.png) |
Life and Nothing But |
Bertrand Tavernier, W, W, ++, C, M «La vie et rien d'autre» |
|
4.9 |
1987 |
D![Color (Technicolor); Aspect: 1.85:1; 35 mm (Eastman 125T 5247, 400T 5294); Arriflex 35 BL3; AUDIO: Dolby Color (Technicolor)](icons/rgb.png) |
Hope and Glory |
John Boorman, W, C, M |
|
5.2 |
1987 |
D![Color; Aspect: 1.85:1; 35 mm (Eastman 125T 5247, 400T 5294); Moviecam SuperAmerica, Zeiss Lenses; AUDIO: Dolby Color](icons/rgb.png) |
The Dead |
John Huston, W, W, C, M |
|
6.2 |
1987 |
CrD![Color; Aspect: 1.85:1; 35 mm; AUDIO: Dolby Color](icons/rgb.png) |
Wall Street |
Oliver Stone, W, W, C, M |
|
7.2 |
1986 |
DMc![Color (Eastmancolor); Aspect: 2.35:1; 35 mm; Panavision (anamorphic); AUDIO: Dolby Color (Eastmancolor)](icons/rgb.png) |
'Round Midnight |
Bertrand Tavernier, W, W, ++, C, M |
|
6.3 |
1983 |
DR![Color; Aspect: 1.66:1; AUDIO: Mono Color](icons/q-rgb.png) |
À Nos Amours |
Maurice Pialat, W, W, C «À nos amours» |
|
5.6 |
1982 |
Ho![Color (Metrocolor); Aspect: 2.20:1; 35 mm (Eastman 100T 5247); J-D-C Scope (anamorphic); Ultracam 35, Cooke Xtal Express Lenses; AUDIO: Dolby (35 mm prints) (as Dolby Stereo), 70 mm 6-Track (70 mm prints) Color (Metrocolor)](icons/rgb.png) |
Poltergeist |
Tobe Hooper, W, W, ++, C, M |
|
6.7 |
1982 |
CDR![Color (Technicolor); Aspect: 2.35:1; 35 mm (Eastman 250T 5293); Panavision (anamorphic); Panaflex Lenses and Cameras by Panavision; AUDIO: Mono Color (Technicolor)](icons/rgb.png) |
Tootsie |
Sydney Pollack, W, W, ++, C, M |
|
? |
1981 |
![TV](icons/tv_icon.png) ![TV](icons/tv_icon.png) CD![Color; Color](icons/q-rgb.png) |
"American Playhouse" |
[ Kirk Browning, Jack O'Brien, D++ ], [ W, W, W++ ], C, C, C++, M, M, M++ TV series 1981- |
|
6.0 |
1979 |
AdFSp![Color; Aspect: 1.85:1; 35 mm; AUDIO: 70 mm 6-Track (70 mm prints), Dolby (35 mm prints) Color](icons/rgb.png) |
The Black Stallion |
Carroll Ballard, W, W, ++, C, M |
|
8.6 |
1976 |
CrTM![Color (Technicolor); Aspect: 1.85:1; 35 mm; AUDIO: Stereo Color (Technicolor)](icons/rgb.png) |
Cadaveri eccellenti |
Francesco Rosi, W, W, ++, C, M |
|
6.5 |
1976 |
HoT![Color; Aspect: 1.85:1; 35 mm; Panavision Split Diopter Lense; AUDIO: Mono Color](icons/rgb.png) |
Carrie |
Brian De Palma, W, W, C, M |
|
6.5 |
1976 |
D![Color; Aspect: 1.85:1; 35 mm; Panavision Cameras and Lenses; AUDIO: Mono Color](icons/rgb.png) |
Mikey and Nicky |
Elaine May, W, C, C, C++, M |
|
3.4 |
1973 |
DHoT![Color (Technicolor); Aspect: 1.85:1; 35 mm; Camera and Lenses by Panavision; AUDIO: Mono Color (Technicolor)](icons/rgb.png) |
Don't Look Now |
Nicolas Roeg, W, W, ++, C, M |
|
4.9 |
1973 |
CrD![Color (Technicolor); Aspect: 1.85:1; 35 mm; AUDIO: Mono Color (Technicolor)](icons/rgb.png) |
Mean Streets |
Martin Scorsese, W, W, ++, C |
|
5.2 |
1973 |
DHWe![Color (Metrocolor); Aspect: 2.35:1; 35 mm; Panavision (anamorphic); AUDIO: Mono Color (Metrocolor)](icons/rgb.png) |
Pat Garrett & Billy the Kid |
Sam Peckinpah, W, C, M |
|
3.4 |
1969 |
D![Black and White, Color; Aspect: 1.85:1; 16 mm (New Orleans scenes) 35 mm; Arriflex Cameras; AUDIO: Mono (Western Electric Sound System) Black and White, Color](icons/rgb-bw.png) |
Easy Rider |
Dennis Hopper, W, W, ++, C, C |
|
5.9 |
1967 |
CrDT![Color (Metrocolor); Aspect: 2.35:1; 35 mm (Eastman 50T 5251); Panavision (anamorphic); AUDIO: Mono Color (Metrocolor)](icons/rgb.png) |
Point Blank |
John Boorman, W, W, ++, C, M |
|
6.9 |
1966 |
DW![Black and White; Aspect: 1.66:1; 35 mm; AUDIO: Mono Black and White](icons/bw.png) |
The War Is Over |
Alain Resnais, W, C, M «La guerre est finie» |
|
5.7 |
1961 |
D![Black and White; Aspect: 1.66:1; 35 mm; AUDIO: Mono (Westrex Recording System) Black and White](icons/bw.png) |
The Misfits |
John Huston, W, C, M |
|
6.8 |
1959 |
CrDT![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (RCA) Black and White](icons/bw.png) |
Odds Against Tomorrow |
Robert Wise, W, W, ++, C, M |
|
6.8 |
1959 |
D![Black and White; Aspect: 1.37:1; 16 mm; Arriflex Cameras; AUDIO: Mono Black and White](icons/bw.png) |
Shadows |
John Cassavetes, W, C |
|
6.1 |
1957 |
DW![Black and White; 35 mm; AUDIO: Mono (Western Electric Recording) Black and White](icons/bw.png) |
Men in War |
Anthony Mann, W, W, ++, C, M |
|
5.8 |
1956 |
BD![Color (Metrocolor); Aspect: 2.55:1; 35 mm; CinemaScope; AUDIO: Mono (Perspecta Sound encoding) (35 mm optical prints) (Westrex Recording System), 4-Track Stereo (35 mm magnetic prints) (Westrex Recording System) Color (Metrocolor)](icons/rgb.png) |
Lust for Life |
Vincente Minnelli, ++, W, W, C, C, M |
|
6.0 |
1956 |
AdD![Color (Technicolor); Aspect: 1.37:1; 35 mm; Mitchell BNC; AUDIO: Mono (RCA Sound Recording) Color (Technicolor)](icons/rgb.png) |
Moby Dick |
John Huston, W, W, ++, C, M |
|
6.6 |
1955 |
D![Black and White; Aspect: 1.33:1; 35 mm; AUDIO: Mono (Western Electric Sound System) Black and White](icons/bw.png) |
Blackboard Jungle |
Richard Brooks, W, W, C, M, M |
|
5.4 |
1955 |
TCrMD![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (RCA Ultraviolet High Fidelity Sound System) Black and White](icons/bw.png) |
Mr. Arkadin |
Orson Welles, W, C, M |
|
8.4 |
1955 |
DHR![Color (Eastmancolor); Aspect: 1.37:1; 35 mm; AUDIO: Mono Color (Eastmancolor)](icons/rgb.png) |
Princess Yang Kwei-fei |
Kenji Mizoguchi, W, W, ++, C, M «Yôkihi» |
|
6.2 |
1955 |
We![Color (Technicolor); Aspect: 2.35:1; 35 mm; CinemaScope; AUDIO: 4-Track Stereo (RCA Sound Recording) Color (Technicolor)](icons/rgb.png) |
The Man from Laramie |
Anthony Mann, W, W, ++, C, M |
|
6.2 |
1954 |
D![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono Black and White](icons/bw.png) |
Journey to Italy |
Roberto Rossellini, W, W, ++, C «Viaggio in Italia» |
|
6.7 |
1954 |
CDMlR![Color (Ansco); Aspect: 2.20:1; 35 mm; CinemaScope Spherical (alternate spherical version); AUDIO: 4-Track Stereo (Western Electric Sound System) (magnetic prints), 70 mm 6-Track (Australia) (1968 re-release), Mono (optical prints) Color (Ansco)](icons/rgb.png) |
Seven Brides for Seven Brothers |
Stanley Donen, W, W, ++, C, M, M, M |
|
6.3 |
1953 |
DH![Black and White, Black and White (tinted) (1969 UK re-release); Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Sound System) (original release), Stereo (DVD Release) Black and White, Black and White (tinted) (1969 UK re-release)](icons/bw.png) |
Julius Caesar |
Joseph L. Mankiewicz, W, ++, C, M |
|
7.0 |
1953 |
CrDR![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (RCA Sound System PM51) Black and White](icons/bw.png) |
The Adultress |
Marcel Carné, W, W, ++, C, M «Thérèse Raquin» |
|
8.3 |
1951 |
DR![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono Black and White](icons/bw.png) |
Miss Julie |
Alf Sjöberg, W, W, C, M «Fröken Julie» |
|
4.7 |
1951 |
AdFanMcMlR![Color (Technicolor); Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Recording) Color (Technicolor)](icons/rgb.png) |
The Tales of Hoffmann |
Michael Powell, Emeric Pressburger, W, W, ++, C |
|
5.8 |
1950 |
NMT![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (RCA Sound System) Black and White](icons/bw.png) |
D.O.A. |
Rudolph Maté, W, W, ++, C, M |
|
7.2 |
1950 |
DR![Color (Technicolor); Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Recording) Color (Technicolor)](icons/rgb.png) |
Gone to Earth |
Michael Powell, Emeric Pressburger, W, W, ++, C, M |
|
6.7 |
1949 |
DWe![Color (Technicolor); Aspect: 1.37:1; 35 mm; AUDIO: Mono (RCA Sound System) Color (Technicolor)](icons/rgb.png) |
She Wore a Yellow Ribbon |
John Ford, W, W, ++, C, M |
|
6.5 |
1949 |
DHo![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono Black and White](icons/bw.png) |
The Queen of Spades |
Thorold Dickinson, W, W, ++, C, M |
|
6.4 |
1949 |
CCr![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (RCA Sound System) Black and White](icons/bw.png) |
Whisky Galore |
Alexander Mackendrick, W, ++, C, M «Whisky Galore!» |
|
6.0 |
1948 |
CrND![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Recording) Black and White](icons/bw.png) |
Force of Evil |
Abraham Polonsky, W, W, ++, C, M |
|
6.6 |
1948 |
CrND![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Recording) Black and White](icons/bw.png) |
Raw Deal |
Anthony Mann, W, W, ++, C, M |
|
6.8 |
1947 |
CrD![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (RCA Sound System) Black and White](icons/bw.png) |
Brighton Rock |
John Boulting, W, ++, C, M |
|
6.8 |
1947 |
CrDNM![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (RCA Sound System) Black and White](icons/bw.png) |
Crossfire |
Edward Dmytryk, W, W, C, M |
|
6.9 |
1947 |
CrD![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (RCA Sound System) Black and White](icons/bw.png) |
It Always Rains on Sunday |
Robert Hamer, W, W, ++, C, M |
|
6.4 |
1947 |
DRTWe![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (RCA Sound System) Black and White](icons/bw.png) |
Pursued |
Raoul Walsh, W, C, M |
|
6.5 |
1945 |
DR![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Tobis-Klangfilm) Black and White](icons/bw.png) |
Les dames du Bois de Boulogne |
Robert Bresson, W, W, ++, C, M |
|
6.4 |
1944 |
CrDNM![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Recording) Black and White](icons/bw.png) |
Phantom Lady |
Robert Siodmak, W, W, C |
|
6.9 |
1944 |
D![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono Black and White](icons/bw.png) |
Torment |
Alf Sjöberg, W, C, M «Hets» |
|
6.9 |
1942 |
AnDF![Color (Technicolor); Aspect: 1.37:1; 35 mm; AUDIO: Mono (RCA Sound Recording) Color (Technicolor)](icons/rgb.png) |
Bambi |
James Algar, Samuel Armstrong, ++, W, W, ++, M, M |
|
6.6 |
1942 |
HoMT![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (RCA Sound System) Black and White](icons/bw.png) |
Cat People |
Jacques Tourneur, W, C, M |
|
6.0 |
1941 |
DT![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Mirrophonic Recording) Black and White](icons/bw.png) |
Man Hunt |
Fritz Lang, W, W, ++, C, M, M |
|
7.0 |
1941 |
DHRW![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Noiseless Recording) Black and White](icons/bw.png) |
That Hamilton Woman |
Alexander Korda, W, W, C, M |
|
6.9 |
1940 |
Ml![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Sound System) Black and White](icons/bw.png) |
Broadway Melody of 1940 |
Norman Taurog, W, W, ++, C, C, M, M |
|
7.2 |
1940 |
C![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Mirrophonic Recording) Black and White](icons/bw.png) |
The Bank Dick |
Edward F. Cline, W, ++, C, M |
|
7.8 |
1939 |
CDR![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (RCA Victor System) Black and White](icons/bw.png) |
Love Affair |
Leo McCarey, W, W, ++, C, M |
|
5.4 |
1937 |
CDR![Color (Technicolor); Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Noiseless Recording) Color (Technicolor)](icons/rgb.png) |
Nothing Sacred |
William A. Wellman, W, W, ++, C, M |
|
6.5 |
1937 |
BD![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono Black and White](icons/bw.png) |
The Life of Emile Zola |
William Dieterle, W, W, ++, C, M |
|
7.8 |
1935 |
D![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (RCA Sound System) Black and White](icons/bw.png) |
Toni |
Jean Renoir, W, W, ++, C, M |
|
7.3 |
1932 |
DR![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Sound System) Black and White](icons/bw.png) |
Red Dust |
[ Victor Fleming ], W, W, ++, C, C |
|
8.6 |
1927 |
BDHW![Black and White, Black and White (tinted) (some sequences); Silent](icons/bw.png) |
Napoleon |
Abel Gance, W, C, C, C++, M, M, M «Napoléon» |
|
6.4 |
1923 |
DR![Black and White, Color (tinted); Silent](icons/rgb-bw.png) |
The Hunchback of Notre Dame |
Wallace Worsley, W, W, ++, C, C, C++, M, M, M |
|
5.6 |
1922 |
D![Black and White; Silent](icons/bw.png) |
Foolish Wives |
Erich von Stroheim, W, W, ++, C, C, M, M |
|
7.8 |
1921 |
D![Black and White; Silent](icons/bw.png) |
Tol'able David |
Henry King, W, W, ++, C, M |
|
5.2 |
1914 |
C![Black and White; Silent](icons/bw.png) |
Tillie's Punctured Romance |
Mack Sennett, ++, ++, C, C, M, M |
|
6.7 |
1903 |
SWe![Black and White (hand-colored); Silent](icons/bw.png) |
The Great Train Robbery |
[ Edwin S. Porter ], ++, C, C |
|
8.6 |
2005 |
![TV](icons/tv_icon.png) DR![Color; Aspect: 1.78:1; AUDIO: Stereo Color](icons/q-rgb.png) |
"Twenty Thousand Streets Under the Sky" |
Simon Curtis, W, W, C, M TV mini-series 2005- |
|
4.1 |
2000 |
CrD![Color; Aspect: 2.35:1; 35 mm (Kodak); Super 35; Arriflex Cameras and Lenses; AUDIO: Dolby Digital Color](icons/rgb.png) |
Sexy Beast |
Jonathan Glazer, W, W, ++, C, M |
|
5.8 |
1999 |
CD![Color; Aspect: 2.35:1; 35 mm (Eastman Kodak); Super 35; Panavision Cameras and Lenses; AUDIO: Dolby Color](icons/rgb.png) |
Election |
Alexander Payne, W, W, ++, C, M |
|
1.7 |
1999 |
DMT![Color; Aspect: 1.66:1; 35 mm (Eastman EXR 500T 5298); Arriflex 535B, Zeiss Super Speed and Variable Prime Lenses Moviecam SL, Zeiss Super Speed and Variable Prime Lenses; AUDIO: DTS, Dolby Digital, SDDS Color](icons/rgb.png) |
Eyes Wide Shut |
Stanley Kubrick, W, W, ++, C, M |
|
7.8 |
1992 |
BDF![Color (Eastmancolor); Aspect: 1.85:1; 35 mm; AUDIO: Dolby Color (Eastmancolor)](icons/rgb.png) |
The Long Day Closes |
Terence Davies, W, C, M, M |
|
6.3 |
1984 |
CD![Color; AUDIO: Mono Color](icons/q-rgb.png) |
Meantime |
Mike Leigh, W, C, M TV |
|
5.3 |
1983 |
D![Black and White, Color; Aspect: 1.85:1; 35 mm; AUDIO: Dolby Black and White, Color](icons/rgb-bw.png) |
Rumble Fish |
Francis Ford Coppola, W, ++, C, M |
|
6.0 |
1982 |
CDM![Color; Aspect: 1.66:1; 16 mm (Eastman 100T 7247); Super 16; Aaton LTR, Zeiss Super Speed and Cooke Varokinetal Lenses; AUDIO: Mono Color](icons/rgb.png) |
The Draughtsman's Contract |
Peter Greenaway, W, C, M |
|
5.6 |
1981 |
DHSp![Color; Aspect: 1.85:1; 35 mm; AUDIO: Dolby Color](icons/rgb.png) |
Chariots of Fire |
Hugh Hudson, W, C, M |
|
5.4 |
1980 |
ACDRT![Color (Metrocolor); Aspect: 1.85:1; 35 mm; AUDIO: Mono Color (Metrocolor)](icons/rgb.png) |
The Stunt Man |
Richard Rush, W, W, ++, C, M |
|
6.9 |
1971 |
RD![Color (Eastmancolor); Aspect: 1.66:1; 35 mm; AUDIO: Mono Color (Eastmancolor)](icons/rgb.png) |
Two English Girls |
François Truffaut, W, W, ++, C, M «Les deux Anglaises et le continent» |
|
3.3 |
1968 |
DM![Black and White, Color (Eastmancolor); Aspect: 1.85:1; 35 mm; Arriflex Cameras; AUDIO: Mono Black and White, Color (Eastmancolor)](icons/rgb-bw.png) |
Theorem |
Pier Paolo Pasolini, W, C, M, M «Teorema» |
|
5.8 |
1965 |
D![Color (Metrocolor); Aspect: 1.85:1; 35 mm; AUDIO: Mono (Westrex Recording System) Color (Metrocolor)](icons/rgb.png) |
The Cincinnati Kid |
Norman Jewison, W, W, ++, C, M |
|
7.0 |
1963 |
DR![Black and White; Aspect: 1.66:1; 35 mm; AUDIO: Mono Black and White](icons/bw.png) |
Bay of Angels |
Jacques Demy, W, C, M «La baie des anges» |
|
5.8 |
1961 |
AdBDHRW![Color (Technicolor); Aspect: 2.20:1; 35 mm (horizontal); Super Technirama 70; AUDIO: Mono (some 35 mm prints), 4-Track Stereo (35 mm prints), 70 mm 6-Track (Westrex Recording System) Color (Technicolor)](icons/rgb.png) |
El Cid |
Anthony Mann, W, W, ++, C, M |
|
6.2 |
1958 |
DRWe![Color; Aspect: 2.35:1; 35 mm; CinemaScope; AUDIO: Mono (Westrex Recording System) Color](icons/rgb.png) |
Man of the West |
Anthony Mann, W, W, C, M |
|
5.4 |
1957 |
DR![Black and White; Aspect: 2.35:1; 35 mm; CinemaScope; AUDIO: Mono (Westrex Recording System) Black and White](icons/bw.png) |
The Tarnished Angels |
Douglas Sirk, W, W, C, M |
|
6.2 |
1954 |
BDMcMlR![Color (Technicolor); 35 mm; AUDIO: Mono (Western Electric Recording), Stereo (1985 re-release) Color (Technicolor)](icons/rgb.png) |
The Glenn Miller Story |
Anthony Mann, W, W, C |
|
7.1 |
1953 |
DW![Black and White; 35 mm; AUDIO: Mono (Western Electric Sound System), Mono Black and White](icons/bw.png) |
Ana-ta-han |
Josef von Sternberg, W, W, ++, C, C, M «Anatahan» |
|
6.2 |
1953 |
CDMlR![Color (Technicolor); Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Recording) Color (Technicolor)](icons/rgb.png) |
Gentlemen Prefer Blondes |
Howard Hawks, W, W, ++, C, M, M, M++ |
|
6.0 |
1952 |
DNCr![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (RCA Sound System) Black and White](icons/bw.png) |
Angel Face |
Otto Preminger, W, W, ++, C, M |
|
6.2 |
1952 |
DR![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Recording) Black and White](icons/bw.png) |
Carrie |
William Wyler, W, W, ++, C, M |
|
6.3 |
1952 |
CDR![Color (Technicolor); AUDIO: Mono (Western Electric Sound System) Color (Technicolor)](icons/q-rgb.png) |
The Golden Coach |
Jean Renoir, W, W, ++, C, C «Le carrosse d'or» |
|
6.9 |
1951 |
DAd![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono Black and White](icons/bw.png) |
Outcast of the Islands |
Carol Reed, W, W, C, C, M |
|
6.7 |
1951 |
DNT![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono Black and White](icons/bw.png) |
The Prowler |
Joseph Losey, W, W, ++, C, M |
|
5.5 |
1950 |
D![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (RCA Sound System) Black and White](icons/bw.png) |
Stromboli |
Roberto Rossellini, W, ++, C, M |
|
6.1 |
1949 |
CrDRTWe![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (RCA Sound System) Black and White](icons/bw.png) |
Colorado Territory |
Raoul Walsh, W, W, ++, C, M |
|
6.1 |
1949 |
DN![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Recording) Black and White](icons/bw.png) |
The Reckless Moment |
Max Ophüls, W, W, ++, C, M |
|
6.9 |
1947 |
CrD![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (RCA Sound System) Black and White](icons/bw.png) |
I Became a Criminal |
Alberto Cavalcanti, W, W, C, M «They Made Me a Fugitive» |
|
6.5 |
1945 |
DW![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Sound System) Black and White](icons/bw.png) |
They Were Expendable |
John Ford, ++, W, W, ++, C, M |
|
5.8 |
1944 |
CDMcMl![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Mirrophonic Recording) Black and White](icons/bw.png) |
Going My Way |
Leo McCarey, W, W, ++, C, C, M |
|
7.2 |
1944 |
BDHW![Color (Technicolor); Aspect: 1.85:1; 35 mm; SuperScope (1950's cropped widescreen version) Spherical; AUDIO: Mono Color (Technicolor)](icons/rgb.png) |
Henry V |
Laurence Olivier, W, ++, C, C, M «The Chronicle History of King Henry the Fift with His Battell Fought at Agincourt in France» |
|
7.1 |
1943 |
MlFan![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Sound System) Black and White](icons/bw.png) |
Cabin in the Sky |
Vincente Minnelli, ++, W, W, ++, C, M, M |
|
6.6 |
1943 |
Ho![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (RCA Sound System) Black and White](icons/bw.png) |
I Walked with a Zombie |
Jacques Tourneur, W, W, ++, C, M |
|
6.3 |
1942 |
CRSp![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Sound System) Black and White](icons/bw.png) |
Woman of the Year |
George Stevens, W, W, ++, C, M |
|
6.5 |
1940 |
CrDT![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (RCA Sound System) Black and White](icons/bw.png) |
They Drive by Night |
Raoul Walsh, W, W, ++, C, M |
|
5.9 |
1936 |
DMlR![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Sound System) Black and White](icons/bw.png) |
San Francisco |
[ W.S. Van Dyke ], W, W, C, M, M |
|
7.4 |
1935 |
CDR![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Noiseless Recording) Black and White](icons/bw.png) |
Steamboat Round the Bend |
John Ford, W, W, ++, C, M |
|
5.8 |
1934 |
DR![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (RCA Victor System) Black and White](icons/bw.png) |
Of Human Bondage |
John Cromwell, W, W, ++, C, M |
|
6.7 |
1933 |
DFR![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (RCA Victor System) Black and White](icons/bw.png) |
Little Women |
George Cukor, W, W, ++, C, M |
|
6.8 |
1933 |
DW![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono Black and White](icons/bw.png) |
The Patriots |
Boris Barnet, W, W, ++, C, C, M «Okraina» |
|
6.7 |
1931 |
CrDR![Black and White; Aspect: 1.20:1; 35 mm; AUDIO: Mono (Western Electric Noiseless Recording) Black and White](icons/bw.png) |
City Streets |
Rouben Mamoulian, W, W, ++, C, M, M |
|
6.8 |
1931 |
CDMl![Black and White; Aspect: 1.20:1; 35 mm; AUDIO: Mono (Tobis-Klangfilm) Black and White](icons/bw.png) |
The 3 Penny Opera |
Georg Wilhelm Pabst, W, W, ++, C «Die 3 Groschen-Oper» |
|
6.8 |
1931 |
DFSp![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Sound System) Black and White](icons/bw.png) |
The Champ |
[ King Vidor ], W, W, ++, C |
|
5.5 |
1930 |
RD![Black and White; Aspect: 1.20:1; 35 mm; AUDIO: Mono (Western Electric Sound System) Black and White](icons/bw.png) |
Morocco |
Josef von Sternberg, W, W, C, C, M |
|
7.5 |
1929 |
DMl![Black and White; Aspect: 1.20:1; 35 mm; AUDIO: Mono Black and White](icons/bw.png) |
Applause |
Rouben Mamoulian, W, W, C |
|
7.6 |
1929 |
CMlR![Black and White; Aspect: 1.20:1; 35 mm; AUDIO: Mono (Western Electric Sound System) Black and White](icons/bw.png) |
The Love Parade |
Ernst Lubitsch, W, W, ++, C, M, M, M++ |
|
6.4 |
1925 |
D![Black and White; Silent](icons/bw.png) |
The Joyless Street |
Georg Wilhelm Pabst, W, W, ++, C, C, C «Die freudlose Gasse» |
|
4.9 |
1998 |
CDR![Color; Aspect: 2.35:1; 35 mm (Kodak Vision 200T 5274, Vision 500T 5279); Super 35; Arriflex 535B, Zeiss Variable Prime Lenses; AUDIO: Dolby Digital Color](icons/rgb.png) |
Shakespeare in Love |
John Madden, W, W, C, M |
|
6.7 |
1997 |
DR![Color (Rankcolor); Aspect: 2.35:1; 35 mm (Fuji Super F-500T 8572); Super 35; Arriflex 535, Zeiss Super Speed Lenses; AUDIO: Dolby Digital Color (Rankcolor)](icons/rgb.png) |
The Wings of the Dove |
Iain Softley, W, W, C, M |
|
6.1 |
1992 |
TCrD![Color; Aspect: 1.37:1; 35 mm; Panavision Cameras and Lenses; AUDIO: Dolby Color](icons/rgb.png) |
One False Move |
Carl Franklin, W, W, C, M, M |
|
6.5 |
1989 |
D![Color; Aspect: 1.85:1; 35 mm (Agfa XT 320); Panaflex Camera and Lenses by Panavision; AUDIO: Dolby Color](icons/rgb.png) |
Sex, Lies, and Videotape |
Steven Soderbergh, W, C, M |
|
4.9 |
1985 |
BDR![Color; Aspect: 1.85:1; 35 mm (Agfa XT 320, Eastman 100T 5247); Arriflex 35 BL, Zeiss Super Speed Lenses; AUDIO: 70 mm 6-Track (70 mm prints), Dolby (35 mm prints) (as Dolby Stereo) Color](icons/rgb.png) |
Out of Africa |
Sydney Pollack, W, W, ++, C, M |
|
6.2 |
1983 |
D![Color (Eastmancolor); 35 mm; AUDIO: Mono Color (Eastmancolor)](icons/rgb.png) |
In the White City |
Alain Tanner, W, C, M «Dans la ville blanche» |
|
6.1 |
1983 |
BDT![Color (Technicolor); Aspect: 1.85:1; 35 mm; Panaflex Camera and Lenses by Panavision; AUDIO: Mono Color (Technicolor)](icons/rgb.png) |
Silkwood |
Mike Nichols, W, W, C, M |
|
5.2 |
1982 |
CD![Color (Metrocolor); Aspect: 1.85:1; 35 mm; Panaflex Camera and Lenses by Panavision; AUDIO: Mono Color (Metrocolor)](icons/rgb.png) |
Diner |
Barry Levinson, W, C, M, M |
|
5.6 |
1982 |
DRW![Color (Metrocolor); Aspect: 2.35:1; 35 mm; Panavision (anamorphic); AUDIO: Mono Color (Metrocolor)](icons/rgb.png) |
The Year of Living Dangerously |
Peter Weir, W, W, ++, C, M |
|
3.3 |
1980 |
ADW![Black and White, Color (Metrocolor); Aspect: 1.85:1; 35 mm; Arriflex Cameras; AUDIO: Dolby Digital (reconstruction), Dolby (original release) Black and White, Color (Metrocolor)](icons/rgb-bw.png) |
The Big Red One |
Samuel Fuller, W, C, M |
|
5.3 |
1978 |
MlR![Color (Metrocolor); Aspect: 2.20:1; 35 mm; Panavision (anamorphic); AUDIO: DTS (re-release) (1998), Dolby Digital (re-release) (1998), Dolby (35 mm prints) (original release), 70 mm 6-Track (70 mm prints) (original release) Color (Metrocolor)](icons/rgb.png) |
Grease |
Randal Kleiser, W, W, ++, C |
|
7.4 |
1978 |
CrDHT![Color (Eastmancolor); 35 mm; AUDIO: Mono Color (Eastmancolor)](icons/rgb.png) |
Violette |
Claude Chabrol, W, W, ++, C, M «Violette Nozière» |
|
6.0 |
1975 |
CrMT![Color (Technicolor); Aspect: 1.85:1; 35 mm; AUDIO: Mono Color (Technicolor)](icons/rgb.png) |
Night Moves |
Arthur Penn, W, C, M |
|
5.0 |
1974 |
T![Color (Technicolor); Aspect: 2.35:1; 35 mm; Panavision (anamorphic); AUDIO: Mono Color (Technicolor)](icons/rgb.png) |
The Parallax View |
Alan J. Pakula, W, W, ++, C, M |
|
4.0 |
1972 |
DR![Color (Technicolor); Aspect: 1.75:1; 35 mm; AUDIO: Mono Color (Technicolor)](icons/rgb.png) |
Last Tango in Paris |
Bernardo Bertolucci, W, ++, C, M «Ultimo tango a Parigi» |
|
6.2 |
1971 |
MT![Color (Technicolor); Aspect: 2.35:1; 35 mm; Panavision (anamorphic) (as Panavision®); Panavision Cameras and Lenses; AUDIO: Mono Color (Technicolor)](icons/rgb.png) |
Klute |
Alan J. Pakula, W, W, C, M |
|
5.7 |
1971 |
CD![Color; Aspect: 1.85:1; 35 mm; Spherical (as Panavision); Panavision Camera and Lenses; AUDIO: Mono Color](icons/rgb.png) |
The Hospital |
Arthur Hiller, W, C, M |
|
6.3 |
1970 |
CDR![Color (Eastmancolor); Aspect: 1.85:1; 35 mm; AUDIO: Mono Color (Eastmancolor)](icons/rgb.png) |
Deep End |
Jerzy Skolimowski, W, W, ++, C |
|
5.5 |
1970 |
AdCCrMRT![Color; Aspect: 2.35:1; 35 mm; Panavision (anamorphic); Panavision Cameras and Lenses; AUDIO: Mono Color](icons/rgb.png) |
The Private Life of Sherlock Holmes |
Billy Wilder, W, W, ++, C, M |
|
4.1 |
1969 |
CrDR![Color (Eastmancolor); Aspect: 2.35:1; 35 mm; Dyaliscope; AUDIO: Mono Color (Eastmancolor)](icons/rgb.png) |
Mississippi Mermaid |
François Truffaut, W, W, C, M «La sirène du Mississipi» |
|
4.0 |
1966 |
DSfT![Color (Technicolor); Aspect: 1.66:1; 35 mm; AUDIO: Mono (Westrex Recording System) Color (Technicolor)](icons/rgb.png) |
Fahrenheit 451 |
François Truffaut, W, W, ++, C, M |
|
3.9 |
1965 |
DMSfT![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono Black and White](icons/bw.png) |
Alphaville |
Jean-Luc Godard, W, ++, C, M «Alphaville, une étrange aventure de Lemmy Caution» |
|
4.7 |
1964 |
DMRT![Color (Technicolor); Aspect: 1.85:1; 35 mm; AUDIO: Mono (Westrex Recording System) Color (Technicolor)](icons/rgb.png) |
Marnie |
Alfred Hitchcock, W, W, C, M |
|
5.1 |
1962 |
AdDHR![Color (Technicolor); Aspect: 2.76:1; 65 mm; Ultra Panavision 70 (anamorphic) (as Ultra Panavision 70®); AUDIO: 70 mm 6-Track (70 mm prints) (Westrex Recording System), 4-Track Stereo (35mm release) (some prints), Stereo (DVD Release), Mono (35 mm prints) Color (Technicolor)](icons/rgb.png) |
Mutiny on the Bounty |
Lewis Milestone, ++, W, W, ++, C, M |
|
6.4 |
1961 |
We![Color (Technicolor); Aspect: 1.85:1; 35 mm (horizontal); VistaVision; AUDIO: Mono (Westrex Recording System) Color (Technicolor)](icons/rgb.png) |
One-Eyed Jacks |
Marlon Brando, W, W, ++, C, M |
|
7.4 |
1961 |
M![Black and White; 35 mm; AUDIO: Mono Black and White](icons/bw.png) |
Paris Belongs to Us |
Jacques Rivette, W, W, C, M «Paris nous appartient» |
|
8.3 |
1955 |
DR![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono Black and White](icons/bw.png) |
Le amiche |
Michelangelo Antonioni, W, W, ++, C, M |
|
5.6 |
1955 |
DR![Color (Technicolor); Aspect: 2.55:1; 35 mm; CinemaScope; AUDIO: 4-Track Stereo (RCA Sound Recording) Color (Technicolor)](icons/rgb.png) |
Picnic |
Joshua Logan, W, W, C, M |
|
5.1 |
1951 |
MlR![Color (Technicolor); Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Sound System) Color (Technicolor)](icons/rgb.png) |
An American in Paris |
Vincente Minnelli, W, C, M |
|
6.3 |
1950 |
D![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono Black and White](icons/bw.png) |
Les Enfants Terribles |
Jean-Pierre Melville, W, ++, C «Les enfants terribles» |
|
7.1 |
1950 |
We![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (RCA Sound System) Black and White](icons/bw.png) |
Wagon Master |
John Ford, W, W, ++, C, M |
|
8.7 |
1947 |
RD![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono Black and White](icons/bw.png) |
Devil in the Flesh |
Claude Autant-Lara, W, W, ++, C, M «Le diable au corps» |
|
5.8 |
1944 |
CrDNMRT![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Mirrophonic Recording) Black and White](icons/bw.png) |
Ministry of Fear |
Fritz Lang, W, W, C, M |
|
7.8 |
1943 |
D![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Noiseless Recording) Black and White](icons/bw.png) |
Lumière d'été |
Jean Grémillon, W, ++, C, M |
|
7.2 |
1943 |
DMlR![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (RCA Sound System) Black and White](icons/bw.png) |
The Hard Way |
Vincent Sherman, W, W, ++, C, M |
|
6.3 |
1938 |
CMlR![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (RCA Victor System) Black and White](icons/bw.png) |
Carefree |
Mark Sandrich, W, W, ++, C, M |
|
9.5 |
1937 |
D![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono Black and White](icons/bw.png) |
Dance Program |
Julien Duvivier, W, W, ++, C, C, C, M «Un carnet de bal» |
|
7.2 |
1936 |
CRCr![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Noiseless Recording) Black and White](icons/bw.png) |
Desire |
Frank Borzage, W, W, ++, C, C, M |
|
6.6 |
1935 |
DFanR![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Noiseless Recording) Black and White](icons/bw.png) |
Peter Ibbetson |
Henry Hathaway, W, W, ++, C, M, M, M++ |
|
5.6 |
1935 |
CDR![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Noiseless Recording) Black and White](icons/bw.png) |
The Devil Is a Woman |
Josef von Sternberg, W, W, ++, C, C, M, M |
|
6.5 |
1934 |
DR![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono, Mono (Western Electric Sound System) Black and White](icons/bw.png) |
Our Daily Bread |
King Vidor, W, W, ++, C, M |
|
6.8 |
1934 |
Ad![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Sound System) Black and White](icons/bw.png) |
Treasure Island |
Victor Fleming, W, W, ++, C, C, C, M |
|
6.6 |
1925 |
D![Black and White; Silent](icons/bw.png) |
Master of the House |
Carl Theodor Dreyer, W, W, ++, C «Du skal ære din hustru» |
|
7.2 |
1924 |
We![Black and White (tinted); Silent](icons/bw.png) |
The Iron Horse |
John Ford, W, W, ++, C, M, M, M |
|
6.8 |
1923 |
DR![Black and White; Silent](icons/bw.png) |
A Woman of Paris: A Drama of Fate |
Charles Chaplin, W, C, C, M, M, M |
|
4.6 |
1995 |
BD![Black and White, Color (Technicolor); Aspect: 2.35:1; 35 mm; Panavision (anamorphic); AUDIO: Dolby Digital Black and White, Color (Technicolor)](icons/rgb-bw.png) |
Nixon |
Oliver Stone, W, W, ++, C, M |
|
3.9 |
1988 |
CRSp![Color; Aspect: 1.85:1; 35 mm; Panavision Camera and Lenses; AUDIO: Dolby Color](icons/rgb.png) |
Bull Durham |
Ron Shelton, W, C, M |
|
4.5 |
1985 |
DM![Color (Technicolor); Aspect: 1.78:1; 35 mm; AUDIO: Stereo Color (Technicolor)](icons/rgb.png) |
Wetherby |
David Hare, W, C, M |
|
6.2 |
1984 |
CrDT![Color (Technicolor); Aspect: 1.85:1; 35 mm; Panaflex Camera and Lenses by Panavision; AUDIO: Mono Color (Technicolor)](icons/rgb.png) |
The Hit |
Stephen Frears, W, C, M |
|
4.4 |
1980 |
DMT![Color; Aspect: 2.35:1; 35 mm; Technovision; Technovision Cameras and Lenses; AUDIO: Mono Color](icons/rgb.png) |
Bad Timing: A Sensual Obsession |
Nicolas Roeg, W, C, M «Bad Timing» |
|
4.3 |
1973 |
DR![Color (Eastmancolor); Aspect: 2.35:1; 35 mm; Panavision (anamorphic) (as Panavision®); AUDIO: Mono Color (Eastmancolor)](icons/rgb.png) |
The Way We Were |
Sydney Pollack, W, ++, C, M |
|
6.8 |
1972 |
AdWe![Color (Technicolor); Aspect: 1.85:1; 35 mm; AUDIO: Mono (Westrex Recording System) Color (Technicolor)](icons/rgb.png) |
Ulzana's Raid |
Robert Aldrich, W, C, M |
|
6.0 |
1971 |
D![Color; Aspect: 1.66:1; 35 mm; AUDIO: Mono Color](icons/rgb.png) |
Sunday Bloody Sunday |
John Schlesinger, W, ++, C, M |
|
6.4 |
1970 |
CrDMc![Black and White, Color (Technicolor); Aspect: 1.85:1; 35 mm; AUDIO: Mono Black and White, Color (Technicolor)](icons/rgb-bw.png) |
Performance |
Donald Cammell, Nicolas Roeg, W, ++, C, M |
|
3.1 |
1970 |
DR![Color (Metrocolor); Aspect: 2.35:1; 35 mm; Panavision (anamorphic); AUDIO: Mono Color (Metrocolor)](icons/rgb.png) |
Zabriskie Point |
Michelangelo Antonioni, W, ++, C, M, M |
|
6.9 |
1968 |
D![Color (Eastmancolor); Aspect: 1.66:1; 35 mm; AUDIO: Mono Color (Eastmancolor)](icons/rgb.png) |
The Immortal Story |
Orson Welles, W, W, ++, C «Histoire immortelle» TV |
|
4.0 |
1964 |
CR![Black and White; Aspect: 2.35:1; 35 mm; Panavision (anamorphic); AUDIO: Mono (Westrex Recording System) Black and White](icons/bw.png) |
Kiss Me, Stupid |
Billy Wilder, W, W, ++, C, M |
|
6.2 |
1964 |
D![Black and White; Aspect: 1.85:1; 35 mm; AUDIO: Mono (RCA Sound Recording) Black and White](icons/bw.png) |
Lilith |
Robert Rossen, W, W, ++, C, M |
|
5.8 |
1964 |
CrDM![Color; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Westrex Recording System) Color](icons/rgb.png) |
The Killers |
Don Siegel, W, W, C, M, M |
|
6.1 |
1957 |
We![Black and White; Aspect: 2.35:1; 35 mm; CinemaScope; Bausch & Lomb Lenses; AUDIO: 4-Track Stereo (RCA Sound Recording) Black and White](icons/bw.png) |
Forty Guns |
Samuel Fuller, W, C, M |
|
5.2 |
1957 |
RCMl![Color (Technicolor); Aspect: 1.85:1; 35 mm (horizontal); VistaVision; AUDIO: Mono (Westrex Recording System), Mono Color (Technicolor)](icons/rgb.png) |
Funny Face |
Stanley Donen, W, C |
|
4.8 |
1954 |
DCrMR![Color (Technicolor); Aspect: 1.75:1; 35 mm; AUDIO: Mono (Perspecta Sound encoding) (Western Electric Recording) Color (Technicolor)](icons/rgb.png) |
The Barefoot Contessa |
Joseph L. Mankiewicz, W, C, M |
|
6.6 |
1951 |
DTWCr![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono Black and White](icons/bw.png) |
Der Verlorene |
Peter Lorre, W, ++, C, M |
|
5.7 |
1949 |
DN![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Recording) Black and White](icons/bw.png) |
Caught |
Max Ophüls, W, W, C, M |
|
2.6 |
1949 |
D![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (RCA Sound System) Black and White](icons/bw.png) |
The Fountainhead |
King Vidor, W, C, M |
|
9.3 |
1948 |
D![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono Black and White](icons/bw.png) |
L'amore |
Roberto Rossellini, W, W, ++, C, C, C, M |
|
5.5 |
1947 |
DR![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Recording) Black and White](icons/bw.png) |
The Lost Moment |
Martin Gabel, W, W, C, M |
|
5.9 |
1943 |
ADHW![Black and White; Aspect: 1.37:1; 35 mm; Bell & Howell Eyemo (bombing scenes); AUDIO: Mono (RCA Sound System) Black and White](icons/bw.png) |
Air Force |
Howard Hawks, W, ++, C, M |
|
5.8 |
1941 |
DR![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Mirrophonic Recording) Black and White](icons/bw.png) |
Penny Serenade |
George Stevens, W, W, C, C, M |
|
7.2 |
1940 |
D![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (RCA Ultra Violet Recording) Black and White](icons/bw.png) |
The Stars Look Down |
Carol Reed, W, W, ++, C, M |
|
6.2 |
1936 |
D![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Wide Range Noiseless Recording) Black and White](icons/bw.png) |
Come and Get It |
Howard Hawks, Richard Rosson, ++, W, W, ++, C, C, M |
|
5.8 |
1935 |
CFanR![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono Black and White](icons/bw.png) |
A Midsummer Night's Dream |
William Dieterle, Max Reinhardt, W, W, ++, C |
|
4.9 |
1935 |
CDR![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (RCA Victor System) Black and White](icons/bw.png) |
Alice Adams |
George Stevens, W, W, ++, C, M |
|
8.6 |
1934 |
D![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono Black and White](icons/bw.png) |
Everybody's Woman |
Max Ophüls, W, W, ++, C, M «La signora di tutti» |
|
6.7 |
1933 |
DRW![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Noiseless Recording) Black and White](icons/bw.png) |
The Bitter Tea of General Yen |
Frank Capra, W, W, C, M |
|
5.7 |
1932 |
CR![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Sound System) Black and White](icons/bw.png) |
Red-Headed Woman |
Jack Conway, W, W, ++, C |
|
6.8 |
1926 |
DR![Black and White; Silent](icons/bw.png) |
The Temptress |
Fred Niblo, ++, W, W, ++, C, C, M, M |
|
7.5 |
1924 |
DR![Black and White; Silent](icons/bw.png) |
Wild Oranges |
King Vidor, W, W, ++, C, M |
|
6.6 |
1921 |
CDR![Black and White; Silent](icons/bw.png) |
The Wildcat |
Ernst Lubitsch, W, W, C «Die Bergkatze» |
|
7.8 |
1895 |
CS![Black and White; Silent](icons/bw.png) |
Tables Turned on the Gardener |
Louis Lumière, C «L'arroseur arrosé» |
|
5.2 |
1990 |
CrDT![Color; Aspect: 1.85:1; 35 mm; Panavision Cameras and Lenses; AUDIO: Dolby Color](icons/rgb.png) |
The Grifters |
Stephen Frears, W, W, C, M |
|
5.2 |
1979 |
AAdT![Color (Eastmancolor); Aspect: 2.35:1; 35 mm (Eastman 100T 5247); Todd-AO 35 (anamorphic); Arriflex 35 BL, Todd-AO Lenses; AUDIO: Mono Color (Eastmancolor)](icons/rgb.png) |
Mad Max |
George Miller, W, W, ++, C, M |
|
6.2 |
1978 |
CrDMc![Color (Technicolor); Aspect: 1.85:1; 35 mm; AUDIO: Mono Color (Technicolor)](icons/rgb.png) |
Fingers |
James Toback, W, C |
|
8.9 |
1972 |
DH![Color (Eastmancolor); 35 mm; AUDIO: Mono Color (Eastmancolor)](icons/rgb.png) |
Blanche |
Walerian Borowczyk, W, W, C, C, M, M, M++ |
|
5.4 |
1970 |
CrD![Color; Aspect: 1.85:1; 16 mm; AUDIO: Mono Color](icons/rgb.png) |
Wanda |
Barbara Loden, W, C |
|
5.6 |
1968 |
CrDRT![Color; Aspect: 1.33:1; 35 mm; AUDIO: Mono (Westrex Recording System) Color](icons/rgb.png) |
The Thomas Crown Affair |
Norman Jewison, W, C, M |
|
5.0 |
1967 |
CD![Color (Eastmancolor); Aspect: 2.35:1; 35 mm (2-perf); Techniscope; AUDIO: Mono Color (Eastmancolor)](icons/rgb.png) |
2 or 3 Things I Know About Her |
Jean-Luc Godard, W, W, C «2 ou 3 choses que je sais d'elle» |
|
4.8 |
1963 |
BDHR![Color; Aspect: 2.20:1; 65 mm; Todd-AO; Mitchell BFC 65mm Camera; AUDIO: 70 mm 6-Track (70 mm prints), 4-Track Stereo (35 mm prints), Stereo (Westrex Recording System), DTS 70 mm (70mm re-release) Color](icons/rgb.png) |
Cleopatra |
Joseph L. Mankiewicz, ++, W, W, ++, C, C, M |
|
5.3 |
1958 |
D![Black and White, Color (Technicolor); Aspect: 2.35:1; 35 mm; CinemaScope; Panavision Lenses; AUDIO: Mono (Western Electric Recording) Black and White, Color (Technicolor)](icons/rgb-bw.png) |
Bonjour Tristesse |
Otto Preminger, W, W, C, M «Bonjour tristesse» |
|
5.2 |
1957 |
DW![Black and White; Aspect: 2.35:1; 35 mm; CinemaScope; AUDIO: Mono (Western Electric) Black and White](icons/bw.png) |
Bitter Victory |
Nicholas Ray, W, W, ++, C, M |
|
5.5 |
1954 |
DMlR![Color; Aspect: 2.55:1; 35 mm; CinemaScope; AUDIO: 4-Track Stereo (Western Electric Recording) (magnetic prints), Mono (optical prints) Color](icons/rgb.png) |
Carmen Jones |
Otto Preminger, W, W, ++, C |
|
5.9 |
1954 |
AdD![Color (Pathécolor); Aspect: 1.66:1; 35 mm; AUDIO: Mono (RCA High Fidelity Sound System) Color (Pathécolor)](icons/rgb.png) |
Robinson Crusoe |
Luis Buñuel, W, W, ++, C, M |
|
5.9 |
1952 |
CSf![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Recording) Black and White](icons/bw.png) |
Monkey Business |
Howard Hawks, W, W, ++, C, M |
|
5.7 |
1952 |
DWe![Color (Technicolor); Aspect: 1.37:1; 35 mm; AUDIO: Mono (RCA Sound System) Color (Technicolor)](icons/rgb.png) |
Rancho Notorious |
Fritz Lang, W, W, C, M, M, M++ |
|
6.0 |
1949 |
CRW![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Recording) Black and White](icons/bw.png) |
I Was a Male War Bride |
Howard Hawks, W, W, ++, C, C, M |
|
5.6 |
1944 |
CMlR![Color (Technicolor); Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Mirrophonic Recording) Color (Technicolor)](icons/rgb.png) |
Cover Girl |
Charles Vidor, W, W, ++, C, C, M |
|
5.6 |
1943 |
AdDHRW![Color (Technicolor); Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Mirrophonic Recording) Color (Technicolor)](icons/rgb.png) |
For Whom the Bell Tolls |
Sam Wood, W, W, ++, C, M |
|
7.5 |
1938 |
DHMcW![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Sound System) Black and White](icons/bw.png) |
La Marseillaise |
Jean Renoir, W, W, ++, C, C, C++, M, M |
|
6.7 |
1937 |
DCr![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono Black and White](icons/bw.png) |
Black Legion |
Archie Mayo, ++, W, W, ++, C |
|
5.9 |
1932 |
DH![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Noiseless Recording) Black and White](icons/bw.png) |
The Sign of the Cross |
Cecil B. DeMille, W, W, ++, C, M, M, M++ |
|
5.7 |
1930 |
DR![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric System) Black and White](icons/bw.png) |
Anna Christie |
Clarence Brown, W, W, C, M |
|
6.6 |
1929 |
CrT![Black and White; Aspect: 1.20:1; 35 mm; AUDIO: Mono (R.C.A. Photophone System) Black and White](icons/bw.png) |
Blackmail |
Alfred Hitchcock, W, W, ++, C, M, M, M |
|
7.0 |
1928 |
C![Black and White; Silent](icons/bw.png) |
The Horse Ate the Hat |
René Clair, W, W, ++, C, C, M, M «Un chapeau de paille d'Italie» |
|
7.3 |
1927 |
DHo![Black and White; Silent](icons/bw.png) |
London After Midnight |
Tod Browning, W, W, ++, C |
|
6.7 |
1926 |
W![Black and White; Silent](icons/bw.png) |
Mare Nostrum |
Rex Ingram, W, W, C, M, M |
|
6.4 |
1923 |
D![Black and White, Color (2-strip Technicolor); Silent](icons/rgb-bw.png) |
The Ten Commandments |
Cecil B. DeMille, W, C, C, C++, M, M |
|
7.5 |
1919 |
HoW![Black and White; Silent](icons/bw.png) |
I Accuse |
Abel Gance, W, C, C, C, M «J'accuse!» |
|
6.7 |
1918 |
D![Black and White; Silent](icons/bw.png) |
You and I |
Victor Sjöström, W, W, ++, C «Berg-Ejvind och hans hustru» |
|
8.3 |
1913 |
CrD![Black and White; Silent](icons/bw.png) |
Fantomas |
Louis Feuillade, W, W, ++, C, M «Fantômas - À l'ombre de la guillotine» |
|
3.7 |
1990 |
CR![Color (Technicolor); Aspect: 1.85:1; 35 mm; Panavision Cameras and Lenses; AUDIO: Dolby Color (Technicolor)](icons/rgb.png) |
Pretty Woman |
Garry Marshall, W, C, M |
|
5.2 |
1987 |
DT![Color (Technicolor); Aspect: 1.85:1; 35 mm; Lenses and Panaflex Camera by Panavision; AUDIO: Dolby, Dolby Digital (5.1 surround) Color (Technicolor)](icons/rgb.png) |
Fatal Attraction |
Adrian Lyne, W, C, M |
|
6.2 |
1981 |
CrDMT![Color (Technicolor); Aspect: 1.85:1; 35 mm; Panaflex Camera and Lenses by Panavision; AUDIO: Stereo Color (Technicolor)](icons/rgb.png) |
Cutter's Way |
Ivan Passer, W, W, C, M |
|
5.9 |
1980 |
CD![Color (Technicolor); Aspect: 1.85:1; Panaflex Cameras and Lenses by Panavision; AUDIO: Stereo Color (Technicolor)](icons/q-rgb.png) |
Melvin and Howard |
Jonathan Demme, W, C, M |
|
5.4 |
1973 |
D![Color; Aspect: 1.85:1; 35 mm; AUDIO: Mono Color](icons/rgb.png) |
Save the Tiger |
John G. Avildsen, W, C, M |
|
5.0 |
1971 |
CDFan![Color, Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono Color, Black and White](icons/rgb-bw.png) |
WR: Mysteries of the Organism |
Dusan Makavejev, W, C, C, M «W.R. - Misterije organizma» |
|
5.6 |
1957 |
CMlR![Color (Metrocolor); Aspect: 2.35:1; 35 mm; CinemaScope; AUDIO: 4-Track Stereo, Perspecta Stereo (Westrex Recording System) Color (Metrocolor)](icons/rgb.png) |
Silk Stockings |
Rouben Mamoulian, W, W, ++, C, M |
|
5.1 |
1956 |
CMc![Color; Aspect: 2.35:1; 35 mm; CinemaScope; Bausch & Lomb Lenses; AUDIO: 4-Track Stereo (Westrex Recording System) Color](icons/rgb.png) |
The Girl Can't Help It |
Frank Tashlin, W, W, ++, C, M, M |
|
5.9 |
1955 |
CrD![Color; Aspect: 2.55:1; 35 mm; CinemaScope; Bausch & Lomb Lenses; AUDIO: 4-Track Stereo (Western Electric Recording) Color](icons/rgb.png) |
House of Bamboo |
Samuel Fuller, W, W, C, M |
|
5.1 |
1954 |
CrDNRT![Black and White; Aspect: 1.75:1; 35 mm; AUDIO: Mono (Western Electric Recording) Black and White](icons/bw.png) |
Suddenly |
Lewis Allen, W, C, M |
|
7.0 |
1951 |
DNT![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (RCA Sound System) Black and White](icons/bw.png) |
M |
Joseph Losey, W, W, ++, C, M |
|
4.9 |
1946 |
DRWe![Color (Technicolor); Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Recording) Color (Technicolor)](icons/rgb.png) |
Duel in the Sun |
King Vidor, ++, W, W, ++, C, C, C, M |
|
5.5 |
1943 |
DHoMT![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (RCA Sound System) Black and White](icons/bw.png) |
The Seventh Victim |
Mark Robson, W, W, C, M |
|
5.1 |
1936 |
BDMlR![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Sound System) Black and White](icons/bw.png) |
The Great Ziegfeld |
Robert Z. Leonard, W, C, C, C++, M |
|
5.2 |
1933 |
DR![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono Black and White](icons/bw.png) |
Ecstasy |
Gustav Machatý, W, W, ++, C, C, M «Ekstase» |
|
6.1 |
1931 |
CR![Black and White; Aspect: 1.20:1; 35 mm; AUDIO: Mono (Western Electric System) Black and White](icons/bw.png) |
Platinum Blonde |
Frank Capra, W, W, ++, C, M |
|
5.3 |
2004 |
D![Color; Aspect: 2.35:1; 35 mm; Super 35; AUDIO: Dolby Digital Color](icons/rgb.png) |
The Intruder |
Claire Denis, W, W, ++, C, M «L'intrus» |
|
4.6 |
1999 |
DRW![Color; Aspect: 1.85:1; 35 mm; AUDIO: DTS, Dolby Digital Color](icons/rgb.png) |
Marcel Proust's Time Regained |
Raoul Ruiz, W, W, ++, C, M «Le temps retrouvé, d'après l'oeuvre de Marcel Proust» |
|
5.4 |
1999 |
DRWWe![Color; Aspect: 2.35:1; 35 mm (Eastman EXR 100T 5248, Kodak Vision 200T 5274, Vision 500T 5279); 2.35 Research (anamorphic); Moviecam Compact, 2.35 Research Lenses Moviecam SL, 2.35 Research Lenses Color](icons/rgb.png) |
Ride with the Devil |
Ang Lee, W, W, C, M |
|
4.2 |
1995 |
BD![Color (Technicolor); Aspect: 1.85:1; 35 mm; Panavision Cameras and Lenses; AUDIO: Dolby, Dolby SR Color (Technicolor)](icons/rgb.png) |
Carrington |
Christopher Hampton, W, W, C, M |
|
5.2 |
1995 |
CCr![Color (Technicolor); Aspect: 1.85:1; 35 mm; Panavision Cameras and Lenses; AUDIO: Dolby SR, SDDS, Dolby Digital Color (Technicolor)](icons/rgb.png) |
To Die For |
Gus Van Sant, W, W, C, M |
|
5.2 |
1991 |
BCrDH![Color (Technicolor); Aspect: 1.37:1; 35 mm (Eastman 400T 5294, EXR 500T 5296); Panaflex Camera and Lenses by Panavision; AUDIO: Dolby SR, Dolby (as Dolby Stereo) Color (Technicolor)](icons/rgb.png) |
Bugsy |
Barry Levinson, W, W, C, M |
|
4.7 |
1990 |
AdDR![Color (Eastmancolor); Aspect: 1.85:1; 35 mm; Technovision Cameras and Lenses; AUDIO: Dolby (35 mm prints), 70 mm 6-Track (70 mm prints) Color (Eastmancolor)](icons/rgb.png) |
The Sheltering Sky |
Bernardo Bertolucci, W, W, ++, C, M |
|
4.7 |
1989 |
T![Color; Aspect: 2.35:1; 35 mm; Panavision (anamorphic); Panavision Cameras and Lenses; AUDIO: Dolby SR Color](icons/rgb.png) |
Dead Calm |
Phillip Noyce, W, W, C, M |
|
6.4 |
1989 |
DMcR![Color; Aspect: 1.85:1; 35 mm; AUDIO: Dolby Color](icons/rgb.png) |
The Fabulous Baker Boys |
Steve Kloves, W, C, M |
|
4.7 |
1986 |
CCrRT![Color; Aspect: 1.85:1; 35 mm; AUDIO: Dolby Color](icons/rgb.png) |
Something Wild |
Jonathan Demme, W, C, M, M |
|
8.0 |
1985 |
BCrD![Color (Technicolor); Aspect: 1.66:1; 35 mm; AUDIO: Stereo Color (Technicolor)](icons/rgb.png) |
Dance with a Stranger |
Mike Newell, W, C, M |
|
7.0 |
1980 |
DR![Color (Eastmancolor); Aspect: 1.66:1; 35 mm; AUDIO: Mono Color (Eastmancolor)](icons/rgb.png) |
Loulou |
Maurice Pialat, W, ++, C, C |
|
5.0 |
1977 |
DMc![Color; Aspect: 1.85:1; 35 mm; Panaflex Camera and Lenses by Panavision; AUDIO: Dolby Color](icons/rgb.png) |
Saturday Night Fever |
John Badham, W, W, C, M, M, M |
|
6.8 |
1974 |
CrD![Color (Eastmancolor); Aspect: 1.66:1; 35 mm; Panavision Cameras and Lenses; AUDIO: Mono Color (Eastmancolor)](icons/rgb.png) |
Stavisky... |
Alain Resnais, W, C, M |
|
4.8 |
1965 |
AdWWe![Color (Eastmancolor); Aspect: 2.35:1; 35 mm; Panavision (anamorphic); Panavision Cameras and Lenses; AUDIO: Mono Color (Eastmancolor)](icons/rgb.png) |
Major Dundee |
Sam Peckinpah, W, ++, C, M, M |
|
4.0 |
1963 |
AdCR![Color; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Westrex Recording System), Dolby (restored version) Color](icons/rgb.png) |
Tom Jones |
Tony Richardson, W, W, C, M |
|
3.8 |
1960 |
ADHW![Color (Technicolor); Aspect: 2.20:1; 65 mm; Super Panavision 70; AUDIO: 4-Track Stereo (35 mm prints), 70 mm 6-Track (Westrex Recording System) (70 mm prints) Color (Technicolor)](icons/rgb.png) |
Exodus |
Otto Preminger, W, W, C, M |
|
4.8 |
1960 |
DRWe![Color (Technicolor); Aspect: 2.35:1; 35 mm; Panavision (anamorphic); Panavision Cameras and Lenses; AUDIO: Mono (Westrex Recording System) Color (Technicolor)](icons/rgb.png) |
The Unforgiven |
John Huston, W, W, C, M |
|
6.1 |
1957 |
We![Color (Technicolor); Aspect: 2.00:1; 35 mm; RKO-Scope; AUDIO: Mono (RCA Sound Recording) Color (Technicolor)](icons/rgb.png) |
Run of the Arrow |
Samuel Fuller, W, C, M |
|
5.3 |
1956 |
DRW![Color (Technicolor); Aspect: 1.85:1; 35 mm (horizontal); VistaVision; AUDIO: Mono (Western Electric Recording), Perspecta Stereo Color (Technicolor)](icons/rgb.png) |
War and Peace |
King Vidor, W, W, ++, C, M |
|
8.1 |
1954 |
D![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono Black and White](icons/bw.png) |
Fear |
Roberto Rossellini, W, W, ++, C, C, M «Non credo più all'amore (La paura)» |
|
8.0 |
1954 |
CD![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono Black and White](icons/bw.png) |
Lovers, Happy Lovers! |
René Clément, W, W, ++, C, M «Monsieur Ripois» |
|
5.4 |
1949 |
AdDHR![Color (Technicolor); Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Recording) Color (Technicolor)](icons/rgb.png) |
Samson and Delilah |
Cecil B. DeMille, W, W, ++, C, M |
|
9.1 |
1949 |
D![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono, Mono (Western Electric Recording) Black and White](icons/bw.png) |
Une si jolie petite plage |
Yves Allégret, W, C, M |
|
6.1 |
1948 |
CDF![Color (Technicolor); Aspect: 1.37:1; 35 mm; AUDIO: Mono (RCA Sound System) Color (Technicolor)](icons/rgb.png) |
The Boy with Green Hair |
Joseph Losey, W, W, ++, C, M |
|
6.8 |
1946 |
DR![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Recording) Black and White](icons/bw.png) |
The Diary of a Chambermaid |
Jean Renoir, W, W, ++, C, M |
|
6.7 |
1945 |
DN![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Recording) Black and White](icons/bw.png) |
The Strange Affair of Uncle Harry |
Robert Siodmak, W, W, ++, C, M, M, M |
|
7.2 |
1944 |
D![Color (Technicolor); Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Sound System) Color (Technicolor)](icons/rgb.png) |
An American Romance |
King Vidor, W, W, ++, C, M, M |
|
10.0 |
1923 |
AdRWe![Black and White; Silent](icons/bw.png) |
The Covered Wagon |
James Cruze, W, W, C, M, M, M |
|
1.8 |
1915 |
DHRW![Black and White; Silent](icons/bw.png) |
The Birth of a Nation |
D.W. Griffith, W, ++, C, M, M |
|
4.4 |
1988 |
CDR![Color; Aspect: 1.85:1; 35 mm; AUDIO: Dolby (as Dolby Stereo) Color](icons/rgb.png) |
The Moderns |
Alan Rudolph, W, W, C, M |
|
2.5 |
1980 |
DHRWe![Color; Aspect: 2.20:1; 35 mm; Panavision (anamorphic); Panavision Cameras and Lenses; AUDIO: Dolby (35 mm prints), 70 mm 6-Track (70 mm prints) Color](icons/rgb.png) |
Heaven's Gate |
Michael Cimino, W, C, M |
|
4.4 |
1977 |
DMc![Color (Technicolor); Aspect: 1.66:1; 35 mm; Panaflex Camera and Lenses by Panavision; AUDIO: Stereo Color (Technicolor)](icons/rgb.png) |
New York, New York |
Martin Scorsese, W, W, ++, C |
|
6.2 |
1963 |
CSf![Color (Technicolor); Aspect: 1.85:1; 35 mm; AUDIO: Mono (Westrex Recording System) Color (Technicolor)](icons/rgb.png) |
The Nutty Professor |
Jerry Lewis, W, W, C, M |
|
6.0 |
1957 |
DCrN![Black and White; Aspect: 1.85:1; 35 mm; AUDIO: Mono Black and White](icons/bw.png) |
Baby Face Nelson |
Don Siegel, W, W, ++, C, M |
|
3.2 |
1956 |
CDR![Color; Aspect: 2.55:1; 35 mm; CinemaScope; Bausch & Lomb Lenses; AUDIO: 4-Track Stereo (Westrex Recording System) Color](icons/rgb.png) |
Bus Stop |
Joshua Logan, W, W, C, M, M |
|
4.7 |
1953 |
AAdCCrDR![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Recording) Black and White](icons/bw.png) |
Beat the Devil |
John Huston, W, W, ++, C, M |
|
5.6 |
1947 |
DR![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Recording) Black and White](icons/bw.png) |
Daisy Kenyon |
Otto Preminger, W, W, C, M |
|
4.8 |
1946 |
N![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Recording) Black and White](icons/bw.png) |
The Chase |
Arthur Ripley, W, W, C, M |
|
6.0 |
1933 |
MlCR![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Sound System) Black and White](icons/bw.png) |
Dancing Lady |
Robert Z. Leonard, W, W, ++, C, M, M |
|
6.5 |
1926 |
CDW![Black and White; Silent](icons/bw.png) |
What Price Glory |
Raoul Walsh, W, W, ++, C, C, C, M, M |
|
6.8 |
1920 |
CR![Color (tinted), Black and White; Silent](icons/rgb-bw.png) |
Erotikon |
Mauritz Stiller, W, W, ++, C |
|
6.9 |
1917 |
C![Black and White; Silent](icons/bw.png) |
Thomas Graals bästa film |
Mauritz Stiller, W, C |
|
4.7 |
1992 |
BCrD![Color; Aspect: 2.35:1; 35 mm; Panavision (anamorphic); Panavision Cameras and Lenses; AUDIO: 70 mm 6-Track (70 mm prints), Dolby (35 mm prints) Color](icons/rgb.png) |
Hoffa |
Danny DeVito, W, C, M |
|
3.2 |
1983 |
DMlR![Color (Technicolor); Aspect: 1.85:1; 35 mm; AUDIO: Dolby, 4-Track Stereo (Dolby Magnetic 35mm prints) Color (Technicolor)](icons/rgb.png) |
Yentl |
Barbra Streisand, W, W, ++, C, M |
|
3.4 |
1981 |
BD![Color (Metrocolor); Aspect: 1.85:1; 35 mm; AUDIO: Mono Color (Metrocolor)](icons/rgb.png) |
Mommie Dearest |
Frank Perry, W, W, ++, C, M |
|
4.0 |
1976 |
DHR![Color (Eastmancolor); Aspect: 1.50:1; 35 mm (horizontal); VistaVision; AUDIO: Mono Color (Eastmancolor)](icons/rgb.png) |
In the Realm of the Senses |
Nagisa Ôshima, W, C, M «Ai no korîda» |
|
4.7 |
1976 |
DWe![Color; Aspect: 1.85:1; 35 mm; Lenses and Panaflex Camera by Panavision; AUDIO: Mono Color](icons/rgb.png) |
The Missouri Breaks |
Arthur Penn, W, ++, C, M |
|
4.4 |
1965 |
CrD![Black and White; 35 mm; AUDIO: Mono Black and White](icons/bw.png) |
Mickey One |
Arthur Penn, W, C, M |
|
7.0 |
1958 |
D![Color (Eastmancolor); Aspect: 1.66:1; 35 mm; AUDIO: Mono Color (Eastmancolor)](icons/rgb.png) |
End of Desire |
Alexandre Astruc, W, W, ++, C, M «Une vie» |
|
6.1 |
1937 |
DMlR![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Noiseless Recording) Black and White](icons/bw.png) |
Swing High, Swing Low |
Mitchell Leisen, W, W, ++, C, M, M, M |
|
5.0 |
1934 |
CDR![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Noiseless Recording) Black and White](icons/bw.png) |
Judge Priest |
John Ford, W, W, ++, C, M |
|
8.0 |
1993 |
Khuda Gawah |
Mukul Anand, W, ++, C, M, M |
|
4.3 |
1972 |
D![Color (Eastmancolor); Aspect: 1.85:1; 35 mm; Panavision Cameras and Lenses; AUDIO: Mono Color (Eastmancolor)](icons/rgb.png) |
The King of Marvin Gardens |
Bob Rafelson, W, W, ++, C |
|
5.6 |
1969 |
CD![Color (Eastmancolor); Aspect: 1.85:1; 35 mm; Wescam; AUDIO: Mono Color (Eastmancolor)](icons/rgb.png) |
Bob & Carol & Ted & Alice |
Paul Mazursky, W, W, C, M |
|
4.8 |
1962 |
D![Black and White; Aspect: 1.85:1; 35 mm; AUDIO: Mono (Westrex Recording System) Black and White](icons/bw.png) |
Eva |
Joseph Losey, W, W, ++, C, C, M |
|
6.2 |
1960 |
C![Black and White; Aspect: 1.85:1; 35 mm; AUDIO: Mono (Westrex Recording System) Black and White](icons/bw.png) |
The Bellboy |
Jerry Lewis, W, C, M |
|
4.3 |
1954 |
DWe![Color (WarnerColor); Aspect: 2.55:1; 35 mm; CinemaScope; AUDIO: Mono (35 mm optical prints), 4-Track Stereo (35 mm magnetic prints) (RCA Sound Recording) Color (WarnerColor)](icons/rgb.png) |
Track of the Cat |
William A. Wellman, W, W, C, M |
|
3.0 |
1950 |
AdDR![Color (Technicolor); Aspect: 1.37:1; 35 mm; AUDIO: Mono (R.C.A. Recording) Color (Technicolor)](icons/rgb.png) |
The Fighting Pimpernel |
Michael Powell, Emeric Pressburger, W, W, ++, C, M «The Elusive Pimpernel» |
|
4.3 |
1981 |
CrD![Color; Aspect: 1.85:1; 35 mm; AUDIO: Stereo Color](icons/rgb.png) |
True Confessions |
Ulu Grosbard, W, ++, C, M |
|
6.1 |
1973 |
BCrD![Color (Technicolor); Aspect: 1.85:1; 35 mm; AUDIO: Mono Color (Technicolor)](icons/rgb.png) |
Lucky Luciano |
Francesco Rosi, W, W, ++, C, M |
|
6.0 |
1966 |
D![Black and White, Color; Aspect: 1.37:1; 16 mm; Auricon; AUDIO: Mono Black and White, Color](icons/rgb-bw.png) |
Chelsea Girls |
Paul Morrissey, Andy Warhol, W, W, C, M |
|
6.3 |
1956 |
DAdR![Color (Eastman Color); Aspect: 2.35:1; 35 mm; CinemaScope; AUDIO: 4-Track Stereo (Western Electric Sound System) Color (Eastman Color)](icons/rgb.png) |
Bhowani Junction |
George Cukor, W, W, ++, C, M |
|
4.7 |
1954 |
We![Color (Technicolor); Aspect: 1.85:1; 35 mm; AUDIO: Mono (Western Electric Recording) Color (Technicolor)](icons/rgb.png) |
Apache |
Robert Aldrich, W, W, C, C, M |
|
5.3 |
1941 |
CR![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Sound System) Black and White](icons/bw.png) |
Two-Faced Woman |
George Cukor, W, W, ++, C, M |
|
4.1 |
2001 |
D![Black and White, Color; Aspect: 1.85:1; 35 mm Video; AUDIO: Dolby Black and White, Color](icons/rgb-bw.png) |
In Praise of Love |
Jean-Luc Godard, W, C, C «Éloge de l'amour» |
|
3.4 |
1975 |
DR![Color (Technicolor); Aspect: 1.85:1; 35 mm; Cameras and Lenses by Panavision (as Cameras and Lenses by Panavision®); AUDIO: Mono Color (Technicolor)](icons/rgb.png) |
Shampoo |
Hal Ashby, W, W, C, M |
|
6.6 |
1957 |
D![Color (Eastmancolor); Aspect: 2.35:1; 35 mm; CinemaScope; AUDIO: Mono Color (Eastmancolor)](icons/rgb.png) |
No Sun in Venice |
Roger Vadim, W, C, M, M «Sait-on jamais..» |
|
6.2 |
1937 |
D![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Sound System) Black and White](icons/bw.png) |
Mannequin |
Frank Borzage, W, W, ++, C, M |
|
4.7 |
1935 |
CDR![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (RCA Victor System) Black and White](icons/bw.png) |
Sylvia Scarlett |
George Cukor, W, W, ++, C, M |
|
4.7 |
1980 |
CrDT![Color (Metrocolor); Aspect: 1.85:1; 35 mm; AUDIO: Dolby Color (Metrocolor)](icons/rgb.png) |
American Gigolo |
Paul Schrader, W, C, M |
|
4.1 |
1975 |
CrDMT![Color (Eastmancolor); 35 mm; AUDIO: Mono Color (Eastmancolor)](icons/rgb.png) |
Hustle |
Robert Aldrich, W, ++, C, M |
|
4.5 |
1949 |
CrDR![Color (Technicolor); Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Recording) Color (Technicolor)](icons/rgb.png) |
Under Capricorn |
Alfred Hitchcock, W, W, ++, C, M |
|
6.9 |
1925 |
DR![Black and White (tinted); Silent](icons/bw.png) |
Lady of the Night |
Monta Bell, W, W, C, M |
|
? |
1985 |
![TV](icons/tv_icon.png) ![TV](icons/tv_icon.png) CCrDMRW![Color; Aspect: 1.33:1; AUDIO: Stereo, Mono Color](icons/q-rgb.png) |
"Screen One" |
[ Les Blair, Robert Young, D++ ], [ W, W, W ], C, C, C++, M, M, M++ TV series 1985-2002 |
|
4.9 |
1985 |
D![Color (Technicolor); Aspect: 2.35:1; 35 mm; Panavision (anamorphic); AUDIO: Dolby Color (Technicolor)](icons/rgb.png) |
Plenty |
Fred Schepisi, W, C, M |
|
3.1 |
1996 |
DHoRT![Color (Technicolor); Aspect: 1.85:1; 35 mm; Panaflex Camera and Lenses by Panavision; AUDIO: SDDS (8 channels), Dolby Digital Color (Technicolor)](icons/rgb.png) |
Mary Reilly |
Stephen Frears, W, W, C, M |
|
3.4 |
1957 |
ADRTW![Color (Technicolor); Aspect: 2.00:1; 35 mm; RKO-Scope; AUDIO: Mono (RCA Sound Recording) Color (Technicolor)](icons/rgb.png) |
Jet Pilot |
Josef von Sternberg, ++, W, C, M |
|
2.4 |
1943 |
CDRWe![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono Black and White](icons/bw.png) |
The Outlaw |
Howard Hughes, ++, W, ++, C, C, M |