|
10.0 |
1981 |
MlDo![Color (Eastmancolor), Color; Aspect: 1.66:1; AUDIO: Mono Color (Eastmancolor), Color](icons/q-rgb.png) |
Trances |
Ahmed El Maanouni, W, C, M |
|
10.0 |
1974 |
S![Color; Aspect: 1.37:1; 16 mm; AUDIO: Mono Color](icons/rgb.png) |
The Stars Are Beautiful |
Stan Brakhage, C |
|
9.6 |
1986 |
Do![Color; 35 mm; AUDIO: Mono Color](icons/rgb.png) |
The Making of Fanny and Alexander |
Ingmar Bergman, W, C «Dokument Fanny och Alexander» |
|
9.5 |
1992 |
S![Color; AUDIO: Mono Color](icons/q-rgb.png) |
A Sense of History |
Mike Leigh, W, C, M TV |
|
9.5 |
1956 |
CCrDMRWWe![Black and White; Aspect: 1.33:1; Live; Kinescope (filmed from black and white TV screen); AUDIO: Mono Black and White](icons/bw.png) |
"Playhouse 90" Requiem for a Heavyweight |
Ralph Nelson, W, C, M, M |
|
9.5 |
1955 |
CD![Black and White; Aspect: 1.33:1; Live; Kinescope; AUDIO: Mono Black and White](icons/bw.png) |
"The United States Steel Hour" No Time for Sergeants |
Alex Segal, W, W, M |
|
9.4 |
1961 |
DHW![Black and White; Aspect: 2.35:1; 35 mm; Shochiku Grandscope; AUDIO: Stereo (RCA Sound Recording) Black and White](icons/bw.png) |
The Human Condition III: A Soldier's Prayer |
Masaki Kobayashi, W, W, ++, C, M «Ningen no jôken» |
|
9.3 |
1989 |
DoSMc![Color; AUDIO: Mono Color](icons/q-rgb.png) |
Shake!: Otis at Monterey |
D.A. Pennebaker, C, C, C++ |
|
9.2 |
1961 |
D![Black and White; Aspect: 1.33:1; 35 mm; AUDIO: Mono Black and White](icons/bw.png) |
Il posto |
Ermanno Olmi, W, W, C, C, M |
|
9.2 |
1957 |
S![Black and White; 35 mm; AUDIO: Mono Black and White](icons/bw.png) |
Break Up the Dance |
Roman Polanski, W, C, C «Rozbijemy zabawe» |
|
9.1 |
1969 |
SD![Color; Aspect: 1.85:1; AUDIO: Mono Color](icons/q-rgb.png) |
A Day with the Boys |
Clu Gulager, W, C, M |
|
9.1 |
1968 |
D![Color (Eastmancolor); Aspect: 1.66:1; 35 mm; AUDIO: Mono Color (Eastmancolor)](icons/rgb.png) |
Naked Childhood |
Maurice Pialat, W, W, C «L'enfance nue» |
|
9.0 |
1995 |
C![Color; Aspect: 1.33:1; 35 mm; AUDIO: Mono Color](icons/rgb.png) |
Is That All There Is? |
Lindsay Anderson, W, M |
|
9.0 |
1988 |
![TV](icons/tv_icon.png) ![TV](icons/tv_icon.png) C![Color; Aspect: 1.33:1; Video; Digital Video; AUDIO: Mono Color](icons/v-rgb.png) |
"Tanner '88" |
[ Robert Altman ], [ W ], C TV series 1988- |
|
9.0 |
1985 |
Do![Color; Color](icons/q-rgb.png) |
India Cabaret |
Mira Nair TV |
|
9.0 |
1985 |
DoMc![Color; 35 mm; AUDIO: Mono Color](icons/rgb.png) |
Louie Bluie |
Terry Zwigoff, C, C, C, M |
|
9.0 |
1984 |
S![Black and White; Black and White](icons/bw.png) |
A Girl's Own Story |
Jane Campion, W, C |
|
9.0 |
1979 |
DoSB![Black and White, Color; AUDIO: Mono Black and White, Color](icons/rgb-bw.png) |
Paul Robeson: Tribute to an Artist |
Saul J. Turell, W |
|
9.0 |
1977 |
S![Color; Silent](icons/q-rgb.png) |
The Domain of the Moment |
Stan Brakhage, C |
|
9.0 |
1971 |
S![Black and White; Aspect: 1.33:1; AUDIO: Stereo, Mono Black and White](icons/bw.png) |
Hapax Legomena I: Nostalgia |
Hollis Frampton |
|
9.0 |
1967 |
R![Black and White; Black and White](icons/bw.png) |
The Crush |
Ermanno Olmi, W, C, M «La cotta» TV |
|
9.0 |
1964 |
Charulata |
Satyajit Ray, W, W, ++, C, M |
|
9.0 |
1963 |
D![Black and White; Aspect: 1.85:1; 35 mm; Arriflex II C; AUDIO: Mono (Western Electric Sound System) Black and White](icons/bw.png) |
Hands Over the City |
Francesco Rosi, W, W, ++, C, M «Le mani sulla città» |
|
9.0 |
1963 |
Do![Black and White; Aspect: 1.33:1; 16 mm; AUDIO: Mono Black and White](icons/bw.png) |
Ingmar Bergman Makes a Movie |
Vilgot Sjöman, C «Ingmar Bergman gör en film» TV |
|
9.0 |
1961 |
SCMc![Black and White; 35 mm; AUDIO: Mono Black and White](icons/bw.png) |
The Fat and the Lean |
Roman Polanski, W, C, M «Le gros et le maigre» |
|
9.0 |
1958 |
CCrDMRWWe![Black and White; AUDIO: Mono Black and White](icons/bw.png) |
"Playhouse 90" Days of Wine and Roses |
John Frankenheimer, W, C, M, M |
|
8.9 |
1992 |
DoS![Color; Aspect: 1.85:1; 35 mm; AUDIO: Stereo Color](icons/rgb.png) |
Anima Mundi |
Godfrey Reggio, W, C, M |
|
8.9 |
1970 |
![Color; Aspect: 1.33:1; 16 mm; AUDIO: Mono Color](icons/rgb.png) |
Zorns Lemma |
Hollis Frampton |
|
8.9 |
1968 |
S![Color, Black and White; Silent](icons/rgb-bw.png) |
Maxwell's Demon |
Hollis Frampton |
|
8.9 |
1964 |
D![Black and White; Aspect: 2.35:1; 35 mm; Nikkatsuscope; AUDIO: Mono (Westrex Recording System) Black and White](icons/bw.png) |
Intentions of Murder |
Shôhei Imamura, W, W, ++, C, M «Akai satsui» |
|
8.9 |
1962 |
SD![Color; Silent](icons/rgb.png) |
Prelude: Dog Star Man |
Stan Brakhage, C |
|
8.8 |
2000 |
DoMc![Black and White, Color; Aspect: 1.33:1; AUDIO: Dolby Digital Black and White, Color](icons/rgb-bw.png) |
Beastie Boys: Video Anthology |
Evan Bernard, Adam Bernstein, ++, C, C, C, M, M, M TV |
|
8.8 |
1991 |
![TV](icons/tv_icon.png) ![TV](icons/tv_icon.png) DoCSp![Color; AUDIO: Stereo Color](icons/q-rgb.png) |
"Fishing with John" |
John Lurie, C, C, C++, M TV series 1991- |
|
8.8 |
1986 |
DoMc![Color; Aspect: 1.37:1; AUDIO: Mono Color](icons/q-rgb.png) |
Jimi Plays Monterey |
Chris Hegedus, D.A. Pennebaker, C, C, C++ |
|
8.8 |
1980 |
![TV](icons/tv_icon.png) D![Color; Aspect: 1.33:1; 16 mm; AUDIO: Mono Color](icons/rgb.png) |
"Berlin Alexanderplatz" |
[ Rainer Werner Fassbinder ], [ W, W ], C, M TV mini-series 1980- |
|
8.8 |
1928 |
CDR![Black and White (tinted); Silent](icons/bw.png) |
Lonesome |
Pál Fejös, W, W, ++, C |
|
8.7 |
1970 |
DAdA![Color (Eastmancolor); Aspect: 2.35:1; 35 mm; Daieiscope; AUDIO: Mono (Westrex Recording System) Color (Eastmancolor)](icons/rgb.png) |
Zatoichi Goes to the Fire Festival |
Kenji Misumi, W, W, C, M «Zatôichi abare-himatsuri» |
|
8.7 |
1964 |
CrT![Black and White; Aspect: 2.35:1; 35 mm; Shochiku Grandscope; AUDIO: Mono Black and White](icons/bw.png) |
Pale Flower |
Masahiro Shinoda, W, W, ++, C, M, M «Kawaita hana» |
|
8.6 |
1976 |
Do![Color; 16 mm; AUDIO: Mono Color](icons/rgb.png) |
Harlan County U.S.A. |
Barbara Kopple, C, C, M, M |
|
8.6 |
1963 |
CrD![Black and White; Aspect: 1.85:1; 35 mm; AUDIO: Mono Black and White](icons/bw.png) |
The Organizer |
Mario Monicelli, W, W, ++, C, M «I compagni» |
|
8.6 |
1962 |
DR![Black and White; Aspect: 2.35:1; 35 mm; Totalscope; AUDIO: Mono Black and White](icons/bw.png) |
Love at Twenty |
Shintarô Ishihara, Marcel Ophüls, ++, W, W, ++, C, C, C++, M, M, M «L'amour à vingt ans» |
|
8.6 |
1953 |
D![Black and White; Aspect: 1.33:1; Live; Kinescope; AUDIO: Mono Black and White](icons/bw.png) |
"The Philco-Goodyear Television Playhouse" Marty |
Delbert Mann, W, C «"The Philco Television Playhouse" Marty» |
|
8.6 |
1942 |
D![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono Black and White](icons/bw.png) |
There Was a Father |
Yasujirô Ozu, W, W, ++, C, M «Chichi ariki» |
|
8.5 |
1983 |
SD![Black and White; Black and White](icons/bw.png) |
Passionless Moments |
Jane Campion, Gerard Lee, W, W, C |
|
8.5 |
1982 |
S![Color; Color](icons/q-rgb.png) |
An Exercise in Discipline - Peel |
Jane Campion, W, C |
|
8.5 |
1969 |
D![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono Black and White](icons/bw.png) |
Double Suicide |
Masahiro Shinoda, W, W, ++, C, M «Shinjû: Ten no Amijima» |
|
8.5 |
1967 |
CD![Black and White; Aspect: 1.66:1; 35 mm; AUDIO: Mono Black and White](icons/bw.png) |
The Two of Us |
Claude Berri, W, W, ++, C, M «Le vieil homme et l'enfant» |
|
8.5 |
1966 |
D![Black and White; Aspect: 1.33:1; 16 mm Video (some interior scenes); AUDIO: Mono Black and White](icons/bw.png) |
"The Wednesday Play" Cathy Come Home |
Ken Loach, W, W, C, M |
|
8.5 |
1966 |
SD![Black and White; Aspect: 1.37:1 Black and White](icons/bw.png) |
Tramway |
Krzysztof Kieslowski, W, C «Tramwaj» |
|
8.5 |
1959 |
DW![Black and White; Aspect: 1.66:1; 35 mm; AUDIO: Mono Black and White](icons/bw.png) |
Il Generale della Rovere |
Roberto Rossellini, W, W, ++, C, M «Il generale della Rovere» |
|
8.5 |
1959 |
DoS![Color (Eastmancolor); Aspect: 2.35:1; 35 mm; Dyaliscope (anamorphic); AUDIO: Mono Color (Eastmancolor)](icons/rgb.png) |
Le chant du Styrène |
Alain Resnais, W, C, M |
|
8.5 |
1958 |
The Music Room |
Satyajit Ray, W, W, ++, C, M, M «Jalsaghar» |
|
8.5 |
1936 |
D![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono Black and White](icons/bw.png) |
Hitori musuko |
Yasujirô Ozu, W, W, ++, C, M |
|
8.4 |
2009 |
CD![Color; Color](icons/q-rgb.png) |
Creative Nonfiction |
Lena Dunham, W, C, C, M |
|
8.4 |
1992 |
CD![Black and White; Aspect: 1.85:1; AUDIO: Mono Black and White](icons/bw.png) |
La vie de bohème |
Aki Kaurismäki, W, W, C |
|
8.4 |
1974 |
DoW![Color; Aspect: 1.85:1; 35 mm; AUDIO: Mono Color](icons/rgb.png) |
Hearts and Minds |
Peter Davis, C |
|
8.4 |
1963 |
D![Black and White; 35 mm; AUDIO: Mono Black and White](icons/bw.png) |
The Big City |
Satyajit Ray, W, W, ++, C, M «Mahanagar» |
|
8.4 |
1962 |
C![Black and White; Aspect: 1.33:1; 35 mm; AUDIO: Mono Black and White](icons/bw.png) |
The Suitor |
Pierre Étaix, W, W, C, M «Le soupirant» |
|
8.4 |
1959 |
DHW![Black and White; Aspect: 2.35:1; 35 mm; Shochiku Grandscope; AUDIO: Mono Black and White](icons/bw.png) |
The Human Condition II: Road to Eternity |
Masaki Kobayashi, W, W, ++, C, M «Ningen no jôken» |
|
8.4 |
1942 |
DFanR![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Sound System) Black and White](icons/bw.png) |
Les Visiteurs du Soir |
Marcel Carné, W, W, C, M, M «Les visiteurs du soir» |
|
8.3 |
1991 |
CR![Color; Aspect: 1.85:1; 35 mm; AUDIO: Dolby, Ultra Stereo Color](icons/rgb.png) |
Love in the Time of Hysteria |
Alfonso Cuarón, W, W, C, M «Sólo con tu pareja» |
|
8.3 |
1983 |
DHMc![Black and White, Color (Eastmancolor); Aspect: 1.85:1; 35 mm; AUDIO: Mono Black and White, Color (Eastmancolor)](icons/rgb-bw.png) |
And the Ship Sails On |
Federico Fellini, W, W, C, M «E la nave va» |
|
8.3 |
1951 |
DR![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono Black and White](icons/bw.png) |
Miss Julie |
Alf Sjöberg, W, W, C, M «Fröken Julie» |
|
8.3 |
1947 |
SC![Black and White; Aspect: 1.37:1; AUDIO: Mono Black and White](icons/bw.png) |
The School for Postmen |
Jacques Tati, W, C, M «L'école des facteurs» |
|
8.2 |
1971 |
DAAd![Color (Daieicolor); Aspect: 2.35:1; 35 mm; Daieiscope; AUDIO: Mono (Westrex Recording System) Color (Daieicolor)](icons/rgb.png) |
Zatoichi Meets the One-Armed Swordsman |
Kimiyoshi Yasuda, W, W, ++, C, C, M «Shin zatô Ichi: Yabure! Tôjin-ken» |
|
8.2 |
1969 |
CR![Color (Eastmancolor); Aspect: 1.37:1; 35 mm; AUDIO: Mono Color (Eastmancolor)](icons/rgb.png) |
Le Grand Amour |
Pierre Étaix, W, W, C, M «Le grand amour» |
|
8.2 |
1968 |
Ho![Black and White; Aspect: 2.35:1; 35 mm; Tohoscope; AUDIO: Mono (Westrex Recording System) Black and White](icons/bw.png) |
Kuroneko |
Kaneto Shindô, W, C, M «Yabu no naka no kuroneko» |
|
8.2 |
1961 |
Do![Black and White; Aspect: 1.37:1; 16 mm 35 mm; AUDIO: Mono Black and White](icons/bw.png) |
Chronicle of a Summer |
Edgar Morin, Jean Rouch, C, C, C++, M «Chronique d'un été (Paris 1960)» |
|
8.2 |
1961 |
DCCr![Black and White; Aspect: 2.35:1; 35 mm; Nikkatsuscope; AUDIO: Mono Black and White](icons/bw.png) |
Pigs and Battleships |
Shôhei Imamura, W, C, M «Buta to gunkan» |
|
8.2 |
1960 |
SDo![Black and White; AUDIO: Mono Black and White](icons/bw.png) |
L'amour existe |
Maurice Pialat, W, C, M |
|
8.2 |
1958 |
D![Color (Fujicolor); Aspect: 2.35:1; 35 mm; Shochiku Grandscope (anamorphic); AUDIO: Mono Color (Fujicolor)](icons/rgb.png) |
Ballad of Narayama |
Keisuke Kinoshita, W, W, C, M, M «Narayama bushiko» |
|
8.2 |
1958 |
BH![Black and White, Color; Aspect: 1.37:1; 35 mm; AUDIO: Mono Black and White, Color](icons/rgb-bw.png) |
Ivan the Terrible, Part II |
Sergei M. Eisenstein, W, C, C, M «Ivan Groznyy: Skaz vtoroy - Boyarskiy zagovor» |
|
8.2 |
1955 |
DoSHW![Black and White, Color; Aspect: 1.37:1; 16 mm; AUDIO: Mono Black and White, Color](icons/rgb-bw.png) |
Night and Fog |
Alain Resnais, W, ++, C, C, M «Nuit et brouillard» |
|
8.2 |
1952 |
D![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono Black and White](icons/bw.png) |
The Life of Oharu |
Kenji Mizoguchi, W, W, ++, C, C, M «Saikaku ichidai onna» |
|
8.2 |
1951 |
D![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono Black and White](icons/bw.png) |
Early Summer |
Yasujirô Ozu, W, W, C, M «Bakushû» |
|
8.2 |
1932 |
CCrR![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Noiseless Recording) Black and White](icons/bw.png) |
Trouble in Paradise |
Ernst Lubitsch, W, W, ++, C, M |
|
8.2 |
1931 |
MlC![Black and White; Aspect: 1.20:1; 35 mm; AUDIO: Mono Black and White](icons/bw.png) |
Le Million |
René Clair, W, W, ++, C, C, M, M, M «Le million» |
|
8.2 |
1923 |
CRT![Black and White; Silent](icons/bw.png) |
Safety Last! |
Fred C. Newmeyer, Sam Taylor, W, W, ++, C, M, M |
|
8.1 |
2010 |
Do![Color; Aspect: 1.33:1; Stills Video (NTSC); Digital Intermediate (2K) (master format) Video (480p) (source format) Color](icons/v-rgb.png) |
And Everything Is Going Fine |
Steven Soderbergh, M |
|
8.1 |
1985 |
BD![Black and White, Color; Aspect: 1.85:1; 35 mm; AUDIO: Dolby Black and White, Color](icons/rgb-bw.png) |
Mishima: A Life in Four Chapters |
Paul Schrader, W, W, ++, C, M |
|
8.1 |
1968 |
CS![Black and White; 35 mm; AUDIO: Mono Black and White](icons/bw.png) |
The Secret Cinema |
Paul Bartel, W, C, M |
|
8.1 |
1965 |
CDFR![Black and White; Aspect: 1.78:1; 35 mm; AUDIO: Mono Black and White](icons/bw.png) |
Yoyo |
Pierre Étaix, W, W, C, M |
|
8.1 |
1956 |
CD![Black and White; Aspect: 1.33:1; Live; Kinescope; AUDIO: Mono Black and White](icons/bw.png) |
"The United States Steel Hour" Bang the Drum Slowly |
Alex Segal, W, W, M |
|
8.1 |
1952 |
CD![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Sound) Black and White](icons/bw.png) |
Le Plaisir |
Max Ophüls, W, W, ++, C, C, M «Le plaisir» |
|
8.1 |
1945 |
DR![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono Black and White](icons/bw.png) |
Children of Paradise |
Marcel Carné, W, C, M «Les enfants du paradis» |
|
8.1 |
1930 |
CDR![Black and White; Silent](icons/bw.png) |
People on Sunday |
Curt Siodmak, Robert Siodmak, ++, W, W, ++, C, M, M «Menschen am Sonntag» |
|
8.0 |
2008 |
S![Black and White; Black and White](icons/bw.png) |
Footsteps |
Guy Maddin, C, C, C TV |
|
8.0 |
2001 |
DoS![Color; Color](icons/q-rgb.png) |
The Laughing Club of India |
Mira Nair, C TV |
|
8.0 |
1998 |
S![Color; 16 mm Color](icons/rgb.png) |
Physical Pinball |
David Gordon Green, W, W, M |
|
8.0 |
1996 |
SD![Color; Color](icons/q-rgb.png) |
Small Deaths |
Lynne Ramsay, W, C, C |
|
8.0 |
1993 |
DH![Color; Aspect: 2.35:1; 35 mm; Super 35; Panavision Cameras and Lenses; AUDIO: Dolby SR Color](icons/rgb.png) |
King of the Hill |
Steven Soderbergh, W, W, C, M |
|
8.0 |
1992 |
DoCrH![Color; Aspect: 1.78:1; AUDIO: Mono Color](icons/q-rgb.png) |
Diario napoletano |
Francesco Rosi, W, W, C |
|
8.0 |
1989 |
S![Color; Silent](icons/rgb.png) |
Visions in Meditation #2: Mesa Verde |
Stan Brakhage |
|
8.0 |
1985 |
DoHW![Color; Aspect: 1.37:1; 16 mm; AUDIO: Mono Color](icons/rgb.png) |
Shoah |
Claude Lanzmann, W, C, C, C++ |
|
8.0 |
1980 |
DoS![Black and White; Black and White](icons/bw.png) |
Talking Heads |
Krzysztof Kieslowski, C, C «Gadajace glowy» |
|
8.0 |
1973 |
C![Color; Aspect: 1.33:1; AUDIO: Mono Color](icons/q-rgb.png) |
Shall We Go to My Place or Your Place or Each Go Home Alone? |
Lasse Hallström, W, C, M «Ska vi hem till dig... eller hem till mig... eller var och en till sitt?» TV |
|
8.0 |
1969 |
CrDHMT![Color (Eastmancolor); Aspect: 1.66:1; 35 mm; AUDIO: Mono Color (Eastmancolor)](icons/rgb.png) |
Z |
Costa-Gavras, W, W, ++, C, M |
|
8.0 |
1966 |
D![Color (Eastmancolor); Aspect: 2.35:1; 35 mm; Daieiscope; AUDIO: Mono (Westrex Recording System) Color (Eastmancolor)](icons/rgb.png) |
Zatoichi's Vengeance |
Tokuzô Tanaka, W, W, C, M «Zatoichi no uta ga kikoeru» |
|
8.0 |
1963 |
AD![Color (Eastmancolor); Aspect: 2.35:1; 35 mm; Daieiscope; AUDIO: Mono (Westrex Recording System) Color (Eastmancolor)](icons/rgb.png) |
New Tale of Zatoichi |
Tokuzô Tanaka, W, W, C, M «Shin Zatôichi monogatari» |
|
8.0 |
1962 |
D![Color; Aspect: 1.37:1; 35 mm; AUDIO: Mono Color](icons/rgb.png) |
An Autumn Afternoon |
Yasujirô Ozu, W, W, C, M «Sanma no aji» |
|
8.0 |
1962 |
CCrD![Black and White; Aspect: 1.85:1; 35 mm; AUDIO: Mono (Westrex Recording System) Black and White](icons/bw.png) |
Mafioso |
Alberto Lattuada, W, W, ++, C, M |
|
8.0 |
1960 |
CrDT![Black and White; Aspect: 1.66:1; 35 mm; AUDIO: Mono (Western Electric Sound System) Black and White](icons/bw.png) |
Le Trou |
Jacques Becker, W, W, ++, C, M «Le trou» |
|
8.0 |
1959 |
DHW![Black and White; Aspect: 2.35:1; 35 mm; Shochiku Grandscope; AUDIO: Mono Black and White](icons/bw.png) |
The Human Condition I: No Greater Love |
Masaki Kobayashi, W, W, ++, C, M «Ningen no jôken» |
|
8.0 |
1958 |
D![Black and White; 35 mm; AUDIO: AGA Sound System Black and White](icons/bw.png) |
The Magician |
Ingmar Bergman, W, C, M «Ansiktet» |
|
8.0 |
1956 |
DTW![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Sound System) Black and White](icons/bw.png) |
A Man Escaped |
Robert Bresson, W, W, C «Un condamné à mort s'est échappé ou Le vent souffle où il veut» |
|
8.0 |
1955 |
D![Black and White; Aspect: 1.33:1; Live; AUDIO: Mono Black and White](icons/bw.png) |
"Kraft Theatre" Patterns |
Fielder Cook, W «"Kraft Television Theatre" Patterns» |
|
8.0 |
1953 |
DoS![Color; AUDIO: Mono Color](icons/q-rgb.png) |
Daybreak Express |
D.A. Pennebaker, W, C |
|
8.0 |
1952 |
S![Color; Aspect: 1.37:1; 16 mm Color](icons/rgb.png) |
La villa Santo Sospir |
Jean Cocteau, C |
|
8.0 |
1940 |
DMc![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono Black and White](icons/bw.png) |
The Proud Valley |
Pen Tennyson, W, W, ++, C, C |
|
8.0 |
1933 |
CS![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono Black and White](icons/bw.png) |
The Barber Shop |
Arthur Ripley, W, C, C |
|
8.0 |
1931 |
CDR![Black and White; Silent](icons/bw.png) |
City Lights |
Charles Chaplin, W, ++, C, C, M |
|
8.0 |
1931 |
CCrMl![Black and White; Aspect: 1.33:1; 35 mm; AUDIO: Mono (Tobis-Klangfilm) Black and White](icons/bw.png) |
L'opéra de quat'sous |
Georg Wilhelm Pabst, W, W, ++, C |
|
8.0 |
1927 |
DHoR![Black and White; Silent](icons/bw.png) |
The Last Performance |
Pál Fejös, W, W, ++, C, M |
|
8.0 |
1927 |
CrDR![Black and White; Silent](icons/bw.png) |
Underworld |
Josef von Sternberg, ++, W, W, ++, C, M |
|
8.0 |
1922 |
Do![Black and White; Silent](icons/bw.png) |
Nanook of the North |
Robert J. Flaherty, ++, C, M, M |
|
7.9 |
2000 |
DR![Color; Color](icons/q-rgb.png) |
Love Song |
Julie Dash, W, C, M TV |
|
7.9 |
1994 |
DW![Color (Eastmancolor); Aspect: 1.85:1; 35 mm (Eastman); Technovision Cameras and Lenses; AUDIO: Dolby SR Color (Eastmancolor)](icons/rgb.png) |
Before the Rain |
Milcho Manchevski, W, C, M, M, M |
|
7.9 |
1987 |
HoST![Color; Color](icons/q-rgb.png) |
Geometria |
Guillermo del Toro, W, W, M |
|
7.9 |
1984 |
DoBH![Color; Aspect: 1.37:1; 16 mm; AUDIO: Mono Color](icons/rgb.png) |
The Times of Harvey Milk |
Rob Epstein, W, W, ++, C, M |
|
7.9 |
1974 |
D![Black and White; Aspect: 1.37:1; AUDIO: Mono Black and White](icons/bw.png) |
The Traveler |
Abbas Kiarostami, W, C, M «Mossafer» |
|
7.9 |
1965 |
D![Black and White; Aspect: 1.75:1; 35 mm; AUDIO: Mono Black and White](icons/bw.png) |
Fists in the Pocket |
Marco Bellocchio, W, C, M «I pugni in tasca» |
|
7.9 |
1965 |
D![Color (Eastmancolor); Aspect: 1.66:1; 35 mm; AUDIO: Mono Color (Eastmancolor)](icons/rgb.png) |
Le Bonheur |
Agnès Varda, W, C, C, M «Le bonheur» |
|
7.9 |
1964 |
AD![Color (Eastmancolor); Aspect: 2.35:1; 35 mm; Daieiscope; AUDIO: Mono (Westrex Recording System) Color (Eastmancolor)](icons/rgb.png) |
Zatoichi and the Chest of Gold |
Kazuo Ikehiro, W, W, ++, C, M «Zatôichi senryô-kubi» |
|
7.9 |
1960 |
DR![Color (Technicolor); Aspect: 1.66:1; 35 mm; AUDIO: Mono (Westrex Recording System) Color (Technicolor)](icons/rgb.png) |
Tunes of Glory |
Ronald Neame, W, C, M |
|
7.9 |
1959 |
SD![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono Black and White](icons/bw.png) |
All the Boys Are Called Patrick |
Jean-Luc Godard, W, C «Charlotte et Véronique, ou Tous les garçons s'appellent Patrick» |
|
7.9 |
1957 |
S![Black and White; Silent](icons/bw.png) |
Teeth Smile |
Roman Polanski, ++, C «Usmiech zebiczny» |
|
7.9 |
1952 |
CDR![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono, Mono (Western Electric Recording) Black and White](icons/bw.png) |
The White Sheik |
Federico Fellini, W, W, ++, C, C, M «Lo sceicco bianco» |
|
7.9 |
1949 |
D![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono Black and White](icons/bw.png) |
Late Spring |
Yasujirô Ozu, W, W, ++, C, M «Banshun» |
|
7.8 |
1994 |
DMR![Color (Eastmancolor); Aspect: 1.85:1; 35 mm; AUDIO: Dolby, Dolby SR Color (Eastmancolor)](icons/rgb.png) |
Three Colors: Red |
Krzysztof Kieslowski, W, W, C, M «Trois couleurs: Rouge» |
|
7.8 |
1994 |
CDR![Color; Aspect: 1.66:1; 16 mm; Super 16; AUDIO: Dolby Color](icons/rgb.png) |
Vanya on 42nd Street |
Louis Malle, W, W, ++, C, M |
|
7.8 |
1992 |
BDF![Color (Eastmancolor); Aspect: 1.85:1; 35 mm; AUDIO: Dolby Color (Eastmancolor)](icons/rgb.png) |
The Long Day Closes |
Terence Davies, W, C, M, M |
|
7.8 |
1990 |
CrD![Color; Aspect: 1.37:1; 16 mm (some scenes) 35 mm; AUDIO: Mono Color](icons/rgb.png) |
Close-Up |
Abbas Kiarostami, W, C «Nema-ye Nazdik» |
|
7.8 |
1976 |
D![Color (Eastmancolor); Aspect: 1.66:1; 35 mm; AUDIO: Mono Color (Eastmancolor)](icons/rgb.png) |
Cria Cuervos |
Carlos Saura, W, C, M, M «Cría cuervos» |
|
7.8 |
1968 |
DoHMc![Color (Eastmancolor); 16 mm; AUDIO: 4-Track Stereo (original release), Dolby (re-release), Mono (original release) Color (Eastmancolor)](icons/rgb.png) |
Monterey Pop |
D.A. Pennebaker, C, C, C++ |
|
7.8 |
1967 |
DAdA![Color (Eastmancolor); Aspect: 2.35:1; 35 mm; Daieiscope; AUDIO: Mono (Westrex Recording System) Color (Eastmancolor)](icons/rgb.png) |
Zatoichi Challenged |
Kenji Misumi, W, W, C, M «Zatôichi chikemuri kaidô» |
|
7.8 |
1965 |
DW![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono Black and White](icons/bw.png) |
The Shop on Main Street |
Ján Kadár, Elmar Klos, W, ++, C, M «Obchod na korze» |
|
7.8 |
1964 |
CD![Black and White; 35 mm; AUDIO: Mono Black and White](icons/bw.png) |
Seduced and Abandoned |
Pietro Germi, W, W, ++, C, M «Sedotta e abbandonata» |
|
7.8 |
1960 |
D![Black and White; Aspect: 2.35:1; 35 mm; Tohoscope; AUDIO: Mono (Perspecta Sound encoding) (Western Electric Recording) Black and White](icons/bw.png) |
When a Woman Ascends the Stairs |
Mikio Naruse, W, C, M «Onna ga kaidan wo agaru toki» |
|
7.8 |
1957 |
AnSCFan![Black and White; AUDIO: Mono Black and White](icons/bw.png) |
A Chairy Tale |
Claude Jutra, Norman McLaren, M, M, M |
|
7.8 |
1954 |
CDR![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Recording) Black and White](icons/bw.png) |
Hobson's Choice |
David Lean, W, W, ++, C, M |
|
7.8 |
1943 |
CrDMT![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Wide Range Noiseless Recording) Black and White](icons/bw.png) |
Le Corbeau: The Raven |
Henri-Georges Clouzot, W, W, ++, C, M «Le corbeau» |
|
7.8 |
1938 |
CDR![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Wide Range System) Black and White](icons/bw.png) |
Pygmalion |
Anthony Asquith, Leslie Howard, W, ++, C, M |
|
7.8 |
1936 |
CrDR![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Tobis-Klangfilm) Black and White](icons/bw.png) |
The Lower Depths |
Jean Renoir, W, W, ++, C, C, M «Les bas-fonds» |
|
7.8 |
1930 |
DoS![Black and White; Silent](icons/bw.png) |
À Propos de Nice |
Jean Vigo, W, C «À propos de Nice» |
|
7.8 |
1928 |
BDH![Black and White; Silent](icons/bw.png) |
The Passion of Joan of Arc |
Carl Theodor Dreyer, W, W, C, M, M «La passion de Jeanne d'Arc» |
|
7.7 |
2006 |
Do![Color; Aspect: 1.33:1 Color](icons/q-rgb.png) |
The Beales of Grey Gardens |
Albert Maysles, David Maysles, C |
|
7.7 |
1982 |
D![Black and White; Aspect: 1.66:1; 35 mm; AUDIO: Mono Black and White](icons/bw.png) |
Veronika Voss |
Rainer Werner Fassbinder, W, W, ++, C, M «Die Sehnsucht der Veronika Voss» |
|
7.7 |
1977 |
D![Color; Aspect: 1.66:1; AUDIO: Mono Color](icons/q-rgb.png) |
Alambrista! |
Robert M. Young, W, C, C, M |
|
7.7 |
1973 |
A River Called Titash |
Ritwik Ghatak, W, W, C, M «Titash Ekti Nadir Naam» |
|
7.7 |
1973 |
CrSf![Color; Aspect: 1.33:1; 16 mm; Arriflex Cameras; AUDIO: Mono Color](icons/rgb.png) |
World on a Wire |
Rainer Werner Fassbinder, W, W, ++, C, C, M «Welt am Draht» TV |
|
7.7 |
1969 |
D![Color; Aspect: 1.66:1; 35 mm; AUDIO: Mono Color](icons/rgb.png) |
Kes |
Ken Loach, W, ++, C, M |
|
7.7 |
1966 |
CrD![Black and White; Aspect: 1.66:1; 35 mm; AUDIO: Mono Black and White](icons/bw.png) |
Le Deuxieme Souffle |
Jean-Pierre Melville, W, ++, C, M «Le deuxième souffle» |
|
7.7 |
1966 |
ACD![Black and White; Aspect: 2.35:1; 35 mm; Nikkatsuscope; AUDIO: Mono Black and White](icons/bw.png) |
The Born Fighter |
Seijun Suzuki, W, W, ++, C, M «Kenka erejî» |
|
7.7 |
1965 |
DoSp![Color (Eastmancolor); Aspect: 2.35:1; 35 mm; Tohoscope; AUDIO: Mono Color (Eastmancolor)](icons/rgb.png) |
Tokyo Olympiad |
Kon Ichikawa, W, W, ++, C, C, C++, M «Tôkyô orinpikku» |
|
7.7 |
1964 |
AAdD![Color (Eastmancolor); Aspect: 2.35:1; 35 mm; Daieiscope; AUDIO: Mono (Westrex Recording System) Color (Eastmancolor)](icons/rgb.png) |
Fight, Zatoichi, Fight |
Kenji Misumi, W, W, ++, C, M «Zatôichi kesshô-tabi» |
|
7.7 |
1963 |
ACrM![Black and White, Color; Aspect: 2.35:1; 35 mm; Nikkatsuscope; AUDIO: Mono (Westrex Recording System) Black and White, Color](icons/rgb-bw.png) |
Youth of the Beast |
Seijun Suzuki, W, W, ++, C, M «Yajû no seishun» |
|
7.7 |
1962 |
D![Black and White; Aspect: 2.35:1; 35 mm; Shochiku Grandscope (anamorphic); AUDIO: Mono Black and White](icons/bw.png) |
Harakiri |
Masaki Kobayashi, W, W, ++, C, M «Seppuku» |
|
7.7 |
1962 |
CrDFan![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Westrex Recording System) Black and White](icons/bw.png) |
Pitfall |
Hiroshi Teshigahara, W, C, M, M, M «Otoshiana» |
|
7.7 |
1960 |
D![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono Black and White](icons/bw.png) |
The Virgin Spring |
Ingmar Bergman, W, C, M «Jungfrukällan» |
|
7.7 |
1959 |
DRW![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono Black and White](icons/bw.png) |
Ballad of a Soldier |
Grigoriy Chukhray, W, W, C, C, M «Ballada o soldate» |
|
7.7 |
1958 |
CCr![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono Black and White](icons/bw.png) |
Big Deal on Madonna Street |
Mario Monicelli, W, W, ++, C, M «I soliti ignoti» |
|
7.7 |
1957 |
D![Black and White; Aspect: 1.66:1; 35 mm; AUDIO: Mono Black and White](icons/bw.png) |
12 Angry Men |
Sidney Lumet, W, C, M |
|
7.7 |
1957 |
D![Black and White; Aspect: 1.33:1; 35 mm; AUDIO: Mono (Western Electric Recording) Black and White](icons/bw.png) |
Nights of Cabiria |
Federico Fellini, W, W, ++, C, C, M «Le notti di Cabiria» |
|
7.7 |
1957 |
D![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Recording), Mono (Perspecta Sound encoding) Black and White](icons/bw.png) |
Throne of Blood |
Akira Kurosawa, W, W, ++, C, M «Kumonosu-jô» |
|
7.7 |
1954 |
D![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Recording) Black and White](icons/bw.png) |
La Strada |
Federico Fellini, W, W, ++, C, C, M «La strada» |
|
7.7 |
1954 |
D![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono Black and White](icons/bw.png) |
Sansho the Bailiff |
Kenji Mizoguchi, W, W, ++, C, M, M, M «Sanshô dayû» |
|
7.7 |
1954 |
ACrDT![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Sound System) Black and White](icons/bw.png) |
Touchez Pas au Grisbi |
Jacques Becker, W, W, ++, C, M «Touchez pas au grisbi» |
|
7.7 |
1954 |
D![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono Black and White](icons/bw.png) |
Twenty-Four Eyes |
Keisuke Kinoshita, W, W, C, M «Nijûshi no hitomi» |
|
7.7 |
1953 |
DFanM![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Recording) Black and White](icons/bw.png) |
Ugetsu |
Kenji Mizoguchi, W, W, ++, C, M, M, M «Ugetsu monogatari» |
|
7.7 |
1936 |
CD![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Noiseless Recording Sound System) Black and White](icons/bw.png) |
Modern Times |
Charles Chaplin, W, C, C, M |
|
7.7 |
1930 |
CDR![Black and White; Silent](icons/bw.png) |
Under the Roofs of Paris |
René Clair, W, C, C, M, M «Sous les toits de Paris» |
|
7.6 |
1997 |
SFanM![Black and White; Aspect: 1.33:1 Black and White](icons/bw.png) |
Doodlebug |
Christopher Nolan, W, C, M |
|
7.6 |
1996 |
CD![Color; Aspect: 1.85:1; Panavision Cameras and Lenses Color](icons/q-rgb.png) |
Gray's Anatomy |
Steven Soderbergh, W, W, ++, C, M |
|
7.6 |
1983 |
AdDT![Color; Aspect: 1.78:1; 35 mm; Arriflex BL; AUDIO: Mono Color](icons/rgb.png) |
El Norte |
Gregory Nava, W, W, C, M, M, M++ |
|
7.6 |
1972 |
DAAd![Color (Fujicolor); Aspect: 2.35:1; 35 mm; Tohoscope; AUDIO: Mono (Westrex Recording System) Color (Fujicolor)](icons/rgb.png) |
Zatoichi at Large |
Kazuo Mori, W, C, M «Zatôichi goyô-tabi» |
|
7.6 |
1970 |
DoMc![Color; Aspect: 1.33:1; 35 mm; AUDIO: Mono Color](icons/rgb.png) |
Gimme Shelter |
Albert Maysles, David Maysles, ++, C, C, C |
|
7.6 |
1965 |
D![Black and White; Aspect: 2.35:1; 35 mm; Tohoscope (anamorphic); AUDIO: 4-Track Stereo Black and White](icons/bw.png) |
Red Beard |
Akira Kurosawa, W, W, ++, C, C, M «Akahige» |
|
7.6 |
1964 |
DT![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Westrex Recording System) Black and White](icons/bw.png) |
Woman in the Dunes |
Hiroshi Teshigahara, W, ++, C, M «Suna no onna» |
|
7.6 |
1963 |
CrDMT![Black and White, Color (Eastmancolor) (inserts only); Aspect: 2.35:1; 35 mm; Tohoscope (anamorphic); AUDIO: 4-Track Stereo (Westrex Recording System) Black and White, Color (Eastmancolor) (inserts only)](icons/rgb-bw.png) |
High and Low |
Akira Kurosawa, W, W, ++, C, C, M «Tengoku to jigoku» |
|
7.6 |
1960 |
CrDHo![Black and White; Aspect: 1.55:1; 35 mm; (anamorphic); AUDIO: Mono Black and White](icons/bw.png) |
The Housemaid |
Ki-young Kim, W, C, M «Hanyo» |
|
7.6 |
1959 |
CD![Color; Aspect: 1.37:1; 35 mm; AUDIO: Mono Color](icons/rgb.png) |
Good Morning |
Yasujirô Ozu, W, W, C, M «Ohayô» |
|
7.6 |
1959 |
D![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono Black and White](icons/bw.png) |
Les Cousins |
Claude Chabrol, W, W, C, M «Les cousins» |
|
7.6 |
1958 |
ADH![Black and White (archive footage), Black and White; Aspect: 1.66:1; 35 mm; AUDIO: Mono (Westrex Recording System) Black and White (archive footage), Black and White](icons/bw.png) |
A Night to Remember |
Roy Ward Baker, W, W, C, M |
|
7.6 |
1958 |
DoSMc![Black and White; Black and White](icons/bw.png) |
The Musicians |
Kazimierz Karabasz, C «Muzykanci» |
|
7.6 |
1957 |
S![Black and White; Silent](icons/bw.png) |
Murder |
Roman Polanski, ++, C «Morderstwo» |
|
7.6 |
1956 |
DoS![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono Black and White](icons/bw.png) |
Toute la mémoire du monde |
Alain Resnais, W, C, M |
|
7.6 |
1954 |
CMlDR![Color (Technicolor); Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Sound System) Color (Technicolor)](icons/rgb.png) |
French Cancan |
Jean Renoir, W, W, C, M |
|
7.6 |
1954 |
AAdBDH![Color (Eastmancolor); Aspect: 1.33:1; 35 mm; AUDIO: Mono Color (Eastmancolor)](icons/rgb.png) |
Samurai I: Musashi Miyamoto |
Hiroshi Inagaki, W, W, ++, C, M «Miyamoto Musashi» |
|
7.6 |
1953 |
CD![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono Black and White](icons/bw.png) |
I Vitelloni |
Federico Fellini, W, W, ++, C, C, C, M «I vitelloni» |
|
7.6 |
1946 |
DFanR![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono, Dolby Digital (1995 opera version) Black and White](icons/bw.png) |
Beauty and the Beast |
Jean Cocteau, ++, W, ++, C, M «La belle et la bête» |
|
7.5 |
2008 |
BD![Color; Aspect: 1.85:1; 16 mm; Digital Intermediate (master format) Super 16 (source format); Aaton Cameras; AUDIO: Dolby Digital Color](icons/rgb.png) |
Everlasting Moments |
Jan Troell, W, W, ++, C, C, M «Maria Larssons eviga ögonblick» |
|
7.5 |
1987 |
DMcR![Color (Eastmancolor); Aspect: 1.66:1; 35 mm; AUDIO: Dolby Color (Eastmancolor)](icons/rgb.png) |
Babette's Feast |
Gabriel Axel, W, W, C, M «Babettes gæstebud» |
|
7.5 |
1983 |
BDH![Color; Aspect: 1.66:1; 35 mm; AUDIO: Mono Color](icons/rgb.png) |
Danton |
Andrzej Wajda, W, W, ++, C, M |
|
7.5 |
1981 |
CD![Color (Fujicolor); Aspect: 1.66:1; 35 mm; AUDIO: Mono Color (Fujicolor)](icons/rgb.png) |
Lola |
Rainer Werner Fassbinder, W, W, ++, C, M, M |
|
7.5 |
1969 |
S![Color; Silent](icons/q-rgb.png) |
Lemon |
Hollis Frampton |
|
7.5 |
1969 |
CS![Color; 35 mm; AUDIO: Mono Color](icons/rgb.png) |
Naughty Nurse |
Paul Bartel, W, C |
|
7.5 |
1968 |
ACD![Black and White; Aspect: 2.35:1; 35 mm; Tohoscope; AUDIO: Mono Black and White](icons/bw.png) |
Kill! |
Kihachi Okamoto, W, W, ++, C, M «Kiru» |
|
7.5 |
1965 |
AAdD![Color (Eastmancolor); Aspect: 2.35:1; 35 mm; Daieiscope; AUDIO: Mono (Westrex Recording System) Color (Eastmancolor)](icons/rgb.png) |
Zatoichi's Revenge |
Akira Inoue, W, W, C, M «Zatôichi nidan-kiri» |
|
7.5 |
1964 |
D![Black and White; 35 mm; AUDIO: Mono Black and White](icons/bw.png) |
Reflections |
Metin Erksan, David E. Durston, W, W, ++, C, M, M «Susuz yaz» |
|
7.5 |
1964 |
AD![Black and White; Aspect: 2.35:1; 35 mm; Shochiku Grandscope; AUDIO: Mono Black and White](icons/bw.png) |
Three Outlaw Samurai |
Hideo Gosha, W, W, ++, C, M «Sanbiki no samurai» |
|
7.5 |
1964 |
AAdD![Color (Eastmancolor); Aspect: 2.35:1; 35 mm; Daieiscope; AUDIO: Mono (Westrex Recording System) Color (Eastmancolor)](icons/rgb.png) |
Zatoichi's Flashing Sword |
Kazuo Ikehiro, W, W, ++, C, M «Zatôichi abare tako» |
|
7.5 |
1963 |
D![Black and White; Aspect: 1.85:1; 35 mm; AUDIO: Mono Black and White](icons/bw.png) |
The Fiances |
Ermanno Olmi, W, C, M «I fidanzati» |
|
7.5 |
1963 |
D![Black and White; Aspect: 1.66:1; 35 mm; AUDIO: Mono Black and White](icons/bw.png) |
The Fire Within |
Louis Malle, W, ++, C «Le feu follet» |
|
7.5 |
1962 |
AAdD![Black and White; Aspect: 2.35:1; 35 mm; Daieiscope; AUDIO: Mono Black and White](icons/bw.png) |
The Tale of Zatoichi |
Kenji Misumi, W, W, C, M «Zatôichi monogatari» |
|
7.5 |
1961 |
AAd![Black and White; Aspect: 2.35:1; 35 mm; Tohoscope (anamorphic); AUDIO: Perspecta Stereo (Westrex Recording System) Black and White](icons/bw.png) |
Yojimbo |
Akira Kurosawa, W, ++, C, M «Yôjinbô» |
|
7.5 |
1959 |
DR![Black and White; 35 mm; AUDIO: Mono Black and White](icons/bw.png) |
Letter Never Sent |
Mikhail Kalatozov, W, W, ++, C, M «Neotpravlennoye pismo» |
|
7.5 |
1958 |
S![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono Black and White](icons/bw.png) |
Two Men and a Wardrobe |
Roman Polanski, W, C, M «Dwaj ludzie z szafa» |
|
7.5 |
1955 |
CD![Black and White; Aspect: 1.33:1; Live; Kinescope; AUDIO: Mono Black and White](icons/bw.png) |
"The United States Steel Hour" A Wind from the South |
Daniel Petrie, Cordelia Stone, W, M |
|
7.5 |
1951 |
DN![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Recording) Black and White](icons/bw.png) |
Ace in the Hole |
Billy Wilder, W, W, ++, C, M |
|
7.5 |
1950 |
FanDR![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (RCA Sound System) Black and White](icons/bw.png) |
Orpheus |
Jean Cocteau, W, C, M «Orphée» |
|
7.5 |
1950 |
BH![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric) Black and White](icons/bw.png) |
The Flowers of St. Francis |
Roberto Rossellini, W, W, ++, C, M «Francesco, giullare di Dio» |
|
7.5 |
1934 |
DoS![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Visatone Sound System) Black and White](icons/bw.png) |
The Seahorse |
Jean Painlevé, W, C, M «L'hippocampe, ou 'Cheval marin'» |
|
7.5 |
1933 |
CS![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (RCA Photophone System) Black and White](icons/bw.png) |
The Pharmacist |
Arthur Ripley, W, C, C |
|
7.4 |
2008 |
D![Color; Aspect: 1.85:1; 35 mm (Fuji Eterna 500T 8573); Digital Intermediate (master format) Spherical (source format); Arriflex Cameras; AUDIO: Dolby Digital Color](icons/rgb.png) |
Still Walking |
Hirokazu Koreeda, W, C, M «Aruitemo aruitemo» |
|
7.4 |
1996 |
D![Color; Aspect: 1.66:1; 16 mm (Kodak); Super 16; AUDIO: Dolby Color](icons/rgb.png) |
La promesse |
Jean-Pierre Dardenne, Luc Dardenne, W, W, C, M, M |
|
7.4 |
1989 |
DoH![Color; Aspect: 1.37:1; 16 mm (Eastman) 35 mm (Eastman) Video; Maurer 16mm Data Acquisition Camera (DAC) (space film footage); AUDIO: Dolby Color](icons/rgb.png) |
For All Mankind |
Al Reinert, M |
|
7.4 |
1977 |
D![Color (Metrocolor); Aspect: 1.85:1; 35 mm; AUDIO: Mono Color (Metrocolor)](icons/rgb.png) |
Opening Night |
John Cassavetes, W, C, M |
|
7.4 |
1973 |
![TV](icons/tv_icon.png) D![Color (Eastmancolor); 16 mm; AUDIO: Mono Color (Eastmancolor)](icons/rgb.png) |
"Scenes from a Marriage" |
[ Ingmar Bergman ], [ W ], C «"Scener ur ett äktenskap"» TV mini-series 1973- |
|
7.4 |
1968 |
Do![Black and White; 35 mm; AUDIO: Mono Black and White](icons/bw.png) |
Salesman |
Albert Maysles, David Maysles, ++, C |
|
7.4 |
1968 |
DAAd![Color (Fujicolor); Aspect: 2.35:1; 35 mm; Daieiscope; AUDIO: Mono (Westrex Recording System) Color (Fujicolor)](icons/rgb.png) |
Samaritan Zatoichi |
Kenji Misumi, W, W, ++, C, M «Zatôichi kenka-daiko» |
|
7.4 |
1967 |
DHR![Black and White; Aspect: 2.35:1; 35 mm; (anamorphic); AUDIO: Mono Black and White](icons/bw.png) |
Marketa Lazarová |
Frantisek Vlácil, W, W, ++, C, M |
|
7.4 |
1967 |
D![Black and White; Aspect: 2.35:1; 35 mm; Tohoscope (anamorphic); AUDIO: Mono Black and White](icons/bw.png) |
Samurai Rebellion |
Masaki Kobayashi, W, W, C, M «Jôi-uchi: Hairyô tsuma shimatsu» |
|
7.4 |
1966 |
CD![Black and White; Aspect: 2.35:1; 35 mm; Nikkatsuscope; AUDIO: Mono Black and White](icons/bw.png) |
The Pornographers |
Shôhei Imamura, W, W, ++, C, M, M «Erogotoshi-tachi yori: Jinruigaku nyûmon» |
|
7.4 |
1965 |
D![Color (Technicolor); Aspect: 2.35:1; 35 mm (2-perf); Techniscope; AUDIO: Mono Color (Technicolor)](icons/rgb.png) |
The Moment of Truth |
Francesco Rosi, W, ++, C, C, C, M «Il momento della verità» |
|
7.4 |
1964 |
DHo![Black and White; Aspect: 2.35:1; 35 mm; Tohoscope; AUDIO: Mono Black and White](icons/bw.png) |
Onibaba |
Kaneto Shindô, W, C, M |
|
7.4 |
1962 |
ADT![Black and White; Aspect: 2.35:1; 35 mm; Tohoscope (anamorphic); AUDIO: Perspecta Stereo (Westrex Recording System) Black and White](icons/bw.png) |
Sanjuro |
Akira Kurosawa, W, W, ++, C, C, M «Tsubaki Sanjûrô» |
|
7.4 |
1961 |
C![Black and White; Aspect: 1.85:1; 35 mm; AUDIO: Mono (Westrex Co. System) Black and White](icons/bw.png) |
Divorce Italian Style |
Pietro Germi, W, W, ++, C, C, M «Divorzio all'italiana» |
|
7.4 |
1959 |
S![Black and White; 35 mm; AUDIO: Mono Black and White](icons/bw.png) |
The Lamp |
Roman Polanski, W, C «Lampa» |
|
7.4 |
1957 |
DRW![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono Black and White](icons/bw.png) |
The Cranes are Flying |
Mikhail Kalatozov, W, C, M «Letyat zhuravli» |
|
7.4 |
1955 |
D![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono Black and White](icons/bw.png) |
Death of a Cyclist |
Juan Antonio Bardem, W, W, C, M «Muerte de un ciclista» |
|
7.4 |
1954 |
DHRW![Color (Technicolor); Aspect: 1.66:1; 35 mm; AUDIO: Mono (Western Electric Sound System) Color (Technicolor)](icons/rgb.png) |
Senso |
Luchino Visconti, W, W, ++, C, C |
|
7.4 |
1953 |
DHR![Color (Eastmancolor); Aspect: 1.37:1; 35 mm (Eastman 25T 5248); AUDIO: Mono (Western Electric Recording) Color (Eastmancolor)](icons/rgb.png) |
Gate of Hell |
Teinosuke Kinugasa, W, W, ++, C, M «Jigokumon» |
|
7.4 |
1952 |
D![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono Black and White](icons/bw.png) |
Ikiru |
Akira Kurosawa, W, W, ++, C, M |
|
7.4 |
1951 |
D![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Recording) Black and White](icons/bw.png) |
The Browning Version |
Anthony Asquith, W, C |
|
7.4 |
1949 |
DNT![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Recording) Black and White](icons/bw.png) |
Thieves' Highway |
Jules Dassin, W, C, M, M |
|
7.4 |
1947 |
CrDMc![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Variable Density) Black and White](icons/bw.png) |
Quai des Orfèvres |
Henri-Georges Clouzot, W, W, ++, C, M |
|
7.4 |
1934 |
DHR![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Noiseless Recording) Black and White](icons/bw.png) |
The Scarlet Empress |
Josef von Sternberg, W, W, ++, C |
|
7.4 |
1931 |
DoS![Black and White; Aspect: 1.33:1; 35 mm; AUDIO: Mono Black and White](icons/bw.png) |
Taris |
Jean Vigo, W, C «Taris, roi de l'eau» |
|
7.4 |
1927 |
DH![Black and White, Color (2-strip Technicolor); Silent](icons/rgb-bw.png) |
The King of Kings |
Cecil B. DeMille, W, C, M |
|
7.4 |
1917 |
SCDR![Black and White; Silent](icons/bw.png) |
The Immigrant |
[ Charles Chaplin ], ++, C, C |
|
7.3 |
1994 |
DoDSp![Color; Aspect: 1.33:1; Video (NTSC); Betacam SP (source format) D1 (master format); AUDIO: Ultra Stereo Color](icons/v-rgb.png) |
Hoop Dreams |
Steve James, W, W, C, M |
|
7.3 |
1989 |
CFan![Color (Technicolor); Aspect: 1.85:1; 35 mm; AUDIO: Dolby Color (Technicolor)](icons/rgb.png) |
How to Get Ahead in Advertising |
Bruce Robinson, W, C, M, M |
|
7.3 |
1987 |
ACrSf![Color; Aspect: 1.85:1; 35 mm; Arriflex 35 BL, Zeiss Super Speed Lenses; AUDIO: Dolby SR (35 mm prints), 70 mm 6-Track (70 mm prints), DTS (special edition) Color](icons/rgb.png) |
RoboCop |
Paul Verhoeven, W, W, C, C, M |
|
7.3 |
1985 |
ADW![Color; Aspect: 1.85:1; 35 mm; Panaflex Cameras and Lenses by Panavision; AUDIO: Dolby (35 mm prints), 70 mm 6-Track (70 mm prints) Color](icons/rgb.png) |
Ran |
Akira Kurosawa, W, W, ++, C, C, C, M |
|
7.3 |
1982 |
Do![Color; Aspect: 1.33:1; AUDIO: Mono Color](icons/q-rgb.png) |
Burden of Dreams |
Les Blank, W, C |
|
7.3 |
1977 |
CDR![Color (Eastmancolor); Aspect: 1.66:1; 35 mm; Panavision Cameras and Lenses; AUDIO: Mono Color (Eastmancolor)](icons/rgb.png) |
That Obscure Object of Desire |
Luis Buñuel, W, W, ++, C «Cet obscur objet du désir» |
|
7.3 |
1974 |
DoBW![Color; Aspect: 1.37:1; 16 mm; Super 16; AUDIO: Mono Color](icons/rgb.png) |
General Idi Amin Dada |
Barbet Schroeder, W, C, M «Général Idi Amin Dada: Autoportrait» |
|
7.3 |
1968 |
DAAd![Color (Eastmancolor); Aspect: 2.35:1; 35 mm; Daieiscope; AUDIO: Mono (Westrex Recording System) Color (Eastmancolor)](icons/rgb.png) |
Zatoichi and the Fugitives |
Kimiyoshi Yasuda, W, W, C, M «Zatôichi hatashi-jô» |
|
7.3 |
1967 |
ADAd![Color (Eastmancolor); Aspect: 2.35:1; 35 mm; Daieiscope; AUDIO: Mono (Westrex Recording System) Color (Eastmancolor)](icons/rgb.png) |
Zatoichi's Cane-sword |
Kimiyoshi Yasuda, W, W, C, M «Zatoichi tekka tabi» |
|
7.3 |
1966 |
CDW![Black and White; Aspect: 1.33:1; 35 mm; AUDIO: Mono Black and White](icons/bw.png) |
Closely Watched Trains |
Jirí Menzel, W, ++, C, M «Ostre sledované vlaky» |
|
7.3 |
1966 |
DSf![Black and White; 35 mm; AUDIO: Mono Black and White](icons/bw.png) |
The Face of Another |
Hiroshi Teshigahara, W, C, M «Tanin no kao» |
|
7.3 |
1966 |
AD![Black and White; Aspect: 2.35:1; 35 mm; Tohoscope; AUDIO: Mono Black and White](icons/bw.png) |
The Sword of Doom |
Kihachi Okamoto, W, W, C, M «Dai-bosatsu tôge» |
|
7.3 |
1966 |
D![Color (Eastmancolor); Aspect: 2.35:1; 35 mm; Daieiscope; AUDIO: Mono (Westrex Recording System) Color (Eastmancolor)](icons/rgb.png) |
Zatoichi: The Blind Swordsman's Pilgrimage |
Kazuo Ikehiro, W, W, C, M «Zatôichi umi o wataru» |
|
7.3 |
1965 |
AD![Black and White; Aspect: 2.35:1; 35 mm; Shochiku Grandscope; AUDIO: Mono Black and White](icons/bw.png) |
Sword of the Beast |
Hideo Gosha, W, W, C, M «Kedamono no ken» |
|
7.3 |
1964 |
D![Color; Aspect: 2.35:1; 35 mm; Nikkatsuscope; AUDIO: Mono Color](icons/rgb.png) |
Gate of Flesh |
Seijun Suzuki, W, W, C, M «Nikutai no mon» |
|
7.3 |
1963 |
D![Black and White; Aspect: 2.35:1; 35 mm; Nikkatsuscope; AUDIO: Mono (Westrex Recording System) Black and White](icons/bw.png) |
The Insect Woman |
Shôhei Imamura, W, W, C, M «Nippon konchûki» |
|
7.3 |
1962 |
D![Black and White; Aspect: 1.85:1; 35 mm; AUDIO: Mono (Westrex Recording System) Black and White](icons/bw.png) |
Mamma Roma |
Pier Paolo Pasolini, W, C |
|
7.3 |
1962 |
D![Black and White; Aspect: 1.37:1; 35 mm; Mitchell Cameras; AUDIO: Mono Black and White](icons/bw.png) |
Vivre Sa Vie |
Jean-Luc Godard, W, W, ++, C, M «Vivre sa vie: Film en douze tableaux» |
|
7.3 |
1960 |
SD![Black and White; Aspect: 1.37:1; AUDIO: Mono Black and White](icons/bw.png) |
Charlotte and Her Boyfriend |
Jean-Luc Godard, W, C, M «Charlotte et son Jules» |
|
7.3 |
1958 |
CrDT![Black and White; Aspect: 1.66:1; 35 mm; AUDIO: Mono (Western Electric Sound System) Black and White](icons/bw.png) |
Elevator to the Gallows |
Louis Malle, W, W, ++, C, M «Ascenseur pour l'échafaud» |
|
7.3 |
1957 |
DW![Black and White; Aspect: 1.66:1; 35 mm; AUDIO: Mono Black and White](icons/bw.png) |
Paths of Glory |
Stanley Kubrick, W, W, ++, C, M |
|
7.3 |
1957 |
SC![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono Black and White](icons/bw.png) |
The Kids |
François Truffaut, W, ++, C, M «Les mistons» |
|
7.3 |
1956 |
AAdBDH![Color (Eastmancolor); Aspect: 1.37:1; 35 mm; AUDIO: Mono Color (Eastmancolor)](icons/rgb.png) |
Samurai III: Duel at Ganryu Island |
Hiroshi Inagaki, W, W, ++, C, M «Miyamoto Musashi kanketsuhen: kettô Ganryûjima» |
|
7.3 |
1956 |
DMcW![Black and White; Aspect: 1.33:1; 35 mm; AUDIO: Mono Black and White](icons/bw.png) |
The Burmese Harp |
Kon Ichikawa, W, W, C, M «Biruma no tategoto» |
|
7.3 |
1956 |
S![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono Black and White](icons/bw.png) |
Ubiytsy |
Marika Beiku, Aleksandr Gordon, ++, W, W, ++, C, C |
|
7.3 |
1955 |
CrDT![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Sound System) Black and White](icons/bw.png) |
Rififi |
Jules Dassin, W, W, ++, C, M «Du rififi chez les hommes» |
|
7.3 |
1954 |
CrD![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Recording) Black and White](icons/bw.png) |
On the Waterfront |
Elia Kazan, W, ++, C, M |
|
7.3 |
1952 |
D![Black and White; Aspect: 1.37:1; 35 mm (DuPont/Gevaert); AUDIO: Mono (RCA Sound System) Black and White](icons/bw.png) |
Umberto D. |
Vittorio De Sica, W, C, M |
|
7.3 |
1951 |
DR![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono Black and White](icons/bw.png) |
Summer Interlude |
Ingmar Bergman, W, W, C, M, M «Sommarlek» |
|
7.3 |
1948 |
CrDT![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Recording) Black and White](icons/bw.png) |
Drunken Angel |
Akira Kurosawa, W, W, C, M «Yoidore tenshi» |
|
7.3 |
1943 |
DR![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono Black and White](icons/bw.png) |
Day of Wrath |
Carl Theodor Dreyer, ++, C, M «Vredens dag» |
|
7.3 |
1937 |
DMlAd![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Sound System) Black and White](icons/bw.png) |
Jericho |
Thornton Freeland, W, W, ++, C, M, M |
|
7.3 |
1937 |
DR![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Noiseless Recording) Black and White](icons/bw.png) |
Make Way for Tomorrow |
Leo McCarey, W, W, ++, C, M, M |
|
7.3 |
1937 |
CrDR![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (R.C.A. Photophone) Black and White](icons/bw.png) |
Pépé le Moko |
Julien Duvivier, W, ++, C, C, M, M |
|
7.3 |
1936 |
SCSp![Black and White; Aspect: 1.37:1; AUDIO: Mono Black and White](icons/bw.png) |
Soigne ton gauche |
René Clément, W, ++, M |
|
7.3 |
1928 |
DHRW![Black and White; Silent](icons/bw.png) |
The Last Command |
Josef von Sternberg, W, W, ++, C, M |
|
7.2 |
2006 |
D![Color; Color](icons/q-rgb.png) |
Colossal Youth |
Pedro Costa, W, C, C «Juventude Em Marcha» |
|
7.2 |
1991 |
DW![Black and White, Color (Pathécolor); Aspect: 2.35:1; 35 mm; Panavision (anamorphic); AUDIO: Dolby SR Black and White, Color (Pathécolor)](icons/rgb-bw.png) |
Europa |
Lars von Trier, W, W, C, C, C, M |
|
7.2 |
1988 |
D? |
It's Impossible to Learn to Plow by Reading Books |
Richard Linklater, W, C |
|
7.2 |
1987 |
BDW![Color; Aspect: 1.66:1; 35 mm; AUDIO: Dolby Color](icons/rgb.png) |
Au Revoir Les Enfants |
Louis Malle, W, C «Au revoir les enfants» |
|
7.2 |
1987 |
SC |
Pas de C4 pour Daniel Daniel |
Rémy Belvaux, André Bonzel, ++, W, W, ++, C, M |
|
7.2 |
1982 |
DHMT![Color (Technicolor); Aspect: 1.85:1; 35 mm; Panaflex Camera and Lenses by Panavision; AUDIO: Mono Color (Technicolor)](icons/rgb.png) |
Missing |
Costa-Gavras, W, W, ++, C, M |
|
7.2 |
1981 |
CCrD![Color; Aspect: 1.66:1; 35 mm; AUDIO: Mono Color](icons/rgb.png) |
Coup de torchon |
Bertrand Tavernier, W, W, ++, C, M |
|
7.2 |
1979 |
C![Color (Eastmancolor); Aspect: 1.85:1; 35 mm; Arriflex Cameras and Lenses; AUDIO: Dolby Color (Eastmancolor)](icons/rgb.png) |
Life of Brian |
Terry Jones, W, W, ++, C, M |
|
7.2 |
1976 |
DW![Black and White; Aspect: 1.66:1; 35 mm; AUDIO: Mono Black and White](icons/bw.png) |
Coup de grâce |
Volker Schlöndorff, W, W, ++, C, M «Der Fangschuß» |
|
7.2 |
1975 |
CrD![Color; Aspect: 1.75:1; 35 mm; AUDIO: Mono Color](icons/rgb.png) |
The Lost Honor of Katharina Blum |
Volker Schlöndorff, Margarethe von Trotta, W, W, ++, C, M «Die verlorene Ehre der Katharina Blum» |
|
7.2 |
1970 |
CD![Color (Eastmancolor); Aspect: 1.66:1; 35 mm; AUDIO: Mono (Westrex Recording System) Color (Eastmancolor)](icons/rgb.png) |
Bed & Board |
François Truffaut, W, W, ++, C, M «Domicile conjugal» |
|
7.2 |
1965 |
AAdD![Color (Eastmancolor); Aspect: 2.35:1; 35 mm; Daieiscope; AUDIO: Mono (Westrex Recording System) Color (Eastmancolor)](icons/rgb.png) |
Zatoichi and the Doomed Man |
Kazuo Mori, W, W, C, M «Zatoichi sakate giri» |
|
7.2 |
1963 |
RS![Black and White; Aspect: 1.37:1; 16 mm; AUDIO: Mono Black and White](icons/bw.png) |
The Bakery Girl of Monceau |
Eric Rohmer, ++, C, C «La boulangère de Monceau» |
|
7.2 |
1963 |
D![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (AGA Sound System) Black and White](icons/bw.png) |
The Silence |
Ingmar Bergman, W, C, M «Tystnaden» |
|
7.2 |
1963 |
D![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono Black and White](icons/bw.png) |
Winter Light |
Ingmar Bergman, W, C «Nattvardsgästerna» |
|
7.2 |
1960 |
CrDT![Black and White; Aspect: 2.35:1; 35 mm; Tohoscope (anamorphic); AUDIO: Perspecta Stereo (Westrex Recording System) Black and White](icons/bw.png) |
The Bad Sleep Well |
Akira Kurosawa, W, W, ++, C, M «Warui yatsu hodo yoku nemuru» |
|
7.2 |
1960 |
CrDRT![Black and White; Aspect: 1.66:1; 35 mm; AUDIO: Mono (Western Electric-Optiphone) Black and White](icons/bw.png) |
The Big Risk |
Claude Sautet, W, W, ++, C, M «Classe tous risques» |
|
7.2 |
1959 |
DW![Black and White; Aspect: 2.35:1; 35 mm; Daieiscope; AUDIO: Mono Black and White](icons/bw.png) |
Fires on the Plain |
Kon Ichikawa, W, W, C, C, M «Nobi» |
|
7.2 |
1959 |
AAdCrMT![Color (Technicolor); Aspect: 1.66:1; 35 mm (horizontal); VistaVision; Mitchell VistaVision Cameras; AUDIO: Mono (Westrex Recording System), Dolby SR, Dolby Digital Color (Technicolor)](icons/rgb.png) |
North by Northwest |
Alfred Hitchcock, W, C, M |
|
7.2 |
1957 |
DW![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono Black and White](icons/bw.png) |
Kanal |
Andrzej Wajda, W, C, M |
|
7.2 |
1957 |
DN![Black and White; Aspect: 1.66:1; 35 mm; AUDIO: Mono (Westrex Recording System) Black and White](icons/bw.png) |
Sweet Smell of Success |
Alexander Mackendrick, W, W, ++, C, M |
|
7.2 |
1955 |
HoMT![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (A.R.T.E.C.) Black and White](icons/bw.png) |
Diabolique |
Henri-Georges Clouzot, W, W, ++, C, M «Les diaboliques» |
|
7.2 |
1954 |
S![Black and White; Aspect: 1.37:1; AUDIO: Mono Black and White](icons/bw.png) |
Desistfilm |
Stan Brakhage, C |
|
7.2 |
1954 |
AD![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono, Stereo (re-release prints) Black and White](icons/bw.png) |
Seven Samurai |
Akira Kurosawa, W, W, ++, C, M «Shichinin no samurai» |
|
7.2 |
1952 |
CrDR![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Optiphone) Black and White](icons/bw.png) |
Casque d'Or |
Jacques Becker, W, W, ++, C, M «Casque d'or» |
|
7.2 |
1949 |
CCr![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (RCA Sound System) Black and White](icons/bw.png) |
Kind Hearts and Coronets |
Robert Hamer, W, W, ++, C, M |
|
7.2 |
1949 |
CrDNT![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono Black and White](icons/bw.png) |
Stray Dog |
Akira Kurosawa, W, W, C, M «Nora inu» |
|
7.2 |
1948 |
CrD![Black and White; Aspect: 1.37:1; 35 mm; Arriflex II C; AUDIO: Mono Black and White](icons/bw.png) |
Bicycle Thieves |
Vittorio De Sica, W, W, ++, C, M «Ladri di biciclette» |
|
7.2 |
1948 |
D![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (RCA Sound System) Black and White](icons/bw.png) |
Germany Year Zero |
Roberto Rossellini, W, ++, C, M «Germania, anno zero» |
|
7.2 |
1945 |
DW![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Recording) Black and White](icons/bw.png) |
Rome, Open City |
Roberto Rossellini, W, W, ++, C, M «Roma, città aperta» |
|
7.2 |
1944 |
BDHW![Color (Technicolor); Aspect: 1.85:1; 35 mm; SuperScope (1950's cropped widescreen version) Spherical; AUDIO: Mono Color (Technicolor)](icons/rgb.png) |
Henry V |
Laurence Olivier, W, ++, C, C, M «The Chronicle History of King Henry the Fift with His Battell Fought at Agincourt in France» |
|
7.2 |
1943 |
DRW![Color (Technicolor); Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Microphonic Recording) Color (Technicolor)](icons/rgb.png) |
The Life and Death of Colonel Blimp |
Michael Powell, Emeric Pressburger, W, W, C, M |
|
7.2 |
1940 |
C![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Mirrophonic Recording) Black and White](icons/bw.png) |
The Bank Dick |
Edward F. Cline, W, ++, C, M |
|
7.2 |
1933 |
SC![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (RCA Photophone System) Black and White](icons/bw.png) |
The Fatal Glass of Beer |
Clyde Bruckman, ++ |
|
7.2 |
1916 |
CS![Black and White; Silent](icons/bw.png) |
The Rink |
[ Charles Chaplin ], ++, C, C, M |
|
7.1 |
1996 |
DS![Color; Color](icons/q-rgb.png) |
Kill the Day |
Lynne Ramsay, W, C, C |
|
7.1 |
1985 |
Do![Color; Aspect: 1.37:1; 35 mm; AUDIO: Mono Color](icons/rgb.png) |
Antonio Gaudí |
Hiroshi Teshigahara, C, C, C, M, M, M |
|
7.1 |
1985 |
DC![Color (Fujicolor); Aspect: 1.66:1; 16 mm 35 mm; AUDIO: Mono Color (Fujicolor)](icons/rgb.png) |
My Life as a Dog |
Lasse Hallström, W, W, ++, C, M «Mitt liv som hund» |
|
7.1 |
1978 |
DMc![Color (Eastmancolor); Aspect: 1.66:1; 35 mm; Arriflex 35 BL; AUDIO: Mono Color (Eastmancolor)](icons/rgb.png) |
Autumn Sonata |
Ingmar Bergman, W, C «Höstsonaten» |
|
7.1 |
1974 |
DR![Color (Eastmancolor); Aspect: 1.37:1; 35 mm; AUDIO: Mono Color (Eastmancolor)](icons/rgb.png) |
Ali: Fear Eats the Soul |
Rainer Werner Fassbinder, W, C «Angst essen Seele auf» |
|
7.1 |
1972 |
DR![Color (Eastmancolor); Aspect: 1.37:1; 35 mm; AUDIO: Mono Color (Eastmancolor)](icons/rgb.png) |
Love in the Afternoon |
Eric Rohmer, W, C, M «L'amour l'après-midi» |
|
7.1 |
1971 |
DoS![Color; Silent](icons/rgb.png) |
The Act of Seeing with One's Own Eyes |
Stan Brakhage, C |
|
7.1 |
1969 |
D![Black and White; Aspect: 1.33:1; 35 mm; AUDIO: Mono Black and White](icons/bw.png) |
My Night at Maud's |
Eric Rohmer, W, C «Ma nuit chez Maud» |
|
7.1 |
1966 |
CrDHW![Black and White; Aspect: 1.85:1; 35 mm; AUDIO: Mono Black and White](icons/bw.png) |
The Battle of Algiers |
Gillo Pontecorvo, W, W, C, M, M «La battaglia di Algeri» |
|
7.1 |
1965 |
DAdA![Color (Daieicolor); Aspect: 2.35:1; 35 mm; Daieiscope; AUDIO: Mono (Westrex Recording System) Color (Daieicolor)](icons/rgb.png) |
Zatoichi and the Chess Expert |
Kenji Misumi, W, W, C, M «Zatoichi Jigoku tabi» |
|
7.1 |
1962 |
DW![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono Black and White](icons/bw.png) |
Ivan's Childhood |
Andrei Tarkovsky, ++, W, ++, C, M «Ivanovo detstvo» |
|
7.1 |
1959 |
D![Color (Eastmancolor); Aspect: 1.37:1; 35 mm; AUDIO: Mono Color (Eastmancolor)](icons/rgb.png) |
Floating Weeds |
Yasujirô Ozu, W, W, ++, C, M «Ukikusa» |
|
7.1 |
1958 |
C![Color (Technicolor); Aspect: 1.66:1; 35 mm; AUDIO: Mono (Westrex Recording System) Color (Technicolor)](icons/rgb.png) |
The Horse's Mouth |
Ronald Neame, W, W, C, M |
|
7.1 |
1956 |
D![Black and White; Aspect: 1.33:1; 35 mm; AUDIO: Mono Black and White](icons/bw.png) |
Crazed Fruit |
Kô Nakahira, W, C, M, M «Kurutta kajitsu» |
|
7.1 |
1955 |
![Black and White; Aspect: 1.37:1; 35 mm Black and White](icons/bw.png) |
La Pointe Courte |
Agnès Varda, W, C, C, C, M «La Pointe-Courte» |
|
7.1 |
1955 |
CR![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono Black and White](icons/bw.png) |
Smiles of a Summer Night |
Ingmar Bergman, W, C, M «Sommarnattens leende» |
|
7.1 |
1953 |
AdDT![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric) Black and White](icons/bw.png) |
The Wages of Fear |
Henri-Georges Clouzot, W, W, ++, C, M «Le salaire de la peur» |
|
7.1 |
1952 |
|
Fan-Fan the Tulip |
«Fanfan la Tulipe» |
|
7.1 |
1950 |
CrNSpT![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Recording) Black and White](icons/bw.png) |
Night and the City |
Jules Dassin, W, W, ++, C, M, M |
|
7.1 |
1948 |
AdCrD![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono Black and White](icons/bw.png) |
Oliver Twist |
David Lean, W, W, ++, C, M |
|
7.1 |
1946 |
DR![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Recording) Black and White](icons/bw.png) |
Great Expectations |
David Lean, W, W, ++, C, M |
|
7.1 |
1944 |
D![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono Black and White](icons/bw.png) |
The Children Are Watching Us |
Vittorio De Sica, W, ++, C, C, M «I bambini ci guardano» |
|
7.1 |
1942 |
CW![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Mirrophonic Recording) Black and White](icons/bw.png) |
To Be or Not to Be |
Ernst Lubitsch, W, W, ++, C, M |
|
7.1 |
1934 |
D![Black and White; Silent](icons/bw.png) |
A Story of Floating Weeds |
Yasujirô Ozu, W, W, C «Ukikusa monogatari» |
|
7.1 |
1929 |
CrDR![Black and White; Silent](icons/bw.png) |
Pandora's Box |
Georg Wilhelm Pabst, W, W, ++, C, M, M, M «Die Büchse der Pandora» |
|
7.0 |
2010 |
SC![Black and White, Color; Aspect: 1.85:1; 35 mm; AUDIO: Mono Black and White, Color](icons/rgb-bw.png) |
Feeling Good |
Pierre Étaix, W, C, C, M, M «En pleine forme» |
|
7.0 |
2003 |
SB![Black and White; Silent](icons/bw.png) |
Chinese Series |
Stan Brakhage |
|
7.0 |
2000 |
DoD |
In Vanda's Room |
Pedro Costa, C «No Quarto da Vanda» |
|
7.0 |
1984 |
CMc![Color; Aspect: 1.70:1; 16 mm; Super 16; AUDIO: Dolby Color](icons/rgb.png) |
This Is Spinal Tap |
Rob Reiner, W, W, ++, C, M, M, M++ |
|
7.0 |
1982 |
CHo![Color (Metrocolor); Aspect: 1.85:1; 35 mm; AUDIO: Mono Color (Metrocolor)](icons/rgb.png) |
Eating Raoul |
Paul Bartel, W, W, C, M |
|
7.0 |
1980 |
DHW![Color (Eastmancolor); Aspect: 1.85:1; 35 mm; AUDIO: Dolby Color (Eastmancolor)](icons/rgb.png) |
Kagemusha |
Akira Kurosawa, W, W, C, C, M |
|
7.0 |
1979 |
CrD![Color; Aspect: 1.85:1; 35 mm; VistaVision; AUDIO: Mono Color](icons/rgb.png) |
Vengeance is Mine |
Shôhei Imamura, W, W, C, M «Fukushû suru wa ware ni ari» |
|
7.0 |
1978 |
C![Color (Eastmancolor); Aspect: 1.66:1; 35 mm; AUDIO: Mono Color (Eastmancolor)](icons/rgb.png) |
La Cage aux Folles |
Edouard Molinaro, W, W, ++, C, M «La cage aux folles» |
|
7.0 |
1977 |
DoS![Black and White; Black and White](icons/bw.png) |
Szpital |
Krzysztof Kieslowski, C |
|
7.0 |
1974 |
DW![Color (Eastmancolor); Aspect: 1.66:1; 35 mm (Eastman); AUDIO: Mono Color (Eastmancolor)](icons/rgb.png) |
Lacombe, Lucien |
Louis Malle, W, W, ++, C «Lacombe Lucien» |
|
7.0 |
1974 |
CD![Color (Eastmancolor); Aspect: 1.66:1; 35 mm; Panavision Cameras and Lenses; AUDIO: Mono Color (Eastmancolor)](icons/rgb.png) |
The Phantom of Liberty |
Luis Buñuel, W, W, C «Le fantôme de la liberté» |
|
7.0 |
1973 |
AD![Color (Eastmancolor); Aspect: 2.35:1; 35 mm; Tohoscope; AUDIO: Mono Color (Eastmancolor)](icons/rgb.png) |
Zatoichi's Conspiracy |
Kimiyoshi Yasuda, W, W, C, M «Shin Zatôichi monogatari: Kasama no chimatsuri» |
|
7.0 |
1972 |
CrDMc![Color (Metrocolor); Aspect: 1.66:1; 16 mm; AUDIO: Mono Color (Metrocolor)](icons/rgb.png) |
The Harder They Come |
Perry Henzell, W, W, C, C, C, M, M, M |
|
7.0 |
1971 |
Do![Black and White (inserts only), Color (Eastmancolor); Aspect: 1.37:1; 16 mm; Eclair; AUDIO: Mono Black and White (inserts only), Color (Eastmancolor)](icons/rgb-bw.png) |
Land of Milk and Honey |
Pierre Étaix, W, C, M «Pays de cocagne» |
|
7.0 |
1971 |
D![Color (Eastmancolor); Aspect: 1.66:1; 35 mm; AUDIO: Mono Color (Eastmancolor)](icons/rgb.png) |
Murmur of the Heart |
Louis Malle, W, C «Le souffle au coeur» |
|
7.0 |
1970 |
CrD![Color (Technicolor); Aspect: 1.85:1; 35 mm (3-perf) 35 mm; AUDIO: Mono Color (Technicolor)](icons/rgb.png) |
Investigation of a Citizen Above Suspicion |
Elio Petri, W, W, C, M «Indagine su un cittadino al di sopra di ogni sospetto» |
|
7.0 |
1970 |
S![Color; Silent](icons/q-rgb.png) |
The Machine of Eden |
Stan Brakhage |
|
7.0 |
1967 |
![Color; Silent](icons/q-rgb.png) |
23rd Psalm Branch: Part I |
Stan Brakhage |
|
7.0 |
1962 |
SAC![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono Black and White](icons/bw.png) |
Happy Anniversary |
Jean-Claude Carrière, Pierre Étaix, W, W, C, M «Heureux anniversaire» |
|
7.0 |
1962 |
AAd![Black and White; Aspect: 2.35:1; 35 mm; Daieiscope; AUDIO: Mono Black and White](icons/bw.png) |
The Tale of Zatoichi Continues |
Kazuo Mori, W, W, C, M «Zoku Zatôichi monogatari» |
|
7.0 |
1961 |
SCR![Black and White; Aspect: 1.19:1; 35 mm; Bolex Camera Black and White](icons/bw.png) |
Les fiancés du pont Mac Donald ou (Méfiez-vous des lunettes noires) |
Agnès Varda, W, C, M |
|
7.0 |
1961 |
SCDR![Black and White; Aspect: 1.66:1; 35 mm; AUDIO: Mono Black and White](icons/bw.png) |
Rupture |
Jean-Claude Carrière, Pierre Étaix, W, W, C, M |
|
7.0 |
1960 |
CrTD![Color (Eastmancolor); Aspect: 1.66:1; 35 mm; AUDIO: Mono (Westrex Recording System) Color (Eastmancolor)](icons/rgb.png) |
Purple Noon |
René Clément, W, W, ++, C, M «Plein soleil» |
|
7.0 |
1959 |
SD![Black and White, Color; Aspect: 1.37:1; 35 mm; AUDIO: Mono Black and White, Color](icons/rgb-bw.png) |
When Angels Fall |
Roman Polanski, W, C, M «Gdy spadaja anioly» |
|
7.0 |
1953 |
D![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono Black and White](icons/bw.png) |
Sawdust and Tinsel |
Ingmar Bergman, ++, C, C, M «Gycklarnas afton» |
|
7.0 |
1953 |
DR![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (AGA Sound System) Black and White](icons/bw.png) |
Summer with Monika |
Ingmar Bergman, W, ++, C, M, M, M++ «Sommaren med Monika» |
|
7.0 |
1952 |
CD![Color (Technicolor); Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Recording) Color (Technicolor)](icons/rgb.png) |
The Importance of Being Earnest |
Anthony Asquith, ++, C, M |
|
7.0 |
1951 |
DoS![Black and White; 35 mm; AUDIO: Mono Black and White](icons/bw.png) |
The Pottery at Ilza |
Andrzej Wajda, W, C «Ceramika ilzecka» |
|
7.0 |
1946 |
CrDNM![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Recording) Black and White](icons/bw.png) |
The Killers |
Robert Siodmak, W, W, ++, C, M |
|
7.0 |
1941 |
DHRW![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Noiseless Recording) Black and White](icons/bw.png) |
That Hamilton Woman |
Alexander Korda, W, W, C, M |
|
7.0 |
1940 |
AdFFan![Color (Technicolor); Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Mirrophonic Recording) Color (Technicolor)](icons/rgb.png) |
The Thief of Bagdad |
Ludwig Berger, Michael Powell, ++, W, W, M |
|
7.0 |
1938 |
CrDRT![Black and White; Aspect: 1.33:1; 35 mm; AUDIO: Mono (RCA Photophone System) Black and White](icons/bw.png) |
Port of Shadows |
Marcel Carné, W, W, C, M «Le quai des brumes» |
|
7.0 |
1937 |
SD![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono Black and White](icons/bw.png) |
Bezhin lug |
Sergei M. Eisenstein, W, W, ++, C, C, M |
|
7.0 |
1936 |
RC![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Noiseless Recording Electric) Black and White](icons/bw.png) |
My Man Godfrey |
Gregory La Cava, W, W, ++, C, M, M |
|
7.0 |
1933 |
CrFanHo![Black and White; Aspect: 1.20:1; 35 mm; AUDIO: Mono (Tobis-Klangfilm) Black and White](icons/bw.png) |
The Testament of Dr. Mabuse |
Fritz Lang, W, W, ++, C, C, M, M «Das Testament des Dr. Mabuse» |
|
7.0 |
1931 |
CrNT![Black and White; Aspect: 1.20:1; 35 mm; AUDIO: Mono Black and White](icons/bw.png) |
M |
Fritz Lang, W, W, ++, C |
|
7.0 |
1929 |
S![Black and White; Silent](icons/bw.png) |
Ins Blaue hinein |
Eugen Schüfftan, W, C, M |
|
7.0 |
1925 |
AdCFRWe![Black and White; Silent](icons/bw.png) |
The Gold Rush |
Charles Chaplin, W, C, M, M, M |
|
6.9 |
2007 |
D![Color; Aspect: 2.35:1; 35 mm (Kodak); Digital Intermediate Super 35; Arriflex Cameras; AUDIO: Dolby Digital Color](icons/rgb.png) |
Secret Sunshine |
Chang-dong Lee, W, W, C, M «Milyang» |
|
6.9 |
1995 |
D![Black and White; Aspect: 1.85:1; 35 mm (Kodak); AUDIO: Dolby SR Black and White](icons/bw.png) |
La Haine |
Mathieu Kassovitz, W, C, M «La haine» |
|
6.9 |
1994 |
DoB![Color; Aspect: 1.37:1; 16 mm (Eastman EXR 100T 7248, EXR 500T 7296); Aaton LTR 54, Angenieux Zoom Lenses; AUDIO: Mono Color](icons/rgb.png) |
Crumb |
Terry Zwigoff, C, M |
|
6.9 |
1993 |
CrD![Color; Aspect: 1.66:1; 16 mm 35 mm; AUDIO: Mono Color](icons/rgb.png) |
Clean, Shaven |
Lodge Kerrigan, W, C, M |
|
6.9 |
1993 |
DoH![Color; Aspect: 1.66:1; 16 mm; AUDIO: Dolby Color](icons/rgb.png) |
The War Room |
Chris Hegedus, D.A. Pennebaker, C, C |
|
6.9 |
1990 |
BD![Color; Aspect: 1.66:1 Color](icons/q-rgb.png) |
An Angel at My Table |
Jane Campion, W, W, C, M |
|
6.9 |
1980 |
DoS![Color; AUDIO: Mono Color](icons/q-rgb.png) |
Werner Herzog Eats His Shoe |
Les Blank, W, C |
|
6.9 |
1979 |
DCR![Black and White, Color (Eastmancolor); Aspect: 1.66:1; 35 mm; AUDIO: Mono Black and White, Color (Eastmancolor)](icons/rgb-bw.png) |
Love on the Run |
François Truffaut, W, W, ++, C, M «L'amour en fuite» |
|
6.9 |
1975 |
CFanMcR![Color (Eastmancolor); Aspect: 1.37:1; 16 mm; AUDIO: Stereo Color (Eastmancolor)](icons/rgb.png) |
The Magic Flute |
[ Ingmar Bergman ], W, W, ++, C «Trollflöjten» TV |
|
6.9 |
1973 |
CD![Color (Technicolor); Aspect: 1.85:1; 35 mm (Eastman 100T 5254); AUDIO: Mono Color (Technicolor)](icons/rgb.png) |
Amarcord |
Federico Fellini, W, W, ++, C, M |
|
6.9 |
1970 |
CrT![Color (Eastmancolor); Aspect: 1.66:1; 35 mm (Eastman 100T 5254); AUDIO: Mono Color (Eastmancolor)](icons/rgb.png) |
Le Cercle Rouge |
Jean-Pierre Melville, W, C, M «Le cercle rouge» |
|
6.9 |
1968 |
D![Black and White; 35 mm; AUDIO: Mono Black and White](icons/bw.png) |
I Am Curious (Blue) |
Vilgot Sjöman, W, C, M, M «Jag är nyfiken - en film i blått» |
|
6.9 |
1967 |
CD![Color (Eastmancolor); Aspect: 1.37:1; 35 mm; AUDIO: Mono Color (Eastmancolor)](icons/rgb.png) |
The Firemen's Ball |
Milos Forman, W, W, ++, C, M «Horí, má panenko» |
|
6.9 |
1966 |
BDH![Color (Sovcolor), Black and White; Aspect: 2.35:1; 35 mm; Sovscope (anamorphic); Convas Camera; AUDIO: Mono Color (Sovcolor), Black and White](icons/rgb-bw.png) |
Andrei Rublev |
Andrei Tarkovsky, W, W, C, M «Strasti po Andreyu» |
|
6.9 |
1966 |
BH![Color (Eastmancolor); 16 mm; AUDIO: Mono Color (Eastmancolor)](icons/rgb.png) |
The Rise of Louis XIV |
Roberto Rossellini, W, W, ++, C, C «La prise de pouvoir par Louis XIV» TV |
|
6.9 |
1965 |
CRD![Black and White; Aspect: 1.37:1; AUDIO: Mono Black and White](icons/bw.png) |
Loves of a Blonde |
Milos Forman, W, ++, C, M «Lásky jedné plavovlásky» |
|
6.9 |
1965 |
DW![Black and White; Aspect: 2.35:1; 35 mm; Nikkatsuscope; AUDIO: Mono Black and White](icons/bw.png) |
Story of a Prostitute |
Seijun Suzuki, W, W, C, M «Shunpu den» |
|
6.9 |
1963 |
CMRT![Color (Technicolor); Aspect: 1.85:1; 35 mm (Eastman 50T 5251); AUDIO: Mono (Westrex Recording System) Color (Technicolor)](icons/rgb.png) |
Charade |
Stanley Donen, W, ++, C, M |
|
6.9 |
1963 |
AAdD![Color (Eastmancolor); Aspect: 2.35:1; 35 mm; Daieiscope; AUDIO: Mono Color (Eastmancolor)](icons/rgb.png) |
Zatoichi on the Road |
Kimiyoshi Yasuda, W, W, C, M «Zatôichi kenka-tabi» |
|
6.9 |
1962 |
CDMc![Black and White, Color; Aspect: 1.19:1; 35 mm; AUDIO: Mono Black and White, Color](icons/rgb-bw.png) |
Cleo from 5 to 7 |
Agnès Varda, W, C, C, C, M «Cléo de 5 à 7» |
|
6.9 |
1961 |
D![Black and White; Aspect: 1.66:1; AUDIO: Mono Black and White](icons/bw.png) |
La Notte |
Michelangelo Antonioni, W, W, ++, C, M «La notte» |
|
6.9 |
1961 |
DR![Black and White; Aspect: 1.66:1; 35 mm; AUDIO: Mono Black and White](icons/bw.png) |
Léon Morin, Priest |
Jean-Pierre Melville, W, W, C, M «Léon Morin, prêtre» |
|
6.9 |
1960 |
DM![Black and White; Aspect: 1.75:1; 35 mm; AUDIO: Mono Black and White](icons/bw.png) |
L'avventura |
Michelangelo Antonioni, W, ++, C, M |
|
6.9 |
1960 |
AdBDH![Color (Technicolor); Aspect: 2.20:1; 35 mm (horizontal); Super Technirama 70 (anamorphic); Panavision Lenses; AUDIO: 70 mm 6-Track (70 mm prints), Mono (Westrex Recording System) (35 mm prints, original release) Color (Technicolor)](icons/rgb.png) |
Spartacus |
Stanley Kubrick, W, W, ++, C, M |
|
6.9 |
1959 |
CrD![Black and White; Aspect: 2.35:1; 35 mm; Dyaliscope; Chevereau Cameras; AUDIO: Mono Black and White](icons/bw.png) |
The 400 Blows |
François Truffaut, W, W, ++, C, M «Les quatre cents coups» |
|
6.9 |
1957 |
DR![Black and White; Aspect: 1.66:1; 35 mm; AUDIO: Mono Black and White](icons/bw.png) |
Le notti bianche |
Luchino Visconti, W, W, ++, C, M |
|
6.9 |
1957 |
D![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono Black and White](icons/bw.png) |
Wild Strawberries |
Ingmar Bergman, W, C, M, M «Smultronstället» |
|
6.9 |
1953 |
DR![Black and White; Aspect: 1.37:1; AUDIO: Mono (Western Electric Sound System) Black and White](icons/bw.png) |
The Earrings of Madame de... |
Max Ophüls, W, W, ++, C, M, M «Madame de..» |
|
6.9 |
1950 |
CrD![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Recording) Black and White](icons/bw.png) |
Rashomon |
Akira Kurosawa, W, W, ++, C, M «Rashômon» |
|
6.9 |
1950 |
DMcR![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono Black and White](icons/bw.png) |
Variety Lights |
Federico Fellini, Alberto Lattuada, W, ++, C, M «Luci del varietà» |
|
6.9 |
1949 |
DRTW![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Recording) Black and White](icons/bw.png) |
Hour of Glory |
Michael Powell, Emeric Pressburger, W, W, ++, C, M «The Small Back Room» |
|
6.9 |
1948 |
DMT![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (RCA Sound System) Black and White](icons/bw.png) |
The Fallen Idol |
Carol Reed, W, ++, C, M |
|
6.9 |
1947 |
CCrD![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (RCA Sound System) Black and White](icons/bw.png) |
Monsieur Verdoux |
Charles Chaplin, W, W, C, C, M |
|
6.9 |
1944 |
FanHoMR![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Mirrophonic Recording) Black and White](icons/bw.png) |
The Uninvited |
Lewis Allen, W, W, ++, C, M |
|
6.9 |
1941 |
CM![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (RCA Sound System) Black and White](icons/bw.png) |
Crook's Tour |
John Baxter, W, W, ++, C, M |
|
6.9 |
1938 |
CMT![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono Black and White](icons/bw.png) |
The Lady Vanishes |
Alfred Hitchcock, W, W, ++, C, M, M |
|
6.9 |
1925 |
D![Black and White; Silent](icons/bw.png) |
Body and Soul |
Oscar Micheaux, W |
|
6.9 |
1921 |
DFanHo![Black and White; Silent](icons/bw.png) |
The Phantom Carriage |
Victor Sjöström, W, W, C «Körkarlen» |
|
6.8 |
1994 |
SCCr![Black and White; Aspect: 1.33:1 Black and White](icons/bw.png) |
Bottle Rocket |
Wes Anderson, W, W, C |
|
6.8 |
1991 |
CrDT![Color (Eastmancolor); Aspect: 1.85:1; 35 mm; Panaflex Camera and Lenses by Panavision; AUDIO: Dolby SR Color (Eastmancolor)](icons/rgb.png) |
The Silence of the Lambs |
Jonathan Demme, W, W, C, M |
|
6.8 |
1985 |
DC![Color; Aspect: 1.85:1; 35 mm; AUDIO: Mono Color](icons/rgb.png) |
Insignificance |
Nicolas Roeg, W, C, M, M |
|
6.8 |
1981 |
ACrDT![Color (Technicolor); Aspect: 1.85:1; 35 mm; Panavision Cameras and Lenses; AUDIO: Dolby Color (Technicolor)](icons/rgb.png) |
Thief |
Michael Mann, W, W, ++, C, M |
|
6.8 |
1970 |
D![Color (Eastmancolor); Aspect: 1.37:1; 35 mm; AUDIO: Mono (Westrex Recording System) Color (Eastmancolor)](icons/rgb.png) |
Dodes'ka-den |
Akira Kurosawa, W, W, ++, C, C, M «Dodesukaden» |
|
6.8 |
1969 |
DW![Color (Eastmancolor); Aspect: 1.85:1; 35 mm (Eastman 50T 5251, 100T 5254); Caméflex Cameras Kinoptik, Cooke Speed Panchro and Angenieux Lenses Mitchell BNC, Cooke Speed Panchro and Angenieux Lenses; AUDIO: Mono, Dolby Digital (2006 restoration) Color (Eastmancolor)](icons/rgb.png) |
Army of Shadows |
Jean-Pierre Melville, W, W, C, C, M «L'armée des ombres» |
|
6.8 |
1968 |
Do![Black and White, Color; 16 mm; AUDIO: Mono Black and White, Color](icons/rgb-bw.png) |
Symbiopsychotaxiplasm: Take One |
William Greaves, W, C, C, M |
|
6.8 |
1967 |
AAdD![Color (Eastmancolor); Aspect: 2.35:1; 35 mm; Daieiscope; AUDIO: Mono (Westrex Recording System) Color (Eastmancolor)](icons/rgb.png) |
Zatoichi the Outlaw |
Satsuo Yamamoto, W, W, ++, C, M «Zatôichi rôyaburi» |
|
6.8 |
1965 |
AD![Black and White; Aspect: 2.35:1; 35 mm; Shochiku Grandscope; AUDIO: Mono Black and White](icons/bw.png) |
Samurai Spy |
Masahiro Shinoda, W, W, C, M «Ibun Sarutobi Sasuke» |
|
6.8 |
1963 |
R![Black and White; Aspect: 1.37:1; 16 mm; AUDIO: Mono Black and White](icons/bw.png) |
Suzanne's Career |
Eric Rohmer, W, C «La carrière de Suzanne» |
|
6.8 |
1961 |
D![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono Black and White](icons/bw.png) |
Through a Glass Darkly |
Ingmar Bergman, W, C, M «Såsom i en spegel» |
|
6.8 |
1959 |
D![Black and White; Aspect: 1.37:1; 16 mm; Arriflex Cameras; AUDIO: Mono Black and White](icons/bw.png) |
Shadows |
John Cassavetes, W, C |
|
6.8 |
1958 |
AdD![Black and White; Aspect: 2.35:1; 35 mm; Tohoscope (anamorphic); AUDIO: Perspecta Stereo (Westrex Recording System) Black and White](icons/bw.png) |
The Hidden Fortress |
Akira Kurosawa, W, W, ++, C, M «Kakushi-toride no san-akunin» |
|
6.8 |
1953 |
D![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono Black and White](icons/bw.png) |
Tokyo Story |
Yasujirô Ozu, W, W, C, M «Tôkyô monogatari» |
|
6.8 |
1952 |
D![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono Black and White](icons/bw.png) |
Europe '51 |
Roberto Rossellini, W, ++, C, M «Europa '51» |
|
6.8 |
1952 |
DW![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric System) Black and White](icons/bw.png) |
Forbidden Games |
René Clément, W, ++, C, M «Jeux interdits» |
|
6.8 |
1949 |
DoS![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono Black and White](icons/bw.png) |
Le sang des bêtes |
Georges Franju, W, C, M |
|
6.8 |
1948 |
DMcR![Color (Technicolor); Aspect: 1.37:1; 35 mm; Technicolor Three-Strip Camera; AUDIO: Mono (Western Electric Recording) Color (Technicolor)](icons/rgb.png) |
The Red Shoes |
Michael Powell, Emeric Pressburger, W, W, ++, C, M |
|
6.8 |
1947 |
CrDNT![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Recording) Black and White](icons/bw.png) |
Brute Force |
Jules Dassin, W, W, C, M |
|
6.8 |
1945 |
RD![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Recording) Black and White](icons/bw.png) |
Brief Encounter |
David Lean, ++, C |
|
6.8 |
1944 |
BH![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono Black and White](icons/bw.png) |
Ivan the Terrible, Part I |
Sergei M. Eisenstein, W, M «Ivan Groznyy» |
|
6.8 |
1940 |
CDW![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (RCA Sound System) Black and White](icons/bw.png) |
The Great Dictator |
Charles Chaplin, W, C, C, M, M |
|
6.8 |
1932 |
C![Black and White; Aspect: 1.19:1; AUDIO: Mono (Tobis-Klangfilm) Black and White](icons/bw.png) |
Boudu Saved from Drowning |
Jean Renoir, W, ++, C, C «Boudu sauvé des eaux» |
|
6.8 |
1932 |
CS![Black and White; 35 mm; AUDIO: Mono (RCA Photophone System) Black and White](icons/bw.png) |
The Dentist |
Leslie Pearce, ++, C |
|
6.8 |
1931 |
CDMl![Black and White; Aspect: 1.20:1; 35 mm; AUDIO: Mono (Tobis-Klangfilm) Black and White](icons/bw.png) |
The 3 Penny Opera |
Georg Wilhelm Pabst, W, W, ++, C «Die 3 Groschen-Oper» |
|
6.8 |
1931 |
CMl![Black and White; Aspect: 1.20:1; 35 mm; AUDIO: Mono Black and White](icons/bw.png) |
À Nous la Liberté |
René Clair, W, C, M «À nous la liberté» |
|
6.8 |
1924 |
S![Black and White; Silent](icons/bw.png) |
Entr'acte |
René Clair, W, W, C, M |
|
6.8 |
1922 |
DoHo![Black and White (Sepiatone); Silent](icons/bw.png) |
Häxan: Witchcraft Through the Ages |
Benjamin Christensen, W, C, M, M, M++ «Häxan» |
|
6.7 |
1997 |
CrDMT![Color; Aspect: 1.85:1; 35 mm (Kodak Vision 500T 5279); AUDIO: Dolby Color](icons/rgb.png) |
Insomnia |
Erik Skjoldbjærg, W, W, C, M |
|
6.7 |
1994 |
S![Color; Silent](icons/rgb.png) |
Black Ice |
Stan Brakhage |
|
6.7 |
1993 |
DMcMR![Color (Eastmancolor); Aspect: 1.85:1; 35 mm (Kodak); AUDIO: Dolby SR Color (Eastmancolor)](icons/rgb.png) |
Three Colors: Blue |
Krzysztof Kieslowski, W, W, ++, C, M «Trois couleurs: Bleu» |
|
6.7 |
1992 |
ACrDT![Color; Aspect: 1.85:1; 35 mm; AUDIO: Mono Color](icons/rgb.png) |
Hard Boiled |
John Woo, W, W, ++, C, M «Lat sau san taam» |
|
6.7 |
1991 |
CD![Color; Aspect: 1.85:1; 35 mm (Eastman EXR 500T 5296); Arriflex 35 BL3, Zeiss Super Speed Lenses; AUDIO: Dolby Color](icons/rgb.png) |
Night on Earth |
Jim Jarmusch, W, C, M |
|
6.7 |
1990 |
CD![Color (Metrocolor); Aspect: 1.66:1; AUDIO: Dolby Color (Metrocolor)](icons/q-rgb.png) |
Life Is Sweet |
Mike Leigh, W, C, M |
|
6.7 |
1989 |
CCrD![Color; Aspect: 1.78:1; 35 mm; Arriflex Camera, Zeiss Lenses; AUDIO: Mono Color](icons/rgb.png) |
Mystery Train |
Jim Jarmusch, W, C, M |
|
6.7 |
1989 |
ACrT![Color; Aspect: 1.85:1; 35 mm; Panavision Panaflex Cameras, Panavision Primo Lenses; AUDIO: Mono Color](icons/rgb.png) |
The Killer |
John Woo, W, C, C, M «Dip huet seung hung» |
|
6.7 |
1987 |
CD![Color; Aspect: 1.85:1; 35 mm; AUDIO: Mono Color](icons/rgb.png) |
Withnail & I |
Bruce Robinson, W, C, M, M |
|
6.7 |
1986 |
CrDR![Color (Technicolor); Aspect: 1.85:1; 35 mm; AUDIO: Mono Color (Technicolor)](icons/rgb.png) |
Mona Lisa |
Neil Jordan, W, W, C, M |
|
6.7 |
1985 |
D![Color; Aspect: 1.66:1; 35 mm; AUDIO: Mono Color](icons/rgb.png) |
Vagabond |
Agnès Varda, W, C, M «Sans toit ni loi» |
|
6.7 |
1984 |
D![Color; Aspect: 1.33:1; 16 mm; AUDIO: Mono Color](icons/rgb.png) |
Secret Honor |
Robert Altman, W, W, ++, C, M |
|
6.7 |
1983 |
DR![Color; Aspect: 1.85:1; 35 mm; AUDIO: Mono Color](icons/rgb.png) |
The Makioka Sisters |
Kon Ichikawa, W, W, ++, C, M, M «Sasame-yuki» |
|
6.7 |
1975 |
DR![Color (Eastmancolor); Aspect: 1.66:1; 35 mm; AUDIO: Mono Color (Eastmancolor)](icons/rgb.png) |
Maîtresse |
Barbet Schroeder, W, W, C, M |
|
6.7 |
1973 |
CrTD![Color (Technicolor); Aspect: 1.85:1; 35 mm; AUDIO: Mono Color (Technicolor)](icons/rgb.png) |
The Friends of Eddie Coyle |
Peter Yates, W, W, C, M |
|
6.7 |
1972 |
AAdD![Color (Eastmancolor); Aspect: 2.35:1; 35 mm; Tohoscope; AUDIO: Mono Color (Eastmancolor)](icons/rgb.png) |
Zatoichi in Desperation |
Shintarô Katsu, W, W, C, M «Shin Zatôichi monogatari: Oreta tsue» |
|
6.7 |
1970 |
DAAd![Color (Daieicolor); Aspect: 2.35:1; 35 mm; Daieiscope; AUDIO: Mono (Westrex Recording System) Color (Daieicolor)](icons/rgb.png) |
Zatoichi Meets Yojimbo |
Kihachi Okamoto, W, W, ++, C, M «Zatôichi to Yôjinbô» |
|
6.7 |
1966 |
C![Black and White (Sepiatone), Color; Aspect: 1.66:1; 35 mm; AUDIO: Mono Black and White (Sepiatone), Color](icons/rgb-bw.png) |
As Long as You've Got Your Health |
Pierre Étaix, W, W, C, M, M, M «Tant qu'on a la santé» |
|
6.7 |
1966 |
DT![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono Black and White](icons/bw.png) |
Young Torless |
Volker Schlöndorff, W, W, ++, C, M «Der junge Törless» |
|
6.7 |
1964 |
AAdD![Color (Eastmancolor); Aspect: 2.35:1; 35 mm; Daieiscope; AUDIO: Mono (Westrex Recording System) Color (Eastmancolor)](icons/rgb.png) |
Adventures of Zatoichi |
Kimiyoshi Yasuda, W, W, C, M «Zatoichi sekisho yaburi» |
|
6.7 |
1964 |
CrD![Black and White, Color; Aspect: 1.37:1; 35 mm; AUDIO: Mono Black and White, Color](icons/rgb-bw.png) |
Band of Outsiders |
Jean-Luc Godard, W, ++, C, M «Bande à part» |
|
6.7 |
1964 |
FanHo![Color (Eastmancolor); Aspect: 2.35:1; 35 mm; Tohoscope; AUDIO: Mono (Western Electric Recording) Color (Eastmancolor)](icons/rgb.png) |
Kwaidan |
Masaki Kobayashi, W, W, C, M «Kaidan» |
|
6.7 |
1963 |
CDR![Black and White; Aspect: 2.35:1; 35 mm; CinemaScope; AUDIO: Mono (Westrex Recording System) Black and White](icons/bw.png) |
Billy Liar |
John Schlesinger, W, W, ++, C, M |
|
6.7 |
1962 |
CrT![Black and White; Aspect: 1.66:1; 35 mm; AUDIO: Mono Black and White](icons/bw.png) |
Le Doulos |
Jean-Pierre Melville, W, W, C, M «Le doulos» |
|
6.7 |
1962 |
CrDM![Black and White; 35 mm; AUDIO: Mono Black and White](icons/bw.png) |
The Grim Reaper |
Bernardo Bertolucci, W, ++, C, M, M «La commare secca» |
|
6.7 |
1956 |
CrNT![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (RCA Sound System) Black and White](icons/bw.png) |
The Killing |
Stanley Kubrick, W, W, ++, C, M |
|
6.7 |
1954 |
DHoSfT![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Mirrophonic Recording) Black and White](icons/bw.png) |
Godzilla |
Ishirô Honda, W, W, ++, C, M «Gojira» |
|
6.7 |
1953 |
CrNT![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Recording) Black and White](icons/bw.png) |
Pickup on South Street |
Samuel Fuller, W, W, C, M |
|
6.7 |
1949 |
NMT![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Recording) Black and White](icons/bw.png) |
The Third Man |
Carol Reed, W, ++, C, M |
|
6.7 |
1946 |
WD![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono Black and White](icons/bw.png) |
Paisan |
Roberto Rossellini, W, W, ++, C, M «Paisà» |
|
6.7 |
1944 |
CDMW![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Recording) Black and White](icons/bw.png) |
A Canterbury Tale |
Michael Powell, Emeric Pressburger, W, W, C, M |
|
6.7 |
1941 |
AdCDR![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Mirrophonic Recording) Black and White](icons/bw.png) |
Sullivan's Travels |
Preston Sturges, W, C, M, M |
|
6.7 |
1941 |
CDFan![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (RCA Sound System) Black and White](icons/bw.png) |
The Devil and Daniel Webster |
William Dieterle, W, W, ++, C, M «All That Money Can Buy» |
|
6.7 |
1939 |
AdDRW![Color (Technicolor); Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Mirrophonic Recording) Color (Technicolor)](icons/rgb.png) |
The Four Feathers |
Zoltan Korda, W, W, ++, C, M |
|
6.7 |
1932 |
AdHoRSf![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Noiseless Recording) Black and White](icons/bw.png) |
Island of Lost Souls |
Erle C. Kenton, W, W, ++, C |
|
6.7 |
1928 |
CrDR![Black and White; Silent](icons/bw.png) |
The Docks of New York |
Josef von Sternberg, W, W, ++, C, M, M |
|
6.6 |
2011 |
D![Color; Aspect: 1.85:1; 35 mm (Kodak Vision3 250D 5207, Vision3 500T 5219); Digital Intermediate (2K) (master format) Super 35 (3-perf) (source format); Arricam LT, Zeiss Master Prime Lenses; AUDIO: Dolby Color](icons/rgb.png) |
The Kid with a Bike |
Jean-Pierre Dardenne, Luc Dardenne, W, W, C «Le gamin au vélo» |
|
6.6 |
2004 |
Do![Color, Black and White; Aspect: 1.78:1; AUDIO: Stereo Color, Black and White](icons/rgb-bw.png) |
Bergman Island |
Marie Nyreröd, C «Bergman och filmen, Bergman och teatern, Bergman och Fårö» TV |
|
6.6 |
2003 |
SD![Color; Aspect: 1.85:1; 35 mm; AUDIO: Dolby SR Color](icons/rgb.png) |
Wasp |
Andrea Arnold, W, C |
|
6.6 |
1995 |
DoB![Black and White; Aspect: 1.66:1; AUDIO: Mono Black and White](icons/bw.png) |
Carl Th. Dreyer: My Métier |
Torben Skjødt Jensen, W, W, ++, C, M «Carl Th. Dreyer: Min metier» |
|
6.6 |
1982 |
DR![Color; Aspect: 1.85:1; 35 mm; AUDIO: Stereo Color](icons/rgb.png) |
Identification of a Woman |
Michelangelo Antonioni, W, ++, C, M «Identificazione di una donna» |
|
6.6 |
1978 |
DR![Color (Metrocolor); Aspect: 1.85:1; 35 mm; Panaflex Camera and Lenses by Panavision; AUDIO: Dolby (35 mm prints), 70 mm 6-Track (70 mm prints) Color (Metrocolor)](icons/rgb.png) |
Days of Heaven |
Terrence Malick, W, C, M |
|
6.6 |
1975 |
DHW![Black and White; Aspect: 1.75:1; 35 mm; AUDIO: Mono Black and White](icons/bw.png) |
Overlord |
Stuart Cooper, W, W, C, M |
|
6.6 |
1973 |
CrD![Color; Aspect: 1.85:1; 35 mm; AUDIO: Mono Color](icons/rgb.png) |
Badlands |
Terrence Malick, W, C, C, C, M |
|
6.6 |
1966 |
FanS![Color; AUDIO: Mono Color](icons/q-rgb.png) |
Emotion |
Nobuhiko Ôbayashi, W, W, M «Émotion» |
|
6.6 |
1966 |
DMT![Black and White; Aspect: 1.85:1; 35 mm; AUDIO: Mono Black and White](icons/bw.png) |
Seconds |
John Frankenheimer, W, W, C, M |
|
6.6 |
1965 |
D![Black and White; Aspect: 1.85:1; 35 mm; AUDIO: Mono (Westrex Recording System) Black and White](icons/bw.png) |
The Spy Who Came in from the Cold |
Martin Ritt, W, W, ++, C, M |
|
6.6 |
1963 |
DH![Color (Technicolor); Aspect: 2.20:1; 35 mm (horizontal); Super Technirama 70 (advertised as CinemaScope in the USA); AUDIO: Mono (Westrex Recording System) Color (Technicolor)](icons/rgb.png) |
The Leopard |
Luchino Visconti, W, W, ++, C, M «Il gattopardo» |
|
6.6 |
1958 |
DW![Black and White; Aspect: 1.66:1; 35 mm; AUDIO: Mono Black and White](icons/bw.png) |
Ashes and Diamonds |
Andrzej Wajda, W, ++, C, M, M «Popiól i diament» |
|
6.6 |
1956 |
Cr![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono Black and White](icons/bw.png) |
Bob le Flambeur |
Jean-Pierre Melville, W, ++, C, C, M, M «Bob le flambeur» |
|
6.6 |
1955 |
DW![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono Black and White](icons/bw.png) |
A Generation |
Andrzej Wajda, W, C, M «Pokolenie» |
|
6.6 |
1955 |
DR![Color (Eastmancolor and Technicolor); Aspect: 2.00:1; 35 mm; AUDIO: Mono (Western Electric Recording) Color (Eastmancolor and Technicolor)](icons/rgb.png) |
All That Heaven Allows |
Douglas Sirk, W, W, ++, C, M |
|
6.6 |
1955 |
D![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono Black and White](icons/bw.png) |
Ordet |
Carl Theodor Dreyer, W, ++, C, M |
|
6.6 |
1948 |
CrDNMT![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Recording) Black and White](icons/bw.png) |
The Naked City |
Jules Dassin, W, W, ++, C, M, M |
|
6.6 |
1945 |
DoS![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono Black and White](icons/bw.png) |
Le vampire |
Jean Painlevé |
|
6.6 |
1940 |
DMT![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Noiseless Recording) Black and White](icons/bw.png) |
Rebecca |
Alfred Hitchcock, W, W, ++, C, M |
|
6.6 |
1938 |
D![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (RCA Sound System) Black and White](icons/bw.png) |
La Bête Humaine |
Jean Renoir, W, ++, C, M «La bête humaine» |
|
6.6 |
1925 |
SSf![Black and White; Silent](icons/bw.png) |
At 3:25 |
René Clair, W, C, C, M «Paris qui dort» |
|
6.5 |
2011 |
D![Color; Aspect: 1.85:1; 16 mm (Fuji Eterna Vivid 160T 8643, Eterna Vivid 500T 8647); Super 16; AUDIO: Dolby Digital Color](icons/rgb.png) |
The Forgiveness of Blood |
Joshua Marston, W, W, C, M, M |
|
6.5 |
2010 |
![TV](icons/tv_icon.png) BCrDHT![Color; Aspect: 2.35:1; 35 mm (Kodak Vision2 100T 5212, Vision2 200T 5217, Vision3 500T 5219); Digital Intermediate (2K) (master format) Techniscope (source format); Aaton Penelope, Panavision Primo Lenses Panavision Panaflex Platinum, Panavision Primo Lenses; AUDIO: Dolby Digital Color](icons/rgb.png) |
"Carlos" |
[ Olivier Assayas ], [ W, W, W ], C, C TV mini-series 2010- |
|
6.5 |
2000 |
S![Color; Aspect: 1.78:1; 35 mm (Kodak) (last shot) DV (Fuji); DV Spherical (last shot); Panavision Camera and Lenses (last shot); AUDIO: Dolby Digital Color](icons/rgb.png) |
Camera |
David Cronenberg, W, C, M |
|
6.5 |
2000 |
DMcR![Color; Aspect: 1.85:1; AUDIO: Dolby Color](icons/q-rgb.png) |
Yi Yi |
Edward Yang, W, C, M «Yi yi» |
|
6.5 |
1980 |
AdC![Color; Aspect: 2.35:1; 35 mm; Panavision (anamorphic) (as Panavision®); Panavision Cameras and Lenses; AUDIO: Mono Color](icons/rgb.png) |
Hopscotch |
Ronald Neame, W, ++, C, C |
|
6.5 |
1979 |
CrDMc![Color (Eastmancolor) (uncredited); Aspect: 1.85:1; 35 mm; AUDIO: Dolby (Dolby Stereo) Color (Eastmancolor) (uncredited)](icons/rgb.png) |
Quadrophenia |
Franc Roddam, W, W, ++, C |
|
6.5 |
1979 |
DR![Color (Eastmancolor); Aspect: 2.20:1; 35 mm; Panavision (anamorphic); AUDIO: 70 mm 6-Track (70 mm prints), Dolby (35 mm prints) Color (Eastmancolor)](icons/rgb.png) |
Tess |
Roman Polanski, W, W, ++, C, C, M |
|
6.5 |
1979 |
DW![Color (Fujicolor); Aspect: 1.66:1; 35 mm; AUDIO: Mono Color (Fujicolor)](icons/rgb.png) |
The Marriage of Maria Braun |
Rainer Werner Fassbinder, W, W, ++, C, M «Die Ehe der Maria Braun» |
|
6.5 |
1977 |
D![Color; Aspect: 2.35:1; 35 mm; Panavision (anamorphic); AUDIO: Mono Color](icons/rgb.png) |
3 Women |
Robert Altman, W, ++, C, M |
|
6.5 |
1972 |
CDFan![Color (Eastmancolor); Aspect: 1.66:1; 35 mm; Panavision Cameras and Lenses; AUDIO: Mono Color (Eastmancolor)](icons/rgb.png) |
The Discreet Charm of the Bourgeoisie |
Luis Buñuel, W, W, C «Le charme discret de la bourgeoisie» |
|
6.5 |
1969 |
CD![Color (Eastmancolor); Aspect: 1.66:1; 35 mm; AUDIO: Mono Color (Eastmancolor)](icons/rgb.png) |
The Milky Way |
Luis Buñuel, W, W, C, M «La voie lactée» |
|
6.5 |
1968 |
DRC![Color (Eastmancolor); Aspect: 1.78:1; 35 mm; AUDIO: Mono Color (Eastmancolor)](icons/rgb.png) |
Stolen Kisses |
François Truffaut, W, W, ++, C, M «Baisers volés» |
|
6.5 |
1967 |
ACrD![Black and White; Aspect: 2.35:1; 35 mm; Nikkatsuscope; AUDIO: Mono (Westrex Recording System) Black and White](icons/bw.png) |
Branded to Kill |
Seijun Suzuki, W, W, ++, C, M «Koroshi no rakuin» |
|
6.5 |
1966 |
AdDT![Color (Technicolor); Aspect: 2.35:1; 35 mm; Panavision (anamorphic); AUDIO: Mono (RCA Sound System) Color (Technicolor)](icons/rgb.png) |
The Naked Prey |
Cornel Wilde, W, W, C, M, M, M |
|
6.5 |
1963 |
DSp![Black and White; Aspect: 1.66:1; 35 mm; AUDIO: Mono Black and White](icons/bw.png) |
This Sporting Life |
Lindsay Anderson, W, C, M |
|
6.5 |
1963 |
DAdA![Color (Eastmancolor); Aspect: 2.35:1; 35 mm; Daieiscope; AUDIO: Mono (Westrex Recording System) Color (Eastmancolor)](icons/rgb.png) |
Zatoichi the Fugitive |
Tokuzô Tanaka, W, W, C, M «Zatôichi kyôjô-tabi» |
|
6.5 |
1962 |
SDo![Color; Silent](icons/rgb.png) |
Window Water Baby Moving |
Stan Brakhage, C |
|
6.5 |
1961 |
D![Black and White; Aspect: 1.66:1; 35 mm; AUDIO: Mono (Klangfilm-Magnetocord) Black and White](icons/bw.png) |
Viridiana |
Luis Buñuel, W, W, ++, C, M |
|
6.5 |
1958 |
D![Black and White; Aspect: 2.35:1; 35 mm; Dyaliscope; Chevereau Cameras; AUDIO: Mono Black and White](icons/bw.png) |
The Lovers |
Louis Malle, W, ++, C «Les amants» |
|
6.5 |
1956 |
D![Color; Aspect: 2.55:1; 35 mm; CinemaScope; Bausch & Lomb Lenses; AUDIO: Mono (optical prints) (Westrex Recording System), 4-Track Stereo (magnetic prints) (Westrex Recording System) Color](icons/rgb.png) |
Bigger Than Life |
Nicholas Ray, W, W, ++, C, M |
|
6.5 |
1951 |
D![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Tobis-Klangfilm) Black and White](icons/bw.png) |
Diary of a Country Priest |
Robert Bresson, W, W, C, M «Journal d'un curé de campagne» |
|
6.5 |
1946 |
DRT![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (RCA Sound System) Black and White](icons/bw.png) |
Notorious |
Alfred Hitchcock, W, ++, C, M |
|
6.5 |
1945 |
DR![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric) Black and White](icons/bw.png) |
'I Know Where I'm Going!' |
Michael Powell, Emeric Pressburger, W, W, C, M |
|
6.5 |
1945 |
DR![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Tobis-Klangfilm) Black and White](icons/bw.png) |
Les dames du Bois de Boulogne |
Robert Bresson, W, W, ++, C, M |
|
6.5 |
1939 |
MlC![Color (Technicolor); Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Sound System) Color (Technicolor)](icons/rgb.png) |
The Mikado |
Victor Schertzinger, W, C, C |
|
6.5 |
1937 |
DW![Black and White; Aspect: 1.33:1; 35 mm; AUDIO: Mono (Western Electric Sound System) Black and White](icons/bw.png) |
La Grande Illusion |
Jean Renoir, W, W, C, M «La grande illusion» |
|
6.5 |
1935 |
DR![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Noiseless Recording) Black and White](icons/bw.png) |
Magnificent Obsession |
John M. Stahl, W, W, ++, C, M |
|
6.4 |
2001 |
CDR![Color; Aspect: 1.85:1; 16 mm (Kodak); Super 16; Aaton 16 mm Cameras; AUDIO: Dolby Digital Color](icons/rgb.png) |
Monsoon Wedding |
Mira Nair, W, C, M |
|
6.4 |
1998 |
CrDMT![Black and White; Aspect: 1.37:1; 16 mm Black and White](icons/bw.png) |
Following |
Christopher Nolan, W, C, M |
|
6.4 |
1988 |
DoMc![Color; Aspect: 1.85:1; 35 mm; AUDIO: Dolby SR Color](icons/rgb.png) |
Powaqqatsi |
Godfrey Reggio, W, W, C, C, M |
|
6.4 |
1980 |
DRW![Color (Fujicolor); Aspect: 1.66:1; 35 mm; AUDIO: Mono Color (Fujicolor)](icons/rgb.png) |
The Last Metro |
François Truffaut, W, W, ++, C, M «Le dernier métro» |
|
6.4 |
1978 |
Do![Color (Eastmancolor); Aspect: 1.33:1; 16 mm; Eclair NPR 16 mm; AUDIO: Mono Color (Eastmancolor)](icons/rgb.png) |
Koko, a Talking Gorilla |
Barbet Schroeder, C, M, M «Koko, le gorille qui parle» |
|
6.4 |
1962 |
HoT![Color (green tinted), Black and White; Aspect: 1.37:1; 16 mm; Arriflex Cameras; AUDIO: Mono Color (green tinted), Black and White](icons/rgb-bw.png) |
Carnival of Souls |
Herk Harvey, W, ++, C, M |
|
6.4 |
1962 |
CDFanM![Black and White; Aspect: 1.33:1; 35 mm; AUDIO: Mono (RCA Sound System) Black and White](icons/bw.png) |
The Exterminating Angel |
Luis Buñuel, W, ++, C, M «El ángel exterminador» |
|
6.4 |
1960 |
CrDT![Black and White (Dyaliscope); Aspect: 2.35:1; 35 mm; Dyaliscope; AUDIO: Mono Black and White (Dyaliscope)](icons/bw.png) |
Shoot the Piano Player |
François Truffaut, W, W, ++, C, M «Tirez sur le pianiste» |
|
6.4 |
1960 |
DHo![Color (Eastmancolor); Aspect: 2.35:1; 35 mm; Shintohoscope; AUDIO: Mono (Westrex Recording System) Color (Eastmancolor)](icons/rgb.png) |
The Sinners of Hell |
Nobuo Nakagawa, W, W, C, M «Jigoku» |
|
6.4 |
1959 |
S![Black and White; Silent](icons/bw.png) |
Wedlock House: An Intercourse |
Stan Brakhage |
|
6.4 |
1957 |
DTWe![Black and White; Aspect: 1.75:1; 35 mm; AUDIO: Mono (Westrex Recording System) Black and White](icons/bw.png) |
3:10 to Yuma |
Delmer Daves, W, W, C, M |
|
6.4 |
1950 |
DRWe![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Recording) Black and White](icons/bw.png) |
The Furies |
Anthony Mann, W, W, C, C, M |
|
6.4 |
1947 |
D![Color (Technicolor); Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Recording) Color (Technicolor)](icons/rgb.png) |
Black Narcissus |
Michael Powell, Emeric Pressburger, W, W, ++, C, M |
|
6.4 |
1942 |
CFanR![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Mirrophonic Recording) Black and White](icons/bw.png) |
I Married a Witch |
René Clair, W, W, ++, C, M |
|
6.4 |
1942 |
DW![Black and White (archive footage), Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Mirrophonic Sound System) Black and White (archive footage), Black and White](icons/bw.png) |
In Which We Serve |
Noel Coward, David Lean, W, C, M, M |
|
6.4 |
1940 |
MRTW![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Mirrophonic Recording) Black and White](icons/bw.png) |
Foreign Correspondent |
Alfred Hitchcock, W, W, ++, C, M |
|
6.4 |
1935 |
CCrMRT![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (British Acoustic Film Full Range Recording System: at Shepherd's Bush London) Black and White](icons/bw.png) |
The 39 Steps |
Alfred Hitchcock, W, W, ++, C, M, M |
|
6.4 |
1917 |
We![Black and White (tinted); Silent](icons/bw.png) |
Bucking Broadway |
John Ford, W, C, C, M |
|
6.3 |
2011 |
DR![Color; Color](icons/q-rgb.png) |
Weekend |
Andrew Haigh, W, C, M |
|
6.3 |
1994 |
CrT![Color (Eastmancolor); Aspect: 1.85:1; 35 mm (Eastman); Arriflex Cameras and Lenses; AUDIO: Dolby SR Color (Eastmancolor)](icons/rgb.png) |
Shallow Grave |
Danny Boyle, W, C, M |
|
6.3 |
1984 |
CrDT![Black and White (tinted), Color; Aspect: 1.85:1; 35 mm; AUDIO: Mono Black and White (tinted), Color](icons/rgb-bw.png) |
The Element of Crime |
Lars von Trier, W, W, ++, C, M «Forbrydelsens element» |
|
6.3 |
1983 |
DR![Color; Aspect: 1.66:1; AUDIO: Mono Color](icons/q-rgb.png) |
À Nos Amours |
Maurice Pialat, W, W, C «À nos amours» |
|
6.3 |
1978 |
DHoRT![Color (Eastmancolor); Aspect: 1.66:1; 35 mm (horizontal); VistaVision; AUDIO: Mono Color (Eastmancolor)](icons/rgb.png) |
Empire of Passion |
Nagisa Ôshima, W, W, C, M «Ai no borei» |
|
6.3 |
1973 |
Do![Color (Eastmancolor); Aspect: 1.66:1; 35 mm; AUDIO: Mono Color (Eastmancolor)](icons/rgb.png) |
F for Fake |
Orson Welles, W, ++, C, M «Vérités et mensonges» |
|
6.3 |
1972 |
CDMc![Color; Aspect: 1.78:1; 35 mm; AUDIO: Mono Color](icons/rgb.png) |
The Ruling Class |
Peter Medak, W, C, M |
|
6.3 |
1969 |
D![Color (Technicolor); Aspect: 1.85:1; 16 mm 35 mm; AUDIO: Mono Color (Technicolor)](icons/rgb.png) |
Medium Cool |
Haskell Wexler, W, C, M |
|
6.3 |
1968 |
CCrMT![Black and White; 35 mm; AUDIO: Mono Black and White](icons/bw.png) |
Murder à la Mod |
Brian De Palma, W, C, M |
|
6.3 |
1967 |
DCR![Color (Eastmancolor); Aspect: 1.37:1; 35 mm; AUDIO: Mono Color (Eastmancolor)](icons/rgb.png) |
La Collectionneuse |
Eric Rohmer, W, W, ++, C, M, M «La collectionneuse» |
|
6.3 |
1967 |
D![Black and White; Aspect: 1.66:1; 35 mm; AUDIO: Mono Black and White](icons/bw.png) |
Mouchette |
Robert Bresson, W, W, C, M |
|
6.3 |
1965 |
CD![Black and White; Aspect: 1.33:1; 35 mm; AUDIO: Mono Black and White](icons/bw.png) |
Simon of the Desert |
Luis Buñuel, W, ++, C, M «Simón del desierto» |
|
6.3 |
1964 |
AdSf![Color (Technicolor); Aspect: 2.35:1; 35 mm; Techniscope; AUDIO: Mono (Westrex Recording System) Color (Technicolor)](icons/rgb.png) |
Robinson Crusoe on Mars |
Byron Haskin, W, W, ++, C, M |
|
6.3 |
1962 |
D![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono Black and White](icons/bw.png) |
Knife in the Water |
Roman Polanski, W, W, ++, C, M «Nóz w wodzie» |
|
6.3 |
1962 |
SDRSf![Black and White; Aspect: 1.66:1; 35 mm; Arriflex Cameras Pentax 24 x 36; AUDIO: Mono Black and White](icons/bw.png) |
La Jetée |
Chris Marker, W, C, C «La jetée» |
|
6.3 |
1962 |
CrDHMW![Black and White; Aspect: 1.85:1; 35 mm; AUDIO: Mono Black and White](icons/bw.png) |
Salvatore Giuliano |
Francesco Rosi, W, W, ++, C, M |
|
6.3 |
1959 |
CrDM![Black and White; Aspect: 1.85:1; 35 mm; AUDIO: Mono (Westrex Recording System) Black and White](icons/bw.png) |
Anatomy of a Murder |
Otto Preminger, W, W, C, M |
|
6.3 |
1955 |
BDR![Color (Eastmancolor); Aspect: 2.55:1; 35 mm; Digital Intermediate (restored version) CinemaScope (anamorphic); Bausch & Lomb Lenses Mitchell BNC Cameras; AUDIO: Dolby (Restored version), 4-Track Stereo (Western Electric Sound System) Color (Eastmancolor)](icons/rgb.png) |
Lola Montès |
Max Ophüls, W, W, ++, C, M |
|
6.3 |
1952 |
CDR![Color (Technicolor); AUDIO: Mono (Western Electric Sound System) Color (Technicolor)](icons/q-rgb.png) |
The Golden Coach |
Jean Renoir, W, W, ++, C, C «Le carrosse d'or» |
|
6.3 |
1950 |
D![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono Black and White](icons/bw.png) |
Les Enfants Terribles |
Jean-Pierre Melville, W, ++, C «Les enfants terribles» |
|
6.3 |
1942 |
DH![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Reeves Sound System) Black and White](icons/bw.png) |
Native Land |
Leo Hurwitz, Paul Strand, W, W, ++, C, M |
|
6.3 |
1941 |
CR![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Mirrophonic Recording) Black and White](icons/bw.png) |
The Lady Eve |
Preston Sturges, W, W, C, M, M, M++ |
|
6.2 |
1997 |
S![Color; Silent](icons/rgb.png) |
Commingled Containers |
Stan Brakhage, C |
|
6.2 |
1989 |
CD![Color; 35 mm; AUDIO: Mono Color](icons/rgb.png) |
Sweetie |
Jane Campion, W, ++, C, M |
|
6.2 |
1984 |
CrDT![Color (Technicolor); Aspect: 1.85:1; 35 mm; Panaflex Camera and Lenses by Panavision; AUDIO: Mono Color (Technicolor)](icons/rgb.png) |
The Hit |
Stephen Frears, W, C, M |
|
6.2 |
1982 |
DFanM![Color (Eastmancolor); Aspect: 1.66:1; 35 mm; Arriflex 35 BL; AUDIO: Mono Color (Eastmancolor)](icons/rgb.png) |
Fanny and Alexander |
Ingmar Bergman, W, C, M «Fanny och Alexander» |
|
6.2 |
1972 |
DR![Color (Eastmancolor); Aspect: 1.66:1; 35 mm; AUDIO: Mono Color (Eastmancolor)](icons/rgb.png) |
Cries & Whispers |
Ingmar Bergman, W, C «Viskningar och rop» |
|
6.2 |
1968 |
D![Black and White, Color (Eastmancolor); Aspect: 1.75:1; 35 mm; AUDIO: Mono Black and White, Color (Eastmancolor)](icons/rgb-bw.png) |
If.... |
Lindsay Anderson, W, ++, C, M |
|
6.2 |
1960 |
Ho![Black and White; Aspect: 1.66:1; 35 mm; AUDIO: Mono (Western Electric Recording) Black and White](icons/bw.png) |
Eyes Without a Face |
Georges Franju, W, W, ++, C, M «Les yeux sans visage» |
|
6.2 |
1959 |
CrD![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Westrex Recording System) Black and White](icons/bw.png) |
Pickpocket |
Robert Bresson, W, C |
|
6.2 |
1957 |
DFan![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono Black and White](icons/bw.png) |
The Seventh Seal |
Ingmar Bergman, W, C, M «Det sjunde inseglet» |
|
6.2 |
1956 |
We![Color (Technicolor); Aspect: 2.55:1; 35 mm; CinemaScope; AUDIO: Mono (RCA Sound Recording) Color (Technicolor)](icons/rgb.png) |
Jubal |
Delmer Daves, W, W, ++, C, M |
|
6.2 |
1954 |
D![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono Black and White](icons/bw.png) |
Journey to Italy |
Roberto Rossellini, W, W, ++, C «Viaggio in Italia» |
|
6.2 |
1940 |
TW![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Full Range Recording System) Black and White](icons/bw.png) |
Night Train to Munich |
Carol Reed, W, W, ++, C, M, M |
|
6.2 |
1939 |
AdWe![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Mirrophonic Recording) Black and White](icons/bw.png) |
Stagecoach |
John Ford, W, W, ++, C, M |
|
6.2 |
1932 |
Ho![Black and White; Aspect: 1.19:1; 35 mm; AUDIO: Mono (Tobis-Klangfilm) Black and White](icons/bw.png) |
Vampyr |
Carl Theodor Dreyer, W, W, ++, C, C, M |
|
6.1 |
1992 |
S![Color; AUDIO: Mono Color](icons/q-rgb.png) |
Crack Glass Eulogy |
Stan Brakhage, M |
|
6.1 |
1974 |
DR![Color; Aspect: 1.37:1; 35 mm; Arriflex Cameras; AUDIO: Mono Color](icons/rgb.png) |
A Woman Under the Influence |
John Cassavetes, W, C, C, M |
|
6.1 |
1971 |
CD![Color (Technicolor); Aspect: 1.85:1; 35 mm; AUDIO: Mono Color (Technicolor)](icons/rgb.png) |
Harold and Maude |
Hal Ashby, W, C |
|
6.1 |
1964 |
CrD![Black and White; Aspect: 2.35:1; 35 mm; Franscope; AUDIO: Mono Black and White](icons/bw.png) |
Diary of a Chambermaid |
Luis Buñuel, W, W, ++, C «Le journal d'une femme de chambre» |
|
6.1 |
1958 |
D![Black and White; Aspect: 1.33:1; 35 mm; AUDIO: Mono Black and White](icons/bw.png) |
Le Beau Serge |
Claude Chabrol, W, C, M «Le beau Serge» |
|
6.1 |
1955 |
DHW![Color (Technicolor); Aspect: 1.66:1; 35 mm (horizontal); VistaVision; AUDIO: Mono (Western Electric Recording) Color (Technicolor)](icons/rgb.png) |
Richard III |
Laurence Olivier, W, W, ++, C, M |
|
6.1 |
1950 |
DR![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono Black and White](icons/bw.png) |
La Ronde |
Max Ophüls, W, W, ++, C, M «La ronde» |
|
6.1 |
1948 |
CMc![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Recording) Black and White](icons/bw.png) |
Unfaithfully Yours |
Preston Sturges, W, C |
|
6.1 |
1946 |
CCrNMT![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Recording) Black and White](icons/bw.png) |
Green for Danger |
Sidney Gilliat, W, W, ++, C, M |
|
6.1 |
1939 |
CD![Black and White; Aspect: 1.37:1; 35 mm; Kinoptik; AUDIO: Mono (Western Electric) Black and White](icons/bw.png) |
The Rules of the Game |
Jean Renoir, W, W, C, C, C++, M «La règle du jeu» |
|
6.1 |
1933 |
CR![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Noiseless Recording) Black and White](icons/bw.png) |
Design for Living |
Ernst Lubitsch, W, W, ++, C, M |
|
6.0 |
2002 |
![Color; Color](icons/q-rgb.png) |
Angst isst Seele auf |
Shahbaz Noshir, W, C |
|
6.0 |
2001 |
S![Color; Color](icons/q-rgb.png) |
Dog |
Andrea Arnold, W, C, M |
|
6.0 |
2000 |
DoB![Black and White, Color; Aspect: 1.33:1; Video; AUDIO: Mono Black and White, Color](icons/rgb-bw.png) |
A Constant Forge |
Charles Kiselyak |
|
6.0 |
1988 |
DT![Color; Aspect: 1.66:1; 35 mm; Panavision Cameras and Lenses (uncredited); AUDIO: Dolby Color](icons/rgb.png) |
Dead Ringers |
David Cronenberg, W, W, ++, C, M |
|
6.0 |
1987 |
BDH![Color (Technicolor); Aspect: 2.00:1; 35 mm; Technovision (anamorphic); Arriflex 35 BL, Technovision Anamorphic Lenses; AUDIO: Dolby (35 mm prints), 70 mm 6-Track (70 mm prints) Color (Technicolor)](icons/rgb.png) |
The Last Emperor |
Bernardo Bertolucci, W, W, ++, C, M, M, M |
|
6.0 |
1986 |
S![Color; Silent](icons/rgb.png) |
Night Music |
Stan Brakhage |
|
6.0 |
1985 |
S![Color; 16 mm Color](icons/rgb.png) |
Woodshock |
Richard Linklater, C |
|
6.0 |
1984 |
D![Color (Technicolor); Aspect: 1.85:1; 35 mm; Panaflex Camera and Lenses by Panavision; AUDIO: Mono Color (Technicolor)](icons/rgb.png) |
Under the Volcano |
John Huston, W, W, C, M |
|
6.0 |
1982 |
S![Black and White; 16 mm Black and White](icons/bw.png) |
M. le maudit |
Claude Chabrol, C TV |
|
6.0 |
1980 |
DoS![Black and White; Black and White](icons/bw.png) |
Dworzec |
Krzysztof Kieslowski, C |
|
6.0 |
1979 |
DoS![Black and White; Black and White](icons/bw.png) |
Siedem kobiet w róznym wieku |
Krzysztof Kieslowski, C |
|
6.0 |
1977 |
DMT![Color; Aspect: 1.85:1; 35 mm; Panaflex Camera and Lenses by Panavision; AUDIO: Mono Color](icons/rgb.png) |
The Last Wave |
Peter Weir, W, W, ++, C, M |
|
6.0 |
1973 |
DFan![Color (Eastmancolor); Aspect: 1.66:1; AUDIO: Mono Color (Eastmancolor)](icons/q-rgb.png) |
The Spirit of the Beehive |
Víctor Erice, W, ++, C, M «El espíritu de la colmena» |
|
6.0 |
1973 |
D![Color (Eastmancolor); 35 mm; AUDIO: Mono Color (Eastmancolor)](icons/rgb.png) |
Touki Bouki |
Djibril Diop Mambéty, W, C |
|
6.0 |
1971 |
D![Color; Aspect: 1.66:1; 35 mm; AUDIO: Mono Color](icons/rgb.png) |
Sunday Bloody Sunday |
John Schlesinger, W, ++, C, M |
|
6.0 |
1967 |
SC![Color; Aspect: 1.37:1 Color](icons/q-rgb.png) |
Evening Classes |
Nicolas Ribowski, W, C, M «Cours du soir» |
|
6.0 |
1967 |
CrDMT![Color (Eastmancolor); Aspect: 1.85:1; 35 mm; AUDIO: Mono Color (Eastmancolor)](icons/rgb.png) |
Le Samouraï |
Jean-Pierre Melville, W, W, ++, C, M «Le samouraï» |
|
6.0 |
1966 |
DR![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono Black and White](icons/bw.png) |
Masculin Féminin |
Jean-Luc Godard, W, W, C, M «Masculin féminin» |
|
6.0 |
1966 |
DS![Black and White; 35 mm; AUDIO: Mono Black and White](icons/bw.png) |
Patriotism |
Masaki Dômoto, Yukio Mishima, W, C «Yûkoku» |
|
6.0 |
1966 |
S![Black and White; Black and White](icons/bw.png) |
Une étudiante d'aujourd'hui |
Eric Rohmer, C |
|
6.0 |
1963 |
S![Color; Silent](icons/rgb.png) |
Mothlight |
Stan Brakhage |
|
6.0 |
1962 |
DR![Black and White; Aspect: 1.85:1; 35 mm; AUDIO: Mono (Westrex) Black and White](icons/bw.png) |
L'eclisse |
Michelangelo Antonioni, W, W, ++, C, M |
|
6.0 |
1961 |
CrTD![Black and White; Aspect: 1.66:1; 35 mm; AUDIO: Mono Black and White](icons/bw.png) |
Blast of Silence |
Allen Baron, W, W, C, M |
|
6.0 |
1960 |
CSR![Black and White; 35 mm; AUDIO: Mono Black and White](icons/bw.png) |
Presentation, or Charlotte and Her Steak |
Eric Rohmer, ++, M «Présentation ou Charlotte et son steak» |
|
6.0 |
1960 |
CFan![Color (Eastmancolor); Aspect: 1.66:1; 35 mm; AUDIO: Mono Color (Eastmancolor)](icons/rgb.png) |
Zazie dans le métro |
Louis Malle, W, W, ++, C, M, M |
|
6.0 |
1959 |
S![Color; Silent](icons/rgb.png) |
Cat's Cradle |
Stan Brakhage |
|
6.0 |
1958 |
SC![Black and White; 35 mm Black and White](icons/bw.png) |
Veronique and Her Dunce |
Eric Rohmer, W, C «Véronique et son cancre» |
|
6.0 |
1957 |
D![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono Black and White](icons/bw.png) |
The Lower Depths |
Akira Kurosawa, W, W, ++, C, M «Donzoko» |
|
6.0 |
1955 |
S![Color (Technicolor); Aspect: 2.55:1; 35 mm; CinemaScope; AUDIO: 4-Track Stereo (35 mm magnetic prints) Color (Technicolor)](icons/rgb.png) |
The Sorcerer's Apprentice |
Michael Powell, W, W, C, M |
|
6.0 |
1953 |
C![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono Black and White](icons/bw.png) |
Mr. Hulot's Holiday |
Jacques Tati, W, ++, C, C, M «Les vacances de Monsieur Hulot» |
|
6.0 |
1951 |
DR![Color (Technicolor); Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Recording) Color (Technicolor)](icons/rgb.png) |
The River |
Jean Renoir, W, ++, C, M |
|
6.0 |
1945 |
NMRT![Color (Two frames tinted), Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Recording) Color (Two frames tinted), Black and White](icons/rgb-bw.png) |
Spellbound |
Alfred Hitchcock, W, W, ++, C, M |
|
6.0 |
1933 |
SCD![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono Black and White](icons/bw.png) |
Zero for Conduct |
Jean Vigo, W, C, M «Zéro de conduite: Jeunes diables au collège» |
|
6.0 |
1915 |
CS![Black and White; Silent](icons/bw.png) |
Pool Sharks |
Edwin Middleton, ++ |
|
5.9 |
2008 |
CrDRT![Color; Aspect: 1.85:1; Super 16; Arriflex Cameras and Lenses; AUDIO: Dolby Digital, Dolby (Synchro Film, Austria) Color](icons/q-rgb.png) |
Revanche |
Götz Spielmann, W, C |
|
5.9 |
2001 |
DHo![Color; Aspect: 1.85:1; 35 mm (Kodak Vision 250D 5246, Vision 500T 5279); Moviecam Compact, Zeiss Super Speed and Variable Prime Lenses; AUDIO: Dolby Digital Color](icons/rgb.png) |
The Devil's Backbone |
Guillermo del Toro, W, W, ++, C, M «El espinazo del diablo» |
|
5.9 |
1998 |
SD![Color; 35 mm Color](icons/rgb.png) |
Gasman |
Lynne Ramsay, W, W, C |
|
5.9 |
1994 |
DMR![Color; Aspect: 1.66:1; 35 mm (Agfa); AUDIO: 4-Track Stereo, Dolby SR Color](icons/rgb.png) |
Chungking Express |
Kar Wai Wong, W, C, C, M, M, M «Chung Hing sam lam» |
|
5.9 |
1988 |
S![Color; Aspect: 1.37:1; 16 mm; AUDIO: Mono Color](icons/rgb.png) |
I... Dreaming |
Stan Brakhage, M |
|
5.9 |
1986 |
CCrD![Black and White; Aspect: 1.85:1; 35 mm; Arriflex Cameras; AUDIO: Mono Black and White](icons/bw.png) |
Down by Law |
Jim Jarmusch, W, C, M |
|
5.9 |
1976 |
CrD![Color; Aspect: 1.85:1; 35 mm; AUDIO: Mono Color](icons/rgb.png) |
The Killing of a Chinese Bookie |
John Cassavetes, W, C, C, M |
|
5.9 |
1971 |
AdD![Color (Eastmancolor); Aspect: 1.85:1; 35 mm; AUDIO: Mono Color (Eastmancolor)](icons/rgb.png) |
Walkabout |
Nicolas Roeg, W, W, C, M |
|
5.9 |
1968 |
DHoM![Color (Technicolor); Aspect: 1.85:1; 35 mm (Eastman 50T 5251); AUDIO: Mono Color (Technicolor)](icons/rgb.png) |
Rosemary's Baby |
Roman Polanski, W, W, C, M |
|
5.9 |
1964 |
D![Color (Technicolor); Aspect: 1.85:1; 35 mm; AUDIO: Mono (Westrex Recording System) Color (Technicolor)](icons/rgb.png) |
Red Desert |
Michelangelo Antonioni, W, W, C, M, M «Il deserto rosso» |
|
5.9 |
1961 |
CDR![Color (Eastmancolor); Aspect: 2.35:1; 35 mm; Franscope; AUDIO: Mono Color (Eastmancolor)](icons/rgb.png) |
A Woman Is a Woman |
Jean-Luc Godard, W, C, M «Une femme est une femme» |
|
5.9 |
1959 |
DR![Black and White; Aspect: 1.66:1; 35 mm; AUDIO: Mono Black and White](icons/bw.png) |
The Fugitive Kind |
Sidney Lumet, W, W, ++, C, M |
|
5.9 |
1958 |
CrDHoT![Black and White; Aspect: 1.66:1; 35 mm; AUDIO: Mono (Westrex Recording System) Black and White](icons/bw.png) |
Corridors of Blood |
Robert Day, W, ++, C, M |
|
5.9 |
1956 |
CDR![Color (Technicolor); 35 mm; AUDIO: Mono (Western Electric Sound System) Color (Technicolor)](icons/rgb.png) |
Elena and Her Men |
Jean Renoir, W, W, C, M «Elena et les hommes» |
|
5.9 |
1939 |
BD![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Mirrophonic Recording) Black and White](icons/bw.png) |
Young Mr. Lincoln |
John Ford, W, C, C, M |
|
5.9 |
1932 |
AdMT![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (RCA Photophone System) Black and White](icons/bw.png) |
The Most Dangerous Game |
Irving Pichel, Ernest B. Schoedsack, W, W, C, M |
|
5.9 |
1917 |
C![Black and White; Silent](icons/bw.png) |
The Merry Jail |
Ernst Lubitsch, W, C «Das fidele Gefängnis» |
|
5.8 |
2006 |
CFan![Black and White; 8 mm; Super 8 Black and White](icons/bw.png) |
Brand Upon the Brain! A Remembrance in 12 Chapters |
Guy Maddin, W, W, ++, C, M |
|
5.8 |
2000 |
DR![Color; Aspect: 1.66:1; 35 mm (Kodak Vision 500T 5279, Vision 800T 5289); Arriflex 35 BL4, Zeiss Lenses Arriflex 535, Zeiss Lenses; AUDIO: Dolby Digital Color](icons/rgb.png) |
In the Mood for Love |
Kar Wai Wong, W, C, C, C, M, M «Fa yeung nin wa» |
|
5.8 |
1979 |
CD![Color; Aspect: 1.85:1; 35 mm; Panavision Cameras and Lenses; AUDIO: Mono Color](icons/rgb.png) |
Wise Blood |
John Huston, W, W, ++, C, M |
|
5.8 |
1971 |
D![Black and White; Aspect: 1.85:1; 35 mm; AUDIO: Mono Black and White](icons/bw.png) |
The Last Picture Show |
Peter Bogdanovich, W, W, ++, C, M, M, M++ |
|
5.8 |
1970 |
D![Color; Aspect: 1.85:1; 35 mm (Eastman 100T 5247); Arriflex 35 IIC; AUDIO: Mono Color](icons/rgb.png) |
Five Easy Pieces |
Bob Rafelson, W, ++, C |
|
5.8 |
1967 |
D![Color (Eastmancolor); Aspect: 1.66:1; 35 mm; AUDIO: Mono Color (Eastmancolor)](icons/rgb.png) |
Belle de Jour |
Luis Buñuel, W, W, ++, C «Belle de jour» |
|
5.8 |
1967 |
S![Color; Silent](icons/rgb.png) |
Eye Myth |
Stan Brakhage |
|
5.8 |
1966 |
ACrD![Black and White, Color; Aspect: 2.35:1; 35 mm; Nikkatsuscope; AUDIO: Mono Black and White, Color](icons/rgb-bw.png) |
Tokyo Drifter |
Seijun Suzuki, W, C, M «Tôkyô nagaremono» |
|
5.8 |
1964 |
S![Black and White; Black and White](icons/bw.png) |
Nadja à Paris |
Eric Rohmer, W, C |
|
5.8 |
1964 |
CrDM![Color; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Westrex Recording System) Color](icons/rgb.png) |
The Killers |
Don Siegel, W, W, C, M, M |
|
5.8 |
1956 |
DR![Color (Technicolor); Aspect: 2.00:1; 35 mm; AUDIO: Mono (Westrex Recording System) Color (Technicolor)](icons/rgb.png) |
Written on the Wind |
Douglas Sirk, W, W, C, M |
|
5.8 |
1955 |
AAdBDH![Color (Eastmancolor); Aspect: 1.37:1; 35 mm; AUDIO: Mono Color (Eastmancolor)](icons/rgb.png) |
Samurai II: Duel at Ichijoji Temple |
Hiroshi Inagaki, W, W, ++, C, M «Zoku Miyamoto Musashi: Ichijôji no kettô» |
|
5.8 |
1955 |
RD![Color (Technicolor); Aspect: 1.85:1; 35 mm; Technicolor Three-Strip Camera; AUDIO: Mono (Western Electric Recording) Color (Technicolor)](icons/rgb.png) |
Summertime |
David Lean, W, W, ++, C, M |
|
5.8 |
1944 |
CrDNMRT![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Mirrophonic Recording) Black and White](icons/bw.png) |
Ministry of Fear |
Fritz Lang, W, W, C, M |
|
5.8 |
1938 |
ADHW![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono Black and White](icons/bw.png) |
Alexander Nevsky |
Sergei M. Eisenstein, Dmitri Vasilyev, W, W, C, M «Aleksandr Nevskiy» |
|
5.8 |
1934 |
CrMT![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (British Acoustic Film Full Range Recording System) Black and White](icons/bw.png) |
The Man Who Knew Too Much |
Alfred Hitchcock, W, W, ++, C, M |
|
5.8 |
1930 |
SCSp![Black and White; Aspect: 1.20:1; 35 mm; AUDIO: Mono (RCA Photophone System) Black and White](icons/bw.png) |
The Golf Specialist |
Monte Brice, ++, C |
|
5.7 |
1999 |
BCDMcMl![Color; Aspect: 1.66:1; 35 mm (Kodak Vision 500T 5279); Arriflex 35-III, Cooke, Canon and Zeiss Lenses Moviecam Compact, Cooke, Canon and Zeiss Lenses Moviecam SL, Cooke, Canon and Zeiss Lenses; AUDIO: Dolby Digital Color](icons/rgb.png) |
Topsy-Turvy |
Mike Leigh, W, C |
|
5.7 |
1996 |
CCr![Color; Aspect: 1.85:1; 35 mm; Panavision Cameras and Lenses; AUDIO: Dolby SR, SDDS Color](icons/rgb.png) |
Bottle Rocket |
Wes Anderson, W, W, C, M |
|
5.7 |
1995 |
CDR![Color; Aspect: 1.85:1; 35 mm; AUDIO: Ultra Stereo Color](icons/rgb.png) |
Kicking and Screaming |
Noah Baumbach, W, W, ++, C, M |
|
5.7 |
1994 |
CDMR![Color (Eastmancolor); Aspect: 1.85:1; 35 mm; AUDIO: Dolby SR Color (Eastmancolor)](icons/rgb.png) |
Three Colors: White |
Krzysztof Kieslowski, W, W, ++, C, M «Trois couleurs: Blanc» |
|
5.7 |
1991 |
DFanMcR![Color; Aspect: 1.66:1; 35 mm (Kodak); Moviecam Cameras; AUDIO: Dolby SR Color](icons/rgb.png) |
The Double Life of Veronique |
Krzysztof Kieslowski, W, W, C, M «La double vie de Véronique» |
|
5.7 |
1987 |
CDR![Color; Aspect: 1.85:1; 35 mm; AUDIO: Dolby Color](icons/rgb.png) |
Broadcast News |
James L. Brooks, W, C, M |
|
5.7 |
1981 |
AdCFFanSf![Color (Technicolor); Aspect: 1.85:1; 35 mm; AUDIO: Dolby Color (Technicolor)](icons/rgb.png) |
Time Bandits |
Terry Gilliam, W, W, C, M |
|
5.7 |
1972 |
S![Color; Silent](icons/q-rgb.png) |
The Wold Shadow |
Stan Brakhage |
|
5.7 |
1971 |
C![Color (Eastmancolor); Aspect: 1.37:1; AUDIO: Mono Color (Eastmancolor)](icons/q-rgb.png) |
Trafic |
Jacques Tati, W, W, ++, C, C, M |
|
5.7 |
1963 |
DM![Black and White, Color (Technicolor); Aspect: 1.75:1; 16 mm (fantasy sequences) 35 mm; AUDIO: Mono Black and White, Color (Technicolor)](icons/rgb-bw.png) |
Shock Corridor |
Samuel Fuller, W, C, C, M |
|
5.7 |
1959 |
CDMcR![Color (Eastmancolor); Aspect: 1.37:1; 35 mm; AUDIO: 70 mm 6-Track (70 mm prints), Mono (35 mm prints) Color (Eastmancolor)](icons/rgb.png) |
Black Orpheus |
Marcel Camus, W, W, ++, C, M, M «Orfeu Negro» |
|
5.7 |
1955 |
NMT![Black and White; Aspect: 1.66:1; 35 mm; AUDIO: Mono Black and White](icons/bw.png) |
Kiss Me Deadly |
Robert Aldrich, W, W, C, M |
|
5.7 |
1944 |
CD![Color (Technicolor); Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Mirrophonic Recording) Color (Technicolor)](icons/rgb.png) |
This Happy Breed |
David Lean, W, W, ++, C, M, M |
|
5.7 |
1936 |
Sf![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Sound System Noiseless Recording) Black and White](icons/bw.png) |
Things to Come |
William Cameron Menzies, W, C, M |
|
5.7 |
1930 |
D![Black and White; Silent](icons/bw.png) |
Borderline |
Kenneth MacPherson, W |
|
5.6 |
1996 |
CFanM![Color; Aspect: 1.85:1; 35 mm; AUDIO: Dolby (Mono) Color](icons/rgb.png) |
Schizopolis |
[ Steven Soderbergh ], ++, C, M, M, M |
|
5.6 |
1985 |
DoBH![Color; Aspect: 1.85:1; 35 mm; AUDIO: Mono Color](icons/rgb.png) |
A.K. |
Chris Marker, W, C, M |
|
5.6 |
1982 |
DoMc![Color; Aspect: 1.85:1; 35 mm; AUDIO: Dolby Color](icons/rgb.png) |
Koyaanisqatsi |
Godfrey Reggio, W, W, ++, C, M |
|
5.6 |
1980 |
CrDMT![Color; Aspect: 1.85:1; 35 mm; AUDIO: Mono Color](icons/rgb.png) |
The Long Good Friday |
John Mackenzie, W, C, M |
|
5.6 |
1975 |
Do![Color; 35 mm; AUDIO: Mono Color](icons/rgb.png) |
Grey Gardens |
Ellen Hovde, Albert Maysles, ++, C, C |
|
5.6 |
1969 |
CrD![Color (Eastmancolor); Aspect: 1.37:1; 35 mm; AUDIO: Mono Color (Eastmancolor)](icons/rgb.png) |
Dillinger Is Dead |
Marco Ferreri, W, ++, C, M «Dillinger è morto» |
|
5.6 |
1966 |
CDT![Black and White; Aspect: 1.66:1; 35 mm; AUDIO: Mono (RCA Sound Recording) Black and White](icons/bw.png) |
Cul-de-sac |
Roman Polanski, W, W, C, M |
|
5.6 |
1964 |
CrD![Black and White; Aspect: 1.75:1; 35 mm; AUDIO: Mono (Westrex Recording System) Black and White](icons/bw.png) |
The Naked Kiss |
Samuel Fuller, W, C, M |
|
5.6 |
1962 |
CS![Black and White; Aspect: 1.37:1; AUDIO: Mono Black and White](icons/bw.png) |
Mammals |
Roman Polanski, W, W, C, M «Ssaki» |
|
5.6 |
1955 |
CrDNT![Black and White; Aspect: 1.37:1; 35 mm; Arriflex 35 IIA Bell & Howell Eyemo; AUDIO: Mono Black and White](icons/bw.png) |
Killer's Kiss |
Stanley Kubrick, W, ++, C, M |
|
5.6 |
1945 |
CFan![Color (Technicolor); Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Recording) Color (Technicolor)](icons/rgb.png) |
Blithe Spirit |
David Lean, W, W, ++, C, M |
|
5.6 |
1943 |
CDFanR![Color (Technicolor); Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Recording) Color (Technicolor)](icons/rgb.png) |
Heaven Can Wait |
Ernst Lubitsch, W, W, C, M, M |
|
5.6 |
1934 |
DR![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono Black and White](icons/bw.png) |
L'Atalante |
Jean Vigo, W, W, ++, C, C, C, M |
|
5.6 |
1933 |
D![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Sound System) Black and White](icons/bw.png) |
The Emperor Jones |
Dudley Murphy, W, W, ++, C, M |
|
5.5 |
1999 |
D![Color; Aspect: 1.66:1; 16 mm (mouse sequence) 35 mm (Fuji Super F-125T 8532, Super F-500T 8572); Arriflex Cameras, Zeiss Variable Prime Lenses; AUDIO: Dolby Digital Color](icons/rgb.png) |
Ratcatcher |
Lynne Ramsay, W, C, M |
|
5.5 |
1996 |
AAdT![Color (Technicolor); Aspect: 2.35:1; 35 mm (Eastman EXR 100T 5248, EXR 200T 5293, EXR 500T 5298); Super 35; Wescam (aerial shots) Panavision Panaflex Gold II, Panavision Primo Lenses; AUDIO: Dolby Digital Color (Technicolor)](icons/rgb.png) |
The Rock |
Michael Bay, W, W, ++, C, M, M |
|
5.5 |
1992 |
CCrDHo![Black and White; Aspect: 1.66:1; AUDIO: Mono Black and White](icons/bw.png) |
Man Bites Dog |
Rémy Belvaux, André Bonzel, ++, W, ++, C, M, M, M «C'est arrivé près de chez vous» |
|
5.5 |
1982 |
DHoT![Color (Metrocolor); Aspect: 1.78:1; 35 mm; Panaflex Cameras and Lenses by Panavision; AUDIO: Mono Color (Metrocolor)](icons/rgb.png) |
White Dog |
Samuel Fuller, W, W, ++, C, M |
|
5.5 |
1970 |
DR![Color (Eastmancolor); Aspect: 1.37:1; 16 mm; AUDIO: Mono Color (Eastmancolor)](icons/rgb.png) |
Claire's Knee |
Eric Rohmer, W, C «Le genou de Claire» |
|
5.5 |
1966 |
CCrM![Color (Eastmancolor); Aspect: 2.35:1; 35 mm (2-perf); Techniscope; AUDIO: Mono Color (Eastmancolor)](icons/rgb.png) |
Made in U.S.A |
Jean-Luc Godard, W, W, C |
|
5.5 |
1960 |
BD![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono Black and White](icons/bw.png) |
Testament of Orpheus |
Jean Cocteau, W, C «Le testament d'Orphée, ou ne me demandez pas pourquoi!» |
|
5.5 |
1950 |
D![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (RCA Sound System) Black and White](icons/bw.png) |
Stromboli |
Roberto Rossellini, W, ++, C, M |
|
5.5 |
1948 |
D![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Recording) Black and White](icons/bw.png) |
Hamlet |
Laurence Olivier, W, ++, C, M |
|
5.5 |
1941 |
DWT![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Mirrophonic Recording) Black and White](icons/bw.png) |
49th Parallel |
Michael Powell, W, W, ++, C, M |
|
5.4 |
2008 |
CD![Color; Aspect: 2.35:1; 35 mm; Super 35; AUDIO: Dolby Digital Color](icons/rgb.png) |
A Christmas Tale |
Arnaud Desplechin, W, W, ++, C, M «Un conte de Noël» |
|
5.4 |
1999 |
DRWWe![Color; Aspect: 2.35:1; 35 mm (Eastman EXR 100T 5248, Kodak Vision 200T 5274, Vision 500T 5279); 2.35 Research (anamorphic); Moviecam Compact, 2.35 Research Lenses Moviecam SL, 2.35 Research Lenses Color](icons/rgb.png) |
Ride with the Devil |
Ang Lee, W, W, C, M |
|
5.4 |
1986 |
D![Color, Black and White; Aspect: 1.33:1; 16 mm; AUDIO: Mono Color, Black and White](icons/rgb-bw.png) |
Mala Noche |
Gus Van Sant, W, W, C, M |
|
5.4 |
1983 |
HoSf![Color; Aspect: 1.85:1; 35 mm; Panaflex Camera and Lenses by Panavision; AUDIO: Mono Color](icons/rgb.png) |
Videodrome |
David Cronenberg, W, C, M |
|
5.4 |
1981 |
S![Color; Silent](icons/rgb.png) |
The Garden of Earthly Delights |
Stan Brakhage |
|
5.4 |
1980 |
D![Color; Aspect: 1.37:1; 16 mm; AUDIO: Mono Color](icons/rgb.png) |
Permanent Vacation |
Jim Jarmusch, W, C, C, M, M |
|
5.4 |
1965 |
CDFan![Color (Technicolor); Aspect: 1.85:1; 35 mm; AUDIO: Mono Color (Technicolor)](icons/rgb.png) |
Juliet of the Spirits |
Federico Fellini, W, W, ++, C, M «Giulietta degli spiriti» |
|
5.4 |
1965 |
HoT![Black and White; Aspect: 1.66:1; 35 mm; AUDIO: Mono (Westrex Recording System) Black and White](icons/bw.png) |
Repulsion |
Roman Polanski, W, W, ++, C, M |
|
5.4 |
1955 |
TCrMD![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (RCA Ultraviolet High Fidelity Sound System) Black and White](icons/bw.png) |
Mr. Arkadin |
Orson Welles, W, C, M |
|
5.3 |
2011 |
CD![Color; Aspect: 1.85:1; 35 mm (Kodak Vision3 250D 5207, Vision3 500T 5219); Super 35 (3-perf); AUDIO: Dolby, Dolby Digital Color](icons/rgb.png) |
Le Havre |
Aki Kaurismäki, W, C |
|
5.3 |
1985 |
DFanSf![Color (Technicolor); Aspect: 1.85:1; 35 mm (Kodak); J-D-C Cameras; AUDIO: Dolby Color (Technicolor)](icons/rgb.png) |
Brazil |
Terry Gilliam, W, W, ++, C, M |
|
5.3 |
1972 |
D![Color (Eastmancolor); Aspect: 1.66:1; 35 mm; AUDIO: Mono Color (Eastmancolor)](icons/rgb.png) |
Tout va bien |
Jean-Luc Godard, Jean-Pierre Gorin, W, W, C |
|
5.3 |
1971 |
D![Color (Technicolor); Aspect: 1.85:1; 35 mm; AUDIO: Mono Color (Technicolor)](icons/rgb.png) |
A Safe Place |
Henry Jaglom, W, C, M |
|
5.3 |
1967 |
C![Color (Eastmancolor); Aspect: 1.85:1; 65 mm; Mitchell Camera; AUDIO: 4-Track Stereo (35 mm prints), 70 mm 6-Track (70 mm prints), DTS 70 mm (70 mm prints) (restored version), Mono (35 mm prints) Color (Eastmancolor)](icons/rgb.png) |
Playtime |
Jacques Tati, W, W, ++, C, C, M |
|
5.3 |
1958 |
C![Color (Eastmancolor); Aspect: 1.37:1; 35 mm; AUDIO: Mono Color (Eastmancolor)](icons/rgb.png) |
Mon Oncle |
Jacques Tati, W, W, ++, C, M, M, M «Mon oncle» |
|
5.3 |
1939 |
DW![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Mirrophonic Recording) Black and White](icons/bw.png) |
The Lion Has Wings |
Adrian Brunel, Brian Desmond Hurst, ++, W, W, ++, C, C, C, M |
|
5.2 |
1993 |
HoM![Color; Aspect: 1.78:1; 35 mm; AUDIO: Dolby Color](icons/rgb.png) |
Cronos |
Guillermo del Toro, W, C, M |
|
5.2 |
1993 |
CD![Color; Aspect: 1.85:1; 35 mm (Eastman); AUDIO: Dolby SR Color](icons/rgb.png) |
Dazed and Confused |
Richard Linklater, W, C |
|
5.2 |
1989 |
D![Color; Aspect: 1.85:1; 35 mm; Arriflex Cameras and Lenses; AUDIO: Dolby SR Color](icons/rgb.png) |
Do the Right Thing |
Spike Lee, W, C, M |
|
5.2 |
1981 |
MT![Color (Technicolor); Aspect: 2.35:1; 35 mm (Eastman 100T 5247); Panavision (anamorphic); Panavision Panaflex, Panavision C-Series Lenses Panavision Panaflex X, Panavision C-Series Lenses; AUDIO: Dolby Color (Technicolor)](icons/rgb.png) |
Blow Out |
Brian De Palma, W, ++, C, M |
|
5.2 |
1973 |
HoT![Black and White (flashback sequence), Color; Aspect: 1.85:1; 16 mm (flashback sequences) 35 mm; AUDIO: Mono Black and White (flashback sequence), Color](icons/rgb-bw.png) |
Sisters |
Brian De Palma, W, W, ++, C, M |
|
5.2 |
1966 |
CrD![Black and White; Aspect: 1.66:1; 35 mm; AUDIO: Mono Black and White](icons/bw.png) |
Au Hasard Balthazar |
Robert Bresson, W, C, M «Au hasard Balthazar» |
|
5.2 |
1964 |
D![Black and White; Aspect: 1.66:1; 35 mm; AUDIO: Mono Black and White](icons/bw.png) |
Gertrud |
Carl Theodor Dreyer, W, W, C, C, M |
|
5.2 |
1963 |
DFan![Black and White; Aspect: 1.85:1; 35 mm; Arriflex II C; AUDIO: Mono Black and White](icons/bw.png) |
8½ |
Federico Fellini, W, W, ++, C, M |
|
5.2 |
1935 |
AdD![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Noiseless Recording) Black and White](icons/bw.png) |
Sanders of the River |
Zoltan Korda, W, W, ++, C, C, C, M |
|
5.1 |
2013 |
DR![Color; Aspect: 2.35:1; Canon C300 Color](icons/d-rgb.png) |
Blue Is the Warmest Color |
Abdellatif Kechiche, W, W, ++, C «La vie d'Adèle» |
|
5.1 |
1997 |
CDR![Color (Technicolor); Aspect: 1.85:1; 16 mm; Super 16; Arriflex Cameras; AUDIO: Dolby Digital Color (Technicolor)](icons/rgb.png) |
Chasing Amy |
Kevin Smith, W, C, M |
|
5.1 |
1997 |
D![Color; Aspect: 1.66:1; 35 mm; AUDIO: Dolby SR Color](icons/rgb.png) |
Ossos |
Pedro Costa, W, C |
|
5.1 |
1993 |
S![Color; Silent](icons/rgb.png) |
Stellar |
Stan Brakhage |
|
5.1 |
1992 |
DR![Color (Technicolor); Aspect: 2.20:1; 35 mm; Super 35; AUDIO: 70 mm 6-Track (70 mm prints), Dolby (35 mm prints) Color (Technicolor)](icons/rgb.png) |
Howards End |
James Ivory, W, W, C, M |
|
5.1 |
1975 |
DHoM![Color (Eastmancolor); Aspect: 1.66:1; 35 mm; AUDIO: Mono Color (Eastmancolor)](icons/rgb.png) |
Picnic at Hanging Rock |
Peter Weir, W, W, C |
|
5.1 |
1963 |
AAdCCr![Color (Technicolor); Aspect: 2.76:1; 65 mm; Ultra Panavision 70 (anamorphic); AUDIO: 4-Track Stereo (Westrex Recording System) (35mm prints), 70 mm 6-Track (Westrex Recording System) (70 mm prints) Color (Technicolor)](icons/rgb.png) |
It's a Mad Mad Mad Mad World |
Stanley Kramer, W, W, C, M |
|
5.1 |
1960 |
HoT![Color (Eastmancolor); Aspect: 1.66:1; 35 mm; AUDIO: Mono (Westrex Recording System) Color (Eastmancolor)](icons/rgb.png) |
Peeping Tom |
Michael Powell, W, C, M |
|
5.1 |
1956 |
DR![Color (Eastmancolor); Aspect: 2.35:1; 35 mm; CinemaScope; AUDIO: Mono (Westrex Recording System) Color (Eastmancolor)](icons/rgb.png) |
...And God Created Woman |
Roger Vadim, W, W, C, M «Et Dieu... créa la femme» |
|
5.0 |
1998 |
DMRT![Color; Aspect: 1.85:1; 35 mm; AUDIO: Dolby Digital Color](icons/rgb.png) |
Dead Man's Curve |
Dan Rosen, W, C, M |
|
5.0 |
1997 |
D![Color; Aspect: 1.66:1; 35 mm; AUDIO: Stereo Color](icons/rgb.png) |
Taste of Cherry |
Abbas Kiarostami, W, C «Ta'm e guilass» |
|
5.0 |
1991 |
CrDT![Color; Aspect: 1.85:1; 35 mm; AUDIO: Dolby (Stereo) Color](icons/rgb.png) |
Homicide |
David Mamet, W, C, M |
|
5.0 |
1987 |
D![Black and White; 35 mm; AUDIO: Mono Black and White](icons/bw.png) |
Border Radio |
Allison Anders, Dean Lent, ++, W, W, ++, C, M |
|
5.0 |
1984 |
CD![Black and White; Aspect: 1.85:1; 35 mm; Arriflex Cameras; AUDIO: Mono Black and White](icons/bw.png) |
Stranger Than Paradise |
Jim Jarmusch, W, C, M |
|
5.0 |
1983 |
DW![Color (Eastmancolor); Aspect: 1.85:1; 35 mm; Panaflex Camera and Lenses by Panavision; AUDIO: Dolby Color (Eastmancolor)](icons/rgb.png) |
Merry Christmas Mr. Lawrence |
Nagisa Ôshima, W, W, ++, C, M |
|
5.0 |
1972 |
Sf![Black and White, Color (Sovcolor); Aspect: 2.35:1; 35 mm; Sovscope (anamorphic); AUDIO: Mono Black and White, Color (Sovcolor)](icons/rgb-bw.png) |
Solaris |
Andrei Tarkovsky, W, W, ++, C, M «Solyaris» |
|
5.0 |
1971 |
CDFan![Color, Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono Color, Black and White](icons/rgb-bw.png) |
WR: Mysteries of the Organism |
Dusan Makavejev, W, C, C, M «W.R. - Misterije organizma» |
|
5.0 |
1968 |
CMlFan![Black and White, Color (Technicolor); Aspect: 1.37:1; 35 mm; AUDIO: Mono Black and White, Color (Technicolor)](icons/rgb-bw.png) |
Head |
Bob Rafelson, W, W, ++, C |
|
5.0 |
1967 |
CD![Color (Eastmancolor); Aspect: 2.35:1; 35 mm (2-perf); Techniscope; AUDIO: Mono Color (Eastmancolor)](icons/rgb.png) |
2 or 3 Things I Know About Her |
Jean-Luc Godard, W, W, C «2 ou 3 choses que je sais d'elle» |
|
5.0 |
1961 |
RS![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono Black and White](icons/bw.png) |
A Story of Water |
Jean-Luc Godard, François Truffaut, W, W, C «Une histoire d'eau» |
|
5.0 |
1953 |
SC![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono Black and White](icons/bw.png) |
Crazeologie |
Louis Malle |
|
5.0 |
1932 |
DFan![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (RCA Photophone) Black and White](icons/bw.png) |
The Blood of a Poet |
Jean Cocteau, W, C, M «Le sang d'un poète» |
|
4.9 |
1991 |
DR![Color (Alphacine); Aspect: 1.78:1; 35 mm; AUDIO: Ultra Stereo, Dolby SR Color (Alphacine)](icons/rgb.png) |
My Own Private Idaho |
Gus Van Sant, W, W, C, C, M |
|
4.9 |
1987 |
FanDR![Color (Eastmancolor), Black and White (partly); Aspect: 1.37:1; 35 mm (Eastman Kodak); Arriflex 35 BL4; AUDIO: Dolby Color (Eastmancolor), Black and White (partly)](icons/rgb-bw.png) |
Wings of Desire |
Wim Wenders, W, W, ++, C, M «Der Himmel über Berlin» |
|
4.9 |
1984 |
D![Color; Aspect: 1.66:1; 35 mm; AUDIO: Mono Color](icons/rgb.png) |
Paris, Texas |
Wim Wenders, W, W, C, M |
|
4.9 |
1981 |
BD![Color; Aspect: 1.66:1; 16 mm; AUDIO: Mono Color](icons/rgb.png) |
My Dinner with Andre |
Louis Malle, W, W, C, M |
|
4.9 |
1974 |
Ho![Color (Eastmancolor); Aspect: 1.85:1; 35 mm; AUDIO: Mono Color (Eastmancolor)](icons/rgb.png) |
Andy Warhol's Dracula |
Paul Morrissey, W, ++, C, M «Blood for Dracula» |
|
4.9 |
1974 |
D![Color (Technicolor); Aspect: 1.85:1; 35 mm; AUDIO: Mono Color (Technicolor)](icons/rgb.png) |
The Night Porter |
Liliana Cavani, W, W, ++, C, M «Il portiere di notte» |
|
4.9 |
1971 |
DT![Color (Eastmancolor) (uncredited), Black and White (opening credits); Aspect: 1.85:1; 35 mm; AUDIO: Mono Color (Eastmancolor) (uncredited), Black and White (opening credits)](icons/rgb-bw.png) |
Straw Dogs |
Sam Peckinpah, W, W, ++, C, M |
|
4.9 |
1969 |
DSp![Color (Technicolor); Aspect: 1.85:1; 35 mm; AUDIO: Mono Color (Technicolor)](icons/rgb.png) |
Downhill Racer |
Michael Ritchie, W, W, C, M |
|
4.9 |
1968 |
S![Black and White; AUDIO: Mono Black and White](icons/bw.png) |
Saute ma ville |
Chantal Akerman, C |
|
4.9 |
1959 |
DHoSf![Black and White; Aspect: 1.66:1; 35 mm; AUDIO: Mono (Westrex Recording) Black and White](icons/bw.png) |
First Man Into Space |
Robert Day, W, W, ++, C, M |
|
4.9 |
1959 |
DRW![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono Black and White](icons/bw.png) |
Hiroshima, mon amour |
Alain Resnais, W, C, C, M, M |
|
4.9 |
1958 |
CrMHo![Black and White; Aspect: 1.66:1; 35 mm; AUDIO: Mono Black and White](icons/bw.png) |
The Haunted Strangler |
Robert Day, W, W, ++, C, M «Grip of the Strangler» |
|
4.9 |
1954 |
DR![Color (Technicolor); Aspect: 2.00:1; 35 mm; AUDIO: Mono (Western Electric Recording) Color (Technicolor)](icons/rgb.png) |
Magnificent Obsession |
Douglas Sirk, W, W, ++, C, M |
|
4.9 |
1942 |
DoS![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (RCA Sound System) Black and White](icons/bw.png) |
Listen to Britain |
Humphrey Jennings, Stewart McAllister, ++, C, C |
|
4.8 |
2009 |
D![Color; Aspect: 1.33:1; 35 mm (Fuji Eterna Vivid 160T 8543, Eterna 400T 8583, Reala 500D 8592); Digital Intermediate (master format) Spherical (source format); Arriflex 35 IIC, Panavision Primo Lenses Panavision Panaflex Millennium XL, Panavision Primo Lenses; AUDIO: Dolby Digital Color](icons/rgb.png) |
Fish Tank |
Andrea Arnold, W, C, M |
|
4.8 |
2009 |
DW![Color; Aspect: 2.35:1; 35 mm; Super 35; Aaton 35-III, Cooke S4 Lenses; AUDIO: Dolby Digital Color](icons/rgb.png) |
White Material |
Claire Denis, W, W, ++, C, M |
|
4.8 |
2008 |
DF![Color; Aspect: 1.85:1; 35 mm (Kodak Vision2 200T 5217, Vision2 500T 5218); Digital Intermediate (master format) Super 35 (3-perf) (source format); Aaton 35-III, Cooke S3 Lenses Arriflex 535B, Cooke S3 Lenses; AUDIO: Dolby Digital Color](icons/rgb.png) |
Summer Hours |
Olivier Assayas, W, C «L'heure d'été» |
|
4.8 |
1997 |
DMT![Color (Technicolor); Aspect: 2.35:1; 16 mm (Kodak Ektachrome VNF 125T 7240) 35 mm (Kodak Vision 320T 5277, Vision 500T 5279); Spherical (16 mm footage) Super 35; Bolex Cameras Panavision Panaflex Gold II, Panavision Primo Lenses Panavision Panaflex Platinum, Panavision Primo Lenses; AUDIO: DTS, Dolby Digital, SDDS Color (Technicolor)](icons/rgb.png) |
The Game |
David Fincher, W, W, C, M |
|
4.8 |
1987 |
S![Color; Silent](icons/rgb.png) |
The Dante Quartet |
Stan Brakhage |
|
4.8 |
1979 |
DW![Black and White, Color (Eastmancolor); Aspect: 2.20:1; 35 mm; Arriflex Cameras and Lenses; AUDIO: Mono (35 mm prints), 70 mm 6-Track (70 mm prints) Black and White, Color (Eastmancolor)](icons/rgb-bw.png) |
The Tin Drum |
Volker Schlöndorff, W, W, ++, C, M «Die Blechtrommel» |
|
4.8 |
1958 |
HoSfT![Black and White; Aspect: 1.66:1; 35 mm; AUDIO: Mono (RCA Sound Recording) Black and White](icons/bw.png) |
Fiend Without a Face |
Arthur Crabtree, W, W, C, M |
|
4.8 |
1958 |
HoSf![Color; Aspect: 1.66:1; 35 mm; AUDIO: Mono Color](icons/rgb.png) |
The Blob |
Irvin S. Yeaworth Jr., ++, W, W, ++, C, M |
|
4.7 |
2012 |
CD![Black and White; Aspect: 1.85:1; Video (HD); Canon H264 (1080p/24) (source format) Digital Intermediate (2K) (master format); Canon EOS 5D Mark II, Canon L-Series Lenses; AUDIO: Dolby Digital Black and White](icons/bw.png) |
Frances Ha |
Noah Baumbach, W, W, C |
|
4.7 |
1986 |
CCrRT![Color; Aspect: 1.85:1; 35 mm; AUDIO: Dolby Color](icons/rgb.png) |
Something Wild |
Jonathan Demme, W, C, M, M |
|
4.7 |
1962 |
DR![Black and White; Aspect: 2.35:1; 35 mm; Franscope; Chevereau Cameras; AUDIO: Mono Black and White](icons/bw.png) |
Jules and Jim |
François Truffaut, W, W, ++, C, M «Jules et Jim» |
|
4.7 |
1961 |
DMR![Black and White; Aspect: 2.35:1; 35 mm; Dyaliscope; Chevereau Cameras; AUDIO: Mono Black and White](icons/bw.png) |
Last Year at Marienbad |
Alain Resnais, W, C, M «L'année dernière à Marienbad» |
|
4.7 |
1951 |
AdFanMcMlR![Color (Technicolor); Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Recording) Color (Technicolor)](icons/rgb.png) |
The Tales of Hoffmann |
Michael Powell, Emeric Pressburger, W, W, ++, C |
|
4.6 |
2008 |
BDH![Color; Aspect: 2.35:1; 35 mm (Fuji Eterna Vivid 160T 8543, Eterna 250T 8553, Eterna 250D 8563, Eterna 500T 8573, Eterna 400T 8583); Digital Intermediate (2K) (master format) Techniscope (source format); Arricam LT, Cooke S4 and Arri Macro Lenses Arricam ST, Cooke S4 and Arri Macro Lenses Arriflex 235, Cooke S4 and Arri Macro Lenses; AUDIO: Dolby Digital Color](icons/rgb.png) |
Hunger |
Steve McQueen, W, W, C, M, M |
|
4.6 |
1985 |
Do![Color; 16 mm; AUDIO: Mono Color](icons/rgb.png) |
Tokyo-Ga |
Wim Wenders, W, C, M |
|
4.6 |
1974 |
CD![Color (Eastmancolor); Aspect: 1.66:1; 35 mm; AUDIO: Mono Color (Eastmancolor)](icons/rgb.png) |
Sweet Movie |
Dusan Makavejev, W, C, M |
|
4.6 |
1971 |
CD![Color (Technicolor); Aspect: 1.85:1; 35 mm; Arriflex Cameras; AUDIO: Mono Color (Technicolor)](icons/rgb.png) |
The Decameron |
Pier Paolo Pasolini, W, W, C, M «Il Decameron» |
|
4.6 |
1969 |
CrDRT![Black and White, Color; Aspect: 1.85:1; 35 mm; AUDIO: Mono Black and White, Color](icons/rgb-bw.png) |
The Honeymoon Killers |
Leonard Kastle, ++, W, C |
|
4.5 |
2011 |
Do![Color; Aspect: 1.85:1; Video (HDTV); Codex HDCAM SR (1080p/24) (dual-strip 3-D); Sony CineAlta HDC-1500, Zeiss DigiPrime Lenses Sony HDCP1, Zeiss DigiPrime Lenses Sony PMW-EX3; AUDIO: Dolby Digital Color](icons/h-rgb.png) |
Pina |
Wim Wenders, W, C, C, M |
|
4.5 |
1971 |
D![Color (Eastmancolor); Aspect: 1.33:1; 35 mm; AUDIO: Mono Color (Eastmancolor)](icons/rgb.png) |
Mon oncle Antoine |
Claude Jutra, W, W, C, M |
|
4.5 |
1968 |
D![Black and White; Aspect: 1.66:1; 16 mm; Eclair NPR; AUDIO: Mono Black and White](icons/bw.png) |
Faces |
John Cassavetes, W, C, C, C |
|
4.5 |
1963 |
D![Color (Technicolor); Aspect: 2.35:1; 35 mm; Franscope; Mitchell Camera; AUDIO: Mono Color (Technicolor)](icons/rgb.png) |
Contempt |
Jean-Luc Godard, W, ++, C, M, M «Le mépris» |
|
4.4 |
2009 |
CD![Color; Aspect: 1.85:1; Redcode RAW; Digital Intermediate (2K) (master format) Redcode RAW (4K) (source format); Red One Camera and Lenses; AUDIO: Dolby Digital Color](icons/d-rgb.png) |
Life During Wartime |
Todd Solondz, W, C |
|
4.4 |
2008 |
BDHW![Black and White, Color; Aspect: 2.35:1; 16 mm (Kodak) 35 mm (Kodak) Redcode RAW; Digital Intermediate (4K) (master format) Panavision (anamorphic) (source format) Redcode RAW (4K) (source format) Super 16 (source format); Aaton 16 mm Cameras Panavision Cameras and Lenses Red One Camera and Lenses; AUDIO: DTS, Dolby Digital, SDDS Black and White, Color](icons/rgb-bw.png) |
Che: Part One |
Steven Soderbergh, W, W, C, M |
|
4.4 |
2007 |
SDMcR![Color; Aspect: 2.35:1; 35 mm (Kodak); Digital Intermediate (master format) Panavision (anamorphic) (source format); Panavision Cameras and Lenses; AUDIO: Dolby Digital Color](icons/rgb.png) |
Hotel Chevalier |
Wes Anderson, W, C |
|
4.4 |
1991 |
S![Color; Silent](icons/rgb.png) |
Delicacies of Molten Horror Synapse |
Stan Brakhage |
|
4.4 |
1988 |
MT![Color; Aspect: 1.66:1; 35 mm; AUDIO: Mono Color](icons/rgb.png) |
The Vanishing |
George Sluizer, W, ++, C, M «Spoorloos» |
|
4.4 |
1987 |
CrMT![Color; Aspect: 1.85:1; 35 mm; Panaflex Cameras and Lenses by Panavision; AUDIO: Mono Color](icons/rgb.png) |
House of Games |
David Mamet, W, W, ++, C, M |
|
4.4 |
1980 |
DMT![Color; Aspect: 2.35:1; 35 mm; Technovision; Technovision Cameras and Lenses; AUDIO: Mono Color](icons/rgb.png) |
Bad Timing: A Sensual Obsession |
Nicolas Roeg, W, C, M «Bad Timing» |
|
4.4 |
1977 |
CHo![Color; Aspect: 1.37:1; 35 mm; Panavision; Panaflex Camera and Lenses by Panavision; AUDIO: 4-Track Stereo Color](icons/rgb.png) |
House |
Nobuhiko Ôbayashi, W, W, C, M, M «Hausu» |
|
4.4 |
1962 |
S![Color; Aspect: 1.37:1; 16 mm Color](icons/rgb.png) |
Dog Star Man: Part I |
Stan Brakhage, W, C, C |
|
4.4 |
1955 |
DNT![Black and White; Aspect: 1.66:1; 35 mm; AUDIO: Mono (Western Electric Recording) Black and White](icons/bw.png) |
The Night of the Hunter |
Charles Laughton, ++, W, W, ++, C, M |
|
4.3 |
1990 |
CD![Color; Aspect: 1.85:1; Super 16; Arriflex Cameras and Lenses; AUDIO: Stereo Color](icons/q-rgb.png) |
Metropolitan |
Whit Stillman, W, C, M, M |
|
4.3 |
1983 |
Do![Black and White (archive footage), Color; Aspect: 1.66:1; 16 mm; Beaulieu R16; AUDIO: Mono Black and White (archive footage), Color](icons/rgb-bw.png) |
Sans Soleil |
Chris Marker, W, C, M «Sans soleil» |
|
4.3 |
1972 |
D![Color (Eastmancolor); Aspect: 1.85:1; 35 mm; Panavision Cameras and Lenses; AUDIO: Mono Color (Eastmancolor)](icons/rgb.png) |
The King of Marvin Gardens |
Bob Rafelson, W, W, ++, C |
|
4.3 |
1971 |
D![Color (Technicolor); Aspect: 2.35:1; 35 mm (2-perf); Techniscope; AUDIO: Mono (Westrex Recording System) Color (Technicolor)](icons/rgb.png) |
Two-Lane Blacktop |
Monte Hellman, W, W, ++, C, C, M |
|
4.3 |
1963 |
AdDT![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono Black and White](icons/bw.png) |
Lord of the Flies |
Peter Brook, W, ++, C, M |
|
4.2 |
1991 |
DFan![Color; Aspect: 1.85:1; 35 mm; AUDIO: Dolby Color](icons/rgb.png) |
Naked Lunch |
David Cronenberg, W, W, C, M, M |
|
4.2 |
1984 |
CCrSf![Color; Aspect: 1.85:1; 35 mm; AUDIO: Mono Color](icons/rgb.png) |
Repo Man |
Alex Cox, W, C, M, M |
|
4.2 |
1974 |
CDFan![Color (Technicolor); Aspect: 1.85:1; 35 mm; Arriflex Cameras and Lenses; AUDIO: Mono Color (Technicolor)](icons/rgb.png) |
Arabian Nights |
Pier Paolo Pasolini, W, W, C, M «Il fiore delle mille e una notte» |
|
4.1 |
2009 |
AnAdCF![Color; Aspect: 1.85:1; Digital; Digital Intermediate (2K) (master format) Digital Stills (source format); Nikon D3, Nikon and Cooke Varotal Lenses; AUDIO: DTS, SDDS, Dolby Digital Color](icons/d-rgb.png) |
Fantastic Mr. Fox |
Wes Anderson, W, W, ++, C, M |
|
4.1 |
2000 |
D![Color; Aspect: 2.35:1; 35 mm (Fuji); 2.35 Research (anamorphic); Arriflex Cameras, 2.35 Research Lenses Moviecam SuperAmerica, 2.35 Research Lenses; AUDIO: Dolby Color](icons/rgb.png) |
George Washington |
David Gordon Green, W, C, M, M |
|
4.1 |
1959 |
SfT![Black and White; 35 mm; AUDIO: Mono Black and White](icons/bw.png) |
The Atomic Submarine |
Spencer Gordon Bennet, W, ++, C, M |
|
4.1 |
1953 |
DR![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (RCA Sound System) Black and White](icons/bw.png) |
Indiscretion of an American Wife |
Vittorio De Sica, W, W, ++, C, M «Stazione Termini» |
|
4.0 |
2007 |
D![Color; Aspect: 1.85:1; Digital; Digital Intermediate (master format) HDCAM (source format); Sony HDW-F900; AUDIO: Dolby Digital, DTS Color](icons/d-rgb.png) |
The Secret of the Grain |
Abdellatif Kechiche, W, C «La graine et le mulet» |
|
4.0 |
1999 |
D![Color; Aspect: 1.66:1; 16 mm; Super 16; AUDIO: Dolby SR Color](icons/rgb.png) |
Rosetta |
Jean-Pierre Dardenne, Luc Dardenne, W, W, C, M |
|
4.0 |
1993 |
S![Black and White, Color; Silent](icons/rgb-bw.png) |
Study in Color and Black and White |
Stan Brakhage |
|
4.0 |
1991 |
CD![Color; Aspect: 1.37:1; 16 mm; Arriflex SR 2 Beaulieu 7008 Beaulieu Cine 8 Fisher-Price PXL 2000 "PixelVision" (bar scene); AUDIO: Ultra Stereo Color](icons/rgb.png) |
Slacker |
Richard Linklater, W, C |
|
4.0 |
1987 |
S![Color; Aspect: 1.37:1; AUDIO: Mono Color](icons/q-rgb.png) |
Kindering |
Stan Brakhage, M, M, M |
|
4.0 |
1976 |
DHR![Color (Eastmancolor); Aspect: 1.50:1; 35 mm (horizontal); VistaVision; AUDIO: Mono Color (Eastmancolor)](icons/rgb.png) |
In the Realm of the Senses |
Nagisa Ôshima, W, C, M «Ai no korîda» |
|
4.0 |
1971 |
DoS![Black and White; 35 mm Black and White](icons/bw.png) |
Fabryka |
Krzysztof Kieslowski, C |
|
4.0 |
1966 |
SD![Black and White; Aspect: 1.37:1 Black and White](icons/bw.png) |
Twarz |
Piotr Studzinski, C |
|
4.0 |
1957 |
DoMc![Black and White, Color; Aspect: 1.33:1; 35 mm; AUDIO: Dolby Digital (Mono) Black and White, Color](icons/rgb-bw.png) |
A Dancer's World |
Peter Glushanok, W, W, C, M TV |
|
4.0 |
1955 |
S![Color; Silent](icons/q-rgb.png) |
The Wonder Ring |
Stan Brakhage, Joseph Cornell, C |
|
3.9 |
2008 |
DFanR![Color; Aspect: 2.35:1; 35 mm (Kodak Vision2 50D 5201, Vision3 500T 5219) Uncompressed Digital (4:4:4) Video (HDTV); Digital Intermediate (2K) (master format) FilmStream 4:4:4 (source format) Super 35 (also 3-perf) (source format); Arriflex 435, Zeiss Lenses Sony CineAlta F23, Zeiss DigiPrime Lenses Thomson VIPER FilmStream Camera, Zeiss DigiPrime Lenses; AUDIO: DTS, Dolby Digital, SDDS Color](icons/rgb.png) |
The Curious Case of Benjamin Button |
David Fincher, W, ++, C, M |
|
3.9 |
1975 |
DMc![Color (Metrocolor); Aspect: 2.35:1; 35 mm; Panavision (anamorphic); AUDIO: 4-Track Stereo (magnetic prints) Color (Metrocolor)](icons/rgb.png) |
Nashville |
Robert Altman, W, C, M, M, M++ |
|
3.9 |
1965 |
DMSfT![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono Black and White](icons/bw.png) |
Alphaville |
Jean-Luc Godard, W, ++, C, M «Alphaville, une étrange aventure de Lemmy Caution» |
|
3.8 |
1993 |
CD![Color; Aspect: 2.20:1; 35 mm (Agfa XT 100, XTS 400); Super 35; Camera and Lenses by Panavision; AUDIO: Dolby (as Dolby Stereo), 70 mm 6-Track (70 mm prints) Color](icons/rgb.png) |
Short Cuts |
Robert Altman, W, W, ++, C, M |
|
3.8 |
1986 |
BDMc![Color; Aspect: 1.85:1; 35 mm; AUDIO: Dolby Color](icons/rgb.png) |
Sid and Nancy |
Alex Cox, W, W, C, M |
|
3.8 |
1972 |
CD![Color (Technicolor); Aspect: 1.75:1; 35 mm; Arriflex Cameras; AUDIO: Mono Color (Technicolor)](icons/rgb.png) |
The Canterbury Tales |
Pier Paolo Pasolini, W, W, C, M «I racconti di Canterbury» |
|
3.7 |
2008 |
BDHW![Black and White, Color; Aspect: 1.85:1; 16 mm Redcode RAW; Digital Intermediate (4K) (master format) Redcode RAW (4K) (source format) Super 16 (source format) (some scenes); Red One Camera and Lenses; AUDIO: DTS, Dolby Digital, SDDS Black and White, Color](icons/rgb-bw.png) |
Che: Part Two |
Steven Soderbergh, W, W, ++, C, M |
|
3.7 |
1998 |
CD![Color (Technicolor); Aspect: 2.35:1; 35 mm (Eastman); Panavision (anamorphic); Panavision Cameras and Lenses; AUDIO: DTS, Dolby Digital, SDDS Color (Technicolor)](icons/rgb.png) |
Rushmore |
Wes Anderson, W, W, C, M |
|
3.7 |
1993 |
D![Color; Aspect: 1.66:1; 35 mm; AUDIO: Dolby Color](icons/rgb.png) |
Naked |
Mike Leigh, W, C, M |
|
3.7 |
1973 |
HoSf![Color (Eastmancolor); Aspect: 2.35:1; 35 mm; Space-Vision 3-D; AUDIO: Mono Color (Eastmancolor)](icons/rgb.png) |
Andy Warhol's Frankenstein |
Paul Morrissey, Antonio Margheriti, W, ++, C, M «Flesh for Frankenstein» |
|
3.6 |
1997 |
D![Color (Technicolor); Aspect: 1.85:1; 35 mm (Eastman EXR 100T 5248, Kodak Vision 500T 5279, EXR 200T 5293); Arriflex 535, Zeiss Standard Speed Lenses; AUDIO: Dolby Digital Color (Technicolor)](icons/rgb.png) |
The Ice Storm |
Ang Lee, W, W, C, M |
|
3.6 |
1988 |
D![Color (Technicolor); Aspect: 1.85:1; 35 mm; Arriflex Cameras and Lenses; AUDIO: 70 mm 6-Track (70 mm prints), Dolby (35 mm prints) Color (Technicolor)](icons/rgb.png) |
The Last Temptation of Christ |
Martin Scorsese, W, W, C, M |
|
3.5 |
1975 |
D![Color; Aspect: 1.66:1; 35 mm; AUDIO: Mono Color](icons/rgb.png) |
Jeanne Dielman, 23 Quai du Commerce, 1080 Bruxelles |
Chantal Akerman, W, C |
|
3.4 |
2008 |
CrD![Color; Aspect: 2.35:1; 35 mm (Kodak Vision3 500T 5219); Super 35; Arricam LT, Zeiss Ultra Prime Lenses; AUDIO: Dolby Digital Color](icons/rgb.png) |
Gomorrah |
Matteo Garrone, W, W, ++, C «Gomorra» |
|
3.4 |
2002 |
D![Black and White, Color; Aspect: 1.85:1; AUDIO: Dolby Digital Black and White, Color](icons/rgb-bw.png) |
September 11 |
Youssef Chahine, Amos Gitai, ++, W, W, ++, C, C, C++, M, M, M++ «11'09''01 - September 11» |
|
3.4 |
1988 |
DR![Color (Technicolor); Aspect: 1.85:1; Panavision Camera and Lenses; AUDIO: Stereo Color (Technicolor)](icons/q-rgb.png) |
The Unbearable Lightness of Being |
Philip Kaufman, W, W, ++, C, M |
|
3.4 |
1976 |
SfD![Color; Aspect: 2.35:1; 35 mm; Panavision (anamorphic); AUDIO: 4-Track Stereo Color](icons/rgb.png) |
The Man Who Fell to Earth |
Nicolas Roeg, W, W, C, M, M |
|
3.4 |
1971 |
DC![Color (Metrocolor); Aspect: 1.85:1; 35 mm; AUDIO: Mono Color (Metrocolor)](icons/rgb.png) |
Drive, He Said |
Jack Nicholson, W, W, ++, C, M |
|
3.4 |
1970 |
HoAdM![Color; Aspect: 1.37:1; 35 mm 16 mm; AUDIO: Mono Color](icons/rgb.png) |
Equinox |
Jack Woods, ++, W, W, C, M |
|
3.4 |
1969 |
D![Black and White, Color; Aspect: 1.85:1; 16 mm (New Orleans scenes) 35 mm; Arriflex Cameras; AUDIO: Mono (Western Electric Sound System) Black and White, Color](icons/rgb-bw.png) |
Easy Rider |
Dennis Hopper, W, W, ++, C, C |
|
3.2 |
2010 |
CD![Color; Aspect: 2.35:1; Digital; H.264 MPEG4 HD; Canon EOS 5D; AUDIO: Dolby SR Color](icons/d-rgb.png) |
Tiny Furniture |
Lena Dunham, W, C, M |
|
3.2 |
2000 |
CrDT![Color; Aspect: 1.85:1; 35 mm (Kodak Vision 320T 5277, Vision 800T 5289); Digital Intermediate (master format) (some scenes) Spherical (source format); Panavision Panaflex Millennium XL, Panavision Primo Lenses; AUDIO: DTS, Dolby Digital, SDDS Color](icons/rgb.png) |
Traffic |
Steven Soderbergh, W, W, C, M |
|
3.2 |
1998 |
AdC![Color; Aspect: 2.35:1; 35 mm (Kodak Vision 250D 5246, Vision 500T 5279, Eastman EXR 200T 5293); Super 35; Arriflex 35 BL4S, Zeiss Standard Speed Lenses Arriflex 35 III, Zeiss Standard Speed Lenses Arriflex 535, Zeiss Standard Speed Lenses; AUDIO: DTS, Dolby Digital, SDDS Color](icons/rgb.png) |
Fear and Loathing in Las Vegas |
Terry Gilliam, W, W, ++, C, M |
|
3.2 |
1965 |
CCrDMlR![Color (Eastmancolor); Aspect: 2.35:1; 35 mm (2-perf); Techniscope; Arriflex Cameras; AUDIO: Mono Color (Eastmancolor)](icons/rgb.png) |
Pierrot le Fou |
Jean-Luc Godard, W, ++, C, M «Pierrot le fou» |
|
3.0 |
1999 |
CFan![Color (Technicolor); Aspect: 1.85:1; 35 mm (Kodak Vision 320T 5277, Vision 500T 5279); Moviecam Compact, Cooke S4 Lenses Moviecam SL, Cooke S4 Lenses; AUDIO: Dolby Digital Color (Technicolor)](icons/rgb.png) |
Being John Malkovich |
Spike Jonze, W, C, M |
|
3.0 |
1987 |
AdDHWWe![Color; Aspect: 1.85:1; 35 mm; AUDIO: Stereo Color](icons/rgb.png) |
Walker |
Alex Cox, W, C, M |
|
3.0 |
1975 |
FanSf![Color (Eastmancolor); Aspect: 1.85:1; 35 mm; AUDIO: Mono Color (Eastmancolor)](icons/rgb.png) |
Black Moon |
Louis Malle, W, W, ++, C |
|
2.8 |
2007 |
AdCD![Color; Aspect: 2.35:1; 35 mm (Kodak); Digital Intermediate (2K) (master format) Panavision (anamorphic) (source format); Panavision Panaflex Platinum, Panavision Primo Lenses; AUDIO: SDDS, Dolby Digital, DTS Color](icons/rgb.png) |
The Darjeeling Limited |
Wes Anderson, W, W, ++, C |
|
2.8 |
1967 |
D![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono Black and White](icons/bw.png) |
I Am Curious (Yellow) |
Vilgot Sjöman, ++, C, M «Jag är nyfiken - en film i gult» |
|
2.5 |
1980 |
DHRWe![Color; Aspect: 2.20:1; 35 mm; Panavision (anamorphic); Panavision Cameras and Lenses; AUDIO: Dolby (35 mm prints), 70 mm 6-Track (70 mm prints) Color](icons/rgb.png) |
Heaven's Gate |
Michael Cimino, W, C, M |
|
2.3 |
1967 |
CD![Color (Eastmancolor); Aspect: 1.66:1; 35 mm; AUDIO: Mono Color (Eastmancolor)](icons/rgb.png) |
Weekend |
Jean-Luc Godard, W, ++, C, M «Week End» |
|
2.2 |
2001 |
D![Color; Aspect: 1.85:1; 35 mm; AUDIO: Dolby Digital Color](icons/rgb.png) |
Fat Girl |
Catherine Breillat, W, C «À ma soeur!» |
|
2.1 |
2010 |
D![Color; Aspect: 1.85:1; Redcode RAW; Digital Intermediate (2K) (master format) Redcode RAW (4K) (source format); Red One Camera, Zeiss Ultra Prime Lenses; AUDIO: Dolby Digital Color](icons/d-rgb.png) |
Certified Copy |
Abbas Kiarostami, W, W, ++, C «Copie conforme» |
|
2.1 |
2002 |
DoMc![Black and White, Color; Aspect: 1.78:1; 35 mm Video (HDTV) Video (NTSC) (some scenes); HDV; AUDIO: Dolby Digital Black and White, Color](icons/rgb-bw.png) |
Naqoyqatsi |
Godfrey Reggio, W, C, M |
|
2.0 |
1999 |
S![Color; Silent](icons/rgb.png) |
The Dark Tower |
Stan Brakhage |
|
2.0 |
1990 |
S![Color; Silent](icons/q-rgb.png) |
Glaze of Cathexis |
Stan Brakhage |
|
2.0 |
1988 |
S![Color; Silent](icons/rgb.png) |
Rage Net |
Stan Brakhage |
|
2.0 |
1964 |
SD![Color; Silent](icons/rgb.png) |
Dog Star Man: Part III |
Stan Brakhage, C |
|
2.0 |
1964 |
DS![Color; Silent](icons/q-rgb.png) |
Dog Star Man: Part IV |
Stan Brakhage |
|
2.0 |
1963 |
SD![Color; Silent](icons/rgb.png) |
Dog Star Man: Part II |
Stan Brakhage, C |
|
2.0 |
1960 |
DoS![Black and White; AUDIO: Mono Black and White](icons/bw.png) |
Night Journey |
Alexander Hammid, C, C, M |
|
1.9 |
2009 |
DHo![Color, Black and White (some scenes); Aspect: 2.35:1; Redcode RAW; Digital Intermediate (2K) (master format) Redcode RAW (4K) (source format); Phantom HD Camera, Cooke S4 Lenses Red One Camera, Cooke S4, Century and Lensbaby Lenses; AUDIO: Dolby Digital Color, Black and White (some scenes)](icons/rgb-bw.png) |
Antichrist |
Lars von Trier, W, C, M |
|
1.6 |
1998 |
CDMcR![Color (Technicolor); Aspect: 1.85:1; 35 mm (Eastman EXR 200T 5293, EXR 500T 5298); Panavision Panaflex Platinum, Panavision Ultra Speed MKII Lenses; AUDIO: Dolby Digital, DTS, SDDS Color (Technicolor)](icons/rgb.png) |
The Last Days of Disco |
Whit Stillman, W, C, M |
|
1.5 |
2004 |
AdCD![Color (Technicolor); Aspect: 2.35:1; 35 mm (Kodak Vision2 500T 5218, Eastman Ektachrome 160D 5239, Vision 250D 5246, Ektachrome 100D 5285); Digital Intermediate (2K) (master format) Panavision (anamorphic) (source format); Panavision Panaflex Millennium XL, Panavision Primo Lenses Panavision Panaflex Platinum, Panavision Primo Lenses; AUDIO: DTS, Dolby Digital, SDDS Color (Technicolor)](icons/rgb.png) |
The Life Aquatic with Steve Zissou |
Wes Anderson, W, W, C, M |
|
1.4 |
2001 |
CD![Color (Technicolor); Aspect: 2.35:1; 35 mm (Kodak Vision 250D 5246, Vision 500T 5279); Panavision (anamorphic); Panavision Panaflex Platinum, Panavision Primo Lenses; AUDIO: DTS, Dolby Digital, SDDS Color (Technicolor)](icons/rgb.png) |
The Royal Tenenbaums |
Wes Anderson, W, W, C, M |
|
1.4 |
1998 |
DW![Color; Aspect: 2.35:1; 35 mm (Eastman EXR 100T 5248, Kodak Vision 500T 5279); Panavision (anamorphic); Arriflex 35 III, Panavision Primo Lenses Panavision Panaflex Gold, Panavision Primo Lenses Panavision Panaflex Platinum, Panavision Primo and C-Series Lenses Panavision Panastar, Panavision Primo Lenses; AUDIO: DTS, Dolby Digital Color](icons/rgb.png) |
The Thin Red Line |
Terrence Malick, W, W, C, M |
|
1.4 |
1975 |
DT![Color (Eastmancolor); Aspect: 1.85:1; 35 mm; Arriflex Cameras (35 mm); AUDIO: Mono Color (Eastmancolor)](icons/rgb.png) |
Salò, or the 120 Days of Sodom |
Pier Paolo Pasolini, W, W, ++, C, M «Salò o le 120 giornate di Sodoma» |
|
1.2 |
1998 |
AAdSfT![Color (Technicolor); Aspect: 2.20:1; 35 mm (also horizontal) (Eastman EXR 100T 5248, Kodak Vision 500T 5279, EXR 200T 5293); Panavision (anamorphic) VistaVision (special effects); Panavision Panaflex Lightweight, Panavision C- and E-Series Lenses Panavision Panaflex Platinum, Panavision C- and E-Series Lenses Panavision Panastar, Panavision C- and E-Series Lenses; AUDIO: DTS, Dolby Digital, SDDS Color (Technicolor)](icons/rgb.png) |
Armageddon |
Michael Bay, W, W, ++, C, M |
|
? |
2008 |
Migration |
Mira Nair, W, W, C, M |
|
? |
2008 |
Do![Color; Color](icons/q-rgb.png) |
The Return of the War Room |
Chris Hegedus, D.A. Pennebaker TV |
|
? |
2007 |
![Color; Color](icons/q-rgb.png) |
Memories |
Pedro Costa, Harun Farocki, ++, W, W, ++ |
|
? |
2007 |
Do![Black and White (Technicolor), Color; Black and White (Technicolor), Color](icons/rgb-bw.png) |
The Beloved |
Arnaud Desplechin, C, M «L'aimée» |
|
? |
2005 |
DoS![Black and White (archive footage), Color; Black and White (archive footage), Color](icons/rgb-bw.png) |
Europa: The Faecal Location |
Michael Sandager, W, C TV |
|
? |
2000 |
SC![Color; Aspect: 1.33:1 Color](icons/q-rgb.png) |
Conrad & Butler Take a Vacation |
Noah Baumbach, W, W, ++, C, M |
|
? |
2000 |
S![Black and White; Aspect: 1.85:1 Black and White](icons/bw.png) |
Hua yang de nian hua |
Kar Wai Wong |
|
? |
1999 |
S |
...Reel Five |
Stan Brakhage |
|
? |
1999 |
S![Color; Silent](icons/rgb.png) |
Persian Series #1 |
Stan Brakhage |
|
? |
1999 |
S![Color; Silent](icons/rgb.png) |
Persian Series #2 |
Stan Brakhage |
|
? |
1999 |
S![Color; Silent](icons/rgb.png) |
Persian Series #3 |
Stan Brakhage |
|
? |
1998 |
S![Color; Color](icons/q-rgb.png) |
Milk |
Andrea Arnold, W, C, M |
|
? |
1997 |
S![Color; Color](icons/q-rgb.png) |
Pleasant Grove |
David Gordon Green, W, M |
|
? |
1997 |
S![Color; Silent](icons/rgb.png) |
The Cat of the Worm's Green Realm |
Stan Brakhage |
|
? |
1997 |
S![Color; Silent](icons/q-rgb.png) |
Yggdrasill: Whose Roots Are Stars in the Human Mind |
Stan Brakhage |
|
? |
1994 |
S![Color; Silent](icons/q-rgb.png) |
First Hymn to the Night - Novalis |
Stan Brakhage |
|
? |
1994 |
S![Color; Silent](icons/rgb.png) |
I Take These Truths |
Stan Brakhage |
|
? |
1994 |
S![Color; Silent](icons/q-rgb.png) |
The Mammals of Victoria |
Stan Brakhage |
|
? |
1993 |
SD![Color; Color](icons/q-rgb.png) |
The Day the Mercedes Became a Hat |
Mira Nair |
|
? |
1992 |
S![Color; Aspect: 1.37:1; 16 mm; AUDIO: Mono Color](icons/rgb.png) |
Boulder Blues and Pearls and... |
Stan Brakhage, M |
|
? |
1992 |
S![Color; Silent](icons/rgb.png) |
For Marilyn |
Stan Brakhage, C |
|
? |
1990 |
S![Color; Aspect: 1.37:1; 16 mm; AUDIO: Mono Color](icons/rgb.png) |
Visions in Meditation #3: Plato's Cave |
Stan Brakhage |
|
? |
1990 |
S![Color; Silent](icons/rgb.png) |
Visions in Meditation #4: D.H. Lawrence |
Stan Brakhage, C |
|
? |
1989 |
S![Color; Silent](icons/q-rgb.png) |
Visions in Meditation #1 |
Stan Brakhage |
|
? |
1984 |
S![Color; Color](icons/q-rgb.png) |
Foreign Land |
Götz Spielmann, W, C, M «Fremdland» |
|
? |
1982 |
S![Color; 35 mm; AUDIO: Mono Color](icons/rgb.png) |
Pigeons in the Square |
Jean Painlevé, C, M «Les pigeons du square» |
|
? |
1981 |
S![Color; Silent](icons/rgb.png) |
Arabic Numeral Series 12 |
Stan Brakhage |
|
? |
1981 |
S![Color; Silent](icons/q-rgb.png) |
Unconscious London Strata |
Stan Brakhage, C |
|
? |
1980 |
S![Color; Silent](icons/q-rgb.png) |
Duplicity III |
Stan Brakhage |
|
? |
1980 |
S? |
Murder Psalm |
Stan Brakhage |
|
? |
1979 |
S![Color; Aspect: 1.33:1; AUDIO: Mono Color](icons/q-rgb.png) |
Gloria! |
Hollis Frampton |
|
? |
1978 |
S![Color; Silent](icons/rgb.png) |
23rd Psalm Branch: Part II |
Stan Brakhage |
|
? |
1978 |
S![Color; Silent](icons/q-rgb.png) |
Burial Path |
Stan Brakhage |
|
? |
1978 |
S![Color; 35 mm; AUDIO: Mono Color](icons/rgb.png) |
Liquid Crystals |
Jean Painlevé «Cristaux liquides» |
|
? |
1977 |
S![Color; Aspect: 1.33:1; AUDIO: Mono Color](icons/q-rgb.png) |
The Birth of Magellan: Cadenza I |
Hollis Frampton |
|
? |
1977 |
D![Color; Aspect: 1.44:1; Film; AUDIO: Mono Color](icons/q-rgb.png) |
The Report |
Abbas Kiarostami, W, C «Gozaresh» |
|
? |
1976 |
S![Color; Silent](icons/rgb.png) |
Desert |
Stan Brakhage |
|
? |
1976 |
S![Color; Silent](icons/q-rgb.png) |
Magellan: At the Gates of Death, Part I: The Red Gate I, 0 |
Hollis Frampton |
|
? |
1975 |
S![Color; Silent](icons/q-rgb.png) |
Ingenivm Nobis Ipsa Pvella Fecit: Part I |
Hollis Frampton |
|
? |
1974 |
S![Color; Silent](icons/q-rgb.png) |
He Was Born, He Suffered, He Died |
Stan Brakhage |
|
? |
1974 |
S![Color; Silent](icons/q-rgb.png) |
Pan 0 |
Hollis Frampton |
|
? |
1974 |
S![Color; Silent](icons/q-rgb.png) |
Pan 1 |
Hollis Frampton |
|
? |
1974 |
S![Color; Silent](icons/q-rgb.png) |
Pan 2 |
Hollis Frampton |
|
? |
1974 |
S![Color; Silent](icons/q-rgb.png) |
Pan 3 |
Hollis Frampton |
|
? |
1974 |
S![Color; Silent](icons/q-rgb.png) |
Pan 4 |
Hollis Frampton |
|
? |
1974 |
S![Color; Silent](icons/q-rgb.png) |
Pan 697 |
Hollis Frampton |
|
? |
1974 |
S![Color; Silent](icons/q-rgb.png) |
Pan 698 |
Hollis Frampton |
|
? |
1974 |
S![Color; Silent](icons/q-rgb.png) |
Pan 699 |
Hollis Frampton |
|
? |
1974 |
S![Color; Silent](icons/q-rgb.png) |
Pan 700 |
Hollis Frampton |
|
? |
1974 |
S![Color; Silent](icons/q-rgb.png) |
Star Garden |
Stan Brakhage |
|
? |
1974 |
S![Color; Silent](icons/q-rgb.png) |
Winter Solstice |
Hollis Frampton |
|
? |
1972 |
DoS![Color; 35 mm; AUDIO: Mono Color](icons/rgb.png) |
Acera, or the Witches' Dance |
Geneviève Hamon, Jean Painlevé, M «Acéra ou Le bal des sorcières» |
|
? |
1972 |
S![Black and White; Silent](icons/bw.png) |
Hapax Legomena II: Poetic Justice |
Hollis Frampton |
|
? |
1972 |
S![Color; Silent](icons/q-rgb.png) |
The Process |
Stan Brakhage |
|
? |
1972 |
SHo![Color; Silent](icons/q-rgb.png) |
Zorgon: The H-Bomb Beast from Hell |
Kevin Fernan |
|
? |
1971 |
S![Black and White; Aspect: 1.33:1; AUDIO: Mono Black and White](icons/bw.png) |
Hapax Legomena III: Critical Mass |
Hollis Frampton |
|
? |
1969 |
S![Color; Aspect: 1.33:1; AUDIO: Mono Color](icons/q-rgb.png) |
Carrots & Peas |
Hollis Frampton |
|
? |
1968 |
S![Black and White; Silent](icons/bw.png) |
Accidentaly |
John Woo «Ouran» |
|
? |
1968 |
S![Color; Aspect: 1.33:1; AUDIO: Mono Color](icons/q-rgb.png) |
Surface Tension |
Hollis Frampton |
|
? |
1967 |
SD![Color; Silent](icons/rgb.png) |
Scenes from Under Childhood Section #1 |
Stan Brakhage, C |
|
? |
1967 |
DoS![Color; 35 mm; AUDIO: Mono Color](icons/rgb.png) |
The Love Life of an Octopus |
Geneviève Hamon, Jean Painlevé, M «Les amours de la pieuvre» |
|
? |
1966 |
S![Black and White; Silent](icons/bw.png) |
Manual of Arms |
Hollis Frampton |
|
? |
1966 |
S![Color; Silent](icons/q-rgb.png) |
Process Red |
Hollis Frampton |
|
? |
1965 |
DoS![Black and White; Black and White](icons/bw.png) |
Entretien sur Pascal |
Eric Rohmer, C TV |
|
? |
1965 |
S![Color; Silent](icons/q-rgb.png) |
Two: Creeley/McClure |
Stan Brakhage |
|
? |
1964 |
DoS![Color; 35 mm; AUDIO: Mono Color](icons/rgb.png) |
Shrimp Stories |
Geneviève Hamon, Jean Painlevé, M «Histoires de crevettes» |
|
? |
1960 |
DoS![Black and White; 35 mm; AUDIO: Mono Black and White](icons/bw.png) |
How Some Jellyfish Are Born |
Geneviève Hamon, Jean Painlevé «Comment naissent les méduses» |
|
? |
1960 |
DoS![Color; 35 mm; AUDIO: Mono Color](icons/rgb.png) |
Sea Ballerinas |
Jean Painlevé, Geneviève Hamon, C, C, M «Les danseuses de mer» |
|
? |
1960 |
S![Color; Silent](icons/rgb.png) |
The Dead |
Stan Brakhage, C |
|
? |
1958 |
Mc![Black and White; AUDIO: Mono Black and White](icons/bw.png) |
Appalachian Spring |
Peter Glushanok, W, C, M TV |
|
? |
1958 |
S![Color; 35 mm; AUDIO: Mono Color](icons/rgb.png) |
Sea Urchins |
Jean Painlevé, Geneviève Hamon «Les oursins» |
|
? |
1952 |
DoS![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono Black and White](icons/bw.png) |
Wakefield Express |
Lindsay Anderson, C |
|
? |
1948 |
DoS? |
Meet the Pioneers |
Lindsay Anderson, C, C, M |
|
? |
1947 |
S![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Sound System) Black and White](icons/bw.png) |
Freshwater Assassins |
Jean Painlevé «Assassins d'eau douce» |
|
? |
1937 |
S![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono Black and White](icons/bw.png) |
Similarities Between Length and Speed |
Jean Painlevé «Similitudes des longueurs et des vitesses» |
|
? |
1937 |
S![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono Black and White](icons/bw.png) |
The Fourth Dimension |
Jean Painlevé «La quatrième dimension» |
|
? |
1937 |
DoS![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono Black and White](icons/bw.png) |
The Struggle for Survival |
Jean Painlevé «Images mathématiques de la lutte pour la vie» |
|
? |
1937 |
S![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono Black and White](icons/bw.png) |
Voyage to the Sky |
Jean Painlevé, M, M «Voyage dans le ciel» |
|
? |
1936 |
AnS![Color (Gasparcolor); Aspect: 1.37:1; 35 mm; AUDIO: Mono Color (Gasparcolor)](icons/rgb.png) |
Bluebeard |
Jean Painlevé, W, M «Barbe-Bleue» |
|
? |
1936 |
D![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono Black and White](icons/bw.png) |
The Wave |
Emilio Gómez Muriel, Fred Zinnemann, W, W, ++, C, M «Redes» |
|
? |
1933 |
CrHoMT![Black and White; AUDIO: Mono Black and White](icons/bw.png) |
The Last Will of Dr. Mabuse |
Fritz Lang, René Sti, W, W, ++, C, C, M «Le testament du Dr. Mabuse» |
|
? |
1930 |
DoS![Black and White; Silent](icons/bw.png) |
Experimental Treatment of a Hemorrhage in a Dog |
Jean Painlevé «Traitement expérimental d'une hémorragie chez le chien» |
|
? |
1929 |
DoS![Black and White; Silent](icons/bw.png) |
Daphnia |
Jean Painlevé «La daphnie» |
|
? |
1929 |
DoS![Black and White; Aspect: 1.33:1; 35 mm; AUDIO: Mono (Tobis Klangfilm) Black and White](icons/bw.png) |
Hyas and Stenorhynchus, marine crustaceans |
Jean Painlevé, C «Hyas et stenorinques» |
|
? |
1929 |
DoS![Black and White; Silent](icons/bw.png) |
Sea Urchins |
Jean Painlevé «Les oursins» |
|
? |
1929 |
S![Black and White; Black and White](icons/bw.png) |
Stickelback Eggs |
Jean Painlevé «Oeufs d'épinoche» |
|
? |
1928 |
S![Black and White; Silent](icons/bw.png) |
The Octopus |
Jean Painlevé «La pieuvre» |