|
7.8 |
1994 |
CrD![Color (Technicolor); Aspect: 1.85:1; 35 mm (Eastman EXR 100T 5248, EXR 200T 5293); Arriflex 35 BL4S, Zeiss Standard Speed and Super Speed Lenses Moviecam Compact, Zeiss Standard Speed and Super Speed Lenses; AUDIO: Dolby Digital Color (Technicolor)](icons/rgb.png) |
The Shawshank Redemption |
Frank Darabont, W, W, C, M |
|
7.3 |
1988 |
![TV](icons/tv_icon.png) D![Color; Aspect: 1.33:1; 35 mm; AUDIO: Mono Color](icons/rgb.png) |
"The Decalogue" |
[ Krzysztof Kieslowski ], [ W, W ], C, C, M «"Dekalog"» TV mini-series 1988- |
|
6.2 |
1972 |
CrD![Color (Technicolor); Aspect: 1.85:1; 35 mm (Eastman 100T 5254); Mitchell BNCR, Bausch & Lomb Super Baltar Lenses; AUDIO: DTS (re-release), Mono Color (Technicolor)](icons/rgb.png) |
The Godfather |
Francis Ford Coppola, W, W, ++, C, M |
|
6.0 |
2008 |
ACrDT![Color (Technicolor); Aspect: 1.44:1; 35 mm (Kodak Vision2 250D 5205, Vision2 500T 5218) 65 mm (horizontal) (Kodak Vision2 250D 5205, Vision2 500T 5218); Digital Intermediate (master format) (some scenes: IMAX prints) IMAX (source format) (some scenes) Panavision (anamorphic) (source format); IMAX MKIII, Hasselblad Lenses IMAX MSM 9802, Hasselblad Lenses Panavision Panaflex Millennium XL, Panavision C-, E-Series and Super High Speed Lenses Panavision Panaflex Platinum, Panavision C-, E-Series and Super High Speed Lenses; AUDIO: Dolby Digital, SDDS, DTS Color (Technicolor)](icons/rgb.png) |
The Dark Knight |
Christopher Nolan, W, W, ++, C, M, M |
|
7.7 |
1974 |
CrD![Color (Technicolor); Aspect: 1.85:1; 35 mm; Mitchell BNCR, Bausch & Lomb Super Baltar and Kowa Cine Prominar Lenses; AUDIO: Mono Color (Technicolor)](icons/rgb.png) |
The Godfather: Part II |
Francis Ford Coppola, W, W, ++, C, M |
|
5.9 |
2003 |
AAdFan![Color; Aspect: 2.35:1; 35 mm (Eastman EXR 50D 5245, Kodak Vision 500T 5279, EXR 200T 5293, SO214); Digital Intermediate (2K) (master format) Super 35 (source format); Arriflex 35 IIC, Zeiss Ultra Prime and Angenieux Lenses Arriflex 35 III, Zeiss Ultra Prime and Angenieux Lenses Arriflex 435 Advanced, Zeiss Ultra Prime and Angenieux Lenses Arriflex 535B, Zeiss Ultra Prime and Angenieux Lenses Mitchell Cameras, Zeiss Ultra Prime and Angenieux Lenses Moviecam SL, Zeiss Ultra Prime and Angenieux Lenses; AUDIO: DTS-ES, Dolby Digital EX, SDDS Color](icons/rgb.png) |
The Lord of the Rings: The Return of the King |
Peter Jackson, W, W, ++, C, M |
|
5.7 |
1999 |
D![Color; Aspect: 2.35:1; 35 mm (Kodak Vision 250D 5246, Eastman EXR 100T 5248, Vision 500T 5279); Super 35; Panavision Panaflex Platinum, Panavision Primo Lenses; AUDIO: Dolby Digital, DTS Color](icons/rgb.png) |
Fight Club |
David Fincher, W, W, C, M, M, M |
|
5.2 |
1994 |
CrDT![Color; Aspect: 2.35:1; 35 mm (Eastman EXR 50D 5245); Panavision (anamorphic); Panavision Cameras and Lenses; AUDIO: Dolby Digital Color](icons/rgb.png) |
Pulp Fiction |
Quentin Tarantino, W, W, ++, C |
|
6.6 |
1993 |
BDHW![Black and White, Color; Aspect: 1.85:1; 35 mm (Eastman Double-X 5222, Plus-X 5231, EXR 500T 5296); Arriflex 35 III Arriflex 535B Arriflex 535; AUDIO: DTS, DTS-Stereo Black and White, Color](icons/rgb-bw.png) |
Schindler's List |
Steven Spielberg, W, W, C, M |
|
7.9 |
1966 |
AdWe![Color (Technicolor); Aspect: 2.35:1; 35 mm (2-perf); Techniscope (as Techniscope ®); AUDIO: Mono Color (Technicolor)](icons/rgb.png) |
The Good, the Bad and the Ugly |
Sergio Leone, W, W, ++, C, M «Il buono, il brutto, il cattivo» |
|
7.7 |
1957 |
D![Black and White; Aspect: 1.66:1; 35 mm; AUDIO: Mono Black and White](icons/bw.png) |
12 Angry Men |
Sidney Lumet, W, C, M |
|
4.1 |
2010 |
AAdMSfT![Color; Aspect: 2.35:1; 35 mm (also horizontal) (Kodak Vision3 250D 5207, Vision3 500T 5219) 65 mm (Kodak Vision3 250D 5207, Vision3 500T 5219) Digital; Panavision Super 70 (some scenes) Panavision (anamorphic) VistaVision (aerial shots); Arriflex 235, Panavision Primo and G-Series Lenses Arriflex 435 ES, Panavision Primo and G-Series Lenses Beaumont VistaVision Camera, Panavision Primo Lenses Panavision 65 HR Camera, Panavision System 65 Lenses Panavision Panaflex Millennium XL, Panavision C-, E-, G-Series and Super High Speed Lenses Panavision Panaflex System 65 Studio, Panavision System 65 Lenses Phantom HD Camera, Panavision Primo Lenses Photo-Sonics 4C, Panavision Primo Lenses Photo-Sonics 4ER, Panavision Primo Lenses; AUDIO: Dolby Digital, DTS, SDDS Color](icons/rgb.png) |
Inception |
Christopher Nolan, W, C, M |
|
4.5 |
2001 |
AAdFan![Color; Aspect: 2.35:1; 35 mm (Kodak Vision 200T 5274, Vision 500T 5279, Eastman EXR 200T 5293, SFX 200T); Digital Intermediate (2K) (master format) (some scenes) Super 35 (source format); Arricam ST, Zeiss Ultra Prime Lenses Arriflex 435, Zeiss Ultra Prime Lenses Arriflex 535, Zeiss Ultra Prime Lenses; AUDIO: DTS-ES, Dolby Digital EX, SDDS Color](icons/rgb.png) |
The Lord of the Rings: The Fellowship of the Ring |
Peter Jackson, W, W, ++, C, M |
|
4.5 |
1994 |
DR![Black and White, Color; Aspect: 2.35:1; 35 mm (also horizontal) (Eastman EXR 100T 5248, EXR 500T 5296, 250D 5297); Panavision (anamorphic) VistaVision (visual effects); Panavision Panaflex Platinum, Panavision C- and E-Series Lenses; AUDIO: DTS, Dolby Digital Black and White, Color](icons/rgb-bw.png) |
Forrest Gump |
Robert Zemeckis, W, W, C, M |
|
8.1 |
1980 |
AAdSf![Color; Aspect: 2.20:1; 35 mm (also horizontal) (Eastman 100T 5247); VistaVision (special effects) Panavision (anamorphic); AUDIO: 70 mm 6-Track (70 mm prints), Dolby (35 mm prints) Color](icons/rgb.png) |
Star Wars: Episode V - The Empire Strikes Back |
Irvin Kershner, W, W, ++, C, M |
|
7.5 |
2002 |
CrD![Color; Aspect: 1.85:1; 16 mm (Eastman EXR 50D 7245, Kodak Vision 250D 7246, Vision 200T 7274, Vision 500T 7279) 35 mm (Eastman EXR 50D 5245, Kodak Vision 250D 5246, Vision 200T 5274, Vision 500T 5279); Digital Intermediate (2K) (master format) Super 16 (source format) Super 35 (source format); Aaton 35-III, Zeiss Super Speed Lenses Aaton A-Minima, Zeiss Super Speed and Angenieux HR Lenses Aaton XTR Prod, Zeiss Super Speed and Angenieux HR Lenses; AUDIO: Dolby Digital, SDDS Color](icons/rgb.png) |
City of God |
Fernando Meirelles, Kátia Lund, W, W, C, M, M «Cidade de Deus» |
|
5.6 |
2002 |
AAdFan![Color; Aspect: 2.35:1; 35 mm (Eastman EXR 50D 5245, Kodak Vision 500T 5279, EXR 200T 5293, SO214); Digital Intermediate (2K) (master format) Super 35 (source format); Arriflex 435, Zeiss Ultra Prime Lenses Arriflex 535, Zeiss Ultra Prime Lenses Mitchell Cameras, Zeiss and Angenieux Lenses Moviecam Compact, Zeiss and Angenieux Lenses; AUDIO: DTS-ES, Dolby Digital EX, SDDS Color](icons/rgb.png) |
The Lord of the Rings: The Two Towers |
Peter Jackson, W, W, ++, C, M |
|
5.5 |
1999 |
AAdSf![Color; Aspect: 2.35:1; 35 mm (also horizontal) (Kodak Vision 200T 5274, Vision 500T 5279, Vision 800T 5289); Super 35 VistaVision (effects shots); Panavision Panaflex Platinum, Panavision Primo Lenses Panavision Panastar, Panavision Primo Lenses Photosonics Camera; AUDIO: DTS, Dolby Digital, SDDS Color](icons/rgb.png) |
The Matrix |
Andy Wachowski, Lana Wachowski, W, W, C, M |
|
7.6 |
1990 |
BCrDT![Color (Technicolor); Aspect: 1.85:1; 35 mm; Arriflex 35 BL4S, Zeiss Lenses; AUDIO: Dolby SR Color (Technicolor)](icons/rgb.png) |
Goodfellas |
Martin Scorsese, W, ++, C |
|
6.4 |
1977 |
AAdFanSf![Color (Technicolor); Aspect: 2.20:1; 35 mm (also horizontal) (Eastman 100T 5247); Panavision (anamorphic) VistaVision (special effects); Panavision PSR, Panavision C-Series Lenses; AUDIO: 70 mm 6-Track (70 mm prints), Dolby (35 mm prints) Color (Technicolor)](icons/rgb.png) |
Star Wars |
George Lucas, W, C, M |
|
7.1 |
1975 |
D![Color; Aspect: 1.85:1; 35 mm (Eastman 100T 5254); AUDIO: Mono Color](icons/rgb.png) |
One Flew Over the Cuckoo's Nest |
Milos Forman, W, W, ++, C, M |
|
7.2 |
1954 |
AD![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono, Stereo (re-release prints) Black and White](icons/bw.png) |
Seven Samurai |
Akira Kurosawa, W, W, ++, C, M «Shichinin no samurai» |
|
7.1 |
2010 |
DoBSp![Color; Aspect: 1.85:1; AUDIO: DTS, Dolby Digital Color](icons/q-rgb.png) |
Senna |
Asif Kapadia, W, C, M |
|
6.8 |
2001 |
AnAdFFan![Color; Aspect: 1.85:1; Digital; Digital Intermediate (2K) (master format) Digital (source format); AUDIO: DTS-ES, Dolby Digital EX, Dolby (English-language version), Dolby Digital (English-language version) Color](icons/d-rgb.png) |
Spirited Away |
Hayao Miyazaki, W, C, M «Sen to Chihiro no kamikakushi» |
|
4.4 |
1998 |
ADW![Color (Technicolor); Aspect: 1.85:1; 35 mm (Eastman EXR 200T 5293); Moviecam SL, Panavision Ultra Speed MKII Lenses Panavision Panaflex Platinum, Panavision Ultra Speed MKII Lenses Panavision Panastar, Panavision Ultra Speed MKII Lenses; AUDIO: DTS, Dolby Digital, SDDS Color (Technicolor)](icons/rgb.png) |
Saving Private Ryan |
Steven Spielberg, W, C, M |
|
5.7 |
1995 |
CrMT![Color; Aspect: 2.35:1; 35 mm (Eastman EXR 50D 5245, EXR 200T 5287, EXR 200T 5293); Super 35; Aaton 35-III, Panavision Primo Lenses Panavision Panaflex Gold, Panavision Primo Lenses; AUDIO: DTS, Dolby Digital Color](icons/rgb.png) |
Se7en |
David Fincher, W, C, M |
|
5.8 |
1995 |
CrMT![Color (Technicolor); Aspect: 2.35:1; 35 mm; Super 35; Panavision Cameras and Lenses; AUDIO: Dolby Digital Color (Technicolor)](icons/rgb.png) |
The Usual Suspects |
Bryan Singer, W, C, M |
|
5.0 |
1994 |
CD![Black and White; Aspect: 1.66:1; 35 mm; AUDIO: Mono Black and White](icons/bw.png) |
Satantango |
Béla Tarr, W, W, ++, C, M «Sátántangó» |
|
6.8 |
1991 |
CrDT![Color (Eastmancolor); Aspect: 1.85:1; 35 mm; Panaflex Camera and Lenses by Panavision; AUDIO: Dolby SR Color (Eastmancolor)](icons/rgb.png) |
The Silence of the Lambs |
Jonathan Demme, W, W, C, M |
|
7.2 |
1968 |
AdWe![Color (Technicolor); Aspect: 2.35:1; 35 mm (2-perf); Techniscope; AUDIO: Mono Color (Technicolor)](icons/rgb.png) |
Once Upon a Time in the West |
Sergio Leone, W, W, ++, C, M «C'era una volta il West» |
|
8.2 |
1955 |
DoSHW![Black and White, Color; Aspect: 1.37:1; 16 mm; AUDIO: Mono Black and White, Color](icons/rgb-bw.png) |
Night and Fog |
Alain Resnais, W, ++, C, C, M «Nuit et brouillard» |
|
6.8 |
1954 |
MT![Color (Eastmancolor) (negative), Color (Technicolor) (prints); Aspect: 1.66:1; 35 mm (Eastman 25T 5248); Mitchell BNC; AUDIO: Mono (Western Electric Recording) Color (Eastmancolor) (negative), Color (Technicolor) (prints)](icons/rgb.png) |
Rear Window |
Alfred Hitchcock, W, W, C, M |
|
7.6 |
1946 |
DFFan![Color, Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (RCA Sound System) Color, Black and White](icons/rgb-bw.png) |
It's a Wonderful Life |
Frank Capra, W, W, ++, C, C, C, M |
|
7.1 |
1942 |
DRW![Black and White; Aspect: 1.37:1; 35 mm; Mitchell BNC; AUDIO: Mono (RCA Sound System) Black and White](icons/bw.png) |
Casablanca |
Michael Curtiz, W, W, ++, C, M |
|
7.7 |
1936 |
CD![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Noiseless Recording Sound System) Black and White](icons/bw.png) |
Modern Times |
Charles Chaplin, W, C, C, M |
|
8.0 |
1931 |
CDR![Black and White; Silent](icons/bw.png) |
City Lights |
Charles Chaplin, W, ++, C, C, M |
|
4.7 |
2012 |
AdWe![Color; Aspect: 2.35:1; 35 mm (Kodak Vision3 200T 5213, Vision3 500T 5219, Ektachrome 100D 5285); Digital Intermediate (4K) (master format) Panavision (anamorphic) (source format); Panavision Panaflex Millennium XL2, Panavision Primo, E-Series, ATZ and AWZ2 Lenses; AUDIO: SDDS, Datasat, Dolby Digital Color](icons/rgb.png) |
Django Unchained |
Quentin Tarantino, W, C |
|
4.3 |
2006 |
CrDT![Color; Aspect: 2.35:1; 35 mm (Kodak Vision2 200T 5217, Vision2 500T 5218, Vision2 Expression 500T 5229); Digital Intermediate (2K) (master format) Super 35 (source format); Arricam ST, Zeiss Master Prime, Ultra Prime, Variable Prime and Angenieux Optimo Lenses Arriflex 235, Zeiss Master Prime, Ultra Prime, Variable Prime and Angenieux Optimo Lenses Arriflex 435, Zeiss Master Prime, Ultra Prime, Variable Prime and Angenieux Optimo Lenses; AUDIO: Dolby Digital, SDDS, DTS Color](icons/rgb.png) |
The Departed |
Martin Scorsese, W, W, ++, C, M |
|
7.3 |
2006 |
DT![Color; Aspect: 2.35:1; 35 mm (Kodak Vision2 250D 5205, Vision2 500T 5218); Hawk Scope (anamorphic); Arriflex 535B, Hawk C- and V-Series Lenses; AUDIO: Dolby Digital Color](icons/rgb.png) |
The Lives of Others |
Florian Henckel von Donnersmarck, W, C, M, M «Das Leben der Anderen» |
|
4.8 |
2000 |
AAdD![Color; Aspect: 2.35:1; 35 mm (Eastman EXR 50D 5245, Kodak Vision 200T 5274); Super 35; Aaton 35-III, Panavision Primo Lenses Arriflex 35-III, Panavision Primo Lenses Panavision Panaflex Gold II, Panavision Primo Lenses Panavision Panaflex Platinum, Panavision Primo Lenses; AUDIO: SDDS, DTS, Dolby Digital Color](icons/rgb.png) |
Gladiator |
Ridley Scott, W, ++, C, M, M |
|
5.6 |
2000 |
MT![Black and White, Color; Aspect: 2.35:1; 35 mm (Eastman Double-X 5222, Kodak Vision 250D 5246, Vision 500T 5279, EXR 200T 5293); Panavision (anamorphic); Panavision Panaflex Gold II, Panavision E-Series Lenses; AUDIO: Dolby Digital Black and White, Color](icons/rgb-bw.png) |
Memento |
Christopher Nolan, W, W, C, M |
|
7.6 |
1994 |
![TV](icons/tv_icon.png) CDFanHoM![Color; Aspect: 1.33:1; 16 mm (Eastman EXR 500T 7296); Arriflex 16 SR2; AUDIO: Dolby Color](icons/rgb.png) |
"The Kingdom" |
[ Morten Arnfred, Lars von Trier ], [ W, W, W ], C, M «"Riget"» TV mini-series 1994- |
|
7.5 |
1994 |
AnAdDFMl![Color (Technicolor); Aspect: 1.66:1; 35 mm (Eastman); AUDIO: Dolby Digital Color (Technicolor)](icons/rgb.png) |
The Lion King |
Roger Allers, Rob Minkoff, W, W, ++, M |
|
7.7 |
1991 |
ASfT![Color; Aspect: 2.20:1; 35 mm (Eastman EXR 50D 5245, EXR 500T 5296, 250D 5297); Super 35; Arriflex Cameras and Lenses; AUDIO: 70 mm 6-Track (analog 70 mm prints), CDS (digital 35 mm and 70 mm prints), Dolby SR (analog 35 mm prints) Color](icons/rgb.png) |
Terminator 2: Judgment Day |
James Cameron, W, W, C, M |
|
7.5 |
1988 |
D![Color; Aspect: 1.66:1; 35 mm (Kodak); AUDIO: Dolby Color](icons/rgb.png) |
Cinema Paradiso |
Giuseppe Tornatore, W, ++, C, M «Nuovo Cinema Paradiso» |
|
7.9 |
1988 |
AnDW![Color (Technicolor); Aspect: 1.85:1; 35 mm; AUDIO: Mono, Dolby (as Dolby Stereo) (theatrical print) Color (Technicolor)](icons/rgb.png) |
Grave of the Fireflies |
Isao Takahata, W, W, C, M «Hotaru no haka» |
|
8.2 |
1985 |
AdCSf![Color (Technicolor); Aspect: 1.85:1; 35 mm (also horizontal) (Eastman 125T 5247, 400T 5294); Spherical VistaVision (special effects); Panaflex Camera and Lenses by Panavision; AUDIO: 70 mm 6-Track (70 mm prints), Dolby (35 mm prints) (as Dolby Stereo) Color (Technicolor)](icons/rgb.png) |
Back to the Future |
Robert Zemeckis, W, W, C, M |
|
7.8 |
1981 |
AAd![Color; Aspect: 2.20:1; 35 mm (Eastman 100T 5247); Panavision (anamorphic); Panavision Cameras and Lenses; AUDIO: 70 mm 6-Track (70 mm prints), Dolby (35 mm prints) Color](icons/rgb.png) |
Raiders of the Lost Ark |
Steven Spielberg, W, W, ++, C, M |
|
7.2 |
1979 |
HoSf![Color; Aspect: 2.20:1; 35 mm (Eastman 100T 5247); Panavision (anamorphic); AUDIO: 70 mm 6-Track (70 mm prints), Dolby (as Dolby Stereo) Color](icons/rgb.png) |
Alien |
Ridley Scott, W, W, ++, C, M |
|
5.7 |
1979 |
DW![Color; Aspect: 2.00:1; 16 mm (newsreel scenes) 35 mm (Eastman 100T 5247); Technovision (anamorphic); Arriflex 16 ST (newsreel scenes) Arriflex 35 BL, Technovision/Cooke Lenses Mitchell BNCR, Technovision/Cooke Lenses; AUDIO: 70 mm 6-Track (70 mm prints), Dolby Digital (Redux version), Dolby (35 mm prints), DTS (Redux version) Color](icons/rgb.png) |
Apocalypse Now |
Francis Ford Coppola, W, W, ++, C, M, M |
|
6.2 |
1964 |
CSfW![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Westrex Recording System) Black and White](icons/bw.png) |
Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb |
Stanley Kubrick, W, W, ++, C, M |
|
7.6 |
1964 |
DT![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Westrex Recording System) Black and White](icons/bw.png) |
Woman in the Dunes |
Hiroshi Teshigahara, W, ++, C, M «Suna no onna» |
|
8.0 |
1960 |
CrDT![Black and White; Aspect: 1.66:1; 35 mm; AUDIO: Mono (Western Electric Sound System) Black and White](icons/bw.png) |
Le Trou |
Jacques Becker, W, W, ++, C, M «Le trou» |
|
7.7 |
1960 |
HoMT![Black and White; Aspect: 1.37:1; 35 mm; Mitchell BNC; AUDIO: Mono (Westrex Recording System) Black and White](icons/bw.png) |
Psycho |
Alfred Hitchcock, W, W, C, M |
|
7.3 |
1957 |
DW![Black and White; Aspect: 1.66:1; 35 mm; AUDIO: Mono Black and White](icons/bw.png) |
Paths of Glory |
Stanley Kubrick, W, W, ++, C, M |
|
7.5 |
1950 |
DN![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Recording) Black and White](icons/bw.png) |
Sunset Blvd. |
Billy Wilder, W, W, ++, C, M |
|
7.2 |
2011 |
D![Color; Aspect: 1.85:1; 35 mm (Fuji Eterna 500T 8573, Eterna 400T 8583); Aaton 35 III, Zeiss Lenses Aaton Camera; AUDIO: Dolby SR Color](icons/rgb.png) |
A Separation |
Asghar Farhadi, W, C, M «Jodaeiye Nader az Simin» |
|
7.1 |
2010 |
AnAdCFFan![Color; Aspect: 1.85:1; Digital; Digital Intermediate (2K) (master format) Digital (source format) Disney Digital 3-D (3-D version) PixarVision; AUDIO: DTS, Dolby Digital EX, SDDS, Sonics-DDP (IMAX version), Dolby (Dolby 7.1 Surround Sound) Color](icons/d-rgb.png) |
Toy Story 3 |
Lee Unkrich, W, W, ++, M |
|
4.9 |
2003 |
DMT![Color; Aspect: 2.35:1; 35 mm (Kodak); Digital Intermediate (master format) Super 35 (source format); Arriflex Cameras and Lenses; AUDIO: Dolby Digital Color](icons/rgb.png) |
Oldboy |
Chan-wook Park, W, W, ++, C, M «Oldeuboi» |
|
4.6 |
2000 |
D![Color; Aspect: 1.37:1; 35 mm (Eastman EXR 100T 5248, Fuji Super F-500T 8572); Panavision Panaflex Gold II, Panavision Ultra Speed MKII Lenses Bell & Howell Eyemo Panavised Arri-3 Panavision Panastar Sony Betacam Cameras (video segments); AUDIO: Dolby Digital Color](icons/rgb.png) |
Requiem for a Dream |
Darren Aronofsky, W, ++, C, M |
|
3.2 |
1999 |
D![Color; Aspect: 2.35:1; 35 mm (Eastman EXR 100T 5248, Kodak Vision 200T 5274, Vision 500T 5279); Super 35; Panavision Panaflex Platinum, Panavision Primo Lenses; AUDIO: DTS, Dolby Digital, SDDS Color](icons/rgb.png) |
American Beauty |
Sam Mendes, W, C, M |
|
3.6 |
1995 |
ABDHW![Color; Aspect: 2.35:1; 35 mm (Eastman EXR 100T 5248, EXR 200T 5293, EXR 500T 5298); Panavision (anamorphic); Panavision Panaflex Platinum, Panavision C- and E-Series Lenses; AUDIO: DTS, Dolby Digital Color](icons/rgb.png) |
Braveheart |
Mel Gibson, W, C, M |
|
5.6 |
1992 |
CrT![Color (Eastmancolor); Aspect: 2.35:1; 35 mm (Eastman EXR 50D 5245); Super 35; PanArri 35-III, Panavision Primo Lenses Panavision Panaflex X, Panavision Primo Lenses Panavision Panaflex Gold, Panavision Primo and Canon Lenses; AUDIO: Dolby Color (Eastmancolor)](icons/rgb.png) |
Reservoir Dogs |
Quentin Tarantino, W, W, ++, C |
|
9.1 |
1991 |
CrDR![Color; Aspect: 1.85:1; AUDIO: Dolby Digital Color](icons/q-rgb.png) |
A Brighter Summer Day |
Edward Yang, W, W, ++, C, C «Gu ling jie shao nian sha ren shi jian» |
|
7.5 |
1986 |
AAdSfT![Color (Eastmancolor); Aspect: 1.85:1; 35 mm (Eastman 400T 5294, 400T 5295); Arriflex 35-III, Canon K35 Lenses Moviecam SuperAmerica, Canon K35 Lenses; AUDIO: 70 mm 6-Track (70 mm prints), Dolby (35 mm prints) Color (Eastmancolor)](icons/rgb.png) |
Aliens |
James Cameron, W, W, ++, C, M |
|
4.2 |
1984 |
CrD![Color; Aspect: 1.85:1; 35 mm (Eastman); AUDIO: Mono Color](icons/rgb.png) |
Once Upon a Time in America |
Sergio Leone, W, W, ++, C, M |
|
6.5 |
1983 |
AAdFanSf![Color; Aspect: 2.20:1; 35 mm (also horizontal) (Eastman 250T 5293); J-D-C Scope (anamorphic) VistaVision (special effects); Arriflex 35 BL3, Cooke Xtal Express and Varotal Lenses Arriflex 35-IIC, Cooke Xtal Express and Varotal Lenses; AUDIO: 70 mm 6-Track (70 mm prints), Dolby (35 mm prints) Color](icons/rgb.png) |
Star Wars: Episode VI - Return of the Jedi |
Richard Marquand, W, W, ++, C, C, M |
|
8.0 |
1981 |
AAdDHW![Color (Fujicolor); Aspect: 1.85:1; 35 mm (Fuji A 250T 8518); AUDIO: Dolby Digital (director's cut), Dolby (original release), SDDS (director's cut) Color (Fujicolor)](icons/rgb.png) |
Das Boot |
Wolfgang Petersen, W, W, C, M |
|
4.7 |
1980 |
HoM![Color; Aspect: 1.37:1; 35 mm (Eastman 100T 5247); Arriflex 35 BL, Zeiss Super Speed Lenses; AUDIO: Mono Color](icons/rgb.png) |
The Shining |
Stanley Kubrick, W, W, ++, C, M, M |
|
6.3 |
1976 |
CrD![Color (Metrocolor); Aspect: 1.85:1; 35 mm (Eastman 100T 5254); Arriflex 35 BL, Zeiss Super Speed Lenses; AUDIO: Dolby SR (re-release), Stereo Color (Metrocolor)](icons/rgb.png) |
Taxi Driver |
Martin Scorsese, W, C, M |
|
5.1 |
1971 |
CrDSf![Black and White, Color (Warnercolor) (uncredited); Aspect: 1.66:1; 35 mm; Newman Sinclair Arriflex 35 IIC; AUDIO: Dolby Digital (re-issue), Mono Black and White, Color (Warnercolor) (uncredited)](icons/rgb-bw.png) |
A Clockwork Orange |
Stanley Kubrick, W, W, C |
|
7.8 |
1969 |
DoHW![Black and White; 35 mm; AUDIO: Mono Black and White](icons/bw.png) |
The Sorrow and the Pity |
Marcel Ophüls, W, W, C, C «Le chagrin et la pitié» |
|
6.3 |
1962 |
SDRSf![Black and White; Aspect: 1.66:1; 35 mm; Arriflex Cameras Pentax 24 x 36; AUDIO: Mono Black and White](icons/bw.png) |
La Jetée |
Chris Marker, W, C, C «La jetée» |
|
7.0 |
1962 |
AdBDHW![Color (Technicolor); Aspect: 2.20:1; 65 mm (Eastman); Super Panavision 70; Panavision Lenses; AUDIO: 70 mm 6-Track (RCA Sound Recording) (70 mm prints), Mono (35 mm prints) (original version), 4-Track Stereo (magnetic prints) (35 mm) (original version) Color (Technicolor)](icons/rgb.png) |
Lawrence of Arabia |
David Lean, W, W, ++, C, M |
|
6.4 |
1962 |
CrDM![Black and White; Aspect: 1.85:1; 35 mm; AUDIO: Mono (Westrex Recording System) Black and White](icons/bw.png) |
To Kill a Mockingbird |
Robert Mulligan, W, W, C, M |
|
7.2 |
1959 |
AAdCrMT![Color (Technicolor); Aspect: 1.66:1; 35 mm (horizontal); VistaVision; Mitchell VistaVision Cameras; AUDIO: Mono (Westrex Recording System), Dolby SR, Dolby Digital Color (Technicolor)](icons/rgb.png) |
North by Northwest |
Alfred Hitchcock, W, C, M |
|
6.0 |
1958 |
MRT![Color (Technicolor); Aspect: 1.50:1; 35 mm (horizontal); Super VistaVision (1996 restoration) VistaVision: Motion Picture High-Fidelity; Mitchell VistaVision Cameras; AUDIO: Mono (Westrex Recording System) Color (Technicolor)](icons/rgb.png) |
Vertigo |
Alfred Hitchcock, W, W, ++, C, M |
|
7.7 |
1954 |
D![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono Black and White](icons/bw.png) |
Sansho the Bailiff |
Kenji Mizoguchi, W, W, ++, C, M, M, M «Sanshô dayû» |
|
7.4 |
1952 |
CMlR![Color (Technicolor), Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Sound System) Color (Technicolor), Black and White](icons/rgb-bw.png) |
Singin' in the Rain |
Stanley Donen, Gene Kelly, W, W, ++, C, M |
|
7.2 |
1948 |
CrD![Black and White; Aspect: 1.37:1; 35 mm; Arriflex II C; AUDIO: Mono Black and White](icons/bw.png) |
Bicycle Thieves |
Vittorio De Sica, W, W, ++, C, M «Ladri di biciclette» |
|
7.4 |
1944 |
CrDNT![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Mirrophonic Recording) Black and White](icons/bw.png) |
Double Indemnity |
Billy Wilder, W, W, ++, C, M |
|
4.2 |
1941 |
DM![Black and White; Aspect: 1.37:1; 35 mm; Mitchell BNC; AUDIO: Mono (RCA Sound System) Black and White](icons/bw.png) |
Citizen Kane |
Orson Welles, W, W, ++, C, M |
|
7.0 |
1931 |
CrNT![Black and White; Aspect: 1.20:1; 35 mm; AUDIO: Mono Black and White](icons/bw.png) |
M |
Fritz Lang, W, W, ++, C |
|
7.3 |
1929 |
Do![Black and White; Silent](icons/bw.png) |
Man with a Movie Camera |
Dziga Vertov, W, C, C, M, M, M++ «Chelovek s kino-apparatom» |
|
7.8 |
1928 |
BDH![Black and White; Silent](icons/bw.png) |
The Passion of Joan of Arc |
Carl Theodor Dreyer, W, W, C, M, M «La passion de Jeanne d'Arc» |
|
6.7 |
1927 |
DR![Black and White; Silent](icons/bw.png) |
Sunrise |
F.W. Murnau, W, W, ++, C, C, M, M, M++ «Sunrise: A Song of Two Humans» |
|
2.4 |
2009 |
AdDW![Color; Aspect: 2.35:1; 35 mm (Kodak Vision2 200T 5217, Vision3 500T 5219); Digital Intermediate (2K) (master format) Panavision (anamorphic) (source format); Arriflex 435, Panavision Primo, G-Series, ATZ, AWZ2 and Cooke Lenses Panavision Panaflex Millennium, Panavision Primo, G-Series, ATZ, AWZ2 and Cooke Lenses; AUDIO: SDDS, Dolby Digital, DTS Color](icons/rgb.png) |
Inglourious Basterds |
Quentin Tarantino, ++, W, C |
|
7.4 |
2004 |
BDHW![Color; Aspect: 1.85:1; 35 mm (Kodak Vision2 500T 5218, Vision 250D 5246); Digital Intermediate (2K) (master format) Super 35 (3-perf) (source format); Arricam LT, Zeiss Ultra Prime Lenses Arricam ST, Zeiss Ultra Prime Lenses Arriflex 435, Zeiss Ultra Prime Lenses; AUDIO: Dolby Digital, DTS Color](icons/rgb.png) |
Downfall |
Oliver Hirschbiegel, W, W, ++, C, M «Der Untergang» |
|
7.5 |
1997 |
CrDMT![Color (Technicolor); Aspect: 2.35:1; 35 mm (Kodak Vision 500T 5279, Eastman EXR 200T 5293); Super 35; Panavision Panaflex Gold II, Panavision Primo Lenses Panavision Panaflex Lightweight, Panavision Primo Lenses Panavision Panaflex Platinum, Panavision Primo Lenses; AUDIO: Dolby Digital Color (Technicolor)](icons/rgb.png) |
L.A. Confidential |
Curtis Hanson, W, W, ++, C, M |
|
5.5 |
1995 |
Dilwale Dulhania Le Jayenge |
Aditya Chopra, W, W, C, M, M |
|
6.4 |
1995 |
ACrDT![Color (Technicolor); Aspect: 2.35:1; 35 mm (Eastman EXR 500T 5298); Panavision (anamorphic); Cine SL 35, Panavision E-Series Lenses Panavision Panaflex Platinum, Panavision Primo, E-Series and Super High Speed Lenses; AUDIO: Dolby Digital, SDDS Color (Technicolor)](icons/rgb.png) |
Heat |
Michael Mann, W, C, M |
|
7.7 |
1995 |
AnAdCFFan![Color (Technicolor); Aspect: 1.85:1; Digital; Digital; AUDIO: Dolby Digital Color (Technicolor)](icons/d-rgb.png) |
Toy Story |
John Lasseter, W, W, ++, M |
|
7.3 |
1994 |
DoDSp![Color; Aspect: 1.33:1; Video (NTSC); Betacam SP (source format) D1 (master format); AUDIO: Ultra Stereo Color](icons/v-rgb.png) |
Hoop Dreams |
Steve James, W, W, C, M |
|
5.9 |
1992 |
We![Color (Technicolor); Aspect: 2.35:1; 35 mm; Panavision (anamorphic); Panavision Cameras and Lenses; AUDIO: Dolby (as Dolby Stereo) Color (Technicolor)](icons/rgb.png) |
Unforgiven |
Clint Eastwood, W, C, M |
|
6.4 |
1987 |
DW![Color; Aspect: 1.37:1; 35 mm (Eastman 400T 5294); Arriflex 35 BL, Zeiss Super Speed Lenses Fries Mitchell 35R3, Nikon Lenses; AUDIO: Mono Color](icons/rgb.png) |
Full Metal Jacket |
Stanley Kubrick, W, W, ++, C, M |
|
7.5 |
1985 |
DHW![Black and White (archive footage), Color; Aspect: 1.37:1; 35 mm; AUDIO: Stereo Black and White (archive footage), Color](icons/rgb-bw.png) |
Come and See |
Elem Klimov, W, ++, C, M «Idi i smotri» |
|
7.3 |
1985 |
ADW![Color; Aspect: 1.85:1; 35 mm; Panaflex Cameras and Lenses by Panavision; AUDIO: Dolby (35 mm prints), 70 mm 6-Track (70 mm prints) Color](icons/rgb.png) |
Ran |
Akira Kurosawa, W, W, ++, C, C, C, M |
|
7.4 |
1984 |
BDMc![Color (Technicolor); Aspect: 2.20:1; 35 mm (Eastman 250T 5293); Panavision (anamorphic); Panavision Cameras and Lenses; AUDIO: 70 mm 6-Track (70 mm prints), Dolby Digital (director's cut), Dolby (35 mm prints) Color (Technicolor)](icons/rgb.png) |
Amadeus |
Milos Forman, W, C |
|
5.7 |
1983 |
CrDT![Color (Technicolor); Aspect: 2.35:1; 35 mm (Eastman 250T 5293); Panavision (anamorphic); Panavision Cameras and Lenses; AUDIO: 4-Track Stereo Color (Technicolor)](icons/rgb.png) |
Scarface |
Brian De Palma, W, ++, C, M |
|
5.6 |
1982 |
DoMc![Color; Aspect: 1.85:1; 35 mm; AUDIO: Dolby Color](icons/rgb.png) |
Koyaanisqatsi |
Godfrey Reggio, W, W, ++, C, M |
|
5.3 |
1980 |
BDSp![Black and White, Color; Aspect: 1.85:1; 35 mm (Eastman Double-X 5222, Plus-X 5231); Arriflex 35 BL, Zeiss Super Speed Lenses; AUDIO: Dolby Black and White, Color](icons/rgb-bw.png) |
Raging Bull |
Martin Scorsese, W, W, ++, C |
|
7.5 |
1977 |
DW![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono Black and White](icons/bw.png) |
The Ascent |
Larisa Shepitko, W, W, ++, C, C, M «Voskhozhdeniye» |
|
8.1 |
1975 |
AdBD![Color (Sovcolor); Aspect: 2.20:1; 70 mm; Sovscope 70; AUDIO: 70 mm 6-Track (70 mm prints), Mono (35 mm prints) Color (Sovcolor)](icons/rgb.png) |
Dersu Uzala |
Akira Kurosawa, W, W, ++, C, C, C, M |
|
6.9 |
1975 |
AdCFan![Color (Technicolor); Aspect: 1.66:1; 35 mm; AUDIO: Dolby Digital (2001 re-release), Mono (original release) Color (Technicolor)](icons/rgb.png) |
Monty Python and the Holy Grail |
Terry Gilliam, Terry Jones, W, W, ++, C |
|
7.1 |
1974 |
CrDMT![Color (Technicolor); Aspect: 2.35:1; 35 mm (Eastman 100T 5254); Panavision (anamorphic); Panavision Panaflex, Panavision C-Series Lenses; AUDIO: Mono Color (Technicolor)](icons/rgb.png) |
Chinatown |
Roman Polanski, W, ++, C, C, M |
|
6.7 |
1973 |
CCrD![Color (Technicolor); Aspect: 1.85:1; 35 mm; AUDIO: Mono (Westrex Recording System) Color (Technicolor)](icons/rgb.png) |
The Sting |
George Roy Hill, W, C |
|
2.4 |
1968 |
AdMSf![Color (Technicolor); Aspect: 2.20:1; 65 mm (Eastman 50T 5251); Cinerama Super Panavision 70; Panavision Cameras and Lenses; AUDIO: 4-Track Stereo (35 mm magnetic prints), 70 mm 6-Track (70 mm prints), DTS 70 mm (2001 re-release) Color (Technicolor)](icons/rgb.png) |
2001: A Space Odyssey |
Stanley Kubrick, W, W, ++, C |
|
6.9 |
1966 |
BDH![Color (Sovcolor), Black and White; Aspect: 2.35:1; 35 mm; Sovscope (anamorphic); Convas Camera; AUDIO: Mono Color (Sovcolor), Black and White](icons/rgb-bw.png) |
Andrei Rublev |
Andrei Tarkovsky, W, W, C, M «Strasti po Andreyu» |
|
6.7 |
1963 |
AdDHTW![Color; Aspect: 2.35:1; 35 mm; Panavision (anamorphic) (as Panavision®); AUDIO: 4-Track Stereo (Westrex Recording System), Mono Color](icons/rgb.png) |
The Great Escape |
John Sturges, W, W, ++, C, M |
|
8.0 |
1962 |
D![Color; Aspect: 1.37:1; 35 mm; AUDIO: Mono Color](icons/rgb.png) |
An Autumn Afternoon |
Yasujirô Ozu, W, W, C, M «Sanma no aji» |
|
7.8 |
1962 |
D![Black and White; Aspect: 1.33:1; 35 mm; AUDIO: Mono Black and White](icons/bw.png) |
The Given Word |
Anselmo Duarte, W, W, ++, C, M «O Pagador de Promessas» |
|
6.5 |
1961 |
D![Black and White; Aspect: 1.66:1; 35 mm; AUDIO: Mono (Klangfilm-Magnetocord) Black and White](icons/bw.png) |
Viridiana |
Luis Buñuel, W, W, ++, C, M |
|
6.2 |
1960 |
CrDSp![Black and White; Aspect: 1.66:1; 35 mm; AUDIO: Mono Black and White](icons/bw.png) |
Rocco and His Brothers |
Luchino Visconti, W, W, ++, C, M «Rocco e i suoi fratelli» |
|
7.5 |
1960 |
CDR![Black and White; Aspect: 2.35:1; 35 mm; Panavision (anamorphic); AUDIO: Mono (Westrex Recording System) Black and White](icons/bw.png) |
The Apartment |
Billy Wilder, W, W, C, M |
|
7.1 |
1959 |
C![Black and White; Aspect: 1.66:1; 35 mm; AUDIO: Mono (Westrex Recording System) Black and White](icons/bw.png) |
Some Like It Hot |
Billy Wilder, W, W, ++, C, M |
|
7.7 |
1957 |
D![Black and White; Aspect: 1.33:1; 35 mm; AUDIO: Mono (Western Electric Recording) Black and White](icons/bw.png) |
Nights of Cabiria |
Federico Fellini, W, W, ++, C, C, M «Le notti di Cabiria» |
|
6.9 |
1957 |
D![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono Black and White](icons/bw.png) |
Wild Strawberries |
Ingmar Bergman, W, C, M, M «Smultronstället» |
|
7.9 |
1955 |
Pather Panchali |
Satyajit Ray, W, W, C, M |
|
7.3 |
1954 |
CrD![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Recording) Black and White](icons/bw.png) |
On the Waterfront |
Elia Kazan, W, ++, C, M |
|
6.8 |
1953 |
D![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono Black and White](icons/bw.png) |
Tokyo Story |
Yasujirô Ozu, W, W, C, M «Tôkyô monogatari» |
|
7.4 |
1952 |
D![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono Black and White](icons/bw.png) |
Ikiru |
Akira Kurosawa, W, W, ++, C, M |
|
7.2 |
1950 |
D![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Recording) Black and White](icons/bw.png) |
All About Eve |
Joseph L. Mankiewicz, W, ++, C, M |
|
7.4 |
1950 |
CrD![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (RCA High Fidelity Recording) Black and White](icons/bw.png) |
Los Olvidados |
Luis Buñuel, W, W, ++, C, M, M «Los olvidados» |
|
6.9 |
1950 |
CrD![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Recording) Black and White](icons/bw.png) |
Rashomon |
Akira Kurosawa, W, W, ++, C, M «Rashômon» |
|
7.8 |
1949 |
DR![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Recording) Black and White](icons/bw.png) |
The Heiress |
William Wyler, W, W, ++, C, M |
|
6.7 |
1949 |
NMT![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Recording) Black and White](icons/bw.png) |
The Third Man |
Carol Reed, W, ++, C, M |
|
6.8 |
1948 |
DMcR![Color (Technicolor); Aspect: 1.37:1; 35 mm; Technicolor Three-Strip Camera; AUDIO: Mono (Western Electric Recording) Color (Technicolor)](icons/rgb.png) |
The Red Shoes |
Michael Powell, Emeric Pressburger, W, W, ++, C, M |
|
7.3 |
1948 |
AAdDWe![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (RCA Sound System) Black and White](icons/bw.png) |
The Treasure of the Sierra Madre |
John Huston, W, W, C, M |
|
8.1 |
1945 |
DR![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono Black and White](icons/bw.png) |
Children of Paradise |
Marcel Carné, W, C, M «Les enfants du paradis» |
|
7.5 |
1939 |
D![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Mirrophonic Recording) Black and White](icons/bw.png) |
Mr. Smith Goes to Washington |
Frank Capra, W, W, ++, C, M |
|
7.3 |
1937 |
DR![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Noiseless Recording) Black and White](icons/bw.png) |
Make Way for Tomorrow |
Leo McCarey, W, W, ++, C, M, M |
|
6.6 |
1927 |
DSf![Black and White; Silent](icons/bw.png) |
Metropolis |
Fritz Lang, W, ++, C, C, C, M, M, M++ |
|
6.9 |
1926 |
AAdCRW![Black and White (Sepiatone); Silent](icons/bw.png) |
The General |
Clyde Bruckman, Buster Keaton, W, W, ++, C, C, M, M, M++ |
|
7.6 |
1925 |
DRW![Black and White (with tinted sequences); Silent](icons/bw.png) |
The Big Parade |
King Vidor, ++, W, W, ++, C, C, M, M, M |
|
7.0 |
1925 |
AdCFRWe![Black and White; Silent](icons/bw.png) |
The Gold Rush |
Charles Chaplin, W, C, M, M, M |
|
6.8 |
1924 |
CFan![Black and White; Silent](icons/bw.png) |
Sherlock Jr. |
Buster Keaton, W, W, ++, C, C, M, M, M++ |
|
4.2 |
2006 |
DFanW![Color; Aspect: 1.85:1; 35 mm (Kodak Vision2 200T 5217, Vision2 500T 5218, Vision 250D 5246); Digital Intermediate (2K) (master format) Spherical (source format); Arriflex 435 ES, Zeiss Ultra Prime and Variable Prime Lenses Moviecam Compact, Zeiss Ultra Prime and Variable Prime Lenses; AUDIO: DTS, Dolby Digital, SDDS Color](icons/rgb.png) |
Pan's Labyrinth |
Guillermo del Toro, W, C, M «El laberinto del fauno» |
|
5.6 |
1999 |
DMT![Color (Technicolor); Aspect: 1.85:1; 35 mm (Eastman); Panavision Cameras and Lenses; AUDIO: DTS, Dolby Digital, SDDS Color (Technicolor)](icons/rgb.png) |
The Sixth Sense |
M. Night Shyamalan, W, C, M |
|
3.6 |
1996 |
CrDT![Color; Aspect: 1.85:1; 35 mm (Eastman EXR 200T 5293); Arriflex 35 BL4, Zeiss Standard Speed Lenses; AUDIO: Dolby Digital Color](icons/rgb.png) |
Fargo |
Joel Coen, ++, W, W, C, M |
|
7.1 |
1996 |
CrD![Color; Aspect: 1.85:1; 35 mm (Eastman EXR 200T 5293); Aaton 35-III, Zeiss Standard Speed Lenses Arriflex 35 BL4, Zeiss Standard Speed Lenses; AUDIO: Dolby Digital Color](icons/rgb.png) |
Trainspotting |
Danny Boyle, W, W, C |
|
6.5 |
1991 |
Do![Color; Aspect: 1.37:1; 35 mm; AUDIO: Stereo Color](icons/rgb.png) |
Hearts of Darkness: A Filmmaker's Apocalypse |
Fax Bahr, George Hickenlooper, ++, W, W, C, C, C++, M |
|
6.9 |
1991 |
D![Color; Aspect: 1.85:1; 35 mm; AUDIO: Dolby Color](icons/rgb.png) |
Raise the Red Lantern |
Yimou Zhang, W, W, C, C, M, M «Da hong deng long gao gao gua» |
|
7.8 |
1990 |
CrD![Color; Aspect: 1.37:1; 16 mm (some scenes) 35 mm; AUDIO: Mono Color](icons/rgb.png) |
Close-Up |
Abbas Kiarostami, W, C «Nema-ye Nazdik» |
|
7.7 |
1988 |
AT![Color; Aspect: 2.20:1; 35 mm (Eastman 400T 5295) 65 mm (special effects) (Eastman 125T 5247, 400T 5295); Panavision (anamorphic); Panavision Cameras and Lenses; AUDIO: 70 mm 6-Track (70 mm prints), Dolby (35 mm prints) Color](icons/rgb.png) |
Die Hard |
John McTiernan, W, W, ++, C, M |
|
8.0 |
1985 |
DoHW![Color; Aspect: 1.37:1; 16 mm; AUDIO: Mono Color](icons/rgb.png) |
Shoah |
Claude Lanzmann, W, C, C, C++ |
|
4.6 |
1982 |
DSfT![Color (Technicolor); Aspect: 2.20:1; 65 mm (special effects) (Eastman 100T 5247) 35 mm (Eastman 100T 5247); Panavision (anamorphic); Panavision Panaflex Gold, Panavision C-Series and Super High Speed Lenses; AUDIO: 70 mm 6-Track (70 mm prints), Dolby Stereo (35 mm prints) Color (Technicolor)](icons/rgb.png) |
Blade Runner |
Ridley Scott, W, W, ++, C, M |
|
6.5 |
1982 |
AdBD![Color; Aspect: 1.85:1; 35 mm; Arriflex 35 BL3; AUDIO: Mono Color](icons/rgb.png) |
Fitzcarraldo |
Werner Herzog, W, C, M |
|
7.5 |
1982 |
HoMSfT![Color; Aspect: 2.20:1; 35 mm (Eastman 100T 5247); Panavision (anamorphic); Panavision Cameras and Lenses; AUDIO: Dolby Stereo (35 mm prints), 70 mm 6-Track (70 mm prints) Color](icons/rgb.png) |
The Thing |
John Carpenter, W, W, C, M |
|
8.5 |
1982 |
DR![Color (Fujicolor); Aspect: 1.37:1; 35 mm; AUDIO: Mono Color (Fujicolor)](icons/rgb.png) |
Yol |
Serif Gören, Yilmaz Güney, W, C, M, M |
|
7.7 |
1980 |
BD![Black and White; Aspect: 2.35:1; 35 mm (Eastman Plus-X 5231); Panavision (anamorphic); Panavision Cameras and Lenses; AUDIO: Dolby Black and White](icons/bw.png) |
The Elephant Man |
David Lynch, W, W, ++, C, M |
|
2.8 |
1979 |
DSf![Color (Sovcolor), Black and White, Color (Eastmancolor); Aspect: 1.37:1; 35 mm (Eastman); Arriflex Cameras and Lenses; AUDIO: Mono Color (Sovcolor), Black and White, Color (Eastmancolor)](icons/rgb-bw.png) |
Stalker |
Andrei Tarkovsky, W, W, ++, C, C, C, M |
|
5.5 |
1978 |
DW![Color (Technicolor); Aspect: 2.35:1; 35 mm; Panavision (anamorphic); Panavision Cameras and Lenses; AUDIO: 70 mm 6-Track (70 mm prints), Dolby (35 mm prints) Color (Technicolor)](icons/rgb.png) |
The Deer Hunter |
Michael Cimino, W, W, ++, C, M |
|
6.6 |
1975 |
BD![Black and White, Color; Aspect: 1.37:1; 16 mm 8 mm 35 mm (Kodak); Mitchell BNCR Arriflex Cameras; AUDIO: Mono Black and White, Color](icons/rgb-bw.png) |
The Mirror |
Andrei Tarkovsky, W, W, ++, C, M «Zerkalo» |
|
6.1 |
1974 |
DR![Color; Aspect: 1.37:1; 35 mm; Arriflex Cameras; AUDIO: Mono Color](icons/rgb.png) |
A Woman Under the Influence |
John Cassavetes, W, C, C, M |
|
7.4 |
1973 |
DR![Black and White; Aspect: 1.37:1; 16 mm; AUDIO: Mono Black and White](icons/bw.png) |
The Mother and the Whore |
Jean Eustache, W, C «La maman et la putain» |
|
7.5 |
1969 |
D![Black and White; 35 mm; AUDIO: Mono Black and White](icons/bw.png) |
The Cow |
Dariush Mehrjui, W, W, C, M «Gaav» |
|
8.0 |
1969 |
CrDHMT![Color (Eastmancolor); Aspect: 1.66:1; 35 mm; AUDIO: Mono Color (Eastmancolor)](icons/rgb.png) |
Z |
Costa-Gavras, W, W, ++, C, M |
|
7.0 |
1967 |
CrD![Color (Technicolor); Aspect: 2.35:1; 35 mm; Panavision (anamorphic); Panavision Lenses; AUDIO: Mono Color (Technicolor)](icons/rgb.png) |
Cool Hand Luke |
Stuart Rosenberg, W, W, ++, C, M |
|
7.4 |
1967 |
DHR![Black and White; Aspect: 2.35:1; 35 mm; (anamorphic); AUDIO: Mono Black and White](icons/bw.png) |
Marketa Lazarová |
Frantisek Vlácil, W, W, ++, C, M |
|
5.7 |
1966 |
DMT![Black and White; Aspect: 1.37:1; AUDIO: AGA Sound System Black and White](icons/bw.png) |
Persona |
Ingmar Bergman, W, C, M |
|
7.1 |
1966 |
CrDHW![Black and White; Aspect: 1.85:1; 35 mm; AUDIO: Mono Black and White](icons/bw.png) |
The Battle of Algiers |
Gillo Pontecorvo, W, W, C, M, M «La battaglia di Algeri» |
|
6.4 |
1962 |
CDFanM![Black and White; Aspect: 1.33:1; 35 mm; AUDIO: Mono (RCA Sound System) Black and White](icons/bw.png) |
The Exterminating Angel |
Luis Buñuel, W, ++, C, M «El ángel exterminador» |
|
6.9 |
1959 |
CrD![Black and White; Aspect: 2.35:1; 35 mm; Dyaliscope; Chevereau Cameras; AUDIO: Mono Black and White](icons/bw.png) |
The 400 Blows |
François Truffaut, W, W, ++, C, M «Les quatre cents coups» |
|
8.5 |
1958 |
The Music Room |
Satyajit Ray, W, W, ++, C, M, M «Jalsaghar» |
|
5.1 |
1958 |
CrNT![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Westrex Recording System) Black and White](icons/bw.png) |
Touch of Evil |
Orson Welles, W, W, ++, C, M |
|
7.2 |
1957 |
DN![Black and White; Aspect: 1.66:1; 35 mm; AUDIO: Mono (Westrex Recording System) Black and White](icons/bw.png) |
Sweet Smell of Success |
Alexander Mackendrick, W, W, ++, C, M |
|
6.2 |
1957 |
AdDW![Color (Technicolor); Aspect: 2.35:1; 35 mm; CinemaScope; AUDIO: 70 mm 6-Track (70 mm prints) (RCA Sound Recording), Mono (35 mm prints) (RCA Sound Recording), 4-Track Stereo (Linear PCM) Color (Technicolor)](icons/rgb.png) |
The Bridge on the River Kwai |
David Lean, W, ++, C, M |
|
7.4 |
1957 |
DRW![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono Black and White](icons/bw.png) |
The Cranes are Flying |
Mikhail Kalatozov, W, C, M «Letyat zhuravli» |
|
6.2 |
1957 |
DFan![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono Black and White](icons/bw.png) |
The Seventh Seal |
Ingmar Bergman, W, C, M «Det sjunde inseglet» |
|
7.7 |
1957 |
D![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Recording), Mono (Perspecta Sound encoding) Black and White](icons/bw.png) |
Throne of Blood |
Akira Kurosawa, W, W, ++, C, M «Kumonosu-jô» |
|
8.0 |
1956 |
DTW![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Sound System) Black and White](icons/bw.png) |
A Man Escaped |
Robert Bresson, W, W, C «Un condamné à mort s'est échappé ou Le vent souffle où il veut» |
|
7.2 |
1955 |
HoMT![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (A.R.T.E.C.) Black and White](icons/bw.png) |
Diabolique |
Henri-Georges Clouzot, W, W, ++, C, M «Les diaboliques» |
|
7.1 |
1953 |
AdDT![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric) Black and White](icons/bw.png) |
The Wages of Fear |
Henri-Georges Clouzot, W, W, ++, C, M «Le salaire de la peur» |
|
7.7 |
1953 |
DFanM![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Recording) Black and White](icons/bw.png) |
Ugetsu |
Kenji Mizoguchi, W, W, ++, C, M, M, M «Ugetsu monogatari» |
|
7.3 |
1952 |
D![Black and White; Aspect: 1.37:1; 35 mm (DuPont/Gevaert); AUDIO: Mono (RCA Sound System) Black and White](icons/bw.png) |
Umberto D. |
Vittorio De Sica, W, C, M |
|
7.5 |
1951 |
DN![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Recording) Black and White](icons/bw.png) |
Ace in the Hole |
Billy Wilder, W, W, ++, C, M |
|
7.2 |
1949 |
CCr![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (RCA Sound System) Black and White](icons/bw.png) |
Kind Hearts and Coronets |
Robert Hamer, W, W, ++, C, M |
|
7.6 |
1949 |
CrDNT![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (RCA Sound System) Black and White](icons/bw.png) |
White Heat |
Raoul Walsh, W, W, ++, C, M |
|
8.2 |
1946 |
DRW![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Recording) Black and White](icons/bw.png) |
The Best Years of Our Lives |
William Wyler, W, W, C, M |
|
7.2 |
1943 |
DRW![Color (Technicolor); Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Microphonic Recording) Color (Technicolor)](icons/rgb.png) |
The Life and Death of Colonel Blimp |
Michael Powell, Emeric Pressburger, W, W, C, M |
|
7.1 |
1942 |
CW![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Mirrophonic Recording) Black and White](icons/bw.png) |
To Be or Not to Be |
Ernst Lubitsch, W, W, ++, C, M |
|
6.9 |
1941 |
CrDNM![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (RCA Sound System) Black and White](icons/bw.png) |
The Maltese Falcon |
John Huston, W, W, C, M |
|
6.6 |
1940 |
DMT![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Noiseless Recording) Black and White](icons/bw.png) |
Rebecca |
Alfred Hitchcock, W, W, ++, C, M |
|
5.7 |
1939 |
DRW![Color (Technicolor); Aspect: 1.37:1; 35 mm; Bausch & Lomb Lenses Mitchell Cameras; AUDIO: Mono (Western Electric Sound System) Color (Technicolor)](icons/rgb.png) |
Gone with the Wind |
Victor Fleming, ++, W, W, ++, C, C, M |
|
6.5 |
1937 |
DW![Black and White; Aspect: 1.33:1; 35 mm; AUDIO: Mono (Western Electric Sound System) Black and White](icons/bw.png) |
La Grande Illusion |
Jean Renoir, W, W, C, M «La grande illusion» |
|
7.3 |
1936 |
DR![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Wide Range Noiseless Recording) Black and White](icons/bw.png) |
Dodsworth |
William Wyler, W, W, ++, C, M |
|
7.1 |
1934 |
CR![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Noiseless Recording) Black and White](icons/bw.png) |
It Happened One Night |
Frank Capra, W, W, C, M |
|
7.4 |
1934 |
CCrM![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Sound System) Black and White](icons/bw.png) |
The Thin Man |
W.S. Van Dyke, W, W, ++, C, M |
|
8.2 |
1932 |
CCrR![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Noiseless Recording) Black and White](icons/bw.png) |
Trouble in Paradise |
Ernst Lubitsch, W, W, ++, C, M |
|
6.9 |
1902 |
SAdFanSf![Color (hand-colored), Black and White; Silent](icons/rgb-bw.png) |
A Trip to the Moon |
[ Georges Méliès ], ++, C, C, M, M, M «Le voyage dans la lune» |
|
2.3 |
2007 |
CrDT![Color; Aspect: 2.35:1; 35 mm (Kodak Vision2 100T 5212, Vision2 200T 5217, Vision2 500T 5218); Digital Intermediate (4K) (master format) Super 35 (source format); Arricam LT, Cooke S4, Zeiss Master Prime and Arri Macro Lenses Arriflex 535B, Cooke S4, Zeiss Master Prime and Arri Macro Lenses; AUDIO: SDDS, Dolby Digital, DTS Color](icons/rgb.png) |
No Country for Old Men |
Ethan Coen, Joel Coen, W, W, ++, C, M |
|
2.5 |
2007 |
D![Color; Aspect: 2.35:1; 35 mm (Kodak Vision2 50D 5201, Vision2 200T 5217); Panavision (anamorphic); Panavision Panaflex Millennium XL, Panavision C-, E-Series, Super High Speed, SP and Pathé Lenses Panavision Panaflex Platinum, Panavision C-, E-Series, Super High Speed and SP Lenses; AUDIO: SDDS, Dolby Digital, DTS Color](icons/rgb.png) |
There Will Be Blood |
Paul Thomas Anderson, W, W, C, M |
|
6.1 |
2000 |
DT![Color; Aspect: 1.85:1; 35 mm (Kodak Vision 250D 5246, Vision 500T 5279, Vision 800T 5289); Moviecam SL, Zeiss Super Speed and Angenieux HR Lenses; AUDIO: Dolby Digital Color](icons/rgb.png) |
Amores Perros |
Alejandro González Iñárritu, W, C, M «Amores perros» |
|
5.8 |
2000 |
DR![Color; Aspect: 1.66:1; 35 mm (Kodak Vision 500T 5279, Vision 800T 5289); Arriflex 35 BL4, Zeiss Lenses Arriflex 535, Zeiss Lenses; AUDIO: Dolby Digital Color](icons/rgb.png) |
In the Mood for Love |
Kar Wai Wong, W, C, C, C, M, M «Fa yeung nin wa» |
|
6.5 |
2000 |
DMcR![Color; Aspect: 1.85:1; AUDIO: Dolby Color](icons/q-rgb.png) |
Yi Yi |
Edward Yang, W, C, M «Yi yi» |
|
6.5 |
1998 |
D![Color; Aspect: 1.33:1; Video (PAL); Sony PC-7E Camera; AUDIO: Dolby Color](icons/v-rgb.png) |
The Celebration |
[ Thomas Vinterberg ], W, W, ++, C, M «Festen» |
|
6.2 |
1995 |
CDW![Color; Aspect: 1.78:1; AUDIO: Dolby Digital Color](icons/q-rgb.png) |
Underground |
Emir Kusturica, W, W, C, M |
|
5.9 |
1994 |
DMR![Color; Aspect: 1.66:1; 35 mm (Agfa); AUDIO: 4-Track Stereo, Dolby SR Color](icons/rgb.png) |
Chungking Express |
Kar Wai Wong, W, C, C, M, M, M «Chung Hing sam lam» |
|
7.8 |
1994 |
DMR![Color (Eastmancolor); Aspect: 1.85:1; 35 mm; AUDIO: Dolby, Dolby SR Color (Eastmancolor)](icons/rgb.png) |
Three Colors: Red |
Krzysztof Kieslowski, W, W, C, M «Trois couleurs: Rouge» |
|
7.3 |
1993 |
DMcRW![Black and White (some scenes), Color; Aspect: 1.85:1; 35 mm; Arriflex 535; AUDIO: Dolby Black and White (some scenes), Color](icons/rgb-bw.png) |
Farewell My Concubine |
Kaige Chen, W, ++, C, M «Ba wang bie ji» |
|
7.6 |
1993 |
CDFanR![Color (Technicolor); Aspect: 1.85:1; 35 mm; Panavision Cameras and Lenses; AUDIO: Dolby SR (as Dolby Stereo) Color (Technicolor)](icons/rgb.png) |
Groundhog Day |
Harold Ramis, W, W, ++, C, M |
|
6.7 |
1993 |
AdSf![Color (Eastmancolor); Aspect: 1.85:1; 35 mm (also horizontal) (Eastman EXR 50D 5245, EXR 100T 5248, EXR 500T 5296); Spherical VistaVision (visual effects); Panavision Panaflex Platinum, Panavision Primo and Slant Focus Lenses; AUDIO: Dolby, DTS Color (Eastmancolor)](icons/rgb.png) |
Jurassic Park |
Steven Spielberg, W, ++, C, M |
|
9.3 |
1989 |
D![Color; Aspect: 1.66:1; 35 mm; AUDIO: Mono Color](icons/rgb.png) |
A City of Sadness |
Hsiao-hsien Hou, W, W, C «Bei qing cheng shi» |
|
6.4 |
1988 |
AnSf![Color; Aspect: 1.85:1; 35 mm; AUDIO: 70 mm 6-Track (70 mm prints), DTS (re-release), Dolby (35 mm prints), Dolby Digital (2001 re-issue) Color](icons/rgb.png) |
Akira |
Katsuhiro Ôtomo, W, W, ++, C, M |
|
7.1 |
1988 |
DoCrM![Color; Aspect: 1.66:1; 35 mm Super 16; AUDIO: Dolby Color](icons/rgb.png) |
The Thin Blue Line |
Errol Morris, W, C, C, M |
|
7.2 |
1987 |
BDW![Color; Aspect: 1.66:1; 35 mm; AUDIO: Dolby Color](icons/rgb.png) |
Au Revoir Les Enfants |
Louis Malle, W, C «Au revoir les enfants» |
|
7.0 |
1987 |
AdCFFanR![Color; Aspect: 1.85:1; 35 mm; J-D-C Cameras and Lenses; AUDIO: Dolby Color](icons/rgb.png) |
The Princess Bride |
Rob Reiner, W, C, M |
|
4.9 |
1987 |
FanDR![Color (Eastmancolor), Black and White (partly); Aspect: 1.37:1; 35 mm (Eastman Kodak); Arriflex 35 BL4; AUDIO: Dolby Color (Eastmancolor), Black and White (partly)](icons/rgb-bw.png) |
Wings of Desire |
Wim Wenders, W, W, ++, C, M «Der Himmel über Berlin» |
|
6.7 |
1986 |
ADW![Color; Aspect: 1.85:1; 35 mm; J-D-C Cameras; AUDIO: Stereo (Dolby Stereo) Color](icons/rgb.png) |
Platoon |
Oliver Stone, W, C, M |
|
7.9 |
1986 |
AdD![Color (Technicolor); Aspect: 1.85:1; 35 mm; Panaflex Cameras and Lenses by Panavision; AUDIO: Mono Color (Technicolor)](icons/rgb.png) |
Stand by Me |
Rob Reiner, W, W, ++, C, M |
|
4.9 |
1984 |
D![Color; Aspect: 1.66:1; 35 mm; AUDIO: Mono Color](icons/rgb.png) |
Paris, Texas |
Wim Wenders, W, W, C, M |
|
7.6 |
1984 |
ASf![Color; Aspect: 1.85:1; 35 mm (Eastman 250T 5293); AUDIO: Mono, Dolby Color](icons/rgb.png) |
The Terminator |
James Cameron, W, W, ++, C, M |
|
5.7 |
1983 |
CF![Color (Metrocolor); Aspect: 1.37:1; 35 mm; Lenses and Panaflex Camera by Panavision; AUDIO: Mono Color (Metrocolor)](icons/rgb.png) |
A Christmas Story |
Bob Clark, W, ++, C, M, M |
|
4.3 |
1983 |
Do![Black and White (archive footage), Color; Aspect: 1.66:1; 16 mm; Beaulieu R16; AUDIO: Mono Black and White (archive footage), Color](icons/rgb-bw.png) |
Sans Soleil |
Chris Marker, W, C, M «Sans soleil» |
|
6.2 |
1982 |
DFanM![Color (Eastmancolor); Aspect: 1.66:1; 35 mm; Arriflex 35 BL; AUDIO: Mono Color (Eastmancolor)](icons/rgb.png) |
Fanny and Alexander |
Ingmar Bergman, W, C, M «Fanny och Alexander» |
|
6.7 |
1982 |
BDH![Black and White, Color (Technicolor); Aspect: 2.20:1; 35 mm; Panavision (anamorphic); Panavision Cameras and Lenses; AUDIO: Dolby (35 mm prints) (as Dolby Stereo), 70 mm 6-Track (70 mm prints) Black and White, Color (Technicolor)](icons/rgb-bw.png) |
Gandhi |
Richard Attenborough, W, C, C, M |
|
7.2 |
1979 |
C![Color (Eastmancolor); Aspect: 1.85:1; 35 mm; Arriflex Cameras and Lenses; AUDIO: Dolby Color (Eastmancolor)](icons/rgb.png) |
Life of Brian |
Terry Jones, W, W, ++, C, M |
|
5.7 |
1977 |
CDR![Color; Aspect: 1.37:1; 35 mm (Eastman 100T 5247); Panavision Camera and Lenses; AUDIO: Mono Color](icons/rgb.png) |
Annie Hall |
Woody Allen, W, W, C |
|
7.5 |
1977 |
CD![Color; Aspect: 1.66:1; 35 mm; AUDIO: Mono Color](icons/rgb.png) |
Stroszek |
Werner Herzog, W, C, M, M |
|
7.8 |
1976 |
D![Color (Eastmancolor); Aspect: 1.66:1; 35 mm; AUDIO: Mono Color (Eastmancolor)](icons/rgb.png) |
Cria Cuervos |
Carlos Saura, W, C, M, M «Cría cuervos» |
|
7.0 |
1976 |
D![Color (Metrocolor); Aspect: 1.85:1; 35 mm; AUDIO: Mono Color (Metrocolor)](icons/rgb.png) |
Network |
Sidney Lumet, W, C, M |
|
7.8 |
1976 |
DSp![Color (Technicolor); Aspect: 1.33:1; 35 mm; Panaflex Camera and Lenses by Panavision; AUDIO: Mono Color (Technicolor)](icons/rgb.png) |
Rocky |
John G. Avildsen, W, C, M |
|
6.5 |
1975 |
AdDRW![Color (Eastmancolor); Aspect: 1.66:1; 35 mm (Eastman 100T 5254); Arriflex 35 BL Mitchell BNC Cameras Zeiss High Speed Lenses; AUDIO: Mono Color (Eastmancolor)](icons/rgb.png) |
Barry Lyndon |
Stanley Kubrick, W, W, C |
|
6.9 |
1975 |
CrD![Color (Technicolor); Aspect: 1.33:1; 35 mm; Panavision Cameras and Lenses; AUDIO: Mono Color (Technicolor)](icons/rgb.png) |
Dog Day Afternoon |
Sidney Lumet, W, W, ++, C |
|
7.7 |
1975 |
AdHoT![Color; Aspect: 2.35:1; 35 mm (Eastman 100T 5254); Panavision (anamorphic); Arriflex 35-III, Panavision C-Series Lenses (some shots) Panavision Panaflex, Panavision C-Series Lenses; AUDIO: Mono (Westrex Recording System), Dolby Digital (Dolby 5.1), DTS (DTS 5.1), Dolby Surround 7.1 (DTS HD Master Audio) Color](icons/rgb.png) |
Jaws |
Steven Spielberg, W, W, ++, C, M |
|
7.1 |
1974 |
DR![Color (Eastmancolor); Aspect: 1.37:1; 35 mm; AUDIO: Mono Color (Eastmancolor)](icons/rgb.png) |
Ali: Fear Eats the Soul |
Rainer Werner Fassbinder, W, C «Angst essen Seele auf» |
|
6.7 |
1974 |
C![Black and White; Aspect: 1.85:1; 35 mm; AUDIO: Mono (Westrex Recording System) Black and White](icons/bw.png) |
Young Frankenstein |
Mel Brooks, W, W, ++, C, M |
|
6.3 |
1973 |
BCrD![Color; Aspect: 2.35:1; 35 mm; Panavision (anamorphic) (as Panavision®); Panavision Lenses; AUDIO: 4-Track Stereo (magnetic prints), Mono (optical prints) Color](icons/rgb.png) |
Papillon |
Franklin J. Schaffner, W, W, ++, C, M |
|
6.2 |
1972 |
DR![Color (Eastmancolor); Aspect: 1.66:1; 35 mm; AUDIO: Mono Color (Eastmancolor)](icons/rgb.png) |
Cries & Whispers |
Ingmar Bergman, W, C «Viskningar och rop» |
|
6.0 |
1972 |
MT![Color; Aspect: 1.85:1; 35 mm; AUDIO: Mono (Westrex Recording System) Color](icons/rgb.png) |
Sleuth |
Joseph L. Mankiewicz, W, C, M |
|
5.0 |
1972 |
Sf![Black and White, Color (Sovcolor); Aspect: 2.35:1; 35 mm; Sovscope (anamorphic); AUDIO: Mono Black and White, Color (Sovcolor)](icons/rgb-bw.png) |
Solaris |
Andrei Tarkovsky, W, W, ++, C, M «Solyaris» |
|
5.8 |
1971 |
D![Black and White; Aspect: 1.85:1; 35 mm; AUDIO: Mono Black and White](icons/bw.png) |
The Last Picture Show |
Peter Bogdanovich, W, W, ++, C, M, M, M++ |
|
5.8 |
1970 |
D![Color (Technicolor); Aspect: 1.66:1; 35 mm; AUDIO: Mono Color (Technicolor)](icons/rgb.png) |
The Conformist |
Bernardo Bertolucci, W, W, C, M «Il conformista» |
|
7.7 |
1970 |
DoHMc![Color (Technicolor); Aspect: 2.20:1; 16 mm 35 mm; Multiscreen; Eclair Cameras and Lenses; AUDIO: Dolby Digital (re-release), Mono (RCA Sound System), 70 mm 6-Track (70 mm prints), 4-Track Stereo (original release) Color (Technicolor)](icons/rgb.png) |
Woodstock |
Michael Wadleigh, C, C, C++ |
|
6.4 |
1969 |
AdBCrWe![Color, Black and White (Sepiatone); Aspect: 2.35:1; 35 mm; Panavision (anamorphic) (as Panavision®); Panavision Cameras and Lenses; AUDIO: Mono (Westrex Recording System) Color, Black and White (Sepiatone)](icons/rgb-bw.png) |
Butch Cassidy and the Sundance Kid |
George Roy Hill, W, C, M |
|
7.1 |
1969 |
D![Black and White; Aspect: 1.33:1; 35 mm; AUDIO: Mono Black and White](icons/bw.png) |
My Night at Maud's |
Eric Rohmer, W, C «Ma nuit chez Maud» |
|
6.6 |
1969 |
We![Color (Technicolor); Aspect: 2.20:1; 35 mm; Panavision (anamorphic); AUDIO: 70 mm 6-Track (70 mm prints), DTS (1995 re-release), Dolby Digital (1995 re-release), Mono (35 mm prints), SDDS (1995 re-release) Color (Technicolor)](icons/rgb.png) |
The Wild Bunch |
Sam Peckinpah, W, W, ++, C, M |
|
6.0 |
1967 |
CrDMT![Color (Eastmancolor); Aspect: 1.85:1; 35 mm; AUDIO: Mono Color (Eastmancolor)](icons/rgb.png) |
Le Samouraï |
Jean-Pierre Melville, W, W, ++, C, M «Le samouraï» |
|
5.7 |
1966 |
D![Black and White; Aspect: 1.85:1; 35 mm; AUDIO: Mono Black and White](icons/bw.png) |
Who's Afraid of Virginia Woolf? |
Mike Nichols, W, ++, C, M |
|
6.8 |
1965 |
DHR![Color (Sovcolor); Aspect: 1.33:1; 35 mm; AUDIO: Mono Color (Sovcolor)](icons/rgb.png) |
Shadows of Forgotten Ancestors |
Sergei Parajanov, W, W, ++, C, C, M «Tini zabutykh predkiv» |
|
7.0 |
1965 |
DSfW![Black and White; Aspect: 1.37:1; 16 mm; AUDIO: Mono Black and White](icons/bw.png) |
The War Game |
Peter Watkins, W, C, C |
|
5.2 |
1963 |
DFan![Black and White; Aspect: 1.85:1; 35 mm; Arriflex II C; AUDIO: Mono Black and White](icons/bw.png) |
8½ |
Federico Fellini, W, W, ++, C, M |
|
6.6 |
1963 |
DH![Color (Technicolor); Aspect: 2.20:1; 35 mm (horizontal); Super Technirama 70 (advertised as CinemaScope in the USA); AUDIO: Mono (Westrex Recording System) Color (Technicolor)](icons/rgb.png) |
The Leopard |
Luchino Visconti, W, W, ++, C, M «Il gattopardo» |
|
7.0 |
1962 |
DRWe![Black and White; Aspect: 1.85:1; 35 mm; AUDIO: Mono (Westrex Recording System) Black and White](icons/bw.png) |
The Man Who Shot Liberty Valance |
John Ford, W, W, ++, C, M |
|
7.3 |
1962 |
D![Black and White; Aspect: 1.37:1; 35 mm; Mitchell Cameras; AUDIO: Mono Black and White](icons/bw.png) |
Vivre Sa Vie |
Jean-Luc Godard, W, W, ++, C, M «Vivre sa vie: Film en douze tableaux» |
|
7.3 |
1962 |
DHoT![Black and White; Aspect: 1.33:1; 35 mm; AUDIO: Mono (RCA Sound Recording) Black and White](icons/bw.png) |
What Ever Happened to Baby Jane? |
Robert Aldrich, W, W, C, M |
|
7.3 |
1961 |
DSp![Black and White; Aspect: 2.35:1; 35 mm; CinemaScope; AUDIO: Mono (Westrex Recording System) Black and White](icons/bw.png) |
The Hustler |
Robert Rossen, W, W, ++, C, M |
|
6.8 |
1961 |
D![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono Black and White](icons/bw.png) |
Through a Glass Darkly |
Ingmar Bergman, W, C, M «Såsom i en spegel» |
|
6.0 |
1960 |
CD![Black and White; Aspect: 2.35:1; 35 mm; Totalscope; AUDIO: Mono (Western Electric) Black and White](icons/bw.png) |
La Dolce Vita |
Federico Fellini, W, W, ++, C, M «La dolce vita» |
|
7.4 |
1960 |
The Cloud-Capped Star |
Ritwik Ghatak, W, W, ++, C, M «Meghe Dhaka Tara» |
|
6.3 |
1959 |
CrDM![Black and White; Aspect: 1.85:1; 35 mm; AUDIO: Mono (Westrex Recording System) Black and White](icons/bw.png) |
Anatomy of a Murder |
Otto Preminger, W, W, C, M |
|
6.7 |
1959 |
AAdDHR![Color (Technicolor); Aspect: 2.76:1; 65 mm; MGM Camera 65 (anamorphic); Panavision Lenses; AUDIO: 70 mm 6-Track (70 mm prints) (Westrex Recording System), Dolby (1993 re-release) Color (Technicolor)](icons/rgb.png) |
Ben-Hur |
William Wyler, W, W, ++, C, M |
|
6.8 |
1959 |
We![Color; Aspect: 1.37:1; 35 mm; AUDIO: Mono (RCA Sound Recording) Color](icons/rgb.png) |
Rio Bravo |
Howard Hawks, W, W, ++, C, M |
|
7.3 |
1959 |
The World of Apu |
Satyajit Ray, W, W, C, M «Apur Sansar» |
|
7.2 |
1956 |
Aparajito |
Satyajit Ray, W, W, ++, C, M |
|
7.3 |
1956 |
DMcW![Black and White; Aspect: 1.33:1; 35 mm; AUDIO: Mono Black and White](icons/bw.png) |
The Burmese Harp |
Kon Ichikawa, W, W, C, M «Biruma no tategoto» |
|
6.6 |
1955 |
D![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono Black and White](icons/bw.png) |
Ordet |
Carl Theodor Dreyer, W, ++, C, M |
|
4.4 |
1955 |
DNT![Black and White; Aspect: 1.66:1; 35 mm; AUDIO: Mono (Western Electric Recording) Black and White](icons/bw.png) |
The Night of the Hunter |
Charles Laughton, ++, W, W, ++, C, M |
|
7.7 |
1954 |
D![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Recording) Black and White](icons/bw.png) |
La Strada |
Federico Fellini, W, W, ++, C, C, M «La strada» |
|
7.4 |
1953 |
CDR![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Recording) Black and White](icons/bw.png) |
Roman Holiday |
William Wyler, W, W, ++, C, C, M |
|
6.9 |
1953 |
DR![Black and White; Aspect: 1.37:1; AUDIO: Mono (Western Electric Sound System) Black and White](icons/bw.png) |
The Earrings of Madame de... |
Max Ophüls, W, W, ++, C, M, M «Madame de..» |
|
6.6 |
1952 |
DWe![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Recording) Black and White](icons/bw.png) |
High Noon |
Fred Zinnemann, W, W, C, M |
|
7.0 |
1951 |
D![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (RCA Sound System) Black and White](icons/bw.png) |
A Streetcar Named Desire |
Elia Kazan, W, W, ++, C, M |
|
6.7 |
1951 |
CrNT![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (RCA Sound System) Black and White](icons/bw.png) |
Strangers on a Train |
Alfred Hitchcock, W, W, ++, C, M |
|
7.1 |
1947 |
DNT![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (RCA Sound System) Black and White](icons/bw.png) |
Out of the Past |
Jacques Tourneur, W, ++, C, M |
|
6.5 |
1946 |
DRT![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (RCA Sound System) Black and White](icons/bw.png) |
Notorious |
Alfred Hitchcock, W, ++, C, M |
|
6.4 |
1946 |
DFanRW![Black and White (Dye-Monochrome), Color (Technicolor); Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Recording) Black and White (Dye-Monochrome), Color (Technicolor)](icons/rgb-bw.png) |
Stairway to Heaven |
Michael Powell, Emeric Pressburger, W, W, C, M «A Matter of Life and Death» |
|
6.1 |
1946 |
CrNMT![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (RCA Sound System) Black and White](icons/bw.png) |
The Big Sleep |
Howard Hawks, W, W, ++, C, M |
|
6.8 |
1945 |
RD![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Recording) Black and White](icons/bw.png) |
Brief Encounter |
David Lean, ++, C |
|
7.2 |
1945 |
DW![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Recording) Black and White](icons/bw.png) |
Rome, Open City |
Roberto Rossellini, W, W, ++, C, M «Roma, città aperta» |
|
6.7 |
1944 |
DNMR![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Recording) Black and White](icons/bw.png) |
Laura |
Otto Preminger, W, W, ++, C, C, M |
|
7.3 |
1943 |
CrDWe![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Recording) Black and White](icons/bw.png) |
The Ox-Bow Incident |
William A. Wellman, W, W, C, M |
|
7.2 |
1942 |
DR![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (RCA Sound System) Black and White](icons/bw.png) |
Now, Voyager |
Irving Rapper, W, W, C, M |
|
6.7 |
1941 |
AdCDR![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Mirrophonic Recording) Black and White](icons/bw.png) |
Sullivan's Travels |
Preston Sturges, W, C, M, M |
|
6.4 |
1940 |
D![Black and White; Aspect: 1.37:1; 35 mm; Mitchell Camera; AUDIO: Mono (Western Electric Mirrophonic Recording) Black and White](icons/bw.png) |
The Grapes of Wrath |
John Ford, W, W, C, M |
|
6.8 |
1940 |
CR![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Sound System) Black and White](icons/bw.png) |
The Philadelphia Story |
George Cukor, W, W, ++, C, M |
|
6.1 |
1939 |
CD![Black and White; Aspect: 1.37:1; 35 mm; Kinoptik; AUDIO: Mono (Western Electric) Black and White](icons/bw.png) |
The Rules of the Game |
Jean Renoir, W, W, C, C, C++, M «La règle du jeu» |
|
7.3 |
1939 |
AdFFanMl![Black and White (Sepiatone), Color (Technicolor); Aspect: 1.37:1; 35 mm; Metroscope (1955 re-release) Spherical; Technicolor Three-Strip Camera; AUDIO: Mono (Western Electric Sound System: The Voice of Action), Dolby Digital (2005 re-issue) Black and White (Sepiatone), Color (Technicolor)](icons/rgb-bw.png) |
The Wizard of Oz |
Victor Fleming, ++, W, W, ++, C |
|
7.0 |
1936 |
RC![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Noiseless Recording Electric) Black and White](icons/bw.png) |
My Man Godfrey |
Gregory La Cava, W, W, ++, C, M, M |
|
7.0 |
1935 |
CMcMl![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Sound System) Black and White](icons/bw.png) |
A Night at the Opera |
Sam Wood, ++, W, W, ++, C, M |
|
7.5 |
1933 |
CDMl![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono Black and White](icons/bw.png) |
Gold Diggers of 1933 |
Mervyn LeRoy, W, W, ++, C |
|
6.9 |
1932 |
CrD![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (original release) Black and White](icons/bw.png) |
I Am a Fugitive from a Chain Gang |
Mervyn LeRoy, W, W, ++, C |
|
7.4 |
1930 |
DW![Black and White; Aspect: 1.20:1; 35 mm; AUDIO: Mono (Western Electric Sound System) Black and White](icons/bw.png) |
All Quiet on the Western Front |
Lewis Milestone, W, W, ++, C, C, M, M |
|
8.2 |
1924 |
D![Black and White; Silent](icons/bw.png) |
The Last Laugh |
F.W. Murnau, W, C, M, M, M++ «Der letzte Mann» |
|
6.9 |
1921 |
DFanHo![Black and White; Silent](icons/bw.png) |
The Phantom Carriage |
Victor Sjöström, W, W, C «Körkarlen» |
|
7.0 |
1920 |
Ho![Black and White (tinted); Silent](icons/bw.png) |
The Cabinet of Dr. Caligari |
Robert Wiene, W, W, C, M, M, M++ «Das Cabinet des Dr. Caligari» |
|
6.0 |
2012 |
AdDFan![Color; Aspect: 1.33:1; Codex; ARRIRAW (2.8K) (dual-strip 3-D) (source format) Digital Intermediate (2K) (master format); Arri Alexa, Zeiss Master Prime and Angenieux Optimo Lenses PACE Fusion 3-D; AUDIO: Dolby Digital, Datasat Color](icons/d-rgb.png) |
Life of Pi |
Ang Lee, W, W, C, M |
|
5.4 |
2011 |
CDR![Black and White; Aspect: 1.37:1; 35 mm (Kodak Vision3 500T 5219); Digital Intermediate (2K) (master format) Super 35 (source format); PanArri 435 ES, Panavision Super Speed MKII and Lightweight Lenses; AUDIO: Dolby Digital, Datasat, SDDS Black and White](icons/bw.png) |
The Artist |
Michel Hazanavicius, W, C, M |
|
3.1 |
2010 |
DMT![Color; Aspect: 2.35:1; 16 mm (Fuji Eterna Vivid 160T 8643, Eterna Vivid 500T 8647) Digital; Digital Intermediate (2K) (master format) HDTV (1080p/24) (source format) (some scenes) Super 16 (source format); Arriflex 16 SR3, Zeiss Ultra 16 Lenses Arriflex 416, Zeiss Ultra 16 Lenses Canon EOS 5D Mark II, Canon L-Series Lenses Canon EOS 7D, Canon L-Series Lenses; AUDIO: Dolby Digital, DTS, SDDS Color](icons/rgb.png) |
Black Swan |
Darren Aronofsky, W, W, ++, C, M |
|
6.7 |
2010 |
BDH![Color; Aspect: 1.85:1; 35 mm (Fuji Super F-64D 8522, Eterna Vivid 160T 8543, Eterna Vivid 500T 8547); Digital Intermediate (2K) (master format) Super 35 (3-perf) (source format); Arricam LT, Zeiss Master Prime Lenses Arricam ST, Zeiss Master Prime Lenses; AUDIO: Dolby Digital Color](icons/rgb.png) |
The King's Speech |
Tom Hooper, W, C, M |
|
4.0 |
2009 |
ASfT![Color; Aspect: 1.85:1; Redcode RAW Video (HD); Digital Intermediate (2K) (master format) Redcode RAW (4K) (source format) XDCAM (1080p/24) (source format) (some shots); Phantom HD Camera Red One Camera, Cooke S4 and Angenieux Optimo Lenses Sony PMW-EX1; AUDIO: DTS, Dolby Digital, SDDS Color](icons/d-rgb.png) |
District 9 |
Neill Blomkamp, W, W, C, M |
|
5.0 |
2008 |
DHo![Color; Aspect: 2.35:1; 35 mm (Fuji Eterna 250T 8553, Eterna 250D 8563, Eterna 500T 8573); Digital Intermediate (2K) (master format) Super 35 (source format); Arriflex 535B, Zeiss Super Speed Lenses; AUDIO: DTS, Dolby Digital Color](icons/rgb.png) |
Let the Right One In |
Tomas Alfredson, W, C, M «Låt den rätte komma in» |
|
4.6 |
2008 |
DRT![Color; Aspect: 2.35:1; 35 mm (Fuji Super F-64D 8522, Eterna Vivid 160T 8543, Eterna 250D 8563, Eterna 500T 8573, Reala 500D 8592) Digital Video (HDTV); CineForm RAW (2K) (source format) Digital Intermediate (2K) (master format) Digital Stills (source format) Super 35 (3-perf) (source format); Arricam LT, Zeiss and Angenieux Lenses Arricam ST, Zeiss and Angenieux Lenses Arriflex 235, Zeiss and Angenieux Lenses Arriflex 35 BL4, Zeiss and Angenieux Lenses Canon EOS-1D Mark III Silicon Imaging SI-2K MINI, Zeiss, Angenieux, Century, Canon, Cooke and Linos Lenses; AUDIO: SDDS, Dolby Digital, DTS Color](icons/rgb.png) |
Slumdog Millionaire |
Danny Boyle, Loveleen Tandan, W, W, C, M |
|
7.3 |
2007 |
BD![Color; Aspect: 1.85:1; 35 mm (Kodak Vision 500T 5279, Fuji Eterna 250D 8563); Digital Intermediate (2K) (master format) (some scenes) Spherical (source format); Arriflex 435, Zeiss Super Speed, Arri Shift & Tilt and Lensbaby Lenses; AUDIO: DTS, Dolby Digital Color](icons/rgb.png) |
The Diving Bell and the Butterfly |
Julian Schnabel, W, W, C, M «Le scaphandre et le papillon» |
|
7.3 |
2004 |
DR![Color; Aspect: 1.85:1; 35 mm; AUDIO: Dolby Digital Color](icons/rgb.png) |
Head-On |
Fatih Akin, W, C, M, M «Gegen die Wand» |
|
2.7 |
2002 |
DoH![Color; Aspect: 1.85:1; 35 mm Video; AUDIO: Dolby Digital Color](icons/rgb.png) |
Bowling for Columbine |
Michael Moore, W, M |
|
5.8 |
2002 |
CDR![Black and White, Color; Aspect: 2.35:1; 35 mm (Kodak); Panavision (anamorphic); Panavision Cameras and Lenses; AUDIO: Dolby Digital Black and White, Color](icons/rgb-bw.png) |
Talk to Her |
Pedro Almodóvar, W, C, M «Hable con ella» |
|
7.0 |
2001 |
DW![Color; Aspect: 2.35:1; 35 mm (Fuji Super F-250T 8552, Super F-500T 8572); Super 35; Aaton 35-III, Cooke S4 and Canon Lenses Arriflex 35 BL4S, Cooke S4 and Canon Lenses; AUDIO: Dolby SR Color](icons/rgb.png) |
No Man's Land |
Danis Tanovic, W, C, M |
|
2.0 |
1999 |
D![Color; Aspect: 2.35:1; 35 mm (Eastman Double-X 5222, Plus-X 5231, EXR 100T 5248, Kodak Vision 500T 5279); Spherical (partly) Panavision (anamorphic); Pathe Hand Crank Model 1909 (partly) Panavision Cameras and Lenses; AUDIO: Dolby Digital, SDDS, DTS Color](icons/rgb.png) |
Magnolia |
Paul Thomas Anderson, W, C, M |
|
6.4 |
1996 |
D![Color (Metrocolor); Aspect: 1.85:1; 35 mm (Fuji); Panavision Cameras and Lenses; AUDIO: Dolby SR Color (Metrocolor)](icons/rgb.png) |
Secrets & Lies |
Mike Leigh, W, C, M |
|
6.9 |
1994 |
DoB![Color; Aspect: 1.37:1; 16 mm (Eastman EXR 100T 7248, EXR 500T 7296); Aaton LTR 54, Angenieux Zoom Lenses; AUDIO: Mono Color](icons/rgb.png) |
Crumb |
Terry Zwigoff, C, M |
|
6.7 |
1993 |
DMcMR![Color (Eastmancolor); Aspect: 1.85:1; 35 mm (Kodak); AUDIO: Dolby SR Color (Eastmancolor)](icons/rgb.png) |
Three Colors: Blue |
Krzysztof Kieslowski, W, W, ++, C, M «Trois couleurs: Bleu» |
|
5.3 |
1991 |
DHT![Black and White, Color; Aspect: 1.33:1; 16 mm (partly) 35 mm (partly) 8 mm (partly) Video (partly); Panavision (anamorphic) Spherical Super 8; AUDIO: Dolby SR Black and White, Color](icons/rgb-bw.png) |
JFK |
Oliver Stone, W, W, ++, C, M |
|
5.6 |
1990 |
AdDWe![Color; Aspect: 2.20:1; 35 mm (Eastman EXR 50D 5245, EXR 500T 5296); Panavision (anamorphic); Panavision Cameras and Lenses; AUDIO: 70 mm 6-Track (70 mm prints), Dolby SR (35 mm prints) Color](icons/rgb.png) |
Dances with Wolves |
Kevin Costner, W, C, M |
|
7.5 |
1990 |
DFanR![Color; Aspect: 1.85:1; 35 mm (Eastman EXR 50D 5245); Panavision Cameras and Lenses; AUDIO: 70 mm 6-Track (analog 70 mm prints), CDS (digital 70 mm prints), Dolby SR (35 mm prints), CDS (digital 35 mm prints) Color](icons/rgb.png) |
Edward Scissorhands |
Tim Burton, W, W, ++, C, M |
|
6.9 |
1989 |
CD![Color; Aspect: 1.85:1; 35 mm; Lenses and Panaflex Camera by Panavision; AUDIO: Mono Color](icons/rgb.png) |
Crimes and Misdemeanors |
Woody Allen, W, C |
|
6.9 |
1988 |
D![Color; Aspect: 1.85:1; 35 mm (Eastman 400T 5295); Panaflex Camera and Lenses by Panavision Panavision Panaflex Cameras, Panavision Primo Lenses; AUDIO: Dolby SR, Dolby Stereo Color](icons/rgb.png) |
Rain Man |
Barry Levinson, W, W, ++, C, M |
|
5.6 |
1987 |
CrDHT![Color (Technicolor); Aspect: 2.20:1; 35 mm (Eastman 125T 5247, 400T 5294); Panavision (anamorphic); Panavision Panaflex Gold, Panavision C-Series Lenses; AUDIO: 70 mm 6-Track (70 mm prints), Dolby (35 mm prints) Color (Technicolor)](icons/rgb.png) |
The Untouchables |
Brian De Palma, W, W, ++, C, M |
|
6.5 |
1986 |
CD![Color (Technicolor); Aspect: 1.85:1; 35 mm; Lenses and Panaflex Camera by Panavision; AUDIO: Mono Color (Technicolor)](icons/rgb.png) |
Hannah and Her Sisters |
Woody Allen, W, C |
|
5.3 |
1985 |
DFanSf![Color (Technicolor); Aspect: 1.85:1; 35 mm (Kodak); J-D-C Cameras; AUDIO: Dolby Color (Technicolor)](icons/rgb.png) |
Brazil |
Terry Gilliam, W, W, ++, C, M |
|
7.0 |
1984 |
CMc![Color; Aspect: 1.70:1; 16 mm; Super 16; AUDIO: Dolby Color](icons/rgb.png) |
This Is Spinal Tap |
Rob Reiner, W, W, ++, C, M, M, M++ |
|
6.4 |
1979 |
DC![Color (Technicolor); Aspect: 1.85:1; 35 mm; Panaflex Cameras and Lenses by Panavision; AUDIO: Mono Color (Technicolor)](icons/rgb.png) |
Being There |
Hal Ashby, W, ++, C, M |
|
5.8 |
1979 |
CDR![Black and White; Aspect: 2.35:1; 35 mm (Eastman Double-X 5222); Panavision (anamorphic); Panavision Cameras and Lenses; AUDIO: Mono Black and White](icons/bw.png) |
Manhattan |
Woody Allen, W, W, C |
|
6.6 |
1978 |
HoSf![Color (Technicolor); Aspect: 1.85:1; 35 mm; Arriflex 2C Arriflex 35 BL I; AUDIO: 4-Track Stereo (German prints), Mono Color (Technicolor)](icons/rgb.png) |
Dawn of the Dead |
George A. Romero, W, C, M, M, M++ |
|
6.6 |
1978 |
DR![Color (Metrocolor); Aspect: 1.85:1; 35 mm; Panaflex Camera and Lenses by Panavision; AUDIO: Dolby (35 mm prints), 70 mm 6-Track (70 mm prints) Color (Metrocolor)](icons/rgb.png) |
Days of Heaven |
Terrence Malick, W, C, M |
|
7.3 |
1978 |
DH![Color (Gevacolor); Aspect: 1.33:1; 35 mm; AUDIO: Mono Color (Gevacolor)](icons/rgb.png) |
The Tree of Wooden Clogs |
Ermanno Olmi, W, C «L'albero degli zoccoli» |
|
6.7 |
1976 |
DHMT![Color (Technicolor); Aspect: 1.37:1; 35 mm; AUDIO: Mono Color (Technicolor)](icons/rgb.png) |
All the President's Men |
Alan J. Pakula, W, W, ++, C, M |
|
3.5 |
1975 |
D![Color; Aspect: 1.66:1; 35 mm; AUDIO: Mono Color](icons/rgb.png) |
Jeanne Dielman, 23 Quai du Commerce, 1080 Bruxelles |
Chantal Akerman, W, C |
|
7.4 |
1975 |
DHW![Color; Aspect: 1.66:1; 35 mm; AUDIO: Stereo Color](icons/rgb.png) |
The Travelling Players |
Theodoros Angelopoulos, W, C, M «O thiasos» |
|
6.9 |
1973 |
CD![Color (Technicolor); Aspect: 1.85:1; 35 mm (Eastman 100T 5254); AUDIO: Mono Color (Technicolor)](icons/rgb.png) |
Amarcord |
Federico Fellini, W, W, ++, C, M |
|
7.2 |
1973 |
CDR![Black and White, Color (Eastmancolor); Aspect: 1.66:1; 35 mm; Panavision (anamorphic); AUDIO: Mono Black and White, Color (Eastmancolor)](icons/rgb-bw.png) |
Day for Night |
François Truffaut, W, W, ++, C, M «La nuit américaine» |
|
5.0 |
1973 |
HoT![Color (Metrocolor); Aspect: 1.37:1; 35 mm; AUDIO: 70 mm 6-Track (1979 re-release), DTS-ES (director's cut), Dolby Digital EX (director's cut), Mono (original release), SDDS (director's cut) Color (Metrocolor)](icons/rgb.png) |
The Exorcist |
William Friedkin, W, C, M |
|
6.0 |
1973 |
DFan![Color (Eastmancolor); Aspect: 1.66:1; AUDIO: Mono Color (Eastmancolor)](icons/q-rgb.png) |
The Spirit of the Beehive |
Víctor Erice, W, ++, C, M «El espíritu de la colmena» |
|
6.0 |
1972 |
AdDH![Color (Eastmancolor); Aspect: 1.33:1; 35 mm; AUDIO: Mono Color (Eastmancolor)](icons/rgb.png) |
Aguirre: The Wrath of God |
Werner Herzog, W, C, M «Aguirre, der Zorn Gottes» |
|
6.5 |
1972 |
CDFan![Color (Eastmancolor); Aspect: 1.66:1; 35 mm; Panavision Cameras and Lenses; AUDIO: Mono Color (Eastmancolor)](icons/rgb.png) |
The Discreet Charm of the Bourgeoisie |
Luis Buñuel, W, W, C «Le charme discret de la bourgeoisie» |
|
6.1 |
1971 |
CD![Color (Technicolor); Aspect: 1.85:1; 35 mm; AUDIO: Mono Color (Technicolor)](icons/rgb.png) |
Harold and Maude |
Hal Ashby, W, C |
|
7.0 |
1970 |
BDHW![Color; Aspect: 2.20:1; 65 mm; Dimension 150; AUDIO: 70 mm 6-Track (70 mm prints) (Westrex Recording System), Mono (35 mm prints), DTS 70 mm (70 mm re-release) Color](icons/rgb.png) |
Patton |
Franklin J. Schaffner, W, W, ++, C, M |
|
7.1 |
1968 |
HoSf![Black and White; Aspect: 1.33:1; 35 mm; AUDIO: Mono Black and White](icons/bw.png) |
Night of the Living Dead |
George A. Romero, W, W, C |
|
7.3 |
1968 |
AdMSf![Color; Aspect: 2.35:1; 35 mm; Panavision (anamorphic) (as Panavision®); AUDIO: 4-Track Stereo (Westrex Recording System) Color](icons/rgb.png) |
Planet of the Apes |
Franklin J. Schaffner, W, W, ++, C, M |
|
5.9 |
1968 |
DHoM![Color (Technicolor); Aspect: 1.85:1; 35 mm (Eastman 50T 5251); AUDIO: Mono Color (Technicolor)](icons/rgb.png) |
Rosemary's Baby |
Roman Polanski, W, W, C, M |
|
6.2 |
1968 |
D![Black and White; 35 mm; AUDIO: Mono Black and White](icons/bw.png) |
Shame |
Ingmar Bergman, W, C «Skammen» |
|
6.9 |
1967 |
CrDMT![Color; Aspect: 1.85:1; 35 mm; AUDIO: Mono (Westrex Sound) Color](icons/rgb.png) |
In the Heat of the Night |
Norman Jewison, W, W, C, M |
|
5.3 |
1967 |
C![Color (Eastmancolor); Aspect: 1.85:1; 65 mm; Mitchell Camera; AUDIO: 4-Track Stereo (35 mm prints), 70 mm 6-Track (70 mm prints), DTS 70 mm (70 mm prints) (restored version), Mono (35 mm prints) Color (Eastmancolor)](icons/rgb.png) |
Playtime |
Jacques Tati, W, W, ++, C, C, M |
|
6.7 |
1967 |
CDR![Color (Technicolor); Aspect: 2.35:1; 35 mm; Panavision (anamorphic); Panavision Cameras and Lenses; AUDIO: 4-Track Stereo (Westrex Recording System), Mono (35 mm optical prints) Color (Technicolor)](icons/rgb.png) |
The Graduate |
Mike Nichols, W, W, ++, C |
|
8.1 |
1965 |
CDW![Black and White; Aspect: 1.66:1; 35 mm; AUDIO: Mono Black and White](icons/bw.png) |
Chimes at Midnight |
Orson Welles, W, W, ++, C, M «Campanadas a medianoche» |
|
5.9 |
1965 |
DRW![Color (Metrocolor); Aspect: 2.20:1; 35 mm (Eastman 50T 5251); Panavision (anamorphic); Panavision Lenses; AUDIO: 4-Track Stereo (35 mm magnetic prints), 70 mm 6-Track (Westrex Recording System) (70 mm prints), DTS (re-release) (35 mm prints), Mono (35 mm optical prints), 6-Track Stereo (Linear PCM) Color (Metrocolor)](icons/rgb.png) |
Doctor Zhivago |
David Lean, W, W, C, M |
|
7.8 |
1965 |
DW![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono Black and White](icons/bw.png) |
The Shop on Main Street |
Ján Kadár, Elmar Klos, W, ++, C, M «Obchod na korze» |
|
6.7 |
1965 |
BDFMlR![Color; Aspect: 2.35:1; 65 mm; Todd-AO (produced on); MCS-70 (Modern Cinema Systems) (aerial views); AUDIO: 70 mm 6-Track (70 mm prints), Mono (Westrex Recording System) (35 mm prints), Stereo (some 35 mm prints), DTS 70 mm (70mm re-release) Color](icons/rgb.png) |
The Sound of Music |
Robert Wise, W, W, ++, C, M |
|
7.4 |
1964 |
DHo![Black and White; Aspect: 2.35:1; 35 mm; Tohoscope; AUDIO: Mono Black and White](icons/bw.png) |
Onibaba |
Kaneto Shindô, W, C, M |
|
7.5 |
1963 |
D![Black and White; Aspect: 2.35:1; 35 mm; Panavision (anamorphic); AUDIO: Mono (Westrex Recording System) Black and White](icons/bw.png) |
Hud |
Martin Ritt, W, W, ++, C, M |
|
7.6 |
1963 |
DoS![Black and White; Aspect: 1.37:1; 16 mm Black and White](icons/bw.png) |
The House Is Black |
Forugh Farrokhzad, W, C «Khaneh siah ast» |
|
6.9 |
1962 |
CDMc![Black and White, Color; Aspect: 1.19:1; 35 mm; AUDIO: Mono Black and White, Color](icons/rgb-bw.png) |
Cleo from 5 to 7 |
Agnès Varda, W, C, C, C, M «Cléo de 5 à 7» |
|
6.9 |
1962 |
DMRSfTW![Black and White; Aspect: 1.85:1; 35 mm; AUDIO: Mono (Westrex Recording System), Dolby SR, Dolby Digital Black and White](icons/bw.png) |
The Manchurian Candidate |
John Frankenheimer, W, W, ++, C, M |
|
4.7 |
1961 |
DMR![Black and White; Aspect: 2.35:1; 35 mm; Dyaliscope; Chevereau Cameras; AUDIO: Mono Black and White](icons/bw.png) |
Last Year at Marienbad |
Alain Resnais, W, C, M «L'année dernière à Marienbad» |
|
5.2 |
1960 |
CrD![Black and White; Aspect: 1.37:1; 35 mm; Arriflex Cameras; AUDIO: Mono Black and White](icons/bw.png) |
Breathless |
Jean-Luc Godard, W, ++, C, M «À bout de souffle» |
|
6.9 |
1960 |
DM![Black and White; Aspect: 1.75:1; 35 mm; AUDIO: Mono Black and White](icons/bw.png) |
L'avventura |
Michelangelo Antonioni, W, ++, C, M |
|
6.9 |
1960 |
AdBDH![Color (Technicolor); Aspect: 2.20:1; 35 mm (horizontal); Super Technirama 70 (anamorphic); Panavision Lenses; AUDIO: 70 mm 6-Track (70 mm prints), Mono (Westrex Recording System) (35 mm prints, original release) Color (Technicolor)](icons/rgb.png) |
Spartacus |
Stanley Kubrick, W, W, ++, C, M |
|
4.9 |
1959 |
DRW![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono Black and White](icons/bw.png) |
Hiroshima, mon amour |
Alain Resnais, W, C, C, M, M |
|
7.5 |
1957 |
Mother India |
Mehboob Khan, W, W, C, M |
|
6.0 |
1956 |
We![Color (Technicolor); Aspect: 1.75:1; 35 mm (horizontal); VistaVision (as VistaVision - Motion Picture High-Fidelity); AUDIO: Mono (RCA Sound Recording) Color (Technicolor)](icons/rgb.png) |
The Searchers |
John Ford, W, W, C, M |
|
7.1 |
1955 |
CR![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono Black and White](icons/bw.png) |
Smiles of a Summer Night |
Ingmar Bergman, W, C, M «Sommarnattens leende» |
|
7.2 |
1953 |
CrNT![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Recording) Black and White](icons/bw.png) |
The Big Heat |
Fritz Lang, W, W, C, M |
|
6.8 |
1950 |
DNMRT![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Recording) Black and White](icons/bw.png) |
In a Lonely Place |
Nicholas Ray, W, W, ++, C, M |
|
7.5 |
1950 |
FanDR![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (RCA Sound System) Black and White](icons/bw.png) |
Orpheus |
Jean Cocteau, W, C, M «Orphée» |
|
7.1 |
1948 |
DR![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Recording) Black and White](icons/bw.png) |
Letter from an Unknown Woman |
Max Ophüls, W, W, ++, C, M |
|
7.0 |
1948 |
CrDT![Color (Technicolor); Aspect: 1.37:1; 35 mm; Technicolor Three-Strip Camera; AUDIO: Mono (RCA Sound System) Color (Technicolor)](icons/rgb.png) |
Rope |
Alfred Hitchcock, W, W, ++, C, C, M |
|
6.4 |
1947 |
D![Color (Technicolor); Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Recording) Color (Technicolor)](icons/rgb.png) |
Black Narcissus |
Michael Powell, Emeric Pressburger, W, W, ++, C, M |
|
6.9 |
1947 |
CCrD![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (RCA Sound System) Black and White](icons/bw.png) |
Monsieur Verdoux |
Charles Chaplin, W, W, C, C, M |
|
7.6 |
1946 |
DFanR![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono, Dolby Digital (1995 opera version) Black and White](icons/bw.png) |
Beauty and the Beast |
Jean Cocteau, ++, W, ++, C, M «La belle et la bête» |
|
7.1 |
1946 |
DR![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Recording) Black and White](icons/bw.png) |
Great Expectations |
David Lean, W, W, ++, C, M |
|
7.1 |
1945 |
DNMR![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (RCA Sound System) Black and White](icons/bw.png) |
Mildred Pierce |
Michael Curtiz, W, W, ++, C, M |
|
6.5 |
1945 |
D![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Recording) Black and White](icons/bw.png) |
The Lost Weekend |
Billy Wilder, W, W, ++, C, M |
|
6.8 |
1944 |
AdRTW![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (RCA Sound System) Black and White](icons/bw.png) |
To Have and Have Not |
Howard Hawks, W, W, ++, C, M |
|
7.4 |
1943 |
S![Black and White; Silent](icons/bw.png) |
Meshes of the Afternoon |
Maya Deren, Alexander Hammid, W, C, M |
|
6.8 |
1943 |
T![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Recording) Black and White](icons/bw.png) |
Shadow of a Doubt |
Alfred Hitchcock, W, W, ++, C, M |
|
6.3 |
1941 |
CR![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Mirrophonic Recording) Black and White](icons/bw.png) |
The Lady Eve |
Preston Sturges, W, W, C, M, M, M++ |
|
7.0 |
1940 |
CDR![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Mirrophonic Recording) Black and White](icons/bw.png) |
His Girl Friday |
Howard Hawks, W, W, ++, C, M, M |
|
7.2 |
1939 |
CR![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Sound System) Black and White](icons/bw.png) |
Ninotchka |
Ernst Lubitsch, W, W, ++, C, M |
|
7.4 |
1938 |
CrDT![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono Black and White](icons/bw.png) |
Angels with Dirty Faces |
Michael Curtiz, W, W, ++, C, M |
|
5.4 |
1938 |
CR![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (RCA Victor System) Black and White](icons/bw.png) |
Bringing Up Baby |
Howard Hawks, W, W, ++, C, M |
|
7.3 |
1938 |
DoSp![Black and White; Aspect: 1.37:1; 35 mm; Debrie Le Parvo; AUDIO: Mono (Tobis-Klangfilm) Black and White](icons/bw.png) |
Olympia Part One: Festival of the Nations |
Leni Riefenstahl, W, C, C, C++, M, M «Olympia 1. Teil - Fest der Völker» |
|
7.6 |
1938 |
AAdR![Color (Technicolor); Aspect: 1.37:1; 35 mm; AUDIO: Mono Color (Technicolor)](icons/rgb.png) |
The Adventures of Robin Hood |
Michael Curtiz, William Keighley, W, W, ++, C, C, M |
|
6.9 |
1938 |
CMT![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono Black and White](icons/bw.png) |
The Lady Vanishes |
Alfred Hitchcock, W, W, ++, C, M, M |
|
7.7 |
1937 |
AdDF![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Sound System) Black and White](icons/bw.png) |
Captains Courageous |
Victor Fleming, W, W, ++, C, M |
|
6.9 |
1937 |
CR![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Mirrophonic Recording) Black and White](icons/bw.png) |
The Awful Truth |
Leo McCarey, W, W, ++, C |
|
7.3 |
1936 |
CD![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Noiseless Recording) Black and White](icons/bw.png) |
Mr. Deeds Goes to Town |
Frank Capra, W, W, C, M |
|
5.5 |
1933 |
CMl![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Noiseless Recording) Black and White](icons/bw.png) |
Duck Soup |
Leo McCarey, W, W, ++, C, M |
|
6.9 |
1933 |
AdFanHo![Black and White; Aspect: 1.37:1; 35 mm; Mitchell Camera; AUDIO: Mono (RCA Photophone System) Black and White](icons/bw.png) |
King Kong |
[ Merian C. Cooper, Ernest B. Schoedsack ], W, W, ++, C, C, C++, M |
|
7.0 |
1932 |
DHoT![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Sound System) Black and White](icons/bw.png) |
Freaks |
Tod Browning, W, ++, C |
|
6.7 |
1931 |
HoSf![Black and White; Aspect: 1.37:1; 35 mm; Mitchell Standard; AUDIO: Mono (Western Electric Sound System) Black and White](icons/bw.png) |
Frankenstein |
James Whale, W, W, ++, C, C, M |
|
7.1 |
1929 |
CrDR![Black and White; Silent](icons/bw.png) |
Pandora's Box |
Georg Wilhelm Pabst, W, W, ++, C, M, M, M «Die Büchse der Pandora» |
|
7.4 |
1928 |
ACDFR![Black and White; Silent](icons/bw.png) |
Steamboat Bill, Jr. |
Charles Reisner, ++, W, ++, C, C |
|
6.2 |
1925 |
DH![Black and White; Silent](icons/bw.png) |
Battleship Potemkin |
Sergei M. Eisenstein, W, ++, C, C, M, M, M++ «Bronenosets Potyomkin» |
|
7.3 |
1924 |
Do![Black and White (tinted); Black and White (tinted)](icons/bw.png) |
The Great White Silence |
Herbert G. Ponting, M |
|
6.7 |
1922 |
Ho![Black and White; Silent](icons/bw.png) |
Nosferatu |
F.W. Murnau, W, ++, C, C, M, M, M++ «Nosferatu, eine Symphonie des Grauens» |
|
6.0 |
1916 |
DH![Black and White; Silent](icons/bw.png) |
Intolerance: Love's Struggle Throughout the Ages |
D.W. Griffith, W, W, ++, C, M |
|
3.8 |
2012 |
DR![Color; Aspect: 1.85:1; Codex; ArriRaw (2.8K) (source format) Digital Intermediate (4K) (master format); Arri Alexa, Cooke S4 and 5/i Lenses; AUDIO: Dolby Digital Color](icons/d-rgb.png) |
Amour |
Michael Haneke, W, C |
|
3.5 |
2009 |
AAdFanSf![Color; Aspect: 1.78:1; Digital HDCAM; Digital Intermediate (2K) (master format) Fusion Camera (dual-strip 3-D) (source format) HDCAM SR (1080p/24) (source format); PACE Fusion 3-D Sony CineAlta F23, Canon and Fujinon Lenses Sony CineAlta HDC-1500, Canon and Fujinon Lenses Sony CineAlta HDC-F950, Canon and Fujinon Lenses; AUDIO: Dolby Digital, DTS, SDDS, Sonics-DDP (IMAX version) Color](icons/d-rgb.png) |
Avatar |
James Cameron, W, C, M |
|
3.0 |
2006 |
AdCD![Color; Aspect: 2.35:1; 35 mm (Kodak Vision2 500T 5218, Vision 200T 5274); Super 35; Panavision Panaflex Gold II, Panavision Primo Lenses Panavision Panaflex Platinum, Panavision Primo Lenses; AUDIO: DTS, SDDS, Dolby Digital Color](icons/rgb.png) |
Little Miss Sunshine |
Jonathan Dayton, Valerie Faris, W, C, M, M |
|
3.6 |
2000 |
AAdDFanR![Color (Technicolor); Aspect: 2.35:1; 35 mm (Eastman EXR 50D 5245, Kodak Vision 250D 5246, Vision 320T 5277); Super 35; Arriflex 435 ES, Zeiss Lenses Moviecam Compact, Zeiss Lenses; AUDIO: Dolby Digital Color (Technicolor)](icons/rgb.png) |
Crouching Tiger, Hidden Dragon |
Ang Lee, W, W, ++, C, M «Wo hu cang long» |
|
6.3 |
1999 |
D![Color (Eastmancolor); Aspect: 2.35:1; 35 mm; Panavision (anamorphic); Panavision Cameras and Lenses; AUDIO: Dolby Digital Color (Eastmancolor)](icons/rgb.png) |
All About My Mother |
Pedro Almodóvar, W, C, M «Todo sobre mi madre» |
|
7.5 |
1999 |
AnAdCFFan![Color (Technicolor); Aspect: 1.85:1; Digital; Digital; AUDIO: DTS, SDDS, Dolby Digital Color (Technicolor)](icons/d-rgb.png) |
Toy Story 2 |
John Lasseter, Ash Brannon, ++, W, W, ++, C, M |
|
5.0 |
1997 |
D![Color; Aspect: 2.35:1; 16 mm (70s porno) 35 mm Video (NTSC) (80s porno); Panavision (anamorphic); Panavision Panaflex Gold, Panavision C-Series Lenses; AUDIO: Dolby Digital, SDDS Color](icons/rgb.png) |
Boogie Nights |
Paul Thomas Anderson, W, C, M |
|
7.4 |
1997 |
CrDRT![Color; Aspect: 1.85:1; 35 mm (Kodak); Arriflex 35 BL4, Zeiss Prime Lenses; AUDIO: Dolby, Dolby SR Color](icons/rgb.png) |
Fireworks |
Takeshi Kitano, W, C, M «Hana-bi» |
|
4.5 |
1996 |
DR![Color (Eastmancolor); Aspect: 2.35:1; 35 mm (Eastman EXR 200T 5293, EXR 500T 5298); D1 (master format) Super 35 (source format); Moviecam Compact, Zeiss Lenses; AUDIO: Dolby Digital Color (Eastmancolor)](icons/rgb.png) |
Breaking the Waves |
Lars von Trier, W, W, ++, C |
|
5.7 |
1991 |
DFanMcR![Color; Aspect: 1.66:1; 35 mm (Kodak); Moviecam Cameras; AUDIO: Dolby SR Color](icons/rgb.png) |
The Double Life of Veronique |
Krzysztof Kieslowski, W, W, C, M «La double vie de Véronique» |
|
5.2 |
1989 |
D![Color; Aspect: 1.85:1; 35 mm; Arriflex Cameras and Lenses; AUDIO: Dolby SR Color](icons/rgb.png) |
Do the Right Thing |
Spike Lee, W, C, M |
|
7.4 |
1989 |
DHW![Color (Technicolor); Aspect: 1.85:1; 35 mm (Eastman 125T 5247, 400T 5294); Panavision Cameras and Lenses; AUDIO: 70 mm 6-Track (70 mm prints), Dolby SR (35 mm prints) Color (Technicolor)](icons/rgb.png) |
Glory |
Edward Zwick, W, W, ++, C, M |
|
7.1 |
1989 |
BD![Color (Technicolor); Aspect: 1.85:1; 35 mm; AUDIO: Mono Color (Technicolor)](icons/rgb.png) |
My Left Foot |
Jim Sheridan, W, W, ++, C, M «My Left Foot: The Story of Christy Brown» |
|
6.7 |
1989 |
ACrT![Color; Aspect: 1.85:1; 35 mm; Panavision Panaflex Cameras, Panavision Primo Lenses; AUDIO: Mono Color](icons/rgb.png) |
The Killer |
John Woo, W, C, C, M «Dip huet seung hung» |
|
7.5 |
1987 |
DMcR![Color (Eastmancolor); Aspect: 1.66:1; 35 mm; AUDIO: Dolby Color (Eastmancolor)](icons/rgb.png) |
Babette's Feast |
Gabriel Axel, W, W, C, M «Babettes gæstebud» |
|
5.9 |
1986 |
CCrD![Black and White; Aspect: 1.85:1; 35 mm; Arriflex Cameras; AUDIO: Mono Black and White](icons/bw.png) |
Down by Law |
Jim Jarmusch, W, C, M |
|
6.6 |
1986 |
CD![Color (Metrocolor); Aspect: 2.35:1; 35 mm; Super 35; Lenses and Panaflex Cameras by Panavision; AUDIO: Dolby Color (Metrocolor)](icons/rgb.png) |
Ferris Bueller's Day Off |
John Hughes, W, C, M, M, M |
|
8.3 |
1985 |
BD![Color; Aspect: 1.85:1; AUDIO: Mono Color](icons/q-rgb.png) |
A Time to Live, a Time to Die |
Hsiao-hsien Hou, Jia-hua Lao, ++, W, W, C, M «Tong nien wang shi» |
|
8.1 |
1985 |
BD![Black and White, Color; Aspect: 1.85:1; 35 mm; AUDIO: Dolby Black and White, Color](icons/rgb-bw.png) |
Mishima: A Life in Four Chapters |
Paul Schrader, W, W, ++, C, M |
|
8.1 |
1985 |
C![Color; Aspect: 1.37:1; 35 mm; Panavision Cameras and Lenses; AUDIO: Dolby Color](icons/rgb.png) |
Tampopo |
Jûzô Itami, W, C, M |
|
6.2 |
1985 |
CD![Color (Technicolor); Aspect: 1.85:1; 35 mm; Panaflex Cameras and Lenses by Panavision; AUDIO: Dolby Color (Technicolor)](icons/rgb.png) |
The Breakfast Club |
John Hughes, W, C, M |
|
7.1 |
1984 |
DHW![Color; Aspect: 1.85:1; 35 mm; Panavision Cameras and Lenses; AUDIO: Dolby Color](icons/rgb.png) |
The Killing Fields |
Roland Joffé, W, C, M |
|
5.1 |
1983 |
D![Color; Aspect: 1.85:1; AUDIO: Mono Color](icons/q-rgb.png) |
The Ballad of Narayama |
Shôhei Imamura, W, W, C, C, C, M «Narayama-bushi kô» |
|
5.7 |
1983 |
AdDHSf![Color (Technicolor); Aspect: 1.85:1; 35 mm; Panaflex Camera and Lenses by Panavision; AUDIO: 70 mm 6-Track (70 mm prints), Dolby (35 mm prints) Color (Technicolor)](icons/rgb.png) |
The Right Stuff |
Philip Kaufman, W, W, C, M |
|
5.0 |
1982 |
AdFFanSf![Color; Aspect: 1.85:1; 35 mm (Eastman 100T 5247); Panavision Cameras and Lenses; AUDIO: Dolby (35 mm prints) Color](icons/rgb.png) |
E.T. the Extra-Terrestrial |
Steven Spielberg, W, C, M |
|
6.5 |
1979 |
DW![Color (Fujicolor); Aspect: 1.66:1; 35 mm; AUDIO: Mono Color (Fujicolor)](icons/rgb.png) |
The Marriage of Maria Braun |
Rainer Werner Fassbinder, W, W, ++, C, M «Die Ehe der Maria Braun» |
|
7.1 |
1978 |
HoT![Color (Metrocolor); Aspect: 2.35:1; 35 mm; Panavision (anamorphic); AUDIO: Mono Color (Metrocolor)](icons/rgb.png) |
Halloween |
John Carpenter, W, W, C, M |
|
8.0 |
1977 |
D![Black and White, Color; Aspect: 1.33:1; 35 mm; AUDIO: Mono Black and White, Color](icons/rgb-bw.png) |
Man of Marble |
Andrzej Wajda, W, C, M «Czlowiek z marmuru» |
|
6.6 |
1976 |
We![Color; Aspect: 2.35:1; 35 mm (Eastman 100T 5254); Panavision (anamorphic); AUDIO: Mono Color](icons/rgb.png) |
The Outlaw Josey Wales |
Clint Eastwood, W, W, ++, C, M |
|
5.6 |
1974 |
DMT![Color (Technicolor); Aspect: 1.37:1; 35 mm; AUDIO: Mono, Dolby Digital (restored version) Color (Technicolor)](icons/rgb.png) |
The Conversation |
Francis Ford Coppola, W, C, C, M |
|
6.6 |
1973 |
CrD![Color; Aspect: 1.85:1; 35 mm; AUDIO: Mono Color](icons/rgb.png) |
Badlands |
Terrence Malick, W, C, C, C, M |
|
6.3 |
1972 |
DMl![Color (Technicolor); Aspect: 1.85:1; 35 mm; AUDIO: 4-Track Stereo, Dolby Digital (DVD version) Color (Technicolor)](icons/rgb.png) |
Cabaret |
Bob Fosse, W, W, ++, C, M, M |
|
7.0 |
1971 |
D![Color (Eastmancolor); Aspect: 1.66:1; 35 mm; AUDIO: Mono Color (Eastmancolor)](icons/rgb.png) |
Murmur of the Heart |
Louis Malle, W, C «Le souffle au coeur» |
|
7.6 |
1970 |
DoMc![Color; Aspect: 1.33:1; 35 mm; AUDIO: Mono Color](icons/rgb.png) |
Gimme Shelter |
Albert Maysles, David Maysles, ++, C, C, C |
|
8.3 |
1970 |
DT![Black and White; 35 mm; AUDIO: Mono Black and White](icons/bw.png) |
The Ear |
Karel Kachyna, W, W, ++, C, M «Ucho» |
|
6.7 |
1969 |
D![Black and White, Color; Aspect: 1.85:1; 35 mm; AUDIO: Mono, Dolby Digital (DVD Release) Black and White, Color](icons/rgb-bw.png) |
Midnight Cowboy |
John Schlesinger, W, W, C, M |
|
7.1 |
1968 |
D![Black and White; Aspect: 1.66:1; 35 mm; AUDIO: Mono Black and White](icons/bw.png) |
Memories of Underdevelopment |
Tomás Gutiérrez Alea, W, ++, C, M «Memorias del subdesarrollo» |
|
6.6 |
1967 |
BCrD![Color (Technicolor); Aspect: 1.78:1; 35 mm; AUDIO: Mono Color (Technicolor)](icons/rgb.png) |
Bonnie and Clyde |
Arthur Penn, W, W, ++, C, M |
|
4.9 |
1967 |
DW![Black and White; Aspect: 2.35:1; 35 mm; Agascope; Arriflex Cameras; AUDIO: Mono Black and White](icons/bw.png) |
The Red and the White |
Miklós Jancsó, W, W, ++, C «Csillagosok, katonák» |
|
5.2 |
1966 |
CrD![Black and White; Aspect: 1.66:1; 35 mm; AUDIO: Mono Black and White](icons/bw.png) |
Au Hasard Balthazar |
Robert Bresson, W, C, M «Au hasard Balthazar» |
|
6.4 |
1964 |
DMlR![Color (Technicolor); Aspect: 2.20:1; 65 mm (Eastman 50T 5251); Super Panavision 70; AUDIO: 4-Track Stereo (35 mm magnetic prints), DTS (re-release), Dolby Digital (re-release), Mono (16 mm prints), Mono (35 mm optical prints), 70 mm 6-Track (RCA Sound Recording) (70 mm prints) Color (Technicolor)](icons/rgb.png) |
My Fair Lady |
George Cukor, W, W, ++, C, M |
|
6.6 |
1964 |
BDH![Black and White; Aspect: 1.66:1; 35 mm (Ferrania P.30); Arriflex Cameras; AUDIO: Mono Black and White](icons/bw.png) |
The Gospel According to St. Matthew |
Pier Paolo Pasolini, W, C, M «Il vangelo secondo Matteo» |
|
6.2 |
1963 |
D![Black and White; Aspect: 1.66:1; 35 mm; AUDIO: Mono Black and White](icons/bw.png) |
The Servant |
Joseph Losey, W, W, C, M |
|
4.7 |
1962 |
DR![Black and White; Aspect: 2.35:1; 35 mm; Franscope; Chevereau Cameras; AUDIO: Mono Black and White](icons/bw.png) |
Jules and Jim |
François Truffaut, W, W, ++, C, M «Jules et Jim» |
|
6.0 |
1962 |
DR![Black and White; Aspect: 1.85:1; 35 mm; AUDIO: Mono (Westrex) Black and White](icons/bw.png) |
L'eclisse |
Michelangelo Antonioni, W, W, ++, C, M |
|
6.9 |
1961 |
D![Black and White; Aspect: 1.66:1; AUDIO: Mono Black and White](icons/bw.png) |
La Notte |
Michelangelo Antonioni, W, W, ++, C, M «La notte» |
|
7.1 |
1959 |
D![Color (Eastmancolor); Aspect: 1.37:1; 35 mm; AUDIO: Mono Color (Eastmancolor)](icons/rgb.png) |
Floating Weeds |
Yasujirô Ozu, W, W, ++, C, M «Ukikusa» |
|
6.2 |
1959 |
CrD![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Westrex Recording System) Black and White](icons/bw.png) |
Pickpocket |
Robert Bresson, W, C |
|
6.6 |
1958 |
DW![Black and White; Aspect: 1.66:1; 35 mm; AUDIO: Mono Black and White](icons/bw.png) |
Ashes and Diamonds |
Andrzej Wajda, W, ++, C, M, M «Popiól i diament» |
|
5.3 |
1958 |
C![Color (Eastmancolor); Aspect: 1.37:1; 35 mm; AUDIO: Mono Color (Eastmancolor)](icons/rgb.png) |
Mon Oncle |
Jacques Tati, W, W, ++, C, M, M, M «Mon oncle» |
|
5.3 |
1956 |
AdDH![Color (Technicolor); Aspect: 1.85:1; 35 mm (horizontal); Super VistaVision (1989 re-release) VistaVision; Mitchell VistaVision Cameras; AUDIO: Dolby Digital (1998 re-release), Dolby (1989 re-release), Mono (35 mm prints), 70 mm 6-Track (Western Electric Recording) Color (Technicolor)](icons/rgb.png) |
The Ten Commandments |
Cecil B. DeMille, W, W, ++, C, M |
|
6.8 |
1952 |
DW![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric System) Black and White](icons/bw.png) |
Forbidden Games |
René Clément, W, ++, C, M «Jeux interdits» |
|
6.2 |
1952 |
DR![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Sound System) Black and White](icons/bw.png) |
The Bad and the Beautiful |
Vincente Minnelli, W, W, C, M |
|
6.6 |
1952 |
CDR![Color (Technicolor); Aspect: 1.37:1; 35 mm; Mitchell Cameras; AUDIO: Mono (RCA Sound System) Color (Technicolor)](icons/rgb.png) |
The Quiet Man |
John Ford, W, W, ++, C, M |
|
6.5 |
1951 |
D![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Tobis-Klangfilm) Black and White](icons/bw.png) |
Diary of a Country Priest |
Robert Bresson, W, W, C, M «Journal d'un curé de campagne» |
|
6.5 |
1951 |
AdRW![Color (as Colour by) (Technicolor); Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Recording) Color (as Colour by) (Technicolor)](icons/rgb.png) |
The African Queen |
John Huston, W, W, ++, C, M |
|
7.2 |
1950 |
CrND![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Sound System) Black and White](icons/bw.png) |
The Asphalt Jungle |
John Huston, W, W, ++, C, M |
|
7.0 |
1946 |
CrDNM![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Recording) Black and White](icons/bw.png) |
The Killers |
Robert Siodmak, W, W, ++, C, M |
|
6.7 |
1944 |
CrDNMT![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Sound System) Black and White](icons/bw.png) |
Gaslight |
George Cukor, W, W, ++, C, M |
|
6.4 |
1942 |
DR![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (RCA Sound System) Black and White](icons/bw.png) |
The Magnificent Ambersons |
Orson Welles, ++, W, W, ++, C, C, C, M |
|
7.2 |
1940 |
D![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Sound System) Black and White](icons/bw.png) |
The Mortal Storm |
Frank Borzage, W, W, ++, C, C, C, M, M, M |
|
6.2 |
1939 |
AdWe![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Mirrophonic Recording) Black and White](icons/bw.png) |
Stagecoach |
John Ford, W, W, ++, C, M |
|
6.7 |
1935 |
HoSf![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Sound System) Black and White](icons/bw.png) |
The Bride of Frankenstein |
James Whale, W, W, ++, C, M «Bride of Frankenstein» |
|
5.6 |
1934 |
DR![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono Black and White](icons/bw.png) |
L'Atalante |
Jean Vigo, W, W, ++, C, C, C, M |
|
7.3 |
1933 |
BDHR![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Sound System) Black and White](icons/bw.png) |
Queen Christina |
Rouben Mamoulian, W, W, ++, C, M |
|
5.8 |
1929 |
SFan![Black and White; Silent](icons/bw.png) |
Un Chien Andalou |
Luis Buñuel, W, W, C, C «Un chien andalou» |
|
8.2 |
1928 |
DR![Black and White; Silent](icons/bw.png) |
The Crowd |
King Vidor, W, W, ++, C, M |
|
6.9 |
1927 |
DHoRT![Black and White; Silent](icons/bw.png) |
The Unknown |
Tod Browning, W, W, ++, C |
|
6.9 |
1924 |
D![Black and White; Silent](icons/bw.png) |
Greed |
Erich von Stroheim, W, W, ++, C, C, M, M, M++ |
|
7.9 |
1924 |
AdFFanR![Black and White (tinted); Silent](icons/bw.png) |
The Thief of Bagdad |
Raoul Walsh, W, W, ++, C, M |
|
7.4 |
1923 |
CF![Black and White; Silent](icons/bw.png) |
Our Hospitality |
John G. Blystone, Buster Keaton, W, W, ++, C, C, M |
|
6.8 |
1922 |
CrMT![Black and White; Silent](icons/bw.png) |
Dr. Mabuse: The Gambler |
Fritz Lang, W, W, ++, C, M, M, M «Dr. Mabuse, der Spieler - Ein Bild der Zeit» |
|
7.0 |
1921 |
D![Black and White; Silent](icons/bw.png) |
Orphans of the Storm |
D.W. Griffith, W, W, ++, C, C, C, M, M, M++ |
|
4.3 |
2012 |
DHT![Color; Aspect: 2.35:1; 16 mm (Kodak Vision3 250D 7207, Vision3 500T 7219) 35 mm (Kodak Vision3 250D 5207, Vision3 500T 5219, Vision2 500T 5260) 8 mm (Kodak Vision3 500T 5219, Ektachrome 100D 5285) Digital; ARRIRAW (2.8K) (source format) (some scenes) Digital Intermediate (4K) (master format) Hawk Scope (anamorphic) (source format) Super 16 (source format) (some shots) Super 35 (source format) (some scenes) Super 8 (source format) (some shots) Techniscope (source format) (some scenes); Arri Alexa Plus, Hawk V-Lite, V-Plus, V-Series, Zeiss Super Speed, Ultra Prime and Angenieux Optimo Lenses Arricam LT, Hawk V-Lite, V-Plus, V-Series, Zeiss Super Speed, Ultra Prime, Angenieux Optimo and Canon Lenses Arricam ST, Hawk V-Lite, V-Plus, V-Series, Zeiss Super Speed, Ultra Prime, Angenieux Optimo and Canon Lenses Bolex H16 REX-5, Kern-Paillard Switar and Angenieux Lenses Canon 1014 AZ; AUDIO: SDDS, Datasat, Dolby Digital Color](icons/rgb.png) |
Argo |
Ben Affleck, W, W, ++, C, M |
|
3.2 |
2012 |
AAdT![Color; Aspect: 1.90:1; Codex Redcode RAW; ARRIRAW (2.8K) (source format) Digital Intermediate (4K) (master format) Redcode RAW (5K) (source format) (aerial shots); Arri Alexa M, Zeiss Master Prime Lenses Arri Alexa Plus, Zeiss Master Prime and Angenieux Optimo Lenses Arri Alexa Studio, Zeiss Master Prime and Angenieux Optimo Lenses Red Epic, Zeiss Master Prime Lenses (additional 2nd unit action shots); AUDIO: Dolby Digital, Datasat, SDDS, Sonics-DDP Color](icons/d-rgb.png) |
Skyfall |
Sam Mendes, W, W, ++, C, M |
|
2.0 |
2011 |
CrD![Color; Aspect: 2.35:1; SXS Pro; Digital Intermediate (2K) (master format) ProRes 4:4:4 (1080p/24) (source format); Arri Alexa, Cooke S4, Zeiss Master Prime and Angenieux Optimo Lenses Canon EOS 5D Mark II (some shots) Clairmont Cameras and Lenses Iconix HD-RH1 (some shots) Weisscam HS-2 (high-speed shots); AUDIO: DTS, Dolby Digital, SDDS Color](icons/d-rgb.png) |
Drive |
Nicolas Winding Refn, W, W, C, M |
|
4.9 |
2010 |
BD![Color; Aspect: 2.35:1; Redcode RAW; Digital Intermediate (2K) (master format) Redcode RAW (4.5K) (source format); Red One MX, Zeiss Master Prime and Angenieux Optimo Lenses; AUDIO: Dolby Digital, DTS, SDDS Color](icons/d-rgb.png) |
The Social Network |
David Fincher, W, W, C, M, M |
|
5.2 |
2009 |
DM![Black and White; Aspect: 1.85:1; 35 mm (Kodak Vision3 250D 5207, Vision3 500T 5219); Digital Intermediate (2K) (master format) Super 35 (3-perf) (source format); Moviecam Compact, Cooke S4 Lenses; AUDIO: DTS, Dolby Digital Black and White](icons/bw.png) |
The White Ribbon |
Michael Haneke, W, C «Das weiße Band - Eine deutsche Kindergeschichte» |
|
3.0 |
1999 |
CFan![Color (Technicolor); Aspect: 1.85:1; 35 mm (Kodak Vision 320T 5277, Vision 500T 5279); Moviecam Compact, Cooke S4 Lenses Moviecam SL, Cooke S4 Lenses; AUDIO: Dolby Digital Color (Technicolor)](icons/rgb.png) |
Being John Malkovich |
Spike Jonze, W, C, M |
|
2.1 |
1998 |
CD![Color; Aspect: 1.85:1; 35 mm (Kodak); Panavision Cameras and Lenses; AUDIO: Dolby Color](icons/rgb.png) |
Happiness |
Todd Solondz, W, C, M |
|
6.8 |
1998 |
ASfT![Black and White, Color; Aspect: 1.85:1; 35 mm (Eastman EXR 100T 5248, EXR 200T 5293) Video (selected scenes); Arriflex 535; AUDIO: Dolby Digital Black and White, Color](icons/rgb-bw.png) |
Run Lola Run |
Tom Tykwer, W, C, M, M, M «Lola rennt» |
|
7.0 |
1997 |
DMRSf![Color; Aspect: 1.85:1; 35 mm (Kodak); AUDIO: Dolby Digital Color](icons/rgb.png) |
Open Your Eyes |
Alejandro Amenábar, W, W, C, M, M «Abre los ojos» |
|
5.9 |
1994 |
C![Black and White; Aspect: 1.37:1; 16 mm; Arriflex 16 SR2; AUDIO: Dolby, Mono (original Sundance cut) Black and White](icons/bw.png) |
Clerks. |
Kevin Smith, W, C |
|
9.0 |
1994 |
D![Color; AUDIO: Stereo, Dolby SR Color](icons/q-rgb.png) |
Through the Olive Trees |
Abbas Kiarostami, W, W, ++, C, C «Zire darakhatan zeyton» |
|
6.5 |
1992 |
D![Color; Aspect: 2.35:1; 35 mm; Super 35; AUDIO: Dolby Color](icons/rgb.png) |
Glengarry Glen Ross |
James Foley, W, C, M |
|
7.6 |
1991 |
CrD![Color (DeLuxe); Aspect: 1.85:1; 35 mm; Arriflex Camera and Lenses; AUDIO: Dolby Color (DeLuxe)](icons/rgb.png) |
Boyz n the Hood |
John Singleton, W, C, M |
|
4.2 |
1991 |
D![Color (Eastmancolor); Aspect: 1.37:1; 35 mm (Kodak); Moviecam Cameras; AUDIO: Mono Color (Eastmancolor)](icons/rgb.png) |
La belle noiseuse |
Jacques Rivette, W, W, ++, C |
|
6.3 |
1988 |
DoB![Color; Aspect: 1.33:1; AUDIO: Mono Color](icons/q-rgb.png) |
Hôtel Terminus |
Marcel Ophüls, W, C, C, C++ |
|
4.4 |
1988 |
MT![Color; Aspect: 1.66:1; 35 mm; AUDIO: Mono Color](icons/rgb.png) |
The Vanishing |
George Sluizer, W, ++, C, M «Spoorloos» |
|
6.7 |
1987 |
CD![Color; Aspect: 1.85:1; 35 mm; AUDIO: Mono Color](icons/rgb.png) |
Withnail & I |
Bruce Robinson, W, C, M, M |
|
5.9 |
1986 |
CrMT![Color; Aspect: 2.35:1; 35 mm (Eastman 125T 5247); J-D-C Scope (anamorphic); Arriflex 35 BL3, J-D-C Lenses; AUDIO: Dolby Color](icons/rgb.png) |
Blue Velvet |
David Lynch, W, C, M |
|
6.1 |
1985 |
D![Color; Aspect: 1.85:1; 35 mm (Eastman 125T 5247, 400T 5294); Panaflex Camera and Lenses by Panavision; AUDIO: Dolby Color](icons/rgb.png) |
The Color Purple |
Steven Spielberg, W, W, C, M |
|
6.8 |
1985 |
CFanR![Black and White, Color; Aspect: 1.85:1; 35 mm; Panaflex Cameras and Lenses by Panavision; AUDIO: Mono Black and White, Color](icons/rgb-bw.png) |
The Purple Rose of Cairo |
Woody Allen, W, C, M |
|
6.7 |
1985 |
D![Color; Aspect: 1.66:1; 35 mm; AUDIO: Mono Color](icons/rgb.png) |
Vagabond |
Agnès Varda, W, C, M «Sans toit ni loi» |
|
7.0 |
1984 |
CFFan![Color (Metrocolor); Aspect: 2.20:1; 35 mm; Panavision (anamorphic); Panavision Cameras and Lenses; AUDIO: 70 mm 6-Track (70 mm prints), Dolby (35 mm prints) Color (Metrocolor)](icons/rgb.png) |
Ghostbusters |
Ivan Reitman, W, W, ++, C, M «Ghost Busters» |
|
7.6 |
1983 |
AdDT![Color; Aspect: 1.78:1; 35 mm; Arriflex BL; AUDIO: Mono Color](icons/rgb.png) |
El Norte |
Gregory Nava, W, W, C, M, M, M++ |
|
6.9 |
1982 |
CD![Color; Aspect: 1.85:1; 35 mm; Arriflex Cameras; AUDIO: Mono Color](icons/rgb.png) |
The King of Comedy |
Martin Scorsese, W, C |
|
7.2 |
1980 |
C![Color (Metrocolor); Aspect: 1.85:1; 35 mm; Lenses and Panaflex Camera by Panavision; AUDIO: 4-Track Stereo Color (Metrocolor)](icons/rgb.png) |
Airplane! |
Jim Abrahams, David Zucker, ++, W, W, ++, C, M |
|
7.6 |
1980 |
D![Color (Technicolor); Aspect: 1.85:1; 35 mm; Lenses and Panaflex Camera by Panavision; AUDIO: Mono Color (Technicolor)](icons/rgb.png) |
Ordinary People |
Robert Redford, W, W, ++, C |
|
6.6 |
1979 |
DFanMcMl![Color (Technicolor); Aspect: 1.85:1; 35 mm; Lenses and Panaflex Camera by Panavision; AUDIO: Dolby Color (Technicolor)](icons/rgb.png) |
All That Jazz |
Bob Fosse, W, W, C, M |
|
6.8 |
1979 |
D![Color (Technicolor); Aspect: 1.85:1; 35 mm; Panaflex Camera and Lenses by Panavision; AUDIO: Mono Color (Technicolor)](icons/rgb.png) |
Kramer vs. Kramer |
Robert Benton, W, W, C |
|
8.7 |
1978 |
AAdD![Color; Aspect: 2.35:1; 35 mm; Shawscope; AUDIO: Mono Color](icons/rgb.png) |
The 36th Chamber of Shaolin |
Chia-Liang Liu, W, C, C, M «Shao Lin san shi liu fang» |
|
7.6 |
1977 |
DTW![Black and White (archive footage), Color (Eastmancolor); Aspect: 1.85:1; 35 mm; AUDIO: Mono Black and White (archive footage), Color (Eastmancolor)](icons/rgb-bw.png) |
Soldier of Orange |
Paul Verhoeven, W, W, ++, C, M «Soldaat van Oranje» |
|
8.9 |
1975 |
Deewaar |
Yash Chopra, W, ++, C, M |
|
3.9 |
1975 |
DMc![Color (Metrocolor); Aspect: 2.35:1; 35 mm; Panavision (anamorphic); AUDIO: 4-Track Stereo (magnetic prints) Color (Metrocolor)](icons/rgb.png) |
Nashville |
Robert Altman, W, C, M, M, M++ |
|
6.4 |
1974 |
CWe![Color (Technicolor); Aspect: 2.35:1; 35 mm; Panavision (anamorphic); AUDIO: Mono Color (Technicolor)](icons/rgb.png) |
Blazing Saddles |
Mel Brooks, W, W, ++, C, M |
|
6.1 |
1974 |
CDFanM![Color (Eastmancolor); Aspect: 1.37:1; 16 mm; AUDIO: Mono Color (Eastmancolor)](icons/rgb.png) |
Celine and Julie Go Boating |
Jacques Rivette, W, W, ++, C, M «Céline et Julie vont en bateau - Phantom Ladies Over Paris» |
|
6.3 |
1973 |
Do![Color (Eastmancolor); Aspect: 1.66:1; 35 mm; AUDIO: Mono Color (Eastmancolor)](icons/rgb.png) |
F for Fake |
Orson Welles, W, ++, C, M «Vérités et mensonges» |
|
5.3 |
1973 |
AnDSf![Color, Color (Eastmancolor); Aspect: 1.66:1; 35 mm; AUDIO: Mono Color, Color (Eastmancolor)](icons/rgb.png) |
Fantastic Planet |
René Laloux, W, W, ++, C, C, M «La planète sauvage» |
|
6.3 |
1973 |
BCrD![Color (Technicolor); Aspect: 1.85:1; 35 mm (Eastman 100T 5254); AUDIO: Mono Color (Technicolor)](icons/rgb.png) |
Serpico |
Sidney Lumet, W, W, ++, C, M |
|
6.4 |
1972 |
AdDT![Color (Technicolor); Aspect: 2.20:1; 35 mm; Panavision (anamorphic); Panavision Cameras and Lenses; AUDIO: 70 mm 6-Track (70 mm prints), Mono (35 mm prints) Color (Technicolor)](icons/rgb.png) |
Deliverance |
John Boorman, W, ++, C |
|
6.9 |
1971 |
ACrT![Color; Aspect: 2.35:1; 35 mm; Panavision (anamorphic); Panavision Lenses; AUDIO: Mono Color](icons/rgb.png) |
Dirty Harry |
Don Siegel, W, W, ++, C, M |
|
7.1 |
1971 |
DH![Color (Technicolor); Aspect: 2.20:1; 35 mm; Panavision (anamorphic); AUDIO: Mono Color (Technicolor)](icons/rgb.png) |
The Devils |
Ken Russell, W, W, ++, C, M |
|
5.1 |
1971 |
ACrT![Color; Aspect: 1.85:1; 35 mm (Eastman 100T 5254); Arriflex Cameras and Lenses; AUDIO: Mono (Westrex Recording System), 4-Track Stereo (Westrex Recording System) Color](icons/rgb.png) |
The French Connection |
William Friedkin, W, W, ++, C, M |
|
6.5 |
1971 |
DT![Color (Technicolor); Aspect: 1.85:1; 35 mm; AUDIO: Mono Color (Technicolor)](icons/rgb.png) |
Wake in Fright |
Ted Kotcheff, W, W, C, M |
|
6.7 |
1971 |
FFanMl![Color (Technicolor); Aspect: 1.85:1; 35 mm; Panavision Cameras and Lenses; AUDIO: Mono (Westrex Recording System), 4-Track Stereo Color (Technicolor)](icons/rgb.png) |
Willy Wonka & the Chocolate Factory |
Mel Stuart, W, ++, C |
|
7.7 |
1969 |
D![Color; Aspect: 1.66:1; 35 mm; AUDIO: Mono Color](icons/rgb.png) |
Kes |
Ken Loach, W, ++, C, M |
|
4.5 |
1968 |
D![Black and White; Aspect: 1.66:1; 16 mm; Eclair NPR; AUDIO: Mono Black and White](icons/bw.png) |
Faces |
John Cassavetes, W, C, C, C |
|
5.8 |
1967 |
D![Color (Eastmancolor); Aspect: 1.66:1; 35 mm; AUDIO: Mono Color (Eastmancolor)](icons/rgb.png) |
Belle de Jour |
Luis Buñuel, W, W, ++, C «Belle de jour» |
|
7.3 |
1966 |
CDW![Black and White; Aspect: 1.33:1; 35 mm; AUDIO: Mono Black and White](icons/bw.png) |
Closely Watched Trains |
Jirí Menzel, W, ++, C, M «Ostre sledované vlaky» |
|
5.4 |
1965 |
HoT![Black and White; Aspect: 1.66:1; 35 mm; AUDIO: Mono (Westrex Recording System) Black and White](icons/bw.png) |
Repulsion |
Roman Polanski, W, W, ++, C, M |
|
9.3 |
1965 |
The Golden Thread |
Ritwik Ghatak, W, W, ++, C, M «Subarnarekha» |
|
6.9 |
1964 |
AAdCrT![Color (Technicolor); Aspect: 1.37:1; 35 mm; AUDIO: Mono (Westrex Recording System) Color (Technicolor)](icons/rgb.png) |
Goldfinger |
Guy Hamilton, W, W, ++, C, M |
|
6.7 |
1964 |
CFFanMl![Color (Technicolor); Aspect: 1.66:1; 35 mm; AUDIO: Stereo (RCA Sound Recording) Color (Technicolor)](icons/rgb.png) |
Mary Poppins |
Robert Stevenson, W, W, ++, C, M |
|
5.9 |
1964 |
D![Color (Technicolor); Aspect: 1.85:1; 35 mm; AUDIO: Mono (Westrex Recording System) Color (Technicolor)](icons/rgb.png) |
Red Desert |
Michelangelo Antonioni, W, W, C, M, M «Il deserto rosso» |
|
7.3 |
1964 |
DMlR![Color (Eastmancolor); Aspect: 1.66:1; 35 mm; AUDIO: Dolby SR (restored version) (1992), Mono Color (Eastmancolor)](icons/rgb.png) |
The Umbrellas of Cherbourg |
Jacques Demy, W, C, M «Les parapluies de Cherbourg» |
|
5.7 |
1963 |
HoT![Color (Technicolor); Aspect: 1.37:1; 35 mm; AUDIO: Mono (Westrex Recording System) (uncredited) Color (Technicolor)](icons/rgb.png) |
The Birds |
Alfred Hitchcock, W, W, C |
|
5.0 |
1961 |
CDR![Color (Technicolor); Aspect: 1.85:1; 35 mm (Eastman 50T 5250); AUDIO: Mono Color (Technicolor)](icons/rgb.png) |
Breakfast at Tiffany's |
Blake Edwards, W, W, C, C, M |
|
6.4 |
1961 |
DR![Color (Technicolor); Aspect: 1.85:1; 35 mm; AUDIO: Mono (RCA Sound System) Color (Technicolor)](icons/rgb.png) |
Splendor in the Grass |
Elia Kazan, W, C, M |
|
6.2 |
1960 |
Ho![Black and White; Aspect: 1.66:1; 35 mm; AUDIO: Mono (Western Electric Recording) Black and White](icons/bw.png) |
Eyes Without a Face |
Georges Franju, W, W, ++, C, M «Les yeux sans visage» |
|
5.1 |
1960 |
HoT![Color (Eastmancolor); Aspect: 1.66:1; 35 mm; AUDIO: Mono (Westrex Recording System) Color (Eastmancolor)](icons/rgb.png) |
Peeping Tom |
Michael Powell, W, C, M |
|
6.6 |
1956 |
Cr![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono Black and White](icons/bw.png) |
Bob le Flambeur |
Jean-Pierre Melville, W, ++, C, C, M, M «Bob le flambeur» |
|
6.9 |
1956 |
HoSf![Black and White; Aspect: 1.85:1; 35 mm; Spherical SuperScope (as Superscope) (anamorphic); AUDIO: Mono (Perspecta Sound encoding) (Western Electric Recording) Black and White](icons/bw.png) |
Invasion of the Body Snatchers |
Don Siegel, W, W, ++, C, M |
|
6.7 |
1955 |
CrDWe![Color (Eastmancolor); Aspect: 2.55:1; 35 mm; CinemaScope; AUDIO: Mono (35 mm optical prints) (Western Electric Sound System), 4-Track Stereo (35 mm magnetic prints) Color (Eastmancolor)](icons/rgb.png) |
Bad Day at Black Rock |
John Sturges, W, W, ++, C, M |
|
5.9 |
1955 |
DR![Color (WarnerColor); Aspect: 2.55:1; 35 mm; CinemaScope; AUDIO: Mono (optical prints), 4-Track Stereo (RCA Sound Recording) (magnetic prints), Dolby Digital (DVD version) Color (WarnerColor)](icons/rgb.png) |
Rebel Without a Cause |
Nicholas Ray, W, W, ++, C, M |
|
6.8 |
1955 |
CCr![Color (Technicolor); Aspect: 1.37:1; 35 mm; AUDIO: Mono (RCA Sound Recording) Color (Technicolor)](icons/rgb.png) |
The Ladykillers |
Alexander Mackendrick, W, ++, C, M |
|
6.1 |
1954 |
DMlR![Color (Technicolor); Aspect: 2.55:1; 35 mm; CinemaScope; AUDIO: 4-Track Stereo (RCA Sound System) (magnetic prints), Mono (optical prints) Color (Technicolor)](icons/rgb.png) |
A Star Is Born |
George Cukor, W, W, ++, C, M |
|
6.6 |
1953 |
DRW![Black and White (archive footage), Black and White; Aspect: 1.85:1; 35 mm; AUDIO: Mono (Western Electric Recording), 3 Channel Stereo Black and White (archive footage), Black and White](icons/bw.png) |
From Here to Eternity |
Fred Zinnemann, W, W, C, C, M |
|
6.7 |
1953 |
CrNT![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Recording) Black and White](icons/bw.png) |
Pickup on South Street |
Samuel Fuller, W, W, C, M |
|
6.4 |
1951 |
DR![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Recording) Black and White](icons/bw.png) |
A Place in the Sun |
George Stevens, W, W, ++, C, M |
|
7.3 |
1951 |
DSfT![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Recording) Black and White](icons/bw.png) |
The Day the Earth Stood Still |
Robert Wise, W, W, C, M |
|
6.7 |
1951 |
CCr![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (RCA Sound System) Black and White](icons/bw.png) |
The Lavender Hill Mob |
Charles Crichton, W, C, M |
|
7.1 |
1950 |
We![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Recording) Black and White](icons/bw.png) |
Winchester '73 |
Anthony Mann, W, W, ++, C |
|
6.8 |
1948 |
AAdRWe![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Recording) Black and White](icons/bw.png) |
Red River |
Howard Hawks, Arthur Rosson, W, W, ++, C, M |
|
7.1 |
1947 |
CrDNRT![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Recording) Black and White](icons/bw.png) |
Odd Man Out |
Carol Reed, W, ++, C, M |
|
5.8 |
1946 |
DNRT![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Mirrophonic Recording) Black and White](icons/bw.png) |
Gilda |
Charles Vidor, W, W, ++, C, M |
|
6.3 |
1946 |
DWe![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Recording) Black and White](icons/bw.png) |
My Darling Clementine |
John Ford, W, W, ++, C, M |
|
6.7 |
1946 |
WD![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono Black and White](icons/bw.png) |
Paisan |
Roberto Rossellini, W, W, ++, C, M «Paisà» |
|
7.4 |
1943 |
CrDR![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono Black and White](icons/bw.png) |
Ossessione |
Luchino Visconti, W, W, ++, C, C, M |
|
6.4 |
1942 |
RC![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono, Mono (Western Electric Mirrophonic Recording) Black and White](icons/bw.png) |
The Palm Beach Story |
Preston Sturges, W, ++, C, M |
|
7.0 |
1942 |
BDMl![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (RCA Sound System) Black and White](icons/bw.png) |
Yankee Doodle Dandy |
Michael Curtiz, W, W, ++, C, M, M, M |
|
6.0 |
1941 |
DF![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Mirrophonic Recording) Black and White](icons/bw.png) |
How Green Was My Valley |
John Ford, W, W, C, M |
|
6.0 |
1941 |
BDHW![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (RCA Sound System) Black and White](icons/bw.png) |
Sergeant York |
Howard Hawks, W, W, ++, C, M |
|
5.6 |
1940 |
AnFFanMc![Color (Technicolor); Aspect: 1.37:1; 35 mm; Spherical SuperScope (1956 re-release); AUDIO: 3 Channel Stereo (RCA Sound System) Color (Technicolor)](icons/rgb.png) |
Fantasia |
[ James Algar, Samuel Armstrong, D++ ], W, W, ++, C |
|
7.4 |
1939 |
CrDRT![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Wide Range Sound System) Black and White](icons/bw.png) |
Daybreak |
Marcel Carné, W, W, C, C, C++, M «Le jour se lève» |
|
7.3 |
1939 |
CWe![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Noiseless Recording) Black and White](icons/bw.png) |
Destry Rides Again |
George Marshall, W, W, ++, C, M |
|
7.3 |
1939 |
D![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono Black and White](icons/bw.png) |
The Story of the Last Chrysanthemum |
Kenji Mizoguchi, W, W, ++, C, C, M, M «Zangiku monogatari» |
|
7.3 |
1937 |
CrDR![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (R.C.A. Photophone) Black and White](icons/bw.png) |
Pépé le Moko |
Julien Duvivier, W, ++, C, C, M, M |
|
6.2 |
1936 |
SDR![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (RCA Sound System) Black and White](icons/bw.png) |
A Day in the Country |
Jean Renoir, W, W, C, M «Partie de campagne» |
|
7.3 |
1935 |
AAd![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono Black and White](icons/bw.png) |
Captain Blood |
Michael Curtiz, W, W, C, C, M |
|
7.3 |
1935 |
AdDH![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Sound System) Black and White](icons/bw.png) |
Mutiny on the Bounty |
Frank Lloyd, W, W, ++, C, C, C, M |
|
6.4 |
1935 |
CCrMRT![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (British Acoustic Film Full Range Recording System: at Shepherd's Bush London) Black and White](icons/bw.png) |
The 39 Steps |
Alfred Hitchcock, W, W, ++, C, M, M |
|
7.3 |
1935 |
CMlR![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (RCA Victor System) Black and White](icons/bw.png) |
Top Hat |
Mark Sandrich, W, W, ++, C |
|
7.9 |
1934 |
D![Black and White; Silent](icons/bw.png) |
The Goddess |
Yonggang Wu, W, C, M «Shen nu» |
|
6.8 |
1933 |
CMlR![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono Black and White](icons/bw.png) |
Footlight Parade |
Lloyd Bacon, W, W, ++, C |
|
7.4 |
1933 |
C![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Sound System) Black and White](icons/bw.png) |
Sons of the Desert |
William A. Seiter, W, W, ++, C, M |
|
6.3 |
1932 |
CMlR![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Noiseless Recording) Black and White](icons/bw.png) |
Love Me Tonight |
Rouben Mamoulian, W, W, ++, C, M |
|
6.5 |
1932 |
CrDT![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Sound System) Black and White](icons/bw.png) |
Scarface |
Howard Hawks, Richard Rosson, W, W, ++, C, C |
|
6.6 |
1931 |
CrD![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Brunswick Radios Used Exclusively) Black and White](icons/bw.png) |
The Public Enemy |
William A. Wellman, W, W, ++, C |
|
5.7 |
1930 |
DMc![Black and White; Aspect: 1.20:1; 35 mm; AUDIO: Mono Black and White](icons/bw.png) |
The Blue Angel |
Josef von Sternberg, W, W, ++, C «Der blaue Engel» |
|
7.3 |
1926 |
AnAdFanR![Black and White (tinted and toned); Silent](icons/bw.png) |
The Adventures of Prince Achmed |
Lotte Reiniger, ++, ++, C, M «Die Abenteuer des Prinzen Achmed» |
|
7.4 |
1925 |
ACDHR![Black and White; Silent](icons/bw.png) |
The Eagle |
Clarence Brown, W, W, ++, C, C, M, M, M |
|
8.0 |
1922 |
Do![Black and White; Silent](icons/bw.png) |
Nanook of the North |
Robert J. Flaherty, ++, C, M, M |
|
4.5 |
2005 |
DR![Color; Aspect: 1.85:1; 35 mm (Kodak Vision2 500T 5218, Eastman EXR 50D 5245, Vision 250D 5246, Vision 500T 5279); Arricam LT, Cooke S4 Lenses Arricam ST, Cooke S4 Lenses; AUDIO: DTS, Dolby Digital Color](icons/rgb.png) |
Brokeback Mountain |
Ang Lee, W, W, ++, C, M |
|
7.1 |
2004 |
D![Color; Aspect: 1.85:1; 35 mm; AUDIO: Dolby Digital Color](icons/rgb.png) |
Moolaadé |
Ousmane Sembene, W, C, M |
|
6.6 |
2003 |
CDR![Black and White (archive footage), Color; Aspect: 1.85:1; 35 mm (Kodak) 8 mm (some scenes); Moviecam Cameras; AUDIO: Dolby Digital Black and White (archive footage), Color](icons/rgb-bw.png) |
Good Bye Lenin! |
Wolfgang Becker, W, W, ++, C, M |
|
3.7 |
1998 |
CD![Color (Technicolor); Aspect: 2.35:1; 35 mm (Eastman); Panavision (anamorphic); Panavision Cameras and Lenses; AUDIO: DTS, Dolby Digital, SDDS Color (Technicolor)](icons/rgb.png) |
Rushmore |
Wes Anderson, W, W, C, M |
|
5.0 |
1997 |
D![Color; Aspect: 1.66:1; 35 mm; AUDIO: Stereo Color](icons/rgb.png) |
Taste of Cherry |
Abbas Kiarostami, W, C «Ta'm e guilass» |
|
4.3 |
1997 |
D![Color; Aspect: 2.35:1; 35 mm (Eastman EXR 100T 5248, Kodak Vision 500T 5279); Panavision (anamorphic); Panavision Panaflex Gold II, Panavision E-Series Lenses; AUDIO: Dolby Digital Color](icons/rgb.png) |
The Sweet Hereafter |
Atom Egoyan, W, W, C, M |
|
1.4 |
1997 |
DR![Color; Aspect: 1.78:1; 35 mm (Eastman EXR 50D 5245, Kodak Vision 500T 5279); Super 35 Techniscope (underwater scenes); Panavision Panaflex Gold II, Panavision Primo Lenses Panavision Panaflex Platinum, Panavision Primo Lenses; AUDIO: DTS 70 mm (70 mm prints), DTS, Dolby Digital, SDDS Color](icons/rgb.png) |
Titanic |
James Cameron, W, C, M |
|
5.8 |
1996 |
BDMcR![Color; Aspect: 1.85:1; 35 mm (Eastman EXR 200T 5293, EXR 500T 5298); Arriflex 35 BL4S, Zeiss Standard Speed Lenses Arriflex 535, Zeiss Standard Speed, Cooke Varotal and Canon Lenses; AUDIO: Dolby Digital Color](icons/rgb.png) |
Shine |
Scott Hicks, W, W, C, M |
|
5.4 |
1995 |
DFanWe![Black and White; Aspect: 1.85:1; 35 mm; Moviecam and Arriflex Cameras; AUDIO: Dolby, Dolby SR Black and White](icons/bw.png) |
Dead Man |
Jim Jarmusch, W, C, M |
|
7.0 |
1995 |
DF![Color; Aspect: 1.66:1; 35 mm; AUDIO: Stereo Color](icons/rgb.png) |
The White Balloon |
Jafar Panahi, W, W, ++, C «Badkonake sefid» |
|
6.0 |
1993 |
D![Color (Technicolor); Aspect: 1.85:1; 35 mm (Eastman EXR 100T 5248, EXR 200T 5293, EXR 500T 5296); AUDIO: SDDS, Dolby Color (Technicolor)](icons/rgb.png) |
Philadelphia |
Jonathan Demme, W, C, M |
|
3.8 |
1993 |
CD![Color; Aspect: 2.20:1; 35 mm (Agfa XT 100, XTS 400); Super 35; Camera and Lenses by Panavision; AUDIO: Dolby (as Dolby Stereo), 70 mm 6-Track (70 mm prints) Color](icons/rgb.png) |
Short Cuts |
Robert Altman, W, W, ++, C, M |
|
5.8 |
1992 |
CCrDMRT![Color; Aspect: 1.85:1; 35 mm; AUDIO: Ultra Stereo Color](icons/rgb.png) |
The Player |
Robert Altman, W, C, M |
|
6.7 |
1991 |
CFanSf![Color; Aspect: 1.66:1; 35 mm (Kodak); Technovision Cameras; AUDIO: Dolby Color](icons/rgb.png) |
Delicatessen |
Marc Caro, Jean-Pierre Jeunet, W, W, ++, C, M |
|
6.5 |
1990 |
DHW![Color (Eastmancolor); Aspect: 1.66:1; 35 mm; AUDIO: Mono Color (Eastmancolor)](icons/rgb.png) |
Europa Europa |
Agnieszka Holland, W, W, ++, C, M |
|
6.7 |
1988 |
DR![Color (Eastmancolor); Aspect: 1.85:1; 35 mm (Eastman 125T 5247, 400T 5295); Moviecam SuperAmerica; AUDIO: Dolby Color (Eastmancolor)](icons/rgb.png) |
Dangerous Liaisons |
Stephen Frears, W, W, ++, C, M |
|
6.6 |
1988 |
AnCCrFFan![Color; Aspect: 1.85:1; 35 mm (also horizontal) (Agfa XT 320, Eastman 125T 5247, 400T 5294, 250D 5297); Spherical VistaVision (effects shots); Panaflex Cameras and Lenses by Panavision VistaFlex Cameras; AUDIO: 70 mm 6-Track (70 mm prints), Dolby (35 mm prints) Color](icons/rgb.png) |
Who Framed Roger Rabbit |
Robert Zemeckis, W, W, ++, C, M |
|
7.2 |
1979 |
CDSp![Color; Aspect: 1.85:1; 35 mm; AUDIO: Mono Color](icons/rgb.png) |
Breaking Away |
Peter Yates, W, C |
|
7.4 |
1979 |
AdCFMl![Color (Eastmancolor); Aspect: 1.85:1; 35 mm; AUDIO: Dolby Color (Eastmancolor)](icons/rgb.png) |
The Muppet Movie |
James Frawley, W, W, C, M |
|
4.7 |
1977 |
AdDSf![Color (Metrocolor); Aspect: 2.20:1; 35 mm (Eastman 100T 5247) 65 mm (Eastman 100T 5254); Panavision (anamorphic) Super Panavision 70 (special effects); Panavision Cameras and Lenses; AUDIO: 70 mm 6-Track (70 mm prints), Dolby (35 mm prints) Color (Metrocolor)](icons/rgb.png) |
Close Encounters of the Third Kind |
Steven Spielberg, W, ++, C, M |
|
7.3 |
1975 |
DCrR![Color (Eastmancolor); Aspect: 1.66:1; 35 mm; AUDIO: Mono Color (Eastmancolor)](icons/rgb.png) |
Fox and His Friends |
Rainer Werner Fassbinder, W, W, C, M «Faustrecht der Freiheit» |
|
6.7 |
1973 |
ACrDT![Color (Technicolor); Aspect: 2.35:1; 35 mm (Eastman 100T 5254); Panavision (anamorphic); Arriflex 35 IIC, Panavision C-Series and Angenieux Lenses; AUDIO: DTS (re-release), Dolby Digital (re-release), Mono (original release), SDDS (re-release) Color (Technicolor)](icons/rgb.png) |
Enter the Dragon |
Robert Clouse, W, C, M |
|
5.0 |
1973 |
CrDTM![Color (Technicolor); Aspect: 2.35:1; 35 mm; Panavision (anamorphic); Panavision Lenses; AUDIO: Mono Color (Technicolor)](icons/rgb.png) |
The Long Goodbye |
Robert Altman, W, W, C, M |
|
7.3 |
1972 |
D![Color; Aspect: 1.37:1; 35 mm; AUDIO: Mono Color](icons/rgb.png) |
The Bitter Tears of Petra von Kant |
Rainer Werner Fassbinder, W, C «Die bitteren Tränen der Petra von Kant» |
|
5.9 |
1971 |
DWe![Color (Technicolor); Aspect: 2.35:1; 35 mm; Panavision (anamorphic); AUDIO: Mono Color (Technicolor)](icons/rgb.png) |
McCabe & Mrs. Miller |
Robert Altman, W, W, ++, C |
|
5.9 |
1971 |
AdD![Color (Eastmancolor); Aspect: 1.85:1; 35 mm; AUDIO: Mono Color (Eastmancolor)](icons/rgb.png) |
Walkabout |
Nicolas Roeg, W, W, C, M |
|
7.0 |
1970 |
HWe![Color (Technicolor); Aspect: 2.20:1; 35 mm; Panavision (anamorphic); AUDIO: 70 mm 6-Track (Spanish release), Stereo Color (Technicolor)](icons/rgb.png) |
Little Big Man |
Arthur Penn, W, W, C, M |
|
6.3 |
1968 |
DHo![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono Black and White](icons/bw.png) |
Hour of the Wolf |
Ingmar Bergman, W, C, M «Vargtimmen» |
|
6.2 |
1968 |
D![Black and White, Color (Eastmancolor); Aspect: 1.75:1; 35 mm; AUDIO: Mono Black and White, Color (Eastmancolor)](icons/rgb-bw.png) |
If.... |
Lindsay Anderson, W, ++, C, M |
|
9.2 |
1968 |
DoHW![Black and White; Aspect: 1.33:1; 35 mm; AUDIO: Mono Black and White](icons/bw.png) |
In the Year of the Pig |
Emile de Antonio, M |
|
4.3 |
1968 |
BDMc![Color; Aspect: 1.37:1; 35 mm; AUDIO: Mono Color](icons/rgb.png) |
The Color of Pomegranates |
Sergei Parajanov, W, W, C, M «Sayat Nova» |
|
6.9 |
1967 |
CD![Color (Eastmancolor); Aspect: 1.37:1; 35 mm; AUDIO: Mono Color (Eastmancolor)](icons/rgb.png) |
The Firemen's Ball |
Milos Forman, W, W, ++, C, M «Horí, má panenko» |
|
6.3 |
1967 |
C![Color (Pathécolor); Aspect: 1.37:1; 35 mm; AUDIO: Mono Color (Pathécolor)](icons/rgb.png) |
The Producers |
Mel Brooks, W, C, M |
|
3.8 |
1966 |
DMT![Color (Metrocolor); Aspect: 1.85:1; 35 mm; AUDIO: Mono Color (Metrocolor)](icons/rgb.png) |
Blow-Up |
Michelangelo Antonioni, W, W, ++, C, M «Blowup» |
|
6.0 |
1966 |
DR![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono Black and White](icons/bw.png) |
Masculin Féminin |
Jean-Luc Godard, W, W, C, M «Masculin féminin» |
|
6.6 |
1966 |
DMT![Black and White; Aspect: 1.85:1; 35 mm; AUDIO: Mono Black and White](icons/bw.png) |
Seconds |
John Frankenheimer, W, W, C, M |
|
3.2 |
1965 |
CCrDMlR![Color (Eastmancolor); Aspect: 2.35:1; 35 mm (2-perf); Techniscope; Arriflex Cameras; AUDIO: Mono Color (Eastmancolor)](icons/rgb.png) |
Pierrot le Fou |
Jean-Luc Godard, W, ++, C, M «Pierrot le fou» |
|
5.7 |
1965 |
AdDFanM![Black and White; Aspect: 2.35:1; 35 mm; Dyaliscope; AUDIO: Mono Black and White](icons/bw.png) |
The Saragossa Manuscript |
Wojciech Has, W, W, C, M «Rekopis znaleziony w Saragossie» |
|
7.7 |
1965 |
DoSp![Color (Eastmancolor); Aspect: 2.35:1; 35 mm; Tohoscope; AUDIO: Mono Color (Eastmancolor)](icons/rgb.png) |
Tokyo Olympiad |
Kon Ichikawa, W, W, ++, C, C, C++, M «Tôkyô orinpikku» |
|
7.0 |
1964 |
CMl![Black and White; Aspect: 1.75:1; 35 mm; AUDIO: Mono (RCA Sound Recording) Black and White](icons/bw.png) |
A Hard Day's Night |
Richard Lester, W, C |
|
7.6 |
1963 |
D![Color (Eastmancolor); Aspect: 2.35:1; 35 mm; Daieiscope; AUDIO: Mono Color (Eastmancolor)](icons/rgb.png) |
An Actor's Revenge |
Kon Ichikawa, W, W, ++, C, M, M «Yukinojô henge» |
|
4.5 |
1963 |
D![Color (Technicolor); Aspect: 2.35:1; 35 mm; Franscope; Mitchell Camera; AUDIO: Mono Color (Technicolor)](icons/rgb.png) |
Contempt |
Jean-Luc Godard, W, ++, C, M, M «Le mépris» |
|
7.1 |
1963 |
DHW![Black and White; Aspect: 2.35:1; 35 mm; Dyaliscope; AUDIO: Mono Black and White](icons/bw.png) |
Passenger |
Andrzej Munk, Witold Lesiewicz, W, W, ++, C, M «Pasazerka» |
|
6.0 |
1962 |
DR![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (RCA Sound Recording) Black and White](icons/bw.png) |
Lolita |
Stanley Kubrick, W, ++, C, M |
|
6.4 |
1960 |
CrDT![Black and White (Dyaliscope); Aspect: 2.35:1; 35 mm; Dyaliscope; AUDIO: Mono Black and White (Dyaliscope)](icons/bw.png) |
Shoot the Piano Player |
François Truffaut, W, W, ++, C, M «Tirez sur le pianiste» |
|
8.2 |
1958 |
BH![Black and White, Color; Aspect: 1.37:1; 35 mm; AUDIO: Mono Black and White, Color](icons/rgb-bw.png) |
Ivan the Terrible, Part II |
Sergei M. Eisenstein, W, C, C, M «Ivan Groznyy: Skaz vtoroy - Boyarskiy zagovor» |
|
6.4 |
1958 |
CrDT![Black and White; Aspect: 1.66:1; 35 mm; AUDIO: Mono (Westrex Recording System) Black and White](icons/bw.png) |
The Defiant Ones |
Stanley Kramer, W, W, C, M |
|
8.2 |
1958 |
CrD![Black and White; Aspect: 1.66:1; 35 mm; AUDIO: Mono Black and White](icons/bw.png) |
The Iron Gate |
Youssef Chahine, W, W, C, M «Bab el hadid» |
|
7.1 |
1957 |
DHoSfT![Black and White; Aspect: 1.85:1; 35 mm; AUDIO: Mono (Westrex Recording System) Black and White](icons/bw.png) |
The Incredible Shrinking Man |
Jack Arnold, W, ++, C, M, M, M++ |
|
7.0 |
1956 |
AAdSf![Color (Eastmancolor) (as Eastman Color); Aspect: 2.55:1; 35 mm; CinemaScope; AUDIO: Mono (Perspecta Sound encoding) (Western Electric Sound System) Color (Eastmancolor) (as Eastman Color)](icons/rgb.png) |
Forbidden Planet |
Fred M. Wilcox, W, W, ++, C |
|
5.7 |
1956 |
DRWe![Color (Warnercolor); Aspect: 1.66:1; 35 mm; AUDIO: Mono (RCA Sound Recording) Color (Warnercolor)](icons/rgb.png) |
Giant |
George Stevens, W, W, ++, C, M |
|
6.6 |
1955 |
DR![Color (Eastmancolor and Technicolor); Aspect: 2.00:1; 35 mm; AUDIO: Mono (Western Electric Recording) Color (Eastmancolor and Technicolor)](icons/rgb.png) |
All That Heaven Allows |
Douglas Sirk, W, W, ++, C, M |
|
5.7 |
1955 |
NMT![Black and White; Aspect: 1.66:1; 35 mm; AUDIO: Mono Black and White](icons/bw.png) |
Kiss Me Deadly |
Robert Aldrich, W, W, C, M |
|
7.0 |
1955 |
DR![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Recording) Black and White](icons/bw.png) |
Marty |
Delbert Mann, W, ++, C, M |
|
5.6 |
1954 |
We![Color (Trucolor); Aspect: 1.37:1; 35 mm; AUDIO: Mono (RCA Sound System) Color (Trucolor)](icons/rgb.png) |
Johnny Guitar |
Nicholas Ray, W, W, ++, C, M |
|
7.0 |
1953 |
DWe![Color (Technicolor); Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Recording) Color (Technicolor)](icons/rgb.png) |
Shane |
George Stevens, W, W, ++, C, M |
|
5.8 |
1950 |
CrDNRT![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Recording) Black and White](icons/bw.png) |
Gun Crazy |
Joseph H. Lewis, W, W, ++, C, M «Deadly Is the Female» |
|
6.0 |
1949 |
CMlR![Color (Technicolor); Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Sound System) Color (Technicolor)](icons/rgb.png) |
On the Town |
Stanley Donen, Gene Kelly, W, W, ++, C, M |
|
7.0 |
1948 |
D![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Recording) Black and White](icons/bw.png) |
The Snake Pit |
Anatole Litvak, W, W, ++, C, M |
|
5.7 |
1947 |
CrDNMT![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Recording) Black and White](icons/bw.png) |
The Lady from Shanghai |
[ Orson Welles ], W, W, ++, C, C, C, M |
|
6.5 |
1945 |
DR![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric) Black and White](icons/bw.png) |
'I Know Where I'm Going!' |
Michael Powell, Emeric Pressburger, W, W, C, M |
|
6.3 |
1944 |
FMlR![Color (Technicolor); Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Sound System) Color (Technicolor)](icons/rgb.png) |
Meet Me in St. Louis |
Vincente Minnelli, W, W, ++, C, M, M |
|
6.6 |
1944 |
CrDNMT![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (RCA Sound System) Black and White](icons/bw.png) |
Murder, My Sweet |
Edward Dmytryk, W, W, C, M |
|
6.2 |
1939 |
D![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Mirrophonic Recording) Black and White](icons/bw.png) |
Only Angels Have Wings |
Howard Hawks, W, ++, C, M |
|
6.3 |
1939 |
DR![Black and White; Aspect: 1.37:1; 35 mm; Mitchell BNC; AUDIO: Mono (Western Electric Mirrophonic Recording) Black and White](icons/bw.png) |
Wuthering Heights |
William Wyler, W, W, ++, C, M |
|
7.9 |
1938 |
DoSp![Black and White; Aspect: 1.37:1; 35 mm; Debrie Le Parvo; AUDIO: Mono Black and White](icons/bw.png) |
Olympia Part Two: Festival of Beauty |
Leni Riefenstahl, W, C, C, C++, M, M «Olympia 2. Teil - Fest der Schönheit» |
|
7.1 |
1937 |
AnFFanMlR![Color (Technicolor); Aspect: 1.37:1; 35 mm; Bell & Howell 2709; AUDIO: Mono (RCA Victor High Fidelity Sound System) Color (Technicolor)](icons/rgb.png) |
Snow White and the Seven Dwarfs |
William Cottrell, David Hand, ++, W, W, ++, M, M |
|
6.3 |
1936 |
CMlR![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (RCA Victor System) Black and White](icons/bw.png) |
Swing Time |
George Stevens, W, W, ++, C, M, M |
|
6.8 |
1933 |
CMlR![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono Black and White](icons/bw.png) |
42nd Street |
Lloyd Bacon, W, W, ++, C |
|
6.2 |
1932 |
Ho![Black and White; Aspect: 1.19:1; 35 mm; AUDIO: Mono (Tobis-Klangfilm) Black and White](icons/bw.png) |
Vampyr |
Carl Theodor Dreyer, W, W, ++, C, C, M |
|
7.0 |
1931 |
DRAd![Black and White; Aspect: 1.20:1; 35 mm; Debrie Model-L; AUDIO: Mono (R.C.A. Photophone System) Black and White](icons/bw.png) |
Tabu: A Story of the South Seas |
F.W. Murnau, W, W, ++, C, C, M, M, M++ |
|
6.8 |
1931 |
CMl![Black and White; Aspect: 1.20:1; 35 mm; AUDIO: Mono Black and White](icons/bw.png) |
À Nous la Liberté |
René Clair, W, C, M «À nous la liberté» |
|
6.7 |
1928 |
CrDR![Black and White; Silent](icons/bw.png) |
The Docks of New York |
Josef von Sternberg, W, W, ++, C, M, M |
|
7.4 |
1925 |
HoT![Black and White, Color (2-strip Technicolor); Silent](icons/rgb-bw.png) |
The Phantom of the Opera |
Rupert Julian, ++, W, ++, C, C, C, M, M, M++ |
|
6.8 |
1922 |
DoHo![Black and White (Sepiatone); Silent](icons/bw.png) |
Häxan: Witchcraft Through the Ages |
Benjamin Christensen, W, C, M, M, M++ «Häxan» |
|
6.3 |
1919 |
DR![Black and White (tinted screen); Silent](icons/bw.png) |
Broken Blossoms or The Yellow Man and the Girl |
D.W. Griffith, W, W, C |
|
3.8 |
2012 |
DMlR![Color; Aspect: 1.85:1; 35 mm (Kodak Vision2 50D 5201, Vision3 250D 5207, Vision3 200T 5213, Vision3 500T 5219); Digital Intermediate (2K) (master format) Super 35 (3-perf) (source format); Arricam LT, Zeiss Master Prime, Ultra Prime and Angenieux Optimo Lenses Arricam ST, Zeiss Master Prime, Ultra Prime and Angenieux Optimo Lenses; AUDIO: Dolby Digital, Datasat, SDDS Color](icons/rgb.png) |
Les Misérables |
Tom Hooper, W, W, ++, C |
|
2.4 |
2008 |
DTW![Color; Aspect: 1.85:1; 16 mm (Fuji Eterna 250D 8663, Eterna 500T 8673) Video (HDTV); Digital Intermediate (2K) (master format) HDCAM SR (source format) (high-speed shots) Super 16 (source format); Aaton A-Minima, Canon Lenses Aaton XTR Prod, Canon Lenses REDLAKE Hi-Speed; AUDIO: Dolby Digital Color](icons/rgb.png) |
The Hurt Locker |
Kathryn Bigelow, W, C, M, M |
|
6.2 |
2004 |
CrDR![Color; Aspect: 2.35:1; 35 mm; AUDIO: Dolby Digital Color](icons/rgb.png) |
The Consequences of Love |
Paolo Sorrentino, W, C, M «Le conseguenze dell'amore» |
|
6.7 |
2000 |
Do![Color; Aspect: 1.33:1; Video; DV; Sony DV Camera Color](icons/v-rgb.png) |
The Gleaners & I |
Agnès Varda, W, C, C, C++, M, M «Les glaneurs et la glaneuse» |
|
1.4 |
1998 |
DW![Color; Aspect: 2.35:1; 35 mm (Eastman EXR 100T 5248, Kodak Vision 500T 5279); Panavision (anamorphic); Arriflex 35 III, Panavision Primo Lenses Panavision Panaflex Gold, Panavision Primo Lenses Panavision Panaflex Platinum, Panavision Primo and C-Series Lenses Panavision Panastar, Panavision Primo Lenses; AUDIO: DTS, Dolby Digital Color](icons/rgb.png) |
The Thin Red Line |
Terrence Malick, W, W, C, M |
|
1.8 |
1997 |
CrDT![Color; Aspect: 1.85:1; 35 mm; Moviecam Cameras; AUDIO: Dolby Digital Color](icons/rgb.png) |
Funny Games |
Michael Haneke, W, C |
|
7.3 |
1996 |
DMR![Color; Aspect: 2.35:1; 35 mm; Super 35; Panavision Cameras and Lenses; AUDIO: Dolby, Dolby Digital Color](icons/rgb.png) |
Lone Star |
John Sayles, W, C, M |
|
2.3 |
1993 |
DR![Color (Eastmancolor); Aspect: 1.85:1; 35 mm; Arriflex Cameras and Lenses; AUDIO: Dolby Color (Eastmancolor)](icons/rgb.png) |
The Piano |
Jane Campion, W, C, M |
|
6.9 |
1993 |
CDR![Color; Aspect: 1.85:1; 35 mm; AUDIO: Mono Color](icons/rgb.png) |
The Wedding Banquet |
Ang Lee, W, W, ++, C, M «Xi yan» |
|
6.1 |
1992 |
D![Color; Aspect: 1.66:1; 35 mm; AUDIO: Mono Color](icons/rgb.png) |
A Tale of Winter |
Eric Rohmer, W, C, M «Conte d'hiver» |
|
5.5 |
1992 |
CCrDHo![Black and White; Aspect: 1.66:1; AUDIO: Mono Black and White](icons/bw.png) |
Man Bites Dog |
Rémy Belvaux, André Bonzel, ++, W, ++, C, M, M, M «C'est arrivé près de chez vous» |
|
7.3 |
1990 |
CD![Color; Aspect: 1.85:1; 35 mm (Eastman EXR 500T 5296); AUDIO: Mono Color](icons/rgb.png) |
Trust |
Hal Hartley, W, C, M, M |
|
6.5 |
1989 |
AFan![Color (Technicolor); Aspect: 1.85:1; 35 mm (Eastman 400T 5295); Panaflex Cameras and Lenses by Panavision; AUDIO: 70 mm 6-Track (70 mm prints), Dolby (35 mm prints), DTS (DVD version), Dolby Digital (Dolby 5.1) Color (Technicolor)](icons/rgb.png) |
Batman |
Tim Burton, W, W, ++, C, M |
|
5.8 |
1989 |
DFFanSp![Color; Aspect: 1.85:1; 35 mm (Eastman 125T 5247); Panaflex Camera and Lenses by Panavision; AUDIO: Dolby SR Color](icons/rgb.png) |
Field of Dreams |
Phil Alden Robinson, W, W, C, M |
|
6.5 |
1989 |
CDR![Color; Aspect: 1.85:1; 35 mm; Panavision Cameras and Lenses; AUDIO: Dolby Color](icons/rgb.png) |
When Harry Met Sally... |
Rob Reiner, W, C |
|
5.8 |
1988 |
CCr![Color (Technicolor); Aspect: 1.37:1; 35 mm (Agfa XT); Panaflex Camera and Lenses by Panavision; AUDIO: Mono Color (Technicolor)](icons/rgb.png) |
A Fish Called Wanda |
Charles Crichton, ++, W, W, ++, C, M |
|
7.7 |
1988 |
CrDR![Color (Eastmancolor); Aspect: 1.85:1; 35 mm (Kodak); Arriflex Cameras; AUDIO: Dolby Color (Eastmancolor)](icons/rgb.png) |
Ariel |
Aki Kaurismäki, W, C, M, M, M++ |
|
7.4 |
1988 |
ACCrR![Color (Technicolor); Aspect: 1.85:1; 35 mm; Lenses and Panaflex Camera by Panavision; AUDIO: Mono Color (Technicolor)](icons/rgb.png) |
The Naked Gun: From the Files of Police Squad! |
David Zucker, W, W, ++, C, M |
|
6.1 |
1988 |
CD![Color (Eastmancolor); Aspect: 1.85:1; 35 mm (Kodak); Panavision Cameras and Lenses; AUDIO: Ultra Stereo Color (Eastmancolor)](icons/rgb.png) |
Women on the Verge of a Nervous Breakdown |
Pedro Almodóvar, W, C, M «Mujeres al borde de un ataque de nervios» |
|
7.8 |
1987 |
ACFanRT![Color; Aspect: 1.85:1; 35 mm; AUDIO: Mono Color](icons/rgb.png) |
A Chinese Ghost Story |
Siu-Tung Ching, W, W, C, C, C++, M, M «Sien nui yau wan» |
|
7.3 |
1986 |
CA![Color; Aspect: 1.85:1; 35 mm; Arriflex Cameras; AUDIO: Mono Color](icons/rgb.png) |
Peking Opera Blues |
Hark Tsui, W, C, M «Do ma daan» |
|
5.0 |
1984 |
CD![Black and White; Aspect: 1.85:1; 35 mm; Arriflex Cameras; AUDIO: Mono Black and White](icons/bw.png) |
Stranger Than Paradise |
Jim Jarmusch, W, C, M |
|
6.2 |
1984 |
DSp![Color (Technicolor); Aspect: 1.85:1; 35 mm (Eastman 125T 5247, 400T 5294); Panaflex Camera and Lenses by Panavision; AUDIO: Dolby Color (Technicolor)](icons/rgb.png) |
The Natural |
Barry Levinson, W, W, ++, C, M |
|
6.6 |
1981 |
Ho![Color (Technicolor); Aspect: 1.85:1; 35 mm; AUDIO: DTS (re-release), Mono Color (Technicolor)](icons/rgb.png) |
An American Werewolf in London |
John Landis, W, C, M |
|
7.3 |
1981 |
DH![Black and White, Color; Aspect: 1.85:1; 35 mm; (anamorphic); AUDIO: Mono Black and White, Color](icons/rgb-bw.png) |
Man of Iron |
Andrzej Wajda, W, C, M «Czlowiek z zelaza» |
|
5.9 |
1981 |
Ho![Color; Aspect: 1.85:1; 16 mm; Arriflex 16 BL Arriflex 16 S; AUDIO: Mono, DTS (re-mastered version) Color](icons/rgb.png) |
The Evil Dead |
Sam Raimi, W, C, M |
|
7.2 |
1979 |
DHW![Color (Technospes); AUDIO: Mono Color (Technospes)](icons/q-rgb.png) |
Christ Stopped at Eboli |
Francesco Rosi, W, W, ++, C, M «Cristo si è fermato a Eboli» |
|
5.2 |
1979 |
Ho![Color (Eastmancolor); Aspect: 1.85:1; 35 mm; AUDIO: Mono Color (Eastmancolor)](icons/rgb.png) |
Nosferatu the Vampyre |
Werner Herzog, W, ++, C, M «Nosferatu: Phantom der Nacht» |
|
4.8 |
1979 |
DW![Black and White, Color (Eastmancolor); Aspect: 2.20:1; 35 mm; Arriflex Cameras and Lenses; AUDIO: Mono (35 mm prints), 70 mm 6-Track (70 mm prints) Black and White, Color (Eastmancolor)](icons/rgb-bw.png) |
The Tin Drum |
Volker Schlöndorff, W, W, ++, C, M «Die Blechtrommel» |
|
5.1 |
1975 |
DHoM![Color (Eastmancolor); Aspect: 1.66:1; 35 mm; AUDIO: Mono Color (Eastmancolor)](icons/rgb.png) |
Picnic at Hanging Rock |
Peter Weir, W, W, C |
|
6.1 |
1974 |
ACrDTWe![Color; Aspect: 1.37:1; 35 mm; AUDIO: Mono Color](icons/rgb.png) |
Bring Me the Head of Alfredo Garcia |
Sam Peckinpah, W, W, ++, C, M |
|
6.5 |
1973 |
We![Color (Technicolor); Aspect: 2.35:1; 35 mm; Panavision (anamorphic); AUDIO: Mono (Westrex Recording System) Color (Technicolor)](icons/rgb.png) |
High Plains Drifter |
Clint Eastwood, W, ++, C, M |
|
3.4 |
1973 |
HoMT![Color (Eastmancolor); Aspect: 1.37:1; 35 mm; AUDIO: Mono Color (Eastmancolor)](icons/rgb.png) |
The Wicker Man |
Robin Hardy, W, C, M |
|
6.0 |
1971 |
Ad![Color (Eastmancolor); Aspect: 2.35:1; 35 mm; (anamorphic); AUDIO: Mono Color (Eastmancolor)](icons/rgb.png) |
A Touch of Zen |
King Hu, W, W, C, C, M, M «Xia nu» |
|
6.5 |
1970 |
T![Color (Eastmancolor); Aspect: 1.85:1; 35 mm; AUDIO: Mono Color (Eastmancolor)](icons/rgb.png) |
Le Boucher |
Claude Chabrol, W, C, M «Le boucher» |
|
4.5 |
1970 |
CWD![Color; Aspect: 2.35:1; 35 mm; Panavision (anamorphic); AUDIO: Mono (Westrex Recording System) Color](icons/rgb.png) |
MASH |
Robert Altman, W, W, C, M |
|
6.7 |
1970 |
D![Color (Eastmancolor); Aspect: 1.66:1; 35 mm; AUDIO: Mono Color (Eastmancolor)](icons/rgb.png) |
Tristana |
Luis Buñuel, W, W, ++, C |
|
7.8 |
1968 |
Do![Black and White; 16 mm; AUDIO: Mono Black and White](icons/bw.png) |
High School |
Frederick Wiseman, C |
|
6.6 |
1967 |
AnAdFMl![Color (Technicolor); Aspect: 1.33:1; 35 mm; AUDIO: Mono (RCA Sound Recording) Color (Technicolor)](icons/rgb.png) |
The Jungle Book |
Wolfgang Reitherman, W, W, ++, M |
|
6.2 |
1967 |
CDMlR![Color (Eastmancolor); Aspect: 2.20:1; 35 mm; Franscope; AUDIO: 70 mm 6-Track (70 mm prints) Color (Eastmancolor)](icons/rgb.png) |
The Young Girls of Rochefort |
Jacques Demy, W, C, M «Les demoiselles de Rochefort» |
|
6.9 |
1967 |
CDFanHo![Color; Aspect: 1.37:1; 35 mm; AUDIO: Mono Color](icons/rgb.png) |
Viy |
Konstantin Ershov, Georgi Kropachyov, W, W, ++, C, C, M |
|
5.4 |
1965 |
CDFan![Color (Technicolor); Aspect: 1.85:1; 35 mm; AUDIO: Mono Color (Technicolor)](icons/rgb.png) |
Juliet of the Spirits |
Federico Fellini, W, W, ++, C, M «Giulietta degli spiriti» |
|
5.2 |
1964 |
D![Black and White; Aspect: 1.66:1; 35 mm; AUDIO: Mono Black and White](icons/bw.png) |
Gertrud |
Carl Theodor Dreyer, W, W, C, C, M |
|
6.1 |
1963 |
Ho![Black and White; Aspect: 2.35:1; 35 mm; Panavision (anamorphic); AUDIO: Mono (Westrex Recording System) Black and White](icons/bw.png) |
The Haunting |
Robert Wise, W, W, C, M |
|
7.1 |
1961 |
DR![Black and White; Aspect: 2.35:1; 35 mm; Franscope; AUDIO: Mono Black and White](icons/bw.png) |
Lola |
Jacques Demy, W, C, M |
|
5.3 |
1961 |
CrDMlR![Color (Technicolor); Aspect: 2.20:1; 65 mm; Super Panavision 70; AUDIO: 4-Track Stereo (35 mm magnetic prints), 70 mm 6-Track (Westrex Recording System) (70 mm prints), Mono (35 mm optical prints) Color (Technicolor)](icons/rgb.png) |
West Side Story |
Jerome Robbins, Robert Wise, W, W, ++, C, M, M |
|
6.9 |
1960 |
DR![Black and White; Aspect: 1.66:1; 35 mm; AUDIO: Mono Black and White](icons/bw.png) |
Saturday Night and Sunday Morning |
Karel Reisz, W, C, M |
|
4.7 |
1957 |
DR![Color; Aspect: 2.35:1; 35 mm; CinemaScope; Bausch & Lomb Lenses; AUDIO: Stereo (Westrex Recording System) Color](icons/rgb.png) |
An Affair to Remember |
Leo McCarey, W, W, ++, C, M |
|
6.5 |
1956 |
D![Color; Aspect: 2.55:1; 35 mm; CinemaScope; Bausch & Lomb Lenses; AUDIO: Mono (optical prints) (Westrex Recording System), 4-Track Stereo (magnetic prints) (Westrex Recording System) Color](icons/rgb.png) |
Bigger Than Life |
Nicholas Ray, W, W, ++, C, M |
|
7.4 |
1954 |
DHRW![Color (Technicolor); Aspect: 1.66:1; 35 mm; AUDIO: Mono (Western Electric Sound System) Color (Technicolor)](icons/rgb.png) |
Senso |
Luchino Visconti, W, W, ++, C, C |
|
6.0 |
1953 |
C![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono Black and White](icons/bw.png) |
Mr. Hulot's Holiday |
Jacques Tati, W, ++, C, C, M «Les vacances de Monsieur Hulot» |
|
7.0 |
1953 |
DR![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (AGA Sound System) Black and White](icons/bw.png) |
Summer with Monika |
Ingmar Bergman, W, ++, C, M, M, M++ «Sommaren med Monika» |
|
6.8 |
1953 |
CMlR![Color (Technicolor); Aspect: 1.37:1; 35 mm; AUDIO: Mono )Western Electric Sound System) Color (Technicolor)](icons/rgb.png) |
The Band Wagon |
Vincente Minnelli, W, W, ++, C, C, M, M, M |
|
6.8 |
1952 |
D![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono Black and White](icons/bw.png) |
Europe '51 |
Roberto Rossellini, W, ++, C, M «Europa '51» |
|
6.0 |
1949 |
CDR![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Sound System) Black and White](icons/bw.png) |
Adam's Rib |
George Cukor, W, W, C, M |
|
7.1 |
1948 |
DR![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono Black and White](icons/bw.png) |
Spring in a Small Town |
Mu Fei, W, C, M «Xiao cheng zhi chun» |
|
6.0 |
1946 |
CrDNMRT![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Sound System) Black and White](icons/bw.png) |
The Postman Always Rings Twice |
Tay Garnett, W, W, ++, C, M |
|
6.8 |
1944 |
BH![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono Black and White](icons/bw.png) |
Ivan the Terrible, Part I |
Sergei M. Eisenstein, W, M «Ivan Groznyy» |
|
6.3 |
1942 |
DRW![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Sound System) Black and White](icons/bw.png) |
Mrs. Miniver |
William Wyler, W, W, ++, C, M |
|
6.2 |
1941 |
CrDNT![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (RCA Sound System) Black and White](icons/bw.png) |
High Sierra |
Raoul Walsh, W, W, ++, C, M |
|
6.2 |
1938 |
DR![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono Black and White](icons/bw.png) |
Jezebel |
William Wyler, W, W, ++, C, M |
|
9.6 |
1938 |
CD![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono Black and White](icons/bw.png) |
The Baker's Wife |
Marcel Pagnol, W, ++, C, M «La femme du boulanger» |
|
6.9 |
1936 |
DR![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Sound System) Black and White](icons/bw.png) |
Camille |
George Cukor, W, W, ++, C, C, M |
|
6.7 |
1933 |
DoS![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono Black and White](icons/bw.png) |
Land Without Bread |
Luis Buñuel, W, ++, C, M «Las Hurdes» |
|
6.8 |
1932 |
C![Black and White; Aspect: 1.19:1; AUDIO: Mono (Tobis-Klangfilm) Black and White](icons/bw.png) |
Boudu Saved from Drowning |
Jean Renoir, W, ++, C, C «Boudu sauvé des eaux» |
|
5.5 |
1931 |
Ho![Black and White (tinted); Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Sound System) Black and White (tinted)](icons/bw.png) |
Dracula |
Tod Browning, ++, W, W, ++, C, M |
|
5.8 |
1928 |
DH![Black and White; Silent](icons/bw.png) |
October (Ten Days that Shook the World) |
Grigori Aleksandrov, Sergei M. Eisenstein, W, W, ++, C, M, M «Oktyabr» |
|
7.4 |
1927 |
CDFR![Black and White; Silent](icons/bw.png) |
The Kid Brother |
Ted Wilde, J.A. Howe, ++, W, W, ++, C, M, M |
|
7.5 |
1925 |
D![Black and White; Silent](icons/bw.png) |
Strike |
Sergei M. Eisenstein, W, W, ++, C, C, C «Stachka» |
|
7.1 |
1923 |
D![Black and White; Silent](icons/bw.png) |
The Wheel |
Abel Gance, W, C, C, C++, M, M «La roue» |
|
3.0 |
2002 |
CrDH![Color; Aspect: 2.35:1; 35 mm (Eastman EXR 50D 5245, Kodak Vision 320T 5277, Vision 500T 5279); Super 35; Arriflex 435, Cooke, Angenieux and Zeiss Lenses Arriflex 535, Cooke, Angenieux and Zeiss Lenses Arriflex 535B, Cooke, Angenieux and Zeiss Lenses; AUDIO: DTS, Dolby Digital, SDDS Color](icons/rgb.png) |
Gangs of New York |
Martin Scorsese, W, ++, C, M |
|
5.6 |
1998 |
CCrDR![Color; Aspect: 1.85:1; 35 mm (Eastman Ektachrome 160T 5239); Arriflex 435 ES, Zeiss Super Speed Lenses Moviecam Compact, Zeiss Super Speed Lenses Moviecam SL, Zeiss Super Speed Lenses; AUDIO: Dolby Color](icons/rgb.png) |
Buffalo '66 |
Vincent Gallo, W, ++, C, M |
|
3.6 |
1997 |
D![Color (Technicolor); Aspect: 1.85:1; 35 mm (Eastman EXR 100T 5248, Kodak Vision 500T 5279, EXR 200T 5293); Arriflex 535, Zeiss Standard Speed Lenses; AUDIO: Dolby Digital Color (Technicolor)](icons/rgb.png) |
The Ice Storm |
Ang Lee, W, W, C, M |
|
4.8 |
1995 |
CD![Color (DuArt), Black and White; Aspect: 1.85:1; 35 mm; Panavision Cameras and Lenses; AUDIO: Dolby, Dolby Digital Color (DuArt), Black and White](icons/rgb-bw.png) |
Smoke |
Wayne Wang, ++, W, C, M |
|
7.0 |
1995 |
D![Color; Aspect: 1.66:1; 35 mm; AUDIO: Dolby Color](icons/rgb.png) |
Zero Kelvin |
Hans Petter Moland, W, W, ++, C, M «Kjærlighetens kjøtere» |
|
6.7 |
1994 |
BCrDFan![Color (Eastmancolor); Aspect: 2.35:1; 35 mm (Eastman); Super 35; Arriflex Cameras and Lenses; AUDIO: Dolby Color (Eastmancolor)](icons/rgb.png) |
Heavenly Creatures |
Peter Jackson, W, W, C, M |
|
6.1 |
1994 |
CMc![Color; Aspect: 2.35:1; 35 mm (Eastman EXR 100T 5248, EXR 200T 5293, EXR 500T 5296); J-D-C Scope (anamorphic); Arriflex Cameras, Cooke Xtal Express Lenses; AUDIO: Dolby Color](icons/rgb.png) |
The Adventures of Priscilla, Queen of the Desert |
Stephan Elliott, W, C, M |
|
6.2 |
1994 |
D![Color; Aspect: 1.66:1; 35 mm; AUDIO: Dolby, Dolby SR Color](icons/rgb.png) |
Wild Reeds |
André Téchiné, W, W, ++, C «Les roseaux sauvages» |
|
7.4 |
1993 |
D![Color; Aspect: 1.85:1; 35 mm; AUDIO: Dolby, Dolby SR Color](icons/rgb.png) |
The Blue Kite |
Zhuangzhuang Tian, W, C, M «Lan feng zheng» |
|
7.9 |
1992 |
BDR![Color; Aspect: 1.85:1; 35 mm; AUDIO: Mono Color](icons/rgb.png) |
Center Stage |
Stanley Kwan, W, W, C, M «Ruan Lingyu» |
|
5.6 |
1990 |
AAdSf![Color (Technicolor); Aspect: 1.85:1; 35 mm (also horizontal) (Eastman 125T 5247, 400T 5295); Spherical VistaVision (visual effects); Arriflex Cameras, Zeiss Lenses; AUDIO: 70 mm 6-Track (70 mm prints), Dolby SR (35 mm prints) Color (Technicolor)](icons/rgb.png) |
Total Recall |
Paul Verhoeven, W, W, ++, C, M |
|
5.2 |
1989 |
Do![Color; Aspect: 1.66:1; 16 mm; AUDIO: Mono Color](icons/rgb.png) |
Roger & Me |
Michael Moore, W, C, C, C++ |
|
1.5 |
1989 |
D![Color; Aspect: 2.35:1; 35 mm (Kodak); Technovision; Technovision Cameras and Lenses; AUDIO: Dolby Color](icons/rgb.png) |
The Cook, the Thief, His Wife & Her Lover |
Peter Greenaway, W, C, M |
|
4.6 |
1989 |
CDR![Color; Aspect: 1.85:1; 35 mm; AUDIO: Stereo Color](icons/rgb.png) |
The Unbelievable Truth |
Hal Hartley, ++, C, M |
|
5.0 |
1988 |
AnAdCFanHo![Color (Eastmancolor); Aspect: 1.37:1; 35 mm; AUDIO: Mono Color (Eastmancolor)](icons/rgb.png) |
Alice |
Jan Svankmajer, W, W, C «Neco z Alenky» |
|
3.8 |
1988 |
D![Color; 35 mm; AUDIO: Dolby Color](icons/rgb.png) |
Distant Voices, Still Lives |
Terence Davies, W, C, C |
|
5.9 |
1987 |
DW![Color (Eastmancolor); Aspect: 2.35:1; 35 mm; AUDIO: Mono Color (Eastmancolor)](icons/rgb.png) |
Red Sorghum |
Yimou Zhang, W, W, ++, C, M «Hong gao liang» |
|
7.3 |
1987 |
ACrSf![Color; Aspect: 1.85:1; 35 mm; Arriflex 35 BL, Zeiss Super Speed Lenses; AUDIO: Dolby SR (35 mm prints), 70 mm 6-Track (70 mm prints), DTS (special edition) Color](icons/rgb.png) |
RoboCop |
Paul Verhoeven, W, W, C, C, M |
|
6.5 |
1986 |
DHTW![Color; Aspect: 1.85:1; 35 mm; AUDIO: Mono Color](icons/rgb.png) |
Salvador |
Oliver Stone, W, W, C, M |
|
7.0 |
1986 |
HoSf![Color; Aspect: 1.85:1; 35 mm (Eastman 125T 5247, 400T 5294); Arriflex Cameras; AUDIO: Dolby Color](icons/rgb.png) |
The Fly |
David Cronenberg, W, W, ++, C, M |
|
6.7 |
1984 |
Ho![Color; Aspect: 1.85:1; 35 mm; AUDIO: Mono Color](icons/rgb.png) |
A Nightmare on Elm Street |
Wes Craven, W, C, M |
|
4.7 |
1983 |
CrD![Color (Eastmancolor); Aspect: 1.66:1; 35 mm; AUDIO: Mono Color (Eastmancolor)](icons/rgb.png) |
L'argent |
Robert Bresson, W, W, C, C |
|
6.8 |
1983 |
CD![Color; Aspect: 1.85:1; 35 mm; J-D-C Cameras and Lenses; AUDIO: Mono Color](icons/rgb.png) |
Local Hero |
Bill Forsyth, W, C, M |
|
6.3 |
1982 |
DHW![Color (Eastmancolor); Aspect: 1.66:1; 35 mm (Agfa-Gevaert); AUDIO: Mono Color (Eastmancolor)](icons/rgb.png) |
The Night of the Shooting Stars |
Paolo Taviani, Vittorio Taviani, W, W, ++, C, M «La notte di San Lorenzo» |
|
6.6 |
1981 |
AdDHW![Color (Eastmancolor); Aspect: 2.35:1; 35 mm (Eastman 125T 5247); Panavision (anamorphic); Panavision Cameras and Lenses; AUDIO: Mono Color (Eastmancolor)](icons/rgb.png) |
Gallipoli |
Peter Weir, W, W, ++, C |
|
2.7 |
1981 |
BDHR![Color; Aspect: 1.85:1; 35 mm; Technovision Cameras and Lenses; AUDIO: Mono Color](icons/rgb.png) |
Reds |
Warren Beatty, W, W, C, M |
|
6.8 |
1980 |
CrDR![Color; Aspect: 1.85:1; 35 mm; Panaflex Camera and Lenses by Panavision; AUDIO: Mono Color](icons/rgb.png) |
Atlantic City |
Louis Malle, W, C, M |
|
5.5 |
1979 |
D![Black and White; Aspect: 1.37:1; 16 mm; AUDIO: Mono Black and White](icons/bw.png) |
Killer of Sheep |
Charles Burnett, W, C |
|
3.4 |
1977 |
Ho![Color (Eastmancolor) (prints), Color (Technicolor); Aspect: 2.35:1; 35 mm (Eastman 100T 5254); Technovision (anamorphic); Arriflex 35-IIC, Technovision Lenses Mitchell BNC, Technovision Lenses; AUDIO: Mono (35 mm optical prints), 4-Track Stereo (35 mm magnetic prints) Color (Eastmancolor) (prints), Color (Technicolor)](icons/rgb.png) |
Suspiria |
Dario Argento, W, W, ++, C, M, M, M++ |
|
5.9 |
1976 |
CrD![Color; Aspect: 1.85:1; 35 mm; AUDIO: Mono Color](icons/rgb.png) |
The Killing of a Chinese Bookie |
John Cassavetes, W, C, C, M |
|
9.5 |
1975 |
DM![Color; 35 mm; AUDIO: Mono Color](icons/rgb.png) |
The Nail of Brightness |
Lino Brocka, W, W, C, C, M «Maynila: Sa mga kuko ng liwanag» |
|
4.9 |
1974 |
Ho![Color; Aspect: 1.78:1; 16 mm (Eastman Ektachrome 25T 7252); Bolex Camera Eclair NPR; AUDIO: Mono Color](icons/rgb.png) |
The Texas Chain Saw Massacre |
Tobe Hooper, W, W, C, M, M |
|
6.5 |
1973 |
CD![Color (Technicolor); Aspect: 2.35:1; 35 mm; Techniscope; AUDIO: 4-Track Stereo Color (Technicolor)](icons/rgb.png) |
American Graffiti |
George Lucas, W, W, ++, C, C |
|
6.8 |
1972 |
DSp![Color (Technicolor); Aspect: 1.85:1; 35 mm; Panavision Cameras and Lenses; AUDIO: Stereo Color (Technicolor)](icons/rgb.png) |
Fat City |
John Huston, W, C |
|
5.5 |
1972 |
CrT![Color (Technicolor); Aspect: 1.85:1; 35 mm; AUDIO: Mono (Westrex Recording System) Color (Technicolor)](icons/rgb.png) |
Frenzy |
Alfred Hitchcock, W, W, C, C, M |
|
6.6 |
1971 |
CrT![Color (Metrocolor); Aspect: 1.85:1; 35 mm; AUDIO: Mono Color (Metrocolor)](icons/rgb.png) |
Get Carter |
Mike Hodges, W, W, C, M |
|
4.9 |
1971 |
DT![Color (Eastmancolor) (uncredited), Black and White (opening credits); Aspect: 1.85:1; 35 mm; AUDIO: Mono Color (Eastmancolor) (uncredited), Black and White (opening credits)](icons/rgb-bw.png) |
Straw Dogs |
Sam Peckinpah, W, W, ++, C, M |
|
3.3 |
1970 |
We![Color; Aspect: 1.33:1; 35 mm; AUDIO: Mono (Klangfilm) Color](icons/rgb.png) |
El Topo |
Alejandro Jodorowsky, W, C, M, M «El topo» |
|
5.8 |
1970 |
D![Color; Aspect: 1.85:1; 35 mm (Eastman 100T 5247); Arriflex 35 IIC; AUDIO: Mono Color](icons/rgb.png) |
Five Easy Pieces |
Bob Rafelson, W, ++, C |
|
6.8 |
1970 |
DHW![Color (Eastmancolor); Aspect: 1.85:1; 35 mm; AUDIO: Mono Color (Eastmancolor)](icons/rgb.png) |
The Garden of the Finzi-Continis |
Vittorio De Sica, W, W, ++, C, M «Il giardino dei Finzi Contini» |
|
6.5 |
1968 |
HoT![Color (Pathécolor); Aspect: 1.85:1; 35 mm; AUDIO: Mono Color (Pathécolor)](icons/rgb.png) |
Targets |
Peter Bogdanovich, W, W, ++, C |
|
7.1 |
1967 |
D![Black and White; Aspect: 1.66:1; 35 mm; Panoramico; AUDIO: Mono Black and White](icons/bw.png) |
Entranced Earth |
Glauber Rocha, W, C, M «Terra em Transe» |
|
6.5 |
1966 |
CD![Color (Eastmancolor); Aspect: 1.37:1; 35 mm; AUDIO: Mono Color (Eastmancolor)](icons/rgb.png) |
Daisies |
Vera Chytilová, W, ++, C, M, M «Sedmikrásky» |
|
8.2 |
1963 |
D![Black and White; Aspect: 1.33:1; 35 mm; AUDIO: Mono Black and White](icons/bw.png) |
Barren Lives |
Nelson Pereira dos Santos, W, W, C, C, M «Vidas Secas» |
|
5.7 |
1963 |
DM![Black and White, Color (Technicolor); Aspect: 1.75:1; 16 mm (fantasy sequences) 35 mm; AUDIO: Mono Black and White, Color (Technicolor)](icons/rgb-bw.png) |
Shock Corridor |
Samuel Fuller, W, C, C, M |
|
8.2 |
1961 |
Do![Black and White; Aspect: 1.37:1; 16 mm 35 mm; AUDIO: Mono Black and White](icons/bw.png) |
Chronicle of a Summer |
Edgar Morin, Jean Rouch, C, C, C++, M «Chronique d'un été (Paris 1960)» |
|
5.7 |
1959 |
CDMcR![Color (Eastmancolor); Aspect: 1.37:1; 35 mm; AUDIO: 70 mm 6-Track (70 mm prints), Mono (35 mm prints) Color (Eastmancolor)](icons/rgb.png) |
Black Orpheus |
Marcel Camus, W, W, ++, C, M, M «Orfeu Negro» |
|
6.4 |
1958 |
Ho![Color (Technicolor); Aspect: 1.66:1; 35 mm; AUDIO: Mono (RCA Sound Recording) Color (Technicolor)](icons/rgb.png) |
Horror of Dracula |
Terence Fisher, W, W, C, M «Dracula» |
|
4.8 |
1958 |
DR![Color (Metrocolor); Aspect: 2.35:1; 35 mm; CinemaScope; AUDIO: Mono (Westrex Recording System), 4-Track Stereo Color (Metrocolor)](icons/rgb.png) |
Some Came Running |
Vincente Minnelli, W, W, ++, C, M |
|
5.9 |
1956 |
CrD![Black and White; Aspect: 1.66:1; 35 mm; AUDIO: Mono (RCA Sound Recording) Black and White](icons/bw.png) |
The Wrong Man |
Alfred Hitchcock, W, W, ++, C, M |
|
5.8 |
1956 |
DR![Color (Technicolor); Aspect: 2.00:1; 35 mm; AUDIO: Mono (Westrex Recording System) Color (Technicolor)](icons/rgb.png) |
Written on the Wind |
Douglas Sirk, W, W, C, M |
|
6.3 |
1955 |
BDR![Color (Eastmancolor); Aspect: 2.55:1; 35 mm; Digital Intermediate (restored version) CinemaScope (anamorphic); Bausch & Lomb Lenses Mitchell BNC Cameras; AUDIO: Dolby (Restored version), 4-Track Stereo (Western Electric Sound System) Color (Eastmancolor)](icons/rgb.png) |
Lola Montès |
Max Ophüls, W, W, ++, C, M |
|
7.0 |
1955 |
D![Black and White; Aspect: 1.85:1; 35 mm; AUDIO: Mono (RCA Sound Recording) Black and White](icons/bw.png) |
The Man with the Golden Arm |
Otto Preminger, W, W, ++, C, M |
|
6.8 |
1954 |
DH![Black and White; Aspect: 1.33:1; AUDIO: Mono Black and White](icons/bw.png) |
Salt of the Earth |
Herbert J. Biberman, W, C, C, M |
|
6.7 |
1953 |
TWe![Color (Technicolor); Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Sound System) Color (Technicolor)](icons/rgb.png) |
The Naked Spur |
Anthony Mann, W, W, C, M |
|
6.0 |
1945 |
CrDN![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Sound System) Black and White](icons/bw.png) |
Detour |
Edgar G. Ulmer, W, ++, C, M |
|
7.2 |
1940 |
AnAdDFFanMc![Color (Technicolor); Aspect: 1.33:1; 35 mm; AUDIO: Mono (RCA Victor High Fidelity Sound System) Color (Technicolor)](icons/rgb.png) |
Pinocchio |
Norman Ferguson, T. Hee, ++, W, W, ++, M, M |
|
5.7 |
1939 |
AdW![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (RCA Victor System) Black and White](icons/bw.png) |
Gunga Din |
George Stevens, W, W, ++, C, M |
|
6.6 |
1937 |
DR![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Mirrophonic Recording) Black and White](icons/bw.png) |
Stella Dallas |
King Vidor, W, W, ++, C, M |
|
6.2 |
1936 |
C![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Noiseless Recording) Black and White](icons/bw.png) |
The Story of a Cheat |
Sacha Guitry, W, C, M «Le roman d'un tricheur» |
|
6.5 |
1935 |
DoW![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Tobis-Klangfilm) Black and White](icons/bw.png) |
Triumph of the Will |
Leni Riefenstahl, W, W, ++, C, C, C++, M «Triumph des Willens» |
|
7.4 |
1934 |
C![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Noiseless Recording) Black and White](icons/bw.png) |
It's a Gift |
Norman Z. McLeod, W, W, ++, C, M |
|
6.0 |
1933 |
SCD![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono Black and White](icons/bw.png) |
Zero for Conduct |
Jean Vigo, W, C, M «Zéro de conduite: Jeunes diables au collège» |
|
6.3 |
1932 |
AdDR![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Noiseless Recording) Black and White](icons/bw.png) |
Shanghai Express |
Josef von Sternberg, W, W, C, C, M |
|
6.7 |
1930 |
D![Black and White; Silent](icons/bw.png) |
Earth |
Aleksandr Dovzhenko, W, C, M, M, M «Zemlya» |
|
4.7 |
1930 |
CD![Black and White; Aspect: 1.20:1; 35 mm; AUDIO: Mono (Tobis-Klangfilm) Black and White](icons/bw.png) |
L'Age d'Or |
Luis Buñuel, W, W, ++, C, M, M «L'âge d'or» |
|
3.2 |
2012 |
BDHW![Color; Aspect: 2.35:1; 35 mm (Kodak Vision3 250D 5207, Vision3 500T 5219); Digital Intermediate (4K) (master format) Super 35 (3-perf) (source format); Panavision Panaflex Millennium XL2, Panavision Primo and Super Speed Z-Series MKII Lenses Panavision Panaflex Platinum, Panavision Primo and Super Speed Z-Series MKII Lenses; AUDIO: Dolby Digital, Datasat, SDDS Color](icons/rgb.png) |
Lincoln |
Steven Spielberg, W, W, C, M |
|
6.6 |
2011 |
D![Color; Aspect: 1.85:1; 35 mm (Kodak Vision3 250D 5207, Vision3 500T 5219); Digital Intermediate (2K) (master format) Super 35 (3-perf) (source format); Arricam LT, Zeiss Master Prime Lenses; AUDIO: Dolby Color](icons/rgb.png) |
The Kid with a Bike |
Jean-Pierre Dardenne, Luc Dardenne, W, W, C «Le gamin au vélo» |
|
5.1 |
2010 |
DoH![Color; Aspect: 1.85:1; HDCAM-SR (4:4:4 SQ); 3-D; AUDIO: Dolby, Dolby Digital Color](icons/h-rgb.png) |
Cave of Forgotten Dreams |
Werner Herzog, W, ++, C, M |
|
6.9 |
2003 |
D![Color; Aspect: 1.85:1; 35 mm; Arriflex 35 BL4; AUDIO: DTS, Dolby Digital Color](icons/rgb.png) |
Osama |
Siddiq Barmak, W, C, M |
|
3.3 |
2002 |
DFanHM![Color; Aspect: 1.85:1; Digital (HDTV); Uncompressed Digital (4:4:4); Sony CineAlta HDW-F900, Canon Lens; AUDIO: Dolby Digital Color](icons/d-rgb.png) |
Russian Ark |
Aleksandr Sokurov, W, W, ++, C, M «Russkiy kovcheg» |
|
1.8 |
1996 |
DRW![Color; Aspect: 1.85:1; 35 mm (Eastman EXR 500T 5298); Panavision Panaflex Gold, Panavision Primo Lenses Panavision Panaflex Platinum, Panavision Primo Lenses; AUDIO: Dolby Digital Color](icons/rgb.png) |
The English Patient |
Anthony Minghella, W, W, C, M |
|
7.9 |
1995 |
CrD![Color; Aspect: 1.85:1; 35 mm (Eastman EXR 50D 5245, EXR 500T 5298); Arriflex 35-III, Panavision Primo Lenses Panavision Panaflex Platinum, Panavision Primo Lenses; AUDIO: Dolby Color](icons/rgb.png) |
Cyclo |
Tran Anh Hung, W, C, C, M «Xich lo» |
|
7.2 |
1993 |
BDW![Color; AUDIO: Mono Color](icons/q-rgb.png) |
The Puppetmaster |
Hsiao-hsien Hou, W, W, ++, C, M, M «Xi meng ren sheng» |
|
7.4 |
1993 |
BDMc![Color; AUDIO: Stereo Color](icons/q-rgb.png) |
Thirty Two Short Films About Glenn Gould |
François Girard, W, W, ++, C |
|
6.1 |
1991 |
AAdDH![Color; Aspect: 2.35:1; 35 mm; Panavision (anamorphic); Panavision Cameras and Lenses; AUDIO: Mono Color](icons/rgb.png) |
Once Upon a Time in China |
Hark Tsui, W, W, ++, C, C, C++, M, M «Wong Fei Hung» |
|
4.9 |
1991 |
AdCrDT![Color; Aspect: 2.35:1; 35 mm (Eastman); Panavision (anamorphic); Panavision Cameras and Lenses; AUDIO: Dolby Color](icons/rgb.png) |
Thelma & Louise |
Ridley Scott, W, C, M |
|
6.9 |
1989 |
CrD![Color; Aspect: 1.85:1; 35 mm; Panaflex Camera and Lenses by Panavision; AUDIO: Ultra Stereo Color](icons/rgb.png) |
Drugstore Cowboy |
Gus Van Sant, W, W, ++, C, M |
|
6.5 |
1987 |
C![Color; Aspect: 1.85:1; 35 mm (Kodak); Panavision Cameras and Lenses; AUDIO: Dolby Color](icons/rgb.png) |
Raising Arizona |
Joel Coen, ++, W, W, C, M |
|
5.2 |
1987 |
D![Color; Aspect: 1.85:1; 35 mm (Eastman 125T 5247, 400T 5294); Moviecam SuperAmerica, Zeiss Lenses; AUDIO: Dolby Color](icons/rgb.png) |
The Dead |
John Huston, W, W, C, M |
|
6.2 |
1987 |
CrD![Color; Aspect: 1.85:1; 35 mm; AUDIO: Dolby Color](icons/rgb.png) |
Wall Street |
Oliver Stone, W, W, C, M |
|
5.9 |
1985 |
DR![Color; Aspect: 1.66:1; 35 mm (Fuji A 125T 8511, AX 500T 8514); Arriflex 35 BL3, Zeiss Lenses; AUDIO: Dolby Color](icons/rgb.png) |
A Room with a View |
James Ivory, W, W, C, M |
|
6.2 |
1985 |
D![Color (Metrocolor); Aspect: 1.85:1; 35 mm; AUDIO: Mono Color (Metrocolor)](icons/rgb.png) |
Kiss of the Spider Woman |
Hector Babenco, W, W, C, M, M |
|
5.5 |
1984 |
AdDH![Color (Technicolor); Aspect: 1.66:1; 35 mm; Panavision Camera (filmed with) (as Panavision); AUDIO: Dolby Color (Technicolor)](icons/rgb.png) |
A Passage to India |
David Lean, W, ++, C, M |
|
4.5 |
1983 |
CD![Color (Metrocolor); Aspect: 1.85:1; 35 mm; Lenses and Panaflex Cameras by Panavision; AUDIO: Mono Color (Metrocolor)](icons/rgb.png) |
Terms of Endearment |
James L. Brooks, W, W, C, M |
|
5.6 |
1982 |
Ho![Color (Metrocolor); Aspect: 2.20:1; 35 mm (Eastman 100T 5247); J-D-C Scope (anamorphic); Ultracam 35, Cooke Xtal Express Lenses; AUDIO: Dolby (35 mm prints) (as Dolby Stereo), 70 mm 6-Track (70 mm prints) Color (Metrocolor)](icons/rgb.png) |
Poltergeist |
Tobe Hooper, W, W, ++, C, M |
|
6.7 |
1982 |
CDR![Color (Technicolor); Aspect: 2.35:1; 35 mm (Eastman 250T 5293); Panavision (anamorphic); Panaflex Lenses and Cameras by Panavision; AUDIO: Mono Color (Technicolor)](icons/rgb.png) |
Tootsie |
Sydney Pollack, W, W, ++, C, M |
|
6.3 |
1981 |
CrDT![Color (Technicolor); Aspect: 1.85:1; 35 mm; Panaflex Cameras and Lenses by Panavision (as Panaflex® Cameras and Lenses by Panavision®); AUDIO: Mono Color (Technicolor)](icons/rgb.png) |
Body Heat |
Lawrence Kasdan, W, C, M |
|
5.2 |
1981 |
T![Color (Eastmancolor); Aspect: 1.66:1; 35 mm; Panaflex Cameras and Lenses by Panavision; AUDIO: Mono Color (Eastmancolor)](icons/rgb.png) |
Diva |
Jean-Jacques Beineix, W, W, ++, C, M |
|
6.4 |
1980 |
DRW![Color (Fujicolor); Aspect: 1.66:1; 35 mm; AUDIO: Mono Color (Fujicolor)](icons/rgb.png) |
The Last Metro |
François Truffaut, W, W, ++, C, M «Le dernier métro» |
|
7.2 |
1979 |
BDR![Color (Eastmancolor); Aspect: 1.85:1; 35 mm; Panaflex Camera and Lenses by Panavision; AUDIO: Mono Color (Eastmancolor)](icons/rgb.png) |
My Brilliant Career |
Gillian Armstrong, W, W, C, M |
|
7.5 |
1978 |
BCrDH![Color (Eastmancolor); Aspect: 2.35:1; 35 mm; Panavision (anamorphic); AUDIO: Mono Color (Eastmancolor)](icons/rgb.png) |
The Chant of Jimmie Blacksmith |
Fred Schepisi, W, W, C, M |
|
1.8 |
1977 |
FanHo![Black and White; Aspect: 1.37:1; 35 mm; Eclair Cameras; AUDIO: Dolby (re-release), Mono (original release) Black and White](icons/bw.png) |
Eraserhead |
David Lynch, W, C, C, M |
|
5.5 |
1977 |
CrMTD![Color (Eastmancolor); Aspect: 1.85:1; 35 mm; Arriflex Cameras and Lenses; AUDIO: Mono Color (Eastmancolor)](icons/rgb.png) |
The American Friend |
Wim Wenders, W, W, C, M «Der amerikanische Freund» |
|
6.5 |
1976 |
HoT![Color; Aspect: 1.85:1; 35 mm; Panavision Split Diopter Lense; AUDIO: Mono Color](icons/rgb.png) |
Carrie |
Brian De Palma, W, W, C, M |
|
5.3 |
1975 |
CMl![Color (Eastmancolor); Aspect: 1.66:1; 35 mm; AUDIO: Chace Surround (Remix for video release), Mono (35 mm optical prints), 4-Track Stereo (35 mm magnetic prints) Color (Eastmancolor)](icons/rgb.png) |
The Rocky Horror Picture Show |
Jim Sharman, W, W, ++, C |
|
3.4 |
1973 |
DHoT![Color (Technicolor); Aspect: 1.85:1; 35 mm; Camera and Lenses by Panavision; AUDIO: Mono Color (Technicolor)](icons/rgb.png) |
Don't Look Now |
Nicolas Roeg, W, W, ++, C, M |
|
4.9 |
1973 |
CrD![Color (Technicolor); Aspect: 1.85:1; 35 mm; AUDIO: Mono Color (Technicolor)](icons/rgb.png) |
Mean Streets |
Martin Scorsese, W, W, ++, C |
|
5.2 |
1973 |
DHWe![Color (Metrocolor); Aspect: 2.35:1; 35 mm; Panavision (anamorphic); AUDIO: Mono Color (Metrocolor)](icons/rgb.png) |
Pat Garrett & Billy the Kid |
Sam Peckinpah, W, C, M |
|
3.4 |
1969 |
D![Black and White, Color; Aspect: 1.85:1; 16 mm (New Orleans scenes) 35 mm; Arriflex Cameras; AUDIO: Mono (Western Electric Sound System) Black and White, Color](icons/rgb-bw.png) |
Easy Rider |
Dennis Hopper, W, W, ++, C, C |
|
5.9 |
1967 |
CrDT![Color (Metrocolor); Aspect: 2.35:1; 35 mm (Eastman 50T 5251); Panavision (anamorphic); AUDIO: Mono Color (Metrocolor)](icons/rgb.png) |
Point Blank |
John Boorman, W, W, ++, C, M |
|
2.3 |
1967 |
CD![Color (Eastmancolor); Aspect: 1.66:1; 35 mm; AUDIO: Mono Color (Eastmancolor)](icons/rgb.png) |
Weekend |
Jean-Luc Godard, W, ++, C, M «Week End» |
|
6.6 |
1964 |
AdCrDWe![Black and White; Aspect: 1.33:1; 35 mm; AUDIO: Mono Black and White](icons/bw.png) |
Black God, White Devil |
Glauber Rocha, W, ++, C, M «Deus e o Diabo na Terra do Sol» |
|
7.6 |
1960 |
CrDHo![Black and White; Aspect: 1.55:1; 35 mm; (anamorphic); AUDIO: Mono Black and White](icons/bw.png) |
The Housemaid |
Ki-young Kim, W, C, M «Hanyo» |
|
6.8 |
1959 |
D![Black and White; Aspect: 1.37:1; 16 mm; Arriflex Cameras; AUDIO: Mono Black and White](icons/bw.png) |
Shadows |
John Cassavetes, W, C |
|
7.1 |
1955 |
CrDNH![Black and White; Aspect: 1.85:1; 35 mm; AUDIO: Mono Black and White](icons/bw.png) |
The Phenix City Story |
Phil Karlson, W, W, C, M |
|
6.2 |
1954 |
D![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono Black and White](icons/bw.png) |
Journey to Italy |
Roberto Rossellini, W, W, ++, C «Viaggio in Italia» |
|
6.4 |
1949 |
CCr![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (RCA Sound System) Black and White](icons/bw.png) |
Whisky Galore |
Alexander Mackendrick, W, ++, C, M «Whisky Galore!» |
|
6.0 |
1948 |
CrND![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Recording) Black and White](icons/bw.png) |
Force of Evil |
Abraham Polonsky, W, W, ++, C, M |
|
6.6 |
1942 |
HoMT![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (RCA Sound System) Black and White](icons/bw.png) |
Cat People |
Jacques Tourneur, W, C, M |
|
6.3 |
1941 |
DHo![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Mirrophonic Recording) Black and White](icons/bw.png) |
The Wolf Man |
George Waggner, W, C, M, M, M |
|
7.2 |
1940 |
C![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Mirrophonic Recording) Black and White](icons/bw.png) |
The Bank Dick |
Edward F. Cline, W, ++, C, M |
|
6.5 |
1937 |
BD![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono Black and White](icons/bw.png) |
The Life of Emile Zola |
William Dieterle, W, W, ++, C, M |
|
9.1 |
1931 |
DR![Black and White; Silent](icons/bw.png) |
Limite |
Mario Peixoto, W, C |
|
6.4 |
1931 |
CrD![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Vitaphone) (Western Electric Sound System) Black and White](icons/bw.png) |
Little Caesar |
Mervyn LeRoy, W, W, ++, C |
|
7.0 |
1928 |
DHW![Black and White; Silent](icons/bw.png) |
Storm Over Asia |
Vsevolod Pudovkin, W, W, C, M, M «Potomok Chingis-Khana» |
|
8.6 |
1927 |
BDHW![Black and White, Black and White (tinted) (some sequences); Silent](icons/bw.png) |
Napoleon |
Abel Gance, W, C, C, C++, M, M, M «Napoléon» |
|
5.6 |
1922 |
D![Black and White; Silent](icons/bw.png) |
Foolish Wives |
Erich von Stroheim, W, W, ++, C, C, M, M |
|
6.7 |
1903 |
SWe![Black and White (hand-colored); Silent](icons/bw.png) |
The Great Train Robbery |
[ Edwin S. Porter ], ++, C, C |
|
2.9 |
2011 |
D![Color (DeLuxe); Aspect: 2.35:1; 35 mm (Kodak Vision3 500T 5219, Fuji Eterna 250D 8563); Digital Intermediate (2K) (master format) Techniscope (source format); Arricam LT, Cooke S4 Lenses; AUDIO: Dolby Digital Color (DeLuxe)](icons/rgb.png) |
Shame |
Steve McQueen, W, W, C, M |
|
6.2 |
2005 |
CrD![Color; Aspect: 2.35:1; 35 mm (Kodak Vision2 100T 5212, Vision2 200T 5217, Vision2 500T 5218); Digital Intermediate (2K) (master format) Super 35 (source format); Moviecam Compact, Zeiss Variable Prime, Angenieux HR and Canon Lenses; AUDIO: Dolby Digital Color](icons/rgb.png) |
Tsotsi |
Gavin Hood, W, W, C, M, M |
|
4.8 |
1999 |
D![Color; Aspect: 1.66:1; 35 mm; AUDIO: Dolby SR Color](icons/rgb.png) |
Beau Travail |
Claire Denis, W, W, ++, C, M, M «Beau travail» |
|
6.0 |
1998 |
HoMT![Black and White, Color; Aspect: 1.85:1; 35 mm (Fuji Super F-125T 8532, Super F-500T 8572); Arriflex 35 BL4, Cooke and Cineovision Lenses; AUDIO: Dolby SR Black and White, Color](icons/rgb-bw.png) |
Ring |
Hideo Nakata, W, W, C, M «Ringu» |
|
1.4 |
1994 |
CrDT![Black and White, Color (Technicolor); Aspect: 1.85:1; 16 mm (Kodak 7276 Plus X Reversal) (some segments) 35 mm (Kodak ASA 800) (some segments) 8 mm (some segments) Video (NTSC) (news segments); Betacam SP (news segments) Scooptic 16 (16 mm segments) Spherical (35 mm segments) Super 8 (8 mm segments); Panavision Cameras and Lenses (35 mm segments) Beaulieu Cine 8 (8 mm segments) Sony Betacam Cameras (video segments); AUDIO: Dolby Digital Black and White, Color (Technicolor)](icons/rgb-bw.png) |
Natural Born Killers |
Oliver Stone, W, W, ++, C, M |
|
7.2 |
1993 |
BCD![Color (Technicolor); Aspect: 1.66:1; AUDIO: Dolby, Dolby SR Color (Technicolor)](icons/q-rgb.png) |
Caro diario |
Nanni Moretti, W, C, M |
|
6.7 |
1992 |
CDR![Color (Eastmancolor); Aspect: 1.85:1; 35 mm; AUDIO: Dolby Color (Eastmancolor)](icons/rgb.png) |
Strictly Ballroom |
Baz Luhrmann, W, ++, C, M |
|
5.4 |
1992 |
CrDRT![Color (Eastmancolor); Aspect: 2.35:1; 35 mm (Eastman Kodak); Panavision (anamorphic); AUDIO: Dolby SR Color (Eastmancolor)](icons/rgb.png) |
The Crying Game |
Neil Jordan, W, C, M |
|
7.0 |
1988 |
CDFanR![Color (DuArt), Color; Aspect: 1.85:1; 35 mm; Lenses and Panaflex Cameras by Panavision; AUDIO: Dolby, Stereo (Todd-AO/Glen Glenn Sound) Color (DuArt), Color](icons/rgb.png) |
Big |
Penny Marshall, W, W, C, M |
|
6.0 |
1988 |
DT![Color; Aspect: 1.66:1; 35 mm; Panavision Cameras and Lenses (uncredited); AUDIO: Dolby Color](icons/rgb.png) |
Dead Ringers |
David Cronenberg, W, W, ++, C, M |
|
6.0 |
1987 |
CDW![Color; Aspect: 1.85:1; 35 mm; Panaflex Camera and Lenses by Panavision; AUDIO: 70 mm 6-Track (70 mm prints), Dolby (35 mm prints) Color](icons/rgb.png) |
Good Morning, Vietnam |
Barry Levinson, W, C, M |
|
3.3 |
1986 |
CD![Color; Aspect: 1.78:1; 35 mm; AUDIO: Mono Color](icons/rgb.png) |
The Decline of the American Empire |
Denys Arcand, W, C, M «Le déclin de l'empire américain» |
|
4.1 |
1985 |
DoB![Color; 35 mm; AUDIO: Mono Color](icons/rgb.png) |
Sherman's March |
Ross McElwee, W, C |
|
6.6 |
1984 |
ACCrDT![Color (Technicolor); Aspect: 1.85:1; 35 mm; Panaflex Cameras and Lenses by Panavision; AUDIO: Dolby Color (Technicolor)](icons/rgb.png) |
Beverly Hills Cop |
Martin Brest, W, W, ++, C, M |
|
6.6 |
1983 |
DMT![Color; Aspect: 1.66:1; 35 mm (Kodak); Arriflex Cameras and Lenses; AUDIO: Mono Color](icons/rgb.png) |
The Fourth Man |
Paul Verhoeven, W, W, C, M «De vierde man» |
|
5.4 |
1983 |
HoSf![Color; Aspect: 1.85:1; 35 mm; Panaflex Camera and Lenses by Panavision; AUDIO: Mono Color](icons/rgb.png) |
Videodrome |
David Cronenberg, W, C, M |
|
6.0 |
1982 |
CDM![Color; Aspect: 1.66:1; 16 mm (Eastman 100T 7247); Super 16; Aaton LTR, Zeiss Super Speed and Cooke Varokinetal Lenses; AUDIO: Mono Color](icons/rgb.png) |
The Draughtsman's Contract |
Peter Greenaway, W, C, M |
|
5.6 |
1981 |
DHSp![Color; Aspect: 1.85:1; 35 mm; AUDIO: Dolby Color](icons/rgb.png) |
Chariots of Fire |
Hugh Hudson, W, C, M |
|
6.5 |
1973 |
CSf![Color; Aspect: 1.85:1; 35 mm; Panavision Camera and Lenses; AUDIO: Mono Color](icons/rgb.png) |
Sleeper |
Woody Allen, W, W, C, M |
|
4.3 |
1971 |
D![Color (Technicolor); Aspect: 2.35:1; 35 mm (2-perf); Techniscope; AUDIO: Mono (Westrex Recording System) Color (Technicolor)](icons/rgb.png) |
Two-Lane Blacktop |
Monte Hellman, W, W, ++, C, C, M |
|
7.7 |
1964 |
DR![Color, Black and White; Aspect: 1.85:1; 35 mm; AUDIO: Mono Color, Black and White](icons/rgb-bw.png) |
Before the Revolution |
Bernardo Bertolucci, W, W, C, M «Prima della rivoluzione» |
|
6.5 |
1960 |
Ho![Black and White; Aspect: 1.66:1; 35 mm (Dupont); AUDIO: Mono Black and White](icons/bw.png) |
Black Sunday |
Mario Bava, W, W, ++, C, M, M «La maschera del demonio» |
|
6.4 |
1959 |
DWe![Color (Eastmancolor) (as Eastman Color); Aspect: 2.35:1; 35 mm; CinemaScope; AUDIO: Mono (RCA Sound Recording) Color (Eastmancolor) (as Eastman Color)](icons/rgb.png) |
Ride Lonesome |
Budd Boetticher, W, C, M |
|
6.2 |
1958 |
DRWe![Color; Aspect: 2.35:1; 35 mm; CinemaScope; AUDIO: Mono (Westrex Recording System) Color](icons/rgb.png) |
Man of the West |
Anthony Mann, W, W, C, M |
|
5.9 |
1955 |
CMlR![Color (Eastmancolor); Aspect: 2.55:1; 35 mm; CinemaScope; AUDIO: 4-Track Stereo (Western Electric Sound System) (magnetic prints), Mono (optical prints) Color (Eastmancolor)](icons/rgb.png) |
Guys and Dolls |
Joseph L. Mankiewicz, W, W, ++, C |
|
6.2 |
1953 |
CDMlR![Color (Technicolor); Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Recording) Color (Technicolor)](icons/rgb.png) |
Gentlemen Prefer Blondes |
Howard Hawks, W, W, ++, C, M, M, M++ |
|
6.3 |
1952 |
CDR![Color (Technicolor); AUDIO: Mono (Western Electric Sound System) Color (Technicolor)](icons/q-rgb.png) |
The Golden Coach |
Jean Renoir, W, W, ++, C, C «Le carrosse d'or» |
|
6.2 |
1950 |
RWe![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (RCA Sound System) Black and White](icons/bw.png) |
Rio Grande |
John Ford, W, W, C, M |
|
6.1 |
1949 |
DN![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Recording) Black and White](icons/bw.png) |
The Reckless Moment |
Max Ophüls, W, W, ++, C, M |
|
7.2 |
1944 |
BDHW![Color (Technicolor); Aspect: 1.85:1; 35 mm; SuperScope (1950's cropped widescreen version) Spherical; AUDIO: Mono Color (Technicolor)](icons/rgb.png) |
Henry V |
Laurence Olivier, W, ++, C, C, M «The Chronicle History of King Henry the Fift with His Battell Fought at Agincourt in France» |
|
6.9 |
1941 |
AnFMl![Color (Technicolor); Aspect: 1.37:1; 35 mm; AUDIO: Mono (RCA Sound System) Color (Technicolor)](icons/rgb.png) |
Dumbo |
Samuel Armstrong, Norman Ferguson, ++, W, W, ++, M, M |
|
5.3 |
2011 |
CD![Color; Aspect: 1.85:1; 35 mm (Kodak Vision3 250D 5207, Vision3 500T 5219); Super 35 (3-perf); AUDIO: Dolby, Dolby Digital Color](icons/rgb.png) |
Le Havre |
Aki Kaurismäki, W, C |
|
5.0 |
2010 |
DH![Color; Aspect: 2.35:1; 35 mm (Kodak Vision3 250D 5207, Vision2 500T 5218); Digital Intermediate (2K) (master format) Techniscope (source format); Aaton Penelope, Zeiss Standard Speed Lenses; AUDIO: Dolby Digital Color](icons/rgb.png) |
Of Gods and Men |
Xavier Beauvois, W, W, C «Des hommes et des dieux» |
|
6.8 |
2003 |
DoCr![Color; Aspect: 1.33:1 Color](icons/q-rgb.png) |
Aileen: Life and Death of a Serial Killer |
Nick Broomfield, Joan Churchill, C, M |
|
1.4 |
2003 |
CrDT![Color; Aspect: 1.85:1; 35 mm (Kodak Vision 500T 5263); Arricam LT, Zeiss Super Speed Lenses Arricam ST, Zeiss Super Speed Lenses; AUDIO: Dolby Digital Color](icons/rgb.png) |
Elephant |
Gus Van Sant, W, C |
|
3.8 |
1999 |
HoT![Color; Aspect: 1.85:1; 35 mm; AUDIO: DTS-Stereo, Dolby SR Color](icons/rgb.png) |
Audition |
Takashi Miike, W, W, C, M «Ôdishon» |
|
3.5 |
1999 |
AAdCDW![Color (Technicolor); Aspect: 2.35:1; 35 mm (Kodak); Super 35; Panavision Cameras and Lenses; AUDIO: DTS, Dolby Digital, SDDS Color (Technicolor)](icons/rgb.png) |
Three Kings |
David O. Russell, W, W, C, M |
|
6.0 |
1996 |
CrHoM![Color; Aspect: 2.35:1; 35 mm; Clairmont-Scope (anamorphic); Moviecam Compact, Clairmont Lenses; AUDIO: Dolby Digital Color](icons/rgb.png) |
Scream |
Wes Craven, W, C, M |
|
5.7 |
1996 |
CCr![Color (Eastmancolor); 35 mm (Kodak); AUDIO: Stereo, Dolby SR Color (Eastmancolor)](icons/rgb.png) |
Three Lives and Only One Death |
Raoul Ruiz, W, W, C, M «Trois vies et une seule mort» |
|
5.6 |
1994 |
CDR![Color; Aspect: 1.66:1; 35 mm (Kodak); AUDIO: Dolby, Dolby SR Color](icons/rgb.png) |
Muriel's Wedding |
P.J. Hogan, W, C, M |
|
6.5 |
1989 |
D![Color; Aspect: 1.85:1; 35 mm (Agfa XT 320); Panaflex Camera and Lenses by Panavision; AUDIO: Dolby Color](icons/rgb.png) |
Sex, Lies, and Videotape |
Steven Soderbergh, W, C, M |
|
5.6 |
1987 |
DFan![Color; Aspect: 1.66:1; 35 mm; Arriflex 35 BL4, Zeiss Standard Speed and Angenieux HP Lenses; AUDIO: Mono Color](icons/rgb.png) |
Brightness |
Souleymane Cissé, W, C, C, M, M «Yeelen» |
|
5.7 |
1987 |
CDR![Color; Aspect: 1.85:1; 35 mm; AUDIO: Dolby Color](icons/rgb.png) |
Broadcast News |
James L. Brooks, W, C, M |
|
6.1 |
1987 |
ACCr![Color; Aspect: 2.35:1; 35 mm; Technovision; AUDIO: Mono Color](icons/rgb.png) |
Project A 2 |
Jackie Chan, W, W, ++, C, M «'A' gai wak juk jap» |
|
5.5 |
1986 |
DR![Color; Aspect: 1.85:1; 35 mm; Panaflex Camera and Lenses by Panavision; AUDIO: Mono Color](icons/rgb.png) |
Children of a Lesser God |
Randa Haines, W, W, ++, C, M |
|
4.4 |
1986 |
CrMT![Color (Technicolor); Aspect: 2.20:1; 35 mm (Eastman); Super 35; Arriflex 35 BL3, Zeiss Super Speed Lenses; AUDIO: 70 mm 6-Track (70 mm prints), Dolby (35 mm prints) Color (Technicolor)](icons/rgb.png) |
Manhunter |
Michael Mann, W, W, C, M, M |
|
8.1 |
1986 |
D![Color; Aspect: 2.35:1; 35 mm; (anamorphic); AUDIO: Mono Color](icons/rgb.png) |
The Horse Thief |
Zhuangzhuang Tian, Peicheng Pan, W, C, C, M «Dao ma zei» |
|
4.9 |
1985 |
BDR![Color; Aspect: 1.85:1; 35 mm (Agfa XT 320, Eastman 100T 5247); Arriflex 35 BL, Zeiss Super Speed Lenses; AUDIO: 70 mm 6-Track (70 mm prints), Dolby (35 mm prints) (as Dolby Stereo) Color](icons/rgb.png) |
Out of Africa |
Sydney Pollack, W, W, ++, C, M |
|
3.6 |
1983 |
CD![Color (Metrocolor); Aspect: 1.85:1; 35 mm; Panavision Cameras and Lenses; AUDIO: Mono Color (Metrocolor)](icons/rgb.png) |
The Big Chill |
Lawrence Kasdan, W, W, C |
|
5.2 |
1982 |
CD![Color (Metrocolor); Aspect: 1.85:1; 35 mm; Panaflex Camera and Lenses by Panavision; AUDIO: Mono Color (Metrocolor)](icons/rgb.png) |
Diner |
Barry Levinson, W, C, M, M |
|
5.3 |
1982 |
CDR![Color (Technicolor); Aspect: 1.85:1; 35 mm; Ultracam 35 Camera and Lenses; AUDIO: Mono Color (Technicolor)](icons/rgb.png) |
Fast Times at Ridgemont High |
Amy Heckerling, W, C |
|
3.3 |
1980 |
ADW![Black and White, Color (Metrocolor); Aspect: 1.85:1; 35 mm; Arriflex Cameras; AUDIO: Dolby Digital (reconstruction), Dolby (original release) Black and White, Color (Metrocolor)](icons/rgb-bw.png) |
The Big Red One |
Samuel Fuller, W, C, M |
|
7.3 |
1979 |
C![Color; Aspect: 1.85:1; 35 mm; Panaflex Cameras and Lenses by Panavision; AUDIO: Mono Color](icons/rgb.png) |
Real Life |
Albert Brooks, W, W, ++, C, M |
|
6.1 |
1979 |
C![Color (Technicolor); Aspect: 1.85:1; 35 mm; Lenses and Panaflex Camera by Panavision (as Lenses & Panaflex Camera by Panavision®); AUDIO: Mono Color (Technicolor)](icons/rgb.png) |
The Jerk |
Carl Reiner, W, W, ++, C, M |
|
5.3 |
1978 |
MlR![Color (Metrocolor); Aspect: 2.20:1; 35 mm; Panavision (anamorphic); AUDIO: DTS (re-release) (1998), Dolby Digital (re-release) (1998), Dolby (35 mm prints) (original release), 70 mm 6-Track (70 mm prints) (original release) Color (Metrocolor)](icons/rgb.png) |
Grease |
Randal Kleiser, W, W, ++, C |
|
6.0 |
1977 |
DMT![Color; Aspect: 1.85:1; 35 mm; Panaflex Camera and Lenses by Panavision; AUDIO: Mono Color](icons/rgb.png) |
The Last Wave |
Peter Weir, W, W, ++, C, M |
|
4.0 |
1972 |
DR![Color (Technicolor); Aspect: 1.75:1; 35 mm; AUDIO: Mono Color (Technicolor)](icons/rgb.png) |
Last Tango in Paris |
Bernardo Bertolucci, W, ++, C, M «Ultimo tango a Parigi» |
|
6.2 |
1971 |
MT![Color (Technicolor); Aspect: 2.35:1; 35 mm; Panavision (anamorphic) (as Panavision®); Panavision Cameras and Lenses; AUDIO: Mono Color (Technicolor)](icons/rgb.png) |
Klute |
Alan J. Pakula, W, W, C, M |
|
6.3 |
1970 |
CDR![Color (Eastmancolor); Aspect: 1.85:1; 35 mm; AUDIO: Mono Color (Eastmancolor)](icons/rgb.png) |
Deep End |
Jerzy Skolimowski, W, W, ++, C |
|
6.1 |
1970 |
MT![Color (Eastmancolor); Aspect: 2.35:1; 35 mm (2-perf); Cromoscope; AUDIO: Mono Color (Eastmancolor)](icons/rgb.png) |
The Bird with the Crystal Plumage |
Dario Argento, W, ++, C, M «L'uccello dalle piume di cristallo» |
|
3.9 |
1965 |
DMSfT![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono Black and White](icons/bw.png) |
Alphaville |
Jean-Luc Godard, W, ++, C, M «Alphaville, une étrange aventure de Lemmy Caution» |
|
4.7 |
1964 |
DMRT![Color (Technicolor); Aspect: 1.85:1; 35 mm; AUDIO: Mono (Westrex Recording System) Color (Technicolor)](icons/rgb.png) |
Marnie |
Alfred Hitchcock, W, W, C, M |
|
5.3 |
1957 |
We![Color (Technicolor); Aspect: 1.85:1; 35 mm (horizontal); VistaVision (as VistaVision Motion Picture High-Fidelity); AUDIO: Mono (Western Electric Recording) Color (Technicolor)](icons/rgb.png) |
Gunfight at the O.K. Corral |
John Sturges, W, W, C, M |
|
6.4 |
1955 |
MlRWe![Color (Technicolor); Aspect: 2.20:1; 35 mm (24 fps) 65 mm (30 fps); CinemaScope (24 fps) (35 mm version) Todd-AO (30 fps) (70 mm version); AUDIO: 4-Track Stereo (Western Electric Sound System) (CinemaScope version) (35 mm magnetic prints), 70 mm 6-Track (70 mm prints), Mono (Western Electric Sound System) (35 mm optical prints) Color (Technicolor)](icons/rgb.png) |
Oklahoma! |
Fred Zinnemann, W, W, ++, C |
|
6.7 |
1954 |
We![Color (Technicolor); Aspect: 1.37:1; 35 mm; AUDIO: Mono (RCA Sound System) Color (Technicolor)](icons/rgb.png) |
Silver Lode |
Allan Dwan, W, C, M, M |
|
5.1 |
1951 |
MlR![Color (Technicolor); Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Sound System) Color (Technicolor)](icons/rgb.png) |
An American in Paris |
Vincente Minnelli, W, C, M |
|
6.6 |
1935 |
DFanR![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Noiseless Recording) Black and White](icons/bw.png) |
Peter Ibbetson |
Henry Hathaway, W, W, ++, C, M, M, M++ |
|
6.4 |
1934 |
HoCrAdT![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Noiseless Recording) Black and White](icons/bw.png) |
The Black Cat |
Edgar G. Ulmer, W, W, ++, C, M |
|
2.3 |
2011 |
DMT![Color; Aspect: 2.35:1; 35 mm (Fuji Eterna 500T 8573, Reala 500D 8592); Digital Intermediate (4K) (master format) Super 35 (3-perf) (source format); Panavision Panaflex Millennium, Panavision Primo Lenses; AUDIO: Datasat, Dolby Digital Color](icons/rgb.png) |
Tinker Tailor Soldier Spy |
Tomas Alfredson, W, W, ++, C, M |
|
4.9 |
1996 |
DMR![Color; Aspect: 1.85:1; 35 mm; AUDIO: Stereo Color](icons/rgb.png) |
Gabbeh |
Mohsen Makhmalbaf, W, C, M |
|
2.7 |
1995 |
D![Color; Aspect: 1.85:1; 35 mm; AUDIO: Stereo, Dolby SR Color](icons/rgb.png) |
Safe |
Todd Haynes, W, C, M |
|
4.4 |
1994 |
CR![Color (Eastmancolor); Aspect: 1.66:1; 35 mm; J-D-C Cameras; AUDIO: Dolby Digital, Dolby SR Color (Eastmancolor)](icons/rgb.png) |
Four Weddings and a Funeral |
Mike Newell, W, C, M |
|
5.8 |
1994 |
CrTD![Color; Aspect: 1.85:1; 35 mm; Panavision Cameras and Lenses; AUDIO: Ultra Stereo Color](icons/rgb.png) |
The Last Seduction |
John Dahl, W, C, M |
|
4.9 |
1991 |
DR![Color (Alphacine); Aspect: 1.78:1; 35 mm; AUDIO: Ultra Stereo, Dolby SR Color (Alphacine)](icons/rgb.png) |
My Own Private Idaho |
Gus Van Sant, W, W, C, C, M |
|
4.0 |
1991 |
CD![Color; Aspect: 1.37:1; 16 mm; Arriflex SR 2 Beaulieu 7008 Beaulieu Cine 8 Fisher-Price PXL 2000 "PixelVision" (bar scene); AUDIO: Ultra Stereo Color](icons/rgb.png) |
Slacker |
Richard Linklater, W, C |
|
3.9 |
1988 |
CRSp![Color; Aspect: 1.85:1; 35 mm; Panavision Camera and Lenses; AUDIO: Dolby Color](icons/rgb.png) |
Bull Durham |
Ron Shelton, W, C, M |
|
6.8 |
1987 |
CD![Color (Technicolor); Aspect: 1.37:1; 35 mm; AUDIO: Dolby Color (Technicolor)](icons/rgb.png) |
Moonstruck |
Norman Jewison, W, C, M |
|
6.7 |
1973 |
DR![Color; Aspect: 1.85:1; 35 mm; AUDIO: Mono Color](icons/rgb.png) |
Turkish Delight |
Paul Verhoeven, W, W, C, M «Turks fruit» |
|
7.0 |
1972 |
CrDMc![Color (Metrocolor); Aspect: 1.66:1; 16 mm; AUDIO: Mono Color (Metrocolor)](icons/rgb.png) |
The Harder They Come |
Perry Henzell, W, W, C, C, C, M, M, M |
|
7.6 |
1971 |
DWe![Color (Technicolor); Aspect: 1.85:1; 35 mm; AUDIO: Mono Color (Technicolor)](icons/rgb.png) |
The Hired Hand |
Peter Fonda, W, C, M |
|
6.4 |
1970 |
CrDMc![Black and White, Color (Technicolor); Aspect: 1.85:1; 35 mm; AUDIO: Mono Black and White, Color (Technicolor)](icons/rgb-bw.png) |
Performance |
Donald Cammell, Nicolas Roeg, W, ++, C, M |
|
6.5 |
1970 |
DM![Color (Eastmancolor); Aspect: 1.37:1; 35 mm; AUDIO: Mono (Westrex Recording) Color (Eastmancolor)](icons/rgb.png) |
The Spider's Stratagem |
Bernardo Bertolucci, W, W, ++, C, C «Strategia del ragno» |
|
3.1 |
1970 |
DR![Color (Metrocolor); Aspect: 2.35:1; 35 mm; Panavision (anamorphic); AUDIO: Mono Color (Metrocolor)](icons/rgb.png) |
Zabriskie Point |
Michelangelo Antonioni, W, ++, C, M, M |
|
7.1 |
1968 |
D![Black and White; Aspect: 1.78:1; 35 mm; AUDIO: Mono Black and White](icons/bw.png) |
Lucía |
Humberto Solás, W, W, ++, C, M |
|
8.0 |
1966 |
Cr![Color; Aspect: 2.35:1; 35 mm; Shawscope; AUDIO: Mono Color](icons/rgb.png) |
Come Drink with Me |
King Hu, W, W, C, M «Da zui xia» |
|
8.4 |
1966 |
D![Black and White; 35 mm; AUDIO: Mono Black and White](icons/bw.png) |
The Man Who Had His Hair Cut Short |
André Delvaux, W, W, ++, C, C, M «De man die zijn haar kort liet knippen» |
|
5.4 |
1964 |
Ho![Color (Pathécolor); Aspect: 2.35:1; 35 mm; Colorscope; AUDIO: Mono (RCA Sound Recording) Color (Pathécolor)](icons/rgb.png) |
The Masque of the Red Death |
Roger Corman, W, W, ++, C, M |
|
4.8 |
1954 |
DCrMR![Color (Technicolor); Aspect: 1.75:1; 35 mm; AUDIO: Mono (Perspecta Sound encoding) (Western Electric Recording) Color (Technicolor)](icons/rgb.png) |
The Barefoot Contessa |
Joseph L. Mankiewicz, W, C, M |
|
5.6 |
1951 |
DFanMR![Color (Technicolor); Aspect: 1.37:1; 35 mm; AUDIO: Mono Color (Technicolor)](icons/rgb.png) |
Pandora and the Flying Dutchman |
Albert Lewin, W, C, M |
|
7.8 |
1948 |
D![Black and White; Aspect: 1.37:1; 35 mm; Arriflex Cameras; AUDIO: Mono (Western Electric Recording) Black and White](icons/bw.png) |
Louisiana Story |
Robert J. Flaherty, W, W, C, M |
|
7.1 |
1945 |
DoSW![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono Black and White](icons/bw.png) |
San Pietro |
[ John Huston ], ++, C, C, M |
|
6.7 |
1933 |
DRW![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Noiseless Recording) Black and White](icons/bw.png) |
The Bitter Tea of General Yen |
Frank Capra, W, W, C, M |
|
1.5 |
2012 |
HoMT![Color; Aspect: 2.35:1; 35 mm; Digital Intermediate (2K) (master format) Super 35 (source format); Panavision Panaflex Millennium XL2, Panavision Primo Lenses; AUDIO: Dolby Digital, Datasat, SDDS Color](icons/rgb.png) |
The Cabin in the Woods |
Drew Goddard, W, W, C, M |
|
3.4 |
2008 |
CrD![Color; Aspect: 2.35:1; 35 mm (Kodak Vision3 500T 5219); Super 35; Arricam LT, Zeiss Ultra Prime Lenses; AUDIO: Dolby Digital Color](icons/rgb.png) |
Gomorrah |
Matteo Garrone, W, W, ++, C «Gomorra» |
|
5.4 |
1990 |
CrT![Color; Aspect: 1.85:1; 35 mm; AUDIO: Dolby SR Color](icons/rgb.png) |
King of New York |
Abel Ferrara, W, C, M |
|
? |
1988 |
Do![Color; AUDIO: Mono Color](icons/q-rgb.png) |
A Tale of the Wind |
Joris Ivens, W, W, C, C, M «Une histoire de vent» |
|
3.7 |
1986 |
BCrDHoT![Color; Aspect: 1.37:1; 16 mm; AUDIO: Dolby Color](icons/rgb.png) |
Henry: Portrait of a Serial Killer |
John McNaughton, W, W, C, M, M, M |
|
5.2 |
1979 |
AAdT![Color (Eastmancolor); Aspect: 2.35:1; 35 mm (Eastman 100T 5247); Todd-AO 35 (anamorphic); Arriflex 35 BL, Todd-AO Lenses; AUDIO: Mono Color (Eastmancolor)](icons/rgb.png) |
Mad Max |
George Miller, W, W, ++, C, M |
|
6.6 |
1978 |
CMc![Color (Metrocolor); Aspect: 2.35:1; 35 mm; Panavision (anamorphic); Panavision Cameras and Lenses; AUDIO: Mono Color (Metrocolor)](icons/rgb.png) |
Up in Smoke |
Lou Adler, ++, W, W, C, M, M, M |
|
8.2 |
1977 |
D![Color (Eastmancolor); 35 mm; AUDIO: Mono Color (Eastmancolor)](icons/rgb.png) |
Ceddo |
Ousmane Sembene, W, C, M |
|
6.6 |
1972 |
DMlW![Color (Eastmancolor); Aspect: 1.37:1; 35 mm; AUDIO: Mono Color (Eastmancolor)](icons/rgb.png) |
Red Psalm |
Miklós Jancsó, W, C, M «Még kér a nép» |
|
5.4 |
1970 |
CrD![Color; Aspect: 1.85:1; 16 mm; AUDIO: Mono Color](icons/rgb.png) |
Wanda |
Barbara Loden, W, C |
|
5.0 |
1967 |
CD![Color (Eastmancolor); Aspect: 2.35:1; 35 mm (2-perf); Techniscope; AUDIO: Mono Color (Eastmancolor)](icons/rgb.png) |
2 or 3 Things I Know About Her |
Jean-Luc Godard, W, W, C «2 ou 3 choses que je sais d'elle» |
|
7.2 |
1961 |
D![Black and White; 35 mm; AUDIO: Mono Black and White](icons/bw.png) |
The Exiles |
Kent MacKenzie, W, C, C, C |
|
4.5 |
1956 |
CMlR![Color (Technicolor); Aspect: 1.85:1; 35 mm (horizontal); VistaVision; AUDIO: Perspecta Stereo (as Perspecta Sound®) (Westrex Recording System) Color (Technicolor)](icons/rgb.png) |
High Society |
Charles Walters, W, W, C, M, M, M |
|
6.7 |
1955 |
DoS![Color; Aspect: 1.37:1; 16 mm Color](icons/rgb.png) |
The Mad Masters |
Jean Rouch, C «Les maîtres fous» |
|
5.5 |
1954 |
DMlR![Color; Aspect: 2.55:1; 35 mm; CinemaScope; AUDIO: 4-Track Stereo (Western Electric Recording) (magnetic prints), Mono (optical prints) Color](icons/rgb.png) |
Carmen Jones |
Otto Preminger, W, W, ++, C |
|
5.7 |
1948 |
CWe![Color (Technicolor); Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Recording) Color (Technicolor)](icons/rgb.png) |
The Paleface |
Norman Z. McLeod, W, W, ++, C, M |
|
6.6 |
1929 |
CrT![Black and White; Aspect: 1.20:1; 35 mm; AUDIO: Mono (R.C.A. Photophone System) Black and White](icons/bw.png) |
Blackmail |
Alfred Hitchcock, W, W, ++, C, M, M, M |
|
1.5 |
1996 |
AAdSfT![Color; Aspect: 2.20:1; 35 mm (Eastman EXR 100T 5248, EXR 200T 5293, EXR 500T 5298); Super 35; Clairmont Cameras Panavision Cameras and Lenses; AUDIO: DTS 70 mm (70 mm print), DTS (35 mm prints), Dolby Digital (35 mm prints), SDDS (35 mm prints) Color](icons/rgb.png) |
Independence Day |
Roland Emmerich, W, W, C, M |
|
3.7 |
1990 |
CR![Color (Technicolor); Aspect: 1.85:1; 35 mm; Panavision Cameras and Lenses; AUDIO: Dolby Color (Technicolor)](icons/rgb.png) |
Pretty Woman |
Garry Marshall, W, C, M |
|
5.2 |
1987 |
DT![Color (Technicolor); Aspect: 1.85:1; 35 mm; Lenses and Panaflex Camera by Panavision; AUDIO: Dolby, Dolby Digital (5.1 surround) Color (Technicolor)](icons/rgb.png) |
Fatal Attraction |
Adrian Lyne, W, C, M |
|
3.3 |
1986 |
ADR![Color (Metrocolor); Aspect: 2.20:1; 35 mm (Eastman 125T 5247, 400T 5294); Super 35; Panaflex Camera and Lenses by Panavision; AUDIO: 70 mm 6-Track (70 mm prints), Dolby (35 mm prints) Color (Metrocolor)](icons/rgb.png) |
Top Gun |
Tony Scott, W, W, ++, C, M |
|
4.1 |
1985 |
DSfM![Color; Aspect: 1.85:1; 35 mm; Panavision Camera and Lenses; AUDIO: Dolby Color](icons/rgb.png) |
The Quiet Earth |
Geoff Murphy, W, W, ++, C, M |
|
5.9 |
1974 |
AT![Color; Aspect: 2.20:1; 35 mm (Eastman 100T 5247, 100T 5254); Panavision (anamorphic); Panavision Cameras and Lenses; AUDIO: 4-Track Stereo (35 mm magnetic prints), Mono (35 mm optical prints), 70 mm 6-Track (70 mm prints) (Westrex Recording System) Color](icons/rgb.png) |
The Towering Inferno |
John Guillermin, W, W, ++, C, M |
|
6.4 |
1972 |
CR![Color (TVC); Aspect: 1.85:1; 35 mm; AUDIO: Mono Color (TVC)](icons/rgb.png) |
The Heartbreak Kid |
Elaine May, W, W, C, M |
|
5.0 |
1971 |
CDFan![Color, Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono Color, Black and White](icons/rgb-bw.png) |
WR: Mysteries of the Organism |
Dusan Makavejev, W, C, C, M «W.R. - Misterije organizma» |
|
5.4 |
1969 |
DFan![Color (DeLuxe); Aspect: 2.35:1; 35 mm; Panavision (anamorphic); AUDIO: Mono Color (DeLuxe)](icons/rgb.png) |
Fellini Satyricon |
Federico Fellini, W, W, ++, C, M, M, M++ «Fellini - Satyricon» |
|
7.1 |
1964 |
S![Color; 16 mm; AUDIO: Mono Color](icons/rgb.png) |
Scorpio Rising |
Kenneth Anger, W, ++, C, M, M |
|
3.9 |
1958 |
CMlR![Color (Metrocolor); Aspect: 2.35:1; 35 mm; CinemaScope; AUDIO: 4-Track Stereo (Westrex Recording System), Perspecta Stereo, Mono Color (Metrocolor)](icons/rgb.png) |
Gigi |
Vincente Minnelli, W, W, C, C, M, M |
|
5.1 |
1947 |
DNMT![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Recording) Black and White](icons/bw.png) |
Secret Beyond the Door... |
Fritz Lang, W, W, C, M |
|
6.7 |
1943 |
DHR![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (BAF Sound System) Black and White](icons/bw.png) |
The Man in Grey |
Leslie Arliss, W, W, ++, C, M |
|
5.5 |
1943 |
DHoMT![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (RCA Sound System) Black and White](icons/bw.png) |
The Seventh Victim |
Mark Robson, W, W, C, M |
|
1.7 |
2011 |
CR![Color; Aspect: 2.35:1; 35 mm (Kodak Vision3 200T 5213, Vision3 500T 5219); Digital Intermediate (2K) (master format) Super 35 (source format); Arriflex 435 ES, Panavision Primo Lenses Panavision Panaflex Platinum, Panavision Primo Lenses; AUDIO: Dolby Digital, DTS, SDDS Color](icons/rgb.png) |
Bridesmaids |
Paul Feig, W, W, C, M |
|
7.3 |
1995 |
AdFFan![Color; Aspect: 1.85:1; 35 mm; Panaflex Camera and Lenses by Panavision; AUDIO: DTS, Dolby SR, DTS-Stereo Color](icons/rgb.png) |
Babe |
Chris Noonan, W, W, ++, C, M |
|
6.4 |
1995 |
CR![Color; Aspect: 1.85:1; 35 mm; Panavision Cameras and Lenses; AUDIO: Dolby Digital Color](icons/rgb.png) |
Clueless |
Amy Heckerling, W, C, M |
|
5.5 |
1992 |
CrD![Color; Aspect: 1.85:1; 16 mm (Eastman); Super 16; AUDIO: Dolby Color](icons/rgb.png) |
Romper Stomper |
Geoffrey Wright, W, C, M |
|
8.6 |
1991 |
CRW![Black and White; 35 mm; AUDIO: Mono Black and White](icons/bw.png) |
Archangel |
Guy Maddin, W, W, ++, C |
|
7.5 |
1990 |
D![Color (Eastmancolor); 35 mm; AUDIO: Stereo Color (Eastmancolor)](icons/rgb.png) |
No Fear, No Die |
Claire Denis, W, W, C, M «S'en fout la mort» |
|
4.4 |
1985 |
CCrDR![Color; Aspect: 1.85:1; 35 mm; Lenses and Panaflex Camera by Panavision; AUDIO: Dolby Color](icons/rgb.png) |
Prizzi's Honor |
John Huston, W, ++, C, M |
|
7.0 |
1980 |
DR![Color (Eastmancolor); Aspect: 1.66:1; 35 mm; AUDIO: Mono Color (Eastmancolor)](icons/rgb.png) |
Loulou |
Maurice Pialat, W, ++, C, C |
|
5.0 |
1977 |
DMc![Color; Aspect: 1.85:1; 35 mm; Panaflex Camera and Lenses by Panavision; AUDIO: Dolby Color](icons/rgb.png) |
Saturday Night Fever |
John Badham, W, W, C, M, M, M |
|
5.5 |
1967 |
CD![Black and White; Aspect: 1.37:1; 16 mm; AUDIO: Mono Black and White](icons/bw.png) |
David Holzman's Diary |
Jim McBride, ++, C |
|
6.5 |
1965 |
AC![Black and White; Aspect: 1.33:1; 16 mm; AUDIO: Mono Black and White](icons/bw.png) |
Faster, Pussycat! Kill! Kill! |
Russ Meyer, W, W, C |
|
8.5 |
1964 |
CrD![Black and White; Aspect: 1.37:1; 16 mm; AUDIO: Mono Black and White](icons/bw.png) |
The Cool World |
Shirley Clarke, W, W, ++, C, M |
|
7.5 |
1943 |
DW![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (RCA Sound System) Black and White](icons/bw.png) |
Fires Were Started |
Humphrey Jennings, W, C, M |
|
5.7 |
1936 |
Sf![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Sound System Noiseless Recording) Black and White](icons/bw.png) |
Things to Come |
William Cameron Menzies, W, C, M |
|
5.0 |
1927 |
DMcR![Black and White; Aspect: 1.33:1; 35 mm; AUDIO: Mono (Vitaphone) Black and White](icons/bw.png) |
The Jazz Singer |
Alan Crosland, W, W, ++, C, M |
|
6.9 |
1923 |
D![Black and White; Silent](icons/bw.png) |
The Smiling Madame Beudet |
Germaine Dulac, W, W, ++, C, C, M «La souriante Madame Beudet» |
|
6.9 |
1915 |
AAdCrDMT![Black and White; Silent](icons/bw.png) |
Les vampires |
Louis Feuillade, W, C, M |
|
1.8 |
1915 |
DHRW![Black and White; Silent](icons/bw.png) |
The Birth of a Nation |
D.W. Griffith, W, ++, C, M, M |
|
1.1 |
2011 |
DFan![Color; Aspect: 1.85:1; 35 mm (Kodak Vision2 200T 5217, Vision2 500T 5218) 65 mm (also horizontal) (Kodak Vision2 200T 5217, Vision2 500T 5218) Redcode RAW; Digital Intermediate (4K) (master format) Digital (4K) (source format) (some shots) IMAX (source format) (some scenes) Panavision Super 70 (source format) (some scenes) Redcode RAW (4K) (source format) (some shots) Spherical (source format); Arricam LT, Zeiss Master Prime and Ultra Prime Lenses Arricam ST, Zeiss Master Prime and Ultra Prime Lenses Arriflex 235, Zeiss Master Prime and Ultra Prime Lenses Arriflex 435, Zeiss Master Prime Lenses Dalsa Evolution IMAX Cameras Panavision 65 HR Camera, Panavision System 65 Lenses Phantom HD Gold Red One Camera (some shots); AUDIO: Dolby Digital Color](icons/d-rgb.png) |
The Tree of Life |
Terrence Malick, W, C, M |
|
4.6 |
1986 |
BDH![Color (Technicolor); Aspect: 1.85:1; 35 mm; Moviecam Cameras and Lenses; AUDIO: Mono Color (Technicolor)](icons/rgb.png) |
Caravaggio |
Derek Jarman, W, W, ++, C, M |
|
6.6 |
1982 |
D![Color; AUDIO: Mono Color](icons/q-rgb.png) |
A Question of Silence |
Marleen Gorris, W, C, M, M «De stilte rond Christine M» |
|
3.4 |
1976 |
SfD![Color; Aspect: 2.35:1; 35 mm; Panavision (anamorphic); AUDIO: 4-Track Stereo Color](icons/rgb.png) |
The Man Who Fell to Earth |
Nicolas Roeg, W, W, C, M, M |
|
7.7 |
1967 |
S![Black and White; AUDIO: Mono Black and White](icons/bw.png) |
Report |
Bruce Conner |
|
6.2 |
1963 |
CSf![Color (Technicolor); Aspect: 1.85:1; 35 mm; AUDIO: Mono (Westrex Recording System) Color (Technicolor)](icons/rgb.png) |
The Nutty Professor |
Jerry Lewis, W, W, C, M |
|
6.9 |
1955 |
CMl![Color (Technicolor); Aspect: 1.66:1; 35 mm (horizontal); VistaVision; AUDIO: Mono (Western Electric Recording) Color (Technicolor)](icons/rgb.png) |
Artists and Models |
Frank Tashlin, W, W, ++, C, M |
|
5.8 |
1953 |
D![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (RCA Sound System) Black and White](icons/bw.png) |
The Bigamist |
Ida Lupino, W, W, ++, C, M |
|
7.5 |
1937 |
Ho![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono Black and White](icons/bw.png) |
Song at Midnight |
Weibang Ma-Xu, W, W, C, C, M «Ye ban ge sheng» |
|
6.3 |
1929 |
AdDR![Black and White; Silent](icons/bw.png) |
Throw of the Dice |
Franz Osten, W, W, ++, C, M, M «Prapancha Pash» |
|
10.0 |
1990 |
D![Black and White, Color; Aspect: 1.37:1; 35 mm; AUDIO: Mono Black and White, Color](icons/rgb-bw.png) |
The Asthenic Syndrome |
Kira Muratova, W, W, ++, C «Astenicheskiy sindrom» |
|
6.2 |
1977 |
D![Color; Color](icons/q-rgb.png) |
Last Chants for a Slow Dance |
Jon Jost, W, C, M |
|
7.5 |
1977 |
ATD![Color; Aspect: 1.85:1; 35 mm; AUDIO: Mono Color](icons/rgb.png) |
Sleeping Dogs |
Roger Donaldson, W, W, ++, C, M, M, M |
|
4.0 |
1976 |
DHR![Color (Eastmancolor); Aspect: 1.50:1; 35 mm (horizontal); VistaVision; AUDIO: Mono Color (Eastmancolor)](icons/rgb.png) |
In the Realm of the Senses |
Nagisa Ôshima, W, C, M «Ai no korîda» |
|
5.7 |
1971 |
AT![Color (Metrocolor); Aspect: 1.85:1; 35 mm; Panavision Cameras and Lenses; AUDIO: Mono Color (Metrocolor)](icons/rgb.png) |
Shaft |
Gordon Parks, W, W, ++, C, M, M |
|
4.4 |
1962 |
S![Color; Aspect: 1.37:1; 16 mm Color](icons/rgb.png) |
Dog Star Man: Part I |
Stan Brakhage, W, C, C |
|
5.5 |
1972 |
ACrD![Color; Aspect: 1.85:1; 35 mm; AUDIO: Mono Color](icons/rgb.png) |
Super Fly |
Gordon Parks Jr., W, C, M |
|
10.0 |
1963 |
DoS![Color; AUDIO: Mono Color](icons/q-rgb.png) |
Méditerranée |
Jean-Daniel Pollet, Volker Schlöndorff, W, C, C, M |
|
5.4 |
1933 |
CDHMlR![Black and White; Aspect: 1.37:1; 35 mm; AUDIO: Mono (Western Electric Noiseless Recording) Black and White](icons/bw.png) |
She Done Him Wrong |
Lowell Sherman, W, W, ++, C, M |
|
3.9 |
2000 |
DW![Color; Aspect: 1.85:1; AUDIO: DTS, Dolby Digital Color](icons/q-rgb.png) |
Kippur |
Amos Gitai, W, W, C, M |
|
1.1 |
1999 |
HoM![Black and White, Color; Aspect: 1.33:1; 16 mm (Black and White scenes) (Eastman Double-X 7222) Video (Color scenes); Hi-8 Spherical; Cinema Products CP-16A RCA Hi-8 Camcorder; AUDIO: Dolby SR Black and White, Color](icons/rgb-bw.png) |
The Blair Witch Project |
Daniel Myrick, Eduardo Sánchez, W, W, C, M |
|
2.8 |
1991 |
DM![Color; Aspect: 1.85:1; 35 mm; AUDIO: Dolby Color](icons/rgb.png) |
The Rapture |
Michael Tolkin, W, C, M |
|
4.7 |
1977 |
Ho![Color; Aspect: 1.85:1; 16 mm; Super 16; AUDIO: Mono Color](icons/rgb.png) |
The Hills Have Eyes |
Wes Craven, W, C, M |
|
3.7 |
1962 |
Do![Color (Technicolor); 35 mm; AUDIO: Mono Color (Technicolor)](icons/rgb.png) |
Mondo cane |
Paolo Cavara, Gualtiero Jacopetti, ++, W, W, C, C, M |
|
4.2 |
1961 |
C![Color (Technicolor); Aspect: 1.85:1; 35 mm; AUDIO: Mono (Westrex Recording System) Color (Technicolor)](icons/rgb.png) |
The Ladies Man |
Jerry Lewis, W, W, ++, C, M |
|
6.5 |
1920 |
DR![Black and White; Silent](icons/bw.png) |
Within Our Gates |
Oscar Micheaux, W |
|
1.2 |
2007 |
HoM![Color; Aspect: 1.85:1; HDV (1080i); DV HDV; Sony FX1 (Zeiss Zoom Lenses); AUDIO: Dolby Digital Color](icons/d-rgb.png) |
Paranormal Activity |
Oren Peli, W, C |
|
9.3 |
1989 |
Do![Color; Aspect: 1.33:1; 16 mm; AUDIO: Mono Color](icons/rgb.png) |
Tongues Untied |
Marlon Riggs |
|
7.3 |
1986 |
CR![Black and White, Color; Aspect: 1.85:1; 16 mm 35 mm; Spherical (35 mm segments) Super 16 (16 mm segments); Arriflex 16 HSR; AUDIO: Mono Black and White, Color](icons/rgb-bw.png) |
She's Gotta Have It |
Spike Lee, W, C, M |
|
3.3 |
1975 |
DFanR![Color (Eastmancolor); Aspect: 1.37:1; 16 mm; AUDIO: Mono Color (Eastmancolor)](icons/rgb.png) |
India Song |
Marguerite Duras, W, C, M |
|
1.8 |
1972 |
CCrHo![Color; Aspect: 1.37:1; 16 mm 35 mm (blow-up); Auricon; AUDIO: Dolby (1997 re-release), Mono Color](icons/rgb.png) |
Pink Flamingos |
John Waters, W, C |
|
5.5 |
1955 |
AdDRW![Black and White; 35 mm; AUDIO: Mono Black and White](icons/bw.png) |
Giv'a 24 Eina Ona |
Thorold Dickinson, W, W, C, M |
|
6.5 |
1995 |
Do![Black and White, Color; Black and White, Color](icons/rgb-bw.png) |
Deseret |
James Benning |
|
1.4 |
1975 |
DT![Color (Eastmancolor); Aspect: 1.85:1; 35 mm; Arriflex Cameras (35 mm); AUDIO: Mono Color (Eastmancolor)](icons/rgb.png) |
Salò, or the 120 Days of Sodom |
Pier Paolo Pasolini, W, W, ++, C, M «Salò o le 120 giornate di Sodoma» |
|
5.6 |
1962 |
An![Black and White; AUDIO: Mono Black and White](icons/bw.png) |
Heaven and Earth Magic |
Harry Smith |
|
3.8 |
1967 |
![Color; 16 mm Color](icons/rgb.png) |
Wavelength |
Michael Snow, W, C, M |
|
7.0 |
1966 |
S![Color; 16 mm; AUDIO: Mono Color](icons/rgb.png) |
Hold Me While I'm Naked |
George Kuchar |
|
1.9 |
1971 |
CrDT![Color; Aspect: 1.37:1; 16 mm; AUDIO: Mono Color](icons/rgb.png) |
Sweet Sweetback's Baadasssss Song |
Melvin Van Peebles, W, C, M, M |
|
10.0 |
1982 |
![Color; Color](icons/q-rgb.png) |
Trop tôt, trop tard |
Danièle Huillet, Jean-Marie Straub, W, W, ++, C, C, C++ |
|
3.7 |
1965 |
Sf![Black and White; 16 mm; AUDIO: Mono Black and White](icons/bw.png) |
Vinyl |
Andy Warhol, W, W |
|
6.2 |
1963 |
D![Black and White; 16 mm; AUDIO: Mono Black and White](icons/bw.png) |
Flaming Creatures |
Jack Smith, W, C |
|
4.2 |
1963 |
S![Black and White; AUDIO: Mono Black and White](icons/bw.png) |
Blonde Cobra |
Ken Jacobs |